Disneyland

PARIS Hilton has been spotted wearing a disguise while on rides at Disneyland with her family, and she almost went completely unnoticed.

The Simple Life alum swapped her signature platinum blonde hairstyle for a brunette wig to keep her identity under wraps.

However, Paris, 44, didn’t have everybody fooled, as photos circulated of the DJ donning the getup on Sunday at the Anaheim, California, theme park.

They captured the socialite snapping photos of herself on the carousel and on other kiddie rides with her two kids: a son, Pheonix, who turns three in January, and her 2-year-old daughter, London.

She paired her new hairdo with dark blue jeans, a long-sleeved black Mickey Mouse sweater, a black hat, and thick, black-framed glasses.

Paris’s sister, Nicky Hilton, 42, joined them for the outing, along with her little ones, although she didn’t attempt to hide from the crowd, even sporting Minnie Mouse ears while taking pictures on the rides.

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Hours earlier, Paris shared a sweet video of her two kids, whom she shares with her husband, Carter Reum, smiling in front of a massive Christmas tree, decorated with silver and pink ornaments.

The youngsters wore matching light gray pajamas with Santa’s face for the photoshoot, during which Phoenix adorably sat on his little sister’s lap.

Paris gushed over the duo’s adorable bond and called them “besties for life,” while recalling her close relationship with her siblings.

“Watching Phoenix and London grow up side by side is the greatest gift. Best friends from the very beginning. There’s nothing like having a sibling to laugh with, learn with, and always feel understood by,” her caption began.

“Growing up with siblings shaped my whole heart, and I’m so grateful they get to have that same bond. I love my forever built-in bestie @NickyHilton for showing me just how special that kind of love can be,” the This Is Paris author added.

Paris also has two brothers, Barron Hilton II, 36, and Conrad Hilton, 31.

Despite the TV star’s tight bond with her family, which includes Real Housewives of Beverly Hills star Kathy Hilton, she kept them all in the dark about the birth of her eldest child until a week after he was born.

Paris welcomed her son via surrogate in 2023 but kept the news private out of concern it would leak.

“Not even my mom, my sisters, my best friend knew until he was over a week old,” the reality star confessed on her This Is Paris podcast.

“It was really nice to have that with Carter, be our own journey together. I just feel like my life has been so public, and I’ve never really had anything be just mine,” Paris continued.

“So, when we were talking about it, I really felt that I wanted this journey to be for us only.”

She also said she and Carter “made a pact” to keep the pregnancy a secret, and they followed through on it.

Paris and Carter began dating in November 2019 after reconnecting at a Thanksgiving dinner with mutual friends.

They had known each other for 15 years before that, but it wasn’t until their first date that their romance blossomed.

Theme parks have long had a checkered reputation when it comes to dining.

And theme park designer Eddie Sotto once wanted to put an end to such a reputation. “Why,” Sotto reflected to me in 2023, “are we not thinking more holistically as to what we’re putting inside the guest as to what we’re putting in front of the guest?”

“The old joke is that people don’t expect the food to be any good in an immersive environment,” Sotto said. “I don’t believe that. I believe it should all be good. You’re paying a lot. The opportunity is for it all to be transformative.”

Sotto, whose outspoken passion for theme park design made him a favorite among Disney’s vast fanbase, died on Dec. 17 in Orange County after a long battle with various heart-related issues, said his wife of 48 years, Deena. He was 67.

While Sotto’s best-known masterworks are overseas, be it the creation of Main Street, U.S.A., for Disneyland Paris or overseeing the development of the early trackless attraction Pooh’s Hunny Hunt for Tokyo Disneyland, he had a reputation for fighting tirelessly to enhance the theme park experience, pushing for improvements to everything including ride vehicles and the food on guests’ plates.

In the early ’90s while working for Walt Disney Imagineering, the company’s secretive arm devoted to theme park experiences, Sotto took it upon himself to hold a chef-led symposium for Imagineers.

“They taught us Imagineers a lot about the ritual of dining, and understanding what foods do to you,” he said, describing how theme park dining should go beyond developing a burger with a cute name.

He was also an early designer on Disneyland’s Indiana Jones Adventure, brought music to Space Mountain and elevated a Los Angeles landmark: He led an interior refresh of the now-shuttered Encounter restaurant at LAX.

Born in Hollywood on March 14, 1958, and raised in La Mirada and Fullerton, Sotto grew up obsessed with Knott’s Berry Farm and Disneyland. He married Deena, his high school sweetheart, when he was 19. Sotto initially followed in his late father’s early footsteps, working at Sears. His meteoric rise in theme park design would be unheard of today, as Sotto never attended college and was self taught, drafting theme park designs in his down time while selling appliances.

His hiring at Imagineering caused some debate, says Tony Baxter, the Disney legend who oversaw the creation of such attractions as Big Thunder Mountain, Indiana Jones Adventure, Star Tours and Splash Mountain. Outgoing and driven, Sotto began reaching out to Baxter for advice in the late ‘70s, says Baxter. It would take nearly a decade for Baxter to persuade his superiors to take a chance on Sotto, who was eventually hired by Imagineering in 1986 after stints at Knott’s Berry Farm and the Landmark Entertainment Group. It was at Landmark where he met one of his key mentors, Herb Ryman, a fine artist and longtime concept designer with Imagineering.

Eddie Sotto’s most famed Disney work is the design of Main Street, U.S.A., at Disneyland Paris.

(Michel Euler / Associated Press)

“For people in management, they kind of want to see a portfolio of something solid,” Baxter says. “But for me, it’s what’s going on in someone’s mind. And Eddie’s mind was sharp as a tack.”

So savvy, believed Baxter, that he was given the task of reimagining Main Street, U.S.A., for a French audience at Disneyland Paris. Sotto’s take on the introductory turn-of-the-century land is widely regarded as its finest, with its grand Victorian-inspired designs diving more deeply into factual American history than its predecessors. Enclosed archways line each side of the street behind the shops. The arcades serve as a shield from Parisian weather but also gave Sotto the opportunity to design installations that focus on the Statue of Liberty, American inventions and the bond between the United States and France.

The goal, says Baxter, was “to create shops in competition with European architecture.” Tom Morris, a retired Imagineer who worked closely with Sotto, says Sotto’s Main Street possesses “an extra layer of storytelling,” adding that Sotto gave the thoroughfare “more of an opportunity for exploration.”

“It’s excessive in the best way possible,” adds Christopher Merritt, a theme park designer and author who worked with Sotto on Pooh’s Hunny Hunt.

Morris recalled first meeting Sotto when they were teens in the 1970s. Morris jokes that he and Sotto both went to Disneyland “more than our parents thought was healthy, which was four or five times per year.” Their paths initially crossed at the Anaheim public library, where they went to peruse its Disneyland collection.

“There were files and files of photographs and employee newsletters — all sorts of weird and interesting things,” Morris says. “I always thought I must be the only weirdo who is interested in all of this, but one day there was another person in there and that person was Ed Sotto. That’s where we met, and I was really surprised, actually, that there was someone else afflicted with the same obsession for Disneyland.”

At Knott’s, Sotto was tasked with reimagining a motorcycle chase ride. Sotto, as recalled in the book “Knott’s Preserved” by Merritt and J. Eric Lynxwiler, took four buttons off a coat and created a mini soapbox car and ran it around a conference table as if it were a Matchbox toy. This would lead to the creation of the Wacky Soap Box Racers, in which the makeshift cars would careen through painted facades of cartoon-ish animals cheering on the guests. The attraction emphasized silliness, taking riders into “Catnip Junction” and through rat-infested sewers.

Eddie Sotto in 2015. In his 13-plus years at Imagineering, the designer touched multiple Disneyland attractions.

(Courtesy of Deena Sotto)

“He told me that everyone backed away from the project because he was the new kid,” says Merritt. “He got literally no budget. There was an end scene in a fireworks factory and they were making bombs out of rubber beach balls that they spray painted black. There were doing this by hand. And it’s a big hit.”

Sotto in his 13-plus years at Imagineering had an influence on Disneyland. As a concept designer on Indiana Jones Adventure, Sotto, says Baxter, conceived the idea in which the ride vehicles would appear to go through one of three different doors, an illusion accomplished by a rotating wall. Repeat visitors would sense as if the car was moving on an alternate track. Today, the walls no longer move and the effect is attempted via projection technology. “I felt my rolling ball [at the ride’s end] and Eddie’s choice room were the two things that really made the ride unique in terms of, ‘Wow, how did they do that?’” Baxter says.

Sotto ascended quickly while at Imagineering, rising to the position of senior vice president, concept design.

“Eddie just kept sketching and drawing,” Morris says. “He was inspired by Herb Ryman and that was Herb’s motto: ‘Just keep drawing.’ I just think when you have a lot of quick sketching acuity, word gets out. People know. This is someone you want on your team, especially in the early stages, to help concept, bring forth and pitch an idea.”

In the mid-’90s, Sotto realized a dream of many an Imagineer, particularly Morris, of bringing onboard audio onto a roller coaster, specifically Disneyland’s Space Mountain. Today, it’s commonplace for coasters to have synced music or sound effects, but Morris says there were technical hurdles that needed to be solved, most notably related to the engineering of the speaker sets on individual cars.

Sotto pushed it through, but not without some personal touches. An avid fan of rock ‘n’ roll, Sotto tapped surf rock guitar legend Dick Dale for a part of the composition, which heavily pulled from Camille Saint-Saëns’ “Aquarium” section of “The Carnival of the Animals.” The result was otherworldly, but also rooted in a sound associated with riding the Southern California waves. Dale’s riffs, wrote Sotto on his website, “were to be triggered to compliment each twist, turn and drop of your ‘rocket.’”

“He loved Orange County surf guitar music,” says Merritt. “So he hires Dick Dale for this intergalactic soundtrack for Space Mountain. They did some promotional thing where they put Dick Dale standing on Space Mountain playing his guitar. That’s just the audaciousness of Eddie.”

In fact, Sotto wrote on his site, it was the promise to play atop Space Mountain that sold Dale on the gig. Sotto would leave Imagineering in 1999 to soon after establish his own Laguna Beach-based SottoStudios, but not before getting an opportunity with Imagineering to remodel Encounter at LAX. Sotto’s vision was a space-age bachelor pad, a place, he said in 2023, “where George Jetson and Barbarella might meet for a drink,” with lava lamp-inspired pillars and soda fountains modeled in the shape of vintage sci-fi ray guns, complete with sound effects.

A remodel of the interior of LAX restaurant Encounter was one of Eddie Sotto’s career highlights.

(David McNew / Getty Images)

Sotto long spoke of the restaurant, which closed in 2013, as one of his favorite projects.

“Theme has to go deep,” Sotto said. “It has be something that’s relevant and exciting to people. I spent weeks putting together 11 hours of music for Encounter. What you were hearing could be a B-side from William Shatner’s space album. Theme has to reward your close inspection at a rich level. That’s why people return.”

SottoStudios over the years was heavily involved in the automobile industry, as Sotto led the design of many car showrooms. Sotto also had a passion for restaurants, and worked on numerous L.A. establishments including John Sedlar’s shuttered but acclaimed Rivera. Sotto’s career would also take him to Jeff Bezos’ Blue Origin offices, for which he designed a Jules Verne-inspired rocketship fireplace that doubles as a lobby meeting space.

And his passion for theme parks never wavered, says Baxter, even as his heart issues worsened. At their monthly lunches, Baxter notes that he and Sotto would continue to brainstorm new Disney attractions or alternative directions to what the company was announcing. Sotto, says Baxter, spent his final few days at Orange’s UCI Medical Center, but was given a room with a view of Disneyland’s fireworks, which he looked forward to watching each evening. Baxter recalled a picture of the two of them eating chili cheese dogs at Disneyland.

“He sent it to me, and said, ‘I’m dreaming of a day when we can do this again,’” Baxter says. “That was just two weeks ago.”

In addition to his wife, Deena, Sotto is survived by their son Brian, daughter Venice and her husband, Rocky.

FASHIONISTA Gwen Stefani has shown her fans how to slay Christmas style. 

Gwen, 56, performed in front of a Disneyland castle in a sneak peek of her Christmas Day TV special in a tiny dress and fur.

She was dressed in head-to-toe winter white, including a cropped fur jacket and sky-high platform boots. 

The chic outfit also included a tiny tiered white skirt which exposed itty bitty lace shorts underneath. 

In the post, the crooner told fans to “tune in Christmas morning,” for the Sleeping Beauty’s Castle for Disney Parks Magical Christmas Day Parade.

Fans expressed their excitement for the Christmas concert in the comments on Instagram. 

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“I absolutely can’t wait to watch your performance, Gwen! Also you look like a gorgeous Disney princess,” one commenter wrote. 

“Yay, cannot wait for your performance of my all-time favorite version of “White Christmas!” another fan commented. 

A third fan stated, “You are stunning. How don’t you age!?”

The concert, which will play on ABC, Disney+, and Hulu, is slated for performances by Coco Jones, Bebe Rexha, and Nicole Scherzinger. 

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The parade will be hosted by Dancing with the Stars alum Alfonso Ribeiro and Ginnifer Goodwin, with Maia Kealoha serving as parade correspondent. 

HAPPY MARRIAGE?

Gwen fans recently suspected relationship challenges with her 49-year-old husband, Blake Shelton.

Their marriage was called into question ever since Blake released a cryptic breakup song entitled Hang On earlier this year.

Rumors ran rampant when they didn’t attend the CMA Awards in 2025, even though Blake received a nomination.

Days later, Gwen posted a photo on her Instagram Story where she received a sweet kiss from Blake – indicating all was well.

A source close to the couple told The U.S. Sun: “They’ve gone through real challenges, nothing manufactured.”  

“There were times when the tension was high enough that people close to them quietly wondered if the relationship could take the strain.

But the source insisted that Gwen and Blake are committed to making their marriage work: “They showed up for each other instead of checking out.”