dies

Ratko Mladic, a war criminal convicted over the first genocide on European soil since the second world war, has died prison in The Hague at the age of 84.

Earlier this year, Serbia requested that Mladic be allowed to receive medical treatment outside prison, saying his health condition was “serious” and that he “required serious medical treatment”.

The United Nations International Residual Mechanism for Criminal Tribunals said that Mladic was receiving adequate medical care while in detention.

Known as the “Butcher of Bosnia”, Mladic was one of the best-known and most notorious military commanders of the wars that followed the breakup of Yugoslavia.

International courts convicted him of genocide, crimes against humanity and war crimes committed during the 1992–1995 war in Bosnia and Herzegovina. He was sentenced to life in prison

The most notorious part of his criminal legacy is linked to the genocide in Srebrenica, in eastern Bosnia and Herzegovina, near the border with Serbia.

Bosnian Serb forces under Mladic’s command seized Srebrenica in July 1995, despite the UN declaring the municipality a “safe area”. After the enclave fell, more than 8,000 Bosniak (Bosnian Muslim) men and boys were killed by Mladic’s forces in the days that followed.

Some of the civilians were captured and executed at locations in and around Srebrenica. Others were killed after attempting to flee through the forests towards territory controlled by the army of the Republic of Bosnia and Herzegovina.

The bodies of victims were later discovered in numerous mass graves, while many were identified years after the war. The remains of around 1,000 victims are still being sought. International courts established that the killings constituted genocide.

Srebrenica has remained a symbol of one of the gravest crimes committed in Europe since the second world war.

From the Yugoslav army to commander of the army of Republika Srpska

Mladic was born in the village of Bozanovici near Kalinovik, about 40km (25 miles) south of Sarajevo.

He began his military career in the Yugoslav People’s army and gradually rose through the military’s command structure.

When Bosnia and Herzegovina declared independence from Yugoslavia in the spring of 1992, following Slovenia and Croatia, Bosnian Serbs established their own political and military structures and proclaimed Republika Srpska, which controlled territory covering roughly half of Bosnia and Herzegovina at the time.

In May 1992, Mladic was appointed commander of the Republika Srpska’s army. Over the next three and a half years, he sought to seize parts of Bosnia and Herzegovina controlled by the army of the Republic of Bosnia and Herzegovina, including the capital Sarajevo, devastating areas in his path. However, his forces failed to achieve major territorial gains in several key areas.

The political and military leadership of Republika Srpska sought to separate Serb-controlled territories from Bosnia and Herzegovina and create a separate, territorially contiguous Serb state within the country. Republika Srpska would formally become one of Bosnia and Herzegovina’s two entities under the 1995 Dayton Peace Agreement.

Mladic’s forces were involved in a large number of atrocities across Bosnia and Herzegovina.

In addition to the Srebrenica genocide, international courts found Mladic responsible for a campaign of terror against Sarajevo’s civilian population, the hostage-taking of UN peacekeepers and other crimes.

The Siege of Sarajevo

Sarajevo was surrounded by Bosnian Serb forces for almost 44 months. From positions on the surrounding hills, they shelled the city and used snipers against its residents.

More than 11,500 people from all ethnic groups were killed, while many others were wounded or displaced.

The Sarajevo Siege, which Mladic directed, became one of the defining episodes of the Bosnian war and one of the longest sieges of a capital city in modern history.

After the war ended in 1995, Mladic evaded arrest and spent almost 16 years in hiding. He became one of Europe’s most wanted fugitives accused of war crimes.

He was arrested in Serbia in May 2011 in the village of Lazarevo, near Zrenjanin, at the home of a relative. Several days later, he was transferred to The Hague, where his trial began before the International Criminal Tribunal for the former Yugoslavia.

His arrest was one of the key conditions set by the international community for Serbia’s progress towards closer relations with the European Union. Belgrade faced political and financial pressure from Western countries to cooperate with the tribunal and transfer Mladic to The Hague.

In 2017, the tribunal sentenced him to life imprisonment. The courts established his individual criminal responsibility for a number of crimes.

Mladic in Serbia

Although his convictions were final, Mladic continues to have support among sections of the Serbian public and political circles in Serbia and Bosnia and Herzegovina.

In Banja Luka, Belgrade and other areas with predominantly Serb populations, murals depicting him can still be seen. Some members of the public continue to portray him as a military hero rather than a convicted war criminal.

That attitude towards Mladic is part of a broader problem of confronting the legacy of the war in Bosnia and Herzegovina. While international courts have established facts concerning the genocide and other crimes, political and social divisions over the country’s wartime past remain deeply entrenched.

Denial of the Srebrenica genocide and the glorification of convicted war criminals remain serious problems in Bosnia and Herzegovina.

According to data from the Srebrenica Memorial Centre, 149 cases of public denial of the Srebrenica genocide were recorded during the first quarter of 2026, including statements by public figures. That represents an increase compared with 2025, when 99 such cases were recorded.

The UN General Assembly adopted a resolution in May 2024 establishing July 11 as the International Day of Reflection and Commemoration of the 1995 Genocide in Srebrenica.

The resolution was intended to preserve the memory of the victims and promote a culture of remembrance, while also reaffirming the importance of confronting genocide denial and preventing the recurrence of such crimes.

TOKYO — Japanese artist Yayoi Kusama, who splashed her signature polka dots on paintings, sculptures and museum installations around the world, has died, her company said Thursday. She was 97.

Kusama died Aug. 14 at a hospital in Tokyo, Yayoi Kusama Studio said in a statement.

Kusama, one of Japan’s most respected contemporary artists, was widely exhibited around the world, including at the Museum of Modern Art and the Whitney Museum of American Art in New York.

Repetitive motifs in various shapes were her trademark, resembling netting, swirls or worms, but most often dots, dancing proudly on her canvases or as sparkling balls or dots of light in her installations in all their vibrant, psychedelic glory.

Yayoi Kusama’s “Infinity Mirrored Room — The Souls of Millions of Light Years Away,” 2013.

(EPW Studio / David Zwirner, New York)

In 2017, the Los Angeles Times wrote about the first U.S. museum survey of the Tokyo artist’s Infinity Mirror Rooms at the Broad. The rooms generated “Hamilton”-scale hype.

Kusama told The Times: “I believe that people are attracted by the infinite mysterious beauty that the artwork has. I am also attracted.”

Now two of Kusama’s pieces on permanent display at the Broad draw, on any given day, a line of visitors to see the immersive art pieces for mere moments. “Infinity Mirrored Room — The Souls of Millions of Light Years Away,” on the first floor, requires reservations to stand for one minute in a small mirrored room full of bouncing LED lights that make you feel like you’re floating in the Milky Way. “Longing for Eternity,” on the third floor, also draws lines but does not require a reservation to peek inside a chamber that gives off a purple disco dance floor vibe.

Both conjure a sense of awe, of boundless imagination. Millions have entered the “Souls” room, snapping photos and video that elicit floods of Instagram likes, since its opening in 2017.

Kusama, known for her fiery red wig, lived by choice in a Tokyo psychiatric hospital for decades. She had opened her own museum in Tokyo yet remained very private, granting limited interviews.

Kusama insisted she drew the way she saw the world — covered with spots, part of the hallucinations she said she had from childhood. She was one of the first Japanese women to go to New York to pursue her art, in 1957.

Although soft-spoken and shy in her mannerisms, she was always unabashedly bold in the assertion of her dotty vision, not only in sticking to the style for decades but also in making it accessible to the masses.

In her later years, as the times caught up with her art, she enjoyed fame. She signed on with fashion brands such as Louis Vuitton as well as other licensed products including teacups, T-shirts and key chains with her illustrations and replicas of her likeness that were used in show windows and other marketing.

In 2008, Christie’s auctioned her work for $5.8 million. In 2016, she won the most prestigious award Japan gives its artists, the Order of Culture.

Upon receiving the award, she told reporters she was more determined than ever to pursue her art, stressing that the sincerity and devotion she had demonstrated in her personal life were crucial parts of her artistic legacy.

“I feel there is little left in my life, but I am now still fighting to the death for my art,” she said. “I am giving all I have so that many people will continue to be interested in my art, even after I am dead.”

Kusama was called pop, avant-garde, feminist, just to name some of the categories thrown at her, most of which Kusama brushed off as not quite representative of her art.

She was born in a middle-class family but felt misunderstood, as her parents wanted her simply to get married. They wanted to buy her kimono, not paints and brushes. She knew she had to get away. She chose America.

When she arrived in New York, the fad was “action painting,” characterized by dribbles, swooshes and smears, not dots. She suffered years of poverty and obscurity. But she kept painting dots.

She put circles of paper on people’s bodies, and once a horse, in “happening” antiwar performances in the late 1960s, which got some people arrested for obscenity but helped get media attention for her art. While in New York, she befriended artists including Andy Warhol, Georgia O’Keefe and Joseph Cornell, who praised her innovative style.

Over the years, Kusama has made quirky but stunningly celebratory works such as “Macaroni Girl,” a female figure plastered with macaroni, which expresses the fear of food; “The Visionary Flowers,” giant sculptures of twisting tulips; and “Mirrored Corridor,” a room with mirrors that delivers an illusion of a field of phallic protrusions speckled with dots.

Kusama, who has also made films and published several novels, said she wasn’t sure where she got her ideas. She just picked up her brush and started drawing. The process was so mysterious sometimes she surprised herself, she told the Associated Press.

“I think, ‘Oh, I drew that? I was thinking that,’” she said.

She appeared happy to have her art be the focus of media attention and praise, reading one of her poems to a reporter or tackling her artworks with gusto for photos.

But she was also a charmingly disarming mix of vulnerability and defiance — at one moment declaring herself “an artistic revolutionary” and then, the next, mumbling: “I am so afraid, all the time, of everything.”

Times staff writer Deborah Vankin contributed to this report.

British actor Tim Curry, who famously commanded attention as the seductive mad scientist Dr. Frank-N-Furter in cult classic oddball musical “The Rocky Horror Picture Show,” has died. He was 80.

The Daytime Emmy-winning actor’s longtime manager and friend Marcia Hurwitz confirmed that Curry died Wednesday at his home in Toluca Lake, in a statement shared with The Times. A cause of death was not revealed. The Cheshire native suffered a stroke in 2013, impairing his ability to walk. Though he remained in a wheelchair until his death, the actor continued working through his final years.

“Though widely known for his inimitable, flamboyant characters and colorful stage performances,” the statement said of Curry, “his greatest legacies to those who knew him were his curious, expansive mind and generous, gentle heart, both of which remained open and filled with anticipation until his final breath.”

Curry is best known for originating the role of Dr. Frank-N-Furter, the self-proclaimed “Sweet Transvestite” and purveyor of pleasure who guides a stranded young couple — and audiences — through an unpredictable evening of sexual exploration and liberation. He debuted the offbeat experimental musical in fishnets and pearls in 1973 on the tiny stage upstairs at the Royal Court Theater in London, where it first became an underground sensation.

“The Rocky Horror Picture Show” hit the big screen in 1975, with Susan Sarandon as Janet and Barry Bostwick as Brad. A rock ‘n’ roll take on sci-fi and horror B-movies, “The Rocky Horror Picture Show” became the original midnight movie that endeared generations of audiences with its flamboyant characters, spawned interactive screenings across the country and secured its spot in the pop culture lexicon.

“It was part of the sexual revolution, really,” Curry told The Times in 2025 upon the film’s 50th anniversary. “Experiment was in the air and it was palpable. I gave them permission to be who they discovered they wanted to be. I’m proud of that.”

Curry flexed his versatile acting through more than Frank-N-Furter’s showy elevator debut and his vulnerable “I’m Going Home” finale. He was also a sinister Pennywise in the miniseries adaptation of Stephen King’s “It,” a secretive butler named Wadsworth in “Clue,” and the evil Lord of Darkness in “Legend.” A screen chameleon capable of morphing from the supernatural to the pedestrian, Curry was also known for his work as fabled pirate Long John Silver in “Muppet Treasure Island” and as a skeptical hotel concierge in “Home Alone 2: Lost in New York.”

He was a prolific voice actor known for the environmental classic “FernGully: The Last Rainforest” and TV series “The Wild Thornberries,” “Star Wars: The Clone Wars,” “Over the Garden Wall” and “Aaahh!!! Real Monsters.”

Timothy James Curry was born April 19, 1946, to father Jim Curry, a Navy chaplain, and mother Maura Curry. After losing his father at age 12, Curry earned a scholarship to the Kingswood School in Bath. Curry’s grandfather took him to music halls, fostering his love for the art.

“I was really taken with the great Technicolor musicals; it’s the form that’s closest to my heart in a way,” Curry told The Times in 1992. “It’s the most comfortable synthesis of all the things I do.”

School productions eventually led Curry to the University of Birmingham, where he studied drama and English from 1965 to 1968, according to his website.

Curry made his professional debut in 1968 in the original London production of “Hair.” He had fibbed about having previous professional experience and an Equity card, but the production team thought Curry’s talents were reason enough to sponsor him. After he starred in several productions including “Titus Andronicus,” “Cinderella” and “Midsummer Night’s Dream,” co-star Richard O’Brien in 1973 invited the actor to audition for a new work — one that would later solidify Curry as a generational screen and stage icon.

With Curry anchoring as Frank-N-Furter, O’Brien’s “Rocky Horror Picture Show” first came to life at the Royal Court’s Theatre Upstairs. Then larger venues overseas included L.A.’s Roxy Theatre. Eventually, with the support of producer Lou Adler, the show made it to the screen. The same year “Rocky Horror Picture Show” hit cinemas in 1975, its Broadway run at the Belasco Theatre shuttered after 45 showings and negative reviews. Over the years, harsh criticism proved no match for “Rocky Horror Picture Show’s” unexpected staying power.

The musical had been revived numerous times in New York and London, including in 2001 with the Broadway revival earning multiple Tony Award nominations including a nomination for revival of a musical.

The “Rocky Horror Picture Show” film and Curry’s melodramatic Frank-N-Furter have remained cultural touchstones, spawning the popular “anticipation” online meme and inspiring spoofs on “Glee,” “The Simpsons” and a beloved character (with hormone-manipulating abilities) in the popular Japanese manga and anime “One Piece.”

To Curry, Frank-N-Furter was more than just that “sweet transvestite” obsessed with manufacturing the perfect man.

“He’s a fairly complex guy,” he told The Times in 1974. “He just takes anything he can get. He’s not fussy, really. Though I think he’s something of a wham-bam-thank-you-ma’am.”

Through the late 70s to early aughts, Curry balanced stage commitments with screen projects and musical endeavors. His stage resumé includes productions of Tom Stoppard’s “Travesties” for the Royal Shakespeare Company, the title role in playwright Peter Shaffer’s “Amadeus” (that would earn him a Tony nomination) and Joseph Papp’s take on “Pirates of Penzance.” All the while, he gained fame for roles in “Annie,” “Clue,” “Home Alone 2” and “Addams Family Reunion.” As a recording artist, Curry released three albums between 1978 and 1981: “Read My Lips,” “Fearless” and “Simplicity.”

In 1988 Curry returned stateside for a U.S. tour of “Me & My Girl,” which he followed with a residency at the Pantages. It was then the actor decided to permanently return to Los Angeles as a resident. His move to Southern California coincided with the beginning of his Emmy-winning voice acting career, which started with a role for Hanna Barbera’s animated adaptation of “The Creation.”

Curry won his Daytime Emmy Award in 1991 for voicing Captain Hook in “Peter Pan and the Pirates” and earned a Grammy nomination in 2002 for the audiobook of “Lemony Snicket’s A Series of Unfortunate Events.” He performed voice roles for video games including television and film tie-ins “Brutal Legend” and “Dragon Age: Origins.”

The British star primarily worked in voice roles after he suffered a major stroke in 2013. Since then, Curry had been in a wheelchair, with on-screen cameos including as the criminologist in the 2016 TV remake of “Rocky Horror.” Still, the image of Curry’s fierce Frank-N-Furter continues to pervade pop culture — even if that wasn’t his original intention.

“None of it was planned, really. I just knew I had to take risks,” he told The Times in 1974. “Life is like acting in that way. You’ve got to take risks. If you take big risks, it’s then up to you whether or not you pull it off.”

More than 50 years after that interview, Curry told The Times that he had no doubt in what he was doing. Revisiting his home away from home, the Roxy Theatre, in the fall of 2025, Curry said it had become “my stomping ground.”

“I had to appear as though I owned it — and I kind of did.”

Dolly Parton, the singer and songwriter from Locust Ridge, Tenn., who willed herself into being the very symbol of country music stardom, has died in Nashville.

Parton died peacefully Tuesday, her nephew Bryan Seaver announced in a press release shared with The Times. Seaver also announced her death in a video shared to the singer’s Instagram page. She was 80.

The fabled entertainer died after a series of health issues that led her to postpone several performing commitments. In September 2025, she missed the announcement of a Dollywood attraction to recover from a kidney stone. Later that month she delayed her residency at Caesars Palace — her first residency on the Las Vegas Strip in more than 30 years — due to unspecified “health challenges.”

Over the course of a flamboyant 50-plus-year career as a songwriter, recording artist, actor and businesswoman, Parton reinvented the American success story through a combination of grit and wit, faith and sex appeal, virtuosity and plainspokenness, empathy for the human condition and plastic surgery.

She seized on the roles that American culture allowed for women in the spotlight — waif, trollop, fallen woman, country girl in over her head — and played them to the hilt, achieving artistic and financial heights few female performers have ever reached. By the time of her death, she was said to be one of the few things that Americans of most every persuasion could agree on.

One of the most honored musicians in modern history, Parton earned 10 Grammy Awards, two Academy Award nominations, a Primetime Emmy, 10 Country Music Assn. awards, and in 1999 she was enshrined in the Country Music Hall of Fame.

In 2005 President George W. Bush presented Parton with the National Medal of the Arts, and a year later she was given a Kennedy Center for the Arts Award for her lifetime contribution to the arts. Parton logged some 25 gold or platinum records and 25 No. 1 songs on the country chart. Parton also won a Liseberg Applause Award, the biggest prize in the theme park industry, for her fabled tourist attraction Dollywood.

Parton’s rags-to-riches tale reads like a classic country music story-song. But before it became mythical, it was only incredibly hard.

Dolly Rebecca Parton was born in Locust Ridge, Tenn., in the Great Smoky Mountains, on Jan. 19, 1946. Her father was a tobacco sharecropper and she was the fourth of 12 children. In her autobiography, “Dolly: My Life and Other Unfinished Business,” Parton related how her parents were so poor they paid the doctor who delivered her with a sack of cornmeal.

Raised in a one-room cabin with no electricity, she listened to the Grand Ole Opry on a battery-powered radio. When she was 7 she started writing songs; a year later she picked up the guitar. At 10 she was singing on a Knoxville radio and TV program, “Cas Walker Farm & Home Hour.”

The Parton family was musical, and there were always banjos, fiddles, mandolins and guitars around the cabin. Her voice, a birdlike soprano with an animated trill, hadn’t changed much from her youth: “I sound like a little girl singing all these Lord-awful songs,” she told “Fresh Air’s” Terry Gross in 2001.

On a Friday night in 1964, Parton became the first in her family to graduate from high school. The next afternoon she was on a bus heading for Nashville, targeting a career in country music.

Bob Hope gets an adjustment to his reindeer costume as he and Dolly Parton prepare to tape a 1988 Christmas special on a cruise ship docked in Miami.

(Kathy Willens / Associated Press)

Women had little real power in Nashville at the time, and though rural women were a growing part of the country music audience, they were marginalized as artists. Parton signed to the Monument label, but felt that they wanted a pop singer more than they wanted her. An early breakthrough came when singer Bill Phillips heard a demo version of her “Put It Off Until Tomorrow”; not only did he want to record the song, but he recorded it with Parton singing harmony on it. The song went to No. 6 on the country chart in 1966.

In 1967 she recorded Curly Putman’s “Dumb Blonde,” her first charting song as a singer and a savvy choice that spoke to her as both an image and as flesh and blood, as she sang:

Just because I’m blond
Don’t think I’m dumb
‘Cause this dumb blond ain’t nobody’s fool

Nashville noticed. That year, country music star Porter Wagoner was looking for a new “girl singer” for his popular TV show, after Norma Jean left. Parton got the gig, and for weeks, legend has it, was greeted by the studio audience shouting “Norma Jean” when Parton opened her mouth. It was the kind of challenge she lived for. Carefully deferential to the star, Parton carved out a foothold for herself.

They were a complicated team. Tall, gaunt and calculating, Wagoner’s angles had angles, but somehow standing next to her, his pompadour dwarfing her considerable bouffant, it worked. At their peak, they had a weekly TV viewership of over 3.5 million, and recorded numerous hit duets, “Holding on to Nothin” (1968), “If Teardrops Were Pennies” (1973) and “Please Don’t Stop Loving Me” (1974) among them.

On her solo recordings at the time, Parton included a raft of songs about poor children in trouble. These gothic, occasionally autobiographical compositions, including “Coat of Many Colors,” “My Blue Ridge Mountain Boy,” “Evening Shade,” “Daddy Come and Get Me” and “Down From Dover,” would have been more than enough to make her, if not a star, at least a country music legend. But the kind of attention even her lesser work with Wagoner enjoyed continued to elude her own material.

Dolly Parton and Kenny Rogers laugh together backstage at an April 2010 show honoring her “Islands in the Stream” singing partner.

(Rick Diamond / Getty Images)

By 1973, Parton realized that if she was going to be her own star she would have to be on her own. Wagoner fought and threatened, and finally, Parton wrote a song as a way to help him understand both her gratitude and her need for independence, “I Will Always Love You.” He liked the song, but it didn’t convince him. Wagoner sued her for $20 million over breach of contract and settled for $1 million.

But Parton had won her freedom, and she made the most of it. Her album from that year, “My Tennessee Mountain Home,” was a reintroduction to her audience, an autobiographical cycle of songs telling the story of a singer leaving home to make it on Music Row. And in 1974, “Jolene” became her chart-topping breakthrough.

The title was the name of a red-haired, green-eyed young fan Parton met signing autographs, and the story of a woman begging a rival to leave her man alone. Parton said she made it up after discovering a bank teller had a crush on her husband. With a beveled chord progression and a haunting repetition of the name, it became perhaps her most requested song, and was covered by many, including the White Stripes, Candi Staton, Reba McEntire and Olivia Newton-John.

“I wanted to be seen, I wanted to be recognized, I wanted to be a star,” she explained. The last part was now coming into focus.

In 1976 she hosted a short-lived variety TV series, “Dolly!” Her name was her brand, and so, too, was her profile: the full bosom and tiny waist, platinum wig and baubles like sprinkles on an ice cream cone, 5 feet tall standing in five-inch heels. She was a disarming contradiction: manufactured and utterly sincere.

“A country girl’s idea of what glamour was,” she explained.

“I didn’t have any money to have stuff and I’ve often joked about it, but it’s the real truth that I patterned myself after what they considered the trash in our hometown.” She took shame and made it a flag, one big enough for all sorts of Americans to settle beneath.

Dolly Parton checks out an exhibit honoring her life and career at the Country Music Hall of Fame and Museum in May 2025.

(Jason Kempin / Getty Images)

Building on her fame, in the mid-’70s Parton decided to reinvent herself by reaching beyond the confines of country music. She signed with L.A.-based talent manager Sandy Gallin, who had made Mac Davis a country crossover star and would soon work with Cher and Michael Jackson.

Parton laid off her longtime Traveling Family Band and sought out musicians and songs that were more purely pop. Hits that followed included “Here You Come Again” (No. 20 on the pop chart, 1977), “Heartbreaker” (No. 37, 1978) and duets with Kenny Rogers like “Islands in the Stream” (No. 1, 1983).

The pop move was muttered over and seen by gatekeepers as a rejection of Southern-based authenticity. It was the era of “Urban Cowboy” and purity was being policed. “I love country music. It’s my first love,” she told the SoHo News. “But it was confining. You can only go so far in a circle.”

The movie “9 to 5” from 1980 settled her broadening stardom; acting alongside Jane Fonda and Lily Tomlin in a comedy about three office workers who get even with an abusive boss, Parton charmed viewers. It was her first acting role, and Roger Ebert called her “a natural born movie star.” She wrote and sang the movie’s theme song, which topped Billboard’s pop and country charts.

Dolly Parton and her “9 to 5” castmates Jane Fonda, left, and Lily Tomlin assemble at a 1980 news conference to promote the movie.

(Wally Fong / Associated Press)

Parton would go on to act in “The Best Little Whorehouse in Texas” (1982), “Rhinestone” (1984), “Steel Magnolias” (1989), the “Hannah Montana” TV series (she was Miley Cyrus’ godmother in real life too), and in many more films and TV shows. But her biggest cinematic moment came with a song she’d written years before; “I Will Always Love You” was sung by Whitney Houston in the 1992 film “The Bodyguard,” turning her air kiss to Porter Wagoner into a No. 1 hit for 14 weeks.

In the mid-1980s, Parton suffered a number of setbacks. She experienced depression. “I was just broken down,” she said later. In 1982, abdominal pain and bleeding forced her to cancel a tour, and in 1984 she had a partial hysterectomy. There were bouts of binge eating, and when she hit bottom she considered suicide. A series of conversations with God were instrumental in her recovery, Parton said.

Underscoring her connection to her origins while also illustrating how far she had gone, in 1986 she bought an old amusement park in Pigeon Forge, Tenn., and reinvented it as Dollywood, a booming theme park, resort and theater. Other businesses included Sandollar Productions, a film and TV company. In the 1990s Parton formed her own label, Blue Eye Records.

Success meant she could settle into being Dolly. A trio of beloved bluegrass albums, “The Grass Is Blue,” “Little Sparrow” and “Halos & Horns,” around the turn of the millennium reestablished her as a performer with extensive roots in rural America. She recorded with everyone from Linda Ronstadt and Emmylou Harris to Ladysmith Black Mambazo. Her 2019 cover of John Hiatt’s “Faith,” made with Swedish duo Galantis, topped the EDM charts.

She embraced her Christian and LGBTQ+ fans, and perhaps no American artist had more of each. Inclusivity mattered to Parton. She was an icon to the LGBTQ+ community. In 2002 at the House of Blues in Los Angeles, Parton replaced the name Jolene with “drag queen” and sang her famous song as a roster of drag performers looked on.

Dolly Parton at the 57th Academy of Country Music Awards in 2022.

(John Locher / Associated Press)

Just two years later, in 2004, the Library of Congress presented Parton with the since-retired “Living Legend Medal,” which sought to recognize those that made significant creative contributions to American life.

Singer and songwriter Brandi Carlile called Parton “an angel on my shoulder and also the devil on my other shoulder.”

“When I was 15 years old I read the back of Dolly Parton’s book when she became the first country artist ever to speak out in support of LGBTQ people. And I can tell you that as a queer kid from a small town, getting love from Dolly is second only to God.”

Parton has been honored in musical tributes by Carrie Underwood, Alison Krauss and Shania Twain. “Jolene” became the subject of the short story “Jolene: A Life,” by E.L. Doctorow. In 2019 WNYC and Jad Abumrad presented “Dolly Parton’s America,” a nine-segment podcast devoted to, and with the cooperation of, Parton; it examined her persona and impact on American life.

That same year Netflix presented “Dolly Parton’s Heartstrings,” an anthology series in which each episode presents a fictional narrative built around a Parton song; the series features appearances by Kathleen Turner, Delta Burke and Melissa Leo.

Dolly Parton and President Carter embrace as First Lady Rosalynn Carter looks on before a White House luncheon in October 1979.

(Georges / Associated Press)

Her influence was so vast she has even been proposed as a field of academic study, and scrutinized in the 2018 academic study from Leigh H. Edwards, “Dolly Parton, Gender, and Country Music.”

She was married to the same man, Carl Thomas Dean, for over 50 years. They met on the day she arrived in Nashville in 1964, as she stood outside a laundromat. Parton and Dean were rarely seen in public together, and renewed vows in 2016. Dean died at age 82 in March 2025.

“Carl and I spent many wonderful years together,” Parton said in a statement at the time. “Words can’t do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy.”

Parton remained a source of interest and fascination, and though few if anyone could really claim to know her, many thought they did. As she once put it: “I look one way and am another. It makes for a good combination.”

Celebrated artist Sliman Mansour, one of the founding figures of contemporary Palestinian art, has died at the age of 79 after a long illness, his family announced on Monday.

Born in Birzeit, near Ramallah, in 1947, Mansour rose to prominence in the 1970s as part of a generation of Palestinian artists, writers and poets seeking to rebuild a threatened identity through symbols rooted in land and memory. Over more than five decades, his paintings came to embody the story of Palestine: the farmer clinging to his soil, the stone house on a hill, the embroidered thobe and the smile of a young girl carrying the hope of return.

Mansour studied art in Beirut and Washington and went on to exhibit extensively, both in solo shows and group exhibitions across the Arab world and internationally. His works are held in museums and private collections worldwide, and he received numerous awards in recognition of his contribution to Arab and Palestinian culture.

His visual language drew deeply from the region’s ancient civilisations – Canaanite, Pharaonic and Assyrian – as well as Islamic and Arab art, particularly calligraphy and geometric motifs. At the same time, his upbringing in Birzeit anchored his work in the everyday life of Palestinian villages: the landscape, peasants, traditional homes and clothing. Mansour also absorbed influences from global art that carried messages of freedom and resistance, blending local forms with a universal appeal.

During the first Intifada, he helped found the New Vision group with fellow artists, turning to mud, straw, wood, leather, henna and natural dyes after Palestinian artists boycotted Israeli-made supplies. This shift, he later said, forged a vital link between post-Nakba art and the work of younger generations.

For many Palestinians, Mansour’s canvases were more than images; they were a visual archive of the cause itself. His brush, critics and admirers agree, carried the homeland.

Al Jazeera looks at some of his famous paintings.

Actress Shelley Fabares, known for her television roles as Francine Webster on the 1975 sitcom “One Day at a Time,” Mary Stone on “The Donna Reed Show,” and her Billboard Hot 100 song “Johnny Angel,” died Sunday in Los Angeles surrounded by her loved ones. She was 82.

In a statement to The Times, a family friend shared the news of the star’s death.

“To her family and friends, Shelley was a source of love, strength, laughter, and comfort… whose warmth, generosity, humor, and grace made an enduring difference in the lives of everyone who knew her,” the statement read. “She had a remarkable ability to make people feel welcomed, valued, and cared for.”

The family did not disclose the cause of death.

Fabares was born in Santa Monica in 1944. She began her acting career at the age of 3 and became a household name playing teenager Mary Stone on “The Donna Reed Show” from 1958 to 1963. Fabares frequently praised her on-screen mother Donna Reed, calling her a “second mother.”

Fabares went on to star alongside Elvis Presley in three films: “Girl Happy,” “Spinout” and “Clambake.”

By the 1970s, Fabares transitioned back to television, starring in the 1971 TV drama “Brian’s Song” and appearing in “The Little People” and “The Practice.” She ended the decade on Norman Lear’s “One Day at a Time,” starring as Francine Webster opposite Bonnie Franklin.

Fabares later starred as Christine Armstrong on the ABC sitcom “Coach,” earning two Primetime Emmy nominations during the show’s nine-season run.

After her 1980 divorce from music producer Lou Adler, Fabares remarried “MASH” actor Mike Farrell in 1984. The pair eventually sold their Sherman Oaks honeymoon home they bought in 1985. They moved to Studio City to better accommodate Fabares’ mother, who was suffering from Alzheimer’s disease.

Fabares spent her final years taking care of her mother and advocating for more funding for research into the crippling disease.

She is survived by her husband and daughter, Erin.

Early Motown songwriter Janie Bradford Hobbs, who helped pen hits including “Money (That’s What I Want)” and “Too Busy Thinking About My Baby,” has died following an extended illness at a Los Angeles hospital, her family said Saturday. She was 87.

Bradford Hobbs was born in Charleston, Mo., and later moved to Detroit.

She was introduced in the late 1950s to Motown founder Berry Gordy by neighbor and singer Jackie Wilson. She joined Motown as a receptionist in 1958 and like many of the company’s employees took part in the creative process that helped make Motown a music industry powerhouse.

She and Gordy co-wrote “Money (That’s What I Want).” The song was recorded in 1959 by Barrett Strong and became an early hit. It was covered by the Beatles, which also become a hit.

“Too Busy Thinking About My Baby” first was recorded by The Temptations and later became a hit for Marvin Gaye. Bradford Hobbs also wrote songs for Stevie Wonder, the Supremes, Martha & The Vandellas and others.

“Janie was there with me from the very beginning, before there was even a Motown, and she will always hold a very special place in my heart and in the Motown family,” Gordy said in a statement.

“Janie was one of a special group I have always thought of as the original Motown family — the unsung heroes who believed in the dream before anyone knew what Motown would become,” Gordy continued. “She was one of the people who helped make Motown what it became.”

Bradford Hobbs later became head of writer relations for Jobete, Motown’s publishing company. After leaving Motown, she founded the annual Heroes and Legends Awards. The event spanned about 30 years, honoring music stars and awarding scholarships, according to her family.

She is survived by her husband, Wardean Hobbs; daughter, Nicole Hobbs; son, Lance Finney; and two grandsons.

Williams writes for the Associated Press.

TOPEKA, Kan. — Nancy Kassebaum Baker, a Kansas governor’s daughter who became the first woman elected to the U.S. Senate without following a spouse into office, has died. She was 94.

Kassebaum Baker died Friday of natural causes, according to her son, Bill Kassebaum.

“She loved Kansas. She loved people from Kansas and representing Kansas for 18 years in the U.S. Senate,” he told the Associated Press. “She was an independent-minded Republican who was willing to stand up for what she thought was right, even if that meant going against the party.”

She was elected to the Senate in 1978 and served three terms. Her modest demeanor endeared her to voters of all political stripes, though she shared the moderate, progressive Republican politics of her father, Gov. Alf Landon, the unsuccessful 1936 GOP nominee for president. Even after leaving the Senate early in 1997, she continued taking on public service roles.

She married former Sen. Howard Baker, a Tennessee Republican, in 1996. He died in 2014.

Kassebaum Baker was widely admired among Kansans generally. She could work with Senate colleagues of all political philosophies, and a 1996 health insurance law bore her name, along with that of liberal Massachusetts Sen. Edward M. “Ted” Kennedy.

Part of a dwindling GOP bloc

Her election to the Senate brought her immediate national attention. When she announced her retirement, she was among eight women senators and the only one to chair a Senate committee, the Labor and Human Resources panel.

She was also in a dwindling bloc of moderate to liberal Republicans, having supported, for example, a ban on assault weapons championed by President Clinton.

Yet she never polarized Kansas conservatives as some GOP moderates did. She connected with voters because she never seemed caught up in the trappings of power, and when she retired, she acknowledged, “I’d rather cuddle up and do needlepoint all day.”

She was born on July 29, 1932, as her father, an oilman from Independence, was running for the first of his two terms as Kansas governor. She earned a political science degree from the University of Kansas and a master’s degree in diplomatic history from the University of Michigan in the mid-1950s.

She was a radio station executive, spent a year in the 1970s on the staff of Sen. James Pearson (R-Kan.) and served on the school board in the Wichita suburb of Maize. She had four children with her first husband, Phil Kassebaum, including Bill, who served a term in the Kansas House of Representatives. The marriage ended in divorce in 1979.

A moderate who sought sensible solutions

When Kassebaum Baker decided to run for the Senate, she figured that “a woman with a background different from a man might be appealing” to people growing weary of politics. Pundits at the time estimated a Senate race would require the then-huge-for-Kansas sum of $1 million. In the first quarter of 1978, she spent less than $12,000 on her campaign, and saw herself “at the bottom of the totem pole.”

But nine candidates crowded the primary field, including three state senators and a prominent Wichita businessman. Kassebaum Baker won the GOP nomination with less than 31% of the vote.

Running as Nancy Landon Kassebaum, she won almost 54% of the vote that November against former two-term Democratic congressman Bill Roy.

Her moderate politics quickly came to the fore, when only months later, she refused to endorse an amendment to the U.S. Constitution to require a balanced budget.

“We should be wary of the seemingly simple solution,” she said.

Her father, who would die at age 100 in 1987, still cast a long political shadow during her first years in office. Though Landon overwhelmingly lost the 1936 presidential race to Democratic incumbent Franklin D. Roosevelt, he later became an elder statesman for the Republican Party. A lecture series named for him at Kansas State University attracted presidents and foreign leaders.

Kassebaum Baker became even more popular in her time. She won reelection in 1984 with 76% of the vote and in 1990 with 74%.

But she frustrated conservative activists, despite her popularity. She said her vote in favor of the assault weapons ban inspired the angriest mail of her career.

A public servant to the end

She’d contemplated not seeking a third term, but Republican leaders had prevailed upon her to run one more time. In 1996, when she decided not to seek reelection, she said she would return to a ranch and 90-year-old farmhouse in Kansas’ scenic Flint Hills and babysit her grandchildren — she had seven, as well as two great-grandchildren.

When there briefly was talk of naming a new highway in Topeka after her, she said, “Oh, goodness. Absolutely not — no.”

She and Baker kept their romance low-key, and speculation about a possible marriage didn’t emerge until mid-1996, in a Washington Post story. They married that December.

It was the first time a man and a woman who had both served in the Senate had wed. Baker was elected to three terms, serving from 1967 to 1985 before becoming President Reagan’s chief of staff. His first wife, Joy, had died in 1993 after a long battle with cancer.

After the marriage, public service still beckoned, including as a member of a bipartisan commission on campaign finance reform under Clinton and on a British commission in Africa in 2004-05.

President George W. Bush named her husband ambassador to Japan in 2001, and she went with him for the four-year posting. Baker said she became an important figure in the Asian nation.

Before she left for Tokyo, she told a reporter she saw her stint in Japan as an adventure, but added, “All I can say is, I will miss the Kansas prairie.”

Not a fan of Trump

Later in life, Kassebaum Baker broke with the Republican Party as it became more conservative, endorsing Democratic candidates for Kansas governor and U.S. senator, including Democratic Gov. Laura Kelly both times — even though Kelly’s 2022 GOP opponent, then-state Atty. Gen. Derek Schmidt, had worked on her Senate staff.

In 2021, she supported the impeachment of President Trump for incitement of insurrection for his role in the Jan. 6 riot at the U.S. Capitol that sought to keep him in power after he lost the 2020 election to Democrat Joe Biden.

“This just has gone too far,” she told Kansas City’s KMBC.

Hanna writes for the Associated Press.

Tom Rutland, East Worthing and Shoreham MP, said: “The whole community here is heartbroken by the death of Saja.

“We had been hoping and praying for her recovery after she was taken to hospital on Tuesday.

“My thoughts are with her family and friends at this incredibly sad time.”

A community vigil is taking place on Saturday morning at Kingston Beach as well as a one-minute silence in Shoreham town centre.

The family lived in London and were British citizens of Palestinian origin, with roots in the Rashidieh refugee camp in Lebanon. Their extended family had lived in the UK for many years, the Palestinian Forum says.

Prime Minister Andy Burnham called the incident a “terrible family tragedy”.

People in Shoreham left floral tributes at the scene and said the community was devastated.

The Beach Residents’ Association said the incident had “sent shockwaves across the local community”.

Local councillor Joss Loader, who represents the Shoreham Beach Residents’ Association and has lived in the area most of her life, described the deaths as a “shocking, heart-rending tragedy”.

Follow BBC Sussex on Facebook, external, X, external, and on Instagram, external and listen to BBC Radio Sussex on Sounds. Send your story ideas to southeasttoday@bbc.co.uk, external or WhatsApp us on 08081 002250.

José Alberto Suárez, a Telemundo executive, died in a helicopter crash on Wednesday in Kenya.

The 55-year-old — who was president and general manager of Telemundo 31, Telemundo 49 and Telemundo Ft. Myers-Naples — was among the seven deceased following an aircraft incident at Mt. Ololokwe, that took place at about 9:13 AM.

The Kenyan Civil Aviation Authority shared on X that the group left Loisaba to travel to Ewasonyiro on a Eurocopter, EC130 B4, operated by the charter service company Lady Lori Helicopters. Guests on board were said to be part of a luxury safari tour by travel agency andBeyond.

In a statement by NBCU News Group Chairman Cesar Conde, NBCU Local Chairman Valari Staab and Telemundo Station Group President Jose Cancela, they shared that Suárez was a “deeply respected leader” and “beloved friend and colleague.”

“The suddenness and circumstances of José’s passing make this loss especially difficult to comprehend,” read a statement to The Times. “Our hearts are with his loved ones, and with all of José’s colleagues and friends across NBCUniversal who are grieving this terrible loss.”

Over the course of his 20-plus years with NBCU Local and NBCU News Group, Suárez led stations in San Antonio, Sacramento, Fresno, Salt Lake City and Las Vegas. Earlier in his career — inspired by Cuban American journalist Jose Diaz-Balart — he served in programming, digital and creative leadership for Telemundo Station Group, NBC6 and Telemundo 51 in Miami.

“José was an exceptional colleague and mentor to many. He cared deeply about his teams, the communities they served and the essential role our stations play in people’s lives,” continued the statement. “He brought energy, humor, warmth and a strong sense of purpose to his work, and his impact was felt far beyond the stations he led.”

Some of Suárez’s colleagues took to social media to pay homage to the storyteller, including Elizabeth Chavolla, a bilingual multiplatform producer for NBC4 and Telemundo 52 Los Angeles, who uploaded a picture of the two on Instagram.

“I will always remember your kindness, professionalism, sense of humor and words of encouragement,” said Chavolla in an Instagram post. “You always knew how to make people smile, lift their spirits and remind them that everything was going to be okay.”

Brian Lozano, a news anchor for Telemundo 33 in Sacramento, wrote “part of me is leaving with him,” in a heartfelt Instagram post.

“He had his own way of being there for others, helping, accompanying and of leaving a deep imprint on every person who was lucky enough to cross his path,” Lozano wrote.

In a video tribute released by Telemundo 60 San Antonio, they describe Suárez as a meteorology fanatic who helped elevate the station into a robust weather reporting, while become a fan of Texan western wear and food.

“We appreciate you to the heavens for everything you did for the team, especially your joy, passion and journalistic commitment, but above all the lessons that you instilled as the great human that you’ve always been,” the video stated.

NBC Nightly News anchor Tom Llamas also paid homage to the news executive at the end of his Wednesday program, describing him as a “loving and funny guy in a tough and unforgiving business.”

“José was not only a mentor to me but also a good friend,” said Llamas. “I, and we, will miss him so much but we know his legacy will live on in all those newsrooms, big and small, that he touched.”

Following the Wednesday tragedy, more clarity on who was on the aircraft has also come to light.

Among the deceased were Roger Duarte, a 42-year-old Miami restaurateur and seafood businessman, as well as pilot Josh Outram, a fourth-generation Kenyan and wildlife conservationist.

Two couples were also onboard, including Michele Sensi-Contugi, a 44-year-old Ecuadorian intelligence chief, who died alongside his wife, Stephany Hollihan, a 42-year-old Ecuadorian fashion designer. Husbands Henry Parra, a 55-year-old aviation software executive and Adam Hlavaty, a 42-year-old real estate developer, also died.

Bill Rasmussen, the founder of the world’s first 24-hour all-sports cable network ESPN, has died. He was 93.

The sports media company announced his death in a news release on Tuesday and said the cause was from the effects of Parkinson’s disease. The entrepreneur was first diagnosed with the movement disorder in 2014.

“Bill was a remarkable man — a visionary and an innovator who conceived the idea of a network entirely devoted to sports,” said ESPN Chairman Jimmy Pitaro in a statement. “Quite simply, none of us would be here today if it wasn’t for Bill’s passion and all the hard work and entrepreneurial spirit he put into building ESPN in the late 1970s.”

Rasmussen’s creation — which began in the small industrial town of Bristol, Conn., — became an integral part of the new television landscape that emerged from cable and satellite technologies in the 1970s. Before the launch of ESPN, consumers had a limited number of sports viewing options through the handful of local TV stations in their markets.

ESPN launched seven months before Ted Turner unveiled his 24-hour news channel CNN. The two channels became the most valuable assets in building the pay-TV business, as cable and satellite providers expanded across the country, forever changing consumer viewing habits by offering a wide array of choices. ESPN’s continued growth over the decades that followed also showed that viewers have an insatiable appetite for live sports programming.

William F. Rasmussen was born Oct. 15, 1932, in Chicago and raised in nearby Columbus Manor, Ill. As a child, he had a knack for sports and was considered an avid athlete. He attended DePauw University in Indiana and received his bachelor’s degree in economics. After he graduated, he served in the United States Air Force and later earned an MBA from Rutgers University in New Jersey.

He built an entrepreneurial venture in the advertising business and decided to pivot to a career in media in 1962 with a radio position in Massachusetts. A few years later, he moved to WWLP-TV, a broadcast news channel, where he worked for eight years as sports director and two years as news director. After leaving the station, he worked as the communications director for the New England Whalers but was later fired from the role in 1978.

Rasmussen and his son Scott had been chasing the new business of satellite television through the summer of 1978 and had secured space on an RCA transponder — Rasmussen financed the deposit on a credit card, using a $9,000 advance, by his own account. What they lacked was programming. Stuck in traffic on Interstate 84 on a Friday afternoon in August, driving toward the New Jersey shore, Rasmussen floated the idea of filling the channel with nothing but sports.

Their idea soon developed from a local station showing Connecticut sports to state residents to a larger 24-hour national sports network. They received financial backing from the Getty Oil Company, a contract for programming with the NCAA and an advertising agreement with Anheuser-Busch — marking the largest sponsorship deal in cable history at the time. The Entertainment and Sports Programming Network was soon founded in Bristol with around 80 employees.

ESPN officially launched to 1.4 million homes at 7 p.m. Eastern time on Sept. 7, 1979, with a short introduction followed by the opening show, “SportsCenter” hosted by Lee Leonard and George Grande. To this day, “SportsCenter,” remains a vital part of the network’s programming and holds the record for the most episodes in television history.

ABC acquired ESPN from Texaco, which had absorbed Getty for $237.5 million in 1984 after buying a small stake in the network earlier that year. The entity became part of the Walt Disney Co. after the media conglomerate purchased Capital Cities/ABC in 1996. ESPN absorbed ABC’s sports division in 2006.

ESPN currently employs more than 5,900 people worldwide and operates eight U.S. cable channels, according to the company, in addition to programming sports on ABC and running one of the most-used sports apps in the country. Rasmussen himself was gone from day-to-day operations roughly a year after launch, displaced by the professional managers and outside money his idea had attracted.

“Bill was our George Washington and a good friend,” said veteran ESPN anchor Chris Berman in a statement. He joined the network only three weeks after the original launch in 1979. “He was such a grateful person and every sports fan can be grateful for Bill.”

After leaving ESPN, Rasmussen continued to serve as a consultant to sports rights holders and media companies and also maintained his own startup ventures in sports.

He publicly disclosed his 2014 Parkinson’s disease diagnosis in 2019 and became an ambassador for Parkinson’s patients through both the American Parkinson Disease Assn. and the Michael J. Fox Foundation for Parkinson’s Research.

“I’m a positive guy . . . I always look at the positive side of people, projects, ideas, etc. For some reason, Parkinson’s is kind of an orphaned malady — people don’t like to talk about it, as if it were taboo,” said Rasmussen in an essay he wrote for ESPN that year. “Well, 40 years ago, people didn’t want to talk about a 24-hour sports network either as if competing with ‘The Big Three’ broadcast networks was taboo. We never stopped asking questions, solving problems and selling the dream. A lot of really good people did believe and we see the results of that effort today.”

Rasmussen’s wife of 56 years, Lois, died in 2011. He is survived by his three children, Scott, Glenn and Lynn Van Hollebeke, seven grandchildren, Andy, P.J., Wil, MaryAnn, Donna, Jessica and Sarah and two great-grandchildren, Otto and Adelaide.

A competitor has died following a crash involving two riders during qualifying for the Manx Grand Prix on the Isle of Man.

The session was red-flagged at about 18:50 BST following the incident at Cruickshanks, in Ramsey, on the opening lap of Tuesday evening’s session.

Organisers said the other competitor involved had suffered minor injuries and was being treated at the island’s main hospital, Noble’s. The riders have not been named.

The road between Ramsey Bus Station and Lheaney Road in Ramsey remained closed for more than three hours after the crash.

In a statement, organisers said: “It’s with profound sadness that the Manx Grand Prix Races confirms that one competitor sustained fatal injuries.

“In accordance with the event’s standard operating procedures, a multi-agency investigative process is now underway.

“Our thoughts are with the competitors, family and friends of those involved, who have asked for privacy at this time.”

Tuesday marked the second day of qualifying for the 2026 Manx Grand Prix (MGP) and Classic TT following the cancellation of Monday’s sessions because of rain showers.

Sunday’s opening session was cut short following a red-flag incident that saw Italian rider Salvatore Sallustro taken to hospital for treatment and a later deterioration of the weather.

Qualifying for the MGP, which runs in parallel with the Classic TT on the 37.7 mile (61km) Mountain Course, is scheduled to take place daily until Saturday, followed by racing in the two events until 28 August.

Former Wolverhampton Wanderers captain Mike Bailey has died at the age of 84 after a long illness.

The midfielder, who was capped twice by England, started his career at Charlton Athletic before moving to Molineux in 1966.

He made 436 appearances and scored 25 goals for Wolves, lifting the League Cup in 1974, after helping the West Midlands club reach the Uefa Cup final two years earlier.

In his final season at Wolves he helped them earn promotion back to the top flight.

Bailey went on to have a brief stint in the North American Soccer League (NASL) with Minnesota Kicks before returning to England to become player-manager of Hereford.

He later took charge of Charlton, Brighton, Greek club OFI and non-league side Leatherhead.

It’s right there in the medical books, along with Belsey fundoplication, Heineke-Mikulicz pyloroplasty and Keller’s excision arthroplasty: Tommy John surgery.

Purists might refer to it as ulnar collateral ligament reconstruction, but the rest of the world knows it as the career-saving surgery named for a sore-armed left-handed Dodgers pitcher.

Tommy John was facing the bleak reality that his career was likely over when he ruptured a ligament in his left elbow on a summer night in 1974, an injury that had sent so many pitchers into an early retirement. But a then-radical surgery not only saved but revived his career, as well as the careers of hundreds of baseball players ranging from Tom Candiotti to John Smoltz to Shohei Ohtani in the 50 years since.

Always more famous for the surgical procedure than his career stats, John died Saturday, the Dodgers announced. He was 83.

“We are saddened to hear the news of Tommy John’s passing,” Dodgers president and CEO Stan Kasten said in a statement. “… Tommy was an exceptional pitcher throughout his career in Major League Baseball and his courageous role in becoming the first to have surgery that would go on to bear his name can’t be overstated. His impact both on and off the field has been felt by ballplayers of all ages and will be for generations to come.”

A good pitcher before the surgery with 124 wins in 12 seasons with three teams, he won 164 more afterward — only one fewer than Sandy Koufax during his entire career, he liked to point out — in 14 more seasons with four teams, finally retiring at 46 with a 288-231 record and a 3.34 earned-run average.

“Dr. Jobe made it so I could throw a baseball again,” John told The Times’ Sam Farmer in 2023 from his home in Sarasota, Fla. “After surgery, I never missed a start, and I even pitched out of the bullpen every once in a while.”

He pitched for the Dodgers and the Angels and had two successful stints with the New York Yankees but it was with the Dodgers that he had his greatest success, an 87-42 record and a 2.97 ERA, helping them to consecutive World Series appearances.

It was also as a Dodger that he had his history-making operation.

He came to the Dodgers in a trade from the Chicago White Sox in December 1971 with an 84-91 record, a good curveball and a less than intimidating fastball. Pitching coach Red Adams convinced him that precision location and ball movement were more effective than raw speed and John went 11-5 the following season. He also became well acquainted with orthopedist Frank Jobe, the team physician.

Late in the season, he jammed his left elbow sliding into home plate, jarring loose some bone chips. Jobe cleaned things up for John during the offseason.

Dodgers manager Tommy Lasorda congratulates Tommy John after John shut out the Phillies during 1978 National League Championship Series.

(Associated Press)

Then in July 1974, by which time John had become a mainstay in the pitching rotation, he threw a pitch to Hal Breeden of the Montreal Expos that changed his life, and ultimately the lives of many others.

“Right at the point where I put force on the pitch, the point where my arm is back and bent, something happened,” he told Sports Illustrated. “It felt as if I had left my arm somewhere else. It was as if my body continued to go forward and my left arm had just flown out to right field, independent of the rest of me.

“I heard this thudding sound in my elbow, then I felt a sharp pain.”

John had ruptured the medial ulnar collateral ligament in his left elbow, although he didn’t know that then. The pitch, of course, was nowhere near the strike zone and, despite the pain and in an effort to see if that was a fluke, he tried to throw another. It bounced off the plate, ending his outing and, for all anyone knew, his pitching career.

Jobe recommended total rest but after a month, with no sign of healing, he came up with an outside-the-box suggestion. Earlier, Jobe had grafted a tendon to a recovered polio patient’s ankle to provide stabilization. He thought maybe a tendon could be grafted to a pitcher’s elbow as well.

He gave John a grim choice: Do nothing and never pitch again, or try the surgery at 100-1 odds against success.

“I told Dr. [Frank] Jobe if you do your job I will do more than mine,” John told The Times last year. I just happened to be in the right place at the right time with the right doctor and team.”

So, on Sept. 25, 1974, Jobe took a tendon from John’s right arm, threaded it through holes he had drilled in John’s left elbow and hoped it all would work.

Nerve damage necessitated a second surgery several months later and the prospects were not promising. John’s left arm had atrophied, his hand now basically a claw, and two of his fingers were numb.

Even so, he began rehab, knowing he would miss the entire 1975 season. He taped the unfeeling fingers to the functioning ones so that he could grip a baseball, then, resembling “a little boy throwing against the steps of his back porch,” threw against a wall. He squeezed Silly Putty and strictly adhered to a physical therapy regimen.

By June 1975 he had regained the use of his entire hand and in late September pitched three innings in an exhibition game. He continued his routine through the offseason and into spring training, once joking, “When they operated on my arm, I asked them to put in a Koufax fastball. They did but it turned out to be Mrs. Koufax.”

Surprising many, who considered it at least a minor miracle, he was back in the rotation at the start of the 1976 season and went five innings in his first start, giving up five hits and three runs in a loss to the Braves in Atlanta. He finished the season at 10-10 with a 3.09 ERA, and if anyone was still wondering about his comeback, he put doubts to rest in 1977.

In one of his best seasons, he won 20 games, had a 2.78 ERA and finished second in National League Cy Young award voting for the pennant-winning Dodgers. In a 4-1 win over the Philadelphia Phillies in the clinching Game 4 of the NL Championship Series — then a best-of-five format — John pitched a complete game, striking out eight in a 130-pitch effort.

Dodgers pitcher Tommy John celebrates after the final out in a 4-1 victory over the Phillies in Game 4 of the 1977 NLCS that clinched the pennant for the Dodgers.

(Associated Press)

He came back with a 17-victory season in ’78 and the Dodgers won the pennant again but again lost to the Yankees in the World Series, with John winning a game in both the NLCS and World Series. After the season, he signed with New York as a free agent.

He was an immediate hit with the Yankees, winning 21 games in 1979 and finishing second in the American League Cy Young voting, then won 22 in ’80. In 1981, the Yankees reached the World Series, once again facing the Dodgers — and John was at the center of the most controversial decision in the series that ultimately sealed New York’s fate.

John was the starter in Game 6 at Yankee Stadium with the Dodgers leading the series, 3-2. The left-hander had won Game 2, giving up three hits over seven innings in a 3-0 victory, and had completed four innings of one-run ball when Yankees manager Bob Lemon elected to pinch-hit for John with two runners on in a 1-1 game. ABC, which broadcast the World Series that year, showed John looking visibly upset and surprised as he paced the dugout.

Bobby Murcer flied out to right to end the inning, and the Dodgers would score eight runs over the next four innings against an ineffective Yankees bullpen to secure a 9-2 victory and win the franchise’s first World Series since 1965.

“At the time my reaction was, ‘why is he doing this?’ I was pitching fine and you don’t pull someone out in the fourth inning just because you need a hit at the time,” John said last year. “I was not happy, but that was so long ago in retrospect could we have won? I think so. Does it matter now? No.”

In John’s two stints with the Yankees — he had four seasons with the Angels in between — he was 91-60 with a 3.59 ERA.

And it was with the Yankees that he made the record book, in a way no player would ever want. He committed three errors in an inning, all on the same play during a game July 27, 1988.

With the Yankees leading the Milwaukee Brewers 4-0 and Jim Gantner on first for the Brewers, John charged a slow roller by Jeffrey Leonard to the first-base side of the mound. First, he bobbled the ball. Then, he sailed it past first baseman Don Mattingly, bouncing it off the right-field ballboy. Dave Winfield made a nice play on the ball and fired a strong throw home. It was on line and probably would have nailed the hustling Gantner but John cut it off, then threw wildly past catcher Don Slaught and into the Brewers’ dugout as Gantner scored.

John’s summation, according to Newsday? “I must have had a metal cup on. It glitched the ions in the air.”

After his playing days, John did some broadcasting, some minor league managing and became a strong advocate for suicide prevention after one of his sons took his own life. And after seeing many young pitchers, some still in their teens, undergo the surgery named for him, he spoke out against arm overuse, recommending less than year-round pitching by young arms.

But regardless of the context, John is forever linked to the operation that continues to be performed by orthopedic surgeons such as Dr. Neal ElAttrache, who began learning how to perform the procedure when he was a fellow at the Kerlan-Jobe Orthopedic Clinic in 1990 from Jobe himself. The two would operate together twice a week throughout the 1990s and were close friends until Jobe’s death in 2014.

“It should have been called the Frank Jobe operation,” ElAttrache told The Times in 2023. “But with Frank being the man he was, it was all about the person he was treating. It wasn’t about him.”

By ElAttrache’s estimation, he has performed the operation between 50 and 75 times per year over his career — including the two he has done on Ohtani, one in 2018 and one in 2023. And although ElAttrache has put his own signatures on the surgery — including a second graft to further fortify Ohtani’s elbow — the operation has remained largely the same since Jobe first performed it in 1974.

John is survived by his wife, Cheryl, and his children, Tommy, Travis and Tamara. A private celebration of his life will be held in Florida.

Christy Knowings, an actor best known for the Nickelodeon sketch comedy series “All That,” has died. She was 46.

According to her father, Charles Dunn, Knowings died Tuesday in Long Beach after she suffered a severe asthma attack on Aug. 7 and went into cardiac arrest. The actor had been on life support for several days.

Knowings joined Nickelodeon’s sketch show for kids and teens, “All That,” in 1997 when she was a teenager trying to break into the business. She impressed casting directors with a repertoire of characters and accents she’d been perfecting since she was 4 years old.

“I filmed a bunch of different characters, and then a week after that, producers and writers from ‘All That’ flew out from Hollywood to come see me in New York, and that’s all she wrote,” Knowings said during a 2019 interview. “Five minutes later, I was asked if I wanted to move to California.”

On “All That,” Knowings joined an all-star cast that included Kenan Thompson, Amanda Bynes, Kel Mitchell, Nick Cannon and Gabriel Iglesias, to name a few. She stayed with the sketch show for three seasons, departing in 2000.

Following “All That,” she appeared on “Sesame Street” across three episodes in twin-themed sketches.

“Sesame Street” posted a tribute for the actor on social media, writing, “Sesame Workshop mourns the loss of Christy Knowings, who appeared on Sesame Street alongside her brother, cast member Chris Knowings. Our deepest condolences go out to Chris and his family.”

Christy Lorraine Knowings was born Feb. 25, 1980, in the Bronx. She attended Manhattan’s Professional Performing Arts School and started honing her skills as a character actor from an early age.

“I did impersonations, but my thing was really creating new characters, and the characters would stem from different dialects,” she told the Pop Culture With Pat podcast.

“I was pretty good … Even if I had a small role playing a judge at a science fair, I would still try and make that character stand out by using a different accent or doing something a little dangerous. Didn’t always work! But most of the time it did.”

In 2019, ahead of the 25th anniversary of “All That,” Knowings spoke with Bustle about the way the show was ahead of its time. The Native American Afro-Latina actor said the cultural nuances brought by the diverse cast were celebrated.

“People tell me, especially Black ‘90s kids who were watching for my seasons, they’re like, ‘We really paid attention to you because you were the only Black girl!’ I was there to represent them in a way and I didn’t even realize it at the time because social media was not a thing,” she said.

“‘All That’ showcased the unity that we all wanted, needed and still need in a very humorous way. We brought each other together in a very lighthearted way. With Amanda and I doing ‘Whateverrr!’ you didn’t see a Black girl and a white girl, you just saw these two insane girls who loved the same guys. We both loved Leonardo DiCaprio and we both loved Kobe Bryant! I think we pushed a lot of boundaries.”

Knowings’ “All That” castmates posted tributes to her on social media.

Thompson, now a “Saturday Night Live” star, wrote alongside a photo of Knowings, “Man this one hit hard!!! Rest well Christy!!! Never could have imagined this day!! Sending so much love to her family!! She was a real one and one of the funniest people out here!!! Gonna miss you buddy!!!”

Alisa Reyes wrote that Christy was “not only an immensely talented actress, singer, and artist, but she was also a star seed, a light worker, and a true uplifter of humanity … Her frequency and vibration are now soaring into the ethers, and I can already feel her magic sprinkling upon us like stardust.”

Lisa Foiles posted a tribute on Facebook, writing, “It doesn’t feel fair when we lose one of our own. Christy was mesmerizing to me on ‘All That.’ I studied her facial expressions, her commitment to a bit, her talent for comedy way beyond her years. I dreamed of being in her shoes — and even when I joined the show, I knew they were impossibly big shoes to fill. She was a comedic icon to me, and when I finally got to meet her, her kindness matched her talent. Take some time to let her make you laugh today. RIP Christy Knowings.”

Knowings is survived by her father, twin brother, mother Rénee Knowings Dunn and siblings Charles Dunn Jr., Ashley Dunn Ledger, Yavonka Vega, Tamea Dunn and Lee Elder.

Mark Rydell, the Oscar-nominated director of the sentimental blockbuster “On Golden Pond” who worked with such Hollywood heavyweights as Henry Fonda, Katharine Hepburn, Steve McQueen and John Wayne, has died. He was 97.

His daughter, Amy Rydell, told the Hollywood Reporter that her father died Thursday of natural causes at a retirement community for the entertainment industry in Woodland Hills.

“Hard to put into words how much I loved my dad,” she posted Friday on her Instagram account. “He was truly one of a kind. Funniest and most talented person I’ve ever known.”

10 Oscar nominations

“On Golden Pond,” his 1981 film that teamed Fonda with Hepburn and his daughter, Jane Fonda, was nominated for 10 Oscars. Henry Fonda and Hepburn won leading acting honors, and the film won for screenplay, which Ernest Thompson adapted from his play of the same name. Rydell was nominated for directing but lost to Warren Beatty for “Reds.”

It earned more than $119 million at the box office, making it the second-highest-grossing film that year behind “Raiders of the Lost Ark.”

“On Golden Pond” was Henry Fonda’s final movie role. He starred as Norman Thayer, an emotionally brittle and distant father who becomes more accessible at the end of his life after his teenage grandson spends the summer with him and his wife, Ethel (played by Hepburn), at their cottage in New England. The film’s story resembled Fonda’s real-life relationship with daughter Jane, who said working on the movie together helped resolve some of their issues. The elder Fonda, at 77, died months after winning his only Oscar.

Rydell’s other Oscar-nominated films were “The Fox” in 1967, “The Reivers” with McQueen in 1969, “Cinderella Liberty” with James Caan and Marsha Mason in 1973, “The Rose” with Bette Midler in 1979 and “The River” with Mel Gibson and Sissy Spacek in 1984.

Born Mortimer Harold Rydell on March 23, 1929 in New York City, he studied with legendary jazz pianist Teddy Wilson at the Julliard School of Music. During a stint in the Army, he spent two years in Japan developing entertainment for military personnel. He majored in English and philosophy at New York University.

Early acting career

He turned to acting when he won a scholarship to the Neighborhood Playhouse in New York. Among his early roles were parts on the CBS soap operas “The Edge of Night” and “As the World Turns.”

Rydell made his Broadway debut in “Seagulls Over Sorrento” with Rod Steiger. In 1956, he made his movie acting debut opposite John Cassavetes and Sal Mineo in Don Siegel’s “Crime in the Streets.”

Among his film acting credits were Robert Altman’s “The Long Goodbye” in 1973 and Woody Allen’s “Hollywood Ending” in 2002.

Rydell moved into directing television, including episodes of “Mr. Novak,” “Ben Casey,” “I Spy,” “The Wild Wild West,” “The Long, Hot Summer,” “The Fugitive” and “Gunsmoke.”

He made his feature film directorial debut with 1967’s “The Fox” starring Sandy Dennis, and it was a hit.

Two years later, Rydell directed McQueen in the comedy-drama “The Reivers.”

Teaming with Sydney Pollack

Rydell and Sydney Pollack, who became friends during their acting days, formed Sanford Productions in 1971. Among their efforts were the films “Jeremiah Johnson” starring Robert Redford and “Scarecrow” with Al Pacino and Gene Hackman, which won the Cannes Film Festival’s top honor, the Palme d’Or.

Rydell directed Wayne in 1972’s “The Cowboys.” He reunited with Caan for the 1976 flop “Harry and Walter Go to New York.”

Rydell scored a major hit with 1979’s “The Rose,” with Midler in her Oscar-nominated role as a self-destructive rock star loosely based on Janis Joplin.

Rydell reteamed with Caan and Midler in “For the Boys” in 1991, but it wasn’t successful.

“He was an actor of note before he became a director, and I was so lucky to have met him when I did; he taught me so much on ‘The Rose’ and later on ‘For The Boys,’” Midler posted on Instagram. “Two Oscars nominations both because of him. He was the actor’s whisperer; just a few words was all it took to understand what was needed. Devoted to Meisner. So many happy memories.”

TV movies and series among his credits

Rydell directed the pilot of the hit ABC drama “Family” in 1976.

Among his TV movie directing credits were “McBride and Groom,” “Crime of the Century” with Isabella Rossellini and Stephen Rea, and “James Dean,” which earned actor James Franco a Golden Globe award and in which Rydell also appeared, as Warner Bros. chief Jack Warner.

He directed the movies “Intersection” in 1994 and “Even Money” in 2006.

In 2009, Rydell, Oscar-winning actor Martin Landau and screenwriter Lyle Kessler taught a film workshop at UCLA. Rydell and Landau were co-artistic directors of the Actors Studio West, teaching and coaching actors, writers and directors.

“All great art rests on telling the truth,” Rydell told UCLA’s student newspaper the Daily Bruin. “The real pursuit of an artist is to tell the truth.”

Besides his daughter, he is survived by son Christopher. The siblings who went into acting were from his first marriage to actor Joanne Linville. He had another son, Alexander, from his second marriage to producer Esther Rydell.

Harris writes for the Associated Press.

SACRAMENTO — Proposed legislation to protect animals from “Frankenstein”-like medical experimentation died in the state Senate on Thursday, and supporters blame election year politics for its demise.

Assembly Bill 1382 by Assemblymember Leticia Castillo (R-Home Gardens) would have banned the sale of genetically modified animals in California, such as glow-in-the-dark rabbits and horned “unicorn” horses.

While the business of cosmetically modified, futuristic-looking pets remains in its infancy, animal rights groups worry that eventually the creatures will be created, sold and later discarded in crowded municipal shelters.

Castillo’s bill passed unanimously in the Assembly earlier this year and sailed through the Senate Judiciary Committee in June with bipartisan support.

On Thursday, the legislation died in the Senate Appropriations Committee. The chair of that powerful committee is Sen. Sabrina Cervantes (D-Riverside) whose sister, Clarissa Cervantes, is challenging Castillo in the Nov. 3 election.

Cervantes never brought up the bill during Thursday’s hearing, which effectively kills it. Cervantes’ office didn’t respond to requests about why the legislation died.

Judie Mancuso, the founder of Social Compassion in Legislation, the bill’s sponsor, called the outcome “ludicrous.”

“When you’ve worked in the Capitol as long as I have, you understand that good bills can become political assets or political liabilities during an election cycle,” said Mancuso.

Castillo pledged Thursday to continue her focus on animals and cosmetic genetic engineering.

“This bill was never about politics — it was about protecting animals from being turned into novelty products,” Castillo said in a statement. “I’m disappointed AB 1382 did not move forward, but I am not done fighting for these animals. The technology that makes ‘designer pets’ possible isn’t going away, and neither am I.”

A 2025 Wired article entitled “Your Next Pet Could Be a Glowing Rabbit” profiled a Texas company seeking to create gene-edited pets. Josie Zayner, the founder of the company, told the Times in July that she opposed Castillo’s bill.

Castillo, at a hearing earlier this year, said she understands the concept of gene-editing animals for health reasons, but doesn’t want to see the alterations for cosmetic reasons.

Glow-in-the dark fish were exempt from her bill, which proposed civil penalties of at least $5,000.

Though the Judicial Council of California, the policy-making body for the courts, reviewed the legislation and didn’t have any fiscal concerns about it, the Senate Appropriations Committee analysis warned of “potentially significant workload cost pressures to the state funded trial court system” to resolve any civil cases related to the bill.

“The fiscal impact of this bill to the courts will depend on many unknowns, including the number of cases filed and the factors unique to each case,” the analysis stated.

The Democratic-controlled legislature uses appropriations committees to cull through hundreds of bills placed on what is referred to as the “suspense file.”

Officially, the suspense file is a tool for legislative leaders to evaluate costly bills by weighing them against one another and deciding what to advance to a vote by the Senate and Assembly. Unofficially, it’s used as a way for Democrats who control the Legislature to kill controversial bills out of the public eye.

California Democrats are making an aggressive push to unseat Castillo from the Assembly in the November election, Politico reported.

Castillo defeated Clarissa Cervantes in 2024 by nearly 600 votes to represent parts of Riverside County and San Bernardino County. Castillo lost to then-Assemblymember Sabrina Cervantes in 2022.

After the bill was moved to the Senate Appropriations Committee earlier this year, animal advocates reached out to state Senate Pro Tempore Monique Limón’s office to question the move.

“It’s my belief that there is some kind of political game going on,” Michelle Kelly, chief executive of the nonprofit welfare organization Los Angeles Rabbit Foundation, told the Times last month.

“Why would anyone not want to move forward with this bill?” Kelly said.

A representative for Limón declined to comment.

Benjamin Bycel, a civil rights attorney, law school dean and university president who took on the task of cleaning up Los Angeles politics as the city’s first ethics officer, died Aug. 2 in Santa Barbara. He was 84.

His son, Josh Bycel, said the death was due to complications from Parkinson’s disease.

Born in Brooklyn in 1942, Bycel moved to Huntington Park when he was 5. The son of a boxing manager and a teacher, he spent much of his childhood accompanying his father to downtown boxing gyms and the Olympic Auditorium. After graduating from Huntington Park High School, he earned a master’s in history from San José State University.

Bycel served with the Peace Corps in Uganda, taught at Manual Arts High School in L.A. and reported for the Associated Press in New York. As a law student at UC Davis, he was a press aide for San Francisco Mayor George Moscone’s campaign for governor of California.

After earning his law degree, Bycel worked as an attorney for the American Civil Liberties Union in Sacramento. As a civil rights lawyer in Santa Barbara, he successfully argued a landmark California Supreme Court case, which upheld the right of adults unrelated by blood, marriage or adoption to live together as a family. In 1986, Bycel took on the role of dean for the Santa Barbara and Ventura Colleges of Law, helping steer the ship after the former dean was accused of misappropriating funds.

Five years later, he took on his most high-profile role as founding director of the Los Angeles Ethics Commission.

The Times called it “a Herculean task.” The commission was created in 1990 after a wave of political corruption scandals engulfed Mayor Tom Bradley’s administration. When the City Council initially declined to pass tough anti-corruption laws, voters overwhelmingly passed Proposition H to create an independent watchdog tasked with enforcing a tough new set of regulations governing city officials’ conduct.

“The idea of getting paid to reform the system and make it better is a thrill,” Bycel told The Times when he was selected. He vowed not to “conduct any witch hunts.”

There was controversy from the get-go. In the commission’s first year, The Times reported, investigators raided the offices of City Attorney James K. Hahn after getting a tip that city workers were engaged in political activities. When the district attorney later dropped the investigation, citing lack of evidence, Hahn publicly condemned Bycel.

Zev Yaroslavsky, a former L.A. politician who served then as a City Council member representing district 5, said the new ethics role represented a “dramatic, profound cultural change in municipal government.” Bycel, he said, rose to the occasion.

“Institutionally, he was a new power, a new person with influence over the vitals of elected officialdom, and I thought he did an excellent job,” Yaroslavsky said, noting that Bycel did not go in with guns blazing. “He was very judicious and even-handed and he gave the new institutional credibility out of the starting gate.”

Still, some complained Bycel was a publicity hound, and he made powerful enemies. In 1995, Bycel told The Times that he feared for his job: Mayor Richard Riordan’s new appointee as the ethics commission president, UCLA law lecturer Raquelle de la Rocha, he said, had told him that she had decided he should be fired. De la Rocha denied his claim, but said that she had called a closed personnel hearing on Bycel’s status.

A few weeks later, the commission fired Bycel, taking a vote in closed session. They refused to say why.

“Though outspoken and at times overly aggressive, Bycel has made an important contribution to political reform here in Los Angeles,” The Times said in an editorial. “Under his tenure, the commission staff has worked rigorously to enforce the toughest local ethics laws in the nation, including a gift ban and restrictions on lobbyists.”

Josh Bycel said his father reveled in the challenge of cleaning up L.A. politics and was frustrated by his abrupt ouster.

“Even though he felt he made great progress and they were doing good things, I think he felt that the job was not done … There were forces that did not want him to do the job.”

In 1997, Bycel was appointed president of the University of West Los Angeles, and in 2001 he moved to Washington to serve as the vice president of Common Cause, the national advocacy group. Later, he served as the executive director of the Connecticut Office of State Ethics before moving back to Santa Barbara to practice law.

Bycel died at a memory center in Santa Barbara he had moved into just a few weeks earlier, Josh Bycel said. He was surrounded by his beloved longtime partner, children, grandchildren and dog, he said, in a room filled with photos and quotes of his longtime hero, boxing champion, Muhammad Ali.

“For good or for bad, my dad was a fighter and someone who would speak his mind,” Josh Bycel said, noting that was probably what got him in trouble at the ethics commission. “He always believed that you had to fight the righteous fight.”

JON Cypher, the actor who played Prince Charming in the original TV production of Cinderella, has died at the age of 94.

A family announcement said the thespian died at his home in Central Point, Oregon, on August 3.

His wife of 40 years Carol Rosin was by his side.

The cause of death has not been disclosed.

Jon will perhaps be well-known as the ambitious police chief Fletcher Daniels on the long-running Hill Street Blues.

He appeared throughout the acclaimed TV drama.

Jon also had a prominent role as General March Craig on Major Dad.

He, though, had a long list of credits including Dynasty, Knots Landing, Walker, Texas Ranger, Law & Order, As the World Turns, Santa Barbara and JAG.

Jon first appeared on the small screen alongside Julie Andrews in Rodgers and Hammerstein’s live 1957 CBS broadcast of Cinderella.

At the time, Jon was a virtual unknown,

The big-budget production aired live and in color on CBS in March 1957.

It attracted an audience of more than 107million, more than 60 per cent of US households tuning in.

He went on to play Man-At-Arms in the 1987 film Masters of the Universe.

Jon also made regular appearances on Broadway, with credits including Man of La Mancha, The Great White Hope, Big, Coco and 1776.

Scott Lay, an attorney by training, a fierce advocate for community colleges and the author of a must-read newsletter in the state Capitol, has died at 48.

His death prompted an outpouring of grief in Sacramento, from those who knew Lay as a lobbyist to subscribers of the Nooner, Lay’s daily email roundup of political news, legislative activity, job openings and policy, all laced with insider gossip and observations.

“He was so committed to his community, whether that was his neighborhood, whether that was the community college world, whether it was a political party,” said Lisa Ortega, Lay’s sister. “He was always trying to build bridges and make the world better.”

Lay’s final newsletter was sent on Sept. 8; he was found dead at his Sacramento home on Sept. 13. The coroner has not determined a cause of death.

Born in Portland, Ore., Lay grew up in Placentia. His family frequently talked politics at the dinner table, and the extended family had lively political debates at gatherings.

Lay had severe asthma as a child, which led to frequent hospitalizations at the Children’s Hospital of Orange County. His health issues prevented him from graduating from high school, but Lay earned his GED at 17 and enrolled at Orange Coast College in Costa Mesa.

That’s where in 1991 Lay met Paul Mitchell, now a Democratic redistricting expert. They were in a speech class together; Lay would sometimes show up in scrubs after volunteer shifts at the children’s hospital. They cofounded a College Democrats chapter and served in student government and on the California Student Assn. of Community Colleges together.

“Getting into student government and getting into politics gave him a mission outside of himself,” Mitchell said, noting that when they first met, Lay volunteered escorting women into abortion clinics in the face of protesters. “Having that drive made him able to overcome a lot of his earlier health problems because he just had this focus and mission.”

Lay would go onto get a law degree from UC Davis, but his experience at Orange Coast was pivotal. He started working for the Community College League of California in 1995 and became its president and CEO in 2006.

“He was really passionate about the system and the access community colleges provided,” Mitchell said. “He saw in the system his story — a kid who doesn’t graduate high school growing up to become a CEO.”

Lay started working in Sacramento at a time of great turnover in the state Capitol because of term limits. Lay was among the new young lobbyists when he met Anthony York, then a cub reporter who now works in political communications, mostly for the California Medical Assn.

York and Lay became friends, and in 2004 the pair cofounded a daily email newsletter about politics called the Roundup, a precursor of the Nooner.

“Stuff like this was popping up in Washington. There was nothing like that in Sacramento,” York said. “Scott had the technical ability to make this stuff happen. He hand-coded it.”

(Lay also used his tech skills to create a legislative tracking and a campaign contribution database.)

The other blogs and emails at the time were largely simple aggregators of news stories; the Roundup and later the Nooner had personality, gossip, observations and quips. It was Politico before Politico. That’s why Lay’s loss was being mourned by many, said York, who worked for the Los Angeles Times from 2010 to 2014.

“Through his email, he had a very specific voice and type of coverage you normally don’t get. I think it really bred a familiarity with this kind of niche audience,” York said. “It’s written about insidery stuff for insidery types with a very personal tone and touch. I think it’s reflected in the reaction to the news of his death. You can sense a real void without that voice.”

Lay’s relationships crossed party lines. Another of his close friends going back to his college days is GOP strategist Mike Madrid, who was at Moorpark College at the time Lay was at Orange Coast.

“The band of us met and we differed a lot on policies, but we fell in love like brothers, and just kind of came up through the system together,” Madrid said.

Lay put on a sunny face on social media, posting about his latest haul from the farmers market and his trips to his favorite taco stand. But he also acknowledged struggles with alcoholism, and was in failing health in recent years.

His friends say that while he was publicly forging relations with so many people through his newsletter and on social media, he began isolating himself from his personal relationships.

“He was the first of our generation to go, and to go that way, and to have him slip through our fingers is just heartbreaking,” Madrid said. “He was extremely talented, not just on policy, not just on politics, but on both. And he loved being part of the Capitol community.”

In addition to Ortega, Lay is survived by his father, Roy Lay, and his mother, Linda James.

Lay and Mehta both served on the board of directors for the nonprofit Open California.

MONTEVIDEO, Uruguay — Jorge Messi, the father of soccer star and Argentina captain Lionel Messi, died Saturday at a hospital in the central Argentina city of Rosario. He was 68.

The Rosario-based Club Atlético Newell’s Old Boys announced his death in a social media post that said he had undergone treatment in recent months for an unspecified illness. The post described him as “the pillar and the person who, with vision, rigor and affection, supported the career of the best player of all time, alongside his wife, Celia Cuccittini.”

The South American Football Confederation, CONMEBOL, in a statement also offered its condolences “with respect and affection for Lionel.”

Lionel Messi led Argentina to a runner-up finish in this year’s World Cup. In the team’s first match, against Algeria, he was visibly emotional after scoring the first of his three goals. He said later that he wept for “a reason unrelated to sports.”

Inter Miami star Lionel Messi hugs his father, Jorge Messi, while his mother, Celia Cuccittini, looks on after a playoff match against Nashville SC in November 2025.

(Leonardo Fernandez / Getty Images)

“I went through some difficult, complicated days,” he said. “I am grateful to the delegation, to all my teammates, because they were always by my side wishing me strength so that I would be OK.”

Media reports at the time outraged the Messi family, which days later released a statement confirming that “Jorge is experiencing a health issue,” without specifying the nature of his condition.

“A person’s health and the peace of mind of their loved ones should not be the subject of speculation or irresponsible media interest,” according to the statement, which also expressed “discomfort at the lack of sensitivity, respect and scruples with which some people have treated a strictly private and family matter.”

Jorge Messi was a chemical technician and worked as a steelworker. He played soccer as a midfielder and reached the youth ranks of Newell’s Old Boys but had to abandon the sport to complete his mandatory military service in Argentina.

Argentina’s Lionel Messi sits on the pitch after losing to Spain in the World Cup final in East Rutherford, N.J., on July 19.

(Ashley Landis / Associated Press)

He played a fundamental role in his third son’s career, serving as his agent and managing his business affairs. He was the one who traveled with a young Messi to Barcelona in the early 2000s for the trial that would open the doors to La Masia, the Catalan club’s youth academy. Lionel Messi made his professional debut in 2005 and went on to win eight Ballon d’Or awards. He led Argentina to the 2022 World Cup title.

“My dad was always by my side,” Lionel Messi said in a 2007 interview with Radio del Plata. “Sometimes I would lock myself in my room to cry when we arrived in Barcelona, or my dad would do the same without me seeing him, or thinking I didn’t see him. We pretended we were both OK, but we weren’t. My dad even asked me what I wanted to do when we were feeling down, if I wanted to stay or go back, and I wanted to stay, and he stayed with me.”

His father negotiated the contracts with Barça and later his transfers to Paris Saint-Germain and Inter Miami, while also managing the use of his famous son’s image rights and his numerous investments in real estate, hotels, and restaurants.

In 2016, father and son were convicted in the Spanish courts on tax evasion charges, but avoided prison because the sentence was less than two years.

Barreiro writes for the Associated Press.

The Inter Miami forward, 39, also became an eight-time Ballon d’Or winner and won the Champions League four times with Barcelona, plus 10 La Liga titles in 17 seasons in their first team.

Jorge supported his local team Newell’s Old Boys and Lionel joined the club when he was seven years old.

The family relocated to Spain in February 2001 after Lionel was signed by Barca aged just 13, and although Messi’s mother and three siblings soon moved back to Rosario, his father stayed with him in Barcelona.

“Jorge was the pillar and the person who supported with vision, rigor and affection the career of the greatest player of all time alongside his wife, Celia Cuccittini,” Newell’s Old Boys posted on X., external

“His constant companionship and behind-the-scenes leadership were essential in backing every step of Lionel, from his beginnings at Malvinas [youth academy] to the pinnacle of world football glory.

“Thank you for teaching him to love these colours.”

The club added that they “embrace with affection Celia, Lionel, Rodrigo, Matias and Maria Sol, and all their loved ones and close ones in this difficult moment”.

Barcelona thanked Jorge “for his commitment to our club, for entrusting us with the beginnings and the most glorious years of his son Leo’s football career”.

The Argentine Football Association said it “deeply mourns with sadness and sorrow the passing of Jorge Messi, father of our captain and emblem, Lionel Messi”.

It added: “From here, we stand in solidarity with the entire family during this difficult time and send the most heartfelt, warm and affectionate embrace.”

The Messi family responded after an Argentine television presenter falsely reported Jorge had died during Argentina’s opening game at this summer’s World Cup.

The presenter later resigned, while the family expressed their “deep discomfort with the lack of sensitivity, respect and discretion with which some people have treated what is strictly a private family matter”.