dies

A FEMALE rapped has died aged 37 after suffering a heart attack as her devastated friends pay tribute.

Gianina Gheorghiu recently passed away with her close friends revealing she had been battling an alcohol problem.

Going by the stage name Chica Con Canna, the rapper dominated the scene in her country, forging an impressive career.

The news left her friends and fans devastated after her death was announced on March 9.

The Romanian rapper was huge in her local scene, collaborating with stars such as Tony Batrânu, Vladone and Mike Diamondz.

Her close friend Dana Marijauna spoke of her death in a heartbreaking tribute to the musician.

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Although there is no official confirmation on what caused the heart attack Dana believes she “did not win the fight against alcohol”.

The rapper stated: “With tears in my eyes, with a fantastic love for Chica, who did not win the fight against alcohol.

“A girl with great talent, the best female voice and interpretation in English in the world of Romanian rap, soulful, generous, strong character.

“In vain, alcohol did not take into account all its countless qualities.

“We love you even in a billion years.

“We were supposed to record new songs, but we will do it without physical presence.”

The star’s untimely death has left a void in the Romanian rap industry with a number of artists, including Dana, claiming they had future projects with her.

The rapper confirmed that the projects will go ahead in her memory.

Al Jazeera Arabic presenter Jamal Rayyan, the first face on the channel when it launched nearly three decades ago, has died at 73.

The Palestinian presenter delivered the network’s first-ever bulletin when it went on air in 1996.

Al Jazeera Arabic presenter Jamal Rayyan, the first face ever seen on the channel when it launched nearly three decades ago, has died at the age of 73.

Rayyan passed away on Sunday after a broadcasting career spanning more than five decades, during which he covered major global and regional events for the channel – from the United States wars in Afghanistan and Iraq to the Arab Spring.

He had been with Al Jazeera since its first day on air on November 1, 1996, when he presented the channel’s opening bulletin at the start of what would become a major broadcaster in the Arab world.

Born in Tulkarem in the occupied West Bank in 1953, the Palestinian presenter began his career at Jordanian Radio and Television in 1974 before working with several broadcasters in the region and beyond, including Emirati television, South Korean public broadcasting, and BBC Arabic.

Rayyan later recalled being sworn to secrecy after being quietly selected for the historic role.

“The vice chairman of the board came and said to me, ‘You have been chosen to be the first face on Al Jazeera, but we want one thing from you: do not tell anyone,’” he told Al Jazeera’s In-Depth Studies, a collection of testimonies from the channel’s founders and early staff.

Measured delivery, distinctive voice

The announcement that Rayyan was presenting the first bulletin was made public half an hour before airtime. He entered the studio deliberately on an empty stomach, he recalled, to ensure he could breathe well and deliver.

“As the broadcast started, my heart began beating rapidly. However, after I appeared on the screen and said, ‘Welcome to the first broadcast of Al Jazeera channel,’ I returned to my natural state and finished the broadcast. As soon as I finished and exited the studio, the entire room erupted in applause,” Rayyan said.

He spent nearly three decades as one of Al Jazeera’s most recognisable presenters, building a following of 2.3 million on X.

Over the years, Rayyan became a familiar presence in homes across the Arab world, his measured delivery and distinctive voice closely associated with Al Jazeera’s news bulletins.

In the Arab world and beyond, his broadcasts and the channel’s editorial approach reached wide audiences and helped shape regional news coverage in the years that followed.

BERLIN — Juergen Habermas, whose work on communication, rationality and sociology made him one of the world’s most influential philosophers and a key intellectual figure in his native Germany, has died. He was 96.

Habermas’ publisher, Suhrkamp, said he died on Saturday in Starnberg, near Munich.

German Chancellor Friedrich Merz said that “Germany and Europe have lost one of the most significant thinkers of our time.”

Merz said that “his sociological and philosophical work had an impact on generations of researchers and thinkers.” He praised “Habermas’ intellectual forcefulness and his liberality” and said in a statement that “his voice will be missed.”

Habermas frequently weighed in on political matters over several decades. His extensive writing crossed the boundaries of academic and philosophical disciplines, providing a vision of modern society and social interaction. His best-known works included the two-volume “Theory of Communicative Action.”

Habermas, who was 15 at the time of Nazi Germany’s defeat, later recalled the dawn of a new era in 1945 and his coming to terms with the reality of Nazi crimes as something without which he wouldn’t have found his way into philosophy and social theory. He recalled that “you saw suddenly that it was a politically criminal system in which you had lived.”

He had an ambivalent relationship with the left-wing student movement of the late 1960s in Germany and beyond, engaging with it but also warning at the time against the danger of what he called “left-wing fascism” — a reaction to a firebrand speech by a student leader that he later said was “slightly out of place.” He would later recognize the movement as having driven a “fundamental liberalization” of German society.

In the 1980s, Habermas was a prominent figure in the so-called Historians’ Dispute, in which Berlin historian Ernst Nolte and others called for a new perspective on the Third Reich and German identity. They tended to compare what happened under Adolf Hitler to atrocities carried out by other governments, such as the deaths of millions in the Soviet Union under Josef Stalin. Habermas and other opponents contended that the conservative historians were trying to lessen the magnitude of Nazi crimes through such comparisons.

Habermas supported the rise to power of center-left Chancellor Gerhard Schroeder in 1998. He was critical of the “technocratic” approach and perceived lack of political vision of Schroeder’s conservative successor, Angela Merkel, complaining in 2016 of the paralyzing effects on public opinion of “the foam blanket of Merkel’s policy of sending people to sleep.”

He was particularly critical of the “limited interest” shown by German politicians, business leaders and media in “shaping a politically effective Europe.” In 2017, he praised newly elected French President Emmanuel Macron for laying out of plans for European reform, saying that “the way he speaks about Europe makes a difference.”

Habermas was born on June 18, 1929, in Duesseldorf and grew up in nearby Gummersbach, where his father headed the local chamber of commerce. He became a member of the Deutsches Jungvolk, a section of the Hitler Youth for younger boys, at 10.

He was born with a cleft palate that required repeated operations as a child, an experience that helped inform his later thinking about language.

Habermas said he had experienced the importance of spoken language as “a layer of commonality without which we as individuals cannot exist” and recalled struggling to make himself understood. He also spoke of the “superiority of the written word,” and said that “the written form conceals the flaws of the oral.”

His wife, Ute Habermas-Wesselhoeft, died last year. The couple had three children: Tilmann; Rebekka, who died in 2023; and Judith.

Moulson writes for the Associated Press.

His family and close friends said in a statement: “For more than a year he battled the brain cancer, glioblastoma. He leaves his wife Tracey, his sons Josh and Jed and a new grandson, and many friends and former colleagues who will all miss him greatly.”

Hall of Fame high school football coach Bob Johnson, who turned El Toro and Mission Viejo into powerhouse high school football programs and became one of the winningest coaches in state history, has died. He was 80. He had been battling Alzheimer’s.

“I feel for the family,” Mission Viejo football coach Chad Johnson (no relation) said Wednesday.

Johnson passed early Wednesday morning,

Johnson won six Southern Section titles coaching at Mission Viejo and three at El Toro while winning 338 games, the second winningest in Orange County history and in the top five in state history, according to the Orange County Register.

He retired after the 2017 season and was inducted into the California High School Football Hall of Fame in 2023.

His two sons, Rob and Bret, were standout high school quarterbacks before enrolling at USC and UCLA, respectively. Rob made it to the NFL. Both became coaches after their playing days were completed. Rob still coaches as an assistant at Mission Viejo.

WASHINGTON — Alexander Butterfield, the White House aide who inadvertently hastened Richard Nixon’s resignation over the Watergate scandal when he revealed that the president had bugged the Oval Office and Cabinet Room and routinely recorded his conversations, has died. He was 99.

His death was confirmed to the Associated Press by his wife, Kim, and John Dean, who served as White House counsel to Nixon during the Watergate scandal and went on to, along with Butterfield, help expose the wrongdoing.

“He had the heavy responsibility of revealing something he was sworn to secrecy on, which is the installation of the Nixon taping system,” Dean said. “He stood up and told the truth.”

As a deputy assistant to the president, Butterfield oversaw the taping system connected to voice-activated listening devices that had been secretly placed in four locations, including Nixon’s office in the Executive Office Building and the presidential retreat at Camp David.

Butterfield later said that, besides himself and the president, he believed that only White House Chief of Staff H.R. Haldeman, a Haldeman assistant and a handful of Secret Service agents knew about the taping system.

“Everything was taped … as long as the president was in attendance,” Butterfield told Watergate investigators when testifying under oath during a preliminary interview.

The tapes would expose Nixon’s role in the cover-up that followed the burglary in 1972 at the Democratic Party headquarters in the Watergate building. To avoid impeachment by the House, Nixon resigned on Aug. 9, 1974, less than a month after the Supreme Court had ordered him to surrender the relevant tapes to the Watergate special prosecutor.

Butterfield believed he’d had a hand in the president’s fate. “I didn’t like to be the cause of that, but I felt that I was, in a lot of ways,” he said in a 2008 oral history for the Nixon Presidential Library and Museum.

Butterfield, a college friend of Haldeman’s at UCLA who had contacted him to ask about opportunities in the new Nixon administration, served as a deputy assistant to Nixon from 1969 to 1973. In that capacity, he worked under Haldeman and, among other duties, was secretary to the Cabinet and helped oversee White House operations.

The Air Force veteran had left the White House to become administrator of the Federal Aviation Administration when Senate committee staffers privately questioned him on July 13, 1973, during their investigation of the Watergate break-in. A routine question about the possibility of a taping system had been prompted by former White House counsel John Dean’s testimony that he believed a conversation he had had with Nixon may have been recorded.

When Butterfield acknowledged that a taping system indeed existed, he was brought before a public hearing of the Senate Select Committee on Presidential Campaign Activities. The public revelation on July 16, 1973, of a taping system designed to record all the president’s conversations stunned Nixon friends and foes alike. The tapes promised Watergate investigators a rich vein of evidence in their quest to determine what Nixon and others knew about the break-in — a great deal, as it turned out.

Efforts by investigators to gain access to the tapes sparked a yearlong legal battle that was resolved in July 1974 when the Supreme Court ruled unanimously that Nixon had to give them up.

The thousands of hours of tapes made public over the years — they are now controlled by the National Archives — provide a unique, if often unflattering, view of Nixon. His words exposed a bad temper, vulgar language, bigoted racial and religious views, and unvarnished opinions about national and international figures.

“I just thought, ‘When they hear those tapes …’ I mean, I knew what was on these tapes … they’re dynamite,” Butterfield told the Nixon Library. “I guess I didn’t foresee that the president might be put out of office or impeached, but I thought it would be a perilous few years for him. I guess I couldn’t conceive of [Nixon] being forced out of office. It had never happened before.”

Butterfield later said he believed that Nixon’s successor, President Ford, fired him as FAA administrator in 1975 as part of an agreement worked out between the Nixon and Ford staff members. He said he had heard from White House friends that he had been targeted shortly after his testimony to the Senate committee.

After leaving the FAA, Butterfield worked as a business executive in California. He earned a master’s degree from UC San Diego in 1994.

Alexander Porter Butterfield was born on April 6, 1926, in Pensacola, Fla.

He left UCLA to join the Navy and later earned a bachelor’s degree from the University of Maryland in 1956 and a master’s degree from George Washington University in 1967.

In 1948, he joined the Air Force and served as an instructor at a base near Las Vegas during the Korean War and later served in Germany. In Washington, he was a military assistant to the special assistant of the Defense secretary in 1965 and 1966 and later served as senior military representative of the U.S. and representative for the commander in chief, Pacific Forces, Australia. He retired at the rank of colonel after 20 years in the Air Force.

Butterfield was unsparing in his criticism of the former president in later years. Although he commended Nixon’s achievements in foreign affairs, he considered his former boss “not an honest man” and “a crook” and believed that Nixon knew about the Watergate break-in before it occurred and was the architect of the ensuing cover-up.

Butterfield found himself “cheering … just cheering” the day Nixon resigned, he told the Nixon Library, because “justice had prevailed.”

“I didn’t think that it would for a while,” he said. “This guy was the ringleader.”

Daniel and Tackett write for the Associated Press. Daniel, the primary writer of this obituary, retired from the Associated Press in 2023.

JENNIFER Runyon, known for her role in the iconic 1984 Ghostbusters film, has passed away aged 65 after a battle with cancer.

The actress’ grieving family announced the heartbreaking news on social media.

Pal and fellow actress Erin Murphey said she was devastated to hear about Jennifer’s passing.

A post to Facebook, penned by Jennifer’s loved ones, reads: “This past Friday night our beloved Jennifer passed away.

“It was a long and arduous journey that ended with her surrounded by her family.

“She will always be remembered for her love of life and her devotion to family and friends.

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“I know from above she’s looking down on all of us with her beautiful smile. Rest in peace our Jenn.”

Erin Murphey wrote: “So sad to share that my friend Jennifer Runyon Corman has passed away after a brief battle with cancer.

“Some people you just know you’ll be friends with before you even meet. She was a special lady. I’ll miss you Jenn.

“My thoughts are with your family and beautiful children.”

Jennifer made her movie debut in the 1980 horror film To All a Goodnight, taking on the lead role of Nancy.

She then took on a role as Sally Frame in the American soap Another World, acting in the series until 1982.

The beloved Ghostbusters film, which featured Bill Murray, Dan Aykroyd and Sigourney Weaver, Jennifer acted in the opening scene as a student involved in an ESP experiment.

Her television career included guest appearances in Murder, She Wrote as well as roles in Magnum PI and Beverly Hills.

Jennifer’s final role was in the 2017 comedy horror film Bloodsucka Jones vs. The Creeping Death.

During the 2019 documentary, Remembering Ghostbusters, Jennifer appeared to discuss her most notable role.

March 8 (UPI) — The Pentagon on Sunday afternoon announced that a seventh U.S. service member has died during the U.S. and Israeli conflict with Iran.

The service member was seriously wounded during an attack on U.S. troops in Saudi Arabia on March 1, military officials said.

“Last night, a U.S. service member passed away from injuries received during the Iranian regime’s initial attacks across the Middle East,” U.S. Central Command said in a post on X.

“Major combat operations continue. The identity of the fallen warrior will be withheld until 24 hours after next of kin notification,” CENTCOM said.

The seven service members have been killed during the first week of Operation Epic Fury, which the United States and Israel launched on Feb. 28.

Since the beginning of the onslaught, Iran has launched retaliatory strikes at its neighbors, some of which host U.S. bases and assets that are being used in the war.

A March 1 retaliatory strike on an Army sustainment unit based in Kuwait killed six service members and injured 18 others, whose remains returned to the United States on Saturday.

Overall, Iran’s retaliatory strikes have killed at least 20 people across the region, The New York Times reported, while between 800 and 1,300 hundred people in Iran have died during the widening conflict.

FITNESS influencer and ovarian cancer researcher Stephanie Buttermore has died suddenly at the age of 36.

Her fiancé and partner of 10 years, Jeff Nippard confirmed the shocking news in a statement on Instagram.

“It is with profound sorrow that we share the sudden passing of Jeff’s fiancée and partner of ten years, Stephanie,” his team wrote in a statement on Friday.

“As many of you know, Stephanie meant the world to Jeff. She will be remembered for her warmth and compassion, her love for her family, and her PhD research on ovarian cancer.

“We kindly ask for privacy as we navigate this tragic loss. Thank you for your understanding and support during this difficult time.”

The cause of her death is not known.

On Valentine’s Day, Jeff shared an image of the loved-up couple beaming into the camera.

“Relationshipmaxxing with tea time to lower cortisol levels,” he wrote in the caption followed by a heart.

“Love you forever,” Stephanie replied.

The bittersweet post has since been flooded with comments sending prayers to Jeff and other members of the influencer’s family.

“Be strong Jeff, my heart is broken,” one wrote.

“Heaven gained an amazing angel. Someone who cared so deeply for others. Praying for you Jeff and her family,” fellow influencer Heidi Somers Guzman commented.

“I can’t believe it .. I watched her all the time .. this is so unfair.. take all the time to grieve and honour her Jeff, we’re all here for you, you and Steph were the biggest inspiration and we all loved her,” a third said.

Buttermore, from Canada, gained over 500,000 followers on Instagram by sharing her fitness and nutrition journey but announced in 2024 that she would be stepping back from social media.

In her last update on May 20, 2024, she said her mental health had become “the best it’s ever been” as her “previously crippling” anxiety levels reduced to almost nothing.

However, she admitted to missing her community and updates from her friends.

“Overall the pros have outweighed the cons for me. Sometimes I still feel a void in my day-to-day life from being so removed from this app, but the positives from taking this break has been worth it,” she said.

“But believe me when I say I Iove and miss you, I truly mean it.”

More to follow…

A 12-year-old boy died Thursday after collapsing during soccer practice following a hot day in San Bernardino.

Adriel Enriquez collapsed on the soccer field on Feb. 26, while practicing with the Platinum IE soccer club, said his uncle, Joshua Gutierrez in a social media post.

“What started as a normal afternoon doing what he loved turned into every parent’s worst nightmare,” Gutierrez wrote in a GoFundMe launched by the family to help cover funeral costs and expenses.

Paramedics were sent to the scene at about 8:40 p.m., said San Bernardino County Fire Department Capt. Eric Sherwin. Adriel was rushed to a local hospital where he was pronounced dead.

“Adriel had no medical issues that we were aware of, and his passing was unexpected and an absolute shock,” Gutierrez wrote on Facebook, alongside a video memorializing his nephew.

Adriel played for Platinum IE since May 2024. Coaches and teammates remembered him as someone who left a mark.

“He was the sweetest most gentle and shy soul with a quiet strength that touched everyone around him,” the club said in a social media post. “Forever our #23.”

The post was liked thousands of times with almost 200 people sharing their condolences in the comments.

Adriel died during a spell of unusually warm winter weather in Southern California. Temperatures peaked at 88 degrees the day he collapsed, according to the National Weather Service.

A cause of death has not yet been determined by the county coroner.

A TRAILBLAZING 80s supermodel who starred alongside TV titan Larry Hagman in Dallas has died aged 62.

Annabel Schofield – once one of the defining faces of Britain’s style revolution – passed away on February 28 in Los Angeles following a battle with cancer, it has been confirmed.

The Welsh-born beauty became synonymous with the bold, rule-breaking glamour of 1980s London.

At the height of her fame, she was represented by London’s powerhouse Take Two Agency and became a cover girl sensation.

She fronted hundreds of fashion magazines and landing major campaigns for Yves Saint Laurent, Rimmel, Revlon and Boots No. 7.

Her international breakthrough came in unforgettable fashion – roaring through the desert in a black Ferrari for a Bugle Boy Jeans TV advert before delivering the now-iconic line: “Excuse me, are those Bugle Boy jeans you’re wearing?”

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She later crossed into primetime television, playing Laurel Ellis opposite Larry Hagman in the hit US soap Dallas – cementing her place in pop culture history.

Melissa Richardson, former owner of London’s Take Two Agency, paid tribute in an emotional statement.

“She was one of David Bailey’s favorites and appeared in countless shoots for Italian Vogue. She was the forerunner of Take Two without her, we could never have made it as we did.

“We loved her because she was funny and real and beautiful and down to earth. She never changed from the sweet little 17-year-old Welsh girl I first met.

“She was directly loyal, caring, and above all, a raging beauty. She knew her craft. She was the best.”

Born on September 4, 1963 in Llanelli, Wales, Schofield was trained in the art of the silver screen.

Her father was British film production executive John D. Schofield – a powerhouse behind major box office hits including Romancing the Stone, Jerry Maguire and As Good as It Gets.

At the height of her modelling fame, Schofield made the bold move to Los Angeles – and swiftly landed a coveted role in 12 episodes of Dallas, playing Laurel Ellis opposite Larry Hagman’s legendary oil tycoon J.R. Ewing.

She starred as Alex Noffee in Solar Crisis alongside screen icon Charlton Heston, and went on to appear in Dragonard and Eye of the Widow.

In later years, she quietly built a formidable career behind the scenes, working in production on major films including The Brothers Grimm, Doom and City of Ember.

In 2010, she launched her own Burbank-based company, Bella Bene Productions, carving out a new chapter as an executive producer.

She developed commercials, music ventures and high-end fashion projects.

Schofield formed a creative partnership with director and graphic artist Nick Egan – famed for his work with music royalty including The Ramones, The Clash, Duran Duran and Oasis.

The beauty also collaborated with celebrated photographers Andrew McPherson, Ellen von Unwerth and Michael Muller.

She served as a producer alongside photographer Will Camden on the striking 3D Guerlain campaign starring Angelina Jolie.

SINGER Adriana Araujo has died of a brain aneurysm just six years after finding fame for her inspiring performances during Covid lockdown.

Adriana tragically collapsed at home on Saturday night and was rushed to hospital in a “very serious and irreversible” condition.

The chanteuse remained in a coma from an aneurysm which caused “extensive bleeding” to the brain.

Sadly, she passed away at the Odilon Behrens Metropolitan Hospital in Belo Horizonte, Brazil, on Monday.

She was just 49.

Adriana, who had over 70,000 Instagram followers, was considered one of the leading stars of Brazil’s samba scene.

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She was raised in the favela of Pedreira Prado Lopes in Belo Horizonte, taking part in Afro dance and theatre workshops in the community.

Adriana launched her solo career in 2020 during the Covid-19 pandemic.

She performed concerts for the local community from her rooftop and livestreamed them to her growing online audience.

Her lockdown shows helped to raise funds for poor families in the Primeiro de Maio and São Marcos neighbourhoods.

In 2021, the samba star released her album Minha Verdade (My Truth), bringing together her own compositions and collaborations.

The album addressed themes such as Black pride, ancestry, love, and motherhood.

Following her death, the singer’s team said in a statement: “Today we say goodbye to our beloved Adriana Araújo.

“Adriana was much more than a great voice of samba, she had a warm embrace, an easy smile, a generous heart, and a joy for life that illuminated everyone around her.

“Samba will deeply feel her absence.”

She leaves behind her husband Evaldo and son Daniel.

Ulysses Jenkins, the pioneering Los Angeles-born video artist whose avant-garde compositions embodied Black experimentalism, has died. He was 79.

Jenkins’ death was confirmed by his alma mater Otis College, where he studied under renowned painter and printmaker Charles White in the late 1970s and returned as an instructor years later. The Los Angeles art and design school shared a statement from the Charles White Archive, which said, “Jenkins had a profound impact on contemporary art and media practices.”

“A trailblazing figure in Black experimental video, he was widely recognized for works that used image, sound, and cultural iconography to examine representation, race, gender, ritual, history, and power,” the statement said.

A self-proclaimed “griot,” Jenkins throughout his decades-spanning career maintained an art practice grounded in the tradition of those West African oral historians who came before him. Through archival documentaries like “The Nomadics” and surrealist murals like “1848: Bandaide,” he leveraged alternative media to challenge Eurocentric representations of Black Americans in popular culture.

He was both an artist and a storyteller who sought to “reassert the history and the culture,” he told The Times in 2022. That year, the Hammer Museum presented Jenkins’ first major retrospective, “Ulysses Jenkins: Without Your Interpretation.”

“Early video art was about the problems with the media that we are still having today: the notions of truth,” Jenkins said. “To that extent, early video art was a construct that was anti-media … a critical analysis of the media that we were viewing every night.”

Born in 1946 to Los Angeles transplants from the South, Jenkins was ambivalent about the city, which offered his parents some refuge from the blatant systemic racism they encountered in their hometowns, but housed an entertainment industry that had long perpetuated anti-Black sentiment.

“What Hollywood represents, especially in my work, is the classic plantation mentality,” Jenkins told The Times in 1986. “Although people aren’t necessarily enslaved by it, people enslave themselves to it because they’re told how fantastic it is to help manifest these illusions for a corporate sponsor.”

Jenkins, who participated in a group of artists committed to spontaneous action called Studio Z, was naturally drawn to video art over Hollywood filmmaking. “I can address any issue and I don’t have to wait for [the studios’] big OK. I thought this was a land of freedom, and video allows me that freedom and opportunity that I can create for myself and at least feel that part of being an American,” he said.

Jenkins went on to deconstruct Hollywood’s vision of the Black diaspora in experimental video compositions including “Mass of Images,” which incorporates clips from D.W. Griffith’s notoriously racist “The Birth of a Nation,” and “Two-Tone Transfer,” which depicts, in Jenkins’ words, a “dreamscape in which the dreamer awakens to a visitation of three minstrels who tell the story of the development of African American stereotypes in the American entertainment industry.”

Jenkins’ legacy is not only artistic but institutional, with the luminary having held teaching appointments at UCSD and UCI, where he co-founded the digital filmmaking minor with fellow Southern California-based artists Bruce Yonemoto and Bryan Jackson.

As artist and educator Suzanne Lacy penned in her social media tribute to Jenkins, which showed him speaking to students at REDCAT in L.A., “he has been an important part of our histories here in Southern California as video and performance artists evolved their practices.”

Colorado backup quarterback Dominiq Ponder died early Sunday morning in a single-car crash in Boulder County. He was 23.

According to the Colorado State Patrol, Ponder was driving a 2023 Tesla Model 3 at around 3 a.m. when he lost control on a righthand curve. The car went through a guardrail and hit an electrical line pole before rolling down an embankment and catching fire.

Ponder was pronounced dead at the scene. A preliminary investigation “shows that speed is suspected as a factor,” police said.

A three-star prospect out of Carol City High in Opa Locka, Fla., Ponder spent a year at Bethune-Cookman University before transferring to Colorado. He was a redshirt in 2024 and saw minimal action in 2025 — going 0-for-1 passing and rushing twice for minus-4 yards in two game appearances — but still made an impact on his coaches and teammates.

“Dom was one of my favorites! He was Loved, Respected & a Born Leader,” Colorado Coach Deion Sanders wrote Sunday on X. “Let’s pray for all that knew him & had the opportunity to be in his presence. Lord you’re receiving a good 1. Comfort us Lord Comfort us.”

Offensive coordinator Brennan Marion called Ponder “a joy to be around & coach!”

“gonna be tough but man this one hurts Lord,” Marion wrote on X. “getting that call from his dad today didn’t feel real. Love you Dom! God cover his family & our team, especially our qb room!

Fellow Colorado backup quarterback Colton Allen posted a lengthy tribute to Ponder on Instagram.

“Dom, you were a blessing to so many people,” Allen wrote. “You had a presence about you that just made everything better. You brought so much joy to me and everyone around you. I’m grateful for every lift, every practice, every rep, every conversation we got to share. I’ll carry those with me for the rest of my life.”

Colorado athletic director Fernando Lovo said in a statement that Ponder “epitomized the values of passion, enthusiasm, leadership, toughness, and intelligence that were revered by his teammates and coaches alike. Our hearts go out to his family and all of his teammates during this difficult time.”

The Associated Press contributed to this report.

March 2 (UPI) — Danise Baird, the wife of Republican Rep. Jim Baird, has died from complications of injuries she sustained in an early January car crash, according to a statement from the Indiana congressman’s office.

Jim and Danise Baird were involved in a car crash on Jan. 5, hospitalizing both of them.

Little information about the incident has been made public. According to a social media statement published by their son Beau Baird in mid-January, they were involved in a hit-and-run on the night of Jan. 5. He added that his mother suffered “nearly 15 breaks and fractures.”

Less than two weeks after the crash, Jim Baird, who is 80, announced that he and his wife had been discharged and were recovering.

On Sunday, his office announced that Danise Baird had died.

“A devoted wife and loving mother of three, she was the foundation of their family and will be deeply missed,” the statement said.

“We ask that you keep the congressman and his family in your prayers during this difficult time.”

Jim and Danise Baird were married for 59 years, according to his office, which said they had built “a life centered on faith, family and service.”

Indiana Gov. Mike Braun offered his condolences online.

“Our thoughts and prayers are with congressman Baird and his family as they grieve this devastating loss,” he said in a statement.

Rep. Elise Stefanik, R-N.Y., recalled seeing Danise Baird by her husband’s side as he worked in Congress.

“They are salt of the earth people and Jim and his family have sacrificed so much for our country,” she said. “Jim and his family are in our hearts and prayers during this difficult time.”

MUCH-LOVED Australian actress Lorraine Bayly has died at 89.

The Sullivan’s star died in her Sydney care home on Saturday morning.

Lorraine’s close friend, journalist Craig Bennett confirmed her death to 2GB on behalf of her family.

She was best known for starring in The Sullivans as Grace and presenting popular children’s show Playschool.

The hit show ran from 1976 to 1983.

After leaving The Sullivans, Lorraine took on a role that had been speficially written for her.

She played solicitor Jennifer Carson in Carson’s Law.

In a heartbreaking social media post, the actresses’ friend Craig called Lorraine a “showbiz legend, a bona fide star of stage and screen, a triple Logie winning TV treasure and beautiful friend to many”.

He noted that the award-winning actress only retired 10 years ago.

Neil Sedaka, an irrepressible songsmith who parlayed his compositional skills into pop stardom during the height of the Brill Building era in the 1960s and later staged an easy-listening comeback in the 1970s, has died at age 86. No cause of death was immediately available.

A chipper melodicist who never attempted to disguise his sentimental streak, Sedaka emerged at the moment rock ’n’ roll’s initial big bang started to fizzle. As a songwriter and performer, Sedaka treated rock ’n’ roll as another fad to be exploited, crafting cheerful, vivacious tunes targeted at teens who’d bop along to “Stupid Cupid” and swoon to “Where the Boys Are,” to name two songs he and lyricist Howard Greenfield wrote for early-’60s pop idol Connie Francis. Sedaka himself became a star through such bright confections as “Calendar Girl,” “Happy Birthday, Sweet Sixteen” and “Breaking Up Is Hard to Do,” the 1962 chart-topper that became his signature song.

Already falling out of fashion by the time the Beatles arrived in the United States, Sedaka didn’t weather the rise of the British Invasion: By the end of the 1960s, his lack of a record label caused him to leave the States for England. Unlike his Brill Building peer Carole King — he wrote “Oh! Carol,” his first big hit, about her — Sedaka wasn’t able to refashion himself as a hip singer-songwriter. Instead, he relied on showbiz hustle and savvy commercial instincts, teaming up with the musicians that became the iconoclastic hitmakers 10cc on records that positioned Sedaka squarely in the soft-rock mainstream. Elton John signed the veteran vocalist to his fledgling label Rocket and Sedaka immediately had two No. 1 hits with “Laughter in the Rain” and “Bad Blood,” a success compounded by Captain & Tennille taking “Love Will Keep Us Together,” a tune from one of Sedaka’s albums with 10cc, to No. 1 in 1975.

Sedaka’s second stint in the spotlight didn’t last much longer than his first flush of stardom — by 1980, he was no longer a Top 40 artist — but his ’70s comeback cemented his status as a showbiz fixture, allowing him to carve out a career onstage and, at times, onscreen. Occasionally, the world would turn and place Sedaka back in the mainstream, as when he appeared on “American Idol” in the early 2000s or when his 1971 composition “(Is This the Way to) Amarillo?” was rejiggered into the World Cup novelty anthem (“(Is This the Way to) The World Cup”) in 2006.

Neil Sedaka in 1960.

(Bettmann Archive/Getty Images)

A descendant of Turkish and Ashkenazi Jews, Neil Sedaka was born in Brooklyn, N.Y., on March 13, 1939. Growing up in Brighton Beach, Sedaka exhibited a musical proclivity at an early age, earning a piano scholarship to Juilliard’s children’s division when he was 8 years old. He studied classical piano for the next few years, his ears being drawn to pop music all the while. At the age of 13, he happened to meet a neighbor when they were both vacationing at a Catskills resort. She brought him to meet her son, an aspiring lyricist named Howard Greenfield, and the pair quickly became a songwriting team, with Greenfield writing the words and Sedaka handling the music.

As Sedaka and Greenfield developed their creative partnership, Sedaka sang in the Linc-Tones, a vocal group that evolved into the Tokens just prior to his departure; he left them prior to their hit single “The Lion Sleeps Tonight.” Although he didn’t abandon his dreams of performing, Sedaka concentrated on songwriting with Greenfield. Attempting to gain a foothold in the Brill Building, the pair first caught the attention of Jerry Wexler, who had Clyde McPhatter and LaVern Baker cut a couple of their tunes. Mort Shuman and Doc Pomus suggested to Sedaka and Greenfield that they would have better luck at 1650 Broadway, where Al Nevins and Don Kirshner had just opened their publishing company Aldon Music.

Aldon signed Sedaka and Greenfield to a publishing deal — still a minor, Sedaka needed his mother to sign in his stead — and the pair had their first big hit when Connie Francis took “Stupid Cupid” into the Top 20 in 1958. Not long after, Sedaka signed with RCA Records as a performer. “The Diary,” inspired by Francis refusing Sedaka and Greenfield access to her diary, became Sedaka’s first hit single in 1958 after the doo-wop group Little Anthony and the Imperials passed on the chance to record it first. Sedaka had difficulty delivering a successful sequel to his initial hit for RCA, so he constructed “Oh! Carol” to mimic the lovelorn yet sweet sounds filling the charts in 1959. Sedaka’s gambit paid off: “Oh! Carol” was a Top 10 hit, popular enough to generate an answer record — King’s husband, Gerry Goffin, wrote “Oh! Neil,” which failed to be a hit for King.

With many of rock ’n’ roll’s initial stars waylaid — Elvis Presley was in the Army, Chuck Berry was embroiled in legal problems, Little Richard left the music behind for church, Jerry Lee Lewis’s career imploded — Sedaka stepped into the breach, offering well-scrubbed, buoyant tunes designed to mirror teenage concerns. “Stairway to Heaven,” “Calendar Girl,” “Happy Birthday Sweet Sixteen,” “Breaking Up Is Hard to Do” and “Next Door to an Angel” all bounced to a bright beat and boasted ornate arrangements that highlighted Sedaka’s youthful cheer.

While he was ensconced in the Top 10, Sedaka continued to write hits for other artists, remaining a regular composer for Francis but also reaching the charts with Jimmy Clanton. He’d occasionally moonlight in the studio too: He plays piano on “Dream Lover,” one of Bobby Darin‘s biggest hits.

By the time the Beatles and the British Invasion took over teen bedrooms and the pop charts in 1964, Sedaka’s hit-making streak had run dry. Panicked, he recorded “It Hurts to Be in Love,” an operatic pop song co-written by Greenfield and Helen Miller. Rushing into a nearby demo studio, Sedaka cut a version that was ready for radio, but RCA refused to release it, on the grounds that it only released records made in its studios. Gene Pitney took the track, subbed his vocals for Sedaka’s and wound up with a Top 10 hit at a time Sedaka couldn’t break the Top 40. Sedaka later claimed, “It was horrible. That would have been my No. 1 song, my comeback song.”

After his deal with RCA expired in 1966, Sedaka started playing hotels in the Catskills and clubs on the East Coast, venues that grew progressively smaller with each passing year. He continued to get work as a songwriter, penning songs for the Monkees (“The Girl I Left Behind Me,” “When Love Comes Knockin’ at Your Door”) with lyricist Carole Bayer, and the 5th Dimension (“Workin’ on a Groovy Thing”) with Roger Atkins.

Faced with dwindling prospects in the United States, Sedaka began to regularly tour England and Australia in the late 1960s. By the dawn of the ’70s, he realized that the times had changed around him: “The era of the singer-songwriter had begun and I was being left behind. I needed to be part of it. I wanted to be a part of it. I wanted it with a vengeance!” He returned to RCA with “Emergence,” a mellow record designed to follow King’s “Tapestry” onto the radio, but that airplay never materialized: Sedaka was still seen as a relic of the early ’60s.

Olivia Newton-John and Neil Sedaka performing in a BBC television studio in 1971.

(Warwick Bedford/Radio Times via Getty Images)

Frustrated with the disinterest in “Emergence,” Sedaka decamped to the U.K., working its club circuit until he was introduced to Eric Stewart, Graham Gouldman, Lol Creme and Kevin Godley, a group of British pop veterans who soon would form the art-pop outfit 10cc. The quartet brought Sedaka into their Strawberry Studios — a place where they recorded a number of bizarre bubble-gum hits under such pseudonyms as Crazy Elephant and Hotlegs — and backed him on 1972’s “Solitaire” album, whose title track was his first collaboration with lyricist Phil Cody; it’d later be covered by Elvis Presley.

“Solitaire” gave Sedaka his first U.K. hit in nearly a decade with “That’s When the Music Takes Me.” Encouraged, the singer-songwriter reunited with 10cc in 1973 for “The Tra-La-La Days are Over,” an album that featured the bubbly “Love Will Keep Us Together.” By the time Sedaka released “Laughter in the Rain” in 1974, he had severed ties with 10cc and found a new benefactor in Elton John.

Then at the height of his phenomenal 1970s popularity, John signed Sedaka to his recently launched American imprint Rocket Records. Rocket repackaged highlights from the 10cc records as “Sedaka’s Back,” adding “Laughter in the Rain” for good measure. The lush number slowly worked its way up the charts, eventually reaching No. 1 on Billboard in 1975. “Bad Blood,” a lively duet with an uncredited Elton John, followed “Laughter in the Rain” to the top of the pop charts later in ’75, arriving just after Captain & Tennille had a No. 1 with “Love Will Keep Us Together.”

Elton John and Neil Sedaka in 1975.

(Richard E. Aaron/Redferns via Getty Images)

Sedaka’s comeback cooled as quickly as it had ignited. He reached the lower rungs of the Top 40 a couple of times in 1976, parted ways with Rocket, then signed to Elektra in 1977, releasing a series of records that found him countering his satiny easy listening with a louche streak on such songs as “Sleazy Love,” “One Night Stand” and “Junkie for Your Love.”

“Should’ve Never Let You Go,” a duet with his daughter, Dara, became his last charting hit in 1980. He published a memoir, “Laughter in the Rain: My Own Story,” in 1982 and was inducted into the Songwriters Hall of Fame in 1983. By the mid-’80s, he had drifted toward the oldies circuit, revisiting his hits in the studio and onstage, turning his songbook into stage productions: The jukebox musical “Breaking Up Is Hard to Do” arrived in 2005, and the musical biography “Laughter in the Rain” followed five years later. He returned to classical music for 1995’s “Classically Sedaka.” He recorded a collection of Yiddish songs, “Brighton Beach Memories,” in 2003, and a children’s album, “Waking Up Is Hard to Do,” in 2009.

Neil Sedaka performing in 2014.

(Robin Little/Redferns via Getty Images)

Occasionally, Sedaka would reemerge on a bigger stage. In 2003, he showed up as a guest judge on the second season of “American Idol,” declaring its runner-up Clay Aiken was “ear delicious.” A few years later, “(Is This the Way to) Amarillo?,” a bubble-gum song Sedaka wrote and Tony Christie recorded in 1971, was revived in 2006, when it was used as the basis for the novelty “Is This the Way to the World Cup?”

On Oct. 26, 2007, Lincoln Center honored Sedaka’s 50 years in showbiz with a gala concert featuring Natalie Cole, David Foster and Clay Aiken. He continued to work steadily over the next two decades, releasing a handful of new records but focusing on concerts. When the COVID-19 pandemic hit in 2020, he took his show online, holding mini-concerts on social media.

Sedaka is survived by his wife, Leba, daughter Dara and son Marc, and three grandchildren.

GEORGE Michael’s pal Kay Beckenham has died — triggering a sale of lavish gifts he sent her.

The British model was dubbed the pop star’s “mystery girl” when they were regularly seen together in the 1980s and 1990s.

In 2019 we reported that Kay, then 54, was shocked to learn she was a beneficiary of his £98million will following his death three years earlier.

Kay’s death was revealed as her daughter auctioned presents her mum received from George, including a pair of his Cutler and Gross wraparound sunglasses, which sold for £5,700.

Other precious gifts included his engraved silver Faith tour belt buckle, which fetched £700.

A Cartier watch went for £1,900 while a Bulgari 18ct gold ladies’ timepiece was bought for £1,200.

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Kay is believed to have been in her early 60s when she died, and her daughter has paid tribute to “kind” George.

She wrote in a letter of provenance for the sale at Omega Auctions: “My mother and George shared a strong, loving and enduring bond that began at the very start of his career.”

She said the singer became her godfather after her birth in 1999, and he helped host her parents’ wedding on Richard Branson’s Necker Island.

She went on: “I have vivid memories — formed later through photographs — of George travelling with my parents, clambering into private jets, and setting off on adventures together.

“As a child, I ran around the house blissfully unaware of the global stardom surrounding me. To me, he was simply a familiar, kind presence in our lives.”

Kay’s friendship with George helped him put together the supermodel line-up of Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington Burns and Cindy Crawford for his 1990 Freedom video.

The Wake Me Up Before You Go-Go star — who died at his home on Christmas Day 2016 — divided his fortune between his sisters, dad and friends.

Omega said: “These pieces tell a story of loyalty, trust and the man behind the icon.”

To prepare for his role on the 1984 comedy “Revenge of the Nerds,” Robert Carradine spent two weeks wearing “nerd clothes,” a wig and glasses everywhere he went.

This included heading to fraternity row at the University of Arizona during rush week while in character with a fellow actor. They asked the head of a fraternity if they could join.

“The guy took one look at us and said, ‘No way,’ ” Carradine recalled in 1990. “By the time the first day of shooting rolled around, I was in full flight as a nerd.”

Carradine, who played Lewis Skolnick, the king of the college nerds with a signature laugh, in the “Revenge of the Nerds” movie franchise, has died. He was 71.

In a Monday statement to Deadline, Carradine’s family said he struggled with bipolar disorder and died by suicide.

“It is with profound sadness that we must share that our beloved father, grandfather, uncle, and brother Robert Carradine has passed away. In a world that can feel so dark, Bobby was always a beacon [of] light to everyone around him,” the statement said. “We are bereft at the loss of this beautiful soul and want to acknowledge Bobby’s valiant struggle against his nearly two-decade battle with Bipolar Disorder.

“We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness. At this time we ask for the privacy to grieve this unfathomable loss. With gratitude for your understanding and compassion.”

The youngest of a prolific Hollywood family, Carradine’s siblings include actors David and Keith and architect Christopher, of Walt Disney Imagineering. David Carradine died in 2009 at age 72. Their brother Bruce, who died in 2016, was also an actor.

Keith Carradine told Deadline that his family wanted everyone to know about Robert’s struggle with bipolar disorder.

“We want people to know it, and there is no shame in it,” he told the outlet. “It is an illness that got the best of him, and I want to celebrate him for his struggle with it, and celebrate his beautiful soul. He was profoundly gifted, and we will miss him every day. We will take solace in how funny he could be, how wise and utterly accepting and tolerant he was. That’s who my baby brother was.”

The youngest son of prolific character actor John Carradine, Robert Carradine was born on March 24, 1954, in Los Angeles. Known for both his film and television work, Carradine made his debut in a 1971 episode of the long-running western “Bonanza.” His first film appearance was in the 1972 John Wayne western “The Cowboys.”

During his 50-year Hollywood career, he appeared alongside his brother David in a 1972 episode of “Kung Fu” and the 1973 Martin Scorsese film “Mean Streets.” David, Keith and Robert joined other sets of acting siblings to portray sets of real-life siblings in the 1980 Western “The Long Riders.” Carradine also landed roles in Hal Ashby’s 1978 Vietman War drama “Coming Home” and Samuel Fuller’s 1980 World War II epic “The Big Red One.”

While Carradine found success in the family business, he also had a love for racing.

“There are certain people who are supposed to be race car drivers,” Carradine told The Times in 1991. “And I’ve got that. I’ve got that thing that makes me have to race. I have to do it.”

At the time he was balancing both careers, racing at the Grand Prix level in a Lotus Esprit Turbo SE. But it was clear he would have chosen racing over acting if he could.

“The thing about racing that appeals to me is your destiny is in your own hands at that moment,” Carradine said. “I won a race in the Lotus at Road America, and I won it. And that’s it. You can’t do better.”

In the 2000s, Carradine charmed a new generation of fans as lovable TV dad Sam in “Lizzie McGuire.”

“There was so much warmth in the McGuire family and I always felt so cared for by my on-screen parents,” the show’s star Hilary Duff wrote in her Instagram tribute to her on-screen dad. “I’ll be forever grateful for that. I’m deeply sad to learn Bobby was suffering. My heart aches for him, his family, and everyone who loved him.”

Jake Thomas, who portrayed Lizzie’s brother Matt on the show, said he “looked up” to Carradine, who he’s known for most of his life.

“My heart hurts today,” Thomas wrote in his Instagram tribute. “[H]e was one of the coolest guys you could ever meet. Funny, pragmatic, sometimes cranky, always a little eccentric. He was a talented actor, musician, and director. But more than anything, he was family.”

Carradine is survived by his three children — actor Ever Carradine, Marika Reed Carradine and Ian Alexander Carradine — as well as his brothers, nieces (including actor Martha Plimpton), nephews and grandchildren, according to Deadline.

In her tribute to her father, Ever Carradine described him as a “sweet, funny dad” and “the guy that’s always there.”

“Growing up in the 70s and 80 with a single dad in Laurel Canyon is not exactly the recipe for a grounded childhood, but somehow mine was,” Carradine wrote on Instagram. “Whenever anyone asks me how I turned out so normal, I always tell them it’s because of my dad. I knew my dad loved me, I knew it deep in my bones, and I always knew he had my back.”

“My dad was a lover, not a fighter. He was all heart, and in a world so full of conflict and division, I think we can all take a page out of his book today, open our hearts and feel and share the love,” she added.

POPULAR young rapper Luci4 has died, according to his grandparents.

The young musician – best known for his viral hit “BodyPartz” – was just 23 years old.

His grandparents revealed to TMZ that he had died; however, his cause of death remains unknown.

Police have since launched a probe into his sudden death.

The rising star – whose real name was James Dear – passed away at a friend’s home in Los Angeles on February 22.

The Los Angeles County Medical Examiner has since confirmed his death.

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His grandparents told TMZ they felt suspicious about their grandson’s death.

They have alleged his wallet was completely emptied, saying they had recently warned him about the people he was surrounding himself with as his fame grew.

The circumstances around his death remain unclear.

The rapper’s grandparents said they are now waiting for the results of the police investigation.

In a statement, the Los Angeles fire department said it had responded to a medical call at the house around 11.40am.

Sadly, he was already dead when help arrived, so the police were called.

It remains unclear if investigators suspect foul play.

Previously known by other stage names including Axxturel, 4jay, and Plasdu, Luci4 showed an interest in music and digital production at a young age.

His career began with music production, where he created beats and tracks that became popular online.

More recently, he had achieved viral fame through social media platforms including TikTok.

Pioneering the microgenre known online as sigilkore, he shot to fame with hit song “BodyPartz” in 2021.

The song was later recognised as a Gold hit by the Recording Industry Association of America (RIAA).

He also penned other popular tracks including All Eyez on Me and Kurxxed Emeraldz.

His success led to him signing with Atlantic Records.

His signing was considered a significant milestone for emerging internet-based artists.

It demonstrated the increasing influence of social media in discovering and promoting new talent.

Luci4 founded the collective Jewelxxet – a primary hub for sigilkore.

The genre is defined by dark, lo-fi atmospheres and bitcrushed vocals coupled with occult imagery.

He was popular largely among the underground music community; however, the new wave of experimental rappers including OsamaSon and Che have credited him as one of their influences.

The young rapper still frequently engaged with his fans and the online music community, staying connected with his roots as an online artist.

His death has sent shock waves through the music community, as fans share their grief online in an outpouring of tributes to social media.

“His 2020/21 run will never b forgotten he changed tiktok,” one person said.

Another posted, “That’s insane wtf.”

“Damn. I’ve been actively listening to him since 2021 casually. Was never a super fan but I have six solid songs that get played weekly. It’s always who u least expect. It makes me so sad listening to songs frm dead artists, never thought I would ever get that sentiment w his,” posted a third.

Another mourner said: “RIP TO A KING.”

“He was definitely one of my favorite artists to listen to during covid era,” said another.

Others have said he “really influenced a whole wave of music”, with some even listening to his songs as early as today.

“I was bumping his music so loud earlier today lil did I know he was gon die the same day,” a fan posted.

Kara Braxton, who won two WNBA championships during a 10-year career, has died at age 43.

“It is with profound sadness that we mourn the passing of 2x WNBA Champion Kara Braxton,” the WNBA said in a statement Sunday. “Our thoughts are with her family, friends, and former teammates at this time.”

No cause of death has been given.

Born in Jackson, Mich., along with twin sister Kim, Braxton played high school basketball at Jackson High for one season and at Westview High in Portland, Ore., for three seasons.

Braxton, a 6-foot-6 center-forward, played at the University of Georgia from 2001-2004, earning SEC freshman of the year and first-team all-conference honors in 2002. She averaged 15.4 points and 7.3 rebounds a game during her three seasons with the Bulldogs.

“Rest in peace Kara,” Georgia basketball posted on X.

Braxton was selected by the Detroit Shock at No. 7 overall in the 2005 draft. She spent 5 1/2 seasons with the team, winning the WNBA championship in 2006 and 2008 and earning her only All-Star nod in 2007. She also played for the Phoenix Mercury from 2010-11 and the New York Liberty from 2011-14, finishing with career averages of 7.6 points and 4.7 rebounds a game.

New York Liberty’s Kara Braxton grabs the ball between Indiana Fever’s Tammy Sutton-Brown, left, and Tamika Catchings on Sept. 17, 2011.

(Mel Evans / Associated Press)

“We mourn the loss of Kara Braxton, a former Liberty player whose presence and passion left a lasting impact on our organization and the women’s game,” the Liberty wrote Sunday on X. “Our hearts are with her family, friends, teammates, and all who were touched by her spirit. Her impact will not be forgotten.”

Braxton is survived by her husband Jarvis Jackson and two sons, Jelani Thurman and Jream Jackson.

Thurman, a tight end who played three seasons at Ohio State before transferring to North Carolina last month, posted a number of tributes to his mother on his Instagram Story, including a photo of her kissing him as a baby at a Shock media day photo shoot.

“imma miss my queen,” Thurman wrote to accompany another photo, which appears to show him as an older child wearing his mother’s No. 45 jersey to school.

Thurman also posted video of an interview from around the time Ohio State won the 2024 national championship in which he was asked what lessons he learned from his mother that helped get him to that point.

“Man, she taught me always go hard,” Thurman said. “There’s one goal, you know what you need to go to do.”