dies

POPULAR young rapper Luci4 has died, according to his grandparents.

The young musician – best known for his viral hit “BodyPartz” – was just 23 years old.

His grandparents revealed to TMZ that he had died; however, his cause of death remains unknown.

Police have since launched a probe into his sudden death.

The rising star – whose real name was James Dear – passed away at a friend’s home in Los Angeles on February 22.

The Los Angeles County Medical Examiner has since confirmed his death.

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His grandparents told TMZ they felt suspicious about their grandson’s death.

They have alleged his wallet was completely emptied, saying they had recently warned him about the people he was surrounding himself with as his fame grew.

The circumstances around his death remain unclear.

The rapper’s grandparents said they are now waiting for the results of the police investigation.

In a statement, the Los Angeles fire department said it had responded to a medical call at the house around 11.40am.

Sadly, he was already dead when help arrived, so the police were called.

It remains unclear if investigators suspect foul play.

Previously known by other stage names including Axxturel, 4jay, and Plasdu, Luci4 showed an interest in music and digital production at a young age.

His career began with music production, where he created beats and tracks that became popular online.

More recently, he had achieved viral fame through social media platforms including TikTok.

Pioneering the microgenre known online as sigilkore, he shot to fame with hit song “BodyPartz” in 2021.

The song was later recognised as a Gold hit by the Recording Industry Association of America (RIAA).

He also penned other popular tracks including All Eyez on Me and Kurxxed Emeraldz.

His success led to him signing with Atlantic Records.

His signing was considered a significant milestone for emerging internet-based artists.

It demonstrated the increasing influence of social media in discovering and promoting new talent.

Luci4 founded the collective Jewelxxet – a primary hub for sigilkore.

The genre is defined by dark, lo-fi atmospheres and bitcrushed vocals coupled with occult imagery.

He was popular largely among the underground music community; however, the new wave of experimental rappers including OsamaSon and Che have credited him as one of their influences.

The young rapper still frequently engaged with his fans and the online music community, staying connected with his roots as an online artist.

His death has sent shock waves through the music community, as fans share their grief online in an outpouring of tributes to social media.

“His 2020/21 run will never b forgotten he changed tiktok,” one person said.

Another posted, “That’s insane wtf.”

“Damn. I’ve been actively listening to him since 2021 casually. Was never a super fan but I have six solid songs that get played weekly. It’s always who u least expect. It makes me so sad listening to songs frm dead artists, never thought I would ever get that sentiment w his,” posted a third.

Another mourner said: “RIP TO A KING.”

“He was definitely one of my favorite artists to listen to during covid era,” said another.

Others have said he “really influenced a whole wave of music”, with some even listening to his songs as early as today.

“I was bumping his music so loud earlier today lil did I know he was gon die the same day,” a fan posted.

Kara Braxton, who won two WNBA championships during a 10-year career, has died at age 43.

“It is with profound sadness that we mourn the passing of 2x WNBA Champion Kara Braxton,” the WNBA said in a statement Sunday. “Our thoughts are with her family, friends, and former teammates at this time.”

No cause of death has been given.

Born in Jackson, Mich., along with twin sister Kim, Braxton played high school basketball at Jackson High for one season and at Westview High in Portland, Ore., for three seasons.

Braxton, a 6-foot-6 center-forward, played at the University of Georgia from 2001-2004, earning SEC freshman of the year and first-team all-conference honors in 2002. She averaged 15.4 points and 7.3 rebounds a game during her three seasons with the Bulldogs.

“Rest in peace Kara,” Georgia basketball posted on X.

Braxton was selected by the Detroit Shock at No. 7 overall in the 2005 draft. She spent 5 1/2 seasons with the team, winning the WNBA championship in 2006 and 2008 and earning her only All-Star nod in 2007. She also played for the Phoenix Mercury from 2010-11 and the New York Liberty from 2011-14, finishing with career averages of 7.6 points and 4.7 rebounds a game.

New York Liberty’s Kara Braxton grabs the ball between Indiana Fever’s Tammy Sutton-Brown, left, and Tamika Catchings on Sept. 17, 2011.

(Mel Evans / Associated Press)

“We mourn the loss of Kara Braxton, a former Liberty player whose presence and passion left a lasting impact on our organization and the women’s game,” the Liberty wrote Sunday on X. “Our hearts are with her family, friends, teammates, and all who were touched by her spirit. Her impact will not be forgotten.”

Braxton is survived by her husband Jarvis Jackson and two sons, Jelani Thurman and Jream Jackson.

Thurman, a tight end who played three seasons at Ohio State before transferring to North Carolina last month, posted a number of tributes to his mother on his Instagram Story, including a photo of her kissing him as a baby at a Shock media day photo shoot.

“imma miss my queen,” Thurman wrote to accompany another photo, which appears to show him as an older child wearing his mother’s No. 45 jersey to school.

Thurman also posted video of an interview from around the time Ohio State won the 2024 national championship in which he was asked what lessons he learned from his mother that helped get him to that point.

“Man, she taught me always go hard,” Thurman said. “There’s one goal, you know what you need to go to do.”

Palestinian boy Nidal Abu Rabeea died in Gaza after waiting 14 months for Israel to allow his medical evacuation, despite having the necessary clearance. Thousands of Palestinians are blocked from seeking urgent medical care through the partially reopened Rafah crossing.

GRAMMY-nominated salsa legend Willie Colón has died aged 75.

Heartbreaking tributes have poured in for the musical pioneer – with Bad Bunny calling the star “one of the legends who contributed to this beautiful and legendary genre”.

The iconic artist passed away on Saturday surrounded by loved ones, his manager confirmed.

Colón was a trombonist, composer, arranger, singer and social activist.

Over his decades-long career, he produced more than 40 albums that sold more than 30 million copies worldwide.

His manager Pietro Carlos said: “Today, we’ve lost an architect of the New York sound, a trombonist who made metal his banner and wrote eternal chapters in our musical history.

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“Willie didn’t just change salsa; he expanded it, politicized it, clothed it in urban chronicles, and took it to stages where it hadn’t been heard before.

“His trombone was the voice of the people, an echo of the Caribbean in New York, a bridge between cultures.”

He added: “Today we say goodbye to a master, but his legacy lives on.”

Meanwhile, Grammy-winner Bad Bunny said on Instagram: “Today, one of the legends who contributed to this beautiful and legendary genre passed away.”

The star continued: “So, on behalf of myself and Los Sobrinos, we wish Willie Colón peace.

“Much strength to his family.

“The inspiration of so many of these great musicians who left their mark on this earth will never die as long as there are talented young people like those here, keeping the music, salsa and all Caribbean rhythms alive.”

Colón’s cause of death has not been confirmed, but Saturday’s tragic news follows reports from last week claiming that the star had been hospitalised for respiratory problems, according to TMZ.

A pivotal architect of urban salsa music, Colón collaborated with a long list of fellow icons, including the Fania All Stars, David Byrne and Celia Cruz.

His critically acclaimed collaboration with Rubén Blades, Siembra, which touched on social issues in salsa, became one of the bestselling albums in the genre of all time.

The musician, born to Puerto Rican parents, was nominated for 10 Grammys and one Latin Grammy.

Colón was born in the Bronx, New York, before being raised by his grandmother and aunt, who from a young age nurtured him with traditional Puerto Rican music.

When he was 11 years old he ventured into the world of music, first playing the flute, then bugle, trumpet and finally trombone.

His interest in trombone was sparked after experiencing Barry Rogers playing it on Dolores, Mon Rivera’s song with Joe Cotto.

He recalled in 2011: “It sounded like an elephant, a lion … an animal.

“Something so different that, as soon as I heard it, I said to myself: ‘I want to play that instrument.’”

Colón’s main musical traits included the fusion of rhythms.

The genius harmonized jazz, rock, funk, soul and R&B with the old Latin school of Cuban son, cha-cha-cha, mambo and guaracha.

His style also encompassed traditional Puerto Rican sound including jíbara, bomba and plena music.

A passionate advocate for civil rights, he fought mostly in the US for the Latino community among others.

In 1991 he was awarded the Chubb fellowship from Yale University, a public service recognition also awarded to John F. Kennedy, Moshe Dayan, the Rev. Jesse Jackson and Ronald Reagan.

And he even served in politics – working as a special assistant to David Dinkins, New York’s first Black mayor, and an adviser to Mayor Michael Bloomberg.

Colón had his own stints running for public office too – but had little luck challenging the then-US Rep. Eliot Engel in the 1994 Democratic primary.

In 2001 he also came in third in the Democratic primary for New York’s public advocate.

The late star also appeared in films such – taking roles in Vigilante, The Last Fight, and It Could Happen to You.

On TV, he featured in Miami Vice and Demasiado Corazón.

The icon also appeared in Bad Bunny’s music video for NuevaYol.

Colón is survived by his wife and four sons.

Police say the ex-Purdue University star died of a suspected self-inflicted gunshot wound in his hometown in Indiana.

Rondale Moore, the National Football League (NFL) receiver who suffered season-ending training camp knee injuries in each of the last two years after a standout college career at Purdue and a promising start with the Arizona Cardinals, was found dead on Saturday, authorities say.

Police said Moore, aged 25, died of a suspected self-inflicted gunshot wound. Moore was found dead in the garage of a property in his hometown of New Albany, police chief Todd Bailey said. The death remains under investigation.

Floyd County Coroner Matthew Tomlin confirmed Moore’s death. He said an autopsy would be conducted on Sunday.

After being traded to the Atlanta Falcons in 2024, Moore dislocated his right knee during training camp and never played for them. He signed with the Minnesota Vikings in 2025, but he injured his left knee while returning a punt in their first exhibition game and spent another full season on injured reserve. Moore was so distraught after immediately realising the seriousness of that injury that he slammed his hand down on a cart so hard the sound was audible throughout the stadium.

The Vikings said they had spoken with Moore’s family to offer condolences and support.

“I am devastated by the news of Rondale’s death. While Rondale had been a member of the Vikings for a short time, he was someone we came to know well and care about deeply,” coach Kevin O’Connell said in a statement distributed by the team.

“He was a humble, soft-spoken, and respectful young man who was proud of his Indiana roots. As a player, he was disciplined, dedicated and resilient despite facing adversity multiple times as injuries sidelined him throughout his career. We are all heartbroken by the fact he won’t continue to live out his NFL dream, and we won’t all have a chance to watch him flourish.”

In a statement, the Cardinals said they were “devastated and heartbroken”.

“Our thoughts and deepest condolences are with his family, friends, teammates, and everyone who loved him and had the privilege of knowing such a special person,” the team said in a social media post.

Moore grew up in New Albany, just across the Indiana border from Louisville, Kentucky, and was a first-team All-American as a freshman at Purdue in 2018.

Drafted in the second round by the Cardinals in 2021, Moore had 1,201 receiving yards and three touchdowns, plus 249 rushing yards and one score over three seasons. He served as their primary returner for kickoffs and punts as a rookie before injuries pushed him away from that role.

“Can’t even begin to fathom or process this,” former Cardinals teammate JJ Watt said on social media. “There’s just no way. Way too soon. Way too special. So much left to give. Rest in peace Rondale.”

News of Eric Dane’s death Thursday was met with an outpouring of grief by celebrities, who expressed their admiration for the TV star’s mischievous on-screen charisma and his advocacy efforts during his battle against ALS.

Dane is best known for his role as Dr. Mark Sloan, or “McSteamy,” on “Grey’s Anatomy” and recently portrayed the dark and secretive father Cal Jacobs in HBO’s “Euphoria.” He died at age 53, less than a year after publicly announcing his diagnosis with the neurodegenerative disease.

Alyssa Milano, who was Dane’s romantic co-star on “Charmed,” shared a heartfelt message on Instagram praising his cheeky, yet tender spirit and deep love for his daughters.

“I can’t stop seeing that spark in Eric’s eye right before he’d say something that would either make you spit out your drink or rethink your entire perspective,” said Milano. “He had a razor-sharp sense of humor. He loved the absurdity of things.”

HBO Max shared a statement on Instagram, lauding Dane’s talent and saying the network was “fortunate to have worked with him on three seasons of Euphoria.” The show’s creator, Sam Levinson, shared a statement with Variety saying he’s heartbroken by the loss of a dear friend.

“Working with him was an honor,” Levinson said. “Being his friend was a gift. Eric’s family is in our prayers. May his memory be for a blessing.”

Former “Grey’s Anatomy” showrunner Krista Vernoff shared an Instagram post fondly reminiscing about when Dane returned to the set in 2021 to film a dream sequence featuring his character, who died in Season 9. Although it was shot during the pandemic, he “broke the rules” and gave her a huge hug.

“The thing I will remember most about Eric Dane are his hugs,” Vernoff wrote. “The best hugs. Oh my friend. I wish you peace.”

Dane was preparing to publish his memoir, “Book of Days: A Memoir in Moments,” later this year with Maria Shriver’s publishing imprint, the Open Field.

Shriver said Dane was heroic in the way he handled his disease and used his platform to raise awareness about ALS.

“He told me he wanted his family to know how much he loved them, and he wanted to leave them a story they could be proud of,” she said in a statement on X. “My love goes out to his family, and to all those battling this cruel disease, as well as all those caring for someone battling it.”

In 2025, Dane drew on his personal experiences with the condition to portray a firefighter living with ALS on “Brilliant Minds” and advocated for legislation to provide funding for ALS research and give patients early access to treatments.

He worked closely with the nonprofit organization I Am ALS to raise money to research new treatments for the disease, which currently has no cure.

“Eric brought humility, humor, and visibility to ALS and reminded the world that progress is possible when we refuse to remain silent,” the organization said in a statement. “Eric was more than a supporter of our mission — he was part of our family.”

ALS, also known as Lou Gehrig’s disease, is a progressive disease that damages nerve cells controlling voluntary muscles, typically causing death two to five years after diagnosis.

Nina Dobrev, Dane’s co-star in the western romance movie “Redeeming Love,” wrote on her Instagram story that she was heartbroken by his death.

“He was warm, generous, prepared, and so passionate about what he did,” she said. “He led with kindness and made everyone on our set feel seen.”

Times staff writer Alexandra Del Rosario contributed to this report

ERIC Dane has died aged 53 after a brave battle with ALS.

The Grey’s Anatomy and Euphoria actor passed away with his wife, Rebecca Gayheart, and daughters Billie and Georgia by his side, his rep said in a statement on Thursday, February 19.

“With heavy hearts, we share that Eric Dane passed on Thursday afternoon following a courageous battle with ALS,” the statement began.

“He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world. 

“Throughout his journey with ALS, Eric became a passionate advocate for awareness and research, determined to make a difference for others facing the same fight.

“He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received. 

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“The family has asked for privacy as they navigate this impossible time.”

SCARY DIAGNOSIS

Eric had been battling ALS, a fatal neurodegenerative disease also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease, since early 2024, when he first began experiencing symptoms.

The star announced his diagnosis in April 2025, which quickly progressed to near full paralysis in the months before his death.

Eric had to bow out of multiple public appearances due to his worsening condition.

In January 2026, he withdrew from the ALS Network’s Champions for Cures and Cares gala just hours before the event began.

The TV star also missed his scheduled appearance at the Primetime Emmy Awards in September 2025 because of complications from the disease.

In December 2025, Eric shared an update on his health during a virtual panel for IAMALS.org.

At this point, the father of two had lost mobility in his arms, had noticeable changes in his speech, and was confined to a wheelchair.

“I have no reason to be in a good spirit at any time, on any given day,” an emotional Eric shared.

“I don’t think anybody would blame me if I went upstairs in my bedroom, crawled under the sheets, and spent the next two weeks crying.”

Despite his drastic health decline, Eric vowed to continue acting and that he wouldn’t give up fighting.

“I’m not about to concede my purpose for some disease. I just am not capable of doing that.

“I’m fairly limited in what I can do physically as an actor, but I still have my brain, and I still have my speech, so I’m willing to do just about anything.”

BRAVE FIGHT

In November 2025, Eric starred in an episode of the NBC medical drama Brilliant Minds, playing a firefighter living with ALS.

“The hardest thing for me to do was separate myself from the character because it was something that was so fresh and it was something that was so real to me,” Eric told the Daily Mail about the role.

“I’ve never played a character who’s going through something, and something that I’m dealing with in real time, in real life as well,” he continued.

“So, it was hard, and there were moments where it was very difficult for me to get the lines out. 

“But overall, I was really grateful for the experience. I found it to be a bit cathartic.”

Eric is also reprising his role as Cal Jacobs in the third season of Euphoria, which will premiere on HBO in April, after a four-year hiatus.

In late January, Eric received praise from his Grey’s Anatomy co-star, Patrick Dempsey, for his bravery since his brutal diagnosis.

“I do try to stay in touch and see how he’s doing. I think he’s been incredibly courageous in the face of this horrible disease,” Patrick told Parade in an interview.

He also said that he tried to get Eric on his new crime thriller series, Memory of a Killer, but his condition made it “virtually impossible.”

Eric is survived by his two children, Billie Beatrice, 16, and Georgia Geraldine 14, whom he shares with Rebecca.

The couple separated in 2018, but called off their long divorce once Eric received his diagnosis.

Actor Eric Dane, best known for wooing “Grey’s Anatomy” audiences as plastic surgeon Dr. Mark “McSteamy” Sloan, has died following a public battle with ALS.

A TV star whose career spanned from “Saved by the Bell” to “Euphoria” and beyond, Dane died Thursday, his publicist announced in a statement. He was 53.

“With heavy hearts, we share that Eric Dane passed on Thursday afternoon following a courageous battle with ALS. He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world,” the statement reads. “Throughout his journey with ALS, Eric became a passionate advocate for awareness and research, determined to make a difference for others facing the same fight. He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received. The family has asked for privacy as they navigate this impossible time.”

Dane publicized his ALS diagnosis in April 2025. A former competitive swimmer and water polo player, he said ALS — also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease — initially caused the right side of his body to stop working. Prior to his death, the actor channeled his personal experiences with the condition to portray a firefighter living with ALS on TV and advocated for legislation related to the condition.

In Shonda Rhimes’ “Grey’s Anatomy,” Dane’s Sloan was a welcome addition to Seattle Grace Hospital’s staff of heartthrobs who couldn’t seem to keep their gloved hands off each other amid shifts of wild and dramatic cases. He first appeared in Season 2 of “Grey’s Anatomy” in 2006. Sloan, within minutes of his arrival, takes a punch to the face from Patrick Dempsey’s Dr. Derek Shepherd and introduces himself to Ellen Pompeo’s Meredith Grey as one of the fellow “dirty mistresses” who broke up Shepherd’s marriage to ex-wife Dr. Addison Montgomery (Kate Walsh).

Dane had initially agreed to appear in only one episode of the long-running ABC drama, but remained a fixture — and eye candy for fans — for more than 130 episodes until 2012. Nicknamed “McSteamy” for his looks, Sloan pursued relationships with Drs. Lexie Grey (Chyler Leigh), Callie Torres (Sara Ramirez) and Teddy Altman (Kim Raver) over the course of Dane’s tenure. His character was killed off early in Season 9 after a devastating Season 8 plane crash that also claimed the life of Leigh’s Lexie.

In 2021, Dane returned to “Grey’s Anatomy” for a cameo in Meredith’s COVID-19-induced dreams.

Prior to breaking out with “Grey’s,” Dane played minor roles in series including “Saved by the Bell, “Roseanne,” “Gideon’s Crossing” and “Charmed.” Dane followed up his “Grey’s Anatomy” tenure with appearances on the ABC spinoff “Private Practice,” a leading role in TNT’s “The Last Ship” and a stint as a secretive real estate developer and dad in HBO’s teen drama “Euphoria.”

He also appeared in several movies following “Grey’s Anatomy,” including “X-Men: The Last Stand,” “Marley & Me,” “Burlesque” and Garry Marshall’s “Valentine’s Day,” which reunited him with co-star Dempsey.

Dane did not plan to be an actor until he unexpectedly landed a role in his high school’s production of Arthur Miller’s “All My Sons,” but he “fell in love with it,” he told the Gulf Times in 2014.

“I was like this is the greatest feeling ever,” he added.

Eric William Dane was born Nov. 9, 1972, in San Francisco. His father, a Navy man-turned-architect, died of a gunshot wound when the actor was 7, leaving his mother to raise her two children with assistance from her parents.

Dane attended Sequoia High School and San Mateo High School but dropped out prior to graduation to pursue acting in Los Angeles.

He partied often in his 20s and first entered rehab at age 26. Amid his “Grey’s Anatomy” fame, Dane struggled with addition to painkillers and prescription medicine. He relapsed in 2007 during the Writer’s Guild of America strike, he recalled in 2024.

Eric Dane and Rebecca Gayheart bring their daughters to the March 2015 world premiere of “Cinderella” in L.A.

(Richard Shotwell / Invision / Associated Press)

“If you take the whole eight years I was on ‘Grey’s Anatomy,’ I was f— up longer than I was sober and that was when things started going sideways for me,” he said at the time. Notably, he entered rehab again in 2011 to address issues with prescription drugs he had been prescribed for a sports injury.

Dane also spoke openly about his struggles with depression, which reached a head in 2017 amid production on his series “The Last Ship.” During a 2017 “Today” appearance, Dane explained that he was taking medication to manage the disorder, which he said hit him “like a truck.”

“I had to take some time off,” he said at the time. “I went away, I took care of it, and I’m feeling great.”

Dane married “Loving” actor and model Rebecca Gayheart in 2004 in Las Vegas the same day he proposed to her. Infamously, their relationship was subject to scrutiny when in 2009 leaked video showed the spouses in the nude and intoxicated lounging in a bathtub with actor Kari Ann Peniche. Marty Singer, attorney for the spouses at the time, dismissed the controversy.

However, the couple separated in 2017 and Gayheart filed to divorce Dane in 2018, but the split was never finalized. Then in March 2025, right before he went public with his ALS, she filed a request to dismiss the original petition.

In Dane’s role after revealing his diagnosis, he appeared in an episode of the NBC medical drama “Brilliant Minds” as a heroic firefighter struggling to tell his family he has ALS. The episode aired in late November; Gayheart revealed in a late December New York magazine essay that the actor was receiving 24/7 nursing care and she was covering most of the caregivers’ missed shifts.

“We haven’t lived in the same home for eight years; he’s dated other people, I’ve dated someone,” Gayheart wrote in the essay, which discussed Dane’s diagnosis and how it had affected the family. “It’s a very complicated relationship, one that’s confusing for people. Our love may not be romantic, but it’s a familial love. Eric knows that I am always going to want the best for him. That I’m going to do my best to do right by him. And I know he would do the same for me.

“So whatever I can do or however I can show up to make this journey better for him or easier for him, I want to do that,” she continued. “And I want to model that for my girls: That’s what you do. That’s the right thing to do.”

Dane is survived by daughters Billie, 15, and Georgia, 14, whom he shares with Gayheart.

The Rev. Jesse Jackson, a child of Southern segregation who rose to national prominence as a powerful voice for Black economic and racial equality, has died.

Jackson, who had battled the neurodegenerative condition progressive supranuclear palsy for more than a decade, died at home surrounded by family. His daughter, Santita Jackson, confirmed his death with the Associated Press. He was 84. Jackson was originally diagnosed with Parkinson’s disease in 2017 before the PSP diagnosis was confirmed in April.

Handsome and dynamic, an orator with a flair for memorable rhyme, Jackson was the first Black candidate for president to attract a major following, declaring in 1984 that “our time has come” and drawing about 3.5 million votes in Democratic primaries — roughly 1 in 5 of those cast.

Four years later, using the slogan “Keep hope alive,” he ran again, winning 7 million votes, second only to the eventual nominee, Massachusetts Gov. Michael S. Dukakis. His hourlong speech at the 1988 Democratic National Convention brought many delegates to tears and provided the gathering’s emotional high point.

Rev. Jesse Jackson and his wife, Jacqueline, acknowledge the cheers of delegates and supporters before his emotional speech to the Democratic National Convention in Atlanta on July 20, 1988.

(John Duricka / Associated Press)

“Every one of these funny labels they put on you, those of you who are watching this broadcast tonight in the projects, on the corners — I understand,” he said. “Call you outcast, low down, you can’t make it, you’re nothing, you’re from nobody, subclass, underclass; when you see Jesse Jackson, when my name goes in nomination, your name goes in nomination.”

For nearly a generation, from the 1970s into the 1990s, that ability to absorb the insults and rejection suffered by Black Americans and transmute them into a defiant rhetoric of success made Jackson the most prominent Black figure in the country. Both beneficiary and victim of white America’s longstanding insistence on having one media-anointed leader serve as the spokesman for tens of millions of Black citizens, he drew adulation and jeers but consistently held the spotlight.

Supporters greeted his speeches with chants of “Run, Jesse, run.” Opponents tracked every misstep, from audits of his grants in the 1970s to his use of the anti-Jewish slur “Hymietown” to refer to New York City during the 1984 campaign, to the disclosure, in 2001, that he had fathered a daughter in an extramarital affair.

As he dominated center stage, the thundering chorus of his speeches — “I am … somebody” — inspired his followers even as it sometimes sounded like a painful plea.

Jackson’s thirst for attention began in childhood. Born out of wedlock on Oct. 8, 1941, he often stood at the gate of his father’s home in Greenville, S.C., watching with envy as his half-brothers played, before returning to the home he shared with his mother, Helen Burns, and grandmother, Mathilda.

During high school, his father, Noah Robinson, a former professional boxer, would sometimes go to the football field to watch Jesse play. If he played well, Noah would sometimes tell others, “That’s one of mine.” For the most part, however, until Jesse was famous, he shunned his son, who was later adopted by the man his mother married, Charles Jackson.

It was his grandmother, known as Tibby, who encouraged Jackson’s ambition. A domestic in stringently segregated Greenville, Tibby brought home books and magazines, such as National Geographic, that her white employers’ children had discarded.

“Couldn’t read a word herself but she’d bring them back for me, you know, these cultural things used by the wealthy and refined,” Jackson once said. “All she knew was, their sons read those books. So I ought to read them too. She never stopped dreaming for me.”

Her dreams propelled Jackson toward college — as did a need to avenge the childhood taunts that echoed in his head. An honors student, he turned down a contract to pitch for the Chicago White Sox to accept a football scholarship to the University of Illinois.

At Christmas break, he came home with a list of books. A librarian at the McBee Avenue Colored Branch referred him to the white library downtown and called ahead to clear the way. When he entered the main library, two police officers stood at the loan desk. A librarian told him it would take at least six days to get the books from the shelves. When he offered to get them himself, the officers told him to leave.

“I just stared up at that ‘Greenville Public Library’ and tears came to my eyes,” Jackson told a biographer, Marshall Frady.

That summer, 1960, Jackson came home and led a sit-in at the library, his arrest a first taste of civil disobedience. In the fall, he transferred to North Carolina A&T State University in Greensboro. There he became the star quarterback and participated in the beginnings of the sit-ins that became a signature part of the civil rights movement led by the Rev. Martin Luther King Jr.

“It wasn’t a matter of Gandhi or Dr. King then,” he said of the library sit-in, “it was just my own private pride and self-respect.”

With his height and his oratorical flourishes, Jackson was a charismatic figure who led protests in Greensboro. Once, during a demonstration outside a cafeteria, as police were about to arrest the demonstrators, Jackson suggested they kneel and recite the Lord’s Prayer.

“Police all took off their caps and bowed their heads,” he said. “Can’t arrest folks prayin’.”

Then he led the demonstrators in “The Star-Spangled Banner.”

“They stopped, put their hands over their heart,” Jackson said. “Can’t arrest folks singing the national anthem.”

After half an hour, he recalled, “we got tired and let ’em arrest us.”

Elected student body president, Jackson graduated in 1963. A grant from the Rockefeller Fund for Theological Education brought him to the Chicago Theological Seminary, where he hoped to find a venue for social activism.

That summer, Jackson traveled to Washington, where he heard King deliver his famous “I Have a Dream” speech. Two years later, he and a group of college buddies piled into vans to drive south for King’s Selma-to-Montgomery march. He met King there, and early the next year, King asked Jackson to head his Southern Christian Leadership Conference’s Operation Breadbasket in Chicago. The goal was to win economic gains for Black people with a combination of consumer boycotts and negotiated settlements.

At 24, Jackson was the youngest of King’s aides. Operating out of a hole-in-the-wall office at SCLC’s South Side headquarters, he began by organizing preachers, arranging for them to urge their congregations on Easter to boycott products made by a local dairy that employed no Black workers.

During the following week, Country Delight lost more than half a million dollars in revenue. Within days, the company offered a deal: 44 jobs for Black workers. Without waiting for a boycott, other dairy companies called with offers, too.

King soon asked Jackson to be the national director of Operation Breadbasket. Jackson hesitated — the job required him to leave the seminary six months short of graduation. Jackson recounted in his autobiography that King told him, “Come with me full time and you’ll learn more theology in six months than you would in six years at the seminary.” He earned his ordination several years later.

In 1968, Jesse Jackson stands to the left of the Rev. Martin Luther King Jr. on the balcony of the Lorraine Motel in Memphis, Tenn., where King was assassinated the next day.

(Charles Kelly / Associated Press )

In April 1968, Jackson joined King in Memphis, where the civil rights leader had decided to stand with striking Black sanitation workers. Few of King’s staff supported the effort, worrying that the strike — and the planned Poor People’s Campaign in Washington — distracted from the main goal of attaining voting and political rights for Black Americans.

During a planning meeting, King blew up at his aides, including Jackson. “If you’re so interested in doing your own thing, that you can’t do what this organization is structured to do, if you want to carve out your own niche in society, go ahead,” King yelled at Jackson, according to the latter’s account. “But for God’s sake, don’t bother me!”

The next day, standing below the balcony of the Lorraine Motel where the team was staying in Memphis, King yelled down at Jackson in joviality, as if to mitigate the outburst, inviting him to dinner.

Within moments, shots rang out. Jackson later said he ran upstairs and caught King’s head as he lay dying. Andrew Young, a King aide who later became U.S. ambassador to the United Nations, told Frady that he doubted Jackson had cradled King’s head, but that they all had rushed to the scene and all had gotten blood on their clothes.

But if all of them were touched by King’s blood, only Jackson wore his gore-stained olive turtleneck for days, sleeping and grieving in it, wearing it on NBC’s “Today Show” and before the Chicago City Council. In dramatizing the moment to his own benefit, Jackson provoked hostility from King’s widow and others in the movement’s leadership that lasted decades.

Richard Hatcher, the first Black mayor of Gary, Ind., and a Jackson supporter, recalled that once Jackson decided to run for president, the campaign thought it had the backing of the Black leadership.

“Big mistake. Big mistake,” Hatcher said. “Over the following months, every time things seemed to get going, here would come a statement from Atlanta, from Andy [Young] or Joe Lowery or Mrs. King, ‘We don’t think this is a good idea at all.’“

As Jackson’s media prominence grew — including a cover photo on Time magazine in 1970 — tensions erupted between Jackson and SCLC, in part because of the sloppy bookkeeping that became a Jackson characteristic. In late 1971, SCLC’s board suspended Jackson for “administrative impropriety” and “repeated violation of organization discipline.” Jackson resigned, saying, “I need air. I must have room to grow.”

Rev. Jesse Jackson raises a clenched fist from a police van after he and 11 others from Operation Breadbasket were arrested during a sit-in at the Atlantic and Pacific Tea Co., offices in New York City on Feb. 2, 1971. The organization, part of the Southern Christian Leadership Conference, has been protesting A&P’s alleged discrimination against blacks.

(MARTY LEDERHANDLER / Associated Press)

Calling a dozen Black celebrities to New York’s Commodore Hotel, Jackson formed his own organization. Originally called People United to Save Humanity — the presumptuous title was soon changed to People United to Serve Humanity — PUSH became his pulpit. Like Operation Breadbasket, its goal was to boost minority employment and ownership.

Jackson traveled the country preaching self-esteem and self-discipline. Thousands of youngsters took pledges to say no to drugs, turn off their television sets, study. They became the core of his voter registration drives, the inspiration for the “I am somebody” chant that would define his public ministry.

As with Operation Breadbasket, Jackson used PUSH to hold corporate America to account. In 1982, for example, he launched a boycott of Anheuser-Busch with the slogan “this Bud’s a dud.”

“We spend approximately $800 million with them [annually]. Yet, out of 950 wholesale distributorships, only one is Black-owned,” Jackson said.

Shortly thereafter, Anheuser-Busch contributed $10,000 to Jackson’s Citizenship Education Fund, contributed more than $500,000 to the Rainbow PUSH coalition, and established a $10-million fund to help minorities buy distributorships.

In 1998, 16 years later, the River North beer distributorship in Chicago was purchased by two of Jackson’s sons, Yusef and Jonathan. (Jackson’s eldest son, Jesse Jackson Jr., won election to Congress from Chicago in 1995, but resigned and was convicted of fraud in 2013 for misuse of campaign funds. Jackson and his wife, Jacqueline, also had two daughters, Jacqueline and Santita. A third daughter, Ashley Laverne Jackson, was the child of his relationship with a PUSH staff member, Karin Stanford.)

Critics called the PUSH campaigns elaborate shakedowns. Others, like Jeffrey Campbell, president of Burger King when Jackson opened negotiations in 1983, found the encounter with Jackson and his rhetoric of economic empowerment inspiring.

“Before they came in, my view was that we ought to fight them, that this guy Jackson was a monster, and I had the backing of my bosses to walk out if necessary,” Campbell told the Los Angeles Times in 1987. But Campbell said he quickly changed his mind.

“He got to me very quickly, without me realizing it, when he started talking about fairness. He would say: What is fair? Blacks give you 15% of your business — isn’t it fair that you give 15% of your business, your jobs, your purchases back to the Black community, the Black businesses?

“That little seed began to grow in the back of my mind,” Campbell said. “It was the right question to ask me.”

How Jackson handled money gave critics additional openings. Between 1972 and 1988, PUSH and its affiliates attracted more than $17 million in federal grants and private contributions. After many audits, the Justice Department sought $1.2 million in repayments, citing poor recordkeeping and a lack of documentation.

Jackson gave little thought to such issues. “I am a tree-shaker, not a jelly-maker,” he would often say.

Management held little interest for him. But politics was a different matter.

From the moment he began urging and registering Black Americans to vote, Jackson found his milieu. He used PUSH resources to staff get-out-the-vote drives that helped elect Hatcher in Gary, Kenneth Gibson in Newark, N.J., and Carl Stokes in Cleveland.

In those days, he also advocated participating in both parties, what he called “a balance of power.” In 1972, he claimed he had registered 40,000 Black voters to support Illinois’ white Republican senator, Charles Percy.

That same year, at the Democratic convention in Miami, Jackson unseated Chicago Mayor Richard Daley’s 58-member Illinois delegation and replaced it with a “rainbow” of his own, even though he had never voted in a Democratic primary. Liberal Democrats who despised Daley as a corrupt big-city boss hailed Jackson as a hero.

In the decade to come, Jackson basked in celebrity and international travel, including a controversial meeting with Yasser Arafat. Jackson met the then-leader of the Palestine Liberation Organization in 1979 when he traveled to Syria to free U.S. pilot Robert Goodman, who’d been shot down while on a bombing mission. By the time Jackson declared his 1984 presidential campaign, he had burnished his foreign policy credentials.

At the convention that year in San Francisco, he predicted that in an era of Reaganomics, a Rainbow Coalition of ethnic and religious identities could retake the White House.

“We must leave the racial battleground and come to economic common ground and moral higher ground,” he said in a memorable speech.

“America, our time has come. We come from disgrace to amazing grace. Our time has come,” he said. “Give me your tired, give me your poor, your huddled masses who yearn to breathe free and come November, there will be a change, because our time has come.” Delegates roared to their feet.

The Rev. Jesse Jackson, a candidate for the democratic nomination for President, works the crowd from onstage following a speech at the Cincinnati Convention center, Friday, April 13, 1984.

(Al Behrman / Associated Press)

But they did not nominate him. Nor did the convention of 1988. Addressing Black ministers in Los Angeles in 1995, the hurt still showed as Jackson railed at the injustice of beating Al Gore in the presidential primaries, only to watch as he was tapped by Bill Clinton to be his running mate in 1992.

“In 1988, I beat him in Iowa, a state 98% white; he said it was ’cause of liberals and farmers. So I beat him in New Hampshire; he said it was ’cause he was off campaigning in the South. So I beat him in the South on Super Tuesday; he said Dukakis had split his support. I beat him then in Illinois, in Michigan; he said he wasn’t really trying. I beat him then in New York; said he ran out of money. But now, here I am this afternoon, talking to y’all in this church in South Central L.A. — and he’s vice president of the United States.”

To many of his Democratic opponents, however, Jackson’s “rainbow coalition” symbolized not common ground, but the party’s devolution into a collection of identity caucuses whose narrow causes doomed them to defeat. In 1992, many of those critics gathered around Clinton as he formulated his “New Democrat” campaign. Clinton soon used Jackson as a foil.

The occasion came when Jackson invited rap singer and activist Sister Souljah to a political event featuring the Arkansas governor. In an interview, Souljah had wondered why after all the animus of white people toward Black people, it was unacceptable for Black people to kill whites. Clinton, instead of delivering the usual liberal-candidate-seeks-Black-votes hominy, lashed out at her words.

The moment bought Clinton a priceless image of willingness to speak truth to the party’s interest groups but came at the price of Jackson’s rage.

“I can maybe work with him, but I know now who he is, what he is. There’s nothin’ he won’t do,” Jackson said to Frady. “He’s immune to shame.”

By then, however, Jackson’s prominence had already begun to wane. Indeed, the role of race leader, itself, had started to disappear. The civil rights revolution in which Jackson had figured so prominently had allowed a new and more diverse generation of Black elected officials, corporate executives and public figures to flourish. Their success eroded his singular platform.

Democratic presidential hopeful Sen. Barack Obama, D-Ill., right, laughs after saying goodbye to Rev. Jesse Jackson, reflected left, after Obama addressed the Rainbow PUSH Coalition’s annual conference breakfast in Rosemont, Ill. on June 4, 2007

(harles Rex Arbogast / Associated Press)

Jackson continued to travel, agitate, protest, but the spotlight had moved on. He dreamed that Jesse Jr. might one day win the office he had pursued. When, instead, another Black Democrat from Chicago, Barack Obama, headed toward the Democratic nomination in 2008, Jackson’s frustration spilled into public with a vulgar criticism of Obama caught on microphone.

In Obama’s White House, he suffered what for him might have been the severest penalty — being ignored.

Yet to those who had seen him in his prime, his image remained indelible.

“When they write the history of this campaign,” then-New York Gov. Mario Cuomo said after the 1984 contest, “the longest chapter will be on Jackson. The man didn’t have two cents. He didn’t have one television or radio ad. And look what he did.”

Jackson is survived by his wife, Jacqueline, and six children, Jesse Jr., Yusef, Jonathan, Jacqueline, Santita and Ashley.

the Rev. Jesse Jackson speaks at the League of United Latin American Citizens convention Friday, June 30, 2006, in Milwaukee. (AP Photo/Morry Gash)

(Morry Gash / Associated Press)

Lauter and Neuman are former Times staff writers.

Billy Steinberg, who wrote the lyrics to some of the biggest pop hits of the 1980s — including Madonna’s “Like a Virgin,” Cyndi Lauper’s “True Colors” and Heart’s “Alone” — died Monday at his home in Brentwood. He was 75.

His death was confirmed by his lawyer, Laurie Soriano, who said the cause was cancer.

A master of the melodramatic power ballad, Steinberg wrote vividly about the experience of being overwhelmed by love. In “Like a Virgin,” the narrator sings of having been lost in the wilderness — “I was beat, incomplete / I’d been had, I was sad and blue” — only to meet someone who makes the singer feel “shiny and new.” In “Alone,” the narrator lies in a dark room late at night, listening to the clock tick as they ponder an unconfessed infatuation.

“Like a Virgin,” which Steinberg co-wrote with his frequent creative partner Tom Kelly, spent six weeks atop Billboard’s Hot 100 in late 1984 and early 1985. With Kelly, Steinberg went on to score four more No. 1s on the Hot 100: “True Colors,” “Alone,” Whitney Houston’s “So Emotional” and the Bangles’ “Eternal Flame.”

Among the other hits he wrote were the Pretenders’ “I’ll Stand by You,” the Divinyls’ “I Touch Myself,” and “I Drove All Night,” which was recorded by both Lauper and Roy Orbison.

Born in Fresno in 1950, Steinberg moved as a child with his family to Palm Springs, where his father had a business growing table grapes in the Coachella Valley. He started writing songs while studying literature at Bard College in the late ’60s. Yet after his junior year he began having severe anxiety attacks and dropped out of school, as he wrote in a 2004 essay posted on his website. He moved home to Palm Springs and worked on his dad’s vineyards, writing lyrics as he drove around in a red Ford pickup truck.

In the late ’70s, Steinberg formed a new wave band called Billy Thermal — the name pointed to the Coachella Valley town where the vineyards were located — that eventually got signed to the producer Richard Perry’s Planet Records. Billy Thermal made an album that went unreleased, though Linda Ronstadt and Pat Benatar recorded several of the band’s songs; Ronstadt’s version of “How Do I Make You,” from her “Mad Love” LP, hit No. 10 on the Hot 100 in early 1980.

After Billy Thermal broke up, Steinberg formed a group called i-Ten with Kelly, whom he’d met at a party thrown by Fleetwood Mac’s onetime producer, Keith Olsen. The duo released an album in 1983 that featured an early version of “Alone.”

Steinberg won a Grammy Award in 1997 for his work on Celine Dion’s “Falling Into You,” which was named album of the year. He was inducted into the Songwriters Hall of Fame in 2011. His survivors include his wife, Trina, and his sons Ezra and Max.

Frederick Wiseman, a preeminent documentary filmmaker, has died. He was 96.

The filmmaker’s death was announced by his family Monday in a statement released by Zipporah Films, Wiseman’s distribution company.

In a career that lasted nearly 60 years, Wiseman produced and directed 45 films beginning in 1967 with “Titicut Follies,” a documentary on the the patient-inmates of Bridgewater State Hospital for the Criminally Insane in Massachusetts, through 2023’s “Menus-Plaisirs — Les Troisgros,” a documentary on the Troisgros family’s Michelin three-starred restaurant in Ouches, France. His final film earned universal critical acclaim, and was recognized as the best nonfiction film of 2023 by the New York Film Critics Circle, the Los Angeles Film Critics Assn. Awards and the National Society of Film Critics.

“Wiseman, whose observational approach has often been mischaracterized as objective or omniscient, here drops any pretense to neutrality, so potent and overpowering is his sense of kinship with a fellow artist,” wrote Justin Chang in his 2023 review. “The marriage of sensibilities in front of and behind the camera is the stealthiest meeting in ‘Menus-Plaisirs — Les Troisgros,’ and the most unexpectedly satisfying.”

A scene from Frederick Wiseman’s “Menus-Plaisirs – Les Troisgros.”

(PBS)

The filmmaker considered both Cambridge, Mass., and Paris his homes. His films, to an extent, reflected that transatlantic residency in their freshness of perspective. They display an innate curiosity and astonishing degrees of empathy, intelligence and perceptiveness, with subjects ranging from public and social institutions to cultural and specialized spaces and the minutiae of human interactions.

Wiseman’s other films included “High School” (1968), “Welfare” (1975), “Juvenile Court” (1973), “Public Housing” (1997), “La Danse” (2009), “National Gallery” (2014), “Ex Libris — The New York Public Library” (2017) and “City Hall” (2020). The varied body of work earned three Emmy Awards and an honorary Academy Award. Wiseman was also awarded Guggenheim and MacArthur Prize fellowships.

Beyond documentaries, the director also made three fiction films, “Seraphita’s Diary” (1982), “The Last Letter” (2002) and “A Couple” (2022). In reviewing the last, Chang wrote, “I suspect [Wiseman] is no more likely to impose himself on one of his fictions than he would on one of his documentaries, which ‘A Couple’ may resemble more than it appears. Wiseman has spent a career probing the complex inner workings and painfully human errors of America’s establishments, but in marriage itself, he may have found the most fraught, mysterious and unreformable institution of all.”

Nathalie Boutefeu in the movie “A Couple.”

(Film Forum)

Frederick Wiseman was born Jan. 1, 1930, in Boston. He graduated from Willams College and Yale Law School before embarking on a filmmaking career in the mid-1960s. He remained staunchly independent, establishing Zipporah Films, named for his wife, in 1971, in order to maintain control over distribution of his work.

In addition to his filmmaking career, Wiseman worked as a theater director and actor, including a recent appearance in Rebecca Zlotowski’s 2025 film “A Private Life,” starring Jodie Foster.

Wiseman’s wife of 65 years, Zipporah Batshaw Wiseman, died 2021. He is survived by his two sons, David (Jennifer) and Eric (Kristen Stowell), and three grandchildren, Benjamin, Charlie and Tess, as well as his friend and collaborator Karen Konicek, with whom he worked for 45 years.

ATHENS, Greece — Israeli producer Dana Eden, best known for co-creating the International Emmy-winning espionage thriller “Tehran,” has died suddenly in Greece, Israeli public broadcaster KAN said Monday.

Eden, 52, was found dead in a hotel in the Greek capital, Athens, a Greek police official said, adding that initial indications suggested she had taken her own life and there was no suspicion of foul play. The official spoke on condition of anonymity as Greek police do not comment publicly in such cases.

KAN said Eden was in Greece for the filming of the hit series’ fourth season.

“Dana was among the leading figures in Israel’s television industry and played a central role in the creation and leadership of some of the most prominent and influential productions within the corporation,” KAN said in a statement. It did not give a cause of death.

“Her professional work, uncompromising dedication, and love for creation left a deep mark on the Israeli Public Broadcasting Corporation. KAN shares in the deep sorrow of her family, friends and colleagues,” the broadcaster said.

In a statement posted on its Facebook page, Eden’s production company, Donna and Shula productions, sought to dispel rumors that the producer had been killed.

“The production company wishes to clarify that the rumors of a criminal or nationally motivated death are false and unfounded,” it said.

“This is a moment of great pain for the family, friends and colleagues. We ask that Dana’s dignity and the privacy of her loved ones be respected,” the production company said.

Israel Culture and Sports Minister Miki Zohar, in a social media post on X, said it was “with great sadness” that he had received the news of Eden’s death, describing her as “one of the most prominent and influential producers in the Israeli television industry.”

“Dana left a deep mark on Israeli creation and brought our story to international stages with pride, talent and courage,” Zohar said.

“Tehran,” which premiered in Israel and on Apple TV in 2020, tells the story of Tamar Rabinyan, a young Mossad operative tasked with hacking into and disabling the Iranian nuclear reactor so the Israeli military can carry out an airstrike. The show was named best drama series at the 49th International Emmy Awards in November 2021.

Eden started working in TV production in Israel in the 1990s, working on shows including comedy “Yom Haem” and crime drama “Magpie,” before finding international success with “Tehran.”

In 2018, her show “Saving the Wildlife” won best TV magazine for children and youth at the Awards of the Israeli Television Academy.

Kantouris and Becatoros write for the Associated Press. Kantouris contributed from Thessaloniki. Matt Kemp in London contributed.

The legendary US actor was nominated for seven Oscars and won for his role as a washed-up country singer in Tender Mercies.

Oscar-winning actor Robert Duvall, best known for his work in The Godfather and Apocalypse Now, has died aged 95, his wife has announced in a Facebook post.

“For each of his many roles, Bob gave everything to his characters and to the truth of the human spirit they represented,” Luciana Duvall said in a statement on Monday.

Duvall was best known for playing forceful roles such as his depiction of Tom Hagen, consigliere to the Corleone Mafia family in The Godfather.

He also played Lieutenant Colonel Bull Meechum in The Great Santini and the title character in Stalin, as well as broken-down and fallen characters in Tender Mercies and The Apostle.

Duvall, the son of a US Navy admiral and an amateur actress, grew up in Annapolis, Maryland in the United States. After graduating from Principia College in Illinois and serving in the US Army, he moved to New York City, where he roomed with Dustin Hoffman and befriended Gene Hackman when the three were struggling acting students.

After working on a variety of television shows, Duvall made a strong impression in his first forays onto the big screen, such as his first movie part as the mysterious recluse Boo Radley in To Kill a Mockingbird.

Duvall got the part at the suggestion of the film’s screenwriter, Horton Foote, who had liked Duvall’s work in one of his plays. Foote later wrote Tender Mercies, a 1983 film for which Duvall won the Academy Award for best actor as a washed-up country singer.

Duvall was nominated for another six Oscars, including for his work in Frances Ford Coppola’s 1979 Vietnam epic Apocalypse Now. Duvall played the off-kilter, surfing-obsessed Lieutenant Colonel Bill Kilgore.

The character’s famous line, “I love the smell of napalm in the morning”, became legendary.

In all, Duvall appeared in almost 100 movies. And when he grew weary of Hollywood, he made his own films. He wrote, directed and won an Oscar acting nomination for The Apostle, the story of a conflicted preacher.

Duvall did the same with Assassination Tango, a movie that allowed him to exhibit his passion for the tango and Argentina, where he met his fourth wife, Luciana Pedraza.

In later life, Duvall split his time between Los Angeles, Argentina and a farm in Virginia, where he converted the barn into a tango dance hall.

John Shirreffs, the soft-spoken giant who trained Zenyatta, perhaps the best mare of all-time, died in Southern California on Thursday. He was 80. No cause of death was announced.

Shirreffs was one of the top trainers in Southern California with 3,589 starts, 596 of them wins resulting in $58.5 million in purses.

He was a familiar face around local tracks, usually ponying his horses to the track during morning training and then avoiding the spotlight when his horse won by staying on the racing surface and not going to the Winner’s Circle, leaving the punditry to his wife, Dottie Ingordo.

Shirreffs first grabbed national attention when he won the Kentucky Derby with Giacomo at odds of 50-1 in 2005. The horse was partially owned by legendary record producer Jerry Moss, the M along with Herb Alpert in A&M records. Shirreffs remained Moss’ primary trainer until his death in 2023.

Then after Giacomo came Zenyatta, whose personality and skill won the hearts of Southern California race-goers in her 19-race winning streak that included an “un-believe-able” (according to race caller Trevor Denman) last-to-first win against the boys in the Breeders’ Cup Classic at Santa Anita in 2009.

Shirreffs, a Marine veteran, fell into horse racing by accident.

“When I got back from Vietnam, I had no place to go, but I had a friend who knew somebody, so they they said, ‘Come on out West,’” Shirreffs told The Times before last year’s Kentucky Derby.

“So here I’m in New York, I don’t know anything about [horses] except I’ve seen a lot of cowboy movies. So here comes Jim Matthews, pulls up in his trailer, he has his horse set and he it backs his horse out of a trailer.”

Shirreffs admits to not really knowing what he was doing.

“A week or so later, Jim’s just calls me and says, ‘Do you want to come to work for me?’ I said ‘Yeah, that’d be great,” Shirreffs said. “So, I went to work for him and didn’t get paid anything, just room and board. He soon said, ‘I’ll give you this horse and if you sell it, you can make some money.’

“So I’m riding this horse across this field and I get stuck in this mud box. I get the horse out of the mud and Henry Freitas [at Loma Rica Ranch in Central California] asked if I would like to work for him. I said, ‘Well, sure, I get paid here, right? This is great.

“I worked there about 11 years, and one day in he says, ‘John, you wanna take my horse to the fairs?’ I said, ‘Sure, I’d love to do that.’ And that’s how it all started. You know, I never planned it and the opportunity just presented itself each time and when I was fortunate enough, and had some experience with horses, and that’s how it started.”

Shirreffs was asked if Vietnam or training horses was more difficult.

“Well, we don’t want to talk about that,” Shirreffs said.

Santa Anita issued a statement regarding Shirreffs’ death.

“Every horse who races at Santa Anita must first pass by the statue of John’s greatest trainee, the wonderful mare Zenyatta. While John’s victories were plentiful and prestigious, what he accomplished with Zenyatta in the 2009 Breeders’ Cup Classic was a masterpiece and deservedly was voted as the top moment in Santa Anita Park’s 90 years. Our deepest condolences are extended to John’s wife, Dottie, and his family, including those horsemen and women who worked closely with John for so many years. May his memory be a blessing.”

No funeral arrangements have been announced.

Feb. 12 (UPI) — A teacher who was among three people injured during a hostage situation at her school in southern Thailand has died, provincial officials announced Thursday.

Sasiphat Sinsamosorn was pronounced dead at 2:06 a.m. local Thursday at Hat Yai Hospital, where she was receiving treatment for wounds sustained a day earlier when a gunman allegedly entered Patongprathankiriwat School, in Hat Yai District, located in the southern Thailand province of Songkhla.

Authorities have identified the alleged gunman as a 17-year-old boy. Provincial officials alleged the boy, “acting in a deranged state and armed with a firearm,” entered the school at about 4 p.m. Wednesday afternoon.

Preliminary findings show that the suspect had attacked a police officer with a knife, wresting away the government-issued 9mm firearm before entering the school, where he took Sinsamosorn and several students hostage.

A standoff ensued.

At about 6:15 p.m., police confronted the boy. During the confrontation, Sinsamosorn and a 16-year-old student were struck by gunfire. The boy, who was also injured, was then subdued by police, ending the two-hour standoff.

Sinsamosorn and the alleged assailant were transported to Hat Yai Hospital, while two students, both girls, were transported to Songklanagarind Hospital.

Officials said Sinsamosorn was shot in the left side of the chest and underwent surgery, but died early Thursday from severe blood loss.

A formal funeral rite bathing ceremony of the deceased presided over by Education Minister Narumon Pinyosinwat was scheduled for 4:30 p.m. Thursday, the Songkhla Provincial Public Relations Office said in a statement.

Sinsamosorn was a teacher and director at the school.

Officials have identified the two injured students as Nattawan Thongphasmkaew, a 16-year-old girl who was shot in the left side of her waist, and 19-year-old Manassanum Anyphonphalakarn, who sustained minor injuries to her chin and neck when she jumped from the second floor of the school building out of panic amid the incident.

The provincial government said Thongphasmkaew underwent surgery and is in stable condition. “Fortunately, the bullet did not strike any vital organs,” the Songkhla Provincial Public Relations Office said Thursday.

Anyphonphalakarn was discharged from the hospital, according to officials.

The Ministry of Education said it is preparing to propose a special salary promotion and a request for the bestowal of a royal decoration for Sinsamosorn.

Authorities said the alleged assailant has a history of psychiatric treatment related to substance abuse and was discharged from hospital in December.

A motive is under investigation, with preliminary information indicating that the alleged attacker’s young sister was enrolled at the school.

BUD Cort, best known for his role in the 1971 cult classic Harold and Maude, has died aged 77.

Writer and producer Dorian Hannaway, a close friend, said he died after “a long illness”.

A veteran of stage and screen, Cort appeared in more than 80 films and TV series across a career spanning five decades.

He became indelibly linked with his performance in Harold and Maude, Hal Ashby’s offbeat romance about a young man obsessed with death who falls in love with a free-spirited 79-year-old Holocaust survivor, played by Ruth Gordon.

Released in 1971, the film was initially a commercial and critical flop.

It later found a devoted following in repertory cinemas during the 1970s, cementing its status as a cult classic thanks to its dark humour and unlikely love story.

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“A young man obsessed with death falls in love with an old woman obsessed with life. She dies and teaches the kid how to live,” Cameron Crowe described it for AFI in 2011.

“And it’s done with music [by Cat Stevens] that scratches at your soul… that movie holds up – to this minute.”

Director Edgar Wright paid tribute to Cort’s work, calling him a “welcome and magnetic presence in every film lucky enough to have him”.

On his performance in Harold and Maude, Wright said: “Not only is this beloved film a pitch perfect black comedy-cum-love story for the ages, but Bud Cort delivers one of the greatest looks to camera in film.”

The role earned Cort nominations for a Golden Globe and a Bafta.

Born Walter Edward Cox in Rye, New York, in 1948, he later changed his name to avoid confusion with character actor Wally Cox.

He went to school in New Rochelle and developed an early passion for performance, appearing in school productions and frequently travelling into Manhattan to see Broadway shows.

Hannaway remembered him as a “passionate theatregoer” who would sneak off to Manhattan to see Broadway shows and wait at the backstage door hoping to catch a glimpse of Barbara Streisand after watching Funny Girl.

Roslyn Kind recalled meeting him as a teenager. “I was only fourteen when I met Bud at the backstage door at my sister’s play,” she said in a statement.

“He was majoring in art at the time in high school. We became close friends who shared our interest in entertainment.

“When I got married, Bud and our songwriter friend, Bruce Roberts, wrote a special song that was performed at the ceremony. His unique spirit will always be with me.”

Cort moved to Los Angeles in the 1960s to pursue film work.

He had a small role in MASH before being cast by Robert Altman in the title role of Brewster McCloud.

His co-star Sally Kellerman later recalled: “We were in the line for lunch when I spotted him.

“Although I didn’t know who he was, I said ‘Oh, boy. We’re going to be best friends.’”

He continued to work steadily, with supporting roles in films including Heat, Dogma, Coyote Ugly and Pollock, as well as The Life Aquatic with Steve Zissou.

On television, he appeared in series such as Arrested Development, Ugly Betty and Criminal Minds.

He also voiced Toyman in animated series including Superman: The Animated Series.

In 1979, Cort narrowly survived a devastating car accident that required multiple surgeries and affected his career.

He is survived by his brother Joseph Cox and sister-in-law Vickie, along with their daughters Meave, Brytnn, and Jesse.

He also leaves behind his sisters Kerry Cox, Tracy Cox Berkman, and Shelly Cox Dufour, and his many nieces and nephews.

A memorial will be held at a future date in Los Angeles.

THE guitarist and songwriter who founded the American rock band Cake has died aged 56.

Greg Brown passed away after a short illness, according to a statement on the band’s official Instagram account.

“Greg was an integral part of Cake’s early sound and development,” it read.

“His creative contributions were immense, and his presence—both musical and personal—will be deeply missed. Godspeed, Greg.”

Established in Sacramento in 1991, Greg founded the alt-funk band alongside vocalist John McCrea, trumpeter/keyboardist Vince DiFiore and Frank French – Gabe Nelson joined in 1992.

Current members of the band include guitarist Xan McCurdy, bassist Daniel McCallum and drummer Todd Roper.

He played his distinctive guitar on the band’s first two albums – Motorcade of Generosity in 1994 and the 1996 follow-up, Fashion Nugget.

Greg received a solo credit for writing the 1996 single The Distance, which reached number four on Billboard’s Alternative Airplay chart, as reported by Billboard.

The Distance crafted an incessant, ever-present throbbing of sound and compulsion. The instrumentation chugs ever forward, growing and receding, but never ending, VICE reported.

He also co-wrote several songs with McCrea including Jolene, Is This Love?, Mr. Mastodon Farm and Open Book.

He left the band before the third album was released but contributed on a song on the 2011 album Showroom of Compassion.

“I might have told you one thing back when I was 27 years old, and I left hot headed and mad about what I considered to be irreconcilable personality problems or whatever,” he said in 2021. 

“As 51-year-old me, I see a much larger context of what was going on in my life. Rather than get into all of it, I would just say there was a lot of turmoil at the time, and I felt like leaving Cake would be a decision that would be good for my health.”

In the years following his departure, Greg formed the band Deathray in 2000 and released a solo EP in 2023.

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Snoop Dogg‘s daughter Cori Broadus and her fiancé Wayne “Duece” Polk bid a final farewell to their baby girl, less than a year after welcoming her into the world.

Broadus and Polk celebrated the life of their infant daughter, Codi, over the weekend in a memorial attended by family and friends. On Sunday, Broadus shared various scenes from her baby’s funeral to her Instagram page, including pictures from the church reception, of loved ones wearing matching “Codi’s Crew” outfits and of the infant’s casket in the ground with flowers and a teddy bear laying atop.

“Part of me went with you,” Broadus captioned her Instagram carousel. “My girl for life.”

In a video from the memorial, Broadus mourned her daughter’s short life and all the moments they could have shared in a moving eulogy. Broadus lamented being unable to see her baby girl take her first steps, bring her to her first day of school and support her through the highs and heartbreaks of life together.

Broadus, with Polk by her side, said “I don’t understand why this happened.”

“I’m trusting God, but that doesn’t mean it makes sense to me. Some days I wonder if this world was just too cruel for someone as pure as you,” she continued. “Other days, I wonder how I’m supposed to live in a world without you in my arms.”

Broadus, 26, and Polk became parents to baby Codi last February. The baby girl arrived prematurely, after Broadus’ 25-week pregnancy. The happy mom at the time detailed her emotional pregnancy journey, which she said included “blaming myself because I wasn’t able to give her all that she needed.” Broadus said she praised God for supporting her and making her daughter’s birth possible.

Broadus had detailed her infant’s health issues in December, describing her daughter in a poem as a “miracle wrapped in tubes and tape” with “lungs trying to catch up to the life inside her.” The Choc Factory Co. makeup executive said she felt guilty that her daughter might also suffer from lupus, an autoimmune condition she was diagnosed with in childhood. In her poem, Broadus said she was hopeful her daughter would live a healthy life beyond the hospital walls of the NICU.

In January, Broadus revealed that her baby girl was back home in her arms and shared photo and video to Instagram. Weeks later, she announced she “lost the love of my life.”

Broadus said in her eulogy that amid her mourning she feels relief that her daughter is at rest.

“I find comfort knowing you have your angel wings now, knowing you are home, safe.”

Brad Arnold, the 47-year-old cofounder and lead singer of the Mississippi rock band 3 Doors Down, died Saturday, nine months after revealing a diagnosis of kidney cancer.

The band announced Arnold’s death in a social media post, which said he had “helped redefine mainstream rock music, blending post-grunge accessibility with emotionally direct songwriting.”

In May 2025, Arnold announced that the band would be canceling its summer tour because he had advanced-stage kidney cancer that has spread to his lungs.

“That’s not real good,” he said of his diagnosis. “But you know what? We serve a mighty God, and He can overcome anything. So I have no fear. I really sincerely am not scared of it at all.” He added, “I’d love for you to lift me up in prayer every chance you get.”

He was public about his battle with alcoholism. He said he started drinking in his teens, an addiction fueled by the pressure of stepping on a tour bus at 20 years old.

“It’s just a lot to hand a 20 year old,” he told a Christian podcaster. He thanked religion for his sobriety and took to proclaiming his faith on stage.

Born in Escatawpa, Mississippi in Sept. 1978, Arnold formed the band with friends Todd Harrell and Matt Roberts in the mid-1990s.

As a 15-year-old in algebra class, he wrote the song “Kryptonite,” drumming out the beat on his desk.

“I used to be our drummer,” he told the lead vocalist of the band Candlebox in an interview. “I only became the singer because we didn’t have a singer. That beat just came from just sitting on a desk. I probably wrote that song in the length of time that it took to me to just to write it down. It really was just one of those that kind of fell out of the sky.”

It became the band’s breakout hit in 2000 and earned a Grammy nomination.

“The Better Life,” the first of the band’s six albums, sold more than 6 million copies, and the 2005 album “Seventeen Days” entered the national charts at No. 1. That year, reviewing a Los Angeles performance, a critic noted Arnold’s “heartland drawl” and sleeveless denim shirt, calling him “less punk than Springsteen.”

The band released its final album, “Us And The Night,” in 2016. The following year, the band played at the inauguration of President Donald Trump. Arnold is survived by his wife, Jennifer.

Snooker legend and BBC commentator John Virgo has died aged 79. Virgo enjoyed an 18-year professional career, but is perhaps best known for presenting popular snooker TV show Big Break alongside comedian Jim Davidson from 1991 to 2002.

READ MORE: Snooker legend Virgo dies aged 79