Devil

Everyone wants to be “The Devil Wears Prada 2,” as the 20-year sequel strutted to an estimated $77 million in the U.S. and Canada in its opening weekend, highlighting the spending power of women moviegoers at the box office.

The film, which returned stars Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci, nudged out Lionsgate’s “Michael” for the domestic top spot at theaters this weekend. In its second outing, the Michael Jackson biopic brought in $54 million, upping its overall North American total to $183.8 million and its cumulative global haul to $423.9 million.

Worldwide, Walt Disney Co.-owned 20th Century Studios’ “The Devil Wears Prada 2” brought in $233.6 million, according to studio estimates. The theatrical revenue, both domestic and worldwide, edged studio expectations. Already, the film has brought in 72% of the total revenue that the original movie made ($326 million).

The 2006 original has become a cult classic, with lines like Streep’s infamous “that’s all” and Tucci’s “gird your loins” now millennial catchphrases. The popularity of that film has continued over time with repeat viewings on cable television and the Disney+ streaming service.

“Nostalgia is a big driving factor for movies like this,” Andrew Cripps, head of theatrical distribution for Walt Disney Studios, said. “It’s just one of those movies that got into the zeitgeist.”

The fashion-forward sequel had a production budget of about $100 million. The film notched a 77% approval rating on aggregator Rotten Tomatoes.

Women comprised the majority of the audience for “The Devil Wears Prada 2” this weekend, representing 71% of moviegoers, according to data from EntTelligence.

The strong showing for “The Devil Wears Prada 2” highlights the spending potential of female moviegoers, who have had few big movies aimed at them in the last few years.

Despite the billion-dollar blockbuster that was “Barbie” in 2023, Hollywood has largely failed to consistently deliver big films targeted to women. That’s led multiple box office analysts and studio executives to note that the industry is leaving money on the table.

In the past, comparable titles to “The Devil Wears Prada 2” would have been 2008’s “Mamma Mia” or the “Sex in the City” film, but those kinds of movies are now few and far between.

More recent female-focused fare includes last year’s “Wicked: For Good” and Taylor Swift’s “The Official Release Party of a Showgirl,” though “Wicked” has the benefit of also having a longtime Broadway fanbase.

“There haven’t been enough movies for females,” Cripps said. “When you can give them a good movie, as long as the movie plays well and I think this one plays brilliantly, there’s a big audience out there.”

Universal Pictures, Nintendo and Illumination’s “The Super Mario Galaxy Movie” continued its run with a third place finish of $12.1 million at the box office this weekend, followed by Amazon MGM Studios’ “Project Hail Mary” in fourth and Neon’s horror flick “Hokum” in fifth, according to Comscore data.

Each of us has a shortlist of movies we find ourselves rewatching, movies we will finish even if they’re half-over when we tune in. Even if it’s being streamed with commercials. Even if it’s playing on a 19-inch black-and-white television with no sound in a crowded dive bar.

For the past 20 years, “The Devil Wears Prada” has been one of those films for me and other Americans who entered the workforce just in time to say goodbye to pensions and hello to increases in student loan debt. Generation X had the highest homeownership rate relative to their age, so when the housing bubble popped in 2008, it hit Gen X the hardest. And yet this same group of workers is also shouldering the care of aging parents and adult children. According to Pew Research, more than half of 40-year-olds (“elder millennials”) and more than a third of 50-year-olds fall into this category, doing so with shrinking financial margins because wages have lagged behind the cost of living our entire adult lives.

While the current No. 1 movie at the box office — the biopic chronicling Michael Jackson’s rise from Gary, Ind., in 1966 to headlining stadiums in 1988 — may evoke a sense of nostalgia for Gen X, the sequel to “Devil” (which opens in theaters Friday) feels more like a peer review.

Twenty years ago, when we last saw our protagonist, Andrea Sachs, she had decided to leave her big corporate job because success in that environment required her to be someone she didn’t like or respect. As young professionals, seeing a fictional character like Sachs leave a toxic work environment felt like a satisfying conclusion in 2006. However, over the decades, you learn work/life balance is an oxymoron and characteristics such as integrity and loyalty are often valued but rarely useful on a spreadsheet.

Don’t get me wrong — I love the campy humor, the fashion and soundtrack of the first “Devil.” However, the thing that elevated the Oscar-nominated film to its cultlike status is the same thing that lifted similarly edgy coming-of-age stories such as “The Graduate” in 1967, “American Graffiti” in 1973 and “Fast Times at Ridgemont High” in 1982: truth. Despite the fantasy elements of beautiful and talented people dressed in clothing designed by the upper echelon of the fashion industry, “Devil” has a sequel because what Sachs was experiencing felt real. Many of us have been there — behind on rent, desperately trying to build a career, navigating friends and romance.

The line the character Nigel told an overwhelmed Sachs in the original — “let me know when your whole life goes up in smoke … means it’s time for a promotion” — was more than a humorous quip. It was also foreshadowing for the young professionals in the audience who had not yet learned that being good at your job, or even great, wasn’t enough to keep it.

We know that all too well now. Just this week, the Wall Street Journal reported corporate layoffs in the first quarter of 2026 surpassed 200,000. Of course, it wasn’t always like this.

According to the Economic Policy Institute, in the immediate three decades after World War II, workers saw their hourly compensation in line with the country’s productivity growth. That’s because during the height of the Cold War — when employers offered employees pensions and union participation was at its peak — corporate America was incentivized to offer labor a larger share of the profits as a way to counteract communism. However, when the Soviet Union fell in the early 1990s, so did the motivation from domestic CEOs to share profits with workers. The split between capital and labor began measurably in 1970, and the gap has only increased since.

Twenty years ago — before the 2008 recession, the pandemic and the nearly $1-trillion price tag stemming from the Afghanistan war — it was believable a young professional like Sachs would walk away from a good corporate job for the sake of her integrity. However, given how fraught the current work environment feels, with the shadow of artificial intelligence looming over entry-level positions across multiple disciplines, would we find Sachs’ actions believable today? Or laudable? Or would we demand that she compromise her principles because it’s pragmatic to let go of the idealism of youth? Time has forced many of us to begrudgingly accept that possibility. Our younger selves might not approve, but our older selves know that’s how most people survive long enough in their careers to have a sequel.

YouTube: @LZGrandersonShow

IN The Devil Wears Prada, ambitions and egos are trampled over by stiletto-heeled rivals desperate to claw their way to the top of the fashion world.

But behind the scenes of the original 2006 film, British star Emily Blunt was playing matchmaker to the cast.

The actress reveals she was partly responsible for connecting co-star Anne Hathaway with her now- husband Adam Shulman.

Speaking ahead of the release of The Devil Wears Prada 2, which is in cinemas today, she also talks about her close ties with cast member Stanley Tucci, who went on to marry Emily’s sister Felicity.

Emily, who has two children with her actor husband John Krasinski, says: “Stanley is my brother-in- law now. I have a little nephew and niece from it.

“And Annie met her husband Adam through me and John. There are so many tendrils that run out from this experience 20 years ago. It’s amazing.”

It certainly is remarkable how much has changed for the cast since the first film.

Before the hit movie was released, Londoner Emily was a relative unknown.

Being cast as Emily Charlton, the put-upon senior assistant to Meryl Streep’s nightmarish fashion magazine editor Miranda Priestly, was her big break.

‘So kind to me’

Emily recalls: “It really was my first big role. I mean, I had done some stuff in England that no one knew about. I felt very green but thrilled to be there.

“The first film — I have these lasting, very prominent memories of it. Such an informative time in my life. I really didn’t know anything.”

The actress hit it off straight away with Anne, who she affectionately refers to as Annie.

She continues: “Annie and Meryl and Stan. They were all so kind to me.”

The Devil Wears Prada was a worldwide success, making more than £250million at the box office — ten times its modest budget.

Anne, 43, who played naive aspiring journalist Andy Sachs, and Emily found their lives intertwined again two years later.

Emily met A Quiet Place actor John, 46, in a Los Angeles restaurant in 2008 and, later that year, he helped introduce Anne to his actor and jewellery designer friend Adam, 45.

This was a fortuitous event for Anne because that year her relationship with businessman Raffaello Follieri had ended after he was charged with fraud.

The Devil Wears Prada played an even bigger part in bringing Stanley and wife Felicity together.

We do love talking some s*** about family. It’s great. Bit of goss

Emily Blunt, on working with her brother-in-law Stanley Tucci

Oscar-nominated star Stanley, 65, first met Emily’s sister at the movie’s premiere. At that time, though, he was happily married to Kathryn Spath with whom he has three children.

Tragically, social worker Kathryn died from breast cancer in 2009, aged 47, leaving Stanley heartbroken.

A year later, he reconnected with literary agent Felicity at Emily and John’s star-studded wedding in Lake Como, Italy.

And the love links do not stop there.

In a strange twist, Anne and Adam held their California wedding on the same weekend in September 2012 as Stanley and Felicity celebrated their nuptials in London.

Meryl, 76, who had also remained good pals with Tucci, was one of his guests.

Working with her brother-in-law on the Devil Wears Prada sequel was fun for Emily.

She says: “We do love talking some s*** about family. It’s great. Bit of goss.”

Stanley, who plays Miranda’s right- hand man Nigel Kipling in the movies, has become a well-known foodie thanks to his BBC travel show Searching For Italy.

On their eating habits, Emily adds: “Stanley and I have never had a no-carbs rule. All we eat is beige. We eat only beige food. And John loves to eat.”

Emily’s daughters Hazel, 12, and Violet, nine, enjoyed playing with Stanley and Felicity’s children ­Matteo, 11, and eight-year-old ­Emilia when they stayed together in Italy to film scenes for The Devil Wears Prada 2.

Anne and Emily have also remained good friends since making the original, which meant the cast of the sequel were unusually close.

She says: “I do get nostalgic. I was very moved when we got back together and we did the table read 20 years later. Going into the second film, 20 years felt like a blink and also a lifetime. It’s a really wild thing.”

That continued during filming in New York last summer.

Going into the second film, 20 years felt like a blink and also a lifetime. It’s a really wild thing

Emily Blunt

Emily continues: “When we got back together, I loved working with Annie because she’s a great dance partner in scenes. You know, she’s very spontaneous. She’ll sort of go with whatever you want to do.”

Emily also lapped up the attention of three-time Oscar winner Meryl.

The actress wore a glamorous tulle and feathered Schiaparelli gown at the New York premiere, which Streep clearly appreciated.

Emily laughs: “Meryl said she almost grabbed my boob on the red carpet just to feel it . . . the furry feathers. I would have loved it — it’s Meryl Streep.”

While her Devil Wears Prada character is famously particular about what she wears, that isn’t the case for Emily in real life.

The actress is far more casual when she is at home in London and New York.

She comments: “I feel like I still dress like a teenage boy. I think most of my life is dressed for comfort, you know, with the kids and everything, and going to set.

“But what I love about a press tour or a red carpet is that it can be a spectacle.”

The cast’s cosy love-in couldn’t be more different to the plot of The Devil Wears Prada 2.

Catty in catwalk

In the sequel, Miranda is still the ruthless editor of Runway, but the magazine is in financial trouble.

Andy, who made it as a writer, suddenly loses her job and finds herself back at Runway.

Meanwhile, Emily’s namesake character — Miranda’s former mistreated assistant, whose witty quotes include “I’m just one stomach flu away from my goal weight” — is now in charge of global brand Dior, which gives her all the power she needs for revenge.

Emily has more money and power now, and access to the archives. So that was thrilling

Emily Blunt, on her character

Emily says: “It’s quite a switch-up in dynamics. She’s a major executive at Dior. And Miranda is ultimately rather beholden to her for the advertising space.

“Emily has more money and power now, and access to the archives. So that was thrilling.”

While Miranda has to tone down her harsh comments due to our woke work culture, Emily can still deliver a biting one-liner.

By keeping the catty in catwalk, it is Emily’s performance that has once again caught the eye of critics.

The Sun’s movie reviewer Dulcie Pearce commented yesterday that “it’s Blunt who steals every scene.”

That will come as no surprise to fans, who have followed the star’s glittering movie career over the past two decades. She has received Bafta nominations for The Devil Wears Prada, psychological thriller The Girl On The Train and ­biopic drama Oppenheimer in 2024.

The actress also enjoyed box office hits with Mary Poppins Returns in 2018 and, in the same year, post-apocalyptic horror film A Quiet Place, which was directed by her husband John.

The Devil Wears Prada 2 is expected to earn even more than the first film, with fans desperate to see the gang back together.

That is something Emily fully appreciates.

She concludes: “It feels like ­people really want to unite for something joyful. I love it.”

• The Devil Wears Prada 2 (12A) is in ­cinemas tomorrow.

“The Devil Wears Prada 2” opens like a knockoff of itself, with sight gags calling back to the mean quips in the 2006 hit: near-identical teal belts, a gala hailing the less-than-innovative theme “Spring Florals” and a red carpet that’s actually cerulean. Those belts, if you’ll remember, were the trigger for Meryl Streep’s Oscar-nominated speech about how her imperious fashion magazine editor in chief Miranda Priestly creates trends that trickle down to the rest of us rabble.

That first film (I’ll go ahead and anoint it a classic) followed a dowdy college graduate, Andy (Anne Hathaway), pursuing a low-level position at Runway magazine — Vogue in everything but name — as a bridge to a serious reporting career. Woe, said bridge is guarded by three trolls: fellow assistant Emily (Emily Blunt), tastemaker Nigel (Stanley Tucci) and the devil herself, Streep’s silver-haired Miranda, whose saintly last name is an ironic joke. Miranda is a riff on Vogue’s former editor in chief Anna Wintour, who used to be irritated by her caricature but eventually came around. After all, she’s getting played by Meryl Freaking Streep.

The setting was glam, the struggle relatable. Andy’s transition from sensible boots to stilettos served as a metaphor for the effort — even discomfort — it takes to chase your dreams, however they might evolve. “The Devil Wears Prada” gets celebrated for her makeover, with even Andy’s clueless boyfriend, played by Adrian Grenier, accusing her of caring about her Runway job solely for the shoes. No, it was never about the shoes. It was about respecting the workaholic she saw in the mirror.

The sequel, from returning director David Frankel and screenwriter Aline Brosh McKenna, doesn’t find its own footing until it acknowledges that a Cinderella story about making it in journalism no longer fits. Gone are the days when Miranda and Nigel could casually tell their deep-pocketed publisher Irv (Tibor Feldman) that they’re junking a $300,000 photo shoot because it failed to reach their lofty standards. Likewise, Andy’s story starts when a magnate shutters her current job at a newspaper called the New York Vanguard, firing her and her colleagues for a $500-million tax write-off. (Cue the workers of at least one major Hollywood studio nodding in recognition.)

Hathaway’s Andy, smart and likable as ever, returns to a budget-slashed Runway as the features editor in charge of investigative pieces that online metrics reveal nobody reads — that is, until she breaks a celebrity engagement. Meanwhile, the internet has reduced Miranda to a meme. Her most recent viral scandal has gotten her animated into that Homer-Simpson-in-a-hedge GIF.

McKenna writes Miranda a self-aware scene where she acknowledges that her harsh reputation boosts her clout. Yet I wonder what Wintour will make of this diminished avatar pursuing the same promotion that she herself just claimed at Condé Nast as global head of content. After elevating custom couture to an art form, just the word “content” sounds like a demotion. Content is to prestige journalism what Shein is to Chanel.

Twenty years later, all of the money and power in publishing has been siphoned to the very, very rich. There seem to be as many billionaires in the script for “The Devil Wears Prada 2” as magazine assistants. Mighty Miranda must kowtow to the luxury brands and their ambassadors, whose sponsorship keeps Runway strutting, including the once-harried and humiliated Emily, who is now an executive at Dior. The tension is thicker than mink. The film franchise chooses to ignore original author Lauren Weisberger’s own 2013 follow-up novel “Revenge Wears Prada,” although I’d love to see a threequel that follows her lead and gives Blunt’s hilariously frosty Emily the center stage as she does in her third book, “When Life Gives You Lululemons.”

The storytelling is wonky, given the film’s competing needs to be Miranda-blunt about the modern magazine business while pairing marvelously with a glass of rosé. Instead of Paris, we’re now whisked to cameo-studded shindigs in the Hamptons and Milan, including a dinner party underneath Da Vinci’s mural of “The Last Supper.” (Not only is the painting’s topic apropos, Da Vinci himself butted heads with his wealthy patrons.) Much of the first half feels like we’re cooling our heels with the gang, waiting for a plot to start. There are a lot of idea threads that fray off and don’t go anywhere. Are we supposed to interpret anything from the fact that Miranda has succumbed to throwing a spring florals event — a theme she famously loathes — or are we just supposed to chuckle at the banner and move on? Also, no one in attendance is even wearing anything with flowers. Is the old gal slipping, or is the costume design?

Finally, things get going with a funeral — I won’t say whose, only that the death makes a fitting twist for an industry already getting the axe. Like Andy, I started writing for newspapers a few years after Craigslist decimated the classified page. My personal version of “The Devil Wears Prada” would be closer to a grindhouse flick. At least the Runway employees look killer at their own wake.

Twerpy MBAs force Miranda to fly coach. Of course you snicker — her character hasn’t gone past the first-class curtain since everyone onboard got served a hot meal and plenty of legroom. But there’s no schadenfreude watching her squeeze into a middle seat, no glee in her comeuppance. If Miranda Priestly can get thrown in steerage, we’re all screwed.

The movie is simultaneously more depressing than the original and more saccharine, with a repellent amount of affection between characters who should know better. Tucci’s endearingly steadfast Nigel is finally applauded for his years of service to Runway, and I was dismayed to find myself rolling my eyes at how corny the moment felt. Frankel and McKenna were geniuses to keep things callous on the first go-round, but they now add a romantic subplot between Andy and an Australian apartment contractor (Patrick Brammall) that detracts from the platonic workplace relationships — it’s fan service that I’m not sure fans actually want. Miranda, too, has found love again, and her new husband’s part is so small that I kept trying to convince myself that the actor couldn’t really be the great Kenneth Branagh..

Justin Theroux has a showier, funnier part as the billionaire Benji Barnes who, every time you see him, is holding court about another inane idea or giggling about how a civilization-destroying Pompeii disaster is on the horizon. Terrifyingly, he refers to “humans” in the third person, as if he no longer considers himself one of our species. Given the film’s interest in the figures gutting journalism and how his character’s ex-wife (Lucy Liu) refers to their marriage as being like “a rocket ship to a hall of mirrors,” he’s Jeff Bezos with a sprinkle of Elon Musk. It’s pointed timing, given that Bezos is sponsoring May’s Met Gala, wrapping the Wintour-chaired event in his brand like a giant cardboard box.

But enough about what “The Devil Wears Prada 2” has to say about the economy. How are the clothes? Aesthetically, I dug Andy and Miranda’s sleek menswear looks, lots of vests and blazers with panache. Narratively, their characters — a heroine and her nemesis — shouldn’t dress as though they could swap wardrobes. Then again, they’re here aligned as champions of art, beauty and the press, standing shoulder to shoulder in the all-but-hopeless fight to protect Runway from the philistines. The real devils wear Fitbits.

STRUTTING the red carpet at The Devil Wears Prada 2 premiere, dazzling Anne Hathaway was like a different woman.

Gone was the so-called “in-authentic” air that critics once claimed she exuded, leading to her being branded “Hollywood’s most hated woman”.

Instead, more than a decade after the trolling began, 43-year-old Anne appeared determined to shake off her difficult reputation once and for all.

Not so long ago, it could be argued she was best known for snapping at interviewers, snubbing fans and even, it is claimed, rubbing some co-stars up the wrong way.

A campaign known as “Hathahate” had kicked off in 2011, when Anne was panned for her Oscars hosting performance with James Franco.

Two years later, as she picked up awards for playing Fantine in the 2012 film adaptation of Les Miserables, her acceptance speeches were widely dubbed overly dramatic and insincere.

The hate spiralled from there. But Anne, who wore a sexy, cutaway Versace gown to The Devil Wears Prada 2 premiere, appeared to be launching a charm offensive as she flashed her Hollywood smile at the paparazzi in Leicester Square on Wednesday night.

Her shiny, orchestrated comeback was almost derailed this week when she was accused of “playing Muslim” by casually dropping “Inshallah” — the Arabic phrase for God Willing — into an interview.

The online hatemongers immediately went into overdrive.

In the viral interview with People magazine, Anne — who has been married to jewellery designer Adam Shulman since 2012 and has two sons with him — was asked about her plans for the future.

Without hesitation, she responded: “I want to have a long, healthy life. Inshallah, I hope so.”

While the phrase is widely used, Anne’s decision to say it has sparked debate.

One person questioned: “Is she playing Muslim now?”, while another moaned: “Anne Hathaway and her Inshallah clickbait make me not want to see Devil Wears Prada 2 and I had been looking forward to it.

“It’s not a religious thing. It’s the obvious clickbait as a marketing tactic. It’s insulting.”

As she signed autographs at the premiere in London this week, Anne was gifted a copy of the Qur’an, an Islamic religious text.

She replied: “Thank you so much. That’s very kind,” before moving on.

But insiders tell us that drama over her use of the word “Inshallah” is the last thing she would have wanted.

A source revealed: “Anne, like many people, uses that expression all the time and meant no offence.

“She has spent years stepping on eggshells and she just wants this press run to be smooth sailing without everyone hating her again.”

Anne’s every move has not always been so heavily scrutinised.

She has spent years stepping on eggshells and she just wants this press run to be smooth sailing without everyone hating her again

Source

Her breakthrough role as Mia Thermopolis in the 2001 Disney hit The Princess Diaries is still a fans’ favourite and later, she was revered by her peers following roles in the likes of Brokeback Mountain and The Devil Wears Prada.

But then the tide turned. In an interview with Vanity Fair in 2024, she revealed that she once Googled herself and the top article was titled, “Why does everyone hate Anne Hathaway?”.

She claimed the backlash affected her work, telling the magazine: “A lot of people wouldn’t give me roles because they were so concerned about how toxic my identity had become online.”

According to an LA-based source who has worked with Anne in the past, interactions with her can be tricky, and her mood depends on whether people are in or out of her favour.

They said: “The thing with Annie is, if she likes you, you’re golden.

“If she doesn’t, you’ll know about it fast. A lot of people complain about her attitude. She often comes across as frosty because she is so focused on work and she can’t stand time-wasters.

“After all, there are not many Hollywood actresses who take their work so seriously they would shave all their hair off just a couple of months before their wedding, like she did for Les Miserables.

“When Annie is in that mode, the advice is usually to steer well clear.”

Anne was born in Brooklyn, New York, to stage actress mum Kate and lawyer father Gerald.

She says she knew she wanted to be a star aged three after watching Kate play Eva Peron in Evita.

By eight, Anne was obsessed with becoming an actress, further inspired by her mother playing Fantine in a US tour of Les Miserables — a role Anne later portrayed on the big screen.

She has previously told how she got an agent at 11 and landed her first major TV role at 16 in comedy drama Get Real.

Anne had starred in a string of movies before her 2011 Oscars debacle, which followed a plan to team her with co-host James Franco in a bid to pull in younger viewers.

‘Needed a break’

It backfired spectacularly and their lack of chemistry was widely mocked, as was Anne for having eight outfit changes.

Afterwards, Anne admitted she was “slightly manic and hyper-cheerleadery on-screen”.

Meanwhile, Franco, who stepped away from the spotlight after settling a $2.2million class action sexual misconduct lawsuit in 2021, said: “I think the Tasmanian Devil would look stoned standing next to Anne Hathaway.”

From then on, Anne’s reputation for being difficult grew.

Much of the criticism was ridiculous and unfounded.

Comic book fans even moaned when she was cast as Catwoman in Christopher Nolan’s The Dark Knight Rises because they did not think she was sexy enough.

But other complaints seemed to hold more weight. In a 2012 interview, which resurfaced and went viral in 2024, journalist Kjersti Flaa called her “dismissive” for providing short, unenthusiastic answers during a Les Mis press day.

When asked, “Do you believe people loved more passionately back then?” and, “Do you remember your first crush?”, the star bluntly replied, “No”.

Anne followed up with an apology to Kjersti for being so curt, attributing her behaviour to personal circumstances.

The actress went on to win a slew of awards for her performance in Les Mis, including an Oscar, a Bafta and a Golden Globe. But her acceptance speeches were criticised for being too rehearsed or self-absorbed.

Following her Golden Globes victory, Anne said: “Thank you for this lovely blunt object that I will forevermore use as a weapon against self-doubt.”

Later, she was accused by many on Twitter of putting on “The Anne Show”. Amid the fierce backlash, she stepped away from the public eye, and said in 2014: “My impression is that people needed a break from me.”

Curt answers

By 2022 the actress was back, in movie Armageddon Time, but was yet again called out online over a video of her refusing to pose for photos with fans as she left a Valentino fashion show.

Other clips included a red carpet chat in which Anne was asked what Vogue editor Anna Wintour — the inspiration for The Devil Wears Prada’s fictional magazine editor Miranda Priestly — had said about the movie.

The actress first appeared frosty as she retorted, “Why would I tell you?”, before laughing raucously.

When the interviewer pressed, “Because I’m a fan and I need to know”, Anne said, “I know, but you weren’t there”, followed by another cackle — leading to claims she was trying to pass her curt answers off as banter.

The original Devil Wears Prada was an overnight success when it was released in 2006, and saw fans obsessed with Meryl Streep’s character Miranda Priestly — the editor of fictional magazine Runway.

The sequel centres on Miranda navigating the decline of traditional print media as she finds herself at odds with former assistant Emily Charlton, played by Emily Blunt, now a powerful executive at a luxury group controlling crucial advertising revenue.

I think the Tasmanian Devil would look stoned standing next to Anne Hathaway

James Franco

Andy Sachs, played by Anne, is a features editor who reunites with Miranda in an attempt to save Runway.

As the stars hit the red carpet on Wednesday night, Anne exuded a glow that bore no resemblance to her frosty past demeanour.

She smiled for fans and appeared gracious when stopping to chat to press on the red carpet — desperate to prove she was more darling than devil.

But as mixed reviews of the trailer for The Devil Wears Prada 2 flood in before the full movie even hits cinemas, has Anne done enough to silence the Hathahaters?

Maybe it’s better the devil you know

By Dulcie Pearce, The Sun’s film critic

IT’S been 20 years since they bitched, backstabbed and brought the house down in feisty fashion film The Devil Wears Prada.

During that time, the much-loved comedy has become a cultural reference, with the characters becoming household names.

But after two decades, has The Devil Wears Prada 2 lost its bite?

Well, one thing is for sure, the cast of Anne Hathaway, Meryl Streep, Emily Blunt and Stanley Tucci have clearly found the formula for time travel, as they all look younger than they did in 2006.

Taking to the very red carpet at the European premiere in Leicester Square on Wednesday night, the foursome eradicated wrinkles and turned up their smile wattage to ultra.

They also, clearly, had to get on board with the film’s “partners” Diet Coke, with three-time Oscar-winner Streep’s outfit – red, white and black with a metallic sheen – looking like it was inspired by a can of the sugar-free pop.

Those attending were all given their own DC to sip on, too, and I don’t think it’s a spoiler to say that it’s the beverage of choice for characters throughout the film.

Audiences seeing early showings of the much-anticipated sequel also signed paperwork ensuring the film cannot be reviewed until a day and a half before it hits cinemas on Friday, May 1.

So no one is giving much away, with red carpet responses being, “It was so much fun” from Hathaway, and Streep saying: “This is a fun fashion movie. There’s a lot of music; there’s a lot of laughs.”

It hasn’t gone unnoticed that, as part of the excessive publicity campaign, Streep has joined forces with Vogue editor-in-chief Anna Wintour, who her character, Miranda Priestly, is based on.

The pair cosied up together on the cover of this month’s Vogue magazine, which is a huge contrast to the first film, which Wintour had nothing to do with.

So much so, designers and fashion figures were scared to be linked with the movie in case they offended her.

Streep recalls in the Vogue interview: “Everybody was afraid of Anna on the first one, so we couldn’t find any clothes.”

Fans fear the film has hung up its devil horns and slipped on some heavily branded wings.

THE stars descended on London in force as they put their best fashion foot forward for the star-studded Devil Wears Prada 2 premiere.

Stars of the hit sequel as well as top British talent all turned up for the premiere of the hotly-anticipated film.

Love Island star Tasha Ghouri and TV presenter Laura Whitmore lead the line-up of stars out in force.

Tasha looked incredible as she rocked a daring red bodysuit.

The tight-fitted outfit showed off her curves and enviable pins.

The Strictly Come Dancing star looked immaculate as her blonde hair swooped down one shoulder.

ALL EYES ON NAT

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Making sure not to be missed, former Love Island host Laura Whitmore put her bare baby bump on display.

Laura exposed her expanding stomach in order to show it off in all of it’s glory.

She added a simple black top and a large skirt to ensure she was turning heads at the premiere.

Britian’s Got Talent judge Amanda Holden also made sure to turn heads at the event.

Never one to turn down the chance to show off her age-defying looks, Amanda’s svelte figure was put on full display in a gorgeous black gown.

Featuring a tight-fitting design around her trim waist, complete with lace detail, the fishtail dress commanded attention on the carpet.

Movie star Anne Hathaway looked divine as she rocked a black number for the film’s celebrations.

The floor-length outfit featured buttons up her front as well as striking cut out details across her stomach and waist.

The dress’ train then ran all the way to the ground as she posed for waiting photgraphers on the red carpet.

Emily Blunt and Meryl Streep were also in attendance and both opted to wear red numbers.

Fashion-savvy Meryl rocked a long red trench coat over a silk cream shirt whilst Emily stunned in tight-fitting red trousers which she paired with a very unique corset-esque design which draped down to her feet.

Socialite Nicky Hilton also looked fantastic as she flashed her incredibly toned abs in a cut-out dress.

Her tiny waist was exposed in the summery number which also put her cleavage on full display.

Star of the flick Stanley Tucci was also in attendance as he posed alongside his cast mates on the red carpet.

Singer Jess Glynne also posed up a storm alongside her girlfriend, ex-footballer Alex Scott as The X Factor runner-up and singer Fleur East rocked a mini white suit

The stars of “The Devil Wears Prada 2” thrilled us with their bold fashion choices at the film’s world premiere in New York City on Monday night, the most recent stop in a press tour that began at the end of March. Meryl Streep, Anne Hathaway and Emily Blunt brought their A game, embracing method dressing without going overboard. Even Miranda Priestly would be proud.

While the film dons Prada’s name, Schiaparelli was among the go-to designers for the promo tour. From custom numbers to archival pieces, cast members, new and old, impressed in gowns that deserved center spreads in Runway. And there were no florals in sight.

Anne Hathaway attends “The Devil Wears Prada 2” world premiere in New York.

(Evan Agostini / Invision / AP)

During the film’s New York City premiere, Hathaway wore a devilish satin red gown. Designed by Nicolas Ghesquière for Louis Vuitton, Hathaway’s tea-length dress was paired with dazzling jewels from Bulgari.

Lady Gaga attends “The Devil Wears Prada 2” world premiere at Lincoln Center’s David Geffen Hall in New York.

(Evan Agostini / Invision / AP)

Styled by sisters Chloe and Chenelle Delgadillo, Lady Gaga donned a black Saint Laurent gown from the fashion house’s fall 2016 collection. But Gaga really turned heads with her sparkling 7-carat earrings designed by Tiffany & Co.

Gaga has a cameo in the film, which director David Frankel told Vanity Fair was the “the worst-kept secret in showbiz.” The entertainer also wrote and recorded “Runway” with rapper Doechii for the sequel’s soundtrack.

Meryl Streep attends “The Devil Wears Prada 2” premiere on Monday.

(Evan Agostini / Invision / AP)

Streep paired her statement sunglasses with a Givenchy by Sarah Burton caped dress at the film’s New York City premiere. The sweeping red dress included elegant black gloves that matched her Stuart Weitzman heels.

Emily Blunt attends “The Devil Wears Prada 2” world premiere in New York.

(Evan Agostini / Invision / AP)

Emily Blunt wore a dress from the Schiaparelli spring 2026 line. The dress’ structured bodice gave way into tulle skirt, with the fabric’s warm tone contrasting Blunt’s dark red lip. The bustier was covered in 25,000 silk thread feathers, which required roughly 4,000 hours of work.

Simone Ashley attends “The Devil Wears Prada 2” world premiere at David Geffen Hall in New York.

(Evan Agostini / Invision / AP)

“Bridgerton” star Simone Ashley made her “Devil Wears Prada” debut in a vintage high-low Prada dress. Styled by Rebecca Corbin-Murray, she paired the chartreuse dress with marching diamonds. Ashley plays Amari Mari, Miranda’s first assistant in the film.

Meryl Streep promotes “The Devil Wears Prada 2” in Seoul.

(Ahn Young-joon / AP)

Streep wore a custom Prada power suit and David Yurman jewels while promoting the film in Seoul.

Anne Hathaway on the red carpet to promote “The Devil Wears Prada 2” in Seoul.

(Ahn Young-joon / AP)

During the film’s premiere in Seoul, Hathaway donned a red leather Balenciaga number. Dressed by stylist Erin Walsh, the oversize jacket contrasted with her pencil skirt, and the look was tied together with Hathaway’s sleek ponytail.

Meryl Streep attends the “The Devil Wears Prada 2” premiere at Anahuacalli Museum in Mexico City.

(Angel Delgado / Getty Images for Disney)

During the press tour’s kickoff in Mexico City, Streep — styled by Micaela Erlanger — donned a long, belted navy blue Schiaparelli dress.

Anne Hathaway promotes “The Devil Wears Prada 2” on “The Late Show With Stephen Colbert.”

(Scott Kowalchyk / CBS)

For an appearance on “The Late Show With Stephen Colbert,” Hathaway wore vintage Versace.

ACTRESS Anne Hathaway steals the show in a red dress at the US premiere of The Devil Wears Prada 2 — but Sydney Sweeney was a no-show after her scenes were cut.

Anne, 43 — who wore a custom Louis Vuitton gown — was joined by co-stars Meryl Streep, Emily Blunt and Stanley Tucci for the screening.

British Bridgerton star Simone Ashley was also there, along with Lady Gaga, who worked on the music for the film and makes a cameo appearance.

But Euphoria star Sydney, 28, skipped the premiere in New York.

She had been pictured on set last year.

Sources said she shot a scene in which she played herself being dressed by Emily’s character Emily Charlton.

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However, it did not make the final cut as it was felt it did not work with the rest of the storyline.

The film’s stars are due back on the red carpet in London’s Leicester Square this evening for the European premiere.

The Devil Wears Prada 2 comes 20 years after the original, in which Anne played aspiring journalist Andy Sachs working for cruel magazine editor Miranda Priestly, played by Streep,

Anne has previously spoken about how it changed her career.

She said: “This film opened so many doors for me, and it gave me so many opportunities.

“It became this anchor for how audiences responded to me, and let me take a lot more risks and make a lot of weird choices in my career, because I have this warm hug to come back to.”