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An indictment unveiled this week charging Gov. Gavin Newsom’s former chief of staff with political corruption threw California’s top political circles into chaos — and stirred speculation in the state capital about what triggered the federal investigation.

Authorities have not revealed any targets beyond Dana Williamson and two other influential political operatives associated with the state’s most powerful Democrats, all of whom are accused of fraud and siphoning campaign funds for personal use.

But details contained in the indictment and other public records indicate that the FBI and U.S. Department of Justice had a keen interest in Williamson and other operatives’ involvement in the handling of a legal case involving “Corporation 1.” The facts revealed about “Corporation 1” match details of a controversial sex discrimination investigation that the state of California led into one of the world’s largest video game companies, Santa-Monica based Activision Blizzard Inc.

Williamson — an influential deal-maker and one of the state’s premier Democratic political consultants before and after she ran Newsom’s office — was arrested on corruption charges Wednesday. Two longtime associates, lobbyist Greg Campbell, a former high-level staffer in the California Assembly, and Sean McCluskie, a longtime aide to former state Atty. Gen. and U.S. Health and Human Services Secretary Xavier Becerra, have agreed to plead guilty to related charges.

After Williamson pleaded not guilty in a tearful court appearance Wednesday, her attorney, McGregor Scott, said that federal authorities had charged his client only after first approaching her to seek help with a probe they were conducting into Newsom, the nature of which remains unclear. Williamson declined to cooperate.

The governor has not been accused of any wrongdoing. Still, Republicans already are using the indictments to attack Newsom, who has openly said he is considering a run for president in 2028.

Williamson’s attorney did not offer any specifics on what federal officials may have been investigating.

But numerous threads in the indictment echo details in the Activision saga.

Williamson and Campbell both worked as advisors to Activision Blizzard, according to financial disclosures on file with the state. Williamson reported receiving income from the company prior to her appointment in Newsom’s office, state records show. According to records first filed earlier this year, Campbell disclosed that his lobbying firm started being paid by Activision around the time Williamson joined the governor’s office. Activision reported paying $240,000 to his firm in 2023 and 2024. The amount Williamson was paid from Activision was not disclosed.

Activision officials did not respond to emails requesting comment. Lawyers for Williamson, Campbell and McCluskie also did not respond or declined to comment.

The state’s Department of Fair Employment and Housing in 2021 sued Activision Blizzard, which distributes video games such as “Call of Duty” and “Candy Crush,” alleging that company officials discriminated against women, paid them less than men and ignored reports of egregious sexual harassment.

The complaint alleged that the company: “fostered a pervasive “frat boy” workplace culture that continues to thrive. In the office, women are subjected to “cube crawls” in which male employees drink copious amounts of alcohol as they “crawl” their way through various cubicles in the office and often engage in inappropriate behavior toward female employees. Male employees proudly come into work hungover, play video games for long periods of time during work while delegating their responsibilities to female employees, engage in banter about their sexual encounters, talk openly about female bodies, and joke about rape.”

Activision officials denied the allegations.

The allegations also were investigated by the federal Equal Employment Opportunity Commission. Activision Blizzard agreed to a consent decree, approved in March 2022, with the agency that required the company to set up an $18-million fund for employees who experienced sexual harassment or discrimination, pregnancy discrimination or retaliation.

Just weeks later, the case drew national attention again when the lawyer overseeing the case for the state’s Department of Fair Employment and Housing, Janet Wipper, was fired by the Newsom administration, and her chief deputy resigned and alleged that she was doing so to protest interference of Newsom’s office in the investigation.

“The Office of the Governor repeatedly demanded advance notice of litigation strategy and of next steps in the litigation,” the deputy, Melanie Proctor, wrote to her colleagues. “As we continued to win in state court, this interference increased, mimicking the interests of Activision’s counsel.”

A member of Activision’s board of directors contributed $40,200 for Newsom’s 2018 gubernatorial campaign, and an additional $100,000 to a committee opposing the 2021 recall campaign against Newsom — an effort that failed.

Newsom’s office denied it was meddling. “Claims of interference by our office are categorically false,” Erin Mellon, Newsom’s then-communications director said at the time.

As case continued to grind through Los Angeles Superior Court, the company stepped up its lobbying presence in Sacramento, according to disclosures filed with the state. Documents show Activision began paying Campbell starting in late 2022 to lobby on its behalf.

Around this time, Newsom announced that he was hiring Williamson to be his chief of staff.

In December 2023 the state announced it had reached a settlement agreement with Activision for $54 million, with the bulk of the funds going to compensate women who had been underpaid. The company did not admit any wrongdoing.

The FBI has made inquires about the Activision settlement, though the focus of the inquiry is unclear. When reached last week, Calabasas attorney Alan Goldstein, who handled a sexual harassment suit against Activision, said he received call from an FBI agent looking to probe California’s settlement — but that he couldn’t recall a “substantive conversation.”

Federal investigators were also looking at how Campbell, Williamson and another Sacramento political consultant, Alexis Podesta, conducted their affairs. In unveiling their charges this week, the U.S. Attorney’s office said the investigation began more than three years ago. All three consultants were members of the Sacramento-based Collaborative, a cooperative of top Democratic political operatives.

Podesta from 2017 to 2020 served as secretary of the California Business, Consumer Services and Housing Agency, which included the state’s Department of Fair Employment and Housing — the agency that launched the investigation of Activision in 2018.

Williamson received a federal subpoena for information about her handling of a government loan her business had received during the pandemic, according to details in the indictment. The indictment accused Williamson of spending vast sums on luxury items — including a Gucci bag, Chanel earrings and a $150,000 Mexican birthday vacation and party, plus yacht rental and private jet travel — and then claimed them as business expenses on her taxes.

She and Campbell had also allegedly conspired with McCluskie to siphon money from Becerra’s dormant campaign account to pay McCuskie’s wife for a fake, “no-show” job working for Williamson. When Williamson went to work for Newsom, the indictment alleges, Podesta took over handling the pass through payments.

By June 2024, someone in the circle was cooperating with federal investigators and wearing a wire, recording Williamson’s private conversations, according to transcripts included in the indictment.

On Nov.14, 2024, according to the indictment, FBI agents interviewed Williamson, questioning her about the Becerra campaign funds and about the pandemic funds.

Investigators also asked her about her actions “while serving in public office to influence the litigation involving the State of California and a former client –Corporation 1,” according to the indictment. The indictment doesn’t identify Corporation 1., but details match the Activision litigation. The indictment notes that Corporation 1 was Williamson’s former client and that it was involved in settlement discussions over a lawsuit with the state in 2023. It also references a state lawyer who had been fired in connection with the litigation.

Williamson, according to the indictment, told the FBI she did not pass any inside information to Campbell or other associates outside the government. But based on their recorded conversations, the indictment said, investigators believed that was not true.

They alleged that in January 2023, Williamson, shortly after starting as Newsom’s chief of staff, revealed to Podesta that she had “told a high level government attorney to … get [the case] settled.”

The indictment notes that “Corporation 1” was not only Williamson’s former client, but also now Podesta’s current client.

In June 2024, Williamson complained to Podesta that someone had submitted a California Public Records Act request seeking information about meetings and communications between Newsom officials and the company, according to the indictment.

Proctor, the state attorney who resigned in 2022 and had alleged that the Newsom administration was meddling in the Activision case, posted on her Bluesky social media account in July that she had submitted a public records request on May 29, 2024. She also posted the response from Newsom’s office, showing a meeting in January 2024 in the governor’s office between Williamson, Podesta, and Robert Kotick, the former Chief Executive of Activision.

In their June conversation, according to the indictment, Williamson told Podesta “I just wanted to alert you to the PRAS that we’re starting to get,” the indictment stated. (PRAs refer to public records requests.)

“Yeah. Ugh. F— her. They really don’t know who they are messing with,” Podesta responded.

“They really don’t,” Williamson said.

Podesta, who is identified in the indictment as “Co-Conspirator 2” was not charged. On Thursday she sent a message to numerous associates offering her take on the situation.

“While I cannot discuss the details of the ongoing investigation, I want to state plainly that I have always conducted myself –and my business–with integrity.” She also said that she continued to “cooperate fully with federal authorities.”

On Friday afternoon, McCluskie and Campbell appeared in federal court in Sacramento to be arraigned on conspiracy charges in back-to-back proceedings.

Both men had previously reached plea agreements with prosecutors, and will be back in court to enter those pleas, Mcluskie in late November and Campbell in early December.

Prosecutors did not seek detention for either man, but they were ordered to surrender their passports and avoid associating with other co-conspirators.

In brief remarks to reporters, Campbell’s attorney, Todd Pickles, said that his client “takes full accountability for his actions” and would “in appropriate time further discuss the charges.” But, Pickles noted, those charges “do not include Mr. Campbell engaging in advocacy or lobbying on behalf of any client.”

Times staff writers Katie King and Melody Gutierrez contributed to this report.

We got to experience the delights of Hotel Indigo London Clerkenwell, having recently opened its doors, boasting a traditional British pub dubbed an ‘icon’ and a gorgeous 1930s themed bar

Finding a hotel in London, be it for business or leisure, can feel like a daunting task. There’s a catalogue of establishments promising a restful night to rest our heads after a busy day in the capital. However, there’s one that stands out.

Nestled in the heart of London’s design district and just a short distance from some of the city’s hotspots is the newly opened Hotel Indigo London Clerkenwell by IHG. The four-star boutique hotel sits in a welcoming neighbourhood, dubbed “one of London’s most creative postcodes”, which allowed us to comfortably slot into the lifestyle of locals during a weekend stay.

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It’s perfectly positioned to explore central London, including Barbican Centre, Little Italy and St. Paul’s Cathedral, being just a short walk away. If we needed to venture further into the city, Barbican underground tube station is just a five-minute walk from the hotel – that’s if we could tear ourselves away from our room.

Before we even reached our twin bedroom, we were impressed by the glowing clocks that were fixed outside every bedroom door, displaying the room number in time, and decorating the hotel halls. Once we stepped inside our room, we were welcomed into a chic retreat designed with sleek interiors, smart features, and a refined aesthetic that was as stylish as it was comfortable.

Plush twin beds with crisp white linens and a velvet forest green headboard anchored the room, while smart lighting, including a nifty reading light and an automatic light for the bathroom, along with built-in amenities, made our stay even more effortless. We made use of the espresso machine found in every room and the gorgeous Urban Apothecary London bathroom amenities.

There were subtle notes of baby pink and mustard yellow that complemented the green hues perfectly, while oak wood furnishings with touches of gold added to the room’s sophistication and style. Other delicate touches include the old-fashioned style phone and the ambient circle light above the beds – we felt tucked away from the bustling capital inside our little haven.

When it came to food, we were spoilt for choice and found that there was absolutely no need to dine out anywhere else during our stay, with their restaurant, Wilderness Kitchen, pub, Hat & Feathers and Sabini Bar all under one roof. Because we know, choosing somewhere to dine in London is another minefield to navigate.

We started our evening with a pre-dinner drink in the hotel’s luxurious cocktail bar, Sabini Bar, which is themed around Charles Sabini, a notorious gangster who operated in London’s Clerkenwell during the 1920s and 30s. We opted for a spiced margarita, exquisitely made by cocktail attender Ope, and sat on one of the plush velvet seats in their cosy and elegant nook of the bar.

This area of the bar featured a dramatic red curtain covering half the floor-to-ceiling windows, a large partisan-style rug over wooden floors and a dazzling orange-hued chandelier that hung above. While we can only dream of our own house being this lavish, it offered a sense of relaxed comfort with a boujee edge.

For dinner, we dined in their gorgeous Wilderness Kitchen with table booths decorated in greenery and stylish rattan chairs. Served by the friendly food & beverage supervisor, Amal, we started with the garlic chilli prawns with ginger, before indulging in a 100Z ribeye medium-rare steak served with chunky chips and peppercorn sauce.

After gazing upon the dessert menu, we couldn’t resist the warming and lightly rich chocolate brownie with vanilla ice cream. It was all washed down with a refreshing glass of Pinot Grigio Rosé.

Another highlight of the hotel’s food and beverage options is the Grade II listed Hat & Feathers pub, which is accessible directly from the hotel or via a main entrance outside. It’s the perfect spot to enjoy classic British pub dishes, local and international beers, in a cosy and traditional London pub, which is marked as “a Clerkenwell icon”.

For breakfast, we returned to the Wilderness Kitchen for a selection of continental options and poached eggs and avocado from their main menu. There were plenty of fresh juices on offer, along with coffees to help kickstart the day!

To book your stay at Hotel Indigo London Clerkenwell, or for more details, visit their website here.

If our waking hours are a canvas, the art is how one fills it: tightly packed, loosely, a little of both. At a time when they were both 40 and the art scene in ’70s New York was in thrall to street-centered youth of all stripes, real-life writer Linda Rosenkrantz asked her close friend, photographer Peter Hujar, to make a record of his activities on one day — Dec. 18, 1974 — and then narrate those details into her tape recorder the following day at her apartment.

The goal was a book about the great mundane, the stuff of life as experienced by her talented confidants. In Hujar’s case, an uncannily observant queer artist and key gay liberation figure planning his first book, what emerged was a wry narrative of phone calls (Susan Sontag), freelancing woes (is this gig going to pay?), celebrity encounters (he does an Allen Ginsberg shoot for the New York Times) and chance meetings (some guy waiting for food at the Chinese restaurant). The Hujar transcript, recovered in 2019 sans the tape, was ultimately published as “Peter Hujar’s Day.”

Now director Ira Sachs, who came across the text while filming his previous movie “Passages,” has given this quietly mesmerizing, diaristic conversation cinematic life as a filmed performance of sorts, with “Passages” star Ben Whishaw perfectly cast as Hujar and Rebecca Hall filling out the room tone as Rosenkrantz. (They also go to the roof a couple of times, which offers enough of an exterior visual to remind us that New York is the third character getting the time-capsule treatment.)

From the whistle of a tea kettle in the daylight as Hujar amusingly feels out from Rosenkrantz what’s required of him, to twilight’s more honest self-assessments and a supine cuddle between friends who’ve spent many hours together, “Peter Hujar’s Day” captures something beautifully distilled about human experience and the comfort of others. For each of us, any given day — maybe especially a day devoid of the extraordinary — is the culmination of all we’ve been and whatever we might hope to be. That makes for a stealthy significance considering that Hujar would only live another 13 years, succumbing to AIDS-related complications in 1987. It was a loss of mentorship, aesthetic brilliance and camaraderie felt throughout the art world.

Apart from not explaining Hujar for us (nor explaining his many name drops), Sachs also doesn’t hide the meta-ness of his concept, occasionally offering glimpses of a clapperboard or the crew, or letting us hear sound blips as it appears a reel is ending. There are jump cuts too, and interludes of his actors in close-up that could be color screen tests or just a nod to Hujar’s aptitude for portraits. It’s playful but never too obtrusive, approaching an idea of how art and movies play with time and can conjure their own reality.

The simple, sparsely elegant split-level apartment creates the right authenticity for Alex Ashe’s textured 16mm cinematography. The interior play of light from day to night across Whishaw and Hall’s faces is its own dramatic arc as Hujar’s details become an intimate testimony of humor, rigor and reflection. It’s not meant to be entirely Whishaw’s show, either: As justly compelling as he is, Hall makes the act of listening (and occasionally commenting or teasing) a steady, enveloping warmth. The result is a window into the pleasures of friendship and those days when the minutiae of your loved ones seems like the stuff that true connection is built on.