A Democratic senator alleges that whistleblowers have detailed several problems stemming from rushed or improper reconstruction of the Kennedy Center, adding a new layer to the travails of the arts complex after President Trump tried to seize control of it and its name.
Sheldon Whitehouse of Rhode Island said in a release Saturday that he had received a whistleblower disclosure from the Government Accountability Project, a nonprofit whistleblower protection group, alleging that “the Center rushed a series of renovations driven by the President’s aesthetic whims and his desire to star in a series of televised events in December.”
“The Center’s subservience to the President’s desires and its corner-cutting contracting practices have resulted in steel columns that are rusting through fresh paint, a reflecting pool that may have to be torn out and rebuilt, and a brand-new bathroom floor torn out over an offending tile color,” Whitehouse said. “This is waste, and it treats a national memorial to President Kennedy as if it were a private renovation project.”
Whitehouse released a letter he wrote to the Kennedy Center’s executive director, Matt Floca, seeking answers by July 23. He said the whistleblower report included “firsthand accounts of multiple former Center project managers, supported by contemporaneous documents and photographs.” He also included an 83-page appendix full of internal center documents, emails and photos of apparently shoddy construction.
The allegations in the letter include that the center rushed work before it was authorized by Congress because it wanted it to be complete for Trump to accept the so-called FIFA Peace Prize that the soccer federation awarded him.
In doing so, the letter alleges, the center didn’t follow required contracting guidelines and wasted money replacing a bathroom because the president didn’t like the color and inking no-bid contracts. One $8-million contract to replace the concert hall’s floor went to a firm with no experience in concert halls, Whitehouse contended.
The Kennedy Center did not immediately respond to a request for comment.
Trump seized control of the arts and culture venue named for President Kennedy at the beginning of his second term. Trump ousted the center’s leadership and replaced it with a Board of Trustees that named him chairman and added his name to the building.
Democrats sued to remove it, and a federal judge ruled that Trump’s name must come off the venue, noting that only Congress has authority to rename it. Trump also tried to close the center for two years, only to be ordered by the court to keep it open.
Many artists have boycotted the venue in protest of the president’s actions.
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New reads abound for your vacation tote throughout the weeks of July, with fiction picks featuring a Carnival cruise casualty, a highly entertaining jewel heist at the Waldorf-Astoria, and a Soviet-era madcap adventure. In nonfiction, authors consider how we define wild places, how we pigeonhole the aging, and how languages live or die. Happy reading!
FICTION:
A Real Animal: A Novel By Emeline Atwood Catapult: 368 pp., $29 (July 7) After surviving a sexual assault, narrator Lucy stalks her college campus as a leopard. Don’t spend too much time worrying about whether this transformation is real, or not; Lucy’s knowledge of her fierceness is the point, a fierceness she employs as she struggles to negotiate her independence from parents who wish she’d come home to recover and men who offer up their desires and ignore hers. It’s an astonishing debut with a compelling voice.
Man Overboard!: A Novel By Kathleen Rooney Gallery Books: 208 pp., $27 (July 7) Readers expecting something akin to Rooney’s wondrous previous novel, “Lillian Boxfish Takes a Walk,” should remember that that book followed “Cher Ami “ and “Major Whittlesey,” a story about a pigeon and a World War I Army officer. In other words, Rooney doesn’t repeat herself, and in “Man Overboard!” she’s concocted a hilarious adventure tale of a man floating in the Gulf of Mexico, adrift with himself, his thoughts, and a few sea creatures.
Astronaut!: A Novel By Oana Aristides W. W. Norton: 272 pp., $28 (July 14) Imagine a dystopia set neither in the future nor in fantasy; that’s the 1989 Romania 7-year-old Lia inhabits, its adults living in fear of Communist dictator Nicolae Ceauşescu, its infrastructure strained by deprivation, and its reality so scrambled that calling an explorer an “astronaut” instead of “cosmonaut” risks punishment. When Lia sets out to buy her mother a birthday gift, she sets in motion a series of weirdly probable yet totally weird events.
City of Widows: A Novel By Nadia Hashimi William Morrow: 432 pp., $32 (July 28) During the two decades of American occupation, Afghanistan experienced a sort of peace, one in which women could be educated, work as professionals, and even serve in the military. When the U.S. left in 2020, those same women found themselves — regardless of their individual status — subject to Taliban restrictions that deny differences in gender, desire and ambition. Hashimi (“Sparks Like Stars”) shows how desperate and daring the women become.
Cool Machine: A Novel By Colson Whitehead Doubleday: 368 pp., $30 (July 21) First “Harlem Shuffle,” then “Crook Manifesto,” and now, “Cool Machine,” the highly anticipated “Harlem Trilogy” conclusion from the two-time Pulitzer Prize-winning Whitehead. The inimitable Ray Carney, who started out as a minor criminal, is now Sterling Furniture’s “Northeast Regional Dealer of the Month,” a respected businessman. It’s the mid-1980s, and when Ray’s beloved wife Elizabeth gets turned down for a small-business loan, he takes matters into his own hands, in his own former ways.
NONFICTION:
How to Kill a Language: Power, Resistance, and the Race to Save Our Words By Sophia Smith Galer Crown: 304 pp., $33 (July 7) Smith Galer’s nonna spoke an Italian she called “dialet”; her mother spoke “dialet” and English; Smith Galer herself speaks only English. What do we lose, the author asks, when a language dies? The answers she found are powerful, like an enzyme to treat HIV that was found in a tree that was discovered because a researcher spoke Samoan. Unsurprisingly, she also found that language death often corresponds to ecological and cultural devastation.
The Earth Said Remember Me: How to Revive Our Memories and Restore Our Planet By Jason Dove Mark W. W. Norton: 224 pp., $25 (July 14) Perhaps art will be the thing that preserves the environment, even if humans can’t save it. “Go outside. Bear witness. Make a record. Pass it on,” writes Mark in this eloquent, impassioned plea for us all to remain involved in environmental action. The more we appreciate the natural world, the more we’ll want to care for it, share it with others, and help future generations understand how some changes are natural and not all are inevitable.
Aging Out: An Exploration of Caregiving, Community, and How Americans Grow Old By Lucy Schiller Flatiron Books: 272 pp., $30 (July 14) Services for the elderly range from luxury assisted-living facilities to special digital devices meant to bypass phone scams, but as Schiller explains, these things not only commodify a natural life passage — they separate older people from their natural communities. The author was inspired to investigate our country’s aging population when she cared for a grandmother who died from COVID; the book weaves the personal with the political in a meaningful way.
(Avid Reader Press/Simon & Schust)
Dad, Love, Me: A Memoir By Matthew Quick Avid Reader Press: 320 pp., $30 (July 21) Novelist Quick (“The Silver Linings Playbook”) turns to memoir in recounting his contentious relationship with his father, whom he’s losing to dementia. While the author has had big highs (like the movie adaptation of “Playbook”), he’s also experienced deep lows, including alcoholism and severe creative block. Somehow, through recovery (which he credits to Jungian therapy), he affords both his imperfect, ailing parent and himself grace.
The Savage Landscape: How We Made the Wilderness By Cal Flyn Viking: 448 pp., $35 (July 28) In “Downton Abbey”, the Dowager Duchess of Grantham starchily asked “What is a ‘weekend?’” In this book, journalist Cal Flyn asks — more affably, but with equal intensity — “What is a wilderness?” Her answer: Depends on your perspective. In other words, nearly every place on Earth teems with life. It’s only humans who have attached words like “wild” and “unexplored” to regions where they feel uncertain, afraid, and even awed.
Patrick is a freelance critic and author of the memoir “Life B.”
