denial

Trump is taking longer to approve disaster aid and denying Democratic states more frequently

When major disasters strike, Americans are routinely waiting weeks — or even months — to receive presidential approval for aid. And if they live in a state that didn’t support President Trump, chances are greater that aid will be denied.

Since taking office last year, Trump has approved about 65 requests for major disaster declarations and denied more than two dozen others from states, tribes or territories seeking federal financial assistance following hurricanes, tornadoes, storms, floods and fires.

Trump has taken longer on average to approve disaster requests than any other president, according to an Associated Press analysis of data dating back to 1989, when a federal law setting new parameters for disaster determinations was implemented. And no other president has such a disparity in denials between states that supported him politically and those that did not.

The delays and denials come as Trump’s administration contemplates a makeover of the Federal Emergency Management Agency, which administers disaster aid. Major disaster declarations are intended for events that are beyond the resources of state and local governments.

Trump is saying yes to Republicans more than Democrats

During his second term, Trump has denied a greater percentage of disaster requests than any president dating to 1989. Those denials have not been evenly distributed among states.

Trump has approved 80% of the disaster requests from Republican governors but only about 60% from Democratic governors, according to the AP’s analysis of FEMA data.

The discrepancy is even more apparent when analyzing major disaster declarations based on presidential elections. Trump has approved more than three-fourths of the requests from states that voted for him in the 2024 election but less than half the requests from states that did not. Although there are federal criteria for disaster aid, decisions ultimately are at the president’s discretion.

A batch of denials earlier this month included four Democratic states — Massachusetts, New Jersey, New York and Rhode Island — seeking federal aid for a February snowstorm.

“The President’s denial is part of a pattern of extreme partisanship as he tries to shift a heavier economic burden onto blue states. Disaster aid should be merit-based, not politicized,” Rhode Island’s Democratic U.S. Senate and House members said in a joint statement.

White House spokesperson Abigail Jackson said in a statement that “there is no politicization to the President’s decisions on disaster relief.”

During his first term, Trump actually approved a greater share of requests from states that had opposed him than those that supported him.

Yet no other president had such a wide partisan divide in disaster declarations as currently exists under Trump. Obama approved 87% of the disaster requests from Democratic governors during his second term and 79% from Republican governors, but Obama’s approval rate was identical for states that voted for and against him.

When requests are denied, individuals, insurers and local governments are left to shoulder the costs themselves.

Trump is waiting longer to declare disasters

Since Trump assumed office last year, it’s taken him an average of a month and a half to approve major disaster declarations after receiving a request from the governor or chief executive of a state, territory or tribe, the AP found. Because it can take several weeks after a disaster for officials to inspect the damage and submit a request, the total wait time often has exceeded two months.

By comparison, Trump approved major disaster requests in an average of about three weeks during his first term, a pace similar to President Joe Biden. Their predecessors — Presidents Barack Obama, George W. Bush, Clinton and George H.W. Bush — all had average disaster approval times of less than two weeks.

All presidents have taken longer to approve some requests. But that’s become the norm in Trump’s second term. Of Trump’s approvals, 70% have taken at least a month — up from about one-quarter of requests during Trump’s first term and Biden’s administration, and fewer than 10% under their predecessors.

Jackson said that Trump conducts a more thorough review than any administration before him, “ensuring American tax dollars are used appropriately and efficiently by the states to supplement — not substitute — their obligation to respond to and recover from disasters.”

The longer the approval process takes, the longer people must wait to receive federal aid for daily living expenses, temporary lodging and home repairs. Delays in major disaster declarations also can hamper recovery efforts by local officials uncertain whether they will receive federal reimbursement for cleaning up debris and rebuilding infrastructure.

FEMA nominee is pledging faster decisions

FEMA has had four different temporary leaders since Trump took office in January 2025. One of those, Cameron Hamilton, is awaiting Senate confirmation as the agency’s permanent director.

During a Senate committee hearing last month, Hamilton said he would try to speed up disaster declaration decisions and reimbursements. He also pledged to ensure that FEMA is objective, fair and reasonable in reviewing disaster declaration requests and making recommendations to the president.

Hamilton, a former Navy SEAL, had been fired as FEMA’s acting director in May 2025 after publicly disagreeing with Trump’s idea of dismantling the agency. His reemergence signals that Trump now may support changes to FEMA instead of an outright elimination of the agency.

Panel’s recommendations could lead to more denials

A council appointed by Trump has recommended a series of changes to FEMA that would shift greater responsibility to states, potentially reducing the number of major disaster declarations and the amount of federal money paid out.

The council suggested revised criteria to qualify for presidential declarations, including a prerequisite of annual minimum expenditures by states, territories and tribes.

Another recommendation, which would require congressional approval, would reduce the federal government’s share of the disaster aid from a minimum of 75% to 50% of the costs, leaving state and local governments more to cover. For governments approved for assistance, federal funding could get there quicker — within 30 days of a federal disaster declaration, instead of waiting months or years for reimbursements that are based on proof of expenditures.

For individuals, the council recommended consolidating several different types of aid into one payment targeted for those whose homes are uninhabitable.

Lieb and Wildeman write for the Associated Press.

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Scandal Imperils Young Political Career : Politics: After months of denial, a Riverside congressman admits sexual relations with a known prostitute. ‘I was feeling intensely lonely,’ he says.

It would not have been an easy reelection bid in any case for freshman Rep. Ken Calvert (R-Riverside), who barely made it to Congress two years ago.

But now Calvert’s biggest reelection hurdle may be his own indiscretions, which also could pose a problem in surviving even his own party’s June primary.

The reason: After months of denying it, Calvert, 40, has admitted having sex in his car one night last November with a woman who police say is a known prostitute.

Initially, Calvert–a member of a prominent Riverside County family–said he was doing nothing wrong with the woman when police saw them together on a Corona street.

Corona police said simply that the congressman was spotted sitting in his car with a female, that there was no criminal activity and that after a few words the congressman drove off.

But the Riverside Press-Enterprise newspaper went to court to press Corona for release of confidential police reports that had been prepared by officers who were sensitive to the fact that they had a street-level encounter with their local congressman.

The city was ordered to release the report, which indicated that there had been evidence of a sex act under way, and an embarrassed Calvert responded with a prepared statement.

“My conduct that evening was inappropriate,” he said–not because it was illegal, but because “it violated the values of the person I strive to be.” He admitted that he was caught in “an extremely embarrassing situation.”

He said he did not pay for the sex. He said he “panicked and tried to drive away” when the officers confronted him, but “came to my senses” and cooperated with them.

Corona Police Capt. John Dalzell said Calvert was not detained or arrested because “while the officer saw certain things, he didn’t see everything necessary to support a finding that a crime was committed.” Dalzell said there was no witness to an exchange of money for services, and neither party claimed to be a victim.

Dalzell said Calvert did not try to exert influence to avoid arrest. He said the officer’s decision not to pursue the matter “wasn’t a close call. He didn’t even call for a supervisor.”

In his explanation for his conduct that night, Calvert said he had come back from a rough week in Washington and was reeling from his father’s suicide a year earlier, as well as his wife’s request for a divorce, which had been granted just a few weeks before.

“I was feeling intensely lonely,” he said. “I realize now that this, or a similar incident, was probably inevitable.”

Calvert, who worked in commercial real estate before his election to Congress in 1992, was expected to coast to his party’s nomination this year to represent western Riverside County in Washington. His opponent in the primary, conservative Joe Khoury, 47, a professor of finance at UC Riverside, ran second behind Calvert in the primary two years ago but thinks he can prevail this time.

“I thought he was vulnerable, even before this incident,” Khoury said. “Riverside is conservative, and voters’ reaction to this is not pleasant. It plays differently here than it would in, say, Los Angeles.”

Calvert’s campaign manager, Ed Slevin, agreed that Calvert will have his hands full winning the primary because of the Corona incident. “I assume he’s more vulnerable in June among conservative Republicans than he’ll be in November,” he said. “I think that, by then, it’ll be considered old news.”

If Calvert wins the primary, his Democratic challenger is expected to be Mark Takano, a high school history and English teacher and trustee of the Riverside Community College District. Takano lost to Calvert by a little more than 500 votes in 1992, and is expected to handily win his party’s nomination in June against a single challenger.

Takano scolded Calvert for not coming clean earlier about the Corona incident. “Mr. Calvert has only himself to blame for his becoming a bigger issue than putting people back to work, fighting crime and improving our schools,” Takano said.

Democratic Party strategists said that, even before Calvert’s encounter with the woman in Corona, the 43rd Congressional District seat had been targeted for turnover because of what they characterized as Calvert’s lackluster performance in Washington during his first stint there and his vulnerability back home.

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‘Blue Film’ review: Sex work, denial and maybe forgiveness in tough drama

To describe a movie as including a ski mask, a camcorder and $50,000 in cash would certainly lead one to imagine a specific type of story. Add two men and sex work and the brain might roll around more pointed scenarios.

But none of that can prepare you for what micro-indie “Blue Film” has in store. The nexus of perversion, pain and sexual purpose driving writer-director Elliot Tuttle’s dark, discursive chamber drama is of a stripe rarely attempted in even the most self-consciously daring movies. Should you need a self-imposed break afterward from intimate two-handers, even Tuttle might understand, then wink in the general direction of his Pasolini posters. (I’m guessing at this provocateur’s wall art.)

Is it clear yet that “Blue Film,” set primarily in a house in Los Angeles over the course of a revelatory night, isn’t for everybody? Some of that “everybody,” incidentally, includes the festivals and distributors who rejected the queer filmmaker’s debut feature, despite having critical buzz, Tony-winning actor Reed Birney as one of its stars and indie guru Mark Duplass as a mentoring producer.

But certain subjects (spoilers ahead) are bound to trigger a different kind of scrutiny. Initially, our attention is on macho-posturing tattooed camboy Aaron (“Boots” star Kieron Moore), graphically boasting to his followers online of the big payday he’ll receive that evening from a submissive client. What he later encounters, however, at the door of a Craftsman on a quiet street is a masked, polite, older host (Birney) with a camera and, once it’s turned on, a lot of personal questions, the kind that begin to crack the facade of a young man used to being in control of his transactional life.

Then his client’s face is revealed and Aaron recognizes it’s his middle school teacher Hank, a convicted pedophile who once coveted him. Hank, who completed prison time for the attempted assault of a different boy, has made a cross-country trip to seek out the adult version of someone who could have been his first victim. He is still processing what he is, wondering if desire, even love, is available to him anymore.

The question is, will you care? Even viewed through Aaron’s cautious, clear-eyed empathy, it’s a steep ask. But you should. Tuttle’s fearless inquisition won’t insult your intelligence, ask your mercy or hogtie your feelings. Honestly, it’s refreshing to be repulsed and intrigued by a movie willing to plumb these psychological depths when Hollywood won’t. In its commitment to unvarnished talk — even if that leads to a clunky staginess — “Blue Film” has thoughts about identity, choice, sin and salvation. There’s a sincere engagement with humanity’s more difficult realities.

Needless to say, this type of graphically articulated exchange wouldn’t work if the performances didn’t land. Thankfully, Moore’s affecting portrayal of jumbled masculinity mixed with situational curiosity is well-calibrated, while Birney, a pro with a challenge, eases us into Hank’s weary self-possession (if not always the nauseating facts of it) before coloring outside the lines with a believably interesting philosophy about reckoning.

But “Blue Film” is tough, make no mistake. Awkward and searching, it exists in a filmic space that you could argue was opened up by last year’s courageous documentary “Predators.” And sometimes that gaze is just discomfiting, full stop. Tuttle wants that. He has room to improve but he’s someone to watch, plumbing the hard-to-fathom.

‘Blue Film’

Not rated

Running time: 1 hour, 22 minutes

Playing: Now playing at Landmark Theatres Sunset

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