delight

Israelis delight at peace deal that would see hostages returned

Watch: Israelis celebrate deal to return hostages

US President Donald Trump’s announcement of an agreement which is expected to result in the release of hostages being held in the Gaza Strip for more than two years has caused delight and relief across Israel.

The Hostages Families Forum, an organisation that has advocated for the return of Israeli captives in Gaza, expressed “profound gratitude” to Trump for what it called an “historic breakthrough”.

The deal – which still must be agreed upon by Israel’s war cabinet – will see the release of 20 living hostages and the bodies of 28 dead hostages in return for 250 Palestinian prisoners serving life sentences in Israeli jails and 1,700 detainees from Gaza.

So far, 148 hostages have been returned – most as part of previous ceasefire deals – 51 bodies have been recovered and eight hostages have been rescued.

Jubilant scenes have unfolded in Hostages’ Square in Tel Aviv as hundreds of people gathered ahead of the deal being signed.

A crowd began clapping and dancing under US and Israeli flags – one woman holding up a sign saying: “We love Trump.”

“It’s a magical day,” the woman said.

Another, 50-year-old Yael, cried as she watched the crowd dancing.

“I’m very excited – it’s such a relief,” she said. “We need to see them come back home to their families.”

The mother and sister of Israeli hostage Matan Zangauker lit fireworks in celebration of the news that he would be returned home.

“They’re coming back!… Matan is coming home!” Einav Zangauker said as she held her daughter.

Viki Cohen, the mother of Israeli hostage Nimrod Cohen, posted on social media: “My child, you are coming home.”

Reuters A group of people, with two women in front, linkinng hands and dancing, surrounded by others displaying Israeli flags, some with yellow umbrellas showing with 'NOW' printed on them  Reuters

The delight was palpable in the streets of Tel Aviv following the announcement

Rotem Cooper’s parents were taken hostage on that fateful day for Israel. His mother was released later that month, but his father was killed in captivity and his body remains in Gaza.

“It’s a mixed bag [of emotions] – the first is of accomplishment. It’s something we’ve been fighting for, through moments of desperation, trying to get a deal, any deal, for the hostages,” he said.

“It’s what we’ve been fighting for, why we’ve been spending countless hours on the streets, at rallies, on this stage, at the Knesset [the Israeli parliament], travelling abroad, talking to world leaders. All of a sudden, we’re here. That’s worth fighting for – it’s about all the hostages. It’s about ending the war.”

The deal, he said, meant he could finally bury his father and mourn.

Former British-Israeli hostage Emily Damari celebrated with another freed hostage Romi Gonen, reciting prayers of gratitude, then toasting “L’chaim”, meaning “to life”. She has been campaigning for the release of her friends, twins Gali and Ziv Berman.

Their brother Liran Berman posted: “My Gali and Ziv, I love you so much. You’re coming home.”

Gil Dickman’s cousin Carmel Gat was taken hostage on 7 October 2023, and her body recovered from a tunnel in Gaza almost a year later. He has been joining other hostage families in pushing for a deal that brings the return of all those still being held in Gaza.

“I can’t quite believe this is actually happening. We’ve been waiting for so long and here it is,” he said.

He said he felt “broken” that Carmel will not be among those returning home but was “glowing with joy for the families of the hostages who are finally coming back”.

Reuters Eitan Horn, barded and smiling, with hands behind his headReuters

Eitan Horn was seized from kibbutz Nir Oz in southern Israel along with his brother

Dalia Cusnir, whose brother-in-law Eitan Horn remains captive in Gaza, said she felt like she was living “in a dream”.

“We’re more than grateful to President Trump and everything he has done for us. We feel like it might be the beginning of the end of this nightmare, and hugging Eitan feels closer than ever,” she said.

But she cautioned that it was still too soon to celebrate.

“Until the last hostage is here, we’re not opening the champagne. We’re going to keep fighting… until the end,” she said.

“So many things can happen until the last moment so this is why we’re being so, so careful. We just want to thank everyone who was involved in the efforts and make sure this agreement is done… We will celebrate only once we have the last hostage back home.”

Eitan was taken from kibbutz Nir Oz in southern Israel along with his brother Iair, who was released from captivity in a ceasefire deal earlier this year.

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Maya Jama is a sheer delight in see-through dress and Lily Allen follows suit in mesh frock as they attend LFW party

MAYA Jama was a sheer delight in a see-through dress as she attended events as part of London Fashion Week.

The Love Island presenter stunned in a sheer look as she attended an exclusive event at London‘s Savoy Hotel.

Maya Jama wearing a sheer black dress at an event hosted by British Vogue.

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Maya Jama stunned as she attended an exclusive bash hosted by British Vogue at London’s Savoy HotelCredit: Getty
Lily Allen and Miquita Oliver at a London Fashion Week event.

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Lily Allen also opted for a sheer look as she was accompanied by Miquita OliverCredit: Getty

Maya, 31, wore a sheer skin-tight gown with a feathered fishtail at the bottom of the skirt.

Her modest areas were covered by sleek black undergarments as she put on a bold display in the figure-hugging striped ensemble.

The TV presenter attended the exclusive bash that was hosted by British Vogue and Audemars Piguet to celebrate London Fashion Week.

She opted for a super glam look with a Marilyn Monroe inspired bob hairdo that was giving old Hollywood glamour.

Lily Allen also followed suit in a mesh frock as she attended the exclusive runway show.

The singer also chose a black sheer gown as she flaunted her toned midriff.

Her under padding included a thin black bandeau with a black skirt that was held together by the thin see-through material.

The Hard Out Here singer styled her hair into her signature updo as she showed off her distinctive bangs.

She opted for a metallic makeup look as she was accompanied by former Radio 1 presenter Miquita Oliver who wore a strapless gold gown.

Meanwhile, actress and former TV & radio presenter Jameela Jamil also chose black as she stunned in a strapless gown.

TV star Maya Jima offered staggering 8-figure salary by ITV to stay as Love Island host amid Netflix interest in her

The corseted floor-length dress came with stylish silver arches near her bosom area.

She wore pointed black heels as she chose a makeup look of bold eye-liner, a thick pink gloss and her black locks were styled into waves.

BRIT Award-winning star Raye also attended the event in a strapless black dress.

The bodice had looped chains that complimented her slim physique as the skirt was emblazoned with matching black ribbons.

Maya Jama will be a massive hit with viewers but can she replace iconic Rita Ora?

By Joshua Rom

IT’S CLEAR that The Masked Singer is a huge asset to the ITV schedule. From the reaction of viewers at home, it seems that the competition is the epitome of primetime Saturday night telly at it’s best.

Alongside the likes of Saturday Night Takeaway and Britain’s Got Talent, the guessing game is one of the top three entertainment shows for the broadcaster as up to seven million people tune in to watch.

When we look at the show, we have a real mix of personalities involved. Joel Dommett’s unique style as a host is carefully balanced by the sharp and witty panel of judges. We have singing star power in the form of Rita Ora, veterans of the business in the form of Davina McCall and Jonathan Ross and comedy value from Mo Gilligan.

The dynamics of the panel work perfectly as Jonathan would take sarcastic jibes at Rita as Davina and Mo would be in hysterics

Last series Rita was forced to take time of the show as she had other commitments across the pond. Huge names such as Nicole Scherzinger, Olly Murs and Jennifer Saunders took her place.

Rita’s star is only on the rise in Hollywood and she’s set to star in a new film alongside the likes of legends such as Robert De Niro and Jamie Foxx in Tin Soldier. This is alongside her marriage to Academy Award winner Taika Waititi.

Clearly not happy with a part-time panelist and a rotating roster of guest judges, ITV bosses have chosen another name to take her place as Love Island star Maya Jama will join the panel. We don’t need to be worried about Rita as she will still be on the US edition.

Maya is a clear favourite amongst telly fans as they love to see her front a show like Love Island and let’s be honest, she’s the perfect fit for it. She is stunning to watch, she’s always on-trend, and very much appeals to the young fan base that flocks to the ITV2 dating show.

But The Masked Singer is a different show on a different channel. Maya is no doubt well versed in the world of television, but she will be surrounded by stars on the panel with decades more experience on air and with more universal appeal. Rita also has huge star power thanks to all her work in the music industry with several hits under her name, something which – despite her undoubted recognition as a star presenter – Maya just does not have.

By some, this could be considered as a risky move for ITV. Especially as networks fight to retain the loyalty of viewers in an age of Netflix, Amazon Prime and Disney+. With such drastic replacement in the panel and the inevitable shift in dynamics, the show is clearly about to change.

She opted for neutral-toned paisley patterned shoes with ankle tassels to match her brunette bob hairdo.

In terms of accessories, the singer opted for a choker necklace and a black clutch with an arm-length chain strap.

Her bold red lip gloss was complemented by chunky black and gold earrings as she smiled for the cameras.

Also in red was chart-topping musician Maisie Peters who looked absolutely tiny in her slimming red gown.

The Good Witch hitmaker stunned in an ankle-length red lace gown with pastel coloured shoes.

She wore her signature circular rimmed glasses whilst she showed off her short blonde bob.

Love Island return?

While Maura Higgins is back on the box for her Love Island spin-off, Maya Jama has not yet renewed her contract.

The red hot Irish star, 34, squeezed into a latex dress to host America’s Love Island Games sister show Aftersun.

But back on home turf, question marks remain over whether Maya Jama will stay on as host of the dating show.

She has still not signed again with ITV to front the UK version when All Stars returns in January.

A source said: “Maya is in demand but she still enjoys presenting Love Island so everyone is hopeful contracts will be sorted soon.

“Talks have been delayed because of some logistics in Maya’s team.”

Raye attends an event hosted by British Vogue and Audemars Piguet to celebrate London Fashion Week.

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Raye opted for a looser look with chains and ribbonsCredit: Getty
Jameela Jamil in a black strapless dress with silver detailing.

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Jameela Jamil chose a floor-length black gown with pointed heelsCredit: Getty
Maisie Peters wearing a red ruffled dress and glasses.

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Maisie Peters cut a very slim figure in a dark red lace dressCredit: Getty

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Delight and relief in government after Trump state visit

The prime minister and his team are delighted – and relieved.

State visits are far from a new tool in the British armoury of soft power, but they are frequently a useful one – and particularly with an unpredictable ally with an abiding love for the UK in general and its monarchy in particular.

That was why, back in February and brandished with a flourish, Sir Keir Starmer delivered the King’s invitation to US President Donald Trump for a second such visit.

Gratefully received as it was, his British hosts still needed to pull it off, and the prime minister still needed to make it through the potential rollercoaster of a news conference with his guest.

And that is what Sir Keir managed and so hence his team’s relief.

They have now – on several occasions – managed to tame Trump during their joint public appearances.

It is not that the two men agree on everything, far from it.

Their instincts, communication styles and politics are wildly different, but Trump’s disagreements with Sir Keir were somehow channelled past him, rather than at him.

The UK is expected to recognise a Palestinian state in the coming days – when, from Downing Street’s perspective, the president is safely back on his own side of the Atlantic. The president acknowledged to me he disagrees with the prime minister on this.

He said so explicitly, but gently, and only at the end of a lengthy answer which the Starmer would have agreed with the thrust of.

Even his remarks about illegal immigration, while headline making, seem to have less impact in this the second half of the first year of his second term. The president’s willingness to comment on the internal politics of an ally feels more priced in, and so carries less shock value for many.

In advance of the news conference, there had been much speculation about the potential for his mood to sour instantly on the mention of the convicted sex offender Jeffrey Epstein.

But, confronted by it and asked in particular about Epstein’s friendship with the former British Ambassador to the United States Lord Mandelson, he instantly smothered it as if with a fire blanket.

His answer was curious, claiming he didn’t know Lord Mandelson – despite them meeting in the White House last week, for a start.

Downing Street may allow themselves to hope theirs is a relationship with the Trump administration that is normalising and – whisper it – at least some of the time bordering on the conventional, and so less demanding on the bandwidth and mental energy devoted to it in its early months.

The caveat, of course, with Donald Trump, is you never know.

This state visit provided the UK with invaluable face time with the president – and so the opportunity to both set out the UK’s position and attempt to persuade.

The prime minister has been successful in the former, but the persuasion bit? That’s rather more tricky.

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Best pancake places that will test and delight your taste buds

When the thought of truly delicious pancakes bubbles up, various trips and experiences flood my mind and activate my hunger receptors.

I’m transported back aboard the Amtrak booze train heading to San Diego for a Chargers game, where I have to make time for Richard Walker’s Pancake House. Their famed, often still sizzling and flaky, gigantic baked apple pancake is the embodiment of flapjack largesse.

There’s the homespun goodness of a sweet cream pancake volcano at the Black Bear Diner, a common haunt when I visit family in the Inland Empire. And can you visit The Grove for breakfast without trying Du-Par’s heavenly and buttery pancakes?

Pancakes own a special place in many of our hearts, partly because they are comforting, filling and customizable.

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Food writer Khushbu Shah created a list of 11 pancake spots throughout Los Angeles that includes classics and some new spots.

We’ll dip into that grouping and pull out some favorites where new memories can be created.

Breakfast by Salt’s Cure (Santa Monica)

The oatmeal griddle cakes from Breakfast by Salt's Cure.

The oatmeal griddle cakes from Breakfast by Salt’s Cure.

(Andrea D’Agosto)

I almost hesitate to call these pancakes, and in fact, the official name on the menu is “Oatmeal Griddle Cakes.”

Made from a base of oat flour and cinnamon sugar, these thin-yet-hearty griddle cakes taste like a deeply gooey, slightly underbaked oatmeal cookie. There is absolutely no maple syrup or syrup of any kind available, but you won’t need any if you are careful to get the scoops of cinnamon molasses butter into every nook and cranny.

Café Telegrama (Hollywood)

An overhead photo of brown-butter pancakes with blueberry compote on a wooden table with coffee from Café Telegrama.

(Stephanie Breijo / Los Angeles Times)

What sets the pancakes at Café Telegrama apart from the rest of the pancakes in Los Angeles are their iconic crispy edges.

Perfectly caramelized, they are the result of cooking the pancakes for at least seven minutes in a generous pool of nutty brown butter. The edges are in sharp contrast to the rest of the pancake, which is quite tender thanks to the ricotta in the batter.

They arrive stacked two to a plate, swimming in maple syrup, and topped with a generous amount of house-made blueberry compote.

The Griddle Cafe (Hollywood Hills West)

Bigger isn’t always better, but it’s impossible not to be delighted by the truly massive, dinner plate-sized pancakes that show up either two or three to a stack at this legendary Sunset Boulevard breakfast spot.

While the classic buttermilk pancakes are solid, this is not the place to hold back — you might as well really go for it with one of the diner’s over-the-top novelty options.

The best?

Either the Golden Ticket, pancakes stuffed with brown sugar-baked bananas, caramel, walnuts and streusel; or the Black Magic, a stack of pancakes brimming with crispy yet soft crushed Oreo cookies and a mountain of whipped cream. Just be ready to nap afterward.

Yang’s Kitchen (Alhambra)

Cornmeal mochi pancake at Yang's Kitchen in Alhambra on Thursday, Oct. 3, 2024.

(Myung J. Chun / Los Angeles Times)

It’s worth braving the weekend brunch lines at this beloved Alhambra institution for the giant cornmeal pancakes.

The team at Yang’s whips together cornmeal from Grist & Toll with mochiko rice flour from Koda Farms to create a pancake that is gently chewy with deep savory notes from the cornmeal.

There is no maple syrup: Instead, they come topped with fresh whipped cream, seasonal fruit and condensed milk for drizzling. They might not be traditional by any means, but it’s always worth ordering a stack for the table.

For more, check out the full story.

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Harry and Meghan dog toy lookalikes fly off shelves as parody chew toys delight pups and royal fans

DOG chew toys of Prince Harry and Meghan Markle are flying off shop shelves.

The plush likenesses of the Sussexes, being sold near Windsor Castle, promise “hours of fun for you and your pooch”.

Prince Harry and Meghan Markle.

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Dog chew toys of Prince Harry and Meghan Markle are flying off shop shelvesCredit: Splash
Dog toys shaped like Prince Harry and Meghan Markle.

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The plush likenesses of the Sussexes are being sold near Windsor CastleCredit: w8media

One customer said: “Apparently the Harry and Meghan ones are proving extremely popular, which says a lot about how they’re regarded in Windsor.

“I think that shows how far they’ve gone from heroes on their wedding day to zeroes.”

The toys, which are “100 unofficial and unendorsed parody pet toys”, have two squeakers in their heads and stomachs.

They are stocked by A Dogs Life Co in the town’s Royal Station shopping centre, and cost £17.99 each.

read more on harry and meghan

They are made by Pet Hate Toys and available in small and regular sizes — with squeakers in the head and belly.

It says the Meghan figure is the “picture of elegance” in a shirt, tailored trousers and watch.

Harry is described as having a realistic “bald spot and stern face”.

The blurb continues: “Harry looks so dapper in his fav- furr-ite blue suit, with dog design tie and trademark bangle.”

The shop in Windsor, Berks, also stocks “pawlitical parody” toys of Donald Trump, Vladimir Putin, Sir Keir Starmer, Nigel Farage and Elon Musk.

The customer added: “I think they’re hilarious.”

Netflix has Harry & Meghan over a barrel – it’s talk about royals & divorce or get NOTHING
Dog toys of Prince Harry and Meghan Markle.

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The Meghan figure is the ‘picture of elegance’ in a shirt, tailored trousers and watchCredit: w8media
Prince Harry dog toy.

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Harry is described as having a realistic ‘bald spot and stern face’Credit: w8media
Dog toys of Prince Harry and Meghan Markle.

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The toys have two squeakers in their heads and stomachsCredit: w8media

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‘Shucked’ at Hollywood Pantages delivers a cornucopia of delight

Corn is no stranger to Broadway musicals. In “Oklahoma!,” the crop is “as high as an elephant’s eye,” according to the lyrical measurements of the show’s opening number, “Oh, What a Beautiful Mornin’.”

But in “Shucked,” the hilarious countrified musical that brought “Hee Haw”-style comedy in a modern guise to Broadway, corn finally gets top billing. The North American tour production, which opened Wednesday at the Hollywood Pantages, is a folksy farcical riot, wholesome enough for widespread appeal but with just enough flamboyant oddity to tickle the funny bone of urban sophisticates.

The book by Robert Horn (who won a Tony for his exuberantly witty book for the musical version of “Tootsie”) employs two narrators. Storyteller 1 (Maya Lagerstam) and Storyteller 2 (Tyler Joseph Ellis) are our guides to this “farm to fable” tale about “a simple place that time forgot,” Cob County. The exact coordinates of this backwater are a bit hazy, but Storyteller 2 helpfully pinpoints the locale as “a place where being from somewhere is who you are.”

Cob County, as the name suggests, is corn crazy. The town’s livelihood depends on a flourishing crop, but just as the local sweethearts, Maizy (Danielle Wade) and Beau (Jake Odmark), are about to tie the knot, the corn starts shriveling up. Maizy halts the wedding until the crisis is resolved. Beau assures her that he’ll eventually figure it out, but time is not on Cob County’s side.

Maizy proposes to do the unthinkable: leave town to consult an outside expert.

Maya Lagerstam as Storyteller 1, left, and Tyler Joseph Ellis as Storyteller 2 in the North American Tour of "Shucked"

Maya Lagerstam as Storyteller 1, left, and Tyler Joseph Ellis as Storyteller 2 in the North American Tour of “Shucked” at the Hollywood Pantages Theatre.

(Matthew Murphy and Evan Zimmerman)

As far as her alarmed friends and family members are concerned, she might as well be volunteering to go to Mars on an Elon Musk rocket ship. Beau is dead set against the idea, but Maizy won’t take no for answer and heads for the biggest metropolis she can imagine, Tampa, Fla., where she meets a seductive foot doctor, Gordy (Quinn VanAntwerp) who caters to lonely women and is desperate to pay off a gambling debt.

Easy marks don’t come any easier than naïve, trusting Maizy, whose bracelet of rare stones has caught con man Gordy’s predatory attention. She explains that her grandfather made it from the rocks that a flood washed under their home. And that is how a quack who treats the tender corns on pedicured toes suddenly becomes a world-renowned corn doctor in a show that seemingly never met a pun it didn’t like.

Danielle Wade as Maizy, left, and Miki Abraham as Lulu in the North American Tour of "Shucked"

Danielle Wade as Maizy, left, and Miki Abraham as Lulu in the North American Tour of “Shucked” at the Hollywood Pantages Theatre.

(Matthew Murphy and Evan Zimmerman)

The humor, at once simple and clever, innocent and off-color, amiably wants to get a rise, and Horn isn’t too proud to go low in his genial wordplay. Peanut (Mike Nappi), Beau’s kindhearted, witless brother, is a geyser of potty-minded quips. “I just passed a huge squirrel, which is odd because I don’t remember eating one,” he tells his brother, who merely asked, “What’s going on?”

All of the elements of “Shucked” are perfectly calibrated to shamelessly win us over. First and foremost among these is Jack O’Brien’s precise and invigorating direction, which treats the characters as our country cousins, never condescending to them, even at their laughable worst.

The fresh look of the production, incorporating Scott Pask’s bucolic cartoon set, prevents the show from coming across as dated. Tilly Grimes’ sexy, small-town costumes lend an updated “Flashdance” feeling.

The sunshiny score by Brandy Clark and Shane McAnally, a blend of country, blues and Broadway pop, is intent on making theatergoers smile. “Corn,” the opening number celebrating the miracle and many uses of this magical plant, starts things off riotously, building sensationally to a chorus line of corncobs that choreographer Sarah O’Gleby sets into zesty motion.

The cast contains a wide range of gorgeous voices. Wade’s Maizy sounds like an ingenue Dolly Parton, exquisite to listen to, especially when her heart is in play, as is the case with “Maybe Love,” a number so good it returns in the second act as the jumbled romances get sorted out.

Odmark’s Beau, the boyfriend who gets shucked, if you will, never loses his country charisma. He performs with an affectionate twinkle in his eye, offering understanding even when his jealousy is put to the severest test. But, as he reminds himself in the handsomely performed hearbreak song “Somebody Will,” he knows his worth and that his innate goodness will carry him through.

Another vocal standout is Miki Abraham, who plays Lulu, Maizy’s whiskey-making street-savvy cousin, who sees straight through Gordy, even if she can’t help being enticed by his rakish game. Abraham practically brings the house down with “Independently Owned,” an anthem to her character’s emancipated spirit. But Lulu might protest too much: She’s clearly not so hard-nosed about love as she makes herself out to be.

“Shucked,” like “& Juliet” at the Ahmanson right now, are two clever contemporary shows that deliver the kind of delight you can’t find anywhere else but the musical stage. I might have enjoyed “Shucked” 15% more if it were 15% shorter. And I missed the uncompromising individuality of the original Broadway cast, which has been slightly homogenized for the North American tour.

On Broadway, Alex Newell, who played Lulu, became the first out nonbinary actor to win a Tony for performance. Kevin Cahoon was nominated in the same category for his captivatingly eccentric performance as Peanut.

The sense of a community fully able to express itself in all its variety is thankfully still an integral part of “Shucked,” lending warmth to the intoxicating silliness of a musical that made this city slicker long to move to corn country.

‘Shucked’

Where: Hollywood Pantages Theatre, 6233 Hollywood Blvd., Los Angeles,

When: 7:30 p.m. Tuesdays-Thursdays, 8 p.m. Fridays, 2 and 8 p.m. Saturdays, 1 and 6:30 p.m. Sundays. Ends September 7

Tickets: Start at $57

Contact: BroadwayInHollywood.com or Ticketmaster.com

Running time: 2 hours, 15 minutes

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3 highlights from this week’s issue of The Envelope

If you’re feeling a little peckish as you open this week’s letter from the editor, our latest cover subject, “Hacks” star Hannah Einbinder, has a recommendation for you: a breakfast burrito from Historic Filipinotown’s Doubting Thomas, home of her favorite in the city.

And while you wait for those eggs to cook up, let’s unwrap the foil on our Aug. 14 issue and chomp down on some highlights.

Cover story: Hannah Einbinder’s next act

The Envelope magazine cover with Hannah Einbinder

(Bexx Francois / For The Times)

No, “Hacks” is not over. As of this writing, Season 5 is not even officially its last. But with a stand-up comedy special under her belt, Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma” in the can and another hush-hush project already underway, it’s clear that the “Hacks” star isn’t planning to rest on the laurels of four Emmy nominations.

As former competitive cheerleader Einbinder tells Margy Rochlin in this week’s cover story, the prospect of leaving the “Hacks” nest is “emotional,” but the novelty of new challenges scratches its own itch: “I’m an adrenaline seeker,” she says. “I just have always liked the feeling of flying.”

Accompanying the story online is the debut of our new short-form series “In the First Place,” in which we ask cover subjects about life and career “firsts” — including, in Einbinder’s case, her first stop at the Americana, the first comedy album she listened to on repeat and more.

Inside the year’s most ambitious TV episode

Diagram of camera movements in Episode 2 of Netflix's "Adolescence."

(Matthew Lewis / Netflix)

As a result, perhaps, of my particular lens — former high-school teacher here — it wasn’t the destabilizing premiere, the wrenching finale, or Owen Cooper and Erin Doherty’s riveting two-hander that left me most awestruck when I watched Netflix’s “Adolescence” this spring.

It was only after the second episode, which weaves a murder investigation into a chaotic school day, that I found myself muttering under my breath, “I need a diagram of how they did that.”

Thanks to Emmy-nominated director of photography Matthew Lewis for obliging my curiosity (see above), and for speaking to contributor Bill Desowitz for his story about the extraordinary choreography required to piece a fire drill, a police chase and a drone shot into a single continuous shot, all with 350 young extras to corral.

For logistical stress, that puts even chaperoning prom to shame. And trust me, I’d know!

A real ‘Somebody’

Jeff Hiller, the star of 'Somebody Somewhere' in New York on July 22, 2025.

(The Tyler Twins / For The Times)

“Somebody Somewhere’s” Jeff Hiller is having the time of his life — and not just in the photo above, snapped last month in the courtyard of his Manhattan apartment building.

As Tyler Coates writes in his profile of the first-time Emmy nominee, the surprise and delight of the announcement allows Hiller to keep basking in gratitude for the role of lovable queer Kansan Joel even though the series ended its three-season run last fall: “If I could play a role like that for six weeks once a year, for the rest of my life? I’d be more than fulfilled.”

It also allows him entree to HBO’s vaunted after-party, though my fingers are crossed that “Somebody Somewhere” doesn’t inspire any trays of “St. Louis sushi.”

Read more from our Aug. 14 issue

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Adam Scott says his ‘Severance’ Emmy nomination is a ‘delight’

Dystopian drama “Severance” captured the imagination of overworked Americans when it depicted an employee revolt against an oppressive corporation. Now the series and its lead, Adam Scott, are being recognized by the Television Academy. On Tuesday, Scott was nominated for lead actor in a drama for his role as Mark Scout in the dark, sci-fi thriller.

The Apple TV+ series is the most nominated show this year, landing 27 nods for its second season, including for drama series. In Scott’s category, the competition features actors previously nominated for Emmys, including Sterling K. Brown for “Paradise,” Gary Oldman for “Slow Horses,” Pedro Pascal for “The Last of Us” and Noah Wyle for “The Pitt.”

In the series, Scott‘s Mark S. is a macrodata refinement manager employed by the biotechnology corporation Lumon Industries. In order to work in the highly secretive complex, the mild-mannered manager and his co-workers have undergone a “severance procedure.” Their brains have been surgically altered, dividing their work life and home life into separate consciousnesses which are described by the company as “innies” and “outies.” The trouble begins when the line between realms starts to blur.

Show creator Dan Erickson, executive producer and primary director Ben Stiller were also nominated, as were Britt Lower, Tramell Tillman, Zach Cherry, John Turturro, Patricia Arquette and Gwendoline Christie in the acting categories. Scott, who is also an executive producer on the show, spoke with The Times about the recognition, the series and how he separates himself from his work.

“Severance” has broken through in a way that I don’t think anyone expected when it first arrived in 2022. It’s a smart, heady show that requires some brain power. Now Season 2 leads the Emmy nominations.

The feeling is incredible. I just am always sort of at a default position of nothing’s going to happen, and I need to be braced for disappointment. I think that’s a healthy disposition for a career in show business, and then I’ll be delightfully surprised if anything goes in a different direction. I try not to read any of the stuff, the prognosticating. I stay away from it and keep it out of my head as much as possible, and then something like this [nomination] is just a pure delight.

I love the idea that you block out the hype and conjecture around the show. It’s a form of self-severance.

It’s true. I’ve been at this for 30 years now so I think that I’ve found ways to keep myself healthy, as much as possible, anyway. For me, that’s just trying to sever myself from anything beyond keeping my head down and trying to do the best work possible.

Clearly it’s a tactic that’s paid off, for you and your fellow cast mates.

I’m so honored for our show to be recognized and to be on a list with everyone else — Britt and Tramell. Zach and John and Patricia and Merritt [Wever] and Gwendoline. And Ben and Jessica [Lee Gagné] and Dan. His wonderful script is being recognized. We work so hard on the show, every single one of us. It’s a team effort, as any show is, but our show takes a lot of time. So getting recognized for that hard work is really gratifying,

And there’s something redeeming about such a smart show breaking through in such stupid times.

[Laughs] Thank you. “Severance” is sort of this intangible thing, so we work really hard to make it happen. While we’re making the show and while Dan and the writers are putting it together, there’s sort of this invisible third rail. You’re not sure exactly what it is, but when it feels right, it’s like OK, there’s our show. It’s a specific feeling, a specific tone that we’re seeking out and sometimes it takes a while to zero in and find it.

It’s an original story that Dan came up with and it’s very weird. For something this weird to be recognized is really gratifying because we were surprised when anyone watched. We didn’t know if it would be a tiny audience. We thought maybe it’s too weird, so when it broadened out popularity-wise, it was a huge surprise and a really lovely one.

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A hidden delight on Turkey’s Turquoise Coast: my cabin stay amid olive trees and mountains | Turkey holidays

Aged seven or eight, planting onions on his father’s land above Kabak Bay, Fatih Canözü saw his first foreigner. Before the road came in 1980, his village on the jagged coast of south-west Turkey’s Lycia region was extremely remote, isolated by steep valleys and mountains plunging into the sea. It took his family two days to get to the city of Fethiye on winding donkey tracks, to sell their apricots, vegetables and honey at the market. Despite his shock at seeing the outside world intrude for the first time, Canözü remembers thinking even then that tourism was the future.

Four decades on and having trained as a chef, Canözü has not only built a restaurant and 14 tourist cabins in Kabak, he has married a foreigner too: a former Middle East correspondent from England, who came here to research a novel and ended up falling in love. Now they are raising their family on this wild fringe of Anatolia’s Turquoise Coast, a region that Mustafa Kemal Atatürk, founding father of the Republic of Turkey, is said to have called the most beautiful in the country.

The Olive Garden takes its name from the 200 to 300 olive trees growing on the terraced hillside above the sea. Canözü’s father dug them up in the mountains and lugged them here on his back, a testament to the years of hard work it took to make this place. Canözü designed the cabins himself, building them in wood and stone to minimise the environmental footprint. Then he installed an infinity pool where his family once threshed grain. When the restaurant opened in 2005, he waited a nerve-racking 45 days for his first customer. Slowly, people came.

My wife and I stay here for four nights, sleeping first in a standard cabin and then in one of two luxury cabins overlooking the sea. The room is airy, glass and pine, but we spend most of our time sitting on the deck outside, continually astonished at the view. On the far side of the forested valley rise immense limestone walls that mark the southern reaches of the Taurus mountain range – the summit nearby is slightly lower than Ben Nevis. On the beach below, a sliver of sand meets startlingly blue water. Kabak beach has long been known for its alternative vibes, a place where groups of hippies sunbathe alongside Muslim families, women in burkinis and dogs dozing on the sand.

Food at the Olive Garden restaurant. Photograph: Louise Pamment

This sense of coexistence – something that many see as the heart of modern Turkishness – extends to the marine life: at sunset, half the beach is cleared for nesting loggerhead turtles.

By road, the village of Kabak is literally the end of the line, which, along with the rugged terrain, has helped shield it from the overdevelopment suffered by resorts elsewhere.

On foot, it is a resting place on a longer, slower journey. One of the things that brings travellers here is the 470-mile Lycian Way, established in 1999 by a British-Turkish woman called Kate Clow, who still lives locally. We hike sections of this world-renowned walking trail, first along a rocky path through pine forest and strawberry trees to visit a nearby waterfall. Some beach party stragglers have landed after a long night, so we take our plunge to the thump of techno. A few minutes’ scramble and the trail brings us back to wild silence.

The following day I walk south for two hours while others go ahead by boat; we meet on Cennet Koyu, which translates as Paradise Bay. No road has made its way to this beach, and it fully deserves its name. Swimming here, in water as clear as glass with steep green mountains rising behind, is as close to paradise as can be imagined. Up in the forest is one of the “camps” that were founded before gentrified tourism arrived – vaguely piratical travellers’ outposts that keep things reassuringly scruffy. Dogs, chickens and donkeys wander among the trees.

One of the cabins at Olive Garden. Photograph: Louise Pamment

The boat, steered by a local man with an anchor tattooed behind his ear, takes us around the next headland to the site of a ruined village. Its archway and collapsed stone walls, half swallowed by greenery, are a testament to the darker history of this stretch of coastline. Kalabantia was once inhabited by Greeks, forced to abandon their beautiful home during the brutal “population exchange” that followed the Turkish war of independence in the 1920s. No one came to take their place – it was too remote even for local Turks – so now its stones are sinking back into the land from which they came.

A 45-minute drive away is the much larger settlement of Kayaköy, formerly Levissi, from which over 6,000 Greeks were deported in 1923 to a “homeland” they had never seen. This melancholy ghost town of 500 roofless houses is almost entirely abandoned, but for roaming goats and tourists. There is something particularly tragic in its Orthodox chapels and churches, with their painted stars still pricking the ceilings. Strangely, I realise I’ve been here before: under the fictional name Eskibahçe, this was the setting of Louis de Bernières’ novel Birds Without Wings, which describes how nationalism tore apart multicultural communities that had lived side by side under Ottoman rule for centuries.

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Kabak beach. Photograph: Zoonar/Alamy

The Greek influence is also apparent in Lycia’s most famous ruins: the rock-carved tombs that we saw on our way here from Fethiye. They were made by the ancient Lycians, who blended Hellenic architecture with the Persian technique of hewing structures from the living rock. Smaller tombs, which resemble lidded caskets made of stone, are scattered throughout the mountains and along the Lycian Way, monuments to another of Anatolia’s vanished cultures.

Life has never been settled here. Kabak might still be remote but the road has inevitably brought change, and since the Olive Garden opened, trees have been bulldozed and concrete poured, although the pace of construction has apparently slowed in recent years.

Owner Fatih Canözü

With increasing visitor numbers, the water supply is a big concern, followed closely, in this time of ever-rising temperatures, by the risk of forest fires. But other things stay much the same. Where the road terminates the mountains are still vast and wild, the forests are still full of boar, and the turtles still return to the beaches every year. As in other places where beauty masks a harder existence, there’s a balance to be struck: without tourism – including the hikers slogging along the Lycian Way – many of Kabak’s young people would be forced to move elsewhere instead of working locally, as the Olive Garden’s staff do. At least for now, Kabak feels on the right side of that balance.

On our last night we eat imam bayildi, which translates as “the imam fainted” – presumably because the dish is so good – roasted aubergine stuffed with onions, tomatoes and garlic, drenched in olive oil and smothered with melted cheese. The food has been consistently fresh, local and delicious. The moon shines on the walls of the valley, which glow as bright as bone. We have learned a new word, yakamoz, my favourite in Turkish or any other language: it describes the sparkling of moonlight on dark water. There is poetry in this land. Any culture that has a word for this must be doing something right.

Standard cabins at Olive Garden Kabak (olivegardenkabak.com) from £70, luxury cabins £120 (both sleep two), breakfast included

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Photos: Motel California, the delight is in the details

I am a photo fellow at the L.A. Times, and recently spent three days photographing for the Motel California project at the Skyview Los Alamos. What immediately struck me was how tucked away in the hills the motel was, even with its close proximity to the freeway. While only two hours away from L.A., I felt like I was in a totally different place.

The motel turns 100. Explore the state’s best roadside havens — and the coolest stops along the way.

I captured the iconic yellow “Motel” sign by the pool, the turquoise Moke shuttle, and lots of unique fixtures. Having three days to photograph an assignment is rare in daily news, so I felt lucky to be able to spend more time in certain spots of the property and reshoot in different lighting situations. Good light is critical to making a good photo, so I made the most of golden hour during my visit. All of the pops of orange, yellow and teal around the property complemented warm light well. I loved that most of the plants were succulents and cactuses, giving the place a desert feel on the Central Coast. When I look at all the photos as a whole, I feel the sense of calm and warmth I experienced while I was there.

— Juliana Yamada, photography fellow

Ramsey 29 motel in Twentynine Palms. Owner Ashton Ramsey took over a motor lodge that dates to the 1940s.

Ramsey 29 motel in Twentynine Palms. Owner Ashton Ramsey took over a motor lodge that dates to the 1940s.

(Christopher Reynolds / Los Angeles Times)

A detail of a rock facade with doorbell at the Pearl in San Diego

Rocky details at the Pearl. (Megan Morello / For The Times)

Decorative brick from the Mojave Sands Motel in Joshua Tree

Decorative brick from the Mojave Sands Motel in Joshua Tree. (David Fouts / For The Times)

The Atomic Bombshell Room at the Trixie Motel.

The Atomic Bombshell Room at the Trixie Motel.

(David Fouts / For The Times)

Rooms 13 and 14 at the Skyview Motel.

Rooms 13 and 14 at the Skyview Motel.

(Juliana Yamada / Los Angeles Times)

The Skylark Hotel sign in Palm Springs.

The Skylark Hotel sign in Palm Springs.

(Christopher Reynolds / Los Angeles Times)

Alamo Motel sign in Los Alamos
Peach Tree Inn sign in San Luis Obispo.
Motel Capri sign in San Francisco.

Alamo Motel sign in Los Alamos, from left. Peach Tree Inn sign in San Luis Obispo. Motel Capri sign in San Francisco. (Christopher Reynolds / Los Angeles Times)

The Skyview Motel sign.
Scenes from the River Lodge.
Scenes from the The Pacific Motel.

The Skyview Motel sign, from left. The River Lodge sign in Paso Robles. The Pacific Motel sign in Cayucos. (Juliana Yamada / Los Angeles Times; Jacob Tovar / For The Times)

The Mojave Sands Motel sign.

The Mojave Sands Motel sign.

(David Fouts / For The Times)

The Sea & Sand Inn's no vacancy/vacancy sign in Santa Cruz.

The Sea & Sand Inn’s no vacancy/vacancy sign in Santa Cruz.

(Christopher Reynolds / Los Angeles Times)

The Surfrider Malibu as seen from the Pacific Coast Highway.

The Surfrider Malibu as seen from the Pacific Coast Highway.

(Al Seib / For The Times)

The entrance to the Norman restaurant at the Skyview Motel.

The entrance to the Norman restaurant at the Skyview Motel.

The pool viewed through decorative pool-side furnishings at the Skyview Motel.

The pool viewed through decorative pool-side furnishings at the Skyview Motel. (Juliana Yamada / Los Angeles Times)

Wallpaper inside the Trixie Motel.

Wallpaper inside the Trixie Motel.

(David Fouts / For The Times)

The toilet paper at the Hotel Wren is marked with its initials.

The toilet paper at the Hotel Wren is marked with its initials. (Christopher Reynolds / Los Angeles Times)

Folded toilet paper at the Skyview Motel.

Folded toilet paper at the Skyview Motel. (Juliana Yamada / Los Angeles Times)

A view of a room inside the Ramsey 29 motel in Twentynine Palms.

A view of a room inside the Ramsey 29 motel in Twentynine Palms.

(Christopher Reynolds / Los Angeles Times)

A detail of a patio pillow at The Pearl Hotel.

A detail of a patio pillow at The Pearl Hotel. (Megan Morello / For The Times)

A detail of the shower handle in a room at the River Lodge.

A detail of the shower handle in a room at the River Lodge. (Jacob Tovar / For The Times)

A room inside the Crystal Pier Hotel in Pacific Beach, San Diego.

A room inside the Crystal Pier Hotel in Pacific Beach, San Diego.

(Christopher Reynolds / Los Angeles Times)

The Wigwam Motel buildings in San Bernardino.

The Wigwam Motel buildings in San Bernardino.

(Christopher Reynolds / Los Angeles Times)

A room at the Skylark Hotel.

A room at the Skylark Hotel.

(Christopher Reynolds / Los Angeles Times)

The Hotel del Sol is a boutique hotel in San Francisco aiming to rise above its roots as a budget motel.

The Hotel del Sol is a boutique hotel in San Francisco aiming to rise above its roots as a budget motel.

(Christopher Reynolds / Los Angeles Times)

A room at Glen Oaks Hotel in Big Sur.

A room at Glen Oaks Hotel in Big Sur.

(Nic Coury / For The Times)

Situated on Market Street, Beck's has a front-row seat to the main artery of San Francisco.

Situated on Market Street, Beck’s has a front-row seat to the main artery of San Francisco. The motel still offers free on-site parking, with a walkable location that provides ample access to public transportation, including the historic F-Market line.

(Megan Bayley / For The Times)

A decorative room at the Madonna Inn.

A decorative room at the Madonna Inn.

(Nic Coury / For The Times)

An old-school key from the Hacienda del Sol
An old-school key from the Skylark Hotel.
An old-school key at Glen Oaks Motor Lodge.

Old-school keys from the Hacienda del Sol, from left, in Borrego Springs, the Skylark Hotel in Riverside and Glen Oaks Resort Adobe Motor Lodge. (Christopher Reynolds / Los Angeles Times)

A gathering space at the Haley Hotel in Santa Barbara.

A gathering space at the Haley Hotel in Santa Barbara.

(Christopher Reynolds / Los Angeles Times)

A view of an outdoor space connected to a room at the Pearl Hotel in San Diego

A view of an outdoor space connected to a room at the Pearl Hotel.

(Megan Morello / For The Times)

A detail of a bedroom door at the Mojave Sands Motel.

A detail of a bedroom door at the Mojave Sands Motel. (David Fouts / For The Times)

Two robes hang in a room at the Surfrider Malibu.

Two robes hang in a room at the Surfrider Malibu. (Al Seib / For The Times)

Happy guests at restaurant-bar Ponyboy at the Pearl Hotel in San Diego.

Happy guests at restaurant-bar Ponyboy at the Pearl Hotel in San Diego.

(Megan Morello / For The Times)

Cocktails served at the Trixie Motel in Palm Springs.

Cocktails served at the Trixie Motel in Palm Springs. (David Fouts / For The Times)

A view of cocktails served at Ponyboy at the Pearl Hotel in San Diego.

The cocktails at Ponyboy at the Pearl Hotel in San Diego. (Megan Morello / For The Times)

A guest's dog wanders near the pool area of the Pearl in San Diego.

A guest’s dog wanders near the pool area of the Pearl in San Diego. (Megan Morello / For The Times)

A rabbit hops away at the Mojave Sands Motel in Joshua Tree.

A rabbit hops away at the Mojave Sands Motel in Joshua Tree. (David Fouts / For The Times)

The outdoor shower at the Skyview Motel.

The outdoor shower at the Skyview Motel. (Juliana Yamada / Los Angeles Times)

A wooden outdoor patio chair at the Mojave Sands Motel in Joshua Tree.

A wooden outdoor patio chair at the Mojave Sands Motel in Joshua Tree. (David Fouts / For The Times)

The Surfrider Malibu is located across from the Malibu Pier on Pacific Coast Highway.

The Surfrider Malibu is located across Pacific Coast Highway from the Malibu Pier and Surfrider Beach, famous for its surfing, and is close to the Santa Monica Mountains National Recreation Area.

(Al Seib / For The Times)

A view of the pool from inside the property at the Trixie Motel in Palm Springs.

A view of the pool from inside the property at the Trixie Motel in Palm Springs.

(David Fouts / For The Times)

The pool at the Skyview Motel is seen through a window at the Norman restaurant.

The pool at the Skyview Motel is seen through a window at the Norman restaurant.

(Juliana Yamada / Los Angeles Times)

Pool-side textures on the grounds of the Pearl Hotel.

Pool-side textures on the grounds of the Pearl Hotel. (Megan Morello / For The Times)

The pool steps at the Trixie Motel.

The pool steps at the Trixie Motel. (David Fouts / For The Times)

The cactus garden at the Trixie Motel.

The cactus garden at the Trixie Motel.

(David Fouts / For The Times)

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