dedicates

Eala played tennis as a youngster with her brother and grandfather, telling BBC TV she “still can’t keep up” with her older brother, even now.

She first rose to prominence in 2022, when she was on the cover of Vogue in her home country after becoming the first Filipina to win a junior Grand Slam title with her US Open triumph.

She rose to wider notice after her 2025 Miami Open breakthrough – which ironically began with another victory over Swiatek.

Aged 19 and ranked outside the top 100, Eala took out Grand Slam champions Swiatek, Jelena Ostapenko and Madison Keys to reach the semi-finals.

Since then, she has reached the world’s top 30, claimed two titles on the second-tier WTA 125 tournaments and finished runner-up at Eastbourne last year.

In the build-up to this year’s Wimbledon, she beat world number two Elena Rybakina and eighth-ranked Elina Svitolina in Berlin, and also teamed up with Venus Williams in doubles.

Her success has meant her popularity sky-rocketed. Queues snake around the Grand Slam grounds when she is scheduled on an outside court, while viewing parties are held for her matches back home.

That brings with it a pressure both good and bad. If Eala’s wins are celebrated as a point of national pride in the Philippines, then her losses are also felt deeply.

It was a situation that got on top of her at the Australian Open, where she was overwhelmed by the amount of people who simply queued to watch her practice.

“I try to be as authentic as I can. I believe in being genuine,” Eala said.

“Although I’m very grateful and very welcoming of all the support that I get, me, my team and my family are the ones who have been putting in the hours.

“We’re the ones who are here at the courts 12 hours in a row. We’re the ones who wake up early, who come back home late.

“I think that work ethic is really what keeps me grounded.”

Kostyuk was overcome with emotion following her historic meeting with Svitolina, which came a day after one of Moscow’s largest assaults on Ukraine in recent months.

She has been vocal in her criticism of Russian players who have failed to denounce the war and, like her compatriots, has maintained a policy of not shaking hands with opponents from Russia and its ally Belarus.

On the apparent reluctance of her Russian counterparts to speak about the war, Kostyuk said: “For me, it’s not frustrating anymore. They are all grown-ups.

“They are clearly aware of what’s going on. If this is something that they want to avoid talking about, they have to live with this, not me.

“I don’t know how you can sleep at night peacefully when you know that this is going on and you have nothing to say about it.”

Asked about facing a Ukrainian player next, Andreeva told the media: “It doesn’t matter who I play. I really try to play against the ball that is coming at me and focus on the game.”

Driven to deliver the title for Ukraine, Kostyuk will head into her semi-final on a 17-match winning streak on the clay this season.

“I still think it [the title] is very far. I have two matches to play and hopefully you will come and support me on Thursday,” Kostyuk told the crowd, who gave her a standing ovation and waved Ukrainian flags.

Asked if she would perform another backflip at Roland Garros, just as she did after beating Andreeva to win the Madrid Open last month, Kostyuk added: “In Madrid I practised the day before the final.

“I don’t need to practise here – I did it a month ago – but I promised I will only do it again when I win a final.”