Dean

Eighty years ago, though the Arsenal of Democracy had vanquished the Axis and weathered a withering Depression, the recovering American people found themselves rich in bills but short on laughs. Enter Dean Martin and Jerry Lewis, who debuted together on July 25, 1946.

Unlike Laurel and Hardy, Abbott and Costello, or Hope and Crosby, who relied on tightly scripted setups, this disparate yet kindred duo captured America’s heart by being viscerally, uproariously and unpredictably wild.

Martin and Lewis were the founding fathers of an anarchic, side-splitting brand of comedy that combined pratfalls, ad-libbed wordplay and a sustained demolition of the fourth floor. Orson Welles observed that the duo’s combustible zaniness was so hilarious that it made you wet your pants.

The boys cavorted about the stage, kibitzing with bandleaders and the audience alike. In between trading impromptu quips, Martin and Lewis overturned tables, cut ties, sheared suits and spritzed seltzer on one and all.

The suave, dashingly handsome Italian crooner clowning around with his gawky, rubbery Jewish buddy brought the house down every time. It was nonstop, jocular pandemonium: Commedia dell’arte 2.0.

“Saturday Night Live,” Second City, David Letterman, Jerry Seinfeld and Adam Sandler all owe a debt to the artists who started life as Dino Crocetti and Joseph Levitch.

Martin and Lewis created a novus ordo seclorum, in its way innovating like America’s founders, spawning a new comedic order of the ages.

Their alchemy was as ineffable as it was infectious. Variety’s first review of the act noted, “All they do cannot be detailed, but virtually every bit of it is good for solid laughs.” Carl Reiner similarly declared: “I saw what I thought was the funniest ad-libbed thing I had ever seen. It was a riot, and we never stopped laughing.”

In their own madcap way, Dino and Jer epitomized Cicero’s notion that comedy is the imitation of life, the mirror of custom and the image of truth.

Martin and Lewis became the monarchs of all media, conquering radio, nightclubs, television and the silver screen. In 1948, they appeared on Ed Sullivan’s first television show, “Toast of the Town.” From 1950 to 1955, the Martin-and-Lewis-hosted “Colgate Comedy Hour” frequently bested Sullivan in the ratings.

When Hollywood beckoned, the boys answered the call, cavorting, cutting up and reconfiguring reality on the silver screen. They starred in 16 films, bringing their boisterous bromance to capacity-crowd movie theaters.

Though their big-screen adventures could not capture the comedic chaos of their stage act, Martin and Lewis transformed even the most pedestrian screenplay into box-office gold. As film critic Ciara Maloney explained, “Their brilliance shines through the weakest material: the ineffable, bewitching something between them — an intimacy, an immediacy, an ingenuity — frozen in amber for those of us who would never see it in the Copacabana.”

The essence of this duo was the outré interplay between the Prince and the Putz, the Leading Man and the Monkey. Though he was the comedian by trade, Lewis fully credited Martin as the “genius” of the pairing: “He kept the center. He was the spine of the act. And the monkey was constantly attached to that spine, on the spine, next to it.”

From “Sailor Beware” to “The Stooge,” “Living It Up” and “Artists and Models,” theirs was a comedy partnership that came to symbolize America. It is little wonder that presidential historian Tevi Troy called the 1950s “The Martin and Lewis Decade.”

However, many Americans didn’t see these two celebrities as distant icons. Film critic Jenna Ipcar has described how “a perfect comedy duo will make their audience feel like a lucky participant instead of just a passive observer, a welcome guest in a secret world.” Martin and Lewis embodied that ideal.

The boys’ bittersweet final performance took place at New York’s Copacabana on July 25, 1956. Exactly 10 years after their debut in Atlantic City, N.J., Dean Martin and Jerry Lewis had pioneered a new brand of comedy, soothed postwar America’s psyche and made a nation laugh again.

Rosario A. Iaconis, chairman of the Italic Institute of America, writes about Italy and its cultural influence. He is at work on a novel about Harry S. Truman.

Scott was not being caught, though. Not tonight. Not here. Not with his Scotland kit on and his team looking to him to spark their Games.

A Games which he has backed vocally since Glasgow salvaged it from the wreckage of Victoria’s aborted bid.

Almost exactly 12 years after he won his first Commonwealth medal in this very building, he was taking his 14th in his fourth Games. And it was going to be gold.

“I don’t usually feel the expectation, but that one I probably did,” he told BBC Sport Scotland. “Simply because it’s day one and I love representing Scotland and you want to try and get the whole team off to a good start.

“I think there was a bigger picture of trying to get good momentum for the crowd involvement for the rest of the week, and the team as well. So I felt that expectation, but it’s nothing I couldn’t deal with.”

You got the sense there was little that could have discomfited the Alloa native – a momentary loss of his accreditation apart – and even a post-race visit to the drugs testers wasn’t going to trouble him.

Scott’s got the weekend off now – he’s an old boy among the swimming set, after all – but he’s more than done his bit to set Glasgow 2026 off on the right note.

EastEnders legend Letitia Dean found love with Holby City star before they parted ways

EastEnders legend Letitia Dean was once married to a television star before their “upsetting” divorce.

Fans of the BBC soap will be delighted as Letitia has reprised her role as Sharon Watts and returned to Walford on Thursday (July 9). She is one of the show’s long-running characters, having appeared in the first episode, which aired in February 1985, as the adoptive daughter of Angie (Anita Dobson) and Den Watts (Leslie Grantham).

From that scandalous affair with the Mitchell brothers during the 90s, to plotting Ian Beale’s (Adam Woodyatt) murder, suffering the loss of her son Denny, and covering up Keanu Taylor’s death, there is nothing Sharon hasn’t been involved in.

Away from the drama of Albert Square, we take a peek at Letitia’s real life, including her marriage to a Holby City star.

Letitia’s rise to fame

Born in Hertfordshire, Letitia and her brother Stephen joined The Sylvia Mitchell School of Dance as children before joining the esteemed Italia Conti Academy of Theatre Arts at 10 years old. In her early teens, she became a professional performer and landed roles on hit shows including Brookside and Grange Hill.

The 58-year-old soap star, from Potters Bar, orginally played Sharon from 1985 until 1995, and reprised the role from 2001 to 2006. She then made an epic comeback to Walford in 2012.

Appearing alongside co-star Adam Woodyatt on the EastEnders spin-off show Secrets from the Square in 2020, Letitia revealed she lied to producers to get her role as Sharon Watts.

Letitia admitted: “I don’t really remember the audition that much. I know there were quite a few recalls. They were looking far and wide”, but there was one major problem.

The biggest requirement to land a role in the show was that the producers were looking for real Cockneys – people from East London who have a Cockney accent, so Letitia lied and said she was from the area.

Letitia continued: “We had to be born ‘within the sound of Bow bells'”, before adding: “I told a porky!”.

She added: “I said my parents had to go and work away, and I was staying with somebody in ‘the sound of Bow bells’. I do remember getting the job and getting the call. I remember that quite clearly. It was just so exciting.”

Is Letitia Dean married?

Letitia tends not to talk much about her relationships and generally keeps her private life out of the public eye.

However, in 2001, she hit the headlines when it was revealed she was engaged to actor and businessman Jason Pethers, who is perhaps best known for portraying Rob Greening in Holby City.

The couple got engaged after a few months of knowing each other and tied the knot at All Saints’ Church in Marylebone in 2002.

While there were many of her EastEnders castmates at the wedding, Susan Tully, who played Michelle Fowler, acted as her bridesmaid.

But it wasn’t meant to be for the TV stars as they split in 2007. The marriage reportedly ended due to a difference in their plans for starting a family.

Talking about their tough separation during another chat with the Mirror at the time, Letitia admitted that she and Jason are ‘in a good place’, despite having parted ways.

She revealed: “I do not regret one minute of my time with Jay. I was in love – desperately in love – and I can’t reiterate enough how thankful I am that I did get married to that man.”

Letitia added: “As a couple you can, hopefully, go down the same path together as long as you share the same desires and dreams. Unfortunately, many of us fork off in different directions.

“This is the first time I’ve ever talked about what happened, but I’m quite practical about this now. I’ve got nothing but good things to say about Jason. But sometimes you just grow out of each other, maybe.

“I did think that by waiting until a bit later in life for marriage, I would know more, and it would last. But none of us can predict. Of course, I didn’t want this to happen, and neither did he, but it did and though it’s upsetting, you just have to get on with it. You have to be strong.”

At the time, Jason’s mum, Joan, said the couple decided to split because Letitia wanted children, while her husband preferred to wait before having them, the Daily Mirror reported.

She said, “They both wanted children, but Jason wanted to wait until he could afford it. She had a lot more money than him. I think, like any man, he wanted to look after his wife.

“They were happy. It was no dramatic thing – they haven’t found someone else. I guess they just fell out of love for the time being.”

Since their separation, Letitia has yet to go public with another romance.

EastEnders airs Monday to Thursday on BBC One and iPlayer

CHAPEL HILL, N.C. — Dean Carpentier popped up with the biggest swing of his life, and the Trojans won their biggest game in more than two decades.

USC baseball stormed back to defeat No. 5 overall seed North Carolina 9-5 in Game 1 of the Chapel Hill Super Regional, a loud start to the program’s first appearance on this stage since 2005.

Carpentier smoked a go-ahead grand slam off North Carolina (48-12-1) reliever Walker McDuffie in the sixth inning, turning a 5-2 deficit into a 6-5 lead and shutting down a previously charged-up Boshamer Stadium. The swing was Carpentier’s first career grand slam and just his 10th home run in his 132-game collegiate career, the defining moment of the day as USC (48-16) tied its largest comeback victory of the season.

“I was sitting on a slider,” Carpentier said. “He’s a slider guy. I got a good pitch to hit, put a good swing on it and it found a way out of here.”

Ace Mason Edwards struggled through his shortest outing of the season, yielding three earned runs in just three innings with four walks. But the Trojan bullpen picked him up, and kept the game close enough for the offense to rally. Chase Herrell, Ben Cushnie and Andrew Johnson gave up just one run over six innings, with Johnson retiring the first eight batters he faced.

USC’s Adrian Lopez (5) celebrates during Game 1 of an NCAA super regional against North Carolina on Friday in Chapel Hill, N.C.

(Laura Wolff/For The Times)

“He’s done that now a couple of times with the bases loaded where he strikes out the side and gets out of it,” USC coach Andy Stankiewicz said of Edwards’ first inning. “It’s in there. That was huge. It was a big momentum swing to get out of that. Unfortunately it’s taxing though; it made him jump up in his pitch count a little bit.”

His successful but ultimately draining first inning led to UNC scoring four in the next two innings, knocking the Trojans into a huge hole and forcing its bullpen to stem the tide. But eventual winning pitcher Herrell picked up two innings with just one earned run given up. Cushnie retired the only batter he faced and the offense went to work from there.

“The job that Chase Herrell did, the job he did in College Station, it’s two back-to-back outings where he has been tremendous for us,” Stankiewicz said. “It’s always Mason and Grant [Govel] — which is great, they deserve all the recognition — but there’s more guys down there that are doing it.”

With the lead and all of the momentum after Carpentier’s grand slam, Stankiewicz pushed his chips to the middle of the table knowing the importance of winning the opener of a best-of-three series. He brought usual Game 3 starter Johnson in out of the bullpen, and he delivered a sensational performance.

Johnson retired the first eight batters he faced and ended up getting the final 11 outs of the game with just two singles allowed, slamming the door shut for his first save of the season.

“You saw the job that he did over in College Station,” Stankiewicz said of Johnson. “It was a big moment, and we needed that again today. He throws strikes, he’s unafraid, he attacks the strike zone and we felt like he was going to make the pitches.”

Johnson’s dominance meant the go-ahead grand slam would have been enough, but USC added three more runs in the seventh. Isaac Cadena drove one in with an RBI groundout, Jack Basseer plated one on on a fielder’s choice and Andrew Lamb — who started the scoring for USC with a solo home run off Ryan Lynch back in the third inning — tacked on one more with a perfectly executed squeeze bunt.

The Trojans have outscored opponents 64-19 during their five-game NCAA tournament winning streak. And are one win away from advancing to the College World Series for the first time since 2001. Game 2 is set for 11 a.m. PDT Saturday on ESPN.

Those words showed maturity but also the teenager’s high standards.

Corteen-Coleman perched herself next to England’s coaches on the balcony for much of her side’s chase. She believed her work for the day was done, but her most consequential moment was still to come.

Ten runs were still needed when she emerged as the last batter to join Dean.

Crucially, she helped Dean run twos and, with solid defence, bettered her previous high score of one not out in The Hundred to finish unbeaten on three and sealed the win.

“I am glad I looked calm because I definitely wasn’t,” she said.

“The main point for me was to keep it really simple.”

Corteen-Coleman did not, of course, complete the win alone.

Central was the role of Dean, who admitted to exposing her team-mate more than she intended by taking singles early in the over, but otherwise played the situation well.

Much has been made of Dean’s ability to hold her mettle in chases. There has been some success but failure too – notably in the Mankad ODI at Lord’s in 2022 and the second ODI of the Women’s Ashes last year.

This time, standing in as England captain for the first time, Dean dragged her side over the line.

If England’s training camp with the army last week was supposed to develop leaders, this was Dean’s Passing-Out Parade.

“I have worked on having that calmness and being ready in any situation but that mainly came from Deano,” added Corteen-Coleman.

“If I came out and she was panicking I would have been under the pump.”

Corteen-Coleman emerged with the words of coach Charlotte Edwards in her ears. She told her to back her strengths and keep a clear mind.

That was backed up by Dean in the middle.

“She came out with good clarity,” said Dean.

“I said, ‘Yorkers have been successful for them so they will probably look to get under your bat’.

“We decided getting forward was the best option.

“Tilly is really proactive with her thinking. She has a good cricket brain.”