dead

July 1 (UPI) — Three people died of asphyxiation in Mexico City as about a million people flooded the streets to celebrate Mexico’s 2-0 World Cup win over Ecuador in the first knockout round.

A 19-year-old woman, a 48-year-old woman and a 44-year-old man were found unresponsive in the crowd Tuesday night. They were each given emergency resuscitation and taken to a hospital where they died.

The celebrations mostly happened around the Angel of Independence monument in downtown Mexico City. The game ended in the first knockout round win for Mexico since 1986.

Mexico City’s health department confirmed that emergency responders treated the three people at different locations around Paseo de la Reforma before taking them to the hospital.

“After performing first aid and CPR techniques on the patients, they were transferred to a hospital for specialized medical care,” the city’s health authority said.

The hospital confirmed they all had died of suffocation.

Mexico City Mayor Clara Brugada offered her “most sincere condolences” to the victims’ families.

In a post on X, Brugada said: “With my heart in my hand, I send a hug and my most sincere condolences to their loved ones. We reiterate the call to always celebrate with responsibility, care, and empathy.”

Mexico City’s metropolitan area is one of the most densely populated places on Earth. More than 20 million people live there.

Health officials say three people died during massive celebrations in Mexico City after Mexico’s 2-0 World Cup win over Ecuador. The victims — a 19-year-old woman, a 48-year-old woman and a 44-year-old man — died of asphyxiation. Thousands had crowded into the streets to celebrate Mexico’s first World Cup knockout-round win since 1986.

Students at Government Day Secondary School in Lassa, Askira-Uba Local Government Area of Borno State, northeastern Nigeria, were preparing to sit for their National Examinations Council (NECO) Biology paper on the morning of Monday, June 29, when terrorists stormed the school, killing at least one teacher, abducting staff and students, and forcing another disruption to education in a community still reeling from a school abduction barely a month ago.

The attackers struck shortly before 9 a.m., according to school officials and residents, arriving on more than 40 motorcycles, many dressed in military camouflage and armed with AK-47 rifles. Witnesses said the assault lasted about 20 minutes before security personnel pursued the attackers into nearby bushland.

The exact number of abducted students remains unclear as authorities and school officials continue compiling names.

Imperiju Mamza, the school’s examinations officer, told HumAngle that the senior students had assembled for their Biology paper, scheduled to begin at 10 a.m., when the attackers arrived. “They invaded the school some minutes to 9 a.m.,” he said.

“Only one student who is sitting for the exams was abducted. She came very early and was, unfortunately, abducted alongside the other students who were from other classes. The others are safe and are currently writing their paper,” he said.

The ongoing NECO examinations began on June 23. According to Mamza, 243 candidates registered for the examination. “Apart from the one abducted, 242 are currently writing their exams,” he said. “I am trying to compile names of those abducted and cannot yet confirm how many were taken.”

Following the attack, candidates were relocated under armed protection to Government Girls Secondary School, Lassa, where the Biology examination continued.

Teachers killed, others abducted

Residents who witnessed the aftermath said the attackers appeared to target the school directly rather than the wider community.

Timothy Apagu, whose shop is located near the school, said the community had received reports as early as 7 a.m. that armed men had been sighted around Muthalavu village on the outskirts of Lassa. Community vigilantes were deployed towards the Dille axis after residents raised the alarm, believing the gunmen were approaching from that direction.

“Unfortunately, another team of terrorists followed a different route and attacked the community,” he said.

Apagu said the attackers went straight into the school. “They did not enter the community. I suspect it was a targeted attack.”

He said more than 40 motorcycles participated in the raid. “Most were wearing military camouflage. Others were wearing black trousers. Some wore boots while others wore bathroom slippers. From afar, you would know they were terrorists.”

According to Apagu, one teacher died at the scene while another, who sustained gunshot injuries, later died at the Lassa General Hospital.

He said two teachers, a male Vice Principal identified as Mr Paul and a female teacher popularly known as Madam Angelina, were initially abducted alongside students. The Vice Principal was later rescued after security personnel pursued the attackers, while the female teacher remained in captivity at the time of reporting.

Another resident, Andrew Adamu, gave a similar account, saying security personnel rescued one teacher and five students during the pursuit and recovered six motorcycles abandoned by the fleeing gunmen.

He added that one female student escaped with gunshot injuries. HumAngle could not independently verify these rescue figures.

Security response

The military and local vigilantes immediately pursued the attackers into nearby bushland, residents said. Adamu said one soldier and one vigilante were killed during the pursuit.

“There is a military base here, but the soldiers are few. They are not more than 50,” he said. “The school and the military base are less than a kilometre apart.”

The Borno State Police Command confirmed the attack but said the number of abducted students remained unverified. Nahum Kenneth Daso, the Police Public Relations Officer, said the Area Commander for Askira-Uba had deployed to the scene alongside other officers.

Asked what security measures had been introduced after last month’s abduction of more than 40 schoolchildren in nearby Mussa, Daso said police deployments around schools in the area had been increased.

“The challenge we had in Lassa is that the school does not have a fence,” he said. “When the invasion happened, they took advantage of that.” 

Mamza said school authorities had repeatedly raised concerns about the absence of perimeter fencing following the Mussa attack. “The Government Day Secondary School has no fence, and we have complained to the government following the Mussa incident,” he said. He explained that the school is located about a kilometre from the town centre and shares a boundary with the Lassa Vocational Training Centre.

When contacted, Mada Saidu, the Chairperson of Askira-Uba LGA, declined to discuss the attack, saying he was channelling his time and efforts into coordinating the emergency response, which he felt was more important than speaking to journalists.

The latest attack comes barely a month after dozens of schoolchildren were abducted in neighbouring Mussa, also in Askira-Uba LGA, renewing fears over the security of schools across southern Borno despite assurances that protective measures had been strengthened.

Authorities say pilot and all 10 ⁠passengers – ​five students ⁠and five instructors – died in the accident in Tomblaine.

At least 11 people have died after a plane carrying people on a skydiving trip crashed in the town of Tomblaine, in northeastern France, local authorities say.

The aircraft went down at 11am local time on Sunday, Yves Seguy, the prefect of the Meurthe-et-Moselle region, told reporters near the scene of the crash.

The pilot and all 10 ⁠passengers – five students ⁠and five instructors – died in the accident.

Seguy said emergency services responded immediately, adding that authorities were collecting statements from witnesses.

Police urged people to “strictly avoid” the area around the airport in Tomblaine to allow emergency responders and law enforcement unrestricted access to the crash site.

The Ministry ‌of the Interior said Interior Minister Laurent Nunez was on his way to the scene.

June 27 (UPI) — Kentucky Gov. Andy Beshear declared an emergency in the state on Saturday because of widespread floods that have claimed at least four lives.

The declaration came after two waves of severe storms on Friday that caused flash floods, high winds and a tornado — and ahead of another round of heavy rain expected overnight on Saturday.

Beshear started sounding the alarm ahead of a few days of heavy rain early Friday, warning residents that areas around the Ohio River were likely to flood over the weekend.

In announcing the declaration of emergency, Beshear said heavy rain was expected to continue in the state through at least 11 p.m. EDT on Saturday, with the expectation for dangerous road conditions, limited visibility and up to seven inches of rain in some areas.

Local states of emergency were also declared in five Kentucky counties — Bullitt, Madison, Meade, Mercer and Spencer — the governor’s office said.

“This is a serious flooding event, where teams have already had to conduct multiple water rescues from vehicles and homes across the commonwealth,” Beshear said in a press release.

“As more heavy rain continues through late night, we need folks to remain alert and to avoid driving,” Beshear said. “We’ve sadly already received reports of fatalities that we are working to confirm, and we need everyone to stay alert and do what’s needed to keep each other safe.”

Madison County Coroner Jimmy Cornelison confirmed that three people between the ages of 40 and 59 had died in the county in incidents linked to the storms, with one killed in a car accident and a couple that were killed in their flooded basement, NBC News reported.

Jackson County Executive Paul Hays confirmed to LEX-18 that a person there had also died, in their case because of a car accident linked to the storms.

“We had multiple rescues of people that were in cars on the roadways that had to be rescued, and we’ve had eight or nine rescues from homes that were surrounded by water and flooded,” Hays said.

Hays said the county had received about six inches of rain, as well as seen property damage and debris strewn across roads, which in some cases had displaced residents from their homes.

The National Weather Service in Kentucky forecast multiple rounds of thunderstorms and heavy rain overnight on Saturday, which are likely to result in more flash flooding, and has left a flood watch in effect for entire state until Sunday morning.

Although forecasters predicted total rainfall of about 1 to 3 inches, they said that 3 to 5 inches, or more, is possible in some areas.

June 27 (UPI) — The local authorities acknowledged the plane crash that hit Beijing’s tallest building Friday, saying the pilot died and 13 people were injured.

A short statement on WeChat from the local Chaoyang District government said only the pilot was on the plane and was killed in the crash. The statement said 13 people in the building and on the ground were injured. They didn’t identify the pilot or a motive.

The statement said, a “single-engine double-seat light sports aircraft collided with a high-rise building in flight.” It said the incident is being investigated. It didn’t name the building and only called it a skyscraper near the East Third Ring Road.

All references to the crash, video and images were scrubbed from social media in China. The state media, whose headquarters is across the street from the 109-story Citic Tower, hasn’t reported anything about the crash.

It’s not known if the crash was intentional.

Beijing airspace is tightly controlled, and even drones are mostly banned within the city. It’s not clear how the pilot got around the tight controls.

FL360Aero.com, an aviation news site, posted images and video on X from the scene, showing a plane’s tail lying on the sidewalk. The post estimated that it hit around the 65th floor of the building.

Flightradar24 posted on X flight data that appeared to show a deviated flight path for the plane after it took off from Shifosi airport in Beijing’s eastern Pinggu district.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Two of my favorite movies of the year so far are opening in Los Angeles today and they both benefit from being seen with a proper audience. You will find yourself surprised by what you are laughing at, curious about what other people are laughing at and then feel the air in the room collectively shift as both films take unexpected turns toward more genuine emotional moments.

The third feature directed by Olivia Wilde, “The Invite” is a biting look at modern relationships. Wilde stars as one half of a struggling couple, unhappily married to a character played by Seth Rogen. She invites over a couple from the apartment upstairs, played by Penélope Cruz and Edward Norton, and soon all sorts of feelings start flying around.

I reviewed for the paper, noting, “It feels daring for how it wants to actually examine the emotional costs of contemporary grown-up life, bringing wincing laughs of recognition.”

Wilde will be making appearances around L.A. over the weekend, including at the Vista, where the movie is playing in 35mm.

Also opening this weekend is “Maddie’s Secret,” the debut feature as writer-director from comedian and actor John Early, who also stars as the title character, an aspiring L.A. food influencer battling bulimia. It is a truly astonishing performance, one that walks a difficult tightrope between sincerity and parody. Early will appear for Q&As around town this weekend.

I spoke to Early about the film when it played as part of the Los Angeles Festival of Movies about its unusual tone — somehow earnest, tender and very funny all at once. Joshua Rothkopf reviewed the film, which he calls the indie arrival of the year, comparing it to movies by John Waters, Todd Haynes and Douglas Sirk.

Jack meets the maestro

Jack Nicholson in the 1975 movie “The Passenger.”

(Sony Pictures Classics)

One movie I feel obligated to note whenever it plays it Michelangelo Antonioni’s “The Passenger.” Jack Nicholson stars as a disaffected journalist who assumes the identity of a dead man in an attempt to start over, only to find that his new life is even more complicated than his own. It is a powerful examination of middle-aged malaise that has Antonioni’s trademark mystery but, thanks to Nicholson, also has a directness that makes it accessible to wider audiences.

Nicholson made the film in between “Chinatown” and “One Flew Over the Cuckoo’s Nest,” at the height of his fame in the 1970s, a time when going to Europe and Africa to shoot a movie with an esoteric art-house filmmaker was a huge risk. He would personally purchase the rights to the film in the early 1980s and essentially treated it like owning an art object, very rarely allowing it to be shown publicly. It reentered circulation in 2005 with a rerelease but still has a certain air of rarity around it. The film will be showing at the New Beverly in 35mm on Saturday and Sunday.

Nicholson sat for an extended interview with The Times’ Patrick Goldstein around that 2005 reissue of the film, calling the production “the most vivid filmmaking adventure I’ve ever had.” He described his relationship to Antonioni by saying, “He’s been like a father figure to me. I worked with him because I wanted to be a film director and I thought I could learn from a master. He’s one of the few people I know that I ever really listened to.”

When the Italian filmmaker died in 2007, Nicholson got on the phone with us to say, “I don’t know how to put this: He’s just a maestro, and everybody loved him. … He was a man of joy and impeccable taste. His whole life was dedicated to modestly being a brilliant artist.”

Truffaut’s humanist warmth

Delphine Seyrig and Jean-Pierre Léaud in the movie “Stolen Kisses.”

(Janus Films)

Richard Linklater’s “Nouvelle Vague” last year didn’t exactly start a renewed wave of interest in the French New Wave of the 1960s, but then again, those movies never really went away. They’ve been inspirational to generations of film fans for more than 60 years now.

But one French director who has perhaps fallen out of favor slightly is François Truffaut. Long seen as one of the quintessential New Wave filmmakers, he has become taken for granted a little of late. Which is why it is exciting to see Brain Dead Studios showing his 1968 film “Stolen Kisses” in 35mm on Sunday.

The third in the series of films Truffaut returned to throughout his career, including his 1959 breakthrough “The 400 Blows,” the film again stars Jean-Pierre Léaud as Antoine Doinel, Truffaut’s alter ego through the stages of his life. Discharged from the army, Antoine drifts through a series of jobs. His real concern is juggling his busy love life, making the film something of a male-centered rom-com while capturing Truffaut’s warm, humanist worldview.

Rohmer’s caustic cynicism

Jean-Claude Brialy in the 1970 movie “Claire’s Knee.”

(Janus Films)

Conversely, a filmmaker of the French New Wave who has seen his stock rise during the last few years is Eric Rohmer, championed by Noah Baumbach among others. His more caustic view of the world may resonate better with more cynical modern audiences.

The American Cinematheque will begin showing Rohmer’s cycle of “Six Moral Tales” at the Los Feliz Theatre this weekend with a 35mm screening of “My Night at Maud’s” and continuing with other screenings through the end of July. Other films in the series include the sultry, summertime tale “La Collectionneuse,” the ethical dilemma of “Claire’s Knee” and the tale of infidelity “Love in the Afternoon.”

Writing about “Claire’s Knee” in 1971, Charles Champlin noted, “What redeems Rohmer’s films from a defeating sameness is the quite extraordinary charm, believability and complexity of his characters and his meticulous attention to detail and his refusal to go for gross events at the expense of the subtle shadings of human relationships.”

Honestly, if a trip to France isn’t happening for you this summer, this series makes for a not-bad substitute.

Reconsidering ’90s comedy

An image from the 2025 documentary “We Are Pat.”

(The Film Collaborative)

Fresh off its world premiere at the recent Tribeca Film Festival, Ro Haber’s documentary “We Are Pat” will screen at Vidiots on Sunday. Haber will be there along with comedians Julia Sweeney and Harper Steele and, for good measure, Alan Cumming.

“We Are Pat” examines the afterlife of Sweeney’s character from “Saturday Night Live,” a confusingly genderless person who no one can ever quite figure out how to engage with. The way Pat has been picked up by a new generation of genderfluid comedians shows how influence and inspiration can come from the unlikeliest of places, and also how comedic ideas can transform over time.

Ali in Africa

Muhammad Ali fights George Foreman in the 1996 documentary “When We Were Kings.”

(Gramercy Pictures)

Released in 1996, “When We Were Kings” depicts the 1974 boxing match in Zaire between Muhammad Ali and George Foreman known as “The Rumble in the Jungle.” Director Leon Gast was unable to complete the film at the time, so the footage languished for years until he got an assist from filmmaker Taylor Hackford in shooting contemporary interviews with the likes of Norman Mailer, George Plimpton and Spike Lee. “When We Were Kings” would go on to win the Academy Award for documentary feature. It will be screening at Vidiots on Saturday.

The core of the movie is watching the thrilling, inspiring footage of Ali training and interacting with the locals. As Kenneth Turan wrote in his original review, “Because a classic heavyweight championship fight, especially with these protagonists, epitomizes the drama inherent in sport, ‘When We Were Kings’ always compels our interest.”

New this week

• Amy Nicholson wasn’t crazy about “Supergirl,” but reserves praise for star Milly Alcock as the “one reason to see the film.”
• Johnny Knoxville and friends are back for another round of stunts and pranks in “Jackass: Best and Last.” Age has finally caught up with them, Amy Nicholson laments.
• It seems a little odd that a movie starring Angelina Jolie, “Couture,” is just sort of sneaking into theaters, but that’s movie business in 2026. We spoke to Jolie at last year’s Toronto International Film Festival about the film.

June 20 (UPI) — An Italian woman was killed, nine injured and more than 1,700 evacuated from a massive fire at a beachfront resort in the Dominican Republic Friday.

Francesca Valentino, 46, of Italy, died in the fire that broke out around 11 a.m. AST at the Viva Wyndham Dominicus Beach, a four-star resort in Bayahibe in the La Altagracia province, officials said. Three people were taken to medical facilities and six others were treated on site, Juan Manuel Mendez, head of the Dominican Republic’s Emergency Operations Center, said in a press conference.

No cause of the fire has been reported, but the Emergency Operations Center said a preliminary investigation found that portions of the resort’s buildings were made of cane roofs, which are combustible, and windy conditions contributed to the fire’s spread.

The Italian ambassador to the Dominican Republic met the dead woman’s husband at the hospital, the Italian news agency Ansa reported. There were about 285 Italian tourists staying at the resort or nearby, and the embassy in Santo Domingo was working to help them get new passports and arrange flights home.

Wyndham Hotels and Resorts franchises some 8,400 hotels worldwide.

“At this time, we are actively gathering the facts regarding the incident and coordinating with the appropriate authorities and on-site teams,” a spokesperson for Viva Resorts by Wyndham told CBS News. “As this process is ongoing, we will not be providing comment at this time.”

The Emergency Operations Center said in a statement that the about 1,690 guests at the resort were evacuated to other hotels and nearby housing facilities, CBS News reported. It also said that Viva Wyndham’s Dominicus Palace, which is nearby, was not damaged and was operating as normal.

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Recently, I don’t exactly know why, I was overtaken by a concern that because of the impending merger of Paramount and Warner Bros., Olivier Assayas’ 2022 series adaption of his own film “Irma Vep” would be removed from the HBO Max streaming platform. With no official physical release, the series — starring Alicia Vikander as a Hollywood movie star making a project in Paris — could be effectively vanished from existence.

This is sadly inevitable, though some superfans have gone to extra-legal measures to ensure otherwise (not that we would ever endorse this). Most famously it’s happened with the original “Star Wars” trilogy. Billed as the “Grindhouse Edition,” these are discs of the first three “Star Wars” films sourced from scans of original film prints before the digital fixes and polish of the more recent official releases. Reengaging with these works in this way, scratches and all, is (I’m told) a strong reminder of why they hit so hard in the first place, similar to how it might be to reread a text in the original language instead of a more recent translation.

‘Indiana Jones’ marathon

Harrison Ford and Karen Allen on the set of 1981’s “Raiders of the Lost Ark.”

(Lucasfilm Ltd.)

The same deep understanding of genre filmmaking that went into the original “Star Wars” also went into “Raiders of the Lost Ark,” the first adventure of the character of Indiana Jones. Directed by Steven Spielberg from a script by Lawrence Kasdan and story by George Lucas and Philip Kaufman, the film is playful, thrilling and self-aware. It is made with such care, attention to detail and sense of fun that I remember how disappointed I was to discover not all movies would be like this.

There have of course been diminishing returns with the more recent run of Indiana Jones sequels, but the first three installments all have a real spark. And so the Secret Movie Club will present “Raiders,” 1984’s “Indiana Jones and the Temple of Doom” and 1989’s “Indiana Jones and the Last Crusade,” all on 35mm at the Million Dollar Theater in DTLA on Sunday in celebration of Father’s Day.

In her original review of the first film, Sheila Benson described that while watching it, she felt “a rush of gratitude which almost brought tears of contagious joy and — not to be corny about this — the strength of the film’s positive vision. If this is an era in which the heroic is lacking and the mediocre threatens us from every side, then ‘Raiders,’ which has no pretensions to importance, which is unabashedly wide-eyed and exaggerated and true blue but somehow cherishes the best in life and filmmaking — is a high-water mark.”

Plenty of jokes could be made about the movies having settled into what might be thought of as part of the dadcore canon: action-adventure movies that play well on TV and maybe you can take a short nap and not miss anything. So be it.

From one master to another

Cary Grant and Eva Marie Saint in Alfred Hitchcock’s 1959 thriller “North by Northwest.”

(Sunset Boulevard / Corbis via Getty Images)

Filmmaker Guillermo del Toro has been making waves of late for his strong public stance against the use of AI in feature filmmaking. But it is worth remembering that he is also a deep and incisive thinker about older movies, a true fan, which makes his upcoming appearances at the Academy Museum a special occasion.

Del Toro will present five films by Alfred Hitchcock — 1946’s “Notorious,” 1943’s ‘Shadow of a Doubt,” 1959’s “North by Northwest,” 1953’s “I Confess” and 1972’s “Frenzy” — along with delivering a lecture on each of them. To see one great filmmaker reflect with such depth into the work of another is just remarkable. This is some genuine only-in-L.A. type stuff.

Comedy + politics = good fun

A scene from the 1976 movie “Car Wash.”

(Margaret Herrick Library / Academy of Motion Picture Arts and Sciences)

A raucous comedy set around the location of the title, “Car Wash” is also a sharp, politically minded satire about labor and money. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film has an extended ensemble cast that includes Richard Pryor, Franklyn Ajaye, George Carlin and many others.

In his original review Charles Champlin compared “Car Wash” to films such as “American Graffiti” and “Nashville” and called it “light but not foolish. … The experience is exhilarating.”

A 50th anniversary screening at the Academy Museum on Saturday of a new 4K restoration will include a panel with Schultz and actors Bill Duke, Antonio Fargas, Melanie Mayron, Garrett Morris and Pepe Serna.

Collision report

James Spader in the 1996 movie “Crash,” directed by David Cronenberg.

(Jonathan Wenk / Fine Line Features)

The controversy that surrounded David Cronenberg’s “Crash” when it premiered at Cannes in 1996 and received a U.S. release in 1997 tended to overwhelm the actual movie. Shockingly explicit, the film is about a secret underground world of people who create a sexual fetish out of car crashes. An adaptation of the novel by J.G. Ballard, Cronenberg’s movie explores the cinematic obsession with sex and violence.

Over time, “Crash” has been evolving from a seemingly cursed object dogged by scandal into something that audiences can come to appreciate and admire — even if it is not a movie you can ever exactly fully understand. Part of Cronenberg’s brilliance is how enigmatic and unknowable his work can be: strange, inviting and enveloping while refusing easy or direct analysis.

The movie is playing twice locally this week, on Saturday at Vidiots in partnership with the Cinegogue, with special giveaways and exclusive merch, and again on Monday at the Academy Museum in 4K. Who will be brave (or perverse) enough to go twice?

A different view of Rio

Milton Gonçalves, center, in the 1974 movie “The Devil Queen.”

(Kino Lorber)

A drag queen (Milton Gonçalves) rules the criminal underworld of Rio de Janeiro in Antonio Carlos da Fontoura’s 1974 gangster drama “The Devil Queen,” an unlikely mix of camp aesthetics and gritty violence. Among the film’s many fans is Kleber Mendonça Filho, the filmmaker behind the recent Brazilian hit “The Secret Agent,” who referred to “The Devil Queen” as “bloody, nasty and full of personality.”

The movie is playing in a new 4K restoration at the Lumiere Cinema in Beverly Hills.

A musical melodrama returns

Raul Julia, left, and Teri Garr in Francis Ford Coppola’s 1981 movie “One From the Heart.”

(Rialto Pictures / American Zoetrope)

We have talked before about Francis Ford Coppola’s “One From the Heart,” a movie of such delirious audacity that it nearly ruined the filmmaker‘s career. A throwback musical about two lovers who break up in search of more excitement, the film stars Teri Garr, Frederic Forrest, Nastassja Kinski and Raul Julia.

On Saturday the film will screen at the American Cinematheque’s Aero Theater in a 70mm print for the first time in L.A. since 1990. The event is being dedicated to Dean Tavoularis, Coppola’s longtime production designer, who died in April. For “One From the Heart,” Tavoularis re-created the Las Vegas Strip on a studio back lot.

New this week

• Amy Nicholson is not a fan of the new “Toy Story 5,” writing in her review, “Pixar has continued adding shades to the same plot outline like a child with a box of 128 crayons (or a company clinging to its billion-dollar idea).”
• Glenn Whipp cast back into the “Toy Story” universe for a highly personal ranking of his 10 favorite “Toy Story” toys.
• Two gay teenage boys attempt to survive a supernatural entity and conversion therapy in Adrian Chiarella’s debut feature “Leviticus.” Jen Yamato spoke to the filmmaking team.
• I spoke to writer-director Michael Sarnoski about his new “The Death of Robin Hood,” starring Hugh Jackman in a subversively revisionist telling of the last days of the medieval bandit.

GRAMMY-NOMINATED producer Tay Keith has been found dead in Nashville.

Brytavious Chambers, 29, better known as Tay Keith, was found dead in his apartment earlier today.

Police said his body was discovered while officers were performing a welfare check at his home.

Investigators say there was no evidence of foul play, but the exact cause of death has yet to be determined.

In a post on social media, Metro Nashville PD wrote: “No foul play is suspected in the death of Brytavious Chambers, 29, also known as the Grammy nominated record producer Tay Keith.

“He was found dead in his Martin St apt this afternoon by officers performing a welfare check.

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“His death is unclassified pending autopsy results.”

Throughout his career Keith worked with a wide range of music artists, including Beyoncé, Travis Scott and Drake.

The Memphis hitmaker enjoyed huge success on the Billboard Hot 100, earning 11 top 10 hits and four No.1 records.

He was also the mastermind behind Travis Scott’s “Sicko Mode” and Drake’s “First Person Shooter”.

Keith currently holds the record for the most No.1s on the Hot R&B / Hip-Hop songs chart this decade – with six.

His work even earned him a coveted Grammy nomination in 2019.

In the aftermath of his death, tributes for the producer have poured in.

Artist and childhood friend Blocboy JB shared photos of the pair as teenagers with the caption: “Damn Cuz You Just Hurt Me Bad.”

He also posted a video of their call history, writing: “We talked everyday yeen tell me you was leaving.”

Fellow Memphis producer Hitkidd also expressed his disbelief, posting a picture of the pair on Instagram.

The caption said: “I ain’t even got the words, we been doing this since 2010.”

Born on September 20, 1996, Keith stated making music when he 14.

He later received a bachelor’s degree from Middle Tennessee State University.

Signed to a publishing deal with Warner Chappell Music, he was also a member of BMI.

THE daughter of a legendary Hollywood director and her husband have been mysteriously found dead inside a running car parked on a highway.

Judith “Judy” Wyler Sheldon, 84, and her husband Wylie Sheldon, 86, were discovered unresponsive in a Jeep Compass on Interstate 5 near Redding, California.

A California Highway Patrol officer made the grim discovery on the shoulder of the northbound carriageway, just north of Fawndale Road, at approximately 5.46pm on Monday.

Judy, a prominent San Francisco arts patron, is the daughter of famous filmmaker William Wyler.

She was found behind the wheel, while her husband was in the passenger seat.

Despite emergency medical personnel attempting life-saving measures, both were declared dead at the scene.

The circumstances surrounding the tragedy remain unclear, and investigators are working to determine what happened inside the vehicle.

The California Highway Patrol’s Northern Division Investigative Services Unit has taken over the case.

While authorities have not publicly disclosed any indication of foul play or a medical emergency, the deaths occurred during a period of extreme heat.

The National Weather Service had issued a warning for the Redding area, where temperatures soared to 109 degrees Fahrenheit (43C) on the day the couple were found, though investigators have not confirmed if the weather played a role.

The news has stunned California’s arts and film communities, where Judy spent decades championing silent-film preservation.

She was the long-time chair and former president of the San Francisco Silent Film Festival.

Anita Monga, the festival’s artistic director, said the community was “reeling” from the devastating loss.

“Judy and Wylie were very dear to us, supportive and a positive presence at all our events,” she said, recalling how the couple regularly opened their home to visiting film archivists and musicians.

“Judy would allow, actually encourage, our visiting guests to pose for pictures with her father William Wyler’s Oscars.

The perfect hosts.”

Born Judith Wyler in Los Angeles, she briefly appeared on screen during the 1950s with credits in The Errol Flynn Theatre, The Buccaneers, and BBC Sunday-Night Theatre.

However, her lasting legacy was behind the scenes.

Judy’s passion for film preservation intensified after attending a 2007 retrospective of her father’s silent-era films in Pordenone, Italy.

Her cultural influence also extended to other institutions, including serving as a gala co-chair for San Francisco Performances.

The tragedy carries a deep resonance due to Judy’s family’s monumental place in cinema history.

Her father, William Wyler, remains one of the most acclaimed directors in American film, directing classics such as Roman Holiday, Ben-Hur, The Best Years of Our Lives, Mrs. Miniver, and Wuthering Heights.

William won three Academy Awards for Best Director, a feat achieved by only a handful of filmmakers.

Walter Parazaider, the saxophonist and co-founder of the rock group Chicago, has died. He was 81.

Parazaider died June 17 of complications from Alzheimers disease. In a statement posted to social media on Wednesday, the band said that “Chicago is heartbroken at the sad news of Walter Parazaider’s passing this morning. We extend our deepest condolences to his family, friends and countless Chicago fans who are all grieving his loss today.”

His daughter, Felicia Helen Parazaider, also posted on Facebook that “I love you poppy, my Pal…You coloured our world.”

Born in Maywood, Ill., Parazaider began his music career as a clarinetist, before founding Chicago with childhood friends in the group’s namesake city. The band’s pop hits like “25 or 6 to 4” and “Saturday in the Park” were staples of the ‘70s and remain beloved fixtures of classic rock. His diverse woodwind skills helped give the band its regal sound, adding saxophone riffs to hits like “Just You ‘n’ Me” and a poignant flute solo on “Colour My World.”

While Chicago’s lineup changed often, Parazaider remained with the group until retiring in 2018. In April of 2021, Parazaider wrote in a statement on Chicago’s website that “I was diagnosed with Alzheimers disease. Needless to say, my wife, daughters and myself were shocked and devastated. It has taken awhile to process this news and the fact is, we still are. The good news is we have a wonderful medical facility here and I have a very good doctor. I am working hard and not going to give up.”

Chicago gave credit to Parazaider for conceiving of the band’s distinct instrumentation, and the work ethic that made them stars. “A Rock & Roll band with horns was Walt’s idea,” Chicago’s statement continued. “He put the band together and they rehearsed in the basement of his mother’s home. He is also the one who did the hard work to book shows for the young, unknown band, performing top 40 covers at local bars in and around Chicago.

“We are forever grateful for his contribution,” they continued. “Perhaps his greatest gift was bringing people together. This amazing music may have never been heard had it not been for Walt’s vision.”

Parazaider is survived by wife JacLynn and daughters Laura and Felicia.

Russian artist Robert Kuzakov, known as Semyon Skrepetsky, was shot dead in Poland just three days after a performance protest in Berlin near the Russian embassy. He was known for his caricatures of politicians including Vladimir Putin and Alexei Navalny.

The “Love Island USA” production team is mourning the loss of executive producer James Barker, who died last week while on set in Fiji.

“Love Island USA” producers ITV America and Peacock confirmed Barker’s death in a media release shared with The Times on Monday. The announcement said that Barker died after “an unexpected medical emergency” but did not provide additional details, including the day of his death and a cause of death. Barker was 40.

“James’ unimaginable loss has been deeply felt across not just the entire Love Island USA production, but throughout all of ITV and Peacock,” the television companies said in a joint statement. “He was a beloved and greatly valued member of our collective family whose kindness, talent and dedication left an indelible mark on all of us and everyone who had the privilege of knowing and working with him. We extend our heartfelt condolences to James’ family, friends and colleagues.”

Barker began his tenure on “Love Island USA” in 2020, first working as a story producer. He has worked as an executive producer on the series for the last three seasons and was also a member of the producing team on “Love Island” companion series “Love Island Games” and “Love Island: Beyond the Villa.”

Barker, according to Monday’s statement, also oversaw the hit series’ pop soundtrack. For an interview with Rolling Stone in 2025, Barker recalled watching the original British “Love Island” series and how pop music supplemented the on-screen romances and heartbreak: “I think that is where my brain immediately said, ‘One, this is amazing, and more shows should be like this.’ And two, ‘How do I work on “Love Island”?’”

Barker also noted in the interview that he drew inspiration for the “Love Island USA” villa sound from his pre-TV career as a nightlife DJ and spoke about the process of hand-selecting music from established pop acts and up-and-coming artists.

“In the past, there was such a stigma about reality shows that a lot of artists didn’t want their music associated with reality shows. And that’s starting to turn around now,” Barker told the outlet. “[Artists are] more and more seeing, well, one, the financial aspect of having your music synced in these kind of shows, and also just the wide reach of viewers.”

Before “Love Island USA,” Barker was a producer on reality series “Pawn Stars,” “Counting Cars” and “Forged in Fire.” He later served as a story producer on “Queer Eye,” “Cosmic Love” and “Are You My First?” Outside of his TV work, Barker often performed as DJ Chaotic at gay bar C’mon Everybody in Brooklyn.

“Love Island USA,” which began its eighth season earlier this month, will pay tribute to Barker in Tuesday’s episode.

He is survived by his mother Malinda.

June 15 (UPI) — California’s Edwards Air Force Base said eight crew members are believed dead following the Monday crash of a B-52 Stratofortress.

The base confirmed the B-52 Stratofortress, which was carrying a crew of eight, crashed shortly after takeoff at 11:20 a.m. Monday morning.

“Initial indications are that the crash was not survivable,” the base said in a release posted to X.

Emergency response personnel were on scene working to account for all eight crew members.

“Our thoughts and prayers are with the families and unit members at this time,” the post said.

The airfield was closed following the crash and all incoming aircraft were diverted.

“All non-commercial visitor passes have been suspended until further notice to allow the installation to focus entirely on emergency response operations,” the base said in an earlier post.

Video captured nearby the base shows a plume of black smoke rising over the Mohave Desert.

Edwards Air Force Base, located about 100 miles north of Los Angeles, frequently hosts test flights for new and experimental Air Force and NASA aircraft.

The base said more information on the crash will be provided as it becomes available.

James Jordan thinks the recent Strictly Come Dancing “bloodbath”, which saw a string of professionals axed from the BBC show, was just “getting rid of dead wood”

James Jordan has said the recent culling of several Strictly Come Dancing professionals was “getting rid of dead wood”. The TV star, 48, served as a professional on the BBC Saturday night favourite from 2006 until 2013, and has now spoken out on the mass shakeups that have occurred ahead of the next series going to air.

It was then confirmed earlier this year that professional dancers Karen Hauer, the longest-serving pro on the series, along with Gorka Marquez, Nadiya Bychkova, Luba Mushtuk and Michelle Tsiakkas would not be returning to the series.

But James has now insisted that the changes were what was “needed” to give another set of pros a chance. He told the Press Association: “When you join Strictly, you’re taking someone’s job, OK? And people forget that because they’re on the show, but then when they’re asked to leave, and then they’re replaced, they’re only worried about that.

“But they forget at some point, they took someone’s job. It’s just showbiz, that’s what it is. Enjoy it for what it is – it is a juggernaut of a show, and it was an honour for all of us to be part of it for so many years.

“But you have to remember that it will come to an end at some point, and all this controversy around, ‘oh, they’re changing so many of the pros’… it needed a shakeup. Some of the pros have been on there for 14 years… dead wood… get rid of them and bring someone younger in, in my opinion.”

But fellow former Strictly professional dancer Ian Waite said: “In my opinion, they got rid of the wrong ones.” He said: “All the professional dancers are amazing in their own right, but you can’t stay on there forever. At some point, you have to give the younger ones a chance, because there’s so many amazing dancers out there.”

James then claimed that bosses could have “got rid of some of the judges as well,” with the panel currently made up of Shirley Ballas, Anton Du Beke, Motsi Mabuse and Craig Revel Horwood, before hitting out at how “politically correct” he thinks it has become in recent years.

He added: “It’s all got nicey-nicey now, isn’t it? It’s all politically correct, and ‘you can’t say this, and you can’t say that’. You can’t be negative because they’re (the contestants) are gonna cry. It’s a dance show. You need that baddie… but even Craig now is kind of toned down a lot.” He then called for the “reality” of the series to be shown to viewers.

“It’s all like everyone loves everyone, and we’re all one big happy family. That’s not life, that’s not real life. I want to see how hard they’re working in the training room. I want to see the tears. I think that’s the magic that needs to come back.”

James’ own exit from the show came as a result of him choosing to turn down the offer of a reduced role, which would have meant that he would have not been paired with a celebrity on the main programme having previously competed with the likes of broadcaster Vanessa Feltz, actress Denise Van Outen and The One Show’s Alex Jones.

Tess Daly and Claudia Winkleman announced they were leaving last year and will be replaced by Emma Willis, Johannes Radebe, and Josh Widdicombe.

Casting the Big Brother host to present the new series was hailed by James as an “amazing” decision, but wasn’t sure what to make of her new co-stars and would have “preferred” another big name from the TV world.

But he said: “I would have preferred someone like Bradley Walsh or Vernon Kay, or someone like that, because they’re tried and tested. But at the same time, sometimes you got to take risks, and I’m not going to say it’s not good, because I haven’t seen it until I see it.”

Later this year, James and Ian will be teaming up with fellow former Strictly pros Brendan Cole, Pasha Kovalev and Vincent Simone for the dance show Vegas: After Hours.

The show will see them bringing the spirit of Sin City to life with routines set to a soundtrack inspired by Las Vegas performers. James said following their previous Legends Of The Dance Floor in 2024 and The Return Of The Legends last year, they were approached to do another show with the “old geriatrics from Strictly”.

Ian then joked that although they had asked producers to be sent to Vegas for “research purposes”, money was “too tight”. He said: “They said they couldn’t afford James’s casino bills and Vincent’s drinks bill.”

James then said: “These guys are amazing and inspire me every single day that I watch them on stage. They’re all so different and so brilliant at what they do, but I think what separates our tour from any other Strictly tour is the realism in between with the chat, the camaraderie between us, and the fact that we take the mickey out of each other. If we were still working for the BBC, we wouldn’t be able to say some of these things… but it’s all very real and honest and funny.”

The 30-date tour starts in Fareham on October 3 and wraps up in Cardiff on November 8. Tickets are on sale now, available from the venues, Ticketmaster and on The Legends in Vegas: After Hours | Concert Tour.

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June 13 (UPI) — One person is dead and 22 others injured when a large tent collapsed at an outdoor church service Friday evening in Virginia.

The accident happened at East Lake Community Church in Moneta, Va., in the western part of the state. Moneta is about 25 miles from Roanoke.

“Prior to the collapse, a severe storm cell moved through the area, bringing heavy rain, lightning, and strong winds,” Bedford County said in a press release. “The weather conditions caused the tent structure to fail.”

Of the injured, 11 were taken to hospitals.

The tent had passed an inspection conducted by the Bedford County Division of Building Inspections on June 9, the county said.

The church was celebrating its 20-year anniversary.

Pastor Troy Keaton said in a statement that he had just walked to the stage to release congregants to their cars when a burst of wind lifted the tent.

“Sadly one of our dear brothers suffered a fatal injury,” Keaton said. “Our hearts are broken for his precious family.”

The man’s identity hasn’t been released.

“We would appreciate your prayers and your patience as we navigate this situation,” the church said. “We are trusting in the Lord for his care, strength and help.”

June 12 (UPI) — Multiple tornadoes caused severe damage across several midwestern states Thursday evening.

A 54-year-old man was killed in a homeless encampment in a park Wednesday in Des Moines, Iowa, after he was hit by a tree that “broke apart and fell during strong storms,” police said in a statement. They found the man injured, and he died on the scene, CBS News reported.

There have been no other official reports of injuries.

As of Friday morning, nearly 500,000 customers were without power in Illinois, Indiana, Wisconsin and Michigan.

Some of the hardest-hit areas are just south of Chicago in Kouts and Merrillville, Ind., and Bartlett, Naperville, Streator and Dwight, Ill.

A tornado hit Streator at 5:52 p.m. CDT Thursday, and another was reported in Dwight just after 6:15 p.m. The system had traveled east to Lake and Porter counties in Indiana around 7 p.m.

Streator Mayor Tara Bedei said there have been no deaths reported in the city.

“We are incredibly grateful for the safety of our residents and the quick action of emergency personnel,” she said in a statement.

An animal shelter in Springfield, Ill., suffered heavy damage to two buildings, CBS reported, but none of the nearly 150 cats and 28 dogs housed there were injured, said Animal Protective League Executive Director Deana Corbin.

“It pretty much wiped out our shelter facility, took the roofs off both of our buildings,” Corbin said. “It’s a miracle. We were so blessed to not have any injuries of either people or animals.”

Home and news video showed several destroyed homes, including one in which a man was trapped under debris in Streator. He was removed safely with the help of first responders. It’s unclear if he was injured.

Illinois State Police later confirmed “heavy damage” in Streator, and Illinois-18 leading into the town was closed for clean-up and rescue efforts. Displaced residents and separated families in Streator were being sent to Streator City Hall, officials said.

Merrillville Police also reported heavy damage and road closures in the city.

Hobart, Ind., announced Thursday night that it was opening a local gymnasium to those in need of shelter.

“For families displaced by the storm, the Hobart Police Department is opening the gymnasiums at the Police Court Complex as a temporary shelter location,” a police Facebook post said. “The facility has available space, clean restrooms, fans, and good airflow, providing a safe place for those in need. Please note that there is no air conditioning, unfortunately.”

Maple Park, Ill., winery owner Joe Brandonisio told CBS that one of his workers tied himself to a water trailer to keep from being blown away.

“I saw the debris fly up and spin around. I got down in the basement. I told the staff to get down there,” Brandonisio said.

David Hockney, the innovative and prolific British artist who arrived in Los Angeles in 1964, soon celebrating its sun-drenched life and landscapes in colorful, wildly popular paintings, has died.

He was 88.

Calling himself “an English Los Angeleno,” Hockney immortalized the city’s sparkling swimming pools, palm trees and beautiful young men, then went on to experiment with intricate photo collages, portrait suites, painted and filmed images of Yorkshire landscapes, iPad drawings and more.

Since his Pop Art paintings in the early ‘60s at London’s Royal College of Art, Hockney was rarely out of the limelight and, more important, rarely out of fresh ideas for how to draw, paint, film, print, photograph or otherwise express his creativity. The David Hockney Foundation owns more than 8,000 of his works, including about 200 sketchbooks, more than 230 self-portraits, opera designs and portraits of family and friends.

Hockney loved Hollywood — the people and the place — and liked to say he was brought up in England and Hollywood because of the time he spent at the movies. His peroxide blonde hair reportedly was inspired when he was a student and saw Clairol TV ads claiming “blondes have more fun.” But it was his interest in everything from Elvis Presley to the Hubble Space Telescope and his sense of humor that set him apart. Time Magazine art critic Robert Hughes once called him “the Cole Porter of modern art.”

He was open about being gay, even when homosexuality was outlawed in Britain. His early love affair with artist Peter Schlesinger, a younger man he met when teaching a summer drawing class at UCLA in 1966, inspired Hockney’s monumental 1972 painting “Portrait of an Artist (Pool with Two Figures),” a centerpiece of Jack Hazan’s 1974 film “A Bigger Splash.” The painting’s 2018 auction at Christie’s drew a record $90 million for a living artist.

He was a dedicated reader and student of art, paying homage in his work to Picasso and Cubism as well as to Monet, Matisse, Van Gogh and Cezanne. A lover of opera, he often had it playing loudly in the studio and enjoyed taking visitors on curated car trips through the Hollywood Hills or Malibu while listening to Wagner. He designed sets for major companies in Los Angeles, Chicago, New York, London and elsewhere over the years, and some of his set models were later shown in museums.

David Hockney’s work “Gregory in the Pool (Paper Pool 4)” is part of his solo exhibition “David Hockney: Perspective Should Be Reversed” at the Palm Springs Art Museum in Palm Springs. (Courtesy of the Palm Springs Art Museum)

(Courtesy of the Palm Springs Art Museum)

His solo shows drew enormous crowds to the Los Angeles County Museum of Art as early as 1988. In 2017 a major retrospective of his work, keyed to his 80^th birthday, was presented at New York’s Metropolitan Museum of Art, Paris’ Centre Pompidou and London’s Tate Modern. Chronicling Hockney’s arrival as an important artist in the “ravishing” Met retrospective, the New Yorker writer Andrea K. Scott called it “a revelation.” It was, she wrote, “a retort to all the eye-rollers,” including herself, who dismissed his work “as, at best, a guilty pleasure.”

In 2012 he received the coveted Order of Merit, which Queen Elizabeth II presented to him at Buckingham Palace.

David Hockney was born the fourth of five children to a working-class family in Bradford, Yorkshire, on July 9, 1937. He has said he started “making marks on paper” at 8 and received private painting lessons before moving on to Bradford School of Art in 1953. The first painting he sold was a portrait of his father in 1955. He attended the Royal College of Art in London from 1959 until his graduation in 1962 and received the school’s Gold Medal.

After college he did not slack off, noted his biographer Christopher Simon Sykes. In his 2014 book, “Hockney: The Biography,” Sykes pointed out that the artist’s first flat had a chest of drawers near the bed on which he had painted, in large capital letters, the words “get up and work immediately.”

David Hockney in 2017.

(Catherine Opie, Courtesy of Regen Projects, Los Angeles and Lehmann Maupin, New York, Hong Kong and Seoul.)

Hockney lived by that command for the rest of his life, turning out canvas after canvas, photo after photo. In the ‘80s came his extraordinary multi-image photographic collages of friends including writer Christopher Isherwood and artist Don Bachardy and such landmarks as the Brooklyn Bridge, Grand Canyon and Pearblossom Highway.

“The Polaroids started oddly enough when I’d just finished a long period of work in the theater, which is of course playing with perspective and illusion,” he once told The Times. “People say, ‘You are a painter, and photography is a sideline.’ But nothing is a sideline for me.”

That included his continuing fascination with technology. The artist’s long career swept in artworks made not only on cameras and canvases, but on such things as fax machines and photocopiers. Hockney liked to experiment, whether it was with state-of-the-art printing devices or centuries old painting techniques. He went several times to a show of portraits by Jean Auguste Dominique Ingres at London’s National Gallery in 1999 and was greatly taken with the photographic’ quality of Ingres’ 19th century drawings. Certain that Ingres had used something optical to achieve that quality, Hockney bought himself a camera lucida, a small device that works like a prism. He then applied Ingres’ methods–as Hockney imagined them–to his own portraits of friends and family, and in 2001, he published “Secret Knowledge,” exploring his theories on early artistic uses of optical devices.

His death was confirmed by the Associated Press and New York Times.

Isenberg is a former Times staff writer

Bill Cody, the Grand Ole Opry and longtime WSM Radio host who woke up listeners with his velvet voice and country music lore, has died. He was 67.

The Tennessee radio station confirmed Cody’s death on social media on Tuesday, writing, “It is with heavy hearts that we share the passing of our dear friend and beloved WSM voice, Bill Cody.

“A singular presence on WSM-AM Nashville for more than three decades, Bill welcomed listeners each morning on Coffee, Country & Cody with a broad smile, a conversational ease, and an unerring ability to make both artists and audiences feel at home. He joined WSM in 1994 and had Charlie Daniels as his first in-studio guest. He built more than a morning show; he created a gathering place rooted in his deep love for country music and the people behind it.”

In late May, Cody’s daughter Hannah Davis shared that the radio host had been admitted to the intensive care unit with heart and kidney failure. “After weeks of being on a roller coaster of emotions, tests, dialysis, medications, steps forwards and steps backwards, it was determined earlier this week that his only option for survival would be a double transplant, heart and kidney,” she wrote on Facebook. “We need a miracle and we know God is able.”

On Tuesday, she wrote that Cody had died peacefully surrounded by family and “was welcomed into heaven as thunder bellowed outside, and we laughed because we knew it was a band of angels rejoicing.”

With nearly 50 years on the airwaves across syndicated radio, television and film, Cody was honored with a star on the Music City Walk of Fame in the fall of 2024. His credits included the film “American Saturday Night: Live From the Grand Ole Opry,” the television show “Tennessee’s Wild Side” on PBS, “Ray Stevens’ Nashville” on RFD-TV, and GAC TV’s “Master Series.”

In 2008, the beloved Nashville host was inducted into the Country Radio Hall of Fame, and across his career, he earned multiple nominations from the Country Music Assn., the Academy of Country Music and Billboard for his contributions to broadcasting.

Born Trent Clutts on Dec. 16, 1958, in Huntsville, Ala., Cody was inspired to pursue a career in broadcasting during visits to a Kentucky radio station with his dad. His father was a Southern Baptist minister, and his Sunday morning sermons were broadcast on the radio in the afternoons. Cody couldn’t get enough of the goings-on at the station when the two would stop by to drop off cassettes.

In 1971, when the radio host was 17, he was hired as a night deejay at WVLK in Lexington, Ky., but the program director didn’t think “Trent Clutts” had the right ring for radio. Cody named himself after “Buffalo Bill,” one of the most famous showmen of the American Old West, and used the moniker for the rest of his career.

As a teenager, Cody noticed a girl named Rebecca during study hall and, according to Davis, winked at her from across the room. The wink sealed the deal and the two spent more than 50 years as a couple, welcomed three children — Luke, Hannah, and Levi, who died in 2025 — and eventually grandchildren, who called him PoPo. The family lived in Cross Plains, Tenn.

“Like so many of us at the Opry, Bill Cody lived out his dreams on the Opry stage. More times than I could count he and I would look at each other as if to say, ‘Can you believe we get to do this?’” Dan Rogers, executive producer at the Grand Ole Opry, wrote on social media.

“Even better, he made Opry audiences tuned in from around the world feel like they were here too, themselves a part of country music’s most famous show. Then, he’d get up early the next morning and — with that signature smile in his voice — tell everybody about it on his show.

“He was the best of friends to country music and to everyone who was a part of it. We’re sure going to miss him.”

Authorities have identified the hiker who suffered a fatal medical emergency in Runyon Canyon as 78-year-old screenwriter William Hasley.

Hasley was a veteran TV writer who taught screenwriting classes at UCLA Extension. He was also a friend of Caitlyn Jenner and helped write the former athlete’s motivational book “Finding the Champion Within,” according to his biography.

The L.A. County medical examiner released Hasley’s identity Tuesday but had yet to rule on his cause of death.

More than two dozen personnel with the Los Angeles Fire Department responded to a report of a hiker in grave medical condition off Nichols Canyon Road near Hollywood Boulevard shortly before 7 p.m. Saturday.

A helicopter was used to reach the patient and allow paramedics to provide urgent medical care. They were unable to save him, and he was declared dead shortly after, according to the LAFD.

Hasley hailed from Pittsburgh and played university football before venturing to Hollywood to pursue his dreams as a writer. He wrote on 37 episodes of “The Smurfs” in the late 1980s and early ’90s as well as several episodes of “Fat Albert and the Cosby Kids,” according to IMDB. His TV writing credits also included “Swift Justice,” “Ghost Stories,” “Murder, She Wrote,” “Young Riders” and “Highway to Heaven.”

He was able to channel his love of sports while working with NBC on the network’s project “Star Salute to the U.S. Olympic Team,” where he met Olympic gold medalist Caitlyn Jenner, according to his professional biography.

The pair became friends, and Hasley went on to help write a book about Jenner’s philosophy on overcoming adversity in sports and life. He was commissioned to ghostwrite several other motivational books including “Passion, Profit, & Power” for hypnotist Marshall Sylver and “The Slight Edge” for self-help expert Jeff Olson.

Hasley loved sharing his passion for writing with students at UCLA and described the process of writing as akin to assembling a puzzle, where one tries many different combinations of pieces before finding the perfect fit, according to his teaching biography.

“I personally believe that when you know your characters well enough they will start dictating their actions,” he wrote. “When that happens writing becomes a euphoric experience.”

In addition to teaching and writing, he enjoyed golfing, horseback riding, fighting City Hall over an environmental issue, volunteering in soup kitchens and speaking to youth organizations, according to his bio.

Hasley was formerly married to actor Robin Riker, best known for her roles on “Brothers” and “The Bold and the Beautiful.”

He lived in the Hollywood Hills not far from where he suffered the medical emergency. A neighbor told the New York Post they had seen him earlier Saturday carrying groceries home. “It’s very sad he had to die all alone like that,” the neighbor said.

Times staff writer Sonja Sharp contributed to this report.