dead

At least 51 people rescued as search operation continues off the island of Gavnos near Crete.

One person has died, 25 are missing and 51 people have been rescued after a boat carrying migrants sank off a Greek island near Crete, according to the country’s coastguard.

“Fifty-one were picked up by two boats that were in the area,” a coastguard spokesman said on Monday.

He said survivors had reported that 77 people were on board when the boat went down near the island of Gavdos.

Search and rescue efforts were ongoing, with four ships, boats, Frontex aircraft and a coastguard helicopter operating in the area, Greece’s public broadcaster ERT News reported.

The 51 rescued people were due to be brought to Crete, “where the prescribed procedures will be followed”, ERT reported.

After arriving in Crete, undocumented migrants generally face immediate arrest and temporary confinement before being transferred to closed detention camps on the Greek mainland. Under Greek law, individuals are subject to extended administrative detention, severe penalties and fast-track deportation.

Strong winds blowing through the area have been hampering the search operation, ERT said.

Crete and Gavdos, about 320km (200 miles) from the Libyan coast, have become the main point of entry for asylum seekers in Greece.

In late August, Greece’s ANA news agency published figures from the Ministry of Migration and Asylum that indicated that migrant arrivals in the country fell from about 61,000 in the year to August 2025 to 42,000 in the following 12 months – a decline of about 31 percent.

Greece’s conservative government in July suspended all asylum claims for migrants arriving by sea from North Africa for three months, a move it argued helped deter crossings.

The ban passed in parliament amid a surge in asylum seekers reaching Crete and after talks with Libya’s Benghazi-based government to stem the flow were cancelled in July.

The government remains at odds with regional authorities in Crete over a plan to build a permanent transit facility on the island. It is preparing draft legislation that would mandate imprisonment for people whose asylum claims are denied and require ankle monitors during a 30-day compliance period before deportation.

Authorities in Europe have tightened their immigration rules over recent years as far-right, anti-immigrant political parties have won increasing support throughout the continent.

Greece has been in discussions with Germany and several other European Union countries on setting up “return hubs” outside the bloc for processing migrants’ claims.

STOCKHOLM: Sweden’s national election results showed a dead heat ​on Sunday, with a partial count by the election authority indicating a one-seat majority for the opposition center-left bloc that could halt the Nordic nation’s drift away from its liberal heritage.

The bloc, headed by the Social Democrats’ party leader Magdalena Andersson, was expected to win 175 seats in the 349-seat parliament, the Riksdag, based on votes from 4,853 of Sweden’s 6,312 election districts, the election authority said.

The right-wing governing bloc of Prime Minister Ulf Kristersson was seen winning 174 seats, with ballot-counting continuing.

The election, while unlikely to change the course of Sweden’s pro-Western and pro-Ukraine stance, will decide whether Kristersson’s push toward a hard-right clampdown on migration continues.

Given the closeness of the race, ‌the winner may ‌not be known for several days, after all overseas ballots have been ​counted.

In ‌a ⁠pre-election pledge, ​Kristersson ⁠broke a longstanding taboo and said he would bring into government the Sweden Democrats, a far-right party with roots in the Nazi fringe, as he aims to create a majority-right coalition.

Many voters on the right say a win would amount to an endorsement of policies that have helped to curb gang violence and cut immigration dramatically.

But some Swedes have expressed wariness, saying Kristersson’s invitation to the far right was a step too far.

“I think it will be a long night,” said Maria Malmer Stenergard, minister for foreign affairs and a member of Kristersson’s Moderate Party. “Maybe we won’t even ⁠have the results until Wednesday when the votes that have been cast abroad arrive.”

Kristersson, who ‌has trailed in opinion polls throughout his four years in office, ‌had been catching up in the final weeks of campaigning, with Andersson ​and her Social Democrats losing ground.

Critics say the Kristersson ‌government’s immigration policies, whose incentives and penalties press migrants either to conform more closely to Swedish cultural norms ‌or leave the country, are undermining civil liberties.

Electoral success for the Sweden Democrats would be welcomed by Europe’s ascendant far-right parties, which were bolstered by the anti-immigrant Alternative for Germany’s win in a German state election last week.

The far right hopes for gains in upcoming elections across Europe, with the National Rally’s bid for the French presidency next year potentially its biggest prize.

‘DOESN’T ‌LOOK LIKE SWEDEN’

While voting on Saturday in Rinkeby, near Stockholm, the Sweden Democrats’ longstanding leader Jimmie Akesson said the suburb, home to one of the country’s biggest ⁠Swedish-Somali populations, “doesn’t look like Sweden.”

Sweden ⁠was long one of Europe’s most welcoming countries for immigrants until Kristersson came to power four years ago. His government abolished permanent residency for refugees, tightened welfare rules and stepped up expulsions of those without a right to stay.

The Sweden Democrats acknowledge that their party was founded in part by neo-Nazis and white supremacists in the 1980s, but say they have eliminated such extremists from their ranks and have apologized for their past.

Cheers broke out at the Sweden Democrats’ election party after an updated projection from Swedish broadcaster SVT showed a much narrower gap than an initial exit poll, which had put the center-left opposition ahead with 51 percent of the vote.

“You cannot imagine how nervous I am right now. It feels like my life’s work is hanging in the balance,” said Ludvig Aspling, a member of parliament and immigration spokesperson for the Sweden Democrats. “It is going to be super tight. ​We still have a chance,” he said.

One person has been confirmed dead and more than 30 remain missing after the MV Matui ferry sank off the coast of Vanuatu, according to a statement from the office of Prime Minister Jotham Napat. The incident occurred on Sunday, with dozens of crew and passengers on board, the statement said.

Search and rescue operations are ongoing in Vanuatu, a Pacific Island nation located approximately 1,750 km (1,090 miles) east of Australia. The Prime Minister’s office stated on Facebook that 15 individuals have been accounted for alive. The ferry sank in adverse weather conditions on Friday between the islands of Ambae and Santo, according to New Zealand public broadcaster RNZ. The search has shifted from open waters to the south-east coast, where currents may have carried survivors, RNZ reported.

Investigation into causes

The statement from the Prime Minister’s office indicated that strong winds and marine warnings may not have been heeded, and that potential negligence, including overloading of the vessel, is being investigated. Authorities have announced that a formal investigation will be conducted to determine the causes of the incident.

“To the survivors, we pray for your strength and recovery. To the families of those missing and those we have lost, please know that the nation stands with you in this time of grief,” the statement from the Prime Minister’s office said.

Rescue operations and official response

Matai Seremaiah, a representative of the Luganville area in Vanuatu’s Parliament, stated that rescue efforts began after a crew member of the MV Matui swam ashore and raised the alarm. “He alerted us that the ship has capsized, we went out for the search,” Seremaiah said in remarks broadcast by RNZ.

The Vanuatu police, the Vanuatu Maritime Safety Authority, and the ferry’s operator, Tui Shipping Agency, have not yet responded to requests for comment. The search and rescue operation continues as authorities work to locate the missing passengers and crew.

Rescuers continue searching for survivors as the government scales back operations in open waters.

At least one person has died and more than 30 remain missing after a ferry sank off the coast of Vanuatu, Prime Minister Jotham Napat’s office has said in a statement.

The MV Matui, an inter-island ferry, sank in bad weather on Friday while sailing between the islands of Ambae and Santo, in Vanuatu’s north, according to New Zealand’s public broadcaster RNZ.

Of the dozens of crew members and passengers on board, 15 have been accounted for alive, Napat’s office said in a statement posted on Facebook, with search and rescue operations continuing.

The Pacific nation’s government said search efforts “in open waters” were being scaled back “whilst efforts move toward a search along the south-east coast, where currents may have carried survivors”.

It said the sinking “appears to be the result of strong winds and marine warnings not being heeded, and possibly of negligence including overloading of the vessel”, adding that a full investigation would follow to establish the facts and prevent a repeat.

Vanuatu police, the country’s Maritime Safety Authority and the ferry’s operator, Tui Shipping Agency, did not immediately respond to requests for comment, the Reuters news agency reported.

GENEVA: A road accident involving a tourist coach in eastern Switzerland has left several people dead and others injured, police said on Thursday.

The accident happened between the communes of Susch and Zernez in the far-eastern canton of Graubunden.

“Several people died in the coach crash in Susch. Several others were also injured,” the cantonal police said on X, without giving details on the circumstances of the accident or the victims’ identities.

Footage broadcast by Swiss media showed many rescue workers rushing about around the coach, which has overturned onto its side below the road, and helicopters stationed nearby.

According to the Swiss press, the bus belonged to the Dutch Oad tour operator, which offers trips across Europe.

Zernez is the entry point for visitors to the Swiss national park, a vast Alpine reserve stretching more than 100 square kilometers (40 square miles) across the mountainous Engadine valley.

MANILA: A fire broke out Wednesday evening aboard a vessel carrying over 100 passengers near a tourist hotspot in the Philippine province of Palawan, leaving at least five people dead, local media and the coast guard said.

“The Philippine Coast Guard (PCG) immediately responded to a fire incident involving M/V June Aster at the vicinity waters approximately 1.2 nautical miles northeast of Barangay Marcilla,” in the Coron municipality, the service said late Wednesday on Facebook.

Video shared by the coast guard showed the vessel completely engulfed in flames.

Another post over two hours later said “five casualties were initially reported” and brought ashore, with accompanying photos showing several body bags.

The post said 42 people had been rescued, while GMA News reported the ship had been carrying 117 passengers and 17 crew, citing a coast guard official.

Tracking data from MarineTraffic showed the June Aster had departed from Manila.

British Foreign Secretary Ed Miliband has said the United Kingdom will sanction illegal Israeli settlements in the occupied West Bank, describing the move as “overdue” and necessary to “salvage” a two-state solution to the Israeli-Palestinian conflict.

He made the comments on Tuesday as 11 nations joined the UK in supporting or ⁠considering curbs on trade in goods with settlements that are a barrier to a future Palestinian state.

But analysts say the step is far from enough to drive momentum for Palestinian statehood, threatened by ever-expanding settlements in the West Bank and an increasingly hostile Israeli political environment.

Tahani Mustafa, a lecturer in international relations at King’s College London, told Al Jazeera the latest anti-settlement measures are “modest” and unlikely to have a significant impact on ambitions for Palestinian statehood.

“After three decades of breakneck settlement expansion, Palestinian territory is only being held together by its sinews,” said Mustafa. “If what remains is still territorially viable as a state, it is only barely so. Much more decisive action is needed to salvage the two-state solution and a durable lasting solution to the conflict.”

Settlements dividing Palestinian territory

More than 30 years after the Oslo Accords set out a negotiating process aimed at resolving the Israeli-Palestinian conflict, the creation of a Palestinian state alongside Israel has remained the foundation of international efforts to forge peace.

But since the Oslo process began in 1993, the number of Israeli settlers in the West Bank, including occupied East Jerusalem, has ballooned from about 260,000 to more than 700,000, according to the Palestinian Bureau of Statistics, posing a glaring roadblock to the plan.

The challenge is not just the raw number of settlers, but their geographic spread. Today, many Israeli settlements are embedded deep inside West Bank areas that would be needed for a contiguous Palestinian state, including near major Palestinian urban centres such as Nablus, Salfit and Hebron.

Israel’s recent E1 settlement plan, which would build thousands of illegal housing units between the Israeli settlement of Maale Adumim and East Jerusalem, is a case in point. The plan would effectively split the West Bank in two and fully sever it from East Jerusalem, which Palestinians seek as their future capital.

Experts have long said Israel will need to dismantle some of its West Bank settlements, as it did in the Gaza Strip in 2005, to make room for a cohesive Palestinian state. But many Israeli settlements, especially those closer to Israel’s pre-war 1967 borders, would likely need to be addressed through land swaps.

“A complete withdrawal from some of the deeply embedded settlements is highly unlikely,” so land swaps would be the only way to create some form of Palestinian “territorial integrity”, Andreas Krieg, associate professor at King’s College London, told Al Jazeera.

However, such an arrangement – under which Israeli settlements close to the pre-1967 borders would become part of Israel and some “northern Arab-Israeli communities would be integrated into a Palestinian state” – would be “highly controversial” and face blowback from multiple communities, said Krieg.

He argued that Israelis would be certain to oppose any forced withdrawal from West Bank settlements, while some “Arab-Israelis may not want to live within a Palestinian state”.

Palestinian citizens of Israel make up approximately 21 percent of Israel’s overall population but are treated as second- or third-class citizens at the institutional level. According to rights groups, several dozen Israeli laws actively discriminate against Palestinian citizens across a number of issues, including education and housing.

Israeli ‘consensus’ against Palestinian state

Beyond the physical obstacle created by settlements is the Israeli political landscape, in which the idea of a Palestinian state has become toxic.

The government of Prime Minister Benjamin Netanyahu appears to be among the most hardline in Israel’s history on the issue. Netanyahu has emphatically ruled out the prospect of a Palestinian state, while his far-right Finance Minister Bezalel Smotrich, who also oversees Israeli settlements in the West Bank, has celebrated blocking Palestinian statehood as a badge of honour.

The views of Netanyahu’s most influential domestic critics do not deviate much. His top rival in elections slated for October, former military chief Gadi Eisenkot, has promised not to allow the establishment of a Palestinian state. And Naftali Bennett, a Netanyahu rival from the far right, fervently opposes Palestinian statehood.

As for the Israeli public, a June poll by the Council for a Secure America found that only 22 percent of Jewish Israelis favour a two-state solution, while 63 percent oppose it.

“The consensus within Israel, socially and politically, does not allow for any party to make any steps towards a Palestinian state,” said Krieg.

Meanwhile, Israel’s closest ally, the United States, is unlikely to apply significant pressure over Israel’s settlement policy so long as President Donald Trump remains in office for the next two and a half years, he added.

Krieg said a “best-case scenario” is for Israel’s next elected government to reverse some of the country’s recent settlement advances.

John Strawson, professor at the University of East London, said that any new Israeli government is “unlikely to support a Palestinian state”, but that a more moderate Israeli government may at least “stop the ethnic cleansing and other moves which are aimed at making that impossible”.

“Removing Netanyahu is the first step towards a two-state solution,” said Strawson.

Two states are the ‘only alternative to violence’

If the two-state model is still alive at all, it is largely due to pressure from the international community.

More than 150 countries, including the majority of European Union nations, have recognised Palestinian statehood. And several Arab states with whom Israel seeks better ties have indicated Palestinian statehood is a precondition for normalisation with Israel.

Krieg said Tuesday’s move by the UK and the 11 other mostly European nations is an “overdue step in the right direction”, but also “shows the laziness and lack of creativity on the part of the international community to actually think outside the box in terms of a two-state solution”.

Anders Persson, a political scientist specialising in the Israeli-Palestinian conflict, said that while the settlement sanctions are concerning to Israel, other previous anti-settlement measures, such as 2013 EU restrictions on funds for Israeli entities operating in occupied Palestinian territory, “changed little on the ground”.

He said the latest sanctions may be “too late” and “too limited … to save the two-state solution”.

Strawson said that while a two-state solution may “seem optimistic”, it is the only alternative to “permanent war and violence”.

KFAR RUMMAN, Lebanon: Hundreds of people in south Lebanon gathered on Tuesday to mourn two Hezbollah members and their family, among them a three-month-old infant, killed by an Israeli strike a day prior.

The two brothers’ coffins, draped in the Iran-backed group’s yellow flag, portraits of them in camouflage fatigues fixed to the front, led the procession through the village battered by repeated conflict over nearly three years.

Another 10 coffins were covered in Lebanese flags, indicating that the rest of the Farhat family killed when Monday’s strike levelled their home were civilians.

Israel has launched airstrikes and a ground invasion in south Lebanon during the Middle East war, which erupted with joint US-Israeli attacks on Iran and spread to Lebanon after Hezbollah targeted Israel in support of its backer.

The fighting in Lebanon had calmed since a US-Iran memorandum of understanding and a framework agreement between Israel and Lebanon were both agreed in June.

But Beirut still reports recurring Israeli strikes, which it says have killed more than 4,300 people in total since March, and Israeli forces continue to occupy what it calls a “security zone” in the south.

A separate strike on Kfar Rumman on Monday killed an 18-year-old rescuer with the Risala Association, linked to the Hezbollah-allied Amal movement, the organisation said, who was mourned alongside the Farhat family on Tuesday.

“We have 13 killed including grandfather and grandmother, husbands and wives, and their children including a three-months old infant,” deputy mayor Nureddine Nureddine told AFP from the funeral.

“Someone put an end to these crimes,” Nureddine said, adding that the strike that killed the Farhat family “occurred at night, while they were sleeping”.

“There was no military activity, nothing.”

An AFP correspondent saw people marching to the cemetery, waving Hezbollah flags as women dressed in black wept, holding pictures of the dead as an Israeli drone flew overhead.

“Death to America, death to Israel,” mourners yelled.

– ‘A shred of honour’ –

The Israeli military said on Monday that it had struck Hezbollah “infrastructure sites” across southern Lebanon after the launch of two explosive drones towards its troops, as well as “several terrorists” it said were transferring weapons.

“The claim that several uninvolved individuals were harmed as a result of the strikes is being reviewed,” it said, adding that the military “will continue to operate to remove threats while remaining committed to the ceasefire agreement”.

Since Friday, at least 28 people have been killed in Israeli attacks on southern Lebanon, according to Lebanon’s health ministry.

Standing next to a picture of his own son, a Hezbollah member killed by Israel, Ghaleb Baalbaki slammed the Lebanese government for continuing direct talks with Israel.

“If they have even a shred of honour, the first thing they should do would be to stop the negotiations,” he said.

The lull in violence that began in June had allowed hundreds of thousands of displaced people to return home.

“Kfar Rumman was coming back to life, there were more than 1,400 people” in the town before the latest escalation, Nureddine said,

“Now, they can be counted on your fingers.”

SHE is one of the most recognisable women in music – but what does it take for some people to be convinced Avril Lavigne is not who she says she is?

The punk-pop icon rose to international stardom in the Noughties – but as her popularity peaked, a strange and startling rumour was also gaining traction in the shadows.

The theory is as puzzling as it is disturbing – a dead Avril, a body double named Melissa and a supposed Hollywood cover-up – and like the catchiest pop song, it refuses to leave.

Born in 1984 in Canada and raised in a strict Christian household in sleepy Napanee, Ontario, Avril grew up in a small town of roughly 5,000 where her parents closely monitored her music choices.

But the precocious teenager was already plotting her escape, writing poems, learning guitar and gravitating towards the town’s grunge scene before her singing talent caught the eye of her first manager at a 1999 bookstore performance, aged just 14

With her parents’ blessing, she quit school and headed to New York with her brother, where she worked with a professional producer before landing a two-album deal worth around $1.25million at just 16.

Avril’s 2002 album debut saw her rise to fame go stratospheric. However it also contained the germ of the conspiracy theory that would go on to haunt her for years.

The album, titled Let Go, would later be believed by theorists to be a symbolic reference to her being replaced by another lookalike young woman.

Adding fuel to the conspiracy was the star’s grief following her grandfather’s death in 2003 – which believers would later say was the final chapter in the “original Avril” story. They claim that grief was so overwhelming, tragic Avril took her own life.

The bizarre theory appears to have first appeared nine years later when in 2011, a Brazilian fan page called Avril Está Morta – meaning Avril is Dead – launched the morbid rumour into the world.

It claimed the eyeliner-clad star was no longer alive – and had been replaced by an eerily similar young woman.

For years, internet sleuths have remained convinced that the Sk8er Boi singer died by suicide shortly after achieving mainstream fame, allegedly overwhelmed by her grief and the pressures that came with becoming a global pop star.

But the story doesn’t end with her supposed death.

Her record label at the time, desperate to protect its lucrative investment, allegedly concealed the tragedy and brought in an actress named Melissa Vandella to replace Avril.

The theory claims Avril’s then-label, Arista Records, buried her death and installed Melissa in her place to keep the lucrative hitmaker churning out music. The Sun has contacted Arista Records for comment.

Melissa, believers say, looked sufficiently like the singer to fool the world – allowing the machinery of Avril’s career to keep moving while the real star was supposedly gone.

While deeply distressing, at that time the macabre theory was at least only circulating on the fringes of the internet.

That was until American journalists at BuzzFeed tweeted about the Brazilian blog and the obscure rumour was thrust into mainstream music folklore.

In 2017, a viral thread racked up hundreds of thousands of retweets, exposing millions of social media users to the supposed Avril “clone” theory.

The chilling truth behind this morbid phenomenon says more about those spreading it than its star subject.

Experts say these theories can often come from people who are seeking a purpose in life.

They will find and obsess over even the most minor changes in the life of another person – often a high-profile celeb – to feel as though they have achieved something.

Daniel Joll, an assistant Professor in Social Psychology at the University of Nottingham, tells The Sun: “Conspiracy theories are a fertile ground for people feeling uncertainty in life.

“When they find something they can be a part of and investigate, it makes them feel like they’re almost becoming a journalist and that makes them feel important.

“This is also about people wanting to be unique by saying something or being a part of something that is out of the ordinary.”

Conspiracy theorists began comparing photographs from the beginning of Avril’s career with images taken after the rumours started, searching for proof that the woman in front of the cameras was not the same person.

Online truth-seekers even saw that she once wrote “Melissa” on her hand in a photoshoot.

To believers, it was practically a confession hiding in plain sight.

But that is where the theory’s elaborate house of cards begins to wobble.

The “Melissa” photograph was later explained as part of a promotional photoshoot in which Lavigne wrote supporters’ names on her skin and on paper.

Theorists still argue this was either an intentional leak by the body double signalling her true identity, or an insidiously dropped clue by her record label.

It is catnip for the internet: just outrageous enough to be dismissed, yet just plausible enough to make you wonder whether there might be something hiding beneath the surface.

Avril is far from the first celebrity to become the subject of a completely unverified cloning conspiracy theory.

One of the most famous examples dates back to 1969, when fans became convinced Beatles legend Paul McCartney had died in a car crash and been secretly replaced by a lookalike.

The theory exploded after The Beatles released Abbey Road, with fans scouring songs and album artwork for supposed clues.

Some even believed John Lennon could be heard saying “I buried Paul” in Strawberry Fields Forever.

John later said the line was actually “cranberry sauce”, while McCartney himself dismissed the rumours in a November 1969 interview with Life magazine.

Fans have also claimed Tupac Shakur faked his death, while a 2020 music video featuring a deepfake of the rapper reignited speculation.

What is key to giving these theories life is that they are outrageous enough to grip people while remaining vaguely believable.

Prof Jolley adds: “The reason why people are so stuck on Avril is because the theory is plausible.

“When there is the slightest chance of plausibility, people will cling onto it and keep going and keep digging.

“This one feels plausible because it could be true. The possibility of truth can tickle people’s fancy.”

Every perceived alteration became another piece of their puzzle.

Early Avril had become synonymous with the scruffy skater-punk image that helped make her famous, often appearing in baggy trousers and neckties.

Suddenly snaps of the eyeliner smeared rock queen appeared to have had been wiped off the internet.

Her trademark middle finger was tucked away, while the loose tie slung over a shirt – once part of her pop-punk armour – had been consigned to fashion history.

The woman who emerged afterwards looked markedly more polished, with skirts and dresses replacing the tomboyish uniform and pink make-up softening the rebellious image.

Some went as far as being convinced that the shady puppet masters of the Illuminati had cloned Avril and replaced her with an actual laboratory-grown clone rather than a hired lookalike. Bizarre, right?

The Illuminati, believers claim, is an elite society that frequently targets the world’s biggest pop stars and turns them into puppets of their secret cabal.

The new bubble-gum pink pop girl was allegedly spotted glitching during red-carpet interviews where she paused, blinked rapidly, and answered questions flatly.

Believers refer to these as “clone glitches” or memory-wipe side effects.

Theorists started using photo overlay tools to track subtle shifts in Avril’s facial symmetry, jawline angle, and earlobe detachment.

The theory claimed bones do not radically change shape after adolescence; therefore, differences in the bridge of her nose and her jaw structure prove a physical imposter.

Professor Jolley adds: “These theories are made up to captivate our attention.

“I believe clones are just an intriguing application.”

And then came the clue conspiracy theorists found hardest to scribble away: Avril’s handwriting.

To believers, the change was more than a few wonky letters.

They began placing samples of Lavigne’s handwriting from different periods side by and poring over the shapes, slants and flourishes as though they were forensic investigators examining a ransom note.

Every loop, every letter and every flick of the wrist became potential evidence.

Conspiracy theorists claiming that the handwriting before and after the alleged switch looked fundamentally different.

Then, Under My Skin, Avril’s second album released in 2004, became another supposed treasure trove for believers hunting for hidden messages.

Slipped Away is also repeatedly cited as evidence, with its lyrics about someone disappearing and life changing forever interpreted as a veiled admission of Avril’s supposed death.

My Happy Ending has also been dragged into the theory, with fans searching its lyrics for signs of guilt, grief or a woman struggling beneath an identity that was never hers.

Appearing on Call Her Daddy podcast with host, Alex Cooper, Avril directly addressed the long-running internet theory and laughed it off calling it “dumb”.

The host, half joking and half serious, asked her: “So, is your name Avril Lavigne or Melissa Vandella?” The singer wasn’t too bothered and replied: “Obviously I’m Avril Lavigne.” Obviously…

The 39-year-old went on: “On one end, everyone’s like, ‘You look the exact same. You haven’t aged a day.’ But then other people are like, there’s a conspiracy theory that I’m not me.

“Honestly, it’s not that bad. It could be worse, right?” Lavigne laughingly admitted. “I feel like I got a good one. I don’t feel like it’s negative. It’s nothing creepy.”

Cooper told the star: “What’s crazy is you haven’t aged. I’m staring at you. And, like, I’m picturing you with your auburn hair. And I’m like, oh my God. You literally look the same from when you were younger.”

It’s all fun and games turning freckles into “evidence” – counting spots on an arm as though a decade of sun exposure somehow comes with a cloning certificate.

But behind the bizarre conspiracy theories was a very real battle. Lavigne, who was diagnosed with Lyme disease in 2013, later described that period as the “worst time of my life”.

The Sun has reached out to Avril Lavigne’s management and past and current record labels for comment.

Funerals have taken place for two Palestinian teenagers who were shot dead this week when settlers and soldiers entered a Palestinian village in the occupied West Bank.

The killing of Omar al-Naasan and Khalil Abu Alia comes amid near-daily attacks by Jewish settlers in the village of al-Mughayyir, south of Nablus.

“We expect that when our sons walk in the street, they are likely to return to you injured or killed,” Mohammed Al-Naasan, Omar’s father, told the BBC.

Israel’s military says it fired on “instigators of a violent riot” and that the incident is under review.

The United Nations says more than 80 Palestinians have been killed by Israeli forces or settlers in the territory since the beginning of the year.

Wendell Berry, a Kentucky farmer and writer whose work advocated fiercely for working landscapes and working people, died “suddenly and peacefully” on Monday at his home in Port Royal, Ky., according to his family. He was 92.

His daughter, Mary Berry, confirmed his death. On Thursday, she told The Times that her father, until about six months ago, was still writing regularly in his cabin on the banks of the Kentucky River, a place he called “camp,” where many of his more than 50 volumes of poetry, short stories, essays and novels were written.

Berry championed sustainable farming and rural community preservation and railed against industrial agriculture and corporate agribusiness.

“He was fierce and he was fearless, and he remained fearless,” she said, explaining that her family taught her the erosion of rural places wasn’t inevitable but “destruction by design,” engineered by corporate interests and political policies.

Berry, whose writings were often fueled by an anger toward the forces that have driven the destruction of the rural land and communities that he dedicated his life to defending, softened in his final years, according to his daughter. “He was always a tender man, and that part of him got stronger. He was rereading a lot of books that he had loved in his life, and he told me he was looking for the tenderness in the books, and that’s a lovely thing.”

Berry’s most influential work began with a list of the problems he’d observed in modern agriculture, scribbled onto a legal pad as he traveled the long stretch of road between Kentucky’s Henry County and Spokane, Wash., where Berry would deliver a speech at the “Agriculture for a Small Planet” symposium in 1974.

“I was asked to talk about labor-intensive microsystems agriculture. That’s not my language, and it’s not the sort of language that I wish to use because it’s the way people speak when they don’t want to be understood by most people,” he began.

Berry spoke of the six generations of farmers who worked his land before him, and the concerns for farming communities and their agricultural economy that he inherited from his father. He decried “the experts and politicians who have prescribed, encouraged, and applauded the disintegration of such farming communities all over this country into our allegedly miraculous modern American agriculture.”

The speech would later become Berry’s 1977 manifesto “The Unsettling of America: Culture & Agriculture,” which launched a sustainable-farming movement and cemented Berry’s authority on agrarian issues on the national stage.

Beyond his cultural critiques, Berry wrote notable novels including “The Memory of Old Jack,” “Jayber Crow” and “Hannah Coulter.” He was a prolific poet as well. His verse included his debut collection, “The Broken Ground,” and his celebrated Sabbath Poems series, which explored living in harmony with the land.

Over the course of his career, he was honored with the T. S. Eliot Prize, the Aiken Taylor Award for Modern American Poetry and the Richard C. Holbrooke Distinguished Achievement Award from the Dayton Literary Peace Prize, among other accolades. In 2010, Berry was awarded the National Humanities Medal by then-President Obama for his achievements as a poet, novelist, farmer and conservationist. In 2016, he was the recipient of the Ivan Sandrof Life Achievement Award from the National Book Critics Circle.

Wendell Erdman Berry was born on Aug. 5, 1934, in Louisville, Ky., to John Marshall Berry Sr., a lawyer and tobacco farmer, and Virginia Perry Berry. Wendell was the eldest of four children, two boys and two girls. In high school, his parents shipped him off to Millersburg Military Institute, a former military boarding school in Kentucky, where rather than conform to the teachings, he later wrote that his takeaway was, “Take a simpleton and give him power and confront him with intelligence — and you have a tyrant.”

He went on to study English and creative writing at the University of Kentucky. There he met and wooed Tanya Amyx, who would become his wife and the mother of his two children, Mary and Pryor. He landed a Wallace Stegner writing fellowship at Stanford in 1958, and in 1961 he was granted a Guggenheim Fellowship, which allowed him to pack up the family and live in Tuscany and southern France.

After Berry’s scholarly pursuits took him to the West Coast, then Europe, then the East Coast, where he taught at New York University, he accepted a job at the University of Kentucky, allowing him to return home and back to his roots, on a farm near the river.

Then-President Obama presents the 2010 National Humanities Medal to Wendell Berry during a ceremony March 2, 2011, in the East Room of the White House.

(Mark Wilson / Getty Images)

“Within a few years, Mom and Dad were raising 85% of the food we were eating,” Mary told The Times. “We had a milk cow, raised hogs for our own use, and by the time I was a teenager, I resented the whole thing pretty seriously, and I remember saying to them more than once, ‘I did not choose to live this way, and I don’t know why we have to do everything the hardest way possible.’ We had no television. … But I was in a heck of a position with my parents because I never really thought they were wrong about anything, and I still don’t.”

When Mary would gripe, she said, her dad would laugh or “just keep working.” But “he talked about what we were doing and why we were doing it,” she said. “He told my brother and me from the time I can remember to look and see that this is good and don’t forget, and I have not forgotten.”

In 2011, when Berry was nearly 80 years old, he joined a high-profile sit-in at the office of Kentucky’s then-Gov. Steve Beshear to protest the destructive mountaintop strip-mining of coal. In an interview with Bill Moyers shared by the Berry Center in 2025, Berry said that he and his compatriots had had enough of the state government ceding control of resources to the coal companies. “In our society,” he said, “people with money are bigger and more powerful and more noticeable and count more as citizens than people without much money. … So we did confront the governor and tell him we weren’t going to leave.”

His attempt at civil disobedience was turned on its head when the governor invited Berry and the Kentucky Rising activists to stay.

“We did stay,” he said. “The whole weekend.”

“We were beautifully treated by the security staff and people who sent us food and bedding and good wishes and even came in and gave us massages. And it was altogether one of the loveliest weekends I’ve ever spent in my life.”

Berry continued writing into his old age.

Next month, Counterpoint Press will posthumously release “Dispatches From Rural America,” a collection of 15 essays. In one, “The Problem Is Industrialism,” Berry wrote about a 2021 conversation he had with a friend of more than 40 years, author Wes Jackson.

“To the extent that we were talking in earnest, our subject was the set of calamities that the media and the commentators frequently take up, typically dealing with each one in isolation from the others and representing each as an emergency more or less apocalyptic, and in tones recalling a number of vernacular alarms, from ‘Last chance for beer’ to ‘Prepare to meet God.’”

He continued later that the two discussed how industrialism “grows only by consuming, once and for all, the living world.”

Mary said she wanted people to know that, yes, her father was worried and wouldn’t have written so much if he weren’t terribly concerned about the future of rural America, but she wants people to understand that he was a man of great hope.

“Hope he felt was a duty, and I learned that from him,” she said. “As he said in one of his many poems, hope is what we owe people younger than ourselves.”

Mary said she was continuing her father’s work through the Berry Center, a nonprofit that aims to put Berry’s writings to work and advocates for farmers, land-conserving communities and healthy regional economies.

Berry is survived by his wife of nearly 70 years, Tanya, his daughter Mary, son Pryor, five grandchildren and four great-grandchildren.

Eating breakfast in a South Dakota coffee shop, Gloria Steinem was all too aware of the couple eyeballing her from the next booth. He was sporting chains. She wore leather pants and what Steinem later recalled as “an improbable hairdo.” The place was packed with tough-looking, mostly male bikers pumped about a huge rally they were attending. Steinem, returning from a Sioux powwow honoring ancient tribal women, knew she wasn’t in her element.

Finally, the leather-clad woman came over and spoke up. “I just want to tell you how much Ms. magazine has meant to me over the years — and my husband too,” she told an astonished Steinem.

There was a time, the woman said, when rolling down the road meant perching on her husband’s back seat. But now she had her own sweet ride: “I even put ‘Ms.’ on my license plate, and you should see my grandkids’ faces when Grandma rides up on her purple Harley!”

The image of that breezy, boisterous grandma stayed with Steinem for years. “I’ve come to believe that inside, each of us has a purple motorcycle,” she wrote in her 2015 memoir. “We have only to discover it — and ride.”

Steinem, the co-founder of Ms. Magazine and for six decades a charismatic leader who urged women to pursue self-affirmation, political power and equality both in the workplace and at home, died Wednesday at her home in New York City, according to her foundation’s social media pages. She was 92.

“Gloria lived true to her independent spirit, always with curiosity and a great sense of humor,” the posts said.

An activist, journalist, and relentless traveler who said she went for 20 years without spending more than eight consecutive days in her New York apartment, Steinem described herself as “an entrepreneur of social change.”

“I raise money. I talk. I write. I tell stories. I want to do justice to the women I meet,” she told The New Yorker in 2015.

Steinem, who struggled with stage fright most of her life, talked with women at gigantic conferences and in intimate kaffeeklatsches. At book signings and on barstools, she sought their stories, sometimes re-telling them in her essays and on her countless speaking tours. Her portfolio of issues was vast, from sexual violence, female genital mutilation and racism to the more mundane injustices that helped fuel a movement for sweeping social change.

At one campus visit, the discussion turned to men who expect women to pick up after them. A young Japanese woman, silent for most of the increasingly raucous session, stood up, turned around to address 500 other audience members and said: “When my husband leaves his underwear on the floor, I find it quite useful to nail it to the floor.”

She had never before said a word in public, she told the cheering crowd.

Steinem had a “gift for empathy,” New York Times columnist Gail Collins wrote when the feminist icon turned 80 in 2014.

“Women who read about her or saw her on TV felt that if they ran into her on the street, they would really get along with her. And women who actually did run into her on the street felt the same way. More than a half-century into her life as an international celebrity, she remains stupendously approachable, patient with questions, interested in revelations.”

Gloria Steinem, left, and Pat Carbine, two of Ms. magazine’s founding editors, in 1980.

(Dave Pickoff / Associated Press )

Famously attractive, Steinem over the years gave hope to young women who wanted to “stand up for their rights without being called man-haters,” Collins wrote. “She was evidence that it was possible to be true to your sisters while also being really, really attractive to the opposite sex.”

At the same time, she alienated the religious right with her fervent pro-choice advocacy. When Lands’ End featured an interview with Steinem in its 2016 catalog, outraged readers threatened a boycott. Company officials then cut their ties with the woman they had headlined as a “legend.”

Steinem first drew public notice when she was in her 20s and struggling to establish herself as a freelance writer. Her breakthrough story was a funny, scathing account of her two weeks as a Playboy “bunny” — a scantily clad cocktail waitress at Hugh Hefner’s Manhattan nightclub.

In some ways, the story backfired. Steinem became known not as a crusader for women but as a former bunny. For several years, her magazine assignments continued to veer toward “women’s page” topics — in 1964, she wrote about textured stockings for the New York Times — and even after she delved into serious political issues for New York magazine, she wasn’t taken as seriously as she would have liked.

In 1968, a Washington Post columnist described her as “the mini-skirted pinup girl of the intelligentsia.” Two years later, a headline in the Los Angeles Times read, “Gloria: Beautiful Brain in Ditto Body.”

Meanwhile, the women’s liberation movement had propelled itself into the mainstream, ignited by writers like Betty Friedan. For Steinem, though, it became a passion only after she covered a meeting during which women opened up about their illegal abortions. The event was held to protest a legislative hearing on abortion where the only witnesses were 14 men and a nun.

“Suddenly I was no longer learning intellectually what was wrong. I knew,” Steinem recalled in 1983. “I had had an abortion when I was newly out of college, and I told no one. If one in three or four adult women shares this experience, why should we be made to feel criminal and alone?”

Nearly 60 years after her unwanted pregnancy, Steinem dedicated her memoir to the British physician who arranged her abortion after she agreed to two conditions.

The first was that she never reveal his name. (She did, long after his death.)

The second: “You will do what you want to do with your life.”

Born on March 25, 1934, in Toledo, Ohio, Steinem didn’t attend school regularly until seventh grade. Most winters, her father Leo, an ebullient, 300-pound dreamer who was often in debt, would drive the family down back roads in a trailer, stopping here and there to sell antiques he’d picked up along the way.

Ruth Steinem, Gloria’s mother, was a former journalist who was hospitalized for long periods with severe mental health problems. From the age of 11, after her parents divorced and her older sister Susanne left home, Gloria often cared for her mom.

In an essay, “Ruth’s Song (Because She Could Not Sing It),” Steinem recalled her mother cutting her arm when she smashed a window to escape the Nazi invaders that only she could see. “I remember a long Thanksgiving weekend holding on to her with one hand and holding my eighth-grade assignment of ‘Tale of Two Cities’ with the other,” Steinem wrote.

Despite her patchy schooling, Steinem received a scholarship to Smith College, where she graduated Phi Beta Kappa after majoring in government. After spending two years in India on a fellowship, she worked briefly for an international youth organization funded by the CIA.

Basing herself in New York in 1960, she quickly became known for her stylish prose, sharp wit, and striking appearance. Within a decade she was “Gloria-Steinem-the-antiwar-gorgeous- bachelor girl who was pictured with Henry Kissinger in Time and Life…,” according to a breathless 1970 account in the Los Angeles Times.

But she was also the Gloria Steinem who helped start New York magazine, who wrote insightfully about the intersection between racism and sexism, and who in 1971 became the first woman chosen to address an annual banquet of the Harvard Law Review.

She zeroed in on the school’s failings.

“There is a course on international whaling law but none on women’s rights internationally,” she told the black-tie gathering. “An eminent professor of administrative law said as late as last night that he didn’t know what the Equal Employment Opportunity Commission was. The same man replied to a request that at least one full-time female professor be hired by answering that women faculty brought problems because of ‘sexual vibrations’…”

The following year, Steinem, with several other feminist journalists, founded Ms. Its first, tentative edition, a 40-page insert into New York magazine, sold out in eight days.

The debut issue of Ms. included pieces on gender stereotypes, lesbian relationships, and job discrimination. It also featured an open letter from 53 prominent women — including tennis great Billie Jean King, singer Judy Collins and Steinem — who revealed that they had undergone abortions.

While the magazine’s monthly circulation eventually topped 500,000, it also fueled skeptics. “I’ll give it six months before they run out of things to say,” newscaster Harry Reasoner predicted on national TV.

Ms. also took flak from some of Steinem’s sister feminists, who contended that it cast women as victims. As new waves of feminists confronted different issues, some became exasperated by Steinem’s seemingly perennial role as the face of the women’s movement.

“Guys in the media chose Gloria as our leader,” said feminist writer Susan Brownmiller in 2016. “A lot of us, our hope is that eventually, history will straighten this all out and say, no, Gloria came in a little later, and her very loyal supporters have backtracked that history.”

Steinem remained a contributing editor to Ms. for 15 years.

Gloria Steinem at home in New York City, 2010.

(Annie Leibovitz / Penguin Random House)

Meanwhile, she was crisscrossing the country, campaigning for liberal Democratic candidates, fighting laws restricting abortion, and urging legislators to adopt the Equal Rights Amendment.

“Like Sky Masterson, the wandering gambler in Damon Runyon stories, I’ve been in more hotel rooms than the Gideon Bible,” she wrote, “and he didn’t wash his hair with hotel soap, eat from vending machines, or sit up late organizing with the hotel maids.”

In 2013, President Barack Obama gave Steinem the Presidential Medal of Freedom, the nation’s highest civilian honor.

Her books include a 1983 essay collection, “Outrageous Acts and Everyday Rebellions”; a 1986 portrait of Marilyn Monroe; her 2015 memoir, “My Life on The Road”; and works on aging and self-esteem.

Over the years, Steinem had longstanding romantic relationships with a number of men but vowed never to marry or have children.

However, at 66, she broke her vow and married David Bale, a British businessman and animal rights advocate. By then, the institution of marriage had changed for the better, she later explained.

“We spent 30 years in the United States changing the marriage laws,” she said. “If I had married when I was supposed to get married, I would have lost my name, my legal residence, my credit rating, many of my civil rights.”

Three years after their marriage, Bale died of brain cancer. Steinem’s stepchildren include the actor Christian Bale.

At 80, Steinem celebrated her birthday by riding an elephant in Botswana.

In the following years, she campaigned for Hillary Clinton, spoke at the Women’s March on Washington, helped save her hometown’s last abortion clinic and gave numerous interviews denouncing President Trump’s views on women. She was the subject of an off-Broadway play and was honored by Rutgers University with the Gloria Steinem Endowed Chair in Media, Culture, and Feminist Studies.

For fun, she danced. When asked by TV hosts, she occasionally demonstrated a well-worn soft shoe routine, though her heart was with the tango.

“It’s a sick, authoritarian dance,” she told a reporter, “but I loved it.”

Chawkins is a former Times staff writer.

Sept. 2 (UPI) — A 19-year-old gunman forced his way into a Virginia elementary school on Wednesday morning where he wounded an employee before turning the weapon on himself, authorities said.

The suspect, identified as Anthony Ignatiadis-Isabelle of Waynesboro, Va., was found by police dead from a self-inflicted gunshot wound in the library, the Waynesboro Police Department said in a statement.

Authorities said police were notified of a suspicious individual on the grounds of Westwood Hills Elementary School in Waynesboro at 9:12 a.m. EDT. Officers responded within minutes, entered the school and found Ignatiadis-Isabelle in the library where there were no students at the time of the incident.

One staff member, identified only as an adult, was shot by the suspect, suffered what police described as a non-life-threatening gunshot wound and was released from the hospital after receiving treatment.

Little information about the shooting has been made public. Waynesboro Police Chief David Shaw would not detail during a press conference exactly how the suspect was gained entry to the school, which requires one to be buzzed in, only that it was “forced.”

He said he was unsure of what position the wounded employee held at the school, what their possible relation was to the shooter or where they were shot. He also said he did not know if the alleged shooter was known to police. The suspect was not and had never been a student at Westwood Hills Elementary School, Superintendent Jeffrey Cassell said.

The school was immediately put into lockdown following the shooting, according to Cassell, who said the facility would be closed on Thursday.

“Today is the day every school system hopes they never have to deal with,” an emotional Cassell said. “Every student and staff member is safe and returned home to their families. Please hug your children and your families this evening.”

https://www.youtube.com/watch?v=744PSJYLKhA

Shaw said that as a precautionary measure, additional law enforcement would be at the school for the remainder of the week.

The Bureau of Alcohol, Tobacco, Firearms and Explosives said in a statement that its Washington field office responded to the shooting.

“My heart is with these young students, their parents and families, and the teachers and staff at the school,” Virginia Gov. Abigail Spanberger said in a statement that explained she was monitoring the emergency at Westwood Hills Elementary School.

Aug. 30 (UPI) — At least seven people have died following a ferry capsized off northern Cyprus on Sunday, according to media reports.

Northern Cyprus Prime Minister Unal Ustel said 237 out of the 267 on the Filo Jet had been.rescue. He added the 23 people were missing.

None of the rescued were in critical condition, Ustel said.

According to Ustel, the ferry began taking on water 15 minutes amid bad weather after leaving port. The ship put out a call for help soon after, he added.

Turkey’s Interior Ministry said the ship was traveling from Kyrenia in northern Cyprus to Tasucu in Turkey.

Four coastguard ships and four helicopters and a civilian passenger ship were involved in rescue operations, according to the ministry.

It said search and rescue efforts were continuing.

Turkish parliament speaker Numan Kurtulmus in a post on X offered condolences to those who died in “this exceedingly tragic incident.”

Aug. 29 (UPI) — At least 37 people are dead and many more wounded after a Russian drone hit an ammunition warehouse, which then caused a large fire and several explosions in a residential area near Kyiv.

The attack on Friday, which was in Myla, in the Kyiv district, was part of a barrage of aerial attacks by Russia. But the ammunition depot made the attack much worse.

Ukrainian President Volodymyr Zelinsky said he would punish those who allowed explosive materials storage so close to homes.

“Since yesterday evening and throughout the day today, I have been receiving reports on the situation in the village of Myla, Kyiv region, where detonation began following a Russian strike. A terrible situation and terrible negligence on the part of those who stored explosives right next to people,” Zelensky posted on X.

“I want to separately thank everyone who is there on the ground and at other sites of Russian strikes, doing everything possible to help and save people,” he added.

Tymur Tkachenko, head of the Kyiv region military administration, said that as of Saturday afternoon, 37 people were known to have died, and the toll could still rise. It is one of the deadliest Kyiv has seen since the start of the war more than four years ago, CNN reported.

“This is a terrible and irreparable loss. Our heartfelt condolences go out to the families and loved ones of those who have died,” Tkachenko said.

A home for older adults and disabled people was severely damaged, The New York Times reported officials said. On Sunday, the capital region will observe a day of mourning..

Taras Didych, the long-time head of the local municipality, was killed when he arrived at the scene to help, Ukrainian authorities said.

“He always stood by his people. He did not abandon them even during the Russian occupation — he was there, offering support and assistance, and keeping the community together during one of the most terrifying periods,” CNN reported Mykola Kalashnyk, Ukraine‘s Minister for Recovery, Infrastructure and Transport, said in a statement.

Peter Cullen, the voice actor whose regal timbre as the heroic Optimus Prime in the “Transformers” franchise and deep tone as the gloomy Eeyore in “Winnie the Pooh” projects who was beloved by generations, has died. He was 85.

Cullen died Wednesday in his Los Angeles home, his agent Kevin Motley confirmed to The Times on Thursday. A cause of death was not given.

He “passed away peacefully, surrounded by his loving family — and held in the hearts of his many friends and countless fans worldwide,” his family said in a statement. They ask “that you honor his remarkable legacy by serving your communities and leading others with compassion, integrity, and loyalty and always remember ‘be strong enough to be gentle.’ ”

A prolific voice actor whose work spanned television shows, movies, video games and even theme park rides, Cullen amassed more than 200 credits over his career. This includes the eponymous giant ape in the 1976 remake of “King Kong,” the villainous vehicle KARR (Knight Automated Roving Robot) in the “Knight Rider” TV series and the clicks and trills of the deadly alien hunter in the original “Predator” film.

But Cullen is best known for his work in animation and children’s cartoons in the 1980s and ‘90s.

His signature role was Optimus Prime, the leader of a heroic faction of sentient alien robots known as Autobots who battle the villainous Decepticons in the “Transformers” franchise. Cullen often spoke about how his voice for the leader — who transforms into a truck — was inspired by his older brother, Larry, a Marine who had served in Vietnam.

On the day of his “Transformers” audition, Cullen had mentioned to Larry, his roommate at the time, that he was on his way to try out to be the voice of “a hero truck.”

Larry responded, “Well, if you’re gonna be a hero, be a real hero. Don’t be a jerk … Be strong enough to be gentle. Be understanding. Be compassionate, and be able to kick ass — in a good way,” Cullen previously told The Times.

“He said it in a voice that was subdued and calm,” Cullen continued. “He’s 13 months older and 6 inches taller. Made of steel. He was my hero. [His words] weighed heavily on me. So I’m at the audition reading the breakdown of the character and what I have to say in the audition. I can just feel Larry’s words coming out of my mouth. So, I took his sound — my first words were, ‘My name is Optimus Prime.’ ”

“Transformers” voice actors Peter Cullen, left, and Frank Welker at the 2024 Comic-Con Fan Expo in Rosemont, Ill.

(Rob Grabowski / Invision/Associated Press)

Cullen originated the role in the 1980s animated “Transformers” series, referred to by fans as “G1” or “Generation 1.” The era also includes the big-screen “The Transformers: The Movie” (1986), which featured the beloved character’s controversial death, but the character eventually returned after fan outcry.

When “Transformers” jumped to live action in Michael Bay’s 2007 film, Cullen was once again tapped to voice Optimus Prime. He continued through the follow-up films, including “Revenge of the Fallen” (2009), “Dark of the Moon” (2011), “Age of Extinction” (2014) and “The Last Knight” (2017), as well as the 2018 prequel “Bumblebee” and “Transformers: Rise of the Beasts” (2023).

He told NPR that returning to play Optimus Prime in these films was “like slipping into an old pair of shoes that you hid in the back of your closet.”

Cullen was nominated for a Daytime Emmy for his work as Optimus Prime in the TV series “Transformers: Prime” in 2011 and won a Lifetime Achievement Award at the Children’s and Family Emmy Awards in 2023.

Peter Claver Cullen was born on July 28, 1941, in Montreal, to American parents Henry and Muriel Cullen. One of four children, he graduated from the National Theatre School of Canada in 1963. He later did Shakespeare for a summer in Stratford, Ontario, before working for a year at the Crest Theatre in Toronto as a member of the repertory company, according to the Hollywood Reporter.

He told NPR he discovered his talent for doing different voices while working on a farm as a child and imitating animals.

Besides Optimus Prime, one of Cullen’s favorite roles was Eeyore, the endearing but pessimistic donkey from “Winnie the Pooh.” Cullen first voiced the character in “The New Adventures of Winnie the Pooh” series, which aired from 1988–1991. He continued his work as Eeyore through numerous franchise installments, including “The Tigger Movie” (2000), “Piglet’s Big Movie” (2003) and “The Book of Pooh” series.

“I enjoyed doing Eeyore because he was simply charming,” Cullen said to NPR. “And I get an awful lot of reactions from, especially, young kids, when I go up and just say [in Eeyore’s voice], ‘Hello. Thanks for noticing me.’ And to see their faces light up, that to me is one of the great joys.”

Cullen is survived by his four children, Angus, Claire, Pilar and Clay, according to the Associated Press.

Six people in critical condition as a severe heatwave fuels 154 wildfires across Algeria in a single day.

At least 12 people have been killed and 54 others injured as wildfires ravaged parts of northeastern Algeria, an official said, as authorities evacuated dozens of families from the hardest-hit areas.

Minister of Interior Said Sayoud, speaking to reporters on Wednesday, said the deaths occurred in the provinces of Jijel, Bejaia and Tizi Ouzou.

“Five deaths were recorded in the prefecture of Jijel, four in that of Bejaia and three in that of Tizi Ouzou,” he said.

Sayoud made the remarks during a visit to a hospital in the city of Souk El Thenine in Bejaia to evaluate treatment for victims suffering burn injuries and smoke inhalation.

According to the official Algeria Press Service, Sayoud reported 54 burn cases at the hospital, including six people who were in critical condition.

Sayoud said Civil Protection teams recorded 154 fire outbreaks across the country on Wednesday, including 36 in Bejaia province, 18 of which had been brought under control.

The fires come as a severe heatwave sweeps across Algeria and neighbouring Tunisia.

Sayoud said firefighting teams have managed to contain the blazes in the provinces of Skikda, El Tarf, Bouira, Tizi Ouzou and Tebessa. Operations were still under way in Bejaia, where 18 hotspots remained active, and in Jijel, where fires were burning in 12 municipalities.

He added that dozens of families had been evacuated from areas affected by the fires.

Images broadcast by regional news website Jijel News showed residents seeking refuge in a post office amid thick smoke.

Algeria frequently endures deadly seasonal wildfires during peak summer months.

At least six people were killed last month alone.

In recent years, intense heatwaves and fierce winds have amplified fire risks across the country’s forested Mediterranean coastline, disasters exacerbated by drought and climate change.

British actor Tim Curry, who famously commanded attention as the seductive mad scientist Dr. Frank-N-Furter in cult classic oddball musical “The Rocky Horror Picture Show,” has died. He was 80.

The Daytime Emmy-winning actor’s longtime manager and friend Marcia Hurwitz confirmed that Curry died Wednesday at his home in Toluca Lake, in a statement shared with The Times. A cause of death was not revealed. The Cheshire native suffered a stroke in 2013, impairing his ability to walk. Though he remained in a wheelchair until his death, the actor continued working through his final years.

“Though widely known for his inimitable, flamboyant characters and colorful stage performances,” the statement said of Curry, “his greatest legacies to those who knew him were his curious, expansive mind and generous, gentle heart, both of which remained open and filled with anticipation until his final breath.”

Curry is best known for originating the role of Dr. Frank-N-Furter, the self-proclaimed “Sweet Transvestite” and purveyor of pleasure who guides a stranded young couple — and audiences — through an unpredictable evening of sexual exploration and liberation. He debuted the offbeat experimental musical in fishnets and pearls in 1973 on the tiny stage upstairs at the Royal Court Theater in London, where it first became an underground sensation.

“The Rocky Horror Picture Show” hit the big screen in 1975, with Susan Sarandon as Janet and Barry Bostwick as Brad. A rock ‘n’ roll take on sci-fi and horror B-movies, “The Rocky Horror Picture Show” became the original midnight movie that endeared generations of audiences with its flamboyant characters, spawned interactive screenings across the country and secured its spot in the pop culture lexicon.

“It was part of the sexual revolution, really,” Curry told The Times in 2025 upon the film’s 50th anniversary. “Experiment was in the air and it was palpable. I gave them permission to be who they discovered they wanted to be. I’m proud of that.”

Curry flexed his versatile acting through more than Frank-N-Furter’s showy elevator debut and his vulnerable “I’m Going Home” finale. He was also a sinister Pennywise in the miniseries adaptation of Stephen King’s “It,” a secretive butler named Wadsworth in “Clue,” and the evil Lord of Darkness in “Legend.” A screen chameleon capable of morphing from the supernatural to the pedestrian, Curry was also known for his work as fabled pirate Long John Silver in “Muppet Treasure Island” and as a skeptical hotel concierge in “Home Alone 2: Lost in New York.”

He was a prolific voice actor known for the environmental classic “FernGully: The Last Rainforest” and TV series “The Wild Thornberries,” “Star Wars: The Clone Wars,” “Over the Garden Wall” and “Aaahh!!! Real Monsters.”

Timothy James Curry was born April 19, 1946, to father Jim Curry, a Navy chaplain, and mother Maura Curry. After losing his father at age 12, Curry earned a scholarship to the Kingswood School in Bath. Curry’s grandfather took him to music halls, fostering his love for the art.

“I was really taken with the great Technicolor musicals; it’s the form that’s closest to my heart in a way,” Curry told The Times in 1992. “It’s the most comfortable synthesis of all the things I do.”

School productions eventually led Curry to the University of Birmingham, where he studied drama and English from 1965 to 1968, according to his website.

Curry made his professional debut in 1968 in the original London production of “Hair.” He had fibbed about having previous professional experience and an Equity card, but the production team thought Curry’s talents were reason enough to sponsor him. After he starred in several productions including “Titus Andronicus,” “Cinderella” and “Midsummer Night’s Dream,” co-star Richard O’Brien in 1973 invited the actor to audition for a new work — one that would later solidify Curry as a generational screen and stage icon.

With Curry anchoring as Frank-N-Furter, O’Brien’s “Rocky Horror Picture Show” first came to life at the Royal Court’s Theatre Upstairs. Then larger venues overseas included L.A.’s Roxy Theatre. Eventually, with the support of producer Lou Adler, the show made it to the screen. The same year “Rocky Horror Picture Show” hit cinemas in 1975, its Broadway run at the Belasco Theatre shuttered after 45 showings and negative reviews. Over the years, harsh criticism proved no match for “Rocky Horror Picture Show’s” unexpected staying power.

The musical had been revived numerous times in New York and London, including in 2001 with the Broadway revival earning multiple Tony Award nominations including a nomination for revival of a musical.

The “Rocky Horror Picture Show” film and Curry’s melodramatic Frank-N-Furter have remained cultural touchstones, spawning the popular “anticipation” online meme and inspiring spoofs on “Glee,” “The Simpsons” and a beloved character (with hormone-manipulating abilities) in the popular Japanese manga and anime “One Piece.”

To Curry, Frank-N-Furter was more than just that “sweet transvestite” obsessed with manufacturing the perfect man.

“He’s a fairly complex guy,” he told The Times in 1974. “He just takes anything he can get. He’s not fussy, really. Though I think he’s something of a wham-bam-thank-you-ma’am.”

Through the late 70s to early aughts, Curry balanced stage commitments with screen projects and musical endeavors. His stage resumé includes productions of Tom Stoppard’s “Travesties” for the Royal Shakespeare Company, the title role in playwright Peter Shaffer’s “Amadeus” (that would earn him a Tony nomination) and Joseph Papp’s take on “Pirates of Penzance.” All the while, he gained fame for roles in “Annie,” “Clue,” “Home Alone 2” and “Addams Family Reunion.” As a recording artist, Curry released three albums between 1978 and 1981: “Read My Lips,” “Fearless” and “Simplicity.”

In 1988 Curry returned stateside for a U.S. tour of “Me & My Girl,” which he followed with a residency at the Pantages. It was then the actor decided to permanently return to Los Angeles as a resident. His move to Southern California coincided with the beginning of his Emmy-winning voice acting career, which started with a role for Hanna Barbera’s animated adaptation of “The Creation.”

Curry won his Daytime Emmy Award in 1991 for voicing Captain Hook in “Peter Pan and the Pirates” and earned a Grammy nomination in 2002 for the audiobook of “Lemony Snicket’s A Series of Unfortunate Events.” He performed voice roles for video games including television and film tie-ins “Brutal Legend” and “Dragon Age: Origins.”

The British star primarily worked in voice roles after he suffered a major stroke in 2013. Since then, Curry had been in a wheelchair, with on-screen cameos including as the criminologist in the 2016 TV remake of “Rocky Horror.” Still, the image of Curry’s fierce Frank-N-Furter continues to pervade pop culture — even if that wasn’t his original intention.

“None of it was planned, really. I just knew I had to take risks,” he told The Times in 1974. “Life is like acting in that way. You’ve got to take risks. If you take big risks, it’s then up to you whether or not you pull it off.”

More than 50 years after that interview, Curry told The Times that he had no doubt in what he was doing. Revisiting his home away from home, the Roxy Theatre, in the fall of 2025, Curry said it had become “my stomping ground.”

“I had to appear as though I owned it — and I kind of did.”

Dolly Parton’s death has left the music, film and television worlds reeling, with stars and luminaries across those industries and more paying tribute to the beloved entertainer’s life and legacy.

Parton, the accomplished country music star who became a national treasure and pop culture icon, died Tuesday at age 80, her nephew Bryan Seaver announced. The singer-actor-philanthropist died after a series of health issues that led her to postpone several performing commitments last year, including a residency in Vegas. She revealed in May that her “immune system and digestive system got all out of whack” in recent years.

The entertainer, an authentic and bright personality whose appearance was made even brighter with bedazzled and fringed ensembles, leaves behind a legacy that includes classics “Jolene” and “I Will Always Love You” (later popularized by powerhouse singer Whitney Houston) that influenced modern country music acts. Her career also included acting, most notably roles in “Steel Magnolias,” “Hannah Montana” and “9 to 5.”

Lily Tomlin, Parton’s co-star on the 1980 comedy “9 to 5,” uploaded a picture of the two to her Instagram profile with the caption: “No words…” along with a broken heart emoji.

Jane Fonda, who also starred in the workplace comedy, posted on Instagram that she was “devastated.”

“I never knew anyone like her. She was simultaneously a naughty, playful southern gal from the hollows of Tennessee and a deep, soulful thinker who could see through people right down to their true selves,” the “Monster-in-Law” star wrote in the caption. “She was the voluptuous embodiment of empathy.”

Country singer and actor Reba McEntire dedicated a heartfelt tribute to Parton on her Instagram account.

“There will never ever be another you. We will remember and cherish every memory and every note you ever played and sang,” she wrote.

The carousel on the post featured various images of the two, who first crossed paths at the Grand Ole Opry’s Opry100 celebration in 1977. Throughout their decades-long friendship, the pair were frequent collaborators; Parton was a guest on McEntire‘s 2001 self-titled sitcom. In 2021, the country stars finally joined forces for their first duet, an acoustic rendition of “Does He Love You” for McEntire’s “Revived Remixed Revisited.”

In an email to The Times, country singer Billy Ray Cyrus recalled the legacy Parton left behind.

“Like every little boy, I grew up loving Dolly Parton. She was a part of our lives, on our TVs, right in our living rooms,” Cyrus wrote.

The two stars developed a close friendship after Cyrus opened for her on tour following his 1992 hit “Achy Breaky Heart.”

“I’ll never forget walking into her dressing room to apologize for all the tabloid stories which claimed I was having an affair with her,” Cyrus added. “In true Dolly fashion, she just looked at me, winked and said, ‘Honey, this trash sells records!’”

Pop starlet Sabrina Carpenter — who reimagined her hit song “Please Please Please” as a country-pop song alongside Parton last year — shared still images of the two in their music video to Instagram.

“I will cherish our laughter and conversations and I will keep your wisdom, your playful outlook on life, and perfect sense of humor in my pocket for the rainy days,” Carpenter wrote in the caption.

Singer-songwriter Sheryl Crow, who shared the stage with Parton in 2025 for a Stand Up to Cancer benefit concert, wrote on her Instagram story: “There is a hole in the universe. There was and will never be anyone like @dollyparton.”

“Dolly Parton had a way of making everyone feel seen,” wrote Kelly Clarkson in an Instagram post, who just yesterday shared a cover that she had done of Parton’s “9 to 5” for the Season 1 premiere of “The Kelly Clarkson Show.”

“I will miss her heart and her voice as I am sure millions will. What an incredible gift and talent she was and still is with an amazing catalogue of art she has left behind for all of us,” the “American Idol” star added to her post.

The late singer later appeared on Season 4 of Clarkson’s talk show, for an impromptu duet of her 1974 song “I Will Always Love You,” a clip that was uploaded to the TV show’s Instagram account hours before Parton’s death was officially announced.

Actors Reese Witherspoon, Sarah Jessica Parker and Drew Barrymore also expressed sorrow for the loss of Parton on their Instagram accounts.

Grammy-winning singer Kacey Musgraves reacted on X (formerly Twitter) to Parton’s death, writing, “the world feels a lot less sparkly all of a sudden.”

The Muppets celebrated Parton on Threads, writing “there will never be another quite like Dolly Parton” and posted photos of the musician sharing the screen with Miss Piggy and Kermit the Frog.

The account for the puppet troupe continued: “She was the ultimate singer, songwriter, actress, performer, and philanthropist. She filled the world with light and we are so grateful for every second we got to spend with her onstage and off.”

Carole King shared on Threads that she was heartbroken by the news. Parton “was an exemplary human being,” she wrote.

The Grand Ole Opry said on Instagram that Parton’s death “will be deeply felt for generations to come” and said the legendary musician “taught us to lead with kindness, generosity, and compassion.”

“One of the most extraordinary musical experiences of my life was recording with her,” said Linda Ronstadt on Instagram. Ronstadt recorded two albums with Parton and Emmylou Harris, 1987’s “Trio” and 1999’s “Trio II.” “The world is a poorer place without her.”

Country music star Maren Morris, the Academy of Country Music, and the Country Music Hall of Fame and Museum also paid tribute to Parton for her contributions to music, entertainment and beyond.

Paul McCartney recalled on Instagram first meeting the star at Grand Ole Opry ahead of her solo career.

“She was so bubbly and full of life it is difficult to take in the news that she passed,” said the Beatles singer, who collaborated with Parton on her rendition of “Let It Be” for her 2023 album, “Rockstar.”

In a post uploaded to Instagram, actor Jamie Lee Curtis upheld Dolly’s bravery, writing that “she was more than they thought she was.”

“The Mandalorian” actor Pedro Pascal posted an image of Parton to his Instagram with a caption that read: “One of one [broken heart]. We must make more.”

“Some people are so extraordinary, their existence feels almost impossible. Dolly was one of those people,” wrote Khloé Kardashian on her Instagram story about the country star, who last year was a guest on her podcast, “Khloé in Wonderland.”

“A once-in-a-lifetime soul. A woman whose light, heart, talent and humanity changed this world forever,” the 42-year-old Kardashian wrote. “To have admired her was a gift.”

United States politicians also chimed in to pay their respects.

President Trump celebrated Parton “one of the greatest Country singers, and far beyond, EVER” on a post to Truth Social and said “this is a true loss for millions of people.” He also announced that he would lower the American flag across the country for a week beginning Tuesday evening.

“Rest in Peace, Dolly!” he continued, “the World loves you.”

On X, former President Obama also underscored Parton’s altruistic legacy, including her donation to Vanderbilt University for coronavirus research in 2020.

“Born in a one-room cabin, she earned 11 Grammys and an Emmy, built a business empire, helped millions of kids learn to read, and — as if that wasn’t enough — helped accelerate the research that led to the Moderna COVID vaccine,” wrote Obama.

In a post on Threads, Vice President Kamala Harris called Parton a “true American icon,” highlighting her work through Imagination Library, a global book-gifting program that sends free books to children ages 5 and under.

Dolly Parton, the singer and songwriter from Locust Ridge, Tenn., who willed herself into being the very symbol of country music stardom, has died in Nashville.

Parton died peacefully Tuesday, her nephew Bryan Seaver announced in a press release shared with The Times. Seaver also announced her death in a video shared to the singer’s Instagram page. She was 80.

The fabled entertainer died after a series of health issues that led her to postpone several performing commitments. In September 2025, she missed the announcement of a Dollywood attraction to recover from a kidney stone. Later that month she delayed her residency at Caesars Palace — her first residency on the Las Vegas Strip in more than 30 years — due to unspecified “health challenges.”

Over the course of a flamboyant 50-plus-year career as a songwriter, recording artist, actor and businesswoman, Parton reinvented the American success story through a combination of grit and wit, faith and sex appeal, virtuosity and plainspokenness, empathy for the human condition and plastic surgery.

She seized on the roles that American culture allowed for women in the spotlight — waif, trollop, fallen woman, country girl in over her head — and played them to the hilt, achieving artistic and financial heights few female performers have ever reached. By the time of her death, she was said to be one of the few things that Americans of most every persuasion could agree on.

One of the most honored musicians in modern history, Parton earned 10 Grammy Awards, two Academy Award nominations, a Primetime Emmy, 10 Country Music Assn. awards, and in 1999 she was enshrined in the Country Music Hall of Fame.

In 2005 President George W. Bush presented Parton with the National Medal of the Arts, and a year later she was given a Kennedy Center for the Arts Award for her lifetime contribution to the arts. Parton logged some 25 gold or platinum records and 25 No. 1 songs on the country chart. Parton also won a Liseberg Applause Award, the biggest prize in the theme park industry, for her fabled tourist attraction Dollywood.

Parton’s rags-to-riches tale reads like a classic country music story-song. But before it became mythical, it was only incredibly hard.

Dolly Rebecca Parton was born in Locust Ridge, Tenn., in the Great Smoky Mountains, on Jan. 19, 1946. Her father was a tobacco sharecropper and she was the fourth of 12 children. In her autobiography, “Dolly: My Life and Other Unfinished Business,” Parton related how her parents were so poor they paid the doctor who delivered her with a sack of cornmeal.

Raised in a one-room cabin with no electricity, she listened to the Grand Ole Opry on a battery-powered radio. When she was 7 she started writing songs; a year later she picked up the guitar. At 10 she was singing on a Knoxville radio and TV program, “Cas Walker Farm & Home Hour.”

The Parton family was musical, and there were always banjos, fiddles, mandolins and guitars around the cabin. Her voice, a birdlike soprano with an animated trill, hadn’t changed much from her youth: “I sound like a little girl singing all these Lord-awful songs,” she told “Fresh Air’s” Terry Gross in 2001.

On a Friday night in 1964, Parton became the first in her family to graduate from high school. The next afternoon she was on a bus heading for Nashville, targeting a career in country music.

Bob Hope gets an adjustment to his reindeer costume as he and Dolly Parton prepare to tape a 1988 Christmas special on a cruise ship docked in Miami.

(Kathy Willens / Associated Press)

Women had little real power in Nashville at the time, and though rural women were a growing part of the country music audience, they were marginalized as artists. Parton signed to the Monument label, but felt that they wanted a pop singer more than they wanted her. An early breakthrough came when singer Bill Phillips heard a demo version of her “Put It Off Until Tomorrow”; not only did he want to record the song, but he recorded it with Parton singing harmony on it. The song went to No. 6 on the country chart in 1966.

In 1967 she recorded Curly Putman’s “Dumb Blonde,” her first charting song as a singer and a savvy choice that spoke to her as both an image and as flesh and blood, as she sang:

Just because I’m blond
Don’t think I’m dumb
‘Cause this dumb blond ain’t nobody’s fool

Nashville noticed. That year, country music star Porter Wagoner was looking for a new “girl singer” for his popular TV show, after Norma Jean left. Parton got the gig, and for weeks, legend has it, was greeted by the studio audience shouting “Norma Jean” when Parton opened her mouth. It was the kind of challenge she lived for. Carefully deferential to the star, Parton carved out a foothold for herself.

They were a complicated team. Tall, gaunt and calculating, Wagoner’s angles had angles, but somehow standing next to her, his pompadour dwarfing her considerable bouffant, it worked. At their peak, they had a weekly TV viewership of over 3.5 million, and recorded numerous hit duets, “Holding on to Nothin” (1968), “If Teardrops Were Pennies” (1973) and “Please Don’t Stop Loving Me” (1974) among them.

On her solo recordings at the time, Parton included a raft of songs about poor children in trouble. These gothic, occasionally autobiographical compositions, including “Coat of Many Colors,” “My Blue Ridge Mountain Boy,” “Evening Shade,” “Daddy Come and Get Me” and “Down From Dover,” would have been more than enough to make her, if not a star, at least a country music legend. But the kind of attention even her lesser work with Wagoner enjoyed continued to elude her own material.

Dolly Parton and Kenny Rogers laugh together backstage at an April 2010 show honoring her “Islands in the Stream” singing partner.

(Rick Diamond / Getty Images)

By 1973, Parton realized that if she was going to be her own star she would have to be on her own. Wagoner fought and threatened, and finally, Parton wrote a song as a way to help him understand both her gratitude and her need for independence, “I Will Always Love You.” He liked the song, but it didn’t convince him. Wagoner sued her for $20 million over breach of contract and settled for $1 million.

But Parton had won her freedom, and she made the most of it. Her album from that year, “My Tennessee Mountain Home,” was a reintroduction to her audience, an autobiographical cycle of songs telling the story of a singer leaving home to make it on Music Row. And in 1974, “Jolene” became her chart-topping breakthrough.

The title was the name of a red-haired, green-eyed young fan Parton met signing autographs, and the story of a woman begging a rival to leave her man alone. Parton said she made it up after discovering a bank teller had a crush on her husband. With a beveled chord progression and a haunting repetition of the name, it became perhaps her most requested song, and was covered by many, including the White Stripes, Candi Staton, Reba McEntire and Olivia Newton-John.

“I wanted to be seen, I wanted to be recognized, I wanted to be a star,” she explained. The last part was now coming into focus.

In 1976 she hosted a short-lived variety TV series, “Dolly!” Her name was her brand, and so, too, was her profile: the full bosom and tiny waist, platinum wig and baubles like sprinkles on an ice cream cone, 5 feet tall standing in five-inch heels. She was a disarming contradiction: manufactured and utterly sincere.

“A country girl’s idea of what glamour was,” she explained.

“I didn’t have any money to have stuff and I’ve often joked about it, but it’s the real truth that I patterned myself after what they considered the trash in our hometown.” She took shame and made it a flag, one big enough for all sorts of Americans to settle beneath.

Dolly Parton checks out an exhibit honoring her life and career at the Country Music Hall of Fame and Museum in May 2025.

(Jason Kempin / Getty Images)

Building on her fame, in the mid-’70s Parton decided to reinvent herself by reaching beyond the confines of country music. She signed with L.A.-based talent manager Sandy Gallin, who had made Mac Davis a country crossover star and would soon work with Cher and Michael Jackson.

Parton laid off her longtime Traveling Family Band and sought out musicians and songs that were more purely pop. Hits that followed included “Here You Come Again” (No. 20 on the pop chart, 1977), “Heartbreaker” (No. 37, 1978) and duets with Kenny Rogers like “Islands in the Stream” (No. 1, 1983).

The pop move was muttered over and seen by gatekeepers as a rejection of Southern-based authenticity. It was the era of “Urban Cowboy” and purity was being policed. “I love country music. It’s my first love,” she told the SoHo News. “But it was confining. You can only go so far in a circle.”

The movie “9 to 5” from 1980 settled her broadening stardom; acting alongside Jane Fonda and Lily Tomlin in a comedy about three office workers who get even with an abusive boss, Parton charmed viewers. It was her first acting role, and Roger Ebert called her “a natural born movie star.” She wrote and sang the movie’s theme song, which topped Billboard’s pop and country charts.

Dolly Parton and her “9 to 5” castmates Jane Fonda, left, and Lily Tomlin assemble at a 1980 news conference to promote the movie.

(Wally Fong / Associated Press)

Parton would go on to act in “The Best Little Whorehouse in Texas” (1982), “Rhinestone” (1984), “Steel Magnolias” (1989), the “Hannah Montana” TV series (she was Miley Cyrus’ godmother in real life too), and in many more films and TV shows. But her biggest cinematic moment came with a song she’d written years before; “I Will Always Love You” was sung by Whitney Houston in the 1992 film “The Bodyguard,” turning her air kiss to Porter Wagoner into a No. 1 hit for 14 weeks.

In the mid-1980s, Parton suffered a number of setbacks. She experienced depression. “I was just broken down,” she said later. In 1982, abdominal pain and bleeding forced her to cancel a tour, and in 1984 she had a partial hysterectomy. There were bouts of binge eating, and when she hit bottom she considered suicide. A series of conversations with God were instrumental in her recovery, Parton said.

Underscoring her connection to her origins while also illustrating how far she had gone, in 1986 she bought an old amusement park in Pigeon Forge, Tenn., and reinvented it as Dollywood, a booming theme park, resort and theater. Other businesses included Sandollar Productions, a film and TV company. In the 1990s Parton formed her own label, Blue Eye Records.

Success meant she could settle into being Dolly. A trio of beloved bluegrass albums, “The Grass Is Blue,” “Little Sparrow” and “Halos & Horns,” around the turn of the millennium reestablished her as a performer with extensive roots in rural America. She recorded with everyone from Linda Ronstadt and Emmylou Harris to Ladysmith Black Mambazo. Her 2019 cover of John Hiatt’s “Faith,” made with Swedish duo Galantis, topped the EDM charts.

She embraced her Christian and LGBTQ+ fans, and perhaps no American artist had more of each. Inclusivity mattered to Parton. She was an icon to the LGBTQ+ community. In 2002 at the House of Blues in Los Angeles, Parton replaced the name Jolene with “drag queen” and sang her famous song as a roster of drag performers looked on.

Dolly Parton at the 57th Academy of Country Music Awards in 2022.

(John Locher / Associated Press)

Just two years later, in 2004, the Library of Congress presented Parton with the since-retired “Living Legend Medal,” which sought to recognize those that made significant creative contributions to American life.

Singer and songwriter Brandi Carlile called Parton “an angel on my shoulder and also the devil on my other shoulder.”

“When I was 15 years old I read the back of Dolly Parton’s book when she became the first country artist ever to speak out in support of LGBTQ people. And I can tell you that as a queer kid from a small town, getting love from Dolly is second only to God.”

Parton has been honored in musical tributes by Carrie Underwood, Alison Krauss and Shania Twain. “Jolene” became the subject of the short story “Jolene: A Life,” by E.L. Doctorow. In 2019 WNYC and Jad Abumrad presented “Dolly Parton’s America,” a nine-segment podcast devoted to, and with the cooperation of, Parton; it examined her persona and impact on American life.

That same year Netflix presented “Dolly Parton’s Heartstrings,” an anthology series in which each episode presents a fictional narrative built around a Parton song; the series features appearances by Kathleen Turner, Delta Burke and Melissa Leo.

Dolly Parton and President Carter embrace as First Lady Rosalynn Carter looks on before a White House luncheon in October 1979.

(Georges / Associated Press)

Her influence was so vast she has even been proposed as a field of academic study, and scrutinized in the 2018 academic study from Leigh H. Edwards, “Dolly Parton, Gender, and Country Music.”

She was married to the same man, Carl Thomas Dean, for over 50 years. They met on the day she arrived in Nashville in 1964, as she stood outside a laundromat. Parton and Dean were rarely seen in public together, and renewed vows in 2016. Dean died at age 82 in March 2025.

“Carl and I spent many wonderful years together,” Parton said in a statement at the time. “Words can’t do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy.”

Parton remained a source of interest and fascination, and though few if anyone could really claim to know her, many thought they did. As she once put it: “I look one way and am another. It makes for a good combination.”

SACRAMENTO — Memo to Democrats and independents: Just because an idea emanates from a Republican, doesn’t mean it necessarily stinks. Here are two examples.

Legislators wearing red jerseys have proposed to:

• Make the California secretary of state officially nonpartisan. Rip off the seemingly inevitable blue jersey and replace it with a neutral referee’s garb.
• Similarly, seize the job of writing official ballot proposition titles and summaries from the partisan attorney general and hand it to the nonpartisan, universally trusted Legislative Analyst‘s Office.

Both ideas, of course, were dead on arrival when introduced in the Democratic-dominated state Legislature, which is about to wrap up a two-year session.

But both make good government sense and promote democracy, which the Democratic Party claims it’s fighting for against the President Trump-led GOP.

The secretary of state is the chief overseer of California elections. That office holder, regardless of party, has never favored one side over the other in balloting, although many GOP politicians have been parroting Pied Piper Trump’s nonsense about election rigging.

California Republicans pushing to neutralize the office argue that Democratic incumbent Shirley Weber has taken public policy positions that echo her party’s stands. Shock! This is America. She has a right — a democratic duty — to take any position vocally that she desires.

But it’s logical for the secretary of state to officially operate as a political nonpartisan — as does the state superintendent of public instruction and all county voter registrars, who actually administer the elections and count votes.

“It’s time to take the secretary of state out of the partisan mix,” says former Orange County Assemblyman Don Wagner, who is Weber’s underdog Republican opponent in the November election.

“The secretary should be calling balls and strikes as opposed to being on the red team or a blue team.”

Realistically, no red team member is likely to win any statewide office in California for the foreseeable future, given that Democratic voters outnumber Republicans by nearly 2 to 1 and Trump is widely detested in this state.

“Sometimes Trump does make it harder in California for Republicans,” Wagner acknowledges.

The legislation to make the secretary of state nonpartisan was a proposed California constitutional amendment, introduced by Republican Assemblymembers Natasha Johnson of Lake Elsinore and Josh Hoover of Folsom.

But it was submitted so late in the legislative session that there was no chance of it ever receiving a committee hearing. It didn’t really matter anyway. Even if it had been introduced on Jan. 1, Democrats would have instinctively tossed it in the trash.

They’re never going to make it remotely possible for a Republican to win this office any time soon.

The measure’s authors say their proposal would help “restore Californians’ trust in the electoral system.”

Actually, the only Californians who largely distrust the electoral system are Republicans. And the best way to fix that is for Trump to shut up and stop telling lies about stolen elections and hordes of undocumented immigrants voting illegally.

A recent poll by the UC Berkeley Institute of Governmental Studies found that 88% of Democrats and 64% of independents have confidence in California’s election system. But 76% of Republicans do not — a sign of our polarized times.

Of the two Republican proposals, the most significant is the one stripping the attorney general of the power to write titles and summaries of ballot measures.

Often, the only thing many voters know about a proposition is what they’re told in the title. They aren’t inclined to wade through neutral details in the official state Voter Information Guide.

The legislative analyst is a political noncombatant appointed by the Legislature and basically agreed to by both sides. The highly respected policy wonk already writes the proposition analyses included in the voter guide. Why not also the measures’ titles?

Increasingly in recent years under Democrats, including projected next governor Xavier Becerra, the attorney general has been dishing out party propaganda in official proposition titles.

State law requires the attorney general to provide an “impartial statement of the purpose of the measure” in language unlikely “to create prejudice for or against” the proposal.

But often on hotly contested measures, the language reads like talking points for the blue side.

The latest example is Proposition 39, a Republican proposal requiring Californians to show identification when voting. Election officials also would have to verify that registered voters are U.S. citizens.

I’m no fan of that measure. It overreaches, is unnecessary, could suppress voting and is merely a tool to drive up the GOP vote. Democratic legislative leaders and the party are fiercely opposed.

But Proposition 39’s title is unfairly negative and loaded against the measure. It reads: “Prohibits citizens from voting unless they present government-issued identification.” All some voters will focus on are the first four words.

Proponents sued, but judges are historically reluctant to interfere in election campaigns. A Sacramento judge OKd Democratic Atty. Gen. Rob Bonta’s biased wording.

The legislation for nonpartisan labeling of propositions cleared the Senate Elections Committee but later was quietly killed behind closed doors in the Senate Appropriations Committee, a notorious graveyard for measures sentenced to execution by legislative leaders.

“The Democratic leadership doesn’t want it passed,” notes the author, Sen. Roger Niello of Sacramento County, who recently was elected the next Senate minority leader. “If they kill it [in appropriations] nobody has to vote on it and it dies without fingerprints.”

That’s common legislative games-playing: Keep potentially popular but politically undesirable bills off chamber floors so majority party members can avoid shamefully voting “no.”

But these are still excellent Republican ideas.

There are times when politics should be taken out of elections.

What else you should be reading

The must-read: California backtracks on good-government policies in divided Trump era
Law & Order & Politics: Eric Swalwell briefly detained as feds seize his phone at San Francisco airport, source says
The L.A. Times Special: It’s beyond debate. California voters deserve a Becerra-Hilton face-off

Until next week,
George Skelton

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