dead

In the first of several significant flashbacks in “Over Your Dead Body,” Samara Weaving’s unhappy Lisa complains to a friend about a hunting trip her equally miserable husband Dan (Jason Segel) is taking her on. “You know how much I hate guns,” Lisa fumes. “So dangerous.” Turns out, she’s actually telling two lies, which is par for the course for this twisty yet underwhelming dark comedy that views marriage as both a hyperviolent blood sport and a battle to the death.

Based on Norwegian filmmaker Tommy Wirkola’s 2021 “The Trip,” “Over Your Dead Body” concerns a couple whose wedded bliss has faded along with their professional prospects. Dan directed a moderately successful sci-fi film several years ago but is now stuck shooting cheesy pop-up ads. Meanwhile, Lisa’s nascent acting career is flailing. As the movie begins, Dan conspicuously informs his production team that he and his wife are going hiking in the middle of nowhere — something, he insists, the risk-taking Lisa wants to do, despite how perilous that might be. What we soon realize is that he’s creating cover for his nefarious plan, which is to kill Lisa at his family’s forest cottage, making it look like she disappeared without a trace in the woods.

But director Jorma Taccone eventually reveals that it’s not just Dan who has murder on his mind. That first flashback rewinds to Lisa’s simultaneous scheming, claiming to those close to her that Dan longs to go hunting — when, in fact, she’s secretly brought a rifle so that the authorities will assume he accidentally shot himself. (Whatever fears she once harbored about firearms are, clearly, no longer an issue, if they ever were.) Dan is offended when he uncovers her plot: Why would she want to kill him? At least he’s justified, he believes, having caught Lisa in an affair with her scene partner.

More surprises are in store as Dan and Lisa engage in a deadly standoff in the cabin, only to discover that they’re not alone. Another flashback details how two convicted killers, Todd (Keith Jardine) and Pete (Timothy Olyphant), escaped from a local penitentiary with the help of Pete’s girlfriend, prison guard Allegra (Juliette Lewis), and are seeking refuge at the cottage. Suddenly, the feuding married couple must work together to stay alive.

One-third of the comedy troupe the Lonely Island, Taccone previously directed the big-screen adaptation of the “Saturday Night Live” sketch “MacGruber” and co-directed the endlessly rewatchable mockumentary “Popstar: Never Stop Never Stopping.” For “Over Your Dead Body,” he teams with producer David Leitch, whose 87North shingle specializes in R-rated action-comedies like “Nobody” and “Violent Night.” Taccone’s irreverent, slyly shocking style would seem a good match for a story in which the pain of romantic discontent is paired with myriad scenes in which a variety of weapons wreak grisly havoc, including lawnmowers, sports cars, gardening equipment and a sock with a pool ball in it.

But despite Segel and Weaver’s best efforts, they can’t make this bickering duo deliciously awful, the characters proving more grating than hilariously combustible. And when Pete and his cohorts arrive, they’re too broadly quirky to be either menacing or hysterical, although Olyphant’s long-suffering leader has some nice moments slowly processing how dumb Todd and Allegra are.

Other than one queasy homage to “Deliverance,” the film’s handling of the showdown between this drab married couple and the cartoonish criminals is rarely gripping. Instead, “Over Your Dead Body” delivers over-the-top fight sequences emphasizing grimaces and gross-out laughs. People aren’t simply shot in the head — the bullet transforms it into a gooey slab of meat. Fingers get sliced off, stakes are driven through hands and a foot is reduced to bloody tatters. Taccone handles all this with gleeful excessiveness but once you’ve seen one pulverized face, you’ve seen them all.

A droll irony is intended to unfold alongside the rising body count. Dan and Lisa embarked on this getaway to murder one another, but they’ll end up rekindling their love. To be sure, Segel and Weaving are much more winning once their characters start warming to one another. Still, the film feels like a missed opportunity for Weaving, who became a scream queen in the “Ready or Not” films. In those movies, as an unsuspecting bride thrust into a life-or-death situation, she appealingly balanced a convincing physical performance with an understated comedic streak, her beleaguered character enduring one absurdity after another.

Weaving finds herself in a somewhat similar role in “Over Your Dead Body” and this uneven action-comedy is anchored by her had-it-up-to-here performance, which provides a witty insight into marriage that the film otherwise ignores. It’s bad enough that Lisa has to deal with Dan’s insecurity — now she’s got to tangle with some dopey crooks? Women have to do everything in a relationship.

“Storage Wars” star Darrell Sheets was found dead by police on Wednesday in Lake Havasu City, Ariz. He was 67.

According to Variety, which obtained a report from the Lake Havasu City Police Department, Sheets died from what appeared to be a self-inflicted gunshot wound. The statement said that on Wednesday around 2 a.m., officers were dispatched to Sheets’ home on Chandler Drive after reports of a deceased individual.

“Upon arrival, officers located a male subject who suffered from what appeared to be a self-inflicted gunshot wound to the head. The male was pronounced deceased on scene and the Lake Havasu City Police Department’s Criminal Investigations Unit was notified and responded to the scene to assume the investigation,” the statement read.

“The body was ultimately turned over to the Mohave County Medical Examiner’s office for further investigation,” the release continued.

Police said that they identified the man as Sheets and that his family had been notified. “This incident remains under active investigation, and additional information will be released as it becomes available.”

Sheets appeared across 15 seasons of the popular A&E reality show “Storage Wars” from 2010 to 2023. His son, Brandon Sheets, was also a cast member, and the father-son duo was often considered the heart of the show. Darrell would use his not-so-stealthy approach when bidding on storage lockers that he was willing to bet contained what he would describe as “wow factor” treasures.

“I’m a buyer by trade. I love buying storage sheds. It’s my addiction,” he said on the series. “I’m basically known for taking the good stuff and just getting the heck out of here.”

According to Sheets’ cast bio, the antiques enthusiast loved to brag about “four Picassos and the world’s most lucrative comic book collection” that he scored through storage auctions. He told The Times in 2015 that he once invested in a locker and discovered pieces of original artwork by Frank Gutierrez that he said appraised for about $300,000, making for the biggest take in the TV show’s then-five-year history.

Rene Nezhoda, another “Storage Wars” cast member who was often considered Sheets’ rival due to their onscreen antics, posted on Instagram after news of Sheets’ death broke and called out cyberbullies.

“Unfortunately, Darrell Sheets took his own life,” Nezhoda said. “I know a lot of you guys think we hated each other because we competed a lot on the show, and you know, we had our moments. We had our run-ins, but that’s because we were both competitors, right?

“Deep down, me and Darrell were friends. We talked every now and then. He is a very hard worker that cared more than anyone I’ve probably ever met about their family, about his son, about [his granddaughter] Zoie.”

Nezhoda said that Sheets had someone “really, really tormenting” him on social media.

The “Storage Wars” alum then addressed cyberbullies for their treatment of public figures, saying, “Just because you watch us on television doesn’t mean you know us. You never know what demons somebody faces.”

Gregg Foreman, the founder of the influential blues-punk band the Delta 72 and a longtime collaborator with Cat Power and other acts, has died. He was 53.

News of Foreman’s death on Tuesday was confirmed by Cat Power’s label, Matador Records. No cause of death was given.

Foreman, born in Philadelphia, formed the Delta 72 in Washington, D.C., in the mid-’90s, putting a soulfully-scuzzy blues twist on the city’s post-hardcore sound of the era. Foreman was a distinctly charismatic frontman, pairing the flamboyant stage presence of his beloved ‘60s and ‘70s R&B acts with the live-wire tension of punk. The band released three albums before dissolving in 2001.

For two decades, he played in Cat Power’s backing ensemble, the Dirty Delta Blues band, and became the project’s musical director. He also collaborated with Pink Mountaintops, Suicide’s Alan Vega and Martin Rev, the Gossip, Lydia Lunch and Death Valley Girls, along with singer-songwriters Lucinda Williams and Linda Perry.

Outside of his live-band career, Foreman was a prolific DJ and a deeply knowledgeable music journalist. He most recently played on Cat Power’s “Redux,” January’s three-song EP celebrating the 20th anniversary of the band’s beloved LP “The Greatest.”

Music and cultural figures like director Jim Jarmusch, Kid Congo Powers, and Cold Cave’s Wesley Eisold mourned Foreman’s death on social media. Eisold wrote on Instagram that “Like others, he bounced in and out of our lives and changed each one he visited. For better or for worse, he lived a life that others only claim to have lived and he was one of one. His love for music was as genuine as the pain he harbored.”

Dave Mason, a founding member of the British psychedelic rock band Traffic who wrote some of their best-known songs including “Feelin’ Alright?” and “Hole in My Shoe,” has died. He was 79.

The singer and guitarist died Sunday at his home in Gardnerville, Nev., his publicist confirmed to the Associated Press. No cause of death was given.

“On Sunday, April 19, after cooking an amazing dinner with his beloved wife Winifred, [Mason] sat down to take a nap with sweet Star (the maltese) at his feet,” said a post shared Tuesday on the musician’s Instagram page. “He passed away peacefully, in his favorite chair, surrounded by the beautiful Carson Valley that he loved so much. A storybook ending. On his own terms. Which is how he lived his life right up until the end.”

“He leaves a lasting imprint on the soundtrack of our lives and the hearts he has lifted. His legacy will be cherished forever,” the tribute concluded.

Mason canceled his 2024 tour dates after doctors “detected a serious heart condition” during a routine check-up that required “immediate medical attention.” He was expected to make “a full and successful recovery” after treatments. He later announced his retirement from touring in 2025, citing “ongoing health challenges.”

Born May 10, 1946, in Worcester, England, Mason was a teenager when he joined singer and keyboardist-guitarist Steve Winwood, drummer Jim Capaldi and woodwind player Chris Wood to form Traffic in 1967. The band was known for its psychedelic sound that blended elements (and instruments) of rock, blues, R&B and jazz.

Mason was inducted into the Rock & Roll Hall of Fame in 2004 for his work with Traffic, but the musician had a fraught history with the group.

“We did some good stuff,” Mason told The Times in 1995. “We were young kids. The first song I wrote was their first big hit in England (‘Hole in My Shoe’). But I was only 19 years old and couldn’t handle all the fame, really. It was just too much.”

He explained that after he left the band the first time, he was asked to come back because “they didn’t have enough songs for a second album,” while he had written “five or six” including “Feelin’ Alright?” The song, now considered a classic rock staple, has been covered by multiple artists including Joe Cocker, Huey Lewis, the Jackson 5, Gladys Knight & the Pips and Grand Funk Railroad.

“Then I found out that Steve [Winwood] didn’t really care for my stuff,” Mason said. “From my point of view, I think [our] differences made something better. … But it just pulled too much I suppose, and they couldn’t work it. I was more or less forced into having to leave.”

Mason’s subsequent solo career included three gold albums: his 1970 debut “Alone Together” — which featured hits like “Only You Know and I Know,” “Shouldn’t Have Took More Than You Gave” and “World in Changes;” 1974’s “Dave Mason” and 1978’s “Mariposa de Oro.” His 1977 album “Let It Flow” was certified platinum.

He also collaborated with other notable acts such as Eric Clapton, George Harrison, Jimi Hendrix, the Rolling Stones, Delaney & Bonnie and Friends, Joe Cocker’s Mad Dogs & Englishmen, and Fleetwood Mac.

Winwood shared a tribute to his bandmate on Wednesday on Instagram.

“Dave was part of Traffic during its earliest chapter, and played an important role in shaping the band’s sound and identity during that time,” said the caption accompanying a photo of a young Mason. “His songwriting, musicianship and distinctive spirit helped create music that has lasted far beyond its era, and continues to mean so much to listeners around the world.”

“Those years remain a special part of the band’s story, and Dave’s contribution to them is not forgotten,” Winwood continued. “His place in that history will always be remembered, and through the music, his presence endures.”

Mason is survived by his wife, Winifred Wilson, daughter Danielle, nephew John Leonard, niece Michelle Leonard and his brothers-in-law, Sloan Wilson and Walton Wilson.

WASHINGTON — Amid growing national security concerns, the FBI said Tuesday that it has launched a broad investigation in the deaths or disappearances of at least 10 scientists and staff connected to highly sensitive research, including four from the Los Angeles area.

“The FBI is spearheading the effort to look for connections into the missing and deceased scientists. We are working with the Department of Energy, Department of War, and with our state and state and local law enforcement partners to find answers,” the agency said in a statement.

The FBI’s announcement comes after the House Oversight Committee announced that it would investigate reports of the disappearance and deaths of the scientists, sending letters seeking information from the agencies involved in the federal inquiry as well as NASA, which owns the Jet Propulsion Laboratory in La Cañada Flintridge, where three of the missing or dead scientists worked.

“If the reports are accurate, these deaths and disappearances may represent a grave threat to U.S. national security and to U.S. personnel with access to scientific secrets,” Reps. James Comer (R-Ky.), chairman of the committee, and Eric Burlison (R-Mo.) wrote in the letters.

President Trump told reporters last week that he had been briefed on the missing and dead scientists, which he described as “pretty serious stuff.” He said at the time that he expected answers on whether the deaths were connected “in the next week and a half.”

Michael David Hicks, who studied comets and asteroids at JPL, was the first of the scientists who disappeared or died. He died on July 30, 2023, at the age of 59. No cause of death was disclosed.

A year later, JPL physicist Frank Maiwald died at 61, with no cause of death disclosed.

Two other Los Angeles scientists are part of the string of deaths and disappearances.

On June 22, 2025, Monica Jacinto Reza, a materials scientist at JPL, disappeared while on a hike near Mt. Waterman in the San Gabriel Mountains.

On Feb. 16, Caltech astrophysicist Carl Grillmair was fatally shot on the porch of his Llano home. The Los Angeles County Sheriff’s department arrested Freddy Snyder, 29, in connection with the shooting. Snyder had been arrested in December on suspicion of trespassing on Grillmair’s property.

Snyder has been charged with murder.

There is no evidence at this point that the deaths and disappearances, which occurred over a span of four years, are connected.

A spokesperson for NASA, which owns JPL, said in a statement on X that the agency is “coordinating and cooperating with the relevant agencies in relation to the missing scientists.

“At this time, nothing related to NASA indicates a national security threat,” agency spokesperson Bethany Stevens wrote. “The agency is committed to transparency and will provide more information as able.”

Representatives from Caltech did not immediately respond to a request for comment.

Sina* is a 28-year-old video editing assistant who fought hard to build a life in Tehran. After completing mandatory military service, he refused to return to his hometown of Neyshabur in eastern Iran, knowing opportunities for a young man with a background in film editing and independent student theatre were bleak there. Through a college friend, he found his footing at a video content creation studio in the capital, climbing from camera assistant to assistant video editor within six months, before losing his job as a result of the US-Israel war on Iran. As told to Arya Farahand. 

It has been a few days since the guns fell silent, and the sliver of hope I felt when the ceasefire was announced is already fading. Out of all the resumes I sent in desperation, only one company called me for an interview. The salary they offered would not cover the bare minimum to survive. My family keeps calling from Neyshabur, repeating the same line: “Come back, there’s work for you here.” What they intend as a lifeline feels like salt in the wound.

I had stopped taking money from my father, my salary grew, and I was buying gifts for my two sisters. I was, for the first time in my life, truly independent. Now, I am sitting in my grandmother’s empty apartment in Tehran, staring at a phone with almost no internet, waiting for a job offer that’s not coming.

This is what the war has done to me. Not a scratch on my body, but everything else – gone.

Croissants on the roof

The morning the war started, we were in a briefing meeting, drinking tea. A colleague had brought fresh croissants. Then we heard the roar of a fighter jet, a whistle, and seconds later, an explosion.

Our initial instinct wasn’t terror, but naive curiosity. Against every survival guide we had read from the previous war, we piled into the elevator and went up to the roof, mugs still in hand. Pillars of smoke were rising across the city. Then, another explosion hit, deafeningly close. We sprinted for the stairs.

Our manager sent us home. The city had seized up. My driver called to say he couldn’t get through the gridlock, so we started walking – 40 minutes under the glaring sun, past stranded people and stalled cars. At one point, a middle-aged driver lost his nerve, swerving into the bus lane against traffic. A bus appeared head-on and deadlocked the lane. Trapped, he looked ready to explode. I didn’t stick around. I just kept walking.

I went to my grandmother’s house. Hard of hearing, she hadn’t heard a single blast and was simply overjoyed to see me. I drank tea, sat in front of the television, tried to process what was happening, then ate lunch and slept.

The city hollowing out

When I woke up, I reached for my phone, only to be reminded that the internet was dead. I am someone who fills every spare moment with online gaming or Instagram. Without either, the boredom was stifling. I couldn’t smoke in front of my grandmother, and the forced abstinence only added to my agitation.

In the days that followed, the city hollowed out. Whenever I stepped into the alley – using a quick errand as a pretext to sneak a cigarette – I saw fewer and fewer people. In our building, only five of the 12 units remained occupied. I could tell by the empty spaces in the parking garage.

When my cigarette supply ran out, the corner shop didn’t have my brand and the supermarket was charging double. With no certainty that my March salary would be paid, I settled for a cheaper, unknown brand. It was like inhaling truck exhaust.

The days blurred: the unemployment anxiety, the stifling boredom, the desperate secret cigarettes. I tried buying VPNs twice. The first worked for a single day. The second – the seller blocked me the moment I transferred the money.

The closest I have come to death

The true nightmare came on the night of March 5. A mild explosion jolted me awake around 4m. I walked to the kitchen for water. Then a blast ripped through the air – a sound seared into my brain for life. I froze. My grandmother stumbled out of her bedroom in terror. I pulled her into the kitchen.

Then came the barrage. More than 10 consecutive explosions, each less than 10 seconds apart. My grandmother sat on the floor beside me, arms wrapped tightly around my leg, head buried. It was the closest I have ever felt to death.

When it finally stopped, the windows held. My grandmother, shaken, recalled how during the Iran-Iraq war, sirens had warned them in time to reach shelters. What she found most painful about this war was the absolute lack of warning – no sirens, no shelters. Just sitting, waiting for the next blast. With tired legs, she climbed back into bed. I did not sleep until morning.

Ten voices in my head

Through all of it, I kept telling myself, “Hold on”. Our manager had hoped this war, like the previous conflict, would end in under two weeks. Whenever my parents called, begging me to return to Neyshabur, I said no.

On March 17, we had our final online meeting. The studio’s debts were mounting, invoices unpaid, and our manager saw no end in sight – for the war or the internet blackout. For the new Iranian year, starting on March 21, only 200 resources staff would remain. The rest of us were laid off, without pay.

As the call ended, it felt like 10 different voices were screaming in my head. I couldn’t rely on my grandmother’s meagre pension. My father was already supporting a family of four. The calculation was merciless: move back to Neyshabur and work at my uncle’s supermarket. Instead of planning how to improve my life, I was plotting survival.

I packed up and left. It was a gruelling 10-hour bus ride through eerily quiet roads. What haunted me most were the final moments in Tehran. The city felt hollow, silent, swallowed by a darkness I had never seen before.

The void

From Neyshabur, I called my manager, hoping against hope. He laid out the brutal math. During the previous war and the December protests, waiting out the shutdowns had been viable. But a relentless year of economic bleeding, capped by this blackout, had driven revenue to zero. Even if the internet were restored tomorrow and we worked nonstop for months, it wouldn’t be enough. The studio hadn’t paused. It had collapsed.

I updated my resume, bought a return bus ticket, and went back to my grandmother’s apartment. There was nothing to go back to. I just needed to feel like I was doing something.

When the ceasefire was announced, I felt a sliver of hope. It lasted about a day.

My life used to be a blur of motion: the studio, independent theatres, cafes with friends, early mornings and late nights. Now, my entire existence has shrunk to four walls. The war has ended, at least for now. The internet remains largely throttled, the economy is in ruins, and the job market that existed before February 28 has not returned with the ceasefire.

Outside, people are beginning to move through the streets again. For them, perhaps, something is resuming. For me, there is nothing to resume.

I don’t know how much longer I can hold out.

*Name changed for security reasons

Patrick Muldoon, known for his roles on “Days of Our Lives,” “Melrose Place” and “Starship Troopers,” has died. He was 57.

The actor and producer reportedly died Sunday, his manager confirmed to Variety. According to Deadline, Muldoon died suddenly after a heart attack. The Times has reached out to Muldoon’s reps for comment.

Muldoon originated the role of Austin Reed on the daytime soap opera “Days of Our Lives.” He first portrayed the aspiring boxer and brother of Lisa Rinna‘s Billie Reed from 1992 to 1995, and returned to reprise the role from 2011 to 2012 (the character had since become a forensic accountant).

“Austin is a wonderful role,” Muldoon told The Times in 1995. The actor explained he took his “sweet time” mulling over whether to leave the show because “it was one hell of a decision to make.”

“I’m leaving for no other reason than why other people leave soaps,” Muldoon said at the time. “To take a shot at doing other things like nighttime, movies and other things. … I feel confident right now so I figured I better take the shot sooner than later. If I don’t, I’ll always wonder ‘what if.’ ”

He played the recurring villain Richard Hart on the primetime soap “Melrose Place” for three seasons beginning in 1995. Muldoon’s big-screen roles include Zander Barcalow, a pilot and rival of Casper Van Dien’s Johnny Rico, in Paul Verhoeven’s 1997 movie “Starship Troopers.”

Born September 27, 1968, in San Pedro, Muldoon’s early passions included football. He started playing at the age of 6 and would go on to play at Loyola High School and then at USC.

“I did fairly well for being a smaller tight end,” Muldoon told The Times in 2012, adding that getting run over during practice by USC teammate Junior Seau — the late linebacker who had a 20-year NFL career — was among the factors that led him to pursue acting instead. Muldoon began his acting career during the sport’s offseason, and his earliest roles were on shows such as “Who’s the Boss?” and “Saved by the Bell.”

In addition to acting, Muldoon was a producer with credits on films such as “Riff Raff” (2024), “Marlowe” (2022), “The Card Counter” (2021) and “The Comeback Trail” (2020). Most recently, he shared on Instagram his excitement of being among the executive producers for the upcoming film “Kockroach.”

A legendary NFL coach found linebacker Rod Martin not by scouting him at USC, but almost by accident.

The Oakland Raiders had a throwaway 12th-round pick in the 1977 draft, and then-coach John Madden grew frustrated hearing his personnel executives contemplate using it on a basketball player or track guy. Finally, Madden blurted out that he could find a random kid walking around the USC campus in sandals who could make more of an impact than that.

“Ron Wolf says, ‘All right, smart guy,’” recalled Madden’s son, Mike. “So they were a couple picks away and dad goes, ‘Let me call [USC coach] John Robinson.’”

Robinson had one question: Has Rod Martin been drafted?

Raiders linebacker Rod Martin stands on the field during a game against the Buffalo Bills on Dec. 6, 1987, at the Coliseum.

(Mike Powell / Getty Images)

“Dad goes, ‘What position does he play?’” the younger Madden said. “Robinson tells him Martin is a linebacker, and dad goes, ‘Good. Tough guy we can knock around in training camp. Have him run down on kicks.’ And Robinson says, ‘No, John. Rod Martin will make your team.’”

Martin did a lot more than make the team. He would go on to set a Super Bowl record with three interceptions in one of the most dominant defensive performances in championship history.

Martin, who would play his entire 12-year career with the Oakland then Los Angeles Raiders, is dead at age 72. The Raiders announced his death Monday but did not specify a cause of death.

“The Raiders family is deeply saddened by the passing of Rod Martin, a standout linebacker and key player on two Super Bowl championship teams,” read a team statement.

The franchise called Martin, “a beloved member of the Raiders Family and a favorite of Raiders fans everywhere.”

A two-time Super Bowl winner and a two-time Pro Bowl selection, Martin saved his best game for the biggest stage. In Super Bowl XV at the Louisiana Superdome, he intercepted Philadelphia Eagles quarterback Ron Jaworski three times in a 27-10 Raiders victory.

“What I remember about Rod was his ability to diagnose and react,” Jaworski said by phone Monday. “In the Super Bowl, he makes two phenomenal plays. He has three interceptions, but interceptions one and two — I’d like to say they were bad decisions on my part. They weren’t. I tried to squeeze throws in. He just made a great play. He was a great athlete.”

Three years later, Martin was still a key component to the Raiders’ defense in a Super Bowl victory over Washington. He had a sack of quarterback Joe Theismann, a fumble recovery, and a fourth-and-one stop of John Riggins late in the third quarter of a 38-9 blowout.

Born in Welch, W. Va., the son of a coal miner grew up in Los Angeles and attended Hamilton High before going on to play at Los Angeles City College and USC. The NFL saw him as a tweener, too small for linebacker at 210 pounds and too slow to play safety. Clearly, that was a faulty assessment.

Hall of Fame quarterback Warren Moon was two years behind Martin at Hamilton, and the two remained friends throughout the decades that followed.

“We met when I was a sophomore,” Moon said. “He was a senior — middle linebacker, fullback and center on the basketball team. He was the ultimate athlete. At the time I was there, I looked up to him quite a lot.

“He wasn’t the biggest guy in the world, but he was big enough. He had the strongest hands and the strongest forearms. He could just take a tight end or whoever came to block him, grab his pads, shove him off and go make the play. He was just a real solid player.”

It was those hands that grabbed an opportunity with the Raiders and didn’t let go.

“So dad goes marching into the draft room,” Madden said, “looks at Ron and everybody else and says, ‘We’re going to take Rod Martin, linebacker, USC.’ And they did.”

ADDISON Rae surprised music lovers at Coachella weekend two by bringing out Olivia Rodrigo to perform her new single Drop Dead.

The track came out on Friday, marking itself as the lead single off of Olivia’s much-anticipated third album “you look pretty sad for a girl so in love.”

The Diet Pepsi singer turned to the crowd and asked them if they had been listening to any new music during the week, before beginning to sing her 2025 single, Headphones On.

However, when Addison sung the lyrics “I compare myself to the new IT girl,” Olivia came out of nowhere and joined in the performance.

The moment was met with enormous cheers from the crowd, as no one expected a special guest to arrive.

But the roaring reception only got louder as the ladies launched into singing Drop Dead.

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SAD OL OVER

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Olivia announced that she was releasing her third album earlier this month via a post to her Instagram channel.

In the post she shared a photo of the front cover, showing her with her eyes shut on a swing set.

In the caption she revealed the release date as June 12, sharing: “My third album ‘You seem pretty sad for a girl so in love’ is out June 12th.

“I am so proud of this record and I can’t wait for you to hear it.”

Drop Dead is the first new music to arrive from Olivia since September 2023 when she released her Sophomore album, GUTS.

GUTS achieved massive success with hits including Vampire and Bad Idea Right?

It followed the success of her debut album SOUR from 2021, adored for smash-hit Drivers License.

Weekend two of Coachella has been incredibly popular, abundant with A-list celebrities and more surprise guests.

Sabrina Carpenter wowed the audience on Friday night with a long set that told the story of a young girl navigating Hollywood throughout each song.

But just when fans thought the show couldn’t get any better Sabrina brought out Madonna, and they dueted a rendition of Like A Prayer.

Justin Bieber also wowed the crowd and got them in their feelings, bringing a laptop on stage to sing along to his old hits karaoke-style.

But PinkPantheress pulled out all the stops when it came to surprise guests.

The songstress brought out not one but three fellow musicians including Zara Larsson and Janelle Monae.

KATSEYE concluded the trio of surprise singers, and the crowd absolutely loved it.

Coachella festival is held annually at the Empire Polo Club in California.

April 19 (UPI) — Eight children were killed, and two more injured, in a mass shooting in Louisiana on Sunday morning that police said started as a domestic dispute.

The two survivors are both adult women, with one thought to have been in a relationship with the shooter, who was killed by police after stealing a car and leading them on a short chase, KSLA and NBC News reported.

Officials said they are still investigating the crime scenes to figure out what actually happened, as one of the two women has life-threatening injuries resulting from what is believed to have been a shot in the head.

Some of the children that were killed, who ranged in age from 1 year to 14 years, were related to the alleged shooter, police said.

“This is an extensive scene unlike anything most of us have ever seen,” Shreveport, La., Police Chief Wayne Smith told reporters.

Police responded to reports of a domestic disturbance on the 300 block of West 79th Street in Shreveport around 6 a.m. EDT to find the widespread crime scene.

The initial shooting, police said, occurred at two houses before the suspect attempted a carjacking around the block and then, after a chase, attempted to escape on foot but was shot and killed by police.

A fourth location, a house where one of the shooting victims ran to, is also part of the investigation.

“This is a tragic situation, maybe the worst tragic situation we’ve ever had in Shreveport,” the city’s mayor, Tom Arceneaux, told reporters.

A motive for the shooting remains undetermined, police said.

The attacker has been identified as a “58-year-old Moscow man”, but no motive has been established.

A gunman who killed at least six people in Kyiv and took hostages has been shot dead by Ukrainian police, officials said.

The attack occurred on Saturday in the capital’s Holosiivskyi district, where the assailant opened fire on civilians in the street before barricading himself inside a nearby supermarket, Kyiv Mayor Vitali Klitschko said on Telegram.

Special tactical police units stormed the supermarket after roughly 40 minutes of failed negotiations, Interior Minister Ihor Klymenko said on Telegram. The gunman shot at police officers during the standoff.

“We tried to persuade him, knowing that there was likely a wounded person inside,” Klymenko told The Associated Press news agency. “We even offered to bring in tourniquets to stop the bleeding, but he did not respond.”

Ultimately, authorities were given the order to “neutralise” the attacker, he said.

At least 10 others were hospitalised, including one child, and four hostages were rescued, President Volodymyr Zelenskyy said in a post on X.

Prosecutor General Ruslan Kravchenko said the attacker was a 58-year-old born in Moscow.

Klymenko said the man was carrying a legally registered gun and had approached licensing authorities as recently as December 2025 to renew his weapons permit, submitting a valid medical certificate at the time. He added that investigators would determine which medical institution issued the document.

Zelenskyy offered his condolences to the families of the victims, saying he had instructed officials to make all verified information publicly available. “We expect a swift investigation,” he wrote.

TV producer Sid Krofft, the puppeteer and co-mastermind behind fantastical 1970s Saturday morning television shows like “H.R. Pufnstuf” and “Land of the Lost,” has died. He was 96.

Krofft died in his sleep on Friday at the home of his friend and business partner Kelly Killian, she announced on Instagram. His youngest brother and business partner, Marty Krofft, died in 2023.

“I loved Sid with my whole heart. The last six years of my life were devoted to him, and his to me,” Killian wrote. “In that time, he taught me more than I could ever put into words — about the art of Hollywood, the magic of the stage, and the depth and complexity of human nature. I wish so very much that I had more time with him.”

“Sid Krofft was an icon who did what he loved most until the very end — being out in public with his legions of fans,” his publicist Adam Fenton said in a statement. “Sid never slowed down, attending his final show where it all began just last November in his home state of Rhode Island. Sid was a beacon of light and will be greatly missed.”

Sid co-created 1960s and ’70s children’s TV shows that featured colorful and quirky characters like Weenie the Genie, Horatio J. HooDoo and Cha-Ka the ape-boy. Together, he and Marty produced through their production company, Sid & Marty Krofft Pictures, popular series, including their television debut and cult hit, “H.R. Pufnstuf.”

“H.R. Pufnstuf,” a combination of live-action and puppetry that Sid once referred to as “our first baby,” follows the adventures of a young boy, a talking flute and a 6-foot-tall dragon. That was the start of a television enterprise. The brothers went on to create more (mostly short-lived) shows, including “Lidsville,” about a teenage boy who falls into the top hat of a magician. He finds himself in the titular Lidsville, a land of living hats.

Other shows included “The Bugaloos,” about four teenage musicians with wings and antennae, “Electra Woman and Dyna Girl,” which follows the adventures of a superhero and her sidekick, and “Pryor’s Place,” a live-action children’s show starring comedian Richard Pryor.

The Krofft puppets frequently made cameos on other well-known shows during the 1970s and ’80s.

Most recently, the beloved character H.R. Pufnstuf appeared in the brothers’ 2016 Nick Jr. show, “Mutt & Stuff,” about an animatronic dog at a canine school.

The brothers also produced other beloved shows such as “Sigmund and the Sea Monsters,” “Land of the Lost,” “D.C. Follies” and the prime-time variety shows “Donny and Marie” and “Barbara Mandrell and the Mandrell Sisters.”

Sid, left, and brother Marty Krofft pose with some of the life-size puppets created for their syndicated series “D.C. Follies” in Los Angeles in 1987.

(Reed Saxon / Associated Press)

Because the shows often featured eccentric and larger-than-life characters, Sid once told The Times that people were convinced the ideas came from using psychedelics. But he insisted the concepts were born during his daily runs along the Los Angeles coastline.

“I’m a runner, and I thought of them during my runs on the beach at Santa Monica,” Sid said. “That’s where they came from.”

While the 1970s were the defining decade for the Krofft brothers, they got their start as puppeteers decades prior.

In a long-standing rumor, Sid and Marty were said to be fifth-generation puppeteers. In an interview with The Times, Sid confessed that the whole thing was a lie concocted by a publicist in the 1940s. Their father, Peter Krofft, was a clock salesman and joined Sid when he was on tour as a teenager.

Sid was born July 30, 1929, in Montreal. The brothers immigrated to New York City from Canada with their father. Sid started working as a professional puppeteer at age 10. By the time he was 15, he had joined the Ringling Bros. and Barnum & Bailey Circus as “the world’s youngest puppeteer.” By his late 20s, he was working as the opening act for big industry figures like the Andrews Sisters, Judy Garland and Cyd Charisse. That’s around the time he hired his brother — who was seven years younger and a salesman — as his assistant.

“I desperately needed an assistant and saw this as a great opportunity to bring out my brother Marty,” Sid said of his youngest brother. “That single moment in my life is what started our long-running career together.”

They later created cabaret-inspired “Les Poupées de Paris,” which opened in 1961 at the Gilded Rafters in the San Fernando Valley, then played at Hollywood’s P.J.’s. It toured the country throughout the ’60s.

While Sid was the creative force behind their projects, Marty was the brains behind the business operation.

Sid Krofft sits for portraits at his home in Los Angeles in 2021.

(Brian van der Brug / Los Angeles Times)

Sid wrote a tribute to his brother for The Times after his death.

“Marty and I were oil and vinegar,” he wrote. “We worked in different ways, but if you shook us up, we were a great dressing.”

The brothers’ relationship was publicly known to be rocky at times. “It’s not easy for two brothers to work together,” Marty told The Times.

Their shows were low budget; shot on sets that were once thought to be outdated by the 1980s. But the brothers maintained the rights to their creative properties, and some of their most popular stories had revivals or remakes.

In 2009, Universal Pictures adapted “Land of the Lost” into a $100-million box-office flop about the tales of a family stranded in a dinosaur-ridden jungle.

In 2018, the brothers were honored with a lifetime achievement award at the Daytime Emmys, and in 2020, they received stars on the Hollywood Walk of Fame. In 2021, Kroff resurfaced in the public eye with an Instagram Live show called “Sundays With Sid.” Marty created his own YouTube series soon after called “Mondays With Marty.”

April 12 (UPI) — At least six people were shot, and one killed, after several people wearing masks entered a Chick-fil-A restaurant in New Jersey and opened fire.

Around 8:40 p.m. EDT on Saturday night dozens of people inside the fast food restaurant ran when shots rang out, with at least a few of those shot being employees there, The Guardian and RLS Media reported.

The Union County, N.J., Prosecutor’s Office is conducting an active investigation and said it will release information as it becomes available, according to the reports.

“I have been briefed on the shooting last night in Union Township,” New Jersey Gov. Mikie Sherrill said in a post on X. “As local law enforcement continues their investigation, we remain in close contact with officials on the ground.”

The shooting, on Route 22 near Gelb Avenue in Union, N.J., started when the masked mob entered the restaurant and walked behind the counter before they started shooting, Fox News reported.

Police responded within minutes to reports of the shooting and located victims, with five being sent to the hospital and one pronounced dead at the scene.

The conditions of the other victims has not been released.

April 12 (UPI) — At least six people were shot, and one killed, after several people wearing masks entered a Chik-fil-A restaurant in New Jersey and opened fire.

Around 8:40 p.m. EDT on Saturday night dozens of people inside the fast food restaurant ran when shots rang out, with at least a few of those shot being employees there, The Guardian and RLS Media reported.

The Union County, N.J., Prosecutor’s Office is conducting an active investigation and said it will release information as it becomes available, according to the reports.

“I have been briefed on the shooting last night in Union Township,” New Jersey Gov. Mikie Sherrill said in a post on X. “As local law enforcement continues their investigation, we remain in close contact with officials on the ground.”

The shooting, on Route 22 near Gelb Avenue in Union, N.J., started when the masked mob entered the restaurant and walked behind the counter before they started shooting, Fox News reported.

Police responded within minutes to reports of the shooting and located victims, with five being sent to the hospital and one pronounced dead at the scene.

The conditions of the other victims has not been released.

The fortress was packed before the annual celebration at the UNESCO World Heritage Site, authorities say.

At least 30 people have been killed in a stampede in the northern countryside of Haiti, according to authorities, who warned that the death toll could rise.

Jean Henri Petit, head of Civil Protection for Haiti’s Nord Department, said the stampede occurred on Saturday at the Citadelle Laferriere, an early-19th-century fortress built shortly after Haiti’s independence from France.

One of Haiti’s most popular tourist attractions, “La Citadelle” was packed with students and visitors who had come to participate in an annual celebration at the fortress, which was designated a World Heritage Site by the United Nations Educational, Scientific and Cultural Organization (UNESCO) in 1982.

Prime Minister Alix Didier Fils-Aime said in a statement that he “extends his sincere condolences to the bereaved families and assures them of his profound solidarity during this time of mourning and great suffering”.

He added that “many young people” were in attendance at La Citadelle’s celebrations, although it is unknown who died, and the prime minister’s statement did not give an estimate of the death toll.

Rescue operations continue

Petit said the stampede occurred at the entrance to the site, adding that the rain further exacerbated the disaster.

“The minister of Culture and Communication has confirmed the deaths of 30 people at the Citadelle Henri on Saturday, April 11, 2026,” Culture Minister Emmanuel Menard told the AFP news agency in a written message.

“The injured are currently receiving the necessary medical care, and a rescue team is searching for any missing persons,” Menard said, without giving an exact figure of those injured.

The deadly stampede comes as Haiti is grappling with widespread violence by gangs that have massacred civilians, as well as an increasingly deadly crackdown by security forces.

The island nation has also been the site of various disasters in recent years, including a 2024 fuel tank explosion that killed two dozen people, another fuel tank blast in 2021 that killed 90 people, and an earthquake that left some 2,000 people dead that same year.

April 10 (UPI) — Search-and-rescue teams were scouring the wreckage of a collapsed Philadelphia parking garage on Thursday night for two people still missing, according to officials, who said the individuals were presumed dead.

The parking garage, under construction near 30th Street and Grays Ferry Avenue in South Philadelphia, collapsed at 2:19 p.m. EDT Wednesday, prompting emergency personnel to search the site for survivors.

One person was found and transported to Penn Presbyterian Medical Center where they were pronounced dead.

Philadelphia Mayor Cherelle Parker called on the public to pray for the three victims and their families.

“Right now, Philadelphia, it’s important for us to affirm together in a manner that’s fitting for each of us to send our prayers with the families who have been impacted, the family of the individual who has passed and also the families of the two people who are deceased,” she told reporters at a press conference, identifying all three as employees under the Ironworkers Local 401 union.

“We want you to know that we indeed grieve their loss tonight and we will continue to stand by, shoulder to shoulder, to support those families that have been directly impacted.”

Around the clock, officials have been working the site, and at 2 p.m. four search dogs were deployed into the downed structure and found no signs of life, she said.

Parker described that moment as “a pivotal point” in the incident. Officials now had the information necessary to shift the rescue operation to recovery.

“Our city agencies are reaching out and are in touch with the families of the deceased individual as well as the two lost souls who are, again, still unaccounted for but presumed deceased,” she said.

“Our city prays for them and with their families tonight.”

Officials were canvassing several blocks around the garage, notifying residents that on Friday, what remained of the structure would be demolished, she said.

Following the collapse, officials closed the immediate area to the public, including a shopping plaza and surrounding stores. No timeline has been given for their reopening.

Parker said the garage collapse remains under investigation.

“We are going to cross every ‘T,’ Philadelphia, and dot every ‘I’ until we get to the bottom of what happened here on Wednesday,” she said.

Managing Director Adam Teal for the City of Philadelphia told reporters that the structure remains “very unstable” and will be continuously monitored “until this incident is brought to a safe close.”

He explained that a large crane will be assembled over multiple hours to be used in the demolition of the structure, but only after the demolition plan receives final approval from various agencies.

“And here’s the most important thing: We, all of us, everybody you see here and all oof the hundreds of people working still now, we will not stop until everyone is returned to their loved ones with dignity, respect and honor,” he said.

“The same dignity and respect that we offer to our own fallen members.”

Afrika Bambaataa, the influential rapper and DJ who helped shape the culture of hip-hop via his legendary Zulu Nation block parties in the South Bronx, has died.

Also known for his electro-funk records including “Planet Rock” and “Looking for the Perfect Beat,” the musician — born Lance Taylor — died Thursday “from complications of cancer,” according to TMZ. He was 68.

A Bronx native and former member of the Black Spades gang, Bambaataa was most known for establishing his activist organization Universal Zulu Nation and hosting its block parties through the late ‘70s, gatherings that helped elevate rap from a genre of music to a cultural movement. The first Zulu Nation block party was held in 1977, set against a turbulent time for New York City — one marked by a historic blackout and a series of blazes across the South Bronx. The celebrations welcomed graffiti artists, DJs, emcees and other street performers, offering former gang members a positive outlet and laying the groundwork for what would become the four elements of hip-hop: deejaying, B-boy/girl dancing, emceeing and graffiti painting.

“Rap is about the gangs and the killings that went on until rap music and break-dancing helped end the violence. It brought people together,” Bambaataa told The Times in 1985.

Bambaataa, often named alongside DJ Kool Herc and Grandmaster Flash as a founder of hip-hop, concerned himself with community-building after a prize trip to Africa for an essay competition in 1974 shifted his worldview. He told the Red Bull Music Academy in 2017 that he was greatly inspired by “seeing Black people controlling their own destiny, seeing them get up and go to their own work.” He returned home, his new name a nod to a Zulu chief, with a new rhythm to his work.

The sounds of Bambaataa’s South Bronx block parties soon reached mainstream avenues, spreading beyond the community and eventually beyond New York. In 1982, Bambaataa launched into further fame with the release of “Planet Rock,” a Kraftwerk-inspired creation from him and Soulsonic Force, a group he co-founded. By 2006, he had released more than 20 albums, including compilations, and counted James Brown, Yellowman, John Lydon of the Sex Pistols, Boy George and Bootsy Collins among his collaborators.

Bambaataa’s recording career tapered off in the aughts, but he continued working as a DJ until his death. Bambaataa, a Rock & Roll Hall of Fame nominee, was appointed as a three-year visiting scholar at Cornell University in 2012. Years later, he faced controversy when multiple men in 2016 accused the musician of sexual assault. He denied the allegations at the time. Zulu Nation distanced itself from its founder as the allegations went public but has since remained committed to its mission of hip-hop unity.

Among the accusers who went public with their claims was Democratic Party community advocate Ronald Savage, who alleged Bambaataa assaulted him when he was 14. Savage walked back his claims in 2024, saying he met the musician at a club he had entered using a fake ID.

An anonymous accuser raised additional allegations of sexual abuse and trafficking against Bambaataa in 2021. That case ended last year in favor of the musician’s accuser after Bambaataa failed to appear for a court hearing in New York.

Tzruya “Suki” Lahav, a violinist and poet who played with Bruce Springsteen and the E Street Band in the mid 1970’s on some of the band’s most beloved LPs, has died. She was 74.

Yonatan Albalak, her son, posted on Facebook April 2 that his mother had been “gathered into infinity after a short and hard battle with the cursed disease” of cancer.

“She wrote songs that touched people’s hearts,” he wrote, describing her as “a special woman, smart, pure in heart and loving life. She was the best mom I could ever ask for.”

Lahav’s tenure with the group lasted only between 1974 and 1975, yet she contributed several standout moments to Springsteen’s catalog. She performed on “The Wild, the Innocent and the E Street Shuffle” and its follow-up, the smash “Born to Run.” She played the famed violin intro to the classic single “Jungleland,” and performed the multi-tracked choir on “4th Of July, Asbury Park (Sandy)” after a church vocal group failed to turn up for the session. She also played on a fan-favorite, widely-bootlegged cover of Bob Dylan’s “I Want You.”

She entered Springsteen’s camp after her husband, Louis Lahav, engineered on Springsteen’s 1972 debut album, “Greetings From Asbury Park.” Lahav told the Jerusalem Post in 2007 that she joined the group as “a young girl in a flowing white dress from Kibbutz Ayelet Hashahar in the Upper Galilee, barely out of the army, barely married … I went from kibbutz harvest music to rocking with Bruce.”

She remained a major artist in Israel for decades after her tenure with Springsteen. She recorded with the Israeli rock band Tamuz, and wrote songs for prominent Israeli artists like Rita, including “Yemei Hatom” and “Shara Barkhovot.” She won the ACUM Lifetime Achievement Award and the Arik Einstein Prize there. In 1990, “Shara Barkhovot” was Israel’s submission to the Eurovision Song Contest.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This is another strong week for new releases. By now you have likely heard something about “The Drama,” which has become inescapable thanks to the tireless promotion of its two stars, Zendaya and Robert Pattinson.

In a movie written and directed by Norwegian provocateur Kristoffer Borgli (“Dream Scenario”), the pair play Emma and Charlie, an engaged couple who find their wedding week thrown into disarray by the revelation of a deep secret from the bride-to-be.

Robert Pattinson and Zendaya in the movie “The Drama.”

(A24)

As Amy Nicholson put it in her review, “To another screenwriter, ‘The Drama’ would be an intimate study and a more emotionally wrenching film. But Borgli forces us to parse the mushy stuff from the mess and analyze the pending nuptials as an impersonal problem: What comes after a public shaming for the guilty and the inquisitors? That’s one of the most important (and unresolved) questions of the modern era, so I’ll forgive the filmmaker for being no more interested in writing Emma and Charlie as complex human beings than if they were character names in a math quiz about two people on two trains speeding toward a crash.”

Meanwhile, Tim Grierson spoke to Shira Small, the folk artist whose sole 1974 album features a song heard in an early scene of “The Drama.” Small, a delightful interview, goes into the music career she left behind a long time ago — one which may be reigniting now thanks to the movie.

Also opening in Los Angeles this week is Israeli filmmaker Nadav Lapid’s “Yes,” a guaranteed conversation-starter. Ariel Bronz stars as a musician who, in the aftermath of the Oct. 7 attacks, decides to say yes to composing a vicious new political anthem..

Reviewing the film, Joshua Rothkopf said, “It’s a movie about a citizenry at war with itself, hoping to keep the plates spinning for one more night. You watch it and think how easy it would be to envision an American remake — and wonder, too, if a filmmaker like Lapid even exists here.”

One of my favorite films from SXSW 2025, “Fantasy Life,” is finally coming to theaters. Written and directed Matthew Shear, the movie is an affectionate nod to the chatty dramedies of Noah Baumbach (some of which Shear has acted in). Here he plays Sam, a troubled law school dropout who takes a job looking after the children of a Brooklyn couple (Amanda Peet and Alessandro Nivola) and finds himself in an emotional affair with the wife.

“Fantasy Life” actor-writer-director Matthew Shear and star Amanda Peet bond in New York.

(Justin Jun Lee / For The Times)

I recently spoke to Shear and Peet about their collaboration on the film. Peet’s character in the film is also an actor and, though much of the film’s anxieties felt familiar to her, one scene in particular is drawn from Peet’s own experience: She is often mistaken in public for Lake Bell, including once on a red carpet.

“It’s a weird thing because you’re like, what do I do here?” said Peet with a laugh. “What’s the least douchey way to get out of this?”

The Black Pack’s resistance humor

Robert Townsend in the 1987 movie “Hollywood Shuffle.”

(Samuel Goldwyn Company / Photofest)

Curated around a new book by Artel Great, the UCLA Film and Television Archive is launching the series “The Black Pack: Rewriting American Comedy,” to spotlight a moment in the 1980s and ’90s when a small group of Black creators reached the very heights of Hollywood.

Eddie Murphy, Paul Mooney, Robert Townsend, Keenan Ivory Wayans and Arsenio Hall were friends and collaborators who, from 1987 to 1994, created the work showcased in the series. The Black Pack is a name they gave to themselves, partly in response to the John Hughes-affiliated Brat Pack.

Things begin tonight with a 35mm screening of Townsend’s essential 1987 satire “Hollywood Shuffle.” Great will be there for an introduction and a Q&A with cast member Anne-Marie Johnson and Spring Mooney, daughter of late actor Paul Mooney, who also appeared in the movie.

The cast of “In Living Color,” to be celebrated as part of the UCLA screening series “The Black Pack.”

(Fox / Photofest)

Other events include an evening of episodes of Wayans’ sketch comedy series “In Living Color,” 1988’s “Coming to America,” starring Murphy and Hall, a 35mm screening of Townsend’s 1991 “The Five Heartbeats” and a 35mm screening of 1989’s “Harlem Nights,” the only movie starring, directed, written and produced by Murphy, then at the height of his cultural capital.

This series is a terrific example of why smart programming matters. Here is a group of films (and a TV show) that might seem only related in a vague way, but when put together under a specific theme or idea, they are suddenly transformed into something revelatory.

Each evening of the series is designed to make the case for a different aspect of the Black Pack’s work and influence. The series as a whole puts forward a larger concept Great has coined a term for.

“I’m arguing through the series that the Black Pack’s cultural material is connected to a longstanding tradition that I call Black resistance humor,” says Great, now an associate professor at San Francisco State University, in an interview this week. “This idea of Black resistance humor is really a cultural practice where Black cultural workers are using political wit, irony, satire, parody, absurdity to challenge corrupt authority, to give voice to racial trauma and also attach themselves to re-imagining what freedom can really look like.”

From left, Arsenio Hall, Eddie Murphy, James Earl Jones and Madge Sinclair in the movie “Coming to America.”

(Paramount / Photofest)

There are plans for Black Pack programs in other cities, including Atlanta, San Francisco and Chicago, bringing this fresh look at their specific moment to venues around the country.

“I’m hopeful that the series will allow communities and audiences to see the Black Pack as cultural strategists who are using this idea of Black resistance humor to address very serious issues of power, identity and race,” says Great. “But also as a way of thinking, as a way of seeing and as a way of building alternative systems. Because that’s what they were able to do.”

Points of interest

‘The Birthday Party’ in 35mm

Actor Robert Shaw, left, with director William Friedkin on the set of “The Birthday Party” in 1968.

(Larry Ellis / Getty Images)

As part of its series celebrating the legacy of actor Robert Shaw, the Academy Museum will screen 1968’s “The Birthday Party” in 35mm on Sunday. One of the earliest features directed by William Friedkin (who would go on to such classics as “The Exorcist” and “To Live and Die in L.A.”), the film’s screenplay was written by Harold Pinter, adapting his own play. Shaw, Friedkin and Pinter make for a combustible intensity.

Shaw plays Stanley, the lone boarder at a seaside inn. When two mysterious men (Dandy Nichols and Sydney Tafler) arrive, they engineer a party for Stanley that becomes increasingly ominous.

In his original review, Charles Champlin lauded Shaw, saying he gives “one of the total and totally engrossing movie performances,” adding that Friedkin “as a director is everything a dramatist, and an audience, could want. The sense of loving care and artistic sureness which characterizes every aspect of the movie is extremely tonic. Pinter may be an acquired taste, but it is easy to acquire.”

‘He Got Game’ in 35mm

Denzel Washington in 1998’s “He Got Game.”

(David Lee / Touchstone Pictures)

Spike Lee’s prolific career is now studded with movies that maybe didn’t quite get their due in their day but deserve renewed attention. Screening in 35mm on Sunday at Brain Dead Studios is Lee’s 1998 “He Got Game,” which is just that kind of movie: stuffed with ideas and ambitions even if it doesn’t totally all come together for everyone. I particularly like his use of composer Aaron Copland’s music, which gives many of the images an epic quality they might not otherwise fully achieve, challenging preconceived notions of what can be thought of as Americana.

The movie stars a particularly electric Denzel Washington as Jake Shuttlesworth, a once-promising basketball player whose life took a turn. Now he’s in prison. His son, Jesus (played by NBA star Ray Allen), is a promising prospect and Jake is given an offer of a reduced sentence if he can convince his son to attend a certain college. The mixture of two of Lee’s own personal preoccupations, basketball and family, makes for a potent combination.

Reviewing the movie when it was released, Kenneth Turan wrote, “Given that writer-director Lee is one of the most visible of the New York Knicks’ celebrity fans, what’s surprising is not that he made a film about the sport he cares so much about but that he waited so long. … Though ‘He Got Game’ is periodically awkward and unruly, it benefits, as many of Lee’s films do, from the director’s determination to connect with the troublesome issues of the real world. Too few American directors work with Lee’s kind of social immediacy, and that makes his films, flawed and didactic though they sometimes are, essential viewing.”

Harmony Korine’s ‘Gummo’

Jacob Reynold, left, and Nick Sutton in Harmony Korine’s ‘Gummo’

(Criterion Collection)

Harmony Korine’s first feature as director, 1997’s “Gummo,” will screen at Vidiots on Monday. The event is co-presented by the Cinegogue, a group perhaps best known for their limited-edition movie-themed clothing drops, but who describe their mission thusly: “Our goal: make movies cool again through concert-like experiences and fanfare. … Because even though a movie might end, cinema is forever.” (And that’s a sentiment we here can get behind.)

The film finds Korine attempting to bring elements of experimental film and video to a nominally more mainstream context. It’s both confrontational and playful. Using a collage-like structure, the film follows a few kids as they make their way around their small town in Ohio after a tornado. Mostly featuring non-actors, the cast also includes Linda Manz and Chloë Sevigny, who is also credited as the film’s costume designer.

Writing about “Gummo” and Korine’s subsequent “julien donkey-boy,” Kevin Thomas made special note of “the intensity of Korine’s compassion for individuals who have so little going for them and so much going against them, yet at times are capable of experiencing an exhilarating freedom of spirit.”

Bo Lueders, guitarist and co-founder of the Chicago-based hardcore metal band Harm’s Way, has died, his bandmates announced “with heavy, broken hearts” Thursday on social media. He was 38.

Lueders “will be remembered for his unwavering empathy and compassion for his friends & family and his magnetic, inimitable presence on & off the stage,” Harm’s Way wrote on Instagram, asking for “grace and privacy” during a difficult time.

No cause of death was provided, but the band offered up the 988 suicide and crisis lifeline to anyone “struggling with depression or urges to self-harm.”

Born Bohan Daniel Lueders in November 1987, the musician co-founded Harm’s Way in 2006 as a side project of the punk band Few and the Proud. It turned into a full-time band that has released five studio albums and five EPs in the years since, with songs including “Human Carrying Capacity,” “Become a Machine” and “Call My Name.”

In a bio posted by the band on Spotify, Lueders took a shot at describing the music on Harm’s Way’s 2018 album, “Posthuman,” which was followed by its fifth album, “Common Suffering,” in 2023.

“To a Harm’s Way fan, I would describe ‘Posthuman’ as a blend of ‘Isolation’ (2011) and ‘Rust’ (2015), but it’s sonically way more insane,” he said. “To anyone else, I would simply say it’s like full on aggression.”

Lueders began the “HardLore” podcast in 2022 with Twitching Tongues frontman Colin Young to chronicle life on the road in the hardcore/punk/metal scene. A new episode — the second part of a two-part interview with Madball singer Freddie Crician — was posted Wednesday.

But on March 19, before that two-parter was done, Young and Lueders posted a “HardLore” episode that broke from format, instead answering listener questions for an hour and a half. One listener asked the hosts what piece of music they wanted to hear last before they died. Young picked “My Way” by Frank Sinatra. His buddy chose another track that was distinctly non-metal and non-punk.

“Mine would be some Björk song, probably. Either ‘Unravel’ or ‘Aurora.’ I just wanna drift and go peacefully,” Lueders said, rubbing both eyes before making a drifting gesture with both hands.

“I think ‘Unravel’ is one of the most beautiful songs ever written.”

A GoFundMe campaign was launched Friday by Young on behalf of Lueders’ “mother Wendy and girlfriend Taylor to help cover the costs of both afterlife & memorial services in Chicago.” The campaign had reached nearly $140,000 by midday.