dead

June 20 (UPI) — An Italian woman was killed, nine injured and more than 1,700 evacuated from a massive fire at a beachfront resort in the Dominican Republic Friday.

Francesca Valentino, 46, of Italy, died in the fire that broke out around 11 a.m. AST at the Viva Wyndham Dominicus Beach, a four-star resort in Bayahibe in the La Altagracia province, officials said. Three people were taken to medical facilities and six others were treated on site, Juan Manuel Mendez, head of the Dominican Republic’s Emergency Operations Center, said in a press conference.

No cause of the fire has been reported, but the Emergency Operations Center said a preliminary investigation found that portions of the resort’s buildings were made of cane roofs, which are combustible, and windy conditions contributed to the fire’s spread.

The Italian ambassador to the Dominican Republic met the dead woman’s husband at the hospital, the Italian news agency Ansa reported. There were about 285 Italian tourists staying at the resort or nearby, and the embassy in Santo Domingo was working to help them get new passports and arrange flights home.

Wyndham Hotels and Resorts franchises some 8,400 hotels worldwide.

“At this time, we are actively gathering the facts regarding the incident and coordinating with the appropriate authorities and on-site teams,” a spokesperson for Viva Resorts by Wyndham told CBS News. “As this process is ongoing, we will not be providing comment at this time.”

The Emergency Operations Center said in a statement that the about 1,690 guests at the resort were evacuated to other hotels and nearby housing facilities, CBS News reported. It also said that Viva Wyndham’s Dominicus Palace, which is nearby, was not damaged and was operating as normal.

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Recently, I don’t exactly know why, I was overtaken by a concern that because of the impending merger of Paramount and Warner Bros., Olivier Assayas’ 2022 series adaption of his own film “Irma Vep” would be removed from the HBO Max streaming platform. With no official physical release, the series — starring Alicia Vikander as a Hollywood movie star making a project in Paris — could be effectively vanished from existence.

This is sadly inevitable, though some superfans have gone to extra-legal measures to ensure otherwise (not that we would ever endorse this). Most famously it’s happened with the original “Star Wars” trilogy. Billed as the “Grindhouse Edition,” these are discs of the first three “Star Wars” films sourced from scans of original film prints before the digital fixes and polish of the more recent official releases. Reengaging with these works in this way, scratches and all, is (I’m told) a strong reminder of why they hit so hard in the first place, similar to how it might be to reread a text in the original language instead of a more recent translation.

‘Indiana Jones’ marathon

Harrison Ford and Karen Allen on the set of 1981’s “Raiders of the Lost Ark.”

(Lucasfilm Ltd.)

The same deep understanding of genre filmmaking that went into the original “Star Wars” also went into “Raiders of the Lost Ark,” the first adventure of the character of Indiana Jones. Directed by Steven Spielberg from a script by Lawrence Kasdan and story by George Lucas and Philip Kaufman, the film is playful, thrilling and self-aware. It is made with such care, attention to detail and sense of fun that I remember how disappointed I was to discover not all movies would be like this.

There have of course been diminishing returns with the more recent run of Indiana Jones sequels, but the first three installments all have a real spark. And so the Secret Movie Club will present “Raiders,” 1984’s “Indiana Jones and the Temple of Doom” and 1989’s “Indiana Jones and the Last Crusade,” all on 35mm at the Million Dollar Theater in DTLA on Sunday in celebration of Father’s Day.

In her original review of the first film, Sheila Benson described that while watching it, she felt “a rush of gratitude which almost brought tears of contagious joy and — not to be corny about this — the strength of the film’s positive vision. If this is an era in which the heroic is lacking and the mediocre threatens us from every side, then ‘Raiders,’ which has no pretensions to importance, which is unabashedly wide-eyed and exaggerated and true blue but somehow cherishes the best in life and filmmaking — is a high-water mark.”

Plenty of jokes could be made about the movies having settled into what might be thought of as part of the dadcore canon: action-adventure movies that play well on TV and maybe you can take a short nap and not miss anything. So be it.

From one master to another

Cary Grant and Eva Marie Saint in Alfred Hitchcock’s 1959 thriller “North by Northwest.”

(Sunset Boulevard / Corbis via Getty Images)

Filmmaker Guillermo del Toro has been making waves of late for his strong public stance against the use of AI in feature filmmaking. But it is worth remembering that he is also a deep and incisive thinker about older movies, a true fan, which makes his upcoming appearances at the Academy Museum a special occasion.

Del Toro will present five films by Alfred Hitchcock — 1946’s “Notorious,” 1943’s ‘Shadow of a Doubt,” 1959’s “North by Northwest,” 1953’s “I Confess” and 1972’s “Frenzy” — along with delivering a lecture on each of them. To see one great filmmaker reflect with such depth into the work of another is just remarkable. This is some genuine only-in-L.A. type stuff.

Comedy + politics = good fun

A scene from the 1976 movie “Car Wash.”

(Margaret Herrick Library / Academy of Motion Picture Arts and Sciences)

A raucous comedy set around the location of the title, “Car Wash” is also a sharp, politically minded satire about labor and money. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film has an extended ensemble cast that includes Richard Pryor, Franklyn Ajaye, George Carlin and many others.

In his original review Charles Champlin compared “Car Wash” to films such as “American Graffiti” and “Nashville” and called it “light but not foolish. … The experience is exhilarating.”

A 50th anniversary screening at the Academy Museum on Saturday of a new 4K restoration will include a panel with Schultz and actors Bill Duke, Antonio Fargas, Melanie Mayron, Garrett Morris and Pepe Serna.

Collision report

James Spader in the 1996 movie “Crash,” directed by David Cronenberg.

(Jonathan Wenk / Fine Line Features)

The controversy that surrounded David Cronenberg’s “Crash” when it premiered at Cannes in 1996 and received a U.S. release in 1997 tended to overwhelm the actual movie. Shockingly explicit, the film is about a secret underground world of people who create a sexual fetish out of car crashes. An adaptation of the novel by J.G. Ballard, Cronenberg’s movie explores the cinematic obsession with sex and violence.

Over time, “Crash” has been evolving from a seemingly cursed object dogged by scandal into something that audiences can come to appreciate and admire — even if it is not a movie you can ever exactly fully understand. Part of Cronenberg’s brilliance is how enigmatic and unknowable his work can be: strange, inviting and enveloping while refusing easy or direct analysis.

The movie is playing twice locally this week, on Saturday at Vidiots in partnership with the Cinegogue, with special giveaways and exclusive merch, and again on Monday at the Academy Museum in 4K. Who will be brave (or perverse) enough to go twice?

A different view of Rio

Milton Gonçalves, center, in the 1974 movie “The Devil Queen.”

(Kino Lorber)

A drag queen (Milton Gonçalves) rules the criminal underworld of Rio de Janeiro in Antonio Carlos da Fontoura’s 1974 gangster drama “The Devil Queen,” an unlikely mix of camp aesthetics and gritty violence. Among the film’s many fans is Kleber Mendonça Filho, the filmmaker behind the recent Brazilian hit “The Secret Agent,” who referred to “The Devil Queen” as “bloody, nasty and full of personality.”

The movie is playing in a new 4K restoration at the Lumiere Cinema in Beverly Hills.

A musical melodrama returns

Raul Julia, left, and Teri Garr in Francis Ford Coppola’s 1981 movie “One From the Heart.”

(Rialto Pictures / American Zoetrope)

We have talked before about Francis Ford Coppola’s “One From the Heart,” a movie of such delirious audacity that it nearly ruined the filmmaker‘s career. A throwback musical about two lovers who break up in search of more excitement, the film stars Teri Garr, Frederic Forrest, Nastassja Kinski and Raul Julia.

On Saturday the film will screen at the American Cinematheque’s Aero Theater in a 70mm print for the first time in L.A. since 1990. The event is being dedicated to Dean Tavoularis, Coppola’s longtime production designer, who died in April. For “One From the Heart,” Tavoularis re-created the Las Vegas Strip on a studio back lot.

New this week

• Amy Nicholson is not a fan of the new “Toy Story 5,” writing in her review, “Pixar has continued adding shades to the same plot outline like a child with a box of 128 crayons (or a company clinging to its billion-dollar idea).”
• Glenn Whipp cast back into the “Toy Story” universe for a highly personal ranking of his 10 favorite “Toy Story” toys.
• Two gay teenage boys attempt to survive a supernatural entity and conversion therapy in Adrian Chiarella’s debut feature “Leviticus.” Jen Yamato spoke to the filmmaking team.
• I spoke to writer-director Michael Sarnoski about his new “The Death of Robin Hood,” starring Hugh Jackman in a subversively revisionist telling of the last days of the medieval bandit.

GRAMMY-NOMINATED producer Tay Keith has been found dead in Nashville.

Brytavious Chambers, 29, better known as Tay Keith, was found dead in his apartment earlier today.

Police said his body was discovered while officers were performing a welfare check at his home.

Investigators say there was no evidence of foul play, but the exact cause of death has yet to be determined.

In a post on social media, Metro Nashville PD wrote: “No foul play is suspected in the death of Brytavious Chambers, 29, also known as the Grammy nominated record producer Tay Keith.

“He was found dead in his Martin St apt this afternoon by officers performing a welfare check.

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“His death is unclassified pending autopsy results.”

Throughout his career Keith worked with a wide range of music artists, including Beyoncé, Travis Scott and Drake.

The Memphis hitmaker enjoyed huge success on the Billboard Hot 100, earning 11 top 10 hits and four No.1 records.

He was also the mastermind behind Travis Scott’s “Sicko Mode” and Drake’s “First Person Shooter”.

Keith currently holds the record for the most No.1s on the Hot R&B / Hip-Hop songs chart this decade – with six.

His work even earned him a coveted Grammy nomination in 2019.

In the aftermath of his death, tributes for the producer have poured in.

Artist and childhood friend Blocboy JB shared photos of the pair as teenagers with the caption: “Damn Cuz You Just Hurt Me Bad.”

He also posted a video of their call history, writing: “We talked everyday yeen tell me you was leaving.”

Fellow Memphis producer Hitkidd also expressed his disbelief, posting a picture of the pair on Instagram.

The caption said: “I ain’t even got the words, we been doing this since 2010.”

Born on September 20, 1996, Keith stated making music when he 14.

He later received a bachelor’s degree from Middle Tennessee State University.

Signed to a publishing deal with Warner Chappell Music, he was also a member of BMI.

THE daughter of a legendary Hollywood director and her husband have been mysteriously found dead inside a running car parked on a highway.

Judith “Judy” Wyler Sheldon, 84, and her husband Wylie Sheldon, 86, were discovered unresponsive in a Jeep Compass on Interstate 5 near Redding, California.

A California Highway Patrol officer made the grim discovery on the shoulder of the northbound carriageway, just north of Fawndale Road, at approximately 5.46pm on Monday.

Judy, a prominent San Francisco arts patron, is the daughter of famous filmmaker William Wyler.

She was found behind the wheel, while her husband was in the passenger seat.

Despite emergency medical personnel attempting life-saving measures, both were declared dead at the scene.

The circumstances surrounding the tragedy remain unclear, and investigators are working to determine what happened inside the vehicle.

The California Highway Patrol’s Northern Division Investigative Services Unit has taken over the case.

While authorities have not publicly disclosed any indication of foul play or a medical emergency, the deaths occurred during a period of extreme heat.

The National Weather Service had issued a warning for the Redding area, where temperatures soared to 109 degrees Fahrenheit (43C) on the day the couple were found, though investigators have not confirmed if the weather played a role.

The news has stunned California’s arts and film communities, where Judy spent decades championing silent-film preservation.

She was the long-time chair and former president of the San Francisco Silent Film Festival.

Anita Monga, the festival’s artistic director, said the community was “reeling” from the devastating loss.

“Judy and Wylie were very dear to us, supportive and a positive presence at all our events,” she said, recalling how the couple regularly opened their home to visiting film archivists and musicians.

“Judy would allow, actually encourage, our visiting guests to pose for pictures with her father William Wyler’s Oscars.

The perfect hosts.”

Born Judith Wyler in Los Angeles, she briefly appeared on screen during the 1950s with credits in The Errol Flynn Theatre, The Buccaneers, and BBC Sunday-Night Theatre.

However, her lasting legacy was behind the scenes.

Judy’s passion for film preservation intensified after attending a 2007 retrospective of her father’s silent-era films in Pordenone, Italy.

Her cultural influence also extended to other institutions, including serving as a gala co-chair for San Francisco Performances.

The tragedy carries a deep resonance due to Judy’s family’s monumental place in cinema history.

Her father, William Wyler, remains one of the most acclaimed directors in American film, directing classics such as Roman Holiday, Ben-Hur, The Best Years of Our Lives, Mrs. Miniver, and Wuthering Heights.

William won three Academy Awards for Best Director, a feat achieved by only a handful of filmmakers.

Walter Parazaider, the saxophonist and co-founder of the rock group Chicago, has died. He was 81.

Parazaider died June 17 of complications from Alzheimers disease. In a statement posted to social media on Wednesday, the band said that “Chicago is heartbroken at the sad news of Walter Parazaider’s passing this morning. We extend our deepest condolences to his family, friends and countless Chicago fans who are all grieving his loss today.”

His daughter, Felicia Helen Parazaider, also posted on Facebook that “I love you poppy, my Pal…You coloured our world.”

Born in Maywood, Ill., Parazaider began his music career as a clarinetist, before founding Chicago with childhood friends in the group’s namesake city. The band’s pop hits like “25 or 6 to 4” and “Saturday in the Park” were staples of the ‘70s and remain beloved fixtures of classic rock. His diverse woodwind skills helped give the band its regal sound, adding saxophone riffs to hits like “Just You ‘n’ Me” and a poignant flute solo on “Colour My World.”

While Chicago’s lineup changed often, Parazaider remained with the group until retiring in 2018. In April of 2021, Parazaider wrote in a statement on Chicago’s website that “I was diagnosed with Alzheimers disease. Needless to say, my wife, daughters and myself were shocked and devastated. It has taken awhile to process this news and the fact is, we still are. The good news is we have a wonderful medical facility here and I have a very good doctor. I am working hard and not going to give up.”

Chicago gave credit to Parazaider for conceiving of the band’s distinct instrumentation, and the work ethic that made them stars. “A Rock & Roll band with horns was Walt’s idea,” Chicago’s statement continued. “He put the band together and they rehearsed in the basement of his mother’s home. He is also the one who did the hard work to book shows for the young, unknown band, performing top 40 covers at local bars in and around Chicago.

“We are forever grateful for his contribution,” they continued. “Perhaps his greatest gift was bringing people together. This amazing music may have never been heard had it not been for Walt’s vision.”

Parazaider is survived by wife JacLynn and daughters Laura and Felicia.

Russian artist Robert Kuzakov, known as Semyon Skrepetsky, was shot dead in Poland just three days after a performance protest in Berlin near the Russian embassy. He was known for his caricatures of politicians including Vladimir Putin and Alexei Navalny.

The “Love Island USA” production team is mourning the loss of executive producer James Barker, who died last week while on set in Fiji.

“Love Island USA” producers ITV America and Peacock confirmed Barker’s death in a media release shared with The Times on Monday. The announcement said that Barker died after “an unexpected medical emergency” but did not provide additional details, including the day of his death and a cause of death. Barker was 40.

“James’ unimaginable loss has been deeply felt across not just the entire Love Island USA production, but throughout all of ITV and Peacock,” the television companies said in a joint statement. “He was a beloved and greatly valued member of our collective family whose kindness, talent and dedication left an indelible mark on all of us and everyone who had the privilege of knowing and working with him. We extend our heartfelt condolences to James’ family, friends and colleagues.”

Barker began his tenure on “Love Island USA” in 2020, first working as a story producer. He has worked as an executive producer on the series for the last three seasons and was also a member of the producing team on “Love Island” companion series “Love Island Games” and “Love Island: Beyond the Villa.”

Barker, according to Monday’s statement, also oversaw the hit series’ pop soundtrack. For an interview with Rolling Stone in 2025, Barker recalled watching the original British “Love Island” series and how pop music supplemented the on-screen romances and heartbreak: “I think that is where my brain immediately said, ‘One, this is amazing, and more shows should be like this.’ And two, ‘How do I work on “Love Island”?’”

Barker also noted in the interview that he drew inspiration for the “Love Island USA” villa sound from his pre-TV career as a nightlife DJ and spoke about the process of hand-selecting music from established pop acts and up-and-coming artists.

“In the past, there was such a stigma about reality shows that a lot of artists didn’t want their music associated with reality shows. And that’s starting to turn around now,” Barker told the outlet. “[Artists are] more and more seeing, well, one, the financial aspect of having your music synced in these kind of shows, and also just the wide reach of viewers.”

Before “Love Island USA,” Barker was a producer on reality series “Pawn Stars,” “Counting Cars” and “Forged in Fire.” He later served as a story producer on “Queer Eye,” “Cosmic Love” and “Are You My First?” Outside of his TV work, Barker often performed as DJ Chaotic at gay bar C’mon Everybody in Brooklyn.

“Love Island USA,” which began its eighth season earlier this month, will pay tribute to Barker in Tuesday’s episode.

He is survived by his mother Malinda.

June 15 (UPI) — California’s Edwards Air Force Base said eight crew members are believed dead following the Monday crash of a B-52 Stratofortress.

The base confirmed the B-52 Stratofortress, which was carrying a crew of eight, crashed shortly after takeoff at 11:20 a.m. Monday morning.

“Initial indications are that the crash was not survivable,” the base said in a release posted to X.

Emergency response personnel were on scene working to account for all eight crew members.

“Our thoughts and prayers are with the families and unit members at this time,” the post said.

The airfield was closed following the crash and all incoming aircraft were diverted.

“All non-commercial visitor passes have been suspended until further notice to allow the installation to focus entirely on emergency response operations,” the base said in an earlier post.

Video captured nearby the base shows a plume of black smoke rising over the Mohave Desert.

Edwards Air Force Base, located about 100 miles north of Los Angeles, frequently hosts test flights for new and experimental Air Force and NASA aircraft.

The base said more information on the crash will be provided as it becomes available.

James Jordan thinks the recent Strictly Come Dancing “bloodbath”, which saw a string of professionals axed from the BBC show, was just “getting rid of dead wood”

James Jordan has said the recent culling of several Strictly Come Dancing professionals was “getting rid of dead wood”. The TV star, 48, served as a professional on the BBC Saturday night favourite from 2006 until 2013, and has now spoken out on the mass shakeups that have occurred ahead of the next series going to air.

It was then confirmed earlier this year that professional dancers Karen Hauer, the longest-serving pro on the series, along with Gorka Marquez, Nadiya Bychkova, Luba Mushtuk and Michelle Tsiakkas would not be returning to the series.

But James has now insisted that the changes were what was “needed” to give another set of pros a chance. He told the Press Association: “When you join Strictly, you’re taking someone’s job, OK? And people forget that because they’re on the show, but then when they’re asked to leave, and then they’re replaced, they’re only worried about that.

“But they forget at some point, they took someone’s job. It’s just showbiz, that’s what it is. Enjoy it for what it is – it is a juggernaut of a show, and it was an honour for all of us to be part of it for so many years.

“But you have to remember that it will come to an end at some point, and all this controversy around, ‘oh, they’re changing so many of the pros’… it needed a shakeup. Some of the pros have been on there for 14 years… dead wood… get rid of them and bring someone younger in, in my opinion.”

But fellow former Strictly professional dancer Ian Waite said: “In my opinion, they got rid of the wrong ones.” He said: “All the professional dancers are amazing in their own right, but you can’t stay on there forever. At some point, you have to give the younger ones a chance, because there’s so many amazing dancers out there.”

James then claimed that bosses could have “got rid of some of the judges as well,” with the panel currently made up of Shirley Ballas, Anton Du Beke, Motsi Mabuse and Craig Revel Horwood, before hitting out at how “politically correct” he thinks it has become in recent years.

He added: “It’s all got nicey-nicey now, isn’t it? It’s all politically correct, and ‘you can’t say this, and you can’t say that’. You can’t be negative because they’re (the contestants) are gonna cry. It’s a dance show. You need that baddie… but even Craig now is kind of toned down a lot.” He then called for the “reality” of the series to be shown to viewers.

“It’s all like everyone loves everyone, and we’re all one big happy family. That’s not life, that’s not real life. I want to see how hard they’re working in the training room. I want to see the tears. I think that’s the magic that needs to come back.”

James’ own exit from the show came as a result of him choosing to turn down the offer of a reduced role, which would have meant that he would have not been paired with a celebrity on the main programme having previously competed with the likes of broadcaster Vanessa Feltz, actress Denise Van Outen and The One Show’s Alex Jones.

Tess Daly and Claudia Winkleman announced they were leaving last year and will be replaced by Emma Willis, Johannes Radebe, and Josh Widdicombe.

Casting the Big Brother host to present the new series was hailed by James as an “amazing” decision, but wasn’t sure what to make of her new co-stars and would have “preferred” another big name from the TV world.

But he said: “I would have preferred someone like Bradley Walsh or Vernon Kay, or someone like that, because they’re tried and tested. But at the same time, sometimes you got to take risks, and I’m not going to say it’s not good, because I haven’t seen it until I see it.”

Later this year, James and Ian will be teaming up with fellow former Strictly pros Brendan Cole, Pasha Kovalev and Vincent Simone for the dance show Vegas: After Hours.

The show will see them bringing the spirit of Sin City to life with routines set to a soundtrack inspired by Las Vegas performers. James said following their previous Legends Of The Dance Floor in 2024 and The Return Of The Legends last year, they were approached to do another show with the “old geriatrics from Strictly”.

Ian then joked that although they had asked producers to be sent to Vegas for “research purposes”, money was “too tight”. He said: “They said they couldn’t afford James’s casino bills and Vincent’s drinks bill.”

James then said: “These guys are amazing and inspire me every single day that I watch them on stage. They’re all so different and so brilliant at what they do, but I think what separates our tour from any other Strictly tour is the realism in between with the chat, the camaraderie between us, and the fact that we take the mickey out of each other. If we were still working for the BBC, we wouldn’t be able to say some of these things… but it’s all very real and honest and funny.”

The 30-date tour starts in Fareham on October 3 and wraps up in Cardiff on November 8. Tickets are on sale now, available from the venues, Ticketmaster and on The Legends in Vegas: After Hours | Concert Tour.

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June 13 (UPI) — One person is dead and 22 others injured when a large tent collapsed at an outdoor church service Friday evening in Virginia.

The accident happened at East Lake Community Church in Moneta, Va., in the western part of the state. Moneta is about 25 miles from Roanoke.

“Prior to the collapse, a severe storm cell moved through the area, bringing heavy rain, lightning, and strong winds,” Bedford County said in a press release. “The weather conditions caused the tent structure to fail.”

Of the injured, 11 were taken to hospitals.

The tent had passed an inspection conducted by the Bedford County Division of Building Inspections on June 9, the county said.

The church was celebrating its 20-year anniversary.

Pastor Troy Keaton said in a statement that he had just walked to the stage to release congregants to their cars when a burst of wind lifted the tent.

“Sadly one of our dear brothers suffered a fatal injury,” Keaton said. “Our hearts are broken for his precious family.”

The man’s identity hasn’t been released.

“We would appreciate your prayers and your patience as we navigate this situation,” the church said. “We are trusting in the Lord for his care, strength and help.”

June 12 (UPI) — Multiple tornadoes caused severe damage across several midwestern states Thursday evening.

A 54-year-old man was killed in a homeless encampment in a park Wednesday in Des Moines, Iowa, after he was hit by a tree that “broke apart and fell during strong storms,” police said in a statement. They found the man injured, and he died on the scene, CBS News reported.

There have been no other official reports of injuries.

As of Friday morning, nearly 500,000 customers were without power in Illinois, Indiana, Wisconsin and Michigan.

Some of the hardest-hit areas are just south of Chicago in Kouts and Merrillville, Ind., and Bartlett, Naperville, Streator and Dwight, Ill.

A tornado hit Streator at 5:52 p.m. CDT Thursday, and another was reported in Dwight just after 6:15 p.m. The system had traveled east to Lake and Porter counties in Indiana around 7 p.m.

Streator Mayor Tara Bedei said there have been no deaths reported in the city.

“We are incredibly grateful for the safety of our residents and the quick action of emergency personnel,” she said in a statement.

An animal shelter in Springfield, Ill., suffered heavy damage to two buildings, CBS reported, but none of the nearly 150 cats and 28 dogs housed there were injured, said Animal Protective League Executive Director Deana Corbin.

“It pretty much wiped out our shelter facility, took the roofs off both of our buildings,” Corbin said. “It’s a miracle. We were so blessed to not have any injuries of either people or animals.”

Home and news video showed several destroyed homes, including one in which a man was trapped under debris in Streator. He was removed safely with the help of first responders. It’s unclear if he was injured.

Illinois State Police later confirmed “heavy damage” in Streator, and Illinois-18 leading into the town was closed for clean-up and rescue efforts. Displaced residents and separated families in Streator were being sent to Streator City Hall, officials said.

Merrillville Police also reported heavy damage and road closures in the city.

Hobart, Ind., announced Thursday night that it was opening a local gymnasium to those in need of shelter.

“For families displaced by the storm, the Hobart Police Department is opening the gymnasiums at the Police Court Complex as a temporary shelter location,” a police Facebook post said. “The facility has available space, clean restrooms, fans, and good airflow, providing a safe place for those in need. Please note that there is no air conditioning, unfortunately.”

Maple Park, Ill., winery owner Joe Brandonisio told CBS that one of his workers tied himself to a water trailer to keep from being blown away.

“I saw the debris fly up and spin around. I got down in the basement. I told the staff to get down there,” Brandonisio said.

David Hockney, the innovative and prolific British artist who arrived in Los Angeles in 1964, soon celebrating its sun-drenched life and landscapes in colorful, wildly popular paintings, has died.

He was 88.

Calling himself “an English Los Angeleno,” Hockney immortalized the city’s sparkling swimming pools, palm trees and beautiful young men, then went on to experiment with intricate photo collages, portrait suites, painted and filmed images of Yorkshire landscapes, iPad drawings and more.

Since his Pop Art paintings in the early ‘60s at London’s Royal College of Art, Hockney was rarely out of the limelight and, more important, rarely out of fresh ideas for how to draw, paint, film, print, photograph or otherwise express his creativity. The David Hockney Foundation owns more than 8,000 of his works, including about 200 sketchbooks, more than 230 self-portraits, opera designs and portraits of family and friends.

Hockney loved Hollywood — the people and the place — and liked to say he was brought up in England and Hollywood because of the time he spent at the movies. His peroxide blonde hair reportedly was inspired when he was a student and saw Clairol TV ads claiming “blondes have more fun.” But it was his interest in everything from Elvis Presley to the Hubble Space Telescope and his sense of humor that set him apart. Time Magazine art critic Robert Hughes once called him “the Cole Porter of modern art.”

He was open about being gay, even when homosexuality was outlawed in Britain. His early love affair with artist Peter Schlesinger, a younger man he met when teaching a summer drawing class at UCLA in 1966, inspired Hockney’s monumental 1972 painting “Portrait of an Artist (Pool with Two Figures),” a centerpiece of Jack Hazan’s 1974 film “A Bigger Splash.” The painting’s 2018 auction at Christie’s drew a record $90 million for a living artist.

He was a dedicated reader and student of art, paying homage in his work to Picasso and Cubism as well as to Monet, Matisse, Van Gogh and Cezanne. A lover of opera, he often had it playing loudly in the studio and enjoyed taking visitors on curated car trips through the Hollywood Hills or Malibu while listening to Wagner. He designed sets for major companies in Los Angeles, Chicago, New York, London and elsewhere over the years, and some of his set models were later shown in museums.

David Hockney’s work “Gregory in the Pool (Paper Pool 4)” is part of his solo exhibition “David Hockney: Perspective Should Be Reversed” at the Palm Springs Art Museum in Palm Springs. (Courtesy of the Palm Springs Art Museum)

(Courtesy of the Palm Springs Art Museum)

His solo shows drew enormous crowds to the Los Angeles County Museum of Art as early as 1988. In 2017 a major retrospective of his work, keyed to his 80^th birthday, was presented at New York’s Metropolitan Museum of Art, Paris’ Centre Pompidou and London’s Tate Modern. Chronicling Hockney’s arrival as an important artist in the “ravishing” Met retrospective, the New Yorker writer Andrea K. Scott called it “a revelation.” It was, she wrote, “a retort to all the eye-rollers,” including herself, who dismissed his work “as, at best, a guilty pleasure.”

In 2012 he received the coveted Order of Merit, which Queen Elizabeth II presented to him at Buckingham Palace.

David Hockney was born the fourth of five children to a working-class family in Bradford, Yorkshire, on July 9, 1937. He has said he started “making marks on paper” at 8 and received private painting lessons before moving on to Bradford School of Art in 1953. The first painting he sold was a portrait of his father in 1955. He attended the Royal College of Art in London from 1959 until his graduation in 1962 and received the school’s Gold Medal.

After college he did not slack off, noted his biographer Christopher Simon Sykes. In his 2014 book, “Hockney: The Biography,” Sykes pointed out that the artist’s first flat had a chest of drawers near the bed on which he had painted, in large capital letters, the words “get up and work immediately.”

David Hockney in 2017.

(Catherine Opie, Courtesy of Regen Projects, Los Angeles and Lehmann Maupin, New York, Hong Kong and Seoul.)

Hockney lived by that command for the rest of his life, turning out canvas after canvas, photo after photo. In the ‘80s came his extraordinary multi-image photographic collages of friends including writer Christopher Isherwood and artist Don Bachardy and such landmarks as the Brooklyn Bridge, Grand Canyon and Pearblossom Highway.

“The Polaroids started oddly enough when I’d just finished a long period of work in the theater, which is of course playing with perspective and illusion,” he once told The Times. “People say, ‘You are a painter, and photography is a sideline.’ But nothing is a sideline for me.”

That included his continuing fascination with technology. The artist’s long career swept in artworks made not only on cameras and canvases, but on such things as fax machines and photocopiers. Hockney liked to experiment, whether it was with state-of-the-art printing devices or centuries old painting techniques. He went several times to a show of portraits by Jean Auguste Dominique Ingres at London’s National Gallery in 1999 and was greatly taken with the photographic’ quality of Ingres’ 19th century drawings. Certain that Ingres had used something optical to achieve that quality, Hockney bought himself a camera lucida, a small device that works like a prism. He then applied Ingres’ methods–as Hockney imagined them–to his own portraits of friends and family, and in 2001, he published “Secret Knowledge,” exploring his theories on early artistic uses of optical devices.

His death was confirmed by the Associated Press and New York Times.

Isenberg is a former Times staff writer

Bill Cody, the Grand Ole Opry and longtime WSM Radio host who woke up listeners with his velvet voice and country music lore, has died. He was 67.

The Tennessee radio station confirmed Cody’s death on social media on Tuesday, writing, “It is with heavy hearts that we share the passing of our dear friend and beloved WSM voice, Bill Cody.

“A singular presence on WSM-AM Nashville for more than three decades, Bill welcomed listeners each morning on Coffee, Country & Cody with a broad smile, a conversational ease, and an unerring ability to make both artists and audiences feel at home. He joined WSM in 1994 and had Charlie Daniels as his first in-studio guest. He built more than a morning show; he created a gathering place rooted in his deep love for country music and the people behind it.”

In late May, Cody’s daughter Hannah Davis shared that the radio host had been admitted to the intensive care unit with heart and kidney failure. “After weeks of being on a roller coaster of emotions, tests, dialysis, medications, steps forwards and steps backwards, it was determined earlier this week that his only option for survival would be a double transplant, heart and kidney,” she wrote on Facebook. “We need a miracle and we know God is able.”

On Tuesday, she wrote that Cody had died peacefully surrounded by family and “was welcomed into heaven as thunder bellowed outside, and we laughed because we knew it was a band of angels rejoicing.”

With nearly 50 years on the airwaves across syndicated radio, television and film, Cody was honored with a star on the Music City Walk of Fame in the fall of 2024. His credits included the film “American Saturday Night: Live From the Grand Ole Opry,” the television show “Tennessee’s Wild Side” on PBS, “Ray Stevens’ Nashville” on RFD-TV, and GAC TV’s “Master Series.”

In 2008, the beloved Nashville host was inducted into the Country Radio Hall of Fame, and across his career, he earned multiple nominations from the Country Music Assn., the Academy of Country Music and Billboard for his contributions to broadcasting.

Born Trent Clutts on Dec. 16, 1958, in Huntsville, Ala., Cody was inspired to pursue a career in broadcasting during visits to a Kentucky radio station with his dad. His father was a Southern Baptist minister, and his Sunday morning sermons were broadcast on the radio in the afternoons. Cody couldn’t get enough of the goings-on at the station when the two would stop by to drop off cassettes.

In 1971, when the radio host was 17, he was hired as a night deejay at WVLK in Lexington, Ky., but the program director didn’t think “Trent Clutts” had the right ring for radio. Cody named himself after “Buffalo Bill,” one of the most famous showmen of the American Old West, and used the moniker for the rest of his career.

As a teenager, Cody noticed a girl named Rebecca during study hall and, according to Davis, winked at her from across the room. The wink sealed the deal and the two spent more than 50 years as a couple, welcomed three children — Luke, Hannah, and Levi, who died in 2025 — and eventually grandchildren, who called him PoPo. The family lived in Cross Plains, Tenn.

“Like so many of us at the Opry, Bill Cody lived out his dreams on the Opry stage. More times than I could count he and I would look at each other as if to say, ‘Can you believe we get to do this?’” Dan Rogers, executive producer at the Grand Ole Opry, wrote on social media.

“Even better, he made Opry audiences tuned in from around the world feel like they were here too, themselves a part of country music’s most famous show. Then, he’d get up early the next morning and — with that signature smile in his voice — tell everybody about it on his show.

“He was the best of friends to country music and to everyone who was a part of it. We’re sure going to miss him.”

Authorities have identified the hiker who suffered a fatal medical emergency in Runyon Canyon as 78-year-old screenwriter William Hasley.

Hasley was a veteran TV writer who taught screenwriting classes at UCLA Extension. He was also a friend of Caitlyn Jenner and helped write the former athlete’s motivational book “Finding the Champion Within,” according to his biography.

The L.A. County medical examiner released Hasley’s identity Tuesday but had yet to rule on his cause of death.

More than two dozen personnel with the Los Angeles Fire Department responded to a report of a hiker in grave medical condition off Nichols Canyon Road near Hollywood Boulevard shortly before 7 p.m. Saturday.

A helicopter was used to reach the patient and allow paramedics to provide urgent medical care. They were unable to save him, and he was declared dead shortly after, according to the LAFD.

Hasley hailed from Pittsburgh and played university football before venturing to Hollywood to pursue his dreams as a writer. He wrote on 37 episodes of “The Smurfs” in the late 1980s and early ’90s as well as several episodes of “Fat Albert and the Cosby Kids,” according to IMDB. His TV writing credits also included “Swift Justice,” “Ghost Stories,” “Murder, She Wrote,” “Young Riders” and “Highway to Heaven.”

He was able to channel his love of sports while working with NBC on the network’s project “Star Salute to the U.S. Olympic Team,” where he met Olympic gold medalist Caitlyn Jenner, according to his professional biography.

The pair became friends, and Hasley went on to help write a book about Jenner’s philosophy on overcoming adversity in sports and life. He was commissioned to ghostwrite several other motivational books including “Passion, Profit, & Power” for hypnotist Marshall Sylver and “The Slight Edge” for self-help expert Jeff Olson.

Hasley loved sharing his passion for writing with students at UCLA and described the process of writing as akin to assembling a puzzle, where one tries many different combinations of pieces before finding the perfect fit, according to his teaching biography.

“I personally believe that when you know your characters well enough they will start dictating their actions,” he wrote. “When that happens writing becomes a euphoric experience.”

In addition to teaching and writing, he enjoyed golfing, horseback riding, fighting City Hall over an environmental issue, volunteering in soup kitchens and speaking to youth organizations, according to his bio.

Hasley was formerly married to actor Robin Riker, best known for her roles on “Brothers” and “The Bold and the Beautiful.”

He lived in the Hollywood Hills not far from where he suffered the medical emergency. A neighbor told the New York Post they had seen him earlier Saturday carrying groceries home. “It’s very sad he had to die all alone like that,” the neighbor said.

Times staff writer Sonja Sharp contributed to this report.

Anthony Head, the British television actor who had roles in “Ted Lasso,” “Merlin” and most notably as father figure Rupert Giles in “Buffy the Vampire Slayer,” has died, his family announced Friday.

Head’s daughters Emily and Daisy Head confirmed his death to the Associated Press and said he died of complications from pneumonia. He was 72.

“Our grief is far greater than the hole he has left behind, but we know his legacy will live on, in the shows he was a part of, and in the audiences that love them,” Head’s daughters said in a statement to AP. “How lucky we are to know we are able to watch him doing what he loved, even when he is no longer with us.”

Head, a veteran of several BBC series including “Doctor Who,” became most familiar to American audiences in the late 1990s, playing Rupert Giles — a high-school-librarian-turned-magic-shop-owner and mentor to Sarah Michelle Gellar‘s titular character in “Buffy the Vampire Slayer.” He starred in a majority of episodes — 121 installments, according to IMDb — during the series’ run from 1997 to 2003. Head’s death follows those of fellow “Buffy” cast members Michelle Trachtenberg in February 2025 and Nicholas Brendon in March.

In addition to being Buffy’s advisor, Giles would go on to become a surrogate father figure to the slayer and her crew. In “Buffy” terms, Giles was a Watcher, a member of a council devoted to tracking and studying supernatural entities to keep evil forces at bay. Despite his stuffy demeanor and penchant for tweed, Giles was compassionate and had a rebellious streak, particularly in his youth. He would defy the rules set out for him by his job in order to save Buffy when he could.

Head’s portrayal of Giles left enough of an impression on audiences and series creator Joss Whedon that there was talk in 2001 of a Giles-centric spinoff. The series was planned to air on the BBC and was set to center on Giles and his sleuthing endeavors away from the main “Buffy” band. In the following years the potential miniseries evolved in to a one-off film, but Head finally confirmed in 2008 that the spinoff would not be moving forward. Whedon was “busy with another project, I’m tied up too, so at the moment I’d just say that it’s still out there,” Head told the BBC at the time.

After “Buff the Vampire Slayer” aired its final episode in 2003, Head continued his television work in British series including sketch series “Little Britain,” “The Invisibles” and “Free Agents.” His next prominent role would be in the fantasy series “Merlin” as Uther Pendragon, the King of Camelot and the father of would-be-king Arthur and sorceress Morgana Pendragon. The fantasy series premiered in 2008 and concluded in 2012.

In the following years he appeared in series “You, Me & Them,” “Dominion” and “Guilt,” among others. Head in recent years appeared in hit series “Bridgerton” and “Ted Lasso.” In the latter, co-created by Jason Sudeikis, Brendan Hunt and Joe Kelly, Head portrayed another Rupert — this time Rupert Mannion, a womanizing billionaire and ex-husband of soccer team owner Rebecca Welton (Hannah Waddingham).

Head, born Feb. 20, 1954, in London, was the son to documentary filmmaker Seafield Head and actor Helen Shingler. His older brother, Murray, is also an actor and singer.

Before Head became known for “Buffy the Vampire Slayer,” the actor gained a reputation among British audiences in the 1980s when he starred in a series of romantic ads for Nescafe Gold Blend instant coffee. The ads were later reshot for a U.S. audience for Taster’s Choice.

Head began his acting career in musical theater and has guest starred in series including “NYPD Blue” and “Highlander.” He appeared in a number of films, including in the Oscar-winning “The Iron Lady,” starring Meryl Streep as Margaret Thatcher.

Head is preceded in death by his partner, animal welfare activist Sarah Fisher. She died in 2025 at age 61.

Times staff writer Tracy Brown and the Associated Press contributed to this report.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

It seems odd that the biggest news of the week was the fact that tickets for a movie went on sale, but apparently Christopher Nolan’s upcoming “The Odyssey” is no typical movie. Having already made tickets available for some shows a full year in advance, Universal put more of them on sale for the July 17 opening weekend of the Oscar-winning filmmaker’s ancient epic. There were reports of long online wait times, crashing ticketing systems and the kind of problems more often associated with pop stars than movie nerds.

“The Odyssey” will be playing in a variety of formats, with the Imax 70mm screenings among the most coveted. More venues than usual have also been announced as playing the film in 70mm, including the Village Theatre in Westwood. (A handy visual guide to the different fomats is on the film’s website.) While there is a hint of the ridiculous to some of this mania — popcorn buckets in the shape of Imax cameras and movie tickets going on the resale market for hundreds of dollars — there is no denying how exciting it is to see this kind of anticipation building around any movie.

Back to a ’90s phenomenon

Ewen Bremner, left, Ewan McGregor, Johnny Lee Miller and Robert Carlyle in the movie “Trainspotting.”

(Liam Longman / Sony Pictures Classics)

When it first came out in 1996, “Trainspotting” was an instant cultural phenomenon, capturing the vibes of the “Cool Britannia” moment with its sparkling soundtrack, inventive, high-energy style and cast that included up-and-coming talents such as Ewan McGregor and Kelly Macdonald. It was only the second feature directed by Danny Boyle, who would go on to be an Oscar winner, mount an Olympics opening ceremony and remain a reliably exciting filmmaker all the way to his recent “28 Years Later.”

“Trainspotting” is now back in theaters in a 4K restoration for its 30th anniversary, having lost none of its brash vigor. In his original review, Kenneth Turan said of the film, “Exuberant and pitiless, profane yet eloquent, flush with the ability to create laughter out of unspeakable situations, ‘Trainspotting’ is a drop-dead look at a dead-end lifestyle that has all the strength of its considerable contradictions.”

Appearing like magic

Kathy Najimy, left, Bette Midler and Sarah Jessica Parker in the 1993 comedy “Hocus Pocus.”

(Disney)

Directed by Kenny Ortega, “Hocus Pocus” is one of those movies that has seen its fanbase grow steadily over the years — it is now much more beloved than it ever was on initial release. (It even inspired a 2022 sequel.) Bette Midler, Sarah Jessica Parker and Kathy Najimi play the Sanderson sisters, 17th century witches who find themselves inadvertently brought to modern day by a group of teenagers messing around with casting spells.

The film will play Saturday at the Gardena Cinema, featuring a live commentary from cast members Omri Katz, Thora Birch, Larry Bagby, Tobias Jelinek and Vinessa Shaw followed by a Q&A. This is a rare appearance by Katz in particular, who has retired from acting. Fans of the movie should make the effort to attend.

The Gardena, the last family-owned single-screen theater in Los Angeles, suffered a blow last weekend when a burst pipe flooded the venue. Though they are operational, a campaign has been started to help them recoup repair costs.

Examining the life of the mind

John Turturro in the 1991 movie “Barton Fink.”

(20th Century Fox)

Ranking the films of Joel and Ethan Coen has become a cottage industry of its own. Personally, I go back-and-forth on where to place 1991’s “Barton Fink,” which won the Palme d’Or at Cannes, as well as prizes for director and actor. The movie is by turns funny, disturbing and inscrutable (all good things), with John Turturro in the title role as an intellectual New York playwright who goes to Hollywood to write screenplays — and slowly goes insane.

The movie will play Friday in 35mm at Vidiots with an introduction from Noah Segan, who directed Turturro in one of the breakout titles from this year’s Sundance, “The Only Living Pickpocket in New York.” Hopefully, this will turn into a year in which Turturro gets some long-deserved accolades.

Christmas in June

Elliott Gould on the set of 1978’s “The Silent Partner.”

(Anwar Hussein / Getty Images)

There is something particularly charged about watching a Christmas movie at other times of year — an odd sense of dislocation and maybe even something a little naughty, a circuit-scrambling frisson. So it is particularly notable that as part of their salute to the independent studio Carolco Pictures (behind such films as “Basic Instinct,” “Terminator 2: Judgment Day” and “Reservoir Dogs”), the Vista will be showing 1978’s “The Silent Partner.”

Just the kind of tight and gripping thriller that people pine for all year round, “The Silent Partner” has a screenplay by Curtis Hanson, who would go on to make “L.A. Confidential.” Elliott Gould plays a Toronto bank teller who tries to rip off the thief (Christopher Plummer) who robs his branch wearing a Santa costume as a disguise. Soon they are both scheming against each other.

In his original review of the film, Kevin Thomas called it “tense and ingenious.” In a reconsideration of the film some months later, Charles Champlin called it “a stylish crime-suspense story, a cat-and-mouse game between Christopher Plummer as a clever, sadistic bank robber and Elliott Gould as a bored bank teller who sees a way out of his boredom and into riches.”

So much beauty

Brooke Adams and Sam Shepard in the 1978 movie “Days of Heaven.”

(Criterion Collection)

Terrence Malick’s 1978 “Days of Heaven” is still strikingly singular: a love story told with a stirring visual style. The film’s beauty — aside from its impossibly good-looking lead actors, Richard Gere and Brooke Adams — in part comes from gifted Spanish cinematographer Néstor Almendros, who made his American debut after a career in Europe that saw him working with filmmakers such as Eric Rohmer and François Truffaut. Almendros would win an Academy Award for the film.

The New Beverly will show “Days of Heaven” in 35mm Tuesday through Thursday as a double bill with Truffaut’s 1970 “The Wild Child,” shot by Almendros in black-and-white. Writing about “Days” in 1978, The Times’ Charles Champlin called it “an extraordinary and original visual experience and a movie which is thrilling in its uncompromised purity.”

Perverse fun

Ha Jung-woo, left, and Kim Min-hee in the 2016 movie “The Handmaiden.”

(TIFF)

Korean filmmaker Park Chan-wook was just president of the Cannes jury and has become a much-beloved figure on the international circuit for his wicked sense of humor and sharp sense of style. Nowhere is that on better display than his 2016 film “The Handmaiden,” which is somehow at once a period drama, a con-man thriller and an erotic lesbian romance. Vidiots will be showing the movie Sunday.

As Justin Chang wrote when the film was released, “Without sacrificing his taste for psychosexual perversity or his flair for violent grace notes, Park has given us a teasingly witty and elegant puzzle-box of a thriller whose pleasures are rooted not in visceral shock but in narrative surprise, and which wisely opts to seduce rather than pulverize its audience.”

In an interview at the time, Park said the film’s unpredictability was part of the project’s appeal. “That’s the exact kind of fun to be had with this film and the reason why I chose to make this film. Everything becomes a game of perception. Rather than to say it’s a difficult thing to navigate, it is fun to deal with. Not only for me as a filmmaker but for the audience to see that and engage in that game.”

New this week

• Amy Nicholson reviews the latest attempt to make a movie out of a popular Mattel toy with the lightly-tongue-in-cheek “Masters of the Universe.”
• Amy also reviewed the revival of the satirical “Scary Movie” franchise, with original stars Anna Faris and Regina Hall returning to make fun of such recent hits as “Sinners,” “Weapons” and “The Substance.”
• The documentary “Time and Water” looks at climate change through the life and work of Icelandic writer Andri Snaer Magnason as directed by Sara Dosa, who had a hit with her last film “Fire of Love.” Robert Abele reviews.

One last thing…

This week, our colleagues at De Los launched a podcast hosted by Fidel Martínez and Suzy Exposito. The interview-style video podcast will feature conversations with the people shaping Latino culture in the United States.

The first episode features singer and actor Leslie Grace, who talks about her experiences working on the film “In the Heights” as well as being the star of the canceled “Batgirl.”

June 3 (UPI) — Almost six months after NASA lost contact with the spacecraft, the agency has declared the Mars Atmosphere and Volatile Environment satellite unrecoverable and its mission concluded.

NASA’s Deep Space Network (radio antennas that connect Earth with spacecraft) last received a transmission from the MAVEN satellite on Dec. 6, just before its orbit passed behind Mars. When it emerged, communications did not resume, NASA said. The cause of this lapse was under investigation, but the agency said the satellite was rotating at an usually high rate, leading to drained batteries.

The MAVEN mission was the first successful one dedicated to observing Mars’ atmosphere and its evolution. It orbited the planet for more than 11 years, far longer than its planned one-year lifespan.

NASA hosted a media teleconference Wednesday about the end of the mission and issued a statement.

“The MAVEN mission has truly advanced our understanding of the Martian atmosphere and evolution,” said Shannon Curry, MAVEN principal investigator and a professor at the Laboratory for Atmospheric and Space Physics at the University of Colorado Boulder. “This dataset has had a tremendous impact onthe field. Our science team is exceptionally proud of all of these amazing discoveries.”

The mission launched in November 2013 on an Atlas V rocket from Cape Canaveral, Fla., and arrived in Mars orbit 10 months later, Space.com reported.

During its mission, MAVEN provided information about Mars’ atmosphere and how it became the planet it is today, changing from a planet with a more Earth-like atmosphere that could host liquid water on the surface. It discovered new types of auroras across the planet and studied Mars’ dust storms.

MAVEN also played a key role as a communications link to the Curiosity and Persistence rovers on Mars. The Mars Odyssey and Mars Reconnaissance Orbiter spacecraft remain in operation to play that role.

“The science MAVEN has given us is key to informing what kind of radiation protection and safety measures we must take before sending humans to Mars,” said Louise Prockter, director of the planetary science division at NASA. “The data collected from MAVEN will continue to provide valuable insight into Mars for decades to come.”

The Strictly Come Dancing star learns of her ancestor’s devastating fate in a new episode of Who Do You Think You Are?

Amy Dowden discovers a shocking family tragedy as she delves into her ancestry.

The Strictly Come Dancing icon has taken part in BBC’s Who Do You Think You Are? where she learns about her lineage.

At one point, Amy is left in tears as she hears of a family member who suffered from breast cancer and died at a young age, leaving several children behind.

The Welsh dancer is left devastated, as she reflects on her own cancer battle, having been diagnosed with breast cancer in May 2023 and suffering health setbacks as she underwent treatment.

Elsewhere during the programme, Amy learns of a 13-year-old who was shot dead in an awful accident.

After hearing of a rumour of a murder from her mum’s side of the family, Amy begins her journey in west Wales, where she seeks to find out if her ancestor was the victim or the perpetrator.

“Was there a murder, was one of my family involved? Detective Dowden on a mission,” Amy declares.

She meets her distant cousin Wyn at his home in Ceredigion, where he shows Amy a family Bible that belonged to her three-times great-grandfather.

Inside it, she reads the name Elinor Jenkins, with information revealing that she was shot dead by the “cruel man Offley Owen” in November 1888, when she was just a teenager.

“Why would somebody want to shoot a 14-year-old girl?” Amy wonders, shocked to hear the distressing news of her ancestor’s murder.

“When I heard of this mysterious death, I didn’t think it would be somebody within our family who was killed, I assumed one of our family members shot somebody. I was not expecting this and not expecting a child,” she says.

Elinor was Amy’s three-times great aunt, and was killed at a nearby farm, Berthlwyd, where she worked as a servant.

The dancer meets historian Dr Angela Muir, who confirmed that Elinor was actually aged 13, and was working at the farm with a 17-year-old boy called Offley Owen.

She reads newspaper reports that detail what happened, revealing that Elinor had been sent to fetch water before a witness heard Owen saying “I’ve shot Nelly dead”.

Owen had taken up the gun “with a purpose of showing her”, but was unaware it was loaded, and was supposedly being playful.

He did, however, tragically kill her, with Elinor being shot in the mouth.

“This is awful,” Amy says. “That would have been an instant death.” The historian agrees, saying: “It’s quite horrific.”

However, Amy finds it difficult to believe the death came about as an accident. She wonders: “He obviously had intention to use that gun,” adding: “To me, this was planned.”

Amy hears about the coroner’s inquest that took place after Elinor’s death, leaving her “confused”.

The reports eventually confirmed that Owen was charged with manslaughter, and would have been tried in the assizes court in Carmarthen.

“I’m horrified by what I’ve read, it’s going to take a little time to process it,” Amy admits.

In Carmarthen, Amy meets another historian who explains that Owen pleaded not guilty at court and the prosecution announced they would call no witnesses.

She’s stunned to discover that Owen was discharged, which would often happen in cases like these during those times, as the court took into account that he had never been in trouble with the law before.

“Some part of me is not satisfied with this,” Amy says, hearing that the victim’s family didn’t get justice after the tragedy.

Seeking comfort after hearing of the outcome, Amy travels to a church in Blaenpennal, where Elinor was laid to rest.

She says: “At first when I heard that he was found not guilty, I was like, how did the family move on? How did they start to process the grief? But it does seem like it was an accident and I guess, after time, they started to forgive.”

She learns that Elinor was remembered “as a young person of more than ordinary ability”, and also that a valley near the farm where she lost her life is now named after her.

Amy says: “I never realised that a member of my family has landscape named after her, I think that’s something quite special, really touching.”

Amy Dowden’s episode of Who Do You Think You Are? airs on Tuesday 2 June at 9pm on BBC One and iPlayer

Matt Brown, who starred with his family in the Discovery reality television show “Alaskan Bush People,” was found dead in the Okanogan River in Washington state, law enforcement officials said Sunday.

Brown’s body was discovered Saturday by a group of private citizens who were conducting a search, the Okanogan County Sheriff’s Office said in a statement.

Brown’s brother, Bear Brown, said in a video posted Saturday on social media that fellow brother Noah had been with the search team, helped pull the body out of the river and identified him.

The official cause and manner of death is still to be determined by the coroner, the sheriff’s office said. But the Brown family believes Matt Brown died by suicide, Bear Brown said in the video.

Witnesses said they saw Matt Brown in or near the river and that he “took his own life,” Bear Brown said on social media.

“I would have never suspected he would hurt himself, honestly,” Bear Brown said in the emotional video. “He struggled for a long time.”

Bear Brown said his brother had battled with alcohol and drugs and that Matt Brown told him in their last conversation that he had “fallen off the wagon.”

The Brown family and their life in the Alaskan wilderness were the subject of the reality TV show “Alaskan Bush People,” which ran on the Discovery Channel from 2014 to 2022.

Syrian commission confirms the deaths of Rania al-Abbasi’s six children, missing since 2013 under Bashar al-Assad’s rule.

Syria’s National Commission for Missing Persons (NCMP) says the children of dentist and former chess champion Rania al‑Abbasi, who disappeared with their parents more than a decade ago under then-President Bashar al-Assad, are likely dead.

“We have reached reliable and corroborating results that allow us to conclude with a high degree of professional certainty that Dr Rania al-Abbasi’s children are deceased,” the NCMP said in a statement on Saturday.

The fate of the children, unknown for years, became a symbol of the plight of other missing children of detainees and those forcibly disappeared during al-Assad’s rule, which ended with his ouster in 2024.

Al-Abbasi went missing along with her husband, Abdul Rahman Yasin, and their six children, aged three to 15, in March 2013 after government forces raided their home in Damascus, according to rights groups.

The commission, set up by the country’s new rulers in May 2025 to investigate missing and forcibly disappeared people, said its findings were “based on multiple verification and analysis procedures” conducted in coordination with national authorities.

“Efforts to find the remains … are still ongoing,” it added.

Hassan al-Abbasi, Rania’s brother, confirmed the children’s deaths in a video posted on Facebook.

He said the family had been able to view video recordings linked to the main suspect in a 2013 massacre in a Damascus district, including one showing him accusing children in a dark room of being “major financiers of terrorism”.

“They turned out to be our children,” Hassan al-Abbasi said. “We finally saw them … but they were martyred.”

The fate of Rania and her husband remains officially unknown after all contact with them was lost following their arrest on accusations linked to opposition to the Assad government.

Rights groups and media reports suggest they may have died, though their bodies were never found.

The issue of missing people remains one of the most pressing in Syria. They include detainees who vanished in government prisons as well as people who went missing during fighting, at checkpoints or while fleeing their homes over the years of civil war.

Tens of thousands of people were detained or disappeared during the war, which erupted in 2011 after a brutal crackdown on antigovernment protests by al-Assad.

The NCMP said last year that the number of people who went missing over decades of al-Assad family rule may exceed 300,000.

Notorious al-Assad regime figure linked to killings

Separately on Saturday, the Syrian Ministry of Interior said its investigation into the disappearance of al-Abbasi’s children had uncovered evidence linking Amjad Youssef – a notorious figure during al-Assad’s rule and the perpetrator of the 2013 Tadamon massacre – to their killing.

In a statement, it said interrogations of detainees, together with videos and information shared by the NCMP, had helped strengthen the case.

Youssef was arrested in April, prompting many Syrians to demand “just punishment” for a man they say carried out the massacre in cold blood.

The Tadamon case drew international attention after footage surfaced documenting the killings.

In 2022, The Guardian newspaper in the United Kingdom published footage it said had been leaked by a conscript in a pro-government militia showing members of the Assad-era Military Intelligence Branch 227 killing at least 41 people and burning their bodies.

The video showed an intelligence officer, identified as Youssef, shooting blindfolded and bound detainees.

OSCAR winner Marcia Lucas has died from cancer aged 80.

Known as the secret weapon and unsung hero of Star Wars, Marcia died at her holiday home in Rancho Mirage, California.

The ex-wife of George Lucas, Marcia was best known for editing Star Wars and Return of the Jedi.

Marcia died on Wednesday evening, her family said.

In an emotional statement, they called the filmmaker a “trailblazer”.

A family member said: “Marcia was a force.”

“A true trailblazer for women in film and one of the most influential editors in cinematic history; she helped redefine what film editing could be and paved the way for generations of women who followed.”

She won an Academy Award in 1977 for Best Film Editing.

In 1969 she married George Lucas, who she had met while working on the documentary Journey to the Pacific.

Raised in North Hollywood, Marcia met her future husband while they were working as assistants for editor Verna Fields.