Authorities have confirmed ‘Timmy’ the whale, whose rescue drew global attention, has been found dead off the coast of Denmark. The news comes two weeks after his complicated rescue off Germany’s Baltic coast and release into the North Sea.
Claudine Longet, the French-born star and ex-wife of crooner Andy Williams who became notorious for the fatal shooting of Olympic skier Vladimir “Spider” Sabich, has died. She was 84.
Her death was confirmed by her nephew, Bryan Longet, who posted a social media tribute on Thursday. Translated from French by The Times, he wrote, “You have been a true inspiration in my life and you will always be. … Another star in the sky. Thank you for everything, my aunt.”
Born in Paris on Jan. 29, 1942, Longet was the daughter of a doctor and an X-ray manufacturer. From a young age, she showed a knack for singing and dancing and envisioned her name on the marquee. In 1960, when she turned 18, American impresario Lou Walters (father of Barbara Walters) saw Longet dancing on French television and hired the ingénue to join the Tropicana casino’s flashy new production. She bid Paris adieu and sashayed to Las Vegas, where she starred in the Folies Bergère revue.
While working as a showgirl in Sin City, Longet met then-fellow Vegas performer Andy Williams one evening when her car broke down on the side of the road. Williams happened to be passing by as the young dancer was pushing her car down the highway with a friend, and Williams along with his manager stopped to help and was quickly charmed. The two were married on Christmas Day the following year, in 1961.
In 1962, Williams released “Moon River,” and the crooner’s career took off. The newlyweds left Las Vegas and moved into an oceanfront mansion in Malibu where they started a family, and over the next several years welcomed daughter Noelle and sons Christian and Robert, or “Bobby,” who was named after the couple’s close friend Robert F. Kennedy. Also in 1962, Williams’ eponymous variety show debuted and quickly became a hit. Longet was a regular on the show, and the family-oriented Christmas TV specials, often featuring the entire Williams clan, were a ratings juggernaut.
In addition to her regular appearances on “The Andy Williams Show,” Longet acted in television and film. Notably, the chanteuse captivated audiences singing Henry Mancini and Don Black’s “Nothing to Lose” in the 1968 comedy “The Party,” in which she played an aspiring actress. From 1967 to 1972, she released seven studio albums, five with A&M Records, including her debut single and album titled “Claudine,” and two with Barnaby Records. Her music was known for its breathy, lounge-pop quality, and she sang in both English and French.
By 1970, Williams and Longet’s marriage was on the rocks, and the pair separated. They officially divorced in 1975. The Emmy-winning host chalked it up to the pair growing apart. He told CBS’ “This Morning” during a 2009 appearance that he was never home. “It was all my fault, and I just didn’t take care of my marriage,” he said, noting that he regretted the split. The two stayed friendly afterward, and Williams stood by Longet when tragedy and scandal struck a year later, in 1976.
Longet met Olympian skier Sabich in Bear Valley at a celebrity skiing exhibition in 1972. There was an instant attraction between the two, and Longet relocated to Aspen, Colo., and ultimately moved into the pro skier’s ritzy Starwood chalet around 1975. On March 21, 1976, Longet shot Sabich in the abdomen with an imitation World War II .22-caliber German‐made pistol. Her daughter, Noelle, who was in the house at the time, testified that she heard Sabich yell out, “Claudine! Claudine!”
According to The Times’ archives, Longet told authorities that she found the handgun and asked Sabich how to use it. During Longet’s trial, Aspen Det. David Garms testified that Longet insisted the shooting was an accident. Garms said that Longet told him she’d pointed the gun at Sabich and then “jokingly said ‘bang, bang.’” She told investigators she thought the safety was on, and a ballistics expert said the safety did not work.
Longet was with Sabich in the ambulance when he died en route to the Aspen hospital. The “Love Is Blue” singer was subsequently questioned by investigators and charged with felony reckless manslaughter weeks later. She initially faced up to 10 years in prison. But in January 1977, after four days of testimony and 3½ hours of deliberations, Longet was acquitted of the felony charge and convicted of a misdemeanor charge of negligent homicide.
Ex-husband Williams accompanied Longet to her trial and told “This Morning” years later that he supported his ex-wife because he believed in her innocence.
“I did because I thought it was unfair,” he said. “I thought she was innocent. I thought it was an accident.”
During the trial, she testified in her signature French accent that she and Sabich were the “best of friends.”
“There were times over the four years that we would disagree. … [T]here would be times he would be a little bit offended by the attention I got and I would be a little bit offended by the attention he got, but we were the best of friends and we loved each other very much,” she told the court, per The Times’ archives.
Longet was sentenced to serve 30 days in jail “at a time of her own choosing.”
“There is not really much to say,” she told reporters outside the courtroom, per The Times’ archives. “Only that I have too much respect for living things to do that. I’m not guilty.”
The parents of Sabich filed a $1.3-million civil suit against Longet later the same year, but the case was settled out of court two years later. Longet was reportedly forbidden from speaking or writing about the shooting. As for her career in show business, she was finished.
The Sabich case became an absolute sensation in the media, not just in America but also globally, and Longet was internationally labeled Aspen’s femme fatale. Pop culture had its way with the incident as well. The Rolling Stones’ song “Claudine” was withheld from their 1978 album, “Some Girls,” because of legal considerations but was featured on the 2011 reissue of the album.
“You’re the prettiest girl I ever seen / I want to see you on the movie screen / I hope you never try to make a sacrifice of me, Claudine,” belted Mick Jagger in what may have been considered a diss track or a tribute, depending on whom you ask. “Nah ah / Don’t get, don’t get trigger happy with me, Claudine.”
In an April 1976 episode, “Saturday Night Live” also took aim at the deadly affair with a sketch titled “The Claudine Longet Invitational,” in which Chevy Chase and Jane Curtin play sports commentators who offer a play-by-play of a competition in which male skiers are “accidentally” shot by Longet as they race down the slopes.
The producers read an apology on air the following week.
Aspen attorney Ron Austin, who was on Longet’s defense team, left his wife shortly after the trial concluded to be with the embattled starlet. The two married in 1985 and remained in Aspen afterLonget’s conviction but also spent time at their second home in Hawaii. In 2023, the pair listed her $60-million Red Mountain Ranch estate, according to Robb Report.
Longet’s last known public appearance was in 2003 on the A&E channel’s Andy Williams “Biography” documentary, in which she recorded only voice-over. “To this day people stop me in the street and say how much they loved the Christmas show.”
Clarence Carter, the blues and soul singer famous for songs including the raunchy hit “Strokin’” featured in Eddie Murphy’s “The Nutty Professor,” has died.
Fame Recording Studios in Carter’s native Alabama announced the singer-songwriter’s death Thursday morning. In a statement shared to Facebook, the studio said Carter “was more than an artist to us,” adding he “was family.” The post did not disclose additional details about Carter’s passing, including the cause of death. Carter was 90.
The Grammy-nominated musician, who was blind since age 1, was most popular in the late 1960s and early ’70s, with chart-busting hits including 1968’s romantic “Slip Away,” 1970’s “Patches” and the Christmas hit “Back Door Santa.” He released a steady stream of music through the ’90s — Carter released 22 studio albums over the course of his career — and earned two Grammy Award nominations.
Carter received his first nod in 1970 for composing ex-wife Candi Staton’s single “I’d Rather Be an Old Man’s Sweetheart,” which was nominated for the rhythm & blues song category. He received his own nomination in R&B vocal performance the following year for his story-driven “Patches,” about a young man fulfilling his father’s expectations.
Former Times pop music critic Robert Hilburn wrote in 1992: “Clarence Carter is one of the most overlooked soul stylists of the modern pop era.”
Among Carter’s musical talents was a knack for descriptive lyricism, which he channeled for unapologetically sexual songs “G Spot” and “Strokin’.” In these numbers, Carter spares no detail in his approach to lovemaking. “Strokin’,’” released in 1986, notably received play in 1996‘s “The Nutty Professor” as Murphy’s titular character drives over to a date.
Born in 1936 in Montgomery, Ala., Carter took an interest in music in his youth, enjoying the blues records his stepfather bought and learning to play the guitar. “I would lie in my bed and hear those bands playing and say to myself, ‘One of these days I’m going to play just like that,’” he told The Times in 1987.
He graduated from Alabama State College in 1960 with a bachelor’s in music and worked briefly as a schoolteacher before beginning his professional music career. Carter formed a duo with friend and singer Calvin Scott, but his collaborator was later seriously injured in an automobile accident. Carter then went solo and began recording music with producer Rick Hall and Fame in Muscle Shoals, amid the late-’60s soul boom.
After the success of his early hits in the ’70s, Carter struggled to find the same chart success amid disco’s popularity. “Nobody’s gonna keep a hit record all the time,” he told The Times. In the early ’80s, his “Working on a Love Building” was a moderate hit. Carter signed to Ichiban Records to record his 1986 album “Dr. C.C.,” which featured “Strokin’” among its tracks.
“By the time I finished doing that song and walked back up to the control room, [the engineer] was laughing so hard he hadn’t even turned the tape machine off,” he said a year after the hit’s release.
Carter released his final studio album, “Sing Along With Clarence Carter,” in 2011 but continued to release live albums and compilations until 2020. He also continued performing live through the 2010s.
The singer-songwriter was married to Staton from 1970 to 1973 and they share a son, Clarence Carter Jr. He married Joyce Jenkins in 2001 and has lived in DeKalb County, Ga., since 1983.
“Clarence Carter leaves behind a legacy of timeless music, unforgettable performances, and a friendship we will always cherish,” Fame Studios said in its statement. “We extend our love and prayers to his family, friends, and fans around the world.”
Donald Gibb, the actor who played the hulking fraternity bro Ogre in “Revenge of the Nerds” and Ray “Tiny” Jackson in “Bloodsport,” has died. He was 71.
Gibb’s son Travis confirmed his father’s death to TMZ on Tuesday evening after he died earlier that day at home in Texas surrounded by family. Gibb, a former professional wrestler under the name “Don Gibb,” succumbed to “health complications,” according to his son.
A statement from the family, provided to People, described Gibb as a father, grandfather, great-grandfather, brother, uncle, friend and actor.
“Known for his larger-than-life presence on screen and his kindness off screen, he brought joy, laughter, and unforgettable memories to countless people throughout his life and career,” the statement said.
“Above all else, Donald treasured his faith and the people he loved,” it continued. “His strength, generosity, and spirit will never be forgotten by those who had the privilege of knowing him personally and by the many fans whose lives he touched over the years.”
“Bloodsport” star Jean-Claude Van Damme remembered Gibb in an Instagram story, posting a photo from 1986 and writing “Rest in peace, my brother.” He also reposted a reel showing himself and Gibb in the 1988 movie.
“Whether he was the lovable brute Ogre in Revenge of the Nerds or the fearless Ray Jackson in Bloodsport, Donald brought a heart as big as his frame to every role,” the caption on the reposted reel said. “Watching him alongside Jean-Claude Van Damme was the ultimate display of brotherhood on screen. In the clip, JCVD asks, ‘What took you so long?’ It’s a bitter-sweet reminder that while he’s gone too soon, his legacy in the martial arts and 80s cinema world is timeless. ‘Anytime, anyplace, anywhere.’”
A representative for Gibb didn’t respond immediately Wednesday to The Times’ request for comment.
Gibb had about 100 credits, including the sequels “Bloodsport” and the movie and TV sequels to “Nerds.”
Born Aug. 4, 1954, Gibb started his career in the early 1980s with uncredited roles in “Any Which Way You Can,” “Stripes” and “Conan the Barbarian.” His TV credits included episodes of “Cheers,” “MacGyver” and “The Young and the Restless.”
He acted into 2011, then tagged on one last credit, for the 2026 movie release “Hands.” According to IMDb, that filmed sometime in 2023 or 2024.
The most recent death on Mt. Wilson claimed the life of a man identified as New Zealand-born, L.A.-based composer Mark Smythe. Following the tragedy, his colleagues and family poured out their hearts as they remembered a man they called smart, funny and a true supporter of his peers.
Smythe died Saturday at 53 after suffering a cardiac emergency on a hiking trail, according to the coroner’s online database. His cause of death was atherosclerotic cardiovascular disease, in which plaque builds up in arterial walls and can lead to a heart attack.
The Sierra Madre Police Department said Saturday that a man — at that point unidentified — died after having a medical emergency on the trail and that no foul play was suspected. First responders arrived at the site around 10 a.m. and administered aid but were unable to save his life.
Smythe had been head of the department of Composing for Visual Media at Los Angeles Music College since last summer, according to his website. Among other honors, he was nominated for a 2023 Society of Composers and Lyricists Award for his work scoring the movie “The Reef: Stalked.”
Kate Ward-Smythe, the composer’s sister, acknowledged his death late Sunday on Facebook.
“It is a comfort to know that he was doing one of the things he loved, hiking in the hills, and we are grateful to his wonderful friends (and emergency service responders) who tried so hard to resuscitate him,” she wrote.
“Mark was a strong larger than life connector in LA, as a professor, composer, musician, and loyal friend. He was also fiercely talented, and an absolute cheerleader for music performance and recording across multiple genres.. he was only just getting started and had so much more to give .. We are heartbroken and trying to process this tragedy, as are all Mark’s friends and family.”
Bear McCreary, known for scoring TV series including “Outlander,” “The Walking Dead,” “Black Sails” and “Snowpiercer” and movies including “Happy Death Day,” “Godzilla: King of the Monsters” and Blumhouse’s “Fantasy Island,” called news of Smythe’s death “awful and surreal,” saying they had just been chatting at a mutual friend’s party a few weeks ago.
“Mark’s enthusiasm and humor were off the charts,” McCreary wrote Sunday on Instagram. “He brought a shark with a bowtie to the red carpet of an SCL awards ceremony when he was nominated for his work on a shark movie – hilarious! When he found out I was writing a metal album, he curated his favorite German folk metal bands for me (turning me on to his favorite band, Finsterforst).”
Having said he always thought he would get to know Smythe better one day, McCreary called his death “a stark reminder to spend time with the people you care about while you can.”
John Massari, who has more than 150 music credits stretching back to “Little House on the Prairie” and contributed music to TV series including “Dancing With the Stars,” “Pawn Stars” and “It’s Always Sunny in Philadelphia,” said in comments that “Mark was a bright light and a refreshing spirit in our community. He is greatly missed.”
“I’m so deeply sad to lose my friend. Mark, I miss you and love you. Thank you for your love, passion, humor, and joy and for always making me feel loved and valued,” singer Baraka May, whose voice can be heard in “Avatar: Fire and Ash,” “Wicked: For Good” and “Beavis and Butt-Head,” wrote Monday on Instagram.
“He was funny and snarky and whip-smart, yet when we collaborated, he just melted into the music and gushed like a fan with child-like wonder. What a tremendous heart and mind!” the vocalist wrote. “I had the honor of collaborating with him on three of his beautiful pieces as a conductor, and I loved his boyish, genuine joy and excitement even in our rehearsals. He wrote and voiced his music beautifully, which often felt haunting, romantic, deep, and sensitive, and his bass playing was so beautiful and thoughtful. He was such a vivid, enthusiastic music lover, and I was very much looking forward to making more music with him.”
The Los Angeles Film Conducting Intensive also mourned the loss, saying online that “Mark was a brilliant talent and a genuine friend to all, a true pillar in our scoring community.
“During the pandemic, Mark generously joined our 2020 New Music Project to support new repertoire for our music community during a time of great uncertainty and when most traditional pieces could not be performed.”
The Hollywood Music in Media Awards remembered Smythe winning a career-propelling prize at the organization’s 2013 ceremony, soon after he arrived in L.A. from New Zealand.
“He quickly built a distinguished body of work for film, shorts, and television, earned multiple HMMA nominations, served as COO of the Society of Composers & Lyricists, and returned to present at the 2018 HMMA Gala,” the organization wrote. “Mark’s talent and generosity enriched our community — he will be greatly missed.”
Smythe’s death was the second this month on Mt. Wilson. On May 3, a man identified as John McIntyre, 66, was declared dead on the same trail after falling down a ravine at Mt. Wilson Road and the Little Santa Anita fire break in Sierra Madre. His cause of death was blunt force injuries.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
This newsletter is about going to the movies, of course, but it’s about writing and reading about movies, too. And so it was exciting news this week that Film Comment, the venerable but shuttered publication that helped foster cinephilia in America, would return as a quarterly online publication.
A complete archive is now available online, going all the way back to the earliest issues in 1962. Looking for landmark writings by Manny Farber, Paul Schrader, Richard Corliss, Amy Taubin, Jonathan Rosenbaum, Kent Jones or countless others? It’s all there and well worth digging into. I began my career as an intern at Film Comment, publishing some of my own earliest pieces, and still consider it a North Star for writing about movies. Its return is most welcome.
Agnès Varda’s bruising brilliance
Sandrine Bonnaire in the 1985 movie “Vagabond.”
(Criterion Collection)
Though she became better known for her free-spirited, pixie-ish persona later in life, French filmmaker Agnès Varda was also capable of the bruising emotions of 1985’s “Vagabond,” arguably her greatest fiction feature and winner of the Golden Lion at Venice and the César for best actress for star Sandrine Bonnaire. Opening with the lead character found dead in a ditch, the film flashes backward to piece together her life from the memories of others, creating a fragmented portrait of an enigmatic young woman’s life.
Mezzanine will screen the film on Saturday at 2220 Arts + Archives, followed by a conversation between art critic Megan O’Grady and former Times staffer Carolina Miranda. Writing about the film in 1986, Sheila Benson said, “Just how Agnes Varda has kept ‘Vagabond’ from being a monumental downer is interesting, but she has. It is haunting. It is melancholy … but ultimately, beyond its central tragedy, it is an exhilarating film, the sort you leave burning to talk about with friends.”
A cartoon comes to life
Robin Williams and Shelley Duvall in the 1980 movie “Popeye.”
(Paramount Pictures / Getty Images)
It is one of the most deranged credit blocks imaginable: an adaptation of “Popeye” directed by Robert Altman, produced by Robert Evans, with a screenplay by Jules Feiffer, music by Harry Nilsson and starring Robin Williams and Shelley Duvall. When it was first released in December 1980, it was seen as too weird for kids and too naive for adults, but it has since been reconsidered as a unique snapshot of intersecting talents — a strange, wonderful, one-of-a-kind movie.
Vidiots will screen the film on Saturday afternoon with actors Paul Dooley and Donovan Scott, who played J. Wellington Wimpy and Castor Oyl. In our original 1980 review that is more positive than one might expect, Charles Champlin wrote, “Its difficulties arise not from a lack of ambition and innovation but from excesses of them.”
Neil Young + Devo = gloriously weird
Neil Young in the 1982 movie “Human Highway.”
(Shakey Pictures)
Neil Young’s place as a singer-songwriter and musician is unassailable — he’s an irascible, restless troubadour. But his sidebar work as a filmmaker, typically under the name Bernard Shakey, has had more sporadic and unpredictable output.
Young’s 1982 film “Human Highway” is probably the pinnacle of his work as a director, starring Young himself in an offbeat story of a small community in the shadow of a nuclear power plant. Dennis Hopper, Dean Stockwell, Devo and even former Times music critic Robert Hilburn all appear. Now Instant Image Hall will be screening the film on Saturday and Sunday along with a selection of Devo music videos in celebration of an exhibition at the MutMuz gallery.
After Young premiered a new cut of “Human Highway” a decade or so ago, I somehow found myself sitting across from him at a diner on a rainy midnight in downtown Toronto. (This job does have its moments.)
“My films are not super commercial, but they mean something to me,” Young said.
An Oscar-winning debut
Shirley MacLaine, Debra Winger and Jack Nicholson in the 1983 movie “Terms of Endearment.”
(Paramount Pictures)
Part tearjerker, part family drama and part comedy, 1983’s “Terms of Endearment” trademarks a certain bittersweet tone that is still just pure magic. The story of a mother (Shirley MacLaine) and daughter (Debra Winger) across many years of ups and downs in their relationship, the film was the feature debut for James L. Brooks as writer-director and won five Oscars, including three for Brooks. The Academy Museum will play the film in a new 35mm print on Sunday afternoon.
When the movie came out on 4K disc in 2023, I spoke to Brooks about it. He talked about how even though it does have moments of great emotional weight, it was intended to play with a lighter tone overall.
“The whole thing was to make it as a comedy,” Brooks said. “The whole thing was to clock laughs. You had to, in order to do it right. And of course, once the audience leaves and it has its afterlife, it’s a drama because people are watching it alone. But I swear to you, in the theaters it was a comedy.”
A ’90s noir ripe for rediscovery
Jason Patric, left, Bruce Dern and Rachel Ward in the 1990 movie “After Dark, My Sweet.”
(Kino Lorber)
Set in the Coachella Valley with the woozy feel of a day drunk and a sense of uneasy menace, 1990’s “After Dark, My Sweet” is an adaptation of the novel by pulp icon Jim Thompson, directed by James Foley.
Jason Patric, then only 23, stars as Kevin Collins, known as Collie, a former boxer who escapes from a mental institution and is now just drifting. He falls in with Fay (Rachel Ward), an enigmatic, lonely alcoholic widow, who in turn introduces Collie to a shady man known as Uncle Bud (a delightfully sleazy Bruce Dern). Soon Collie is ensnared in a plot to kidnap a sickly rich boy that immediately goes off the rails.
On Tuesday at Vidiots, there will be a screening of Patric’s personal 35mm print of the film — a gift he received some 20 years ago and has never watched before. (It is said to be in pristine shape.) Along with a video introduction from actor and filmmaker Alex Winter, there will be a Q&A afterward with Patric moderated by critic and scholar Travis Woods, who contributed a commentary track to a recent Australian Blu-ray release of the film.
Patric organized the screening as a tribute to director Foley, who died in May 2025 at age 71. “After Dark” landed in between Foley making “Who’s That Girl” with Madonna and the David Mamet adaptation “Glengarry Glen Ross.” Among his other credits are “At Close Range,” “Fear” and the last two “Fifty Shades” movies.
“He was a good friend of mine at the time,” says Patric on a recent phone call from Santa Monica. “I know this was his favorite movie and it was closest to him. It’s the only movie that he had actually written that he directed. And I thought the best way to do that is just to show the movie.”
Patric, who says Collie is his favorite character in a career that also includes “The Lost Boys,” “Rush” and “Your Friends & Neighbors,” was first given the script and in turn gave it to Foley; developed it further together, trying to retain the language of Thompson’s novel. (The screenplay is credited to Foley and Robert Redlin.)
“It’s really a subjective piece of filmmaking,” says Patric. “So as Collie’s figuring things out, the audience is figuring things out.”
In her original review of the film, Sheila Benson wrote that “Collie is one of those roles actors lust after, the damaged dreamer, maybe dumb, maybe dangerous, and Patric demolishes the conventions of the role with breathtaking skill.”
“After Dark, My Sweet” landed just ahead of the Tarantino-inspired crime movie boom of the mid-’90s, alongside such noir-influenced precursors as Dennis Hopper’s “The Hot Spot,” John Dahl’s “Kill Me Again” and Stephen Frears’ Thompson adaptation “The Grifters.”
“This is just such an exciting film to want to reintroduce to audiences,” said Woods in a call. “And to get the opportunity to see this film on the big screen, which most people haven’t had that opportunity for 36 years, it’s just one of those really cool, really only in Los Angeles cinematic moments.”
New this week
Argentinian director Lucrecia Martel, photographed at the Sunset Marquis in April.
Argentinian director Lucrecia Martel is among the world’s most accomplished filmmakers and the true crime tale “Our Land (Nuestra Tierra)” is her first documentary. Carlos Aguilar spoke to Martel about it.
“Mad Bills to Pay” expands to multiple Laemmle venues after a weekend run in the Vidiots microcinema. Carlos Aguilar spoke to director Joel Alfonso Vargas about portraying the Dominican American community in the Bronx.
Nayef Samaro, 26, left work in Nablus to run errands for his wife, who was hours away from delivering their first son by C-section. He was excited, despite the Israeli army raiding his city.
An Israeli soldier shot Nayef in the head, leaving him to bleed out in the street. He never saw his son.
May 5 (UPI) — One of 23 people injured in a weekend shooting at a lake party in an Oklahoma City suburb has died, authorities said Tuesday as they continue to search for a suspect.
The shooting occurred at around 9 p.m. CDT Sunday at Lake Arcadia where a group of young people were having an unauthorized party near a campground that had been advertised across social media.
Police initially said 10 people were taken to area hospitals but warned the number would rise as individuals were transported by private vehicles.
The deceased victim was identified by the Edmond Police Department as “an 18-year-old young woman.”
“Our thoughts are with her loved ones, as well as all those affected by this tragic incident,” the Edmond Police Department said in a statement.
“We thank our community and media partners for their patience and understanding as we work to confirm details and release appropriate information. This investigation is being handled with the utmost care and seriousness.”
The announcement came a day after local police announced the casualty toll had increased to 23, with injuries ranging in severity. Some suffered gunshot wounds, authorities said.
Police said they were not releasing suspect information at this time but asked members of the public with information about the shooting to contact authorities.
Edmond Mayor Mark Nash issued a statement Monday explaining that shootings such as the one on Sunday are rare for the city and “will not define us.”
“We are a strong, engaged community. We support one another, we face challenges directly and we move forward together,” he said.
“That is what makes Edmond special, and that is exactly what we will continue to protect.”
May 4 (UPI) — At least three people were killed and more than 38 others were injured during a monster truck show in the city of Popayán, southwestern Colombia, after one of the vehicles lost control and struck part of the audience, local authorities reported.
According to footage shared on social media and reports from Colombian outlets such as El Tiempo, the vehicle veered off the track following a maneuver, knocked down metal safety barriers and crashed into spectators.
#MNTV II ¡TRAGEDIA EN ESPECTÁCULO! Monster Truck deja 3 muertos y 37 heridos en Colombia
Uno de los vehículos perdió el control, salió de la pista y atravesó las barreras de seguridad, generando pánico entre los asistentes.
Popayán Mayor Juan Carlos Muñoz confirmed the preliminary toll in a message posted on X.
“We deeply regret the accident …)which has, preliminarily, left more than 38 people injured and 3 dead,” he said.
Among those killed was reportedly a minor, according to local press reports. Several of the injured were also believed to be children.
Colonel Julián Castañeda, commander of the Popayán police, told El Tiempo that the crash was likely caused by a mechanical failure.
“It was a private event. There was a mechanical failure, it left the track. The vehicle accelerated, it could not be stopped,” he said. He added that the driver of the truck was injured but is in stable condition.
Local media identified the driver as Sonia Dilma Segura, who is reportedly the only woman in Latin America authorized to operate this type of vehicle.
Cauca Gov. Octavio Guzmán expressed condolences and said the injured were taken to public hospitals in the city. “We deeply regret the accident,” he said on X.
A local official cited by Colombian media said the event had the required permits, including liability insurance, and that the organizing company had experience in this type of show.
Three of six passengers who fell ill from suspected rodent-transmitted virus have died, and one is in intensive care, the WHO says.
Published On 3 May 20263 May 2026
Three people have died on a cruise ship in the Atlantic, with at least one confirmed to have suffered from hantavirus, a rare disease transmitted to humans from rodents.
Health authorities are now investigating a suspected outbreak of the virus on the MV Hondius, which is sailing from Ushuaia in Argentina to Cape Verde.
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In a statement on Sunday, the World Health Organization said that one case had been confirmed and at least five other passengers were suspected of being infected.
“Of the six affected individuals, three have died, and one is currently in intensive care in South Africa,” WHO said in a statement.
“Detailed investigations are ongoing, including further laboratory testing and epidemiological investigations. Medical care and support are being provided to passengers and crew. Sequencing of the virus is also ongoing.”
WHO added that it was “facilitating coordination” between countries to evacuate the two other passengers showing symptoms of the infection.
Hantavirus, a rare disease transmitted to humans through the droppings or urine of infected rodents, can be fatal in severe cases and cause hemorrhagic fever.
Infected couple among casualties
South Africa’s National Department of Health said earlier on Sunday that there had been an outbreak of a “severe acute respiratory illness”, which had killed at least two people, and that a third person was in intensive care in Johannesburg, according to the AFP news agency.
The ministry’s spokesperson, Foster Mohale, confirmed that the patient being treated in Johannesburg tested positive for hantavirus.
A 70-year-old was the first to develop symptoms. He died on the ship, with his body now being held on the island of Saint Helena, a British territory in the South Atlantic, the spokesman said.
The patient’s 69-year-old wife also fell sick and was evacuated to South Africa, where she died in a Johannesburg hospital, he added.
Mohale told AFP that authorities have not confirmed the nationalities of the deceased. But the person in intensive care was reported by AFP to be a 69-year-old Briton.
BELOVED British rock legend, Alex Ligertwood, who helped shape the sound of Santana has died aged 79.
His daughter, Merci, shared the heartbreaking news on Saturday following his death just weeks after taking the stage for the final time.
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Alex Ligertwood performs with Santana at the Mountain Aire Festival on August 23, 1987Credit: Getty
The Brogan Agency confirmed a day later that the star “passed peacefully in his sleep with his doggy Bobo by his side” at his longtime home in Santa Monica.
Tributes have already begun pouring in for the iconic frontman, whose powerhouse vocals defined an era.
Guitarist Brandon Paul, who toured alongside him in recent years as part of “Icons of Classic Rock,” led the emotional tributes – hailing him as “a world-class professional.”
He said: “His voice was a force of nature – soulful, from the heart, and legendary every single night. Beyond the music, he was an amazing human being and a dear friend.”
Brandon added: “Having a vocalist who worked with icons like Carlos Santana and Jeff Beck compliment my guitar playing is something I will carry with me forever.”
The singer worked as Santana’s lead vocalist on five separate occasions between 1979 and 1994, lending his unmistakable voice to classic albums including Marathon, Zebop!, Shango and Sacred Fire: Live in South America.
He also brought some of the band’s biggest hits roaring to life on stage, including “Winning,” “Hold On,” and “All I Ever Wanted.”
More to follow… For the latest news on this story keep checking back at The Sun Online
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Studies show extreme rain has become more frequent in country, as Pernambuco and Paraiba states again battered.
Published On 2 May 20262 May 2026
At least six people have died in heavy rains in northeastern Brazil, with thousands more displaced, according to authorities.
The deaths were reported in the Pernambuco and Paraiba states on Saturday, following two days of rain.
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In Pernambuco, flooding and landslides were reported in Recife, the state capital. At least two people were confirmed killed in the city. Two others were killed in nearby Olinda.
About 1,500 were displaced by the storms.
In Paraiba, the state capital, Joao Pessoa and the city of Campina Grande were among the hardest hit. At least two people were confirmed killed in the state, with 1,500 displaced.
The National Center for Risk and Disaster Management said it issued 22 emergency alerts during the rain.
“Due to the impacts in Pernambuco and Paraiba and the weather forecast for the region, the operational level was raised to maximum alert,” it said.
The ministry reported that rain had eased on Saturday, but urged continued vigilance.
President Luiz Inacio Lula da Silva said on X that he had spoken with local authorities to offer support.
“The government continues to monitor the situation to provide all necessary assistance,” he added.
A study released last year by the Brazilian Alliance for Ocean Culture found that rain disasters, including flooding and landslides, tripled in Brazil from 1991 to 2023.
In February, at least 64 people were killed in floods and landslides in Minas Gerais state.
In 2024, at least 183 people were killed in flooding in the state of Rio Grande do Sul.
In 2022, 233 people were killed in flooding in the city of Petropolis in southeastern Brazil.
Three months later, at least 130 people were killed in heavy rains in Recife.
His brother confirmed he died peacefullyCredit: UnknownThe actor also played in the film MercyCredit: Alamy Stock Photo
“It is with a heavy heart Im here to inform everyone of the very sad passing of Beau Starr. [Mike Starr] asked me to make the announcement,” wrote Christopher Serrone, who starred alongside Starr in the 1990 mob film.
“Beau enjoyed a rich a meaningful life. He was a son, brother, father, grandfather, actor and NFL/CFL player. Please take a moment to help me remember a great guy. RIP.”
Fans were also left devastated, flooding social media with memories of his most iconic roles.
“He was a great actor, your scene with him in Goodfellas is still a scene I will never forget, he was also good in Halloween 4-5, May he rest in peace,” one fan wrote.
“He was a great actor & good man in person. Very sad to read this news. I am sorry for his family loss,” another wrote.
Before finding fame on screen, Beau Starr lived a very different life – starting out as a professional football player.
After several years on the New York Jets practice squad in the late 1960s and two seasons in the Canadian Football League, Beau got his break in entertainment on Bizarre – a half-hour sketch comedy show starring Bob Einstein and featuring comedians like Howie Mandel.
He landed his first film role in 1982’s Hanky Panky, starring Gene Wilder and Gilda Radner, before going on to play Sheriff Ben Meeker in Halloween IV and Halloween V.
Fans of director Martin Scorsese will remember Starr for his role as Henry Hill’s father in Goodfellas, with co-star Christopher Serrone.
Starr also became a familiar face on TV, starring in 66 episodes of Due South between 1994 and 1999.
His long list of credits includes films such as Born on the Fourth of July, Speed, Angels in the Infield, The Cactus Kid and Cinderella Man, as well as TV shows including Wings, T.J. Hooker and Doc.
His former manager, Timothy Beal, said Starr always appreciated his fans, especially those of the Halloween franchise.
Beal said he only ever had positive experiences with the late star and wished they had worked together more.
Jacqueline Falk, daughter of the late “Columbo” star Peter Falk, died Monday by suicide, according to the Los Angeles County Department of Medical Examiner. She was 60.
Jackie Falk died at her Los Angeles residence, the department’s website said. The case is still listed as open.
The Times was unable to obtain further information about Jackie Falk’s death Wednesday as the medical examiner’s public information office was closed because of staffing issues.
He and first wife Alyce Mayo married in 1960 and later adopted sisters Jackie and Catherine. The college sweethearts divorced in 1976, but according to Catherine — who was around 5 when her parents split — they remained “best friends.”
“I remember watching my mom and dad laugh and tell stories about their college years,” she told Closer magazine in 2023. “It was nice as a teenager to experience that.”
Peter Falk would bring both her and her older sister Jackie to movie premieres and set visits, and loved to take them ice skating, Catherine Falk said.
In 1977, he married actor Shera Danese, who he met while making the 1976 movie “Mikey and Nicky.”
“He saw me walking down the street, and that was it,” Danese told The Times in 1991. She said with a giggle that at 15 years or so into their marriage, “I tell him what to do.” Danese has not acted in film or TV since the year before Peter Falk’s death, according to IMDb.
The family story grew complicated when Catherine Falk alleged that Danese hindered access to their father.
After what she said was an expensive legal battle to gain visitation late in her father’s life, Catherine Falk has a website dedicated to the passage of laws to guarantee a new spouse can’t prevent children from a previous marriage from visiting an incapacitated parent. She said on the site that her dad maintained a 30-year loving relationship with her and Jackie despite alleged interference from his new wife.
In 2009, after petitioning the court to have her ailing father placed under a conservatorship, Catherine was permitted to visit Peter Falk, who was suffering from dementia. Danese was named the “Columbo” actor’s conservator. Jackie, who did not join the court fight to have access to her father, was not able to visit him during the three years before his death, the Catherine Falk Foundation website said.
The women found out about their father’s death via media accounts, the website said.
Suicide prevention and crisis counseling resources
If you or someone you know is struggling with suicidal thoughts, seek help from a professional and call 9-8-8. The United States’ first nationwide three-digit mental health crisis hotline 988 will connect callers with trained mental health counselors. Text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.
April 29 (UPI) — Two people are dead and 10 are injured after a small plane crashed into a hangar Wednesday at an airport in Adelaide, South Australia.
News.com.au reported that the two people killed were in a Diamond DA42 two-engine plane, while one person who’d been in the hangar sustained life-threatening injuries, two were in serious condition, six others had smoke inhalation and one sustained minor injuries.
The plane burst into flames after it crashed at Parafield Airport, the BBC reported. Photos of the scene showed a large plume of black smoke rising from the area, and other witnesses reported seeing the plane struggling overhead before the crash.
The Australian Transport Safety Bureau has started an investigation into the incident.
South Australian Premier Peter Malinauskas said on social media that the fire had been extinguished and the airfield was closed.
He said his “thoughts are with the families and loved ones of those who have passed away, and with everyone affected by this devastating event,” the BBC said. He also thanked first responders for their response.
The airport has several flight training schools and has a large amount of aircraft traffic. News.com.au said the plane involved was used for student training, but Chief Inspector Andrew McCracken could not say if the pilot Wednesday was a student.
In January, a student pilot crashed during takeoff at the airport, but although the plane caught fire, the pilot escaped unharmed.
Dylan Carter, a contestant on Season 24 of “The Voice,” died in a car accident on Saturday.
According to the NBC affiliate serving the Lowcountry region of South Carolina, the musician died in a single-vehicle crash on a rural road in Colleton County. He was 24.
Country music legend Reba McEntire, who was Carter’s coach on “The Voice,” posted a tribute on social media Monday morning, writing, “We will miss Dylan so much. He was a brilliant, kind and talented young man who brought a huge ray of sunshine to The Voice. Rest in peace, my dear friend.”
Moncks Corner Mayor Thomas Hamilton Jr. also memorialized the Lowcountry singer, writing on Facebook that his family was “heartbroken” to hear about the accident.
“As a gifted singer, he frequently entertained our community with his performances at Town events,” read the post. “His kindness and charm earned him immense respect, and his absence will be deeply felt.
“To the loved ones and acquaintances of Dylan, we offer our sincerest condolences during this difficult period. The Town of Moncks Corner, its Council, and entire staff extend their deepest sympathies. He was much more to our family than an entertainer he was our friend and we are deeply saddened.”
Carter was slated to perform Monday night at the town of Moncks Corner’s “Music on Main” event. The organizer posted that the event had been canceled, and the comments section was filled with an outpouring of shock and grief.
Carter competed on Season 24 of “The Voice” in 2023. During his blind audition, he sang Whitney Houston’s “I Look to You,” which he dedicated to his mother, who had died the year before. During his audition, all four judges turned their chairs for the contestant, with Gwen Stefani hitting her red button during the song’s first verse.
“You only get four chairs if you really move the room,” said judge Niall Horan, who called his performance spectacular.
McEntire was choked up and said she could feel and hear Carter’s emotion while he sang. “That’s when you know you’ve got a great song and a great singer,” she said. “When it touches your heart.”
“When I saw y’all turn around, I saw my mom,” Carter told the judges. “She passed back in October and she wanted me to sing it at her funeral, so I did it — I tried, but I couldn’t make it through it. This was the best second chance. I just made her so proud.”
After Carter was eliminated from the competition series, he posted on Instagram, reflecting on his experience: “Well last night did not go as we all were hoping, but I am proud to say that I went out there on that stage and gave it MY ALL.”
Carter admitted that he felt defeated when he was eliminated, adding, “but it did not take me long to realize that I actually didn’t lose anything, instead I gained EVERYTHING!”
“I came to The Voice unsure of myself, unsure of my future, and still grieving the loss of my mom. I left LA with confidence in myself and my future, with a sure purpose as to why I was put on this Earth, and with peace of mind moving on from my mom’s death. I’ve been afraid of moving on from my mom’s death because I thought moving on meant forgetting her. Boy was I wrong!!! I’m moving forward with her, as she shines through me! All she ever wanted was for me to find myself, to find my voice, and for me to be happy…. I left LA with all of that plus more!!! I even gained all of you guys.”
The South Carolina Highway Patrol is investigating the accident.
In the first of several significant flashbacks in “Over Your Dead Body,” Samara Weaving’s unhappy Lisa complains to a friend about a hunting trip her equally miserable husband Dan (Jason Segel) is taking her on. “You know how much I hate guns,” Lisa fumes. “So dangerous.” Turns out, she’s actually telling two lies, which is par for the course for this twisty yet underwhelming dark comedy that views marriage as both a hyperviolent blood sport and a battle to the death.
Based on Norwegian filmmaker Tommy Wirkola’s 2021 “The Trip,” “Over Your Dead Body” concerns a couple whose wedded bliss has faded along with their professional prospects. Dan directed a moderately successful sci-fi film several years ago but is now stuck shooting cheesy pop-up ads. Meanwhile, Lisa’s nascent acting career is flailing. As the movie begins, Dan conspicuously informs his production team that he and his wife are going hiking in the middle of nowhere — something, he insists, the risk-taking Lisa wants to do, despite how perilous that might be. What we soon realize is that he’s creating cover for his nefarious plan, which is to kill Lisa at his family’s forest cottage, making it look like she disappeared without a trace in the woods.
But director Jorma Taccone eventually reveals that it’s not just Dan who has murder on his mind. That first flashback rewinds to Lisa’s simultaneous scheming, claiming to those close to her that Dan longs to go hunting — when, in fact, she’s secretly brought a rifle so that the authorities will assume he accidentally shot himself. (Whatever fears she once harbored about firearms are, clearly, no longer an issue, if they ever were.) Dan is offended when he uncovers her plot: Why would she want to kill him? At least he’s justified, he believes, having caught Lisa in an affair with her scene partner.
More surprises are in store as Dan and Lisa engage in a deadly standoff in the cabin, only to discover that they’re not alone. Another flashback details how two convicted killers, Todd (Keith Jardine) and Pete (Timothy Olyphant), escaped from a local penitentiary with the help of Pete’s girlfriend, prison guard Allegra (Juliette Lewis), and are seeking refuge at the cottage. Suddenly, the feuding married couple must work together to stay alive.
One-third of the comedy troupe the Lonely Island, Taccone previously directed the big-screen adaptation of the “Saturday Night Live” sketch “MacGruber” and co-directed the endlessly rewatchable mockumentary “Popstar: Never Stop Never Stopping.” For “Over Your Dead Body,” he teams with producer David Leitch, whose 87North shingle specializes in R-rated action-comedies like “Nobody” and “Violent Night.” Taccone’s irreverent, slyly shocking style would seem a good match for a story in which the pain of romantic discontent is paired with myriad scenes in which a variety of weapons wreak grisly havoc, including lawnmowers, sports cars, gardening equipment and a sock with a pool ball in it.
But despite Segel and Weaver’s best efforts, they can’t make this bickering duo deliciously awful, the characters proving more grating than hilariously combustible. And when Pete and his cohorts arrive, they’re too broadly quirky to be either menacing or hysterical, although Olyphant’s long-suffering leader has some nice moments slowly processing how dumb Todd and Allegra are.
Other than one queasy homage to “Deliverance,” the film’s handling of the showdown between this drab married couple and the cartoonish criminals is rarely gripping. Instead, “Over Your Dead Body” delivers over-the-top fight sequences emphasizing grimaces and gross-out laughs. People aren’t simply shot in the head — the bullet transforms it into a gooey slab of meat. Fingers get sliced off, stakes are driven through hands and a foot is reduced to bloody tatters. Taccone handles all this with gleeful excessiveness but once you’ve seen one pulverized face, you’ve seen them all.
A droll irony is intended to unfold alongside the rising body count. Dan and Lisa embarked on this getaway to murder one another, but they’ll end up rekindling their love. To be sure, Segel and Weaving are much more winning once their characters start warming to one another. Still, the film feels like a missed opportunity for Weaving, who became a scream queen in the “Ready or Not” films. In those movies, as an unsuspecting bride thrust into a life-or-death situation, she appealingly balanced a convincing physical performance with an understated comedic streak, her beleaguered character enduring one absurdity after another.
Weaving finds herself in a somewhat similar role in “Over Your Dead Body” and this uneven action-comedy is anchored by her had-it-up-to-here performance, which provides a witty insight into marriage that the film otherwise ignores. It’s bad enough that Lisa has to deal with Dan’s insecurity — now she’s got to tangle with some dopey crooks? Women have to do everything in a relationship.
‘Over Your Dead Body’
Rating: R, for strong bloody violence, gore, sexual assault, pervasive language, and sexual content
“Storage Wars” star Darrell Sheets was found dead by police on Wednesday in Lake Havasu City, Ariz. He was 67.
According to Variety, which obtained a report from the Lake Havasu City Police Department, Sheets died from what appeared to be a self-inflicted gunshot wound. The statement said that on Wednesday around 2 a.m., officers were dispatched to Sheets’ home on Chandler Drive after reports of a deceased individual.
“Upon arrival, officers located a male subject who suffered from what appeared to be a self-inflicted gunshot wound to the head. The male was pronounced deceased on scene and the Lake Havasu City Police Department’s Criminal Investigations Unit was notified and responded to the scene to assume the investigation,” the statement read.
“The body was ultimately turned over to the Mohave County Medical Examiner’s office for further investigation,” the release continued.
Police said that they identified the man as Sheets and that his family had been notified. “This incident remains under active investigation, and additional information will be released as it becomes available.”
Sheets appeared across 15 seasons of the popular A&E reality show “Storage Wars” from 2010 to 2023. His son, Brandon Sheets, was also a cast member, and the father-son duo was often considered the heart of the show. Darrell would use his not-so-stealthy approach when bidding on storage lockers that he was willing to bet contained what he would describe as “wow factor” treasures.
“I’m a buyer by trade. I love buying storage sheds. It’s my addiction,” he said on the series. “I’m basically known for taking the good stuff and just getting the heck out of here.”
According to Sheets’ cast bio, the antiques enthusiast loved to brag about “four Picassos and the world’s most lucrative comic book collection” that he scored through storage auctions. He told The Times in 2015 that he once invested in a locker and discovered pieces of original artwork by Frank Gutierrez that he said appraised for about $300,000, making for the biggest take in the TV show’s then-five-year history.
Rene Nezhoda, another “Storage Wars” cast member who was often considered Sheets’ rival due to their onscreen antics, posted on Instagram after news of Sheets’ death broke and called out cyberbullies.
“Unfortunately, Darrell Sheets took his own life,” Nezhoda said. “I know a lot of you guys think we hated each other because we competed a lot on the show, and you know, we had our moments. We had our run-ins, but that’s because we were both competitors, right?
“Deep down, me and Darrell were friends. We talked every now and then. He is a very hard worker that cared more than anyone I’ve probably ever met about their family, about his son, about [his granddaughter] Zoie.”
Nezhoda said that Sheets had someone “really, really tormenting” him on social media.
The “Storage Wars” alum then addressed cyberbullies for their treatment of public figures, saying, “Just because you watch us on television doesn’t mean you know us. You never know what demons somebody faces.”
Gregg Foreman, the founder of the influential blues-punk band the Delta 72 and a longtime collaborator with Cat Power and other acts, has died. He was 53.
News of Foreman’s death on Tuesday was confirmed by Cat Power’s label, Matador Records. No cause of death was given.
Foreman, born in Philadelphia, formed the Delta 72 in Washington, D.C., in the mid-’90s, putting a soulfully-scuzzy blues twist on the city’s post-hardcore sound of the era. Foreman was a distinctly charismatic frontman, pairing the flamboyant stage presence of his beloved ‘60s and ‘70s R&B acts with the live-wire tension of punk. The band released three albums before dissolving in 2001.
For two decades, he played in Cat Power’s backing ensemble, the Dirty Delta Blues band, and became the project’s musical director. He also collaborated with Pink Mountaintops, Suicide’s Alan Vega and Martin Rev, the Gossip, Lydia Lunch and Death Valley Girls, along with singer-songwriters Lucinda Williams and Linda Perry.
Outside of his live-band career, Foreman was a prolific DJ and a deeply knowledgeable music journalist. He most recently played on Cat Power’s “Redux,” January’s three-song EP celebrating the 20th anniversary of the band’s beloved LP “The Greatest.”
Music and cultural figures like director Jim Jarmusch, Kid Congo Powers, and Cold Cave’s Wesley Eisold mourned Foreman’s death on social media. Eisold wrote on Instagram that “Like others, he bounced in and out of our lives and changed each one he visited. For better or for worse, he lived a life that others only claim to have lived and he was one of one. His love for music was as genuine as the pain he harbored.”