dead

Police have identified the 46-year-old man who was killed after a gunman opened fire in Washington DC.

James Stewart was pronounced dead at the scene of the shooting, while four others who were injured were rushed to local hospitals for treatment. One of the injured is in a critical condition, police said.

The shooting began on Thursday morning local time inside a gym in an apartment building in the Logan Circle neighbourhood, which is about a mile (1.6km) north of the White House.

Police said the suspect, identified as 55-year-old Matt Wade Lambert, barricaded himself in one of the apartments, and later died of self-inflicted gunshot wound.

While the suspect was barricaded, “he did fire through the door at officers at least on two occasions”, Carroll said.

Negotiators had been on the phone with the suspect when they heard a gunshot and he stopped communicating with them, according to Carroll.

Officers forced their way into the apartment and saw the suspect had what appeared to be a “self-inflicted gunshot wound”, he said.

Carroll added that police “believe there was a fire that was set”, which has been contained.

Authorities are still working to understand the exact timeline, suspect’s motivation, and other details of the incident.

“We believe there was some sort of a conflict with the apartment building, but we don’t have much more than that,” Carroll said.

Authorities recovered three firearms from Lambert’s apartment. He was a registered gun owner, police said.

Washington DC Mayor Muriel Bowser called it a “senseless act of gun violence” and said the White House had been briefed.

Actor Irma P. Hall, the former educator who pivoted to acting in her late 30s to star in films including “Soul Food,” “The Ladykillers” and “Meet the Browns,” has died. She was 91.

Hall died Tuesday in Dallas surrounded by her loved ones, her family announced Wednesday in a statement. Her family said the actor leaves behind a “remarkable legacy” that spans from her memorable characters on screen, her time as a teacher early in life and her role as a church leader in Dallas in her final years. A cause of death was not revealed.

“She started as a teacher in the classroom but ended up being a teacher to the world,” Hall’s daughter Irma Hall Crayton said in the statement. “My mom used to always say, ‘To the world you may be one person, but to one person you may be the world.’ And she was just that to many people.”

Hall, who was born in Texas and raised in Chicago, is best known to film fans for portraying scene-stealing, elderly types. She was Big Mama, the matriarch of the central Joseph family, in George Tillman Jr.’s 1997 “Soul Food,” starring Vanessa Williams, Vivica A. Fox and Nia Long as her three daughters. That same year she shared the screen with Kevin Spacey and John Cusack as witchy healer Minerva in Clint Eastwood’s Savannah-set “Midnight in the Garden of Good and Evil.” In the Coen brothers’ “The Ladykillers,” Hall was the religious and aging widow who rents a spare room to a deceiving “professor” (Tom Hanks) and his band of criminals posing as musicians (Marlon Wayans, J.K. Simmons, Tzi Ma and Ryan Hurst).

She earned numerous accolades for her work, including an NAACP Image Award for her work in “Soul Food” and a jury prize at the 2004 Cannes Film Festival for “The Ladykillers.”

“I’ve always found older women extremely interesting. In fact, as a child I’d be playing outside and when they couldn’t find me, they’d just start knocking at all the old people’s doors,” Hall recalled to The Times in 1996. “My mother used to say I was probably the only child that was born wanting to be old.”

Hall’s acting career spanned from the mid 1970s to the 2010s and also included roles in the 1998 film adaptation of Toni Morrison’s “Beloved” starring Oprah Winfrey, 1996’s “A Family Thing” with James Earl Jones and Robert Duvall, the TV series “Hap and Leonard” alongside “The Wire” star Michael K. Williams and Tyler Perry’s “Meet the Browns.”

She sharpened her ability to play older in TV, film and theater by channeling the women in her life and studying elders’ behavior, she told The Times in 1996. She made it a habit to visit nursing homes, speak with their residents and study their physicality from their gestures to their gaits.

“I practice little things like that all the time because I love to play old people and I don’t ever want them to be embarrassed or ridiculed by my performance,” she recalled at the time.

Irma Dolores Player was born June 3, 1935, in Beaumont, Texas. Her father was a saxophonist during the big-band era and her mother was a housekeeper. She returned to Texas for college, graduating from Texas College in Tyler. She remained in her birth state to work as a teacher in poor, segregated schools before her unexpected pivot to acting in her late 30s. She taught foreign languages and ultimately taught theater.

Actor-director Raymond St. Jacques discovered Hall after hearing her read poetry and cast her in his 1973 film “Book of Numbers,” paving the way for a decades-long career that would endear her to generations of TV and film audiences.

“I want to tell their stories so profoundly that no one will ever forget these characters,” she told the Dallas Morning News of her characters in 2017. “I don’t care if they don’t know who Irma P. Hall is.”

Hall later lived in Chicago, where she cared for her parents and pursued an award-winning theater career. She also dedicated her efforts toward nurturing upcoming talent in her home state, co-founding the Dallas Minority Repertory Theatre, and served as a longtime member of and church mother at Inspiring Body of Christ Church in Dallas.

Hall’s survivors include her daughter. A celebration of life will be announced at a later date.

Chloe Smith explained why there were so many on her flight

A woman says all she could see were dead people when she looked down the aisle of her recent flight – describing it as ‘absolutely chaos’. A ghost whisperer has explained there is one place where your loved ones are always with you even after they are gone – every plane you board. Chloe Smith says she has been seeing spirits for over a decade – dedicating her life to exploring the unknown.

The 29-year-old psychic medium, author, and podcaster has now made her latest claim as she believes that the “dead” are “on planes”.

“Before boarding a plane, my loved ones will be by my side as well as spirits from other passengers,” said Chloe, from Ashbourne, Derbyshire. “Whispering, standing next to people, or surrounding them in white light for protection. Flying is the most anxiety-inducing thing for me, but instead of closing my eyes, I opened them and saw angels and loved ones surrounding people.

“Knowing that even in the times we feel most scared and worried, our loved ones are still by our side. Not because they choose to travel by plane but because they want to be by our side.”

Chloe made the revelation whilst boarding an easyJet flight. In the clip, she says: “There are so many dead people on this plane with me, and I’m not even exaggerating. You’re most likely thinking they can travel wherever they want to be – why would they want to travel on a plane?

“But when you’re feeling anxious and not yourself – that is when your loved ones are with you the most. So as I look down the aisle of the plane, it is full of spirits. I’m not even exaggerating, but I feel good for it. I feel healed, I feel protected, but it is absolutely chaos.”

The psychic medium believes that spirits of your loved ones help ‘change’ the outcome of the flight. She claims this is done by surrounding you to calm your nerves and flight anxieties.

Even on flights, her work is never done, as some spirits linked to other passengers are allegedly urging her to pass messages onto others on board, Chloe said: “I would say they change the outcome, but there have been many moments I myself have panicked at the thought of not being able to get off the plane, feeling claustrophobic and trapped; my loved ones have soothed that.

“So much love and calm surrounds you, allowing you to switch off from the anxiety of flying. Knowing your loved ones is truly by your side no matter what.

“But if they have something they want to say, they will make themselves known, for example. I look up; there is a man right there in my face telling me to tell the passenger four rows down that the hidden jewellery is in a box on top of the wardrobe.”

Toukie Smith, a former runway model and actor best known for her role on the sitcom “227,” has died. She was 74.

Smith died Wednesday after a long battle with multiple sclerosis, according to a statement from her twins, Airyn and Julian De Niro, provided to the Hollywood Reporter.

“Toukie was a force of nature,” they said, per the outlet. “She left an indelible mark on our hearts and on everyone lucky enough to know her.”

Born Doris Smith on Sept. 25, 1952, in Philadelphia, the Fashion Institute of Technology alum began her modeling career in 1972 and worked with top brand designers including Hubert de Givenchy, Chanel, Issey Miyake and Thierry Mugler over the course of her career. She was named “Bloomingdale’s Favorite Model” in 1978.

Toukie “was a nickname my grandmother gave me that came from a children’s record about a little red fire engine with lots of energy,” Smith told The Times in 1990. “I’ve always had lots of energy.”

Smith got her start modeling for her brother, the late designer Willi Smith who, with his WilliWear Ltd., pioneered a whimsical yet accessible style he dubbed “street couture.”

“Willi always had fun with fashion,” Smith said of her brother, who died of complications from AIDS in 1987. “He had a special energy and a love of keeping clothes from being too serious. He also totally designed for the masses.”

Toukie Smith with Sean Penn, left, and Robert De Niro at a celebrity benefit in honor of her late brother Willi Smith on Feb. 26, 1989.

(Adam Stoltman / Associated Press)

In their statement, Airyn and Jordan said their mother “shared in a remarkable family legacy that helped shape American fashion and culture” and that “her beauty, grace and unmistakable presence helped pave the way for generations of Black models and designers in fashion.”

Smiths pivoted to acting in the 1980s and her first screen credits included a few episodes of “Miami Vice” in 1987 and the 1988 feature “Me and Him.”

She then landed the role of Eva Rawley on the Marla Gibbs-led NBC sitcom, “227.” The series, which aired from 1985 to 1990, was notable for the portrayal of its middle-class Black family, the Jenkinses. Eva was introduced during the fourth season as an artist who moves into the show’s central apartment building and becomes the building’s manager. She would eventually leave the job and find work at an art gallery.

Her credits also include the films “Talkin’ Dirty After Dark” (1991), “I Like It Like That” (1994), “Joe’s Apartment” (1996) and “The Preacher’s Wife” (1996).

Smith’s interests also extended to food. She briefly ran a catering business, Toukie’s Taste, which famously provided the food for Sean Penn and Madonna’s wedding anniversary. She also had a restaurant in New York called Toukie’s in the 1990s, which gave a part of its proceeds to the Smith Family Foundation.

She was in a relationship with actor Robert De Niro from 1988 to 1996. The couple welcomed their twins in 1995, who were born via surrogate.

“I’ll always love you, Mom,” Airyn wrote in her tribute shared Monday on Instagram.

Smith is survived by her children, brother Norman Smith-Harllee and nephew Eliazar Smith-Harllee.

Richard Lloyd, the fiery guitarist of the influential New York rock band Television, has died. He was 75.

Lloyd died on Saturday in Chattanooga, Tenn., from cholangiocarcinoma, a bile duct cancer, according to a statement from Lloyd’s family to the New York Times.

Lloyd’s contributions to Television — a proto-punk band with intricate hailstorms of guitar — helped make them one of the city’s most important if briefly tenured bands. In a time when peers such as the New York Dolls and Velvet Underground were upending rock and roll with glamour and arty disaffection, Television fulfilled the genre’s promises of both swaggering virtuosity and restless reinvention.

Lloyd, born Richard John Alt in Pittsburgh, moved to New York City with his mother and grew up in Greenwich Village. He attended Manhattan’s acclaimed Stuyvesant High School, but dropped out to pursue music.

Television formed in 1973 after Lloyd met front man Tom Verlaine, then-bassist Richard Hell and drummer Billy Ficca through Terry Ork, an Andy Warhol scenester who managed the legendary film bookstore and memorabilia shop Cinemabilia, where Verlaine and Hell worked. The band was an outlier at the grimy local country and bluegrass dive bar CBGB (the members had to convince owner Hilly Kristal to book them). Yet the group would help transform that club and Max’s Kansas City into hubs for punk bands and the avant-garde such as Blondie, the Ramones and Talking Heads.

While sharing little in common with dueling-guitar acts such as the Allman Brothers Band or ’70s contemporaries the Eagles and Fleetwood Mac, Television also drew its power from the preternatural rapport between Verlaine and Lloyd’s instruments. With its oblique lyricism and jazz-infused chords, layered over a twitchy rhythm section and 10-minute-long jams, Television was unlikely to be a commercial hit.

Yet the band impressed peers such as Lou Reed and David Bowie, and signed to the major label Elektra. Its 1977 debut LP “Marquee Moon” is universally considered a rock masterpiece, landing at No. 107 on Rolling Stone’s ranking of the top albums of all time. The dramatic trills of “Venus” and moaning peals of “Torn Curtain” showcased Lloyd’s natural guitar language with Verlaine, adding up to an unmistakable and irreplaceable sound.

The band released one follow-up, 1978’s “Adventure.” But Lloyd, who had long struggled with mental health issues, was also suffering from drug addiction, and conflicts with Verlaine led to the band’s breakup.

Lloyd would go on to have a robust solo career, with nine albums under his own name, and performances on records by Matthew Sweet and John Doe of the punk band X. Television briefly reunited to perform at the 1992 Glastonbury Festival, and released a new self-titled album the same year.

Beyond its own career, Television became a key inspiration for Sonic Youth and Geese, which shared Television’s downtown panache and coils of guitar noise.

Lloyd’s survivors include his wife, Sheila, his brother, Eric and his son, Dylan.

OSCAR-winning filmmaker Sebastián Lelio, who directed the critically acclaimed A Fantastic Woman, has died aged 52.

The Chilean director passed away at his home in Santiago, Chile due to “health reasons”, said his partner, actress Amalia Kassai.

She reportedly called police after finding Lelio at his home in the city’s Las Condes district.

“We are going through a very painful time, and his memory will remain with us forever,” Amalia wrote in a touching tribute on Instagram.

“He was a wonderful person who contributed to Chilean culture during important moments in its history.”

The statement, signed by the Lelio Kassai and Campos Watt families, continued: “As a family, we ask for respect for our privacy and consideration during these difficult times.”

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Lelio’s 2017 film A Fantastic Woman starred Daniela Vega as a trans woman implicated in the accidental death of her older boyfriend.

The groundbreaking movie took home the Oscar for best foreign language film in 2018 and led to reforms for trans identification in Chile.

It also won the Independent Spirit Award for best international film.

Lelio also received critical acclaim for directing English language features such as The Wonder and Gloria Bell.

The latter was a remake of his earlier film Gloria, which took home numerous awards and was selected as Chile’s Oscar entry for best foreign feature.

It starred award-winning actress Paulina Garcia as a 58-year-old woman who starts dating a decade after getting divorced.

Lelio’s 2017 film Disobedience starred Rachel Weisz and Rachel McAdams and follows a woman who reunites with a childhood friend at an Orthodox community.

The late filmmaker was born in Argentina, before his family moved to Chile when he was two.

He launched his career in 2005 with La Sagrada Familia after directing several short films and music videos.

Lelio also directed two seasons of the documentary series Mi mundo privado (My private life), which earned two Emmy nominations.

His third film, The Year of the Tiger, was set in the aftermath of the catastrophic 2010 Chile earthquake and follows an escaped prisoner as he travels through the worst-affected regions of the country.

Lelio’s 2022 flick The Wonder was a critically acclaimed adaptation of Emma Donoghue’s novel The Wonder and starred Florence Pugh.

He told The Guardian: “I love working with actors, and need to know they trust me and can explore, get lost, be foolish or brave, and I’ll take care of them.

“I love working on set – it is where the sparkle is.”

His final film was 2025’s The Wave, a musical protest drama that premiered at Cannes.

“Making a film is like a gift you leave somewhere – you then hide and see what happens,” Lelio said.

Harold Greene, a beloved Los Angeles news anchor, has died. He was 82.

His daughter, Courtney Greene, shared news of his passing on Wednesday via Facebook, adding that she was by his side, alongside his wife, Charlene Greene, when he “signed off for the last time.”

His cause of death has not yet been announced by the family, but his daughter shared that “there was an extraordinary amount of love in the room” when he passed.

“We have a feeling he’s already settling into the great newsroom in the sky, no doubt with a few suggestions on how things should be run,” Courtney wrote in the Facebook post.

Harold Greene began his career as a reporter and producer for KABC (ABC7) Los Angeles in 1970. Throughout the decade, he shared his talent across other newsrooms in California, including San Diego, where he helped launch KCST-TV (now KNSD) and a short stint in the Bay Area at the CBS affiliate KPIX-TV, where he co-anchored alongside Dave McElhatton, who died in 2010.

Greene later returned to ABC7 for multiple stints, according to the news outlet, including their top-rated “Eyewitness News” team. His final return to the flagship station was in 1982, when he was hired as a reporter and weekend anchor. He served as host/celebrity interviewer of locally produced programs such as “Hollywood Close-Up” and “A.M. Los Angeles” for the station.

In 1986, he earned one of 10 Golden Mike Awards for his coverage of the Cerritos air disaster. He left ABC7 in 2000, but continued his work as a dynamic anchor at KCBS-TV and KCAL-TV until his retirement in 2008.

His on-air image was reportedly the inspiration behind the mustachioed protagonist portrayed by Will Ferrell in the 2004 comedy “Anchorman: The Legend of Ron Burgundy.”

Over his career, Greene earned multiple Emmys and three Edward R. Murrow awards, and he received a star on the Hollywood Walk of Fame in 1999.

Juan Atkins, the Detroit club music producer who pioneered techno as a genre, has died. He was 64.

Atkins’ death was confirmed in a social media post by his management firm Greensmith Artists. The post did not include a cause of death, though Greensmith said in a statement to Resident Advisor that he was found unresponsive in his hotel room in Mexico City prior to a planned performance. Atkins had suffered from diabetes-related complications in recent years.

Atkins, raised by a concert-promoter father in the shadow of Motown, formed his taste on the progressive Black-owned radio station WGPR-FM. As an artist, he rose to prominence as a teen in the early ’80s with the duo Cybotron, with Richard “3070” Davis. The pair, infatuated with Kraftwerk, Afro-futurism and acid-fried psych rock, retrofitted Detroit funk in the post-disco era with rigorous synthesizers and science-fiction themes on tracks like 1981’s “Alleys of Your Mind.”

They carved a new style of club music that echoed their city’s industrial legacy, and captivated the city’s Black teenage middle class. They scored a major underground hit with “Clear,” famously sampled by Missy Elliott and others.

After leaving Cybotron, Atkins also conjured a new alias, Model 500, for his solo records in 1985. The same year, he founded his longtime record label Metroplex, which released scores of his singles like “No UFO’s” along with 1995’s LP “Deep Space,” 1999’s “Mind and Body” and 2015’s “Digital Solutions.”

Atkins formed deep friendships with two other proto-techno producers, Derrick May and Kevin Saunderson, who became locally known as the Belleville Three (named for the small Michigan town where Atkins had moved to). The trio honed an aesthetic distinct from neighboring Chicago’s emerging style of house music, stripping out vintage soul for chillier, futuristic productions. While house was music was based on samples, designed to call a dance floor together, techno was meant to be challenging, alien and fundamentally new.

His music, including his other production projects like Infiniti and Borderland, was formally radical, and Atkins stressed that this strain of club music could “make social statements,” as he told the Guardian in 2024. Tracks like Cybotron’s “Industrial Lies” — “You buy the missile, buy the laser, buy the tank … Evict the widow, put the money in the bank” — worked as social critique and floor-filler alike. “My lyrics are supposed to make you think about something other than shaking your booty on the dance floor and falling in love.” he said. “I feel like artists have an obligation to say something meaningful.”

In the wake of Atkins’ inventions — as noted on his track “Techno Music” — a new class of acts like Jeff Mills, Drexciya, Robert Hood and Underground Resistance would go on to formalize techno as rooted in a Black, Midwestern subculture with a distinct instrumental virtuosity. While the genre has had a cross-border dialog with Germany since its inception, Atkins was confident that he and his scene got there first.

“I put it this way,” Atkins said. “I know I’m the first one to apply the word ‘techno’ to electronic music. I can’t claim to be the inventor or originator of electronic music, but I can definitely say that I got that.”

Atkins continued to tour and play prominent festivals like Detroit’s Movement and Amsterdam’s Dekmantel, often with his daughter, the musician Milan Ariel Atkins.

Detroit Mayor Mary Sheffield said in a public statement that Atkins “opened doors for generations of Detroit artists who followed him.”

“Today, millions of people dance to music that traces back to him and to our city,” Sheffield continued. “That is a Detroit story: genius, grit, and invention, from neighborhoods the world too often overlooked.”

JOHN Leeson – best known for voicing the beloved robodog K9 in Dr Who – has died aged 83.

The actor, born John Ducker, passed away after a “summer of illness” his family revealed earlier today.

Leeson was the iconic voice behind the metal dog K9 as well as working on TV shows including Dad’s Army, Sorry!, Crown Court and Longitude.

Earlier this year he reunited with Dr Who co-star Tom Baker to starr as Doctor Watson alongside Baker as Sherlock Holmes in the audio drama Sir Sherlock: The Red Letter Day.

Sharing news of his father’s death to Facebook, Guy Ducker said: “I regret to announce the death of my father, John Ducker, a.k.a. John Leeson, at 3:03pm today after a summer of illness. The end was peaceful.”

Guy added a William Shakespeare quote saying: “Good night, sweet prince, and flights of angels sing thee to thy rest.”

Tributes for the actor have poured in from co-stars, colleagues and fans.

Dr Who writer Russell T Davies said it was “impossible to imagine anyone else” in the role of K9 and praised John as “a fine, fine actor”.

Reminiscing on his performance as the beloved robodog, he added: “What a character: a posh dog, uppity, haughty, wry, but somehow innocent too, and so funny. ‘Maximum defence mode!’ God he was good.”

He ended his heartwarming tribute writing: “A true gent, and a great loss. Good night, sir. Affirmative!”

John played the role of K9 for the majority of the show’s run over six decades – starting in the 1977 episode ‘The Invisible Enemy’.

He has been remembered as “the voice, heart and soul of K9” and a “firm favourite of countless fans”.

“John was a stalwart of the Dr Who universe and is going to be much missed, particularly since literally millions of us can’t think of or hear the word ‘Affirmative’ without hearing it in K9’s voice” said one fan under Russell Davies’ post.

“Such an important part of Doctor Who. Such a sad loss”, added another.

“So soon after sir Patrick Stewart. Terrible time for sci-fi fans.”

One wrote: “Such sad news. John was a true icon. invested K9 with so much charm, character and nobility – he was absolutely integral to K9’s appeal.”

Leeson reprised the role in several Dr Who audio dramas and spin-off series, including CBBC’s The Sarah Jane Adventures, before returning to the original programme after its revival.

His other credits include The Bill, Vanity Fair, Doctors and Blake’s 7, and he was also regularly heard as a continuity announcer on Channel 4.

He also portrayed the original Bungle the Bear in the children’s TV series Rainbow.

I STOOD on a dark street as hundreds of ghostly figures dressed all in white walked quietly past me, each with a single flame illuminating their skull-painted face.

For a moment things felt spooky, even sombre — but then came the crackle of a sound system, the pop of a tequila bottle and deafening laughter.

You may be familiar with the Mexican tradition of Day of the Dead from that opening James Bond scene in Spectre, from the kid’s film Coco or from the ‘sugar skull’ makeup craze that became a Halloween trend.

Mexico City draws thousands of tourists annually with its impressive skeleton-themed parades around November 2, but the underrated city of Mérida also comes alive for the celebrations as well.

Set in the Yucatán peninsula — a patch of land more known for hotspots like Cancún and Tulum — Maya heritage is strong in Mérida, and it shows.

Day of the Dead is known here as Hanal Pixan (pronounced han-al pish-an), meaning ‘food for the souls’ in Mayan, and sees families and friends gather to celebrate departed loved ones, honouring them with a home-made altar often covered in pictures and their favourite foods.

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I visited Mérida as its days-long fiesta kicked off with the ‘parade of the souls’.

The candlelit procession from the cemetery into town made for an eerie sight, but this soon changed when they scattered and cleared the way for a huge street party along Calle 64.

This long avenue was decorated with giant skeleton structures and millions of orange marigold flowers while the pavements were lined with shrines set up by different families, each blasting reggaeton or ranchera music from speakers.

It’s a great place to tuck into some authentic Mexican street food, because as well as leaving the deceased’s favourite meal as an offering, the families make it in bulk to sell to passersby.

Try Yucatán’s specialty, cochinita pibil (slow-roasted pork), some pan de muerto (a sweet bread made for the event) or a marquesita (if you’ve ever wondered whether Nutella and cheese taste good together).

Even beyond the festivities this city is a foodie’s dream.

You can keep things cheap by eating tacos al pastor on virtually every street corner for as little as MX$10 (40p) each, or lunching at the sensational Taquería De La Unión.

The Museum of Yucatecan Gastronomy offers a fancier atmosphere, serving up traditional dishes in a gorgeous courtyard with a jungle-like tree canopy.

And no trip to Mexico is complete without a plate of chilaquiles for breakfast or brunch; Mérida’s best can be found at Marmalade 47.

It’s worth having pesos to hand everywhere in Mérida. Most bars and restaurants will take card, but you’ll need cash for food stands.

On the day of the main parade, people line the streets early to get a good spot.

I was glad we did the same, or we would have only caught sight of the skeleton stilt walkers and missed the ever-changing flow of mariachi bands, traditional dancers and even pets in costume.

The Catrinas — people dressed as elegant, sombrero-wearing skeletal women — were the most stunning aspect of the evening, each donning their own unique outfits and elaborate face paint.

Unlike so many Halloween extravaganzas happening elsewhere in the world, this display was free of gore and jump-scares, making it extremely kid-friendly.

It wasn’t all about the parades, though.

Smaller-scale events were scattered across the city for almost a week surrounding Day of the Dead, from concerts in squares to shamans performing ancient Maya rituals on street corners.

Plus, the end of the fiesta didn’t mean the end of the fun; we tracked down a speakeasy called Malahat tucked away behind one of the plazas, where what looked like a fridge door led to a haven of mezcal-based cocktails. 

Mérida is a picturesque and walkable city that’s easy to explore.

Its grand colonial architecture is splashed with colour as crumbling palatial buildings at every turn are painted pink, yellow or blue, and if you get tired of walking, you have the option of winding through its kaleidoscopic streets in a horse and carriage.

It’s a great base from which to explore the marvels of the Yucatán peninsula, too. 

The region is covered in hundreds of cenotes (natural sinkholes) that make for magical swimming spots, and if you still need your beach fix, the white sands of Puerto Progreso are just 40 minutes away.

Also close by is Chichén Itzá, one of the New Seven Wonders of the World and the site of some of the planet’s most breathtaking Maya ruins.

Its fame too often eclipses Mérida in this part of the world, and the busloads of tourists you’ll meet there are usually heading back to the bustle and beach clubs of Cancún.

But if you linger in Mérida, you’ll find a city with its own pulse — and it beats strongest around during this famous, beautiful event.

The race for mayor of Los Angeles is a dead heat as the campaign draws to a close, with a new poll showing incumbent Karen Bass erasing the double-digit lead previously held by Councilmember Nithya Raman.

Raman and Bass now each have 40% of likely L.A. voters in their camps, with 19% still undecided ahead of the Nov. 3 election, according to the UC Berkeley Institute of Governmental Studies poll, co-sponsored by The Times.

The neck-and-neck contest is a big change from September, when Raman jumped out to an 11-percentage-point lead with support from 39% of likely voters compared with Bass at 28%.

It follows weeks of relentless attacks on Raman by Bass, whom some analysts had predicted would need to campaign more aggressively to close the gap with her challenger.

“It’s certainly a breath of fresh air for Bass to see the race close. She’ll probably feel the campaign is having the effect she wants it to have, which is to put more focus on Raman and put Raman on the defensive,” said Mark DiCamillo, the director of the Berkeley IGS Poll.

Mayor Karen Bass greets phone banking volunteers at her South L.A. campaign headquarters.

(Jason Armond / Los Angeles Times)

The survey released Wednesday was conducted online in English and Spanish with a sample of 2,197 likely city voters between Oct. 19 and Oct. 25. It has a margin of error of about three percentage points.

“The momentum in this race is with Karen Bass,” said Alex Stack, a spokesperson for Bass’ campaign. “Ever since Angelenos got their ballots, Nithya Raman has made headlines for all the wrong reasons — voters know they can’t trust her on public safety and other key issues.”

The Raman campaign cited high unfavorable numbers for Bass in the poll, and noted that the mayor “still can’t get ahead” in voter surveys.

“Bass hasn’t led a poll since August and an aggregate of all publicly available polls continues to show Nithya in the lead,” the Raman campaign said in a news release.

The leveling off of the race, along with the sharp decline in undecided voters, was spurred largely by conservative voters who chose Republican Spencer Pratt in the primary deciding to vote for the mayor in the runoff, said DiCamillo.

In the September Berkeley IGS/L.A. Times poll, 22% of Pratt voters said they planned to support Bass, while 16% said they favored Raman. That left a whopping 63% of Pratt voters undecided still.

In the new poll, Bass shot up to 41% of the Pratt vote, while Raman dropped to 14% and 45% were still undecided. Pratt hasn’t endorsed either candidate in the race and continues to bash both Raman and Bass on social media.

“The Pratt voters are the biggest insertion,” DiCamillo said. “The question remains, since we’re looking at Pratt voters, 45% remain undecided. Will they vote?”

Raman trailed Bass in every poll during the primary campaign. Neither candidate had ever cleared 40% in any of the polls conducted by Berkeley IGS/L.A. Times.

In the June 2 primary election, Bass received 34% of the vote while Raman received 29%. Pratt placed third with 26%.

In the new poll, Raman shed support in key areas, including among groups that previously appeared to be leaning toward her.

Councilmember and mayoral hopeful Nithya Raman, center, with supporters at Grand Park in downtown Los Angeles.

(Christina House / Los Angeles Times)

In the September poll, Raman led among Latinos by 24 percentage points, 45% to Bass’ 21%. In the October poll, Bass was up to 40% and Raman fell to 43%, leaving the two within the margin of error for that key constituency.

DiCamillo said part of that change had to do with the likely voter population becoming more clear as the election neared, and older Latinos appeared to be a larger portion of the electorate.

“The Latino likely electorate now includes more older Latinos; that benefits Bass,” he said.

Black voters, long considered the backbone of Bass’ coalition, solidified behind the mayor, with 71% of likely Black voters supporting her compared with 13% supporting Raman. While Bass led among Black likely voters in the September poll, the already wide margin was much slimmer at that time, at 48% to 20%.

The poll also affirmed a widely held belief among the Bass camp that the San Fernando Valley would tilt toward the mayor over Raman.

Raman was leading in the Valley in the September poll 34% to 26%, but that number flipped on its head over the past month, with Bass now in front of Raman 44% to 33%.

Bass’ surge in the poll was more notable because the mayor’s favorable ratings — which have been in the tank since the January 2025 wildfires — remained underwater, with 65% of Angelenos viewing her unfavorably compared to 64% in the last poll. Only 32% had a positive view of the mayor, up four percentage points from September.

Bass’ attacks on Raman appeared to be having a significant effect on voters’ opinions of the challenger.

For the first time in a poll by Berkeley IGS/L.A. Times this cycle, Raman posted a higher unfavorable rating than favorable, with 49% of likely voters saying they viewed her unfavorably compared to 42% who had positive views of her.

The mayor, her campaign team and her surrogates have stepped up their offensive toward Raman, seizing on any opportunity to hammer the council member over remarks she has made on the campaign trail that they argue make the her unfit for the mayoralty and “not ready for prime time” — a slogan the mayor and her allies have deployed against their rival.

In early October, the Bass campaign slammed Raman over a video she posted with a leftist influencer in which she urged viewers to “stop fascist liars” as a photo of Bass flashed on the screen. Raman criticized both Bass and LAPD Chief Jim McDonnell in the video.

Bass accused the council member of calling the city’s police officers fascists. A Raman spokesperson said she was referring to the “Trump administration’s violent kidnappings” as fascist, not the mayor or police chief or officers. The story dominated headlines for days.

The Bass camp also needled Raman that week after photos surfaced of the council member attending a happy hour on the day federal immigration authorities began raids in Los Angeles last summer, though Raman said she attended a protest that same day.

The Bass campaign sent out a news release calling it “Nithya Raman’s terrible, horrible, no good, very bad week.”

The attacks continued the next week after Raman said during the mayoral debate that the “gold standard” for LAPD’s noncooperation with immigration enforcement took place during the tenure of former LAPD Police Chief Daryl F. Gates.

Gates, a controversial chief accused of racist remarks during his tenure, headed the department during the 1991 videotaped beating of Rodney King and Bass said Raman’s comments showed she was “not really familiar with L.A., especially the Black community.”

Raman retorted that Bass was twisting her words, but later apologized, saying that mentioning Gates was painful for people across L.A.

The poll also asked respondents for the top priorities for the next mayor to address. Reducing the number of homeless encampments was by far the top answer, chosen by 43% of likely voters.

Tied for second place among top concerns was ensuring public safety and building more affordable housing, selected by 29% each.

Protecting immigrant communities was the third-most cited concern, with 21%, followed by balancing the city budget at 17%.

Tony Berlant, a seminal influence in the West Coast Pop Art movement of the 1960s, died Tuesday after a long battle with Alzheimer’s disease. He was 85.

L.A. Louver, his longtime gallery, confirmed his death to The Times.

Berlant, a “painterly collage artist” who called Santa Monica his home for many decades, developed a signature style making collages using shards of printed tin instead of paper and thousands of shiny nails instead of glue. He often worked with vintage metal street signs and ads. In recent years, he printed personal photographs onto the metal, giving the colorful works story structure and an autobiographical bent.

One of his most recent shows, in fall 2018 at Hollywood’s Kohn Gallery, featured cut metal collages that blended elements of assemblage, Pop Art and abstraction. He was also known for his metal cube sculptures, which have been called quilt-like.

Berlant was a collector of both ancient Southwest pottery and Paleolithic stone objects. In fact, he co-curated two museum exhibitions: “First Sculpture: Handaxe to Figure Stone” at the Nasher Sculpture Center in Dallas and “Decoding Mimbres Painting: Ancient Ceramics of the American Southwest” at LACMA. He was also a founding member of the Mimbres Foundation, an archaeological conservancy that studies and preserves ancient Native American pottery.

Berlant was part of L.A.’s famous Ferus Gallery art scene in the 1960s, a group of “Cool School” artists that also included the late Ed Moses and Robert Irwin as well as Ed Ruscha, Larry Bell and others. The Ferus Gallery was a revolving door of experimentation at the time and helped fuse the city’s otherwise sprawling and disparate art scene.

Berlant was part of one of the earliest museum exhibitions of Pop Art in 1963, “Pop Art USA,” at the Oakland Art Museum. He showed his work alongside Robert Rauschenberg, Andy Warhol and Claes Oldenburg.

The L.A. visual art scene may be more established today, but it’s also more commercial and safer in some ways. However Berlant firmly believed that L.A. still retains its defining creative spirit.

“My New York friends tend to think of the ’60s as a kind of golden moment that’s now been erased by commercial focus,” Berlant told The Times in 2018. “But I think L.A. is [still that]. It never left. I just assume that there’s all kinds of fantastic artists working that I’ve never heard of because they pop up here and there, and I see them, and I’m just really excited by that. It’s what makes you feel good about a place.”

Tony Berlant stands in front of his collaged-metal self portrait for his show “Fast Forward” at the Kohn Gallery in Hollywood in 2018.

(Patrick T. Fallon / For The Times)

Berlant’s work is included in the permanent collection of LACMA as well as the Hirshhorn Museum and Sculpture Garden in Washington and the Art Institute of Chicago.

He is survived by his wife, Helen Berlant; daughter, comedian Kate Berlant; and brother, Jeff Berlant.

Susan Saint James, the TV star who shared the screen with Rock Hudson as his on-screen wife in “McMillan & Wife” and co-led the heartfelt, blended family comedy “Kate & Allie” with Jane Curtin, has died.

The Los Angeles native died Monday after being diagnosed with pancreatic cancer, according to People, which first reported the actor’s death. She was 80.

Saint James’ family remembered the actor for her warm personality and kindness, writing in a statement shared with the magazine, “Every person she met became the most important person in the room at that moment, from a fellow board member to the clerk at the shoe store, who usually walked away knowing her entire life story.”

Her acting career spanned almost six decades — she broke out as Peggy Maxwell in NBC series “The Name of the Game” — from the mid-1960s to the 2020s across TV and film, but audiences know the actor best for starring as Hudson’s detective wife in “McMillan & Wife.” The NBC series, which aired from 1971 to 1977, centered on San Francisco police commissioner Stuart “Mac” McMillan and wife Sally McMillan as they solve a variety of crimes. Saint James earned four Emmy nominations for her work.

She pivoted to film and TV movies after the series ended, garnering roles in “Love at First Bite,” “The Kid from Nowhere,” and “Don’t Cry, It’s Only Thunder.”

After nearly a decade away from the TV series scene, Saint James returned in CBS’ unconventional sitcom, “Kate & Allie.” She starred as Kate McArdle, one of the series’ titular divorcées who decide to raise their children under the same roof. Saint James’ Kate was the modern and no-nonsense counterpart to Curtin’s old-fashioned, sweet Allie. The series aired from 1984 to 1989 and earned Saint James two additional Emmy nominations.

When the stars and creative team of “Kate & Allie” reunited amid the COVID-19 pandemic in 2021, Saint James reflected on how the show was representative of a same-sex household and how mothers raising their own children related to the show’s material. She and her co-stars also said they knew at the time that the series was something special.

“It wasn’t like we went back and said, ‘You don’t know what you got ‘till it’s gone.’ It was just fun,” she said.

Saint James mostly stayed away from Hollywood in the decades following “Kate & Allie,” save for brief appearances in series including “Law & Order: SVU,” “Suits” and “Upload.” She notably found herself in the spotlight again in the early 2000s, but for family tragedy.

Her son Edward “Teddy” Ebersol died at age 14 in a 2004 Colorado plane crash that also claimed the lives of two other people. Teddy Ebersol, whom Saint James shared with husband and former NBC Sports Chairman Dick Ebersol, was aboard a chartered Canadair CL-601 Challenger jet with his father and older brother, Charles, on Nov. 28, 2004, when it crashed during takeoff in light snow and freezing temperatures from the airport near Montrose, Colo. The pilot and a flight attendant were also killed in the crash. Dick and Charlie sustained injuries in the crash, and a copilot was critically injured.

“Here’s the bad part … I’ve never touched his clothes, I’ve never been able to move his things,” Saint James told Oprah in a 2006 interview. She continued to speak publicly about her grief in the following years.

“The thing that could move me on was that I could embrace Teddy finally in a way that was, ‘he’s my kid,’” she said during a 2009 panel on grief. “They can take his body, but I own that boy and I love that boy.”

Beyond her screen work and family tragedy, Saint James was also known for her longtime advocacy in the sports world. Saint James supported the mission of the Special Olympics since an early iteration of the games in California in 1972. The first Special Olympics was held in Chicago in 1968.

In a statement published Tuesday, Special Olympics said Saint James “believed deeply in the power of inclusion” and she served as a board member and a campaign co-chair for Special Olympics Connecticut. Her advocacy included founding the annual Susan Saint James poker tournament fundraiser. The organization’s Susan Saint James Leadership Award honors individuals who “embody her remarkable spirit of leadership, generosity, and dedication to our mission,” the post said.

“Thank you, Susan, for being an extraordinary champion of our athletes,” Special Olympics added in its statement. “Your legacy will live on through the lives you touched and the inclusive future you helped build.”

The actor, born Aug. 14, 1946 and raised in Rockford, Ill., received her star on the Hollywood Walk of Fame in 2008 and partially attributed her success in the industry to her connection with Special Olympics. Former California first lady Maria Shriver, daughter of Special Olympics founder Eunice Kennedy Shriver, attended the ceremony.

During that ceremony, Saint James said she managed to achieve her dream of becoming a Hollywood movie star “through the good works of a lot of wonderful people that created a loving and home-like environment for me all those years.”

“But the thing that really contributed to my success and happiness with my career was coupling it up with the work that I did with the Special Olympics,” she said, adding, “you can guess that being associated with them turned out to be getting to know some pretty amazing people since I’m now really cozy with the first lady of the state of California.”

Saint James was married three times, first to scriptwriter Richard Neubert from 1967 to 1968, according to People. She remarried in 1971 to makeup artist-turned manager Thomas Lucas. They share two children — daughter Sunshine and son Harmony — and divorced in 1977.

Saint James remarried to then-NBC executive Dick Ebersol after they met in 1981 when she hosted “Saturday Night Live.” They welcomed children Charles, William and Edward (Teddy.)

LOUIS Walsh claims former pop protege Ronan Keating’s music career is over and believes the Irish singer will never have another hit.

The former X Factor judge was instrumental in launching Ronan‘s career through his management of Boyzone – to date, the second most commercially successful boyband in the United Kingdom behind Take That.

He would continue managing the singer, now 49, through the successful early years of his solo career, during which hit singles Life Is A Rollercoaster and When You Say Nothing At All rocketed up the charts.

But a sharp decline in popularity and ongoing disputes over Ronan’s musical direction led to a bitter parting of the ways – and persistent claims by Walsh, 74, that the singer had ‘started believing his own publicity.’

Appearing on the latest instalment of The Big Interview, Walsh reignited his feud with Ronan by claiming he will never have another hit single.

“I did all the work on Boyzone, everybody knows that,” he told host Collette Fitzpatrick on Sunday evening. “They were the puppets for Westlife, and I picked all the songs.”

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Ronan became a household name with Boyzone – earning three number one albums and a string of hit singles alongside bandmates Stephen Gately, Mikey Graham, Keith Duffy and Shane Lynch.

But he would leave the band at the height of their success in 1999, with Louis staying on as his manager during the hugely successful first decade of his solo career – before creative differences led to his sacking.

“Ronan started believing his own publicity then,” Louis recalled. “He said to me one day in the Four Seasons, ‘I don’t want to be a karaoke artist anymore.’ But that’s what he is!

“I was picking all the songs – he hasn’t had a hit since. He hasn’t! He’s singing all the old songs now, he doesn’t have a record deal. He was great to work with at the start, but then he believed it.”

He added: “He wanted to be George Michael… he was chasing around George Michael in London.

“What he didn’t know is that George Michael fancied Stephen [Gately], and George Michael was only being friendly with him to get to know Stephen. That’s the real story.”

Ronan has since returned to Boyzone, now a four-piece following the death of Stephen to an undiagnosed heart defect in 2009.

But Louis remains adamant that the singer’s music career is finished.

“It’s over – he’s never going to be a pop star now,” he said. “He’s never going to have another hit. I’m happy.

“We had great times together, we had great fun, but it was a bad divorce, and it’s fine – I’m over it. I’d say he’s happy enough in his life, because he’s always gonna be working.

“He’ll either be a DJ, or he’ll act, or he’ll dance. He can do anything.”

Noah Adams, a longtime host of NPR news program “All Things Considered” and a journalist known for his gentle voice and genuine curiosity, has died. He was 84.

Adams died Oct. 16 at his home in Yellow Springs, Ohio, according to NPR. The cause was complications of a benign brain tumor removed eight years ago, his wife and longtime NPR news producer Neenah Ellis told the New York Times.

A host of the weekday edition of “All Things Considered” for 18 years, Adams helped cover major news events and produced segments from his travels around the country, talking to everyday people, often in small rural towns.

“He never liked talking to people who he knew had preprogrammed things to say,” Melissa Block, a former “All Things Considered” host who’d previously worked as a producer for Adams, said in NPR’s segment announcing his death. “He wanted people who were genuinely speaking from their heart and with conviction and sincerity.”

Born on Sept. 15, 1942, in Ashland, Ky., Adams joined NPR in the mid-1970s after working various jobs including as a DJ and in construction in and around his hometown. A college dropout, Adams was inspired to start working in public radio after encountering “All Things Considered” as a listener.

He was introduced to the program by a colleague shortly after it debuted in 1971. He told The Times in 2002 that he remembered thinking, “That sounds conversational, that they intend for me to be listening, that I’m smart enough to be listening,” when he first heard the show.

After working at the University of Kentucky’s public radio station, he applied for a job at NPR. He was hired as a production assistant on “All Things Considered” in 1975 before becoming a weekend co-host for the show in 1978. He moved to the weekday show in 1982.

Susan Stamberg, Adams’ “All Things Considered” co-host from 1982 to 1987 who died last year, described him as “the most genuine, uncontrived voice in broadcasting” in the foreword of his 1992 book about his work on the program.

“The conviction shines through the words he writes, and the quiet and very powerful way in which he speaks,” she wrote, according to Current. “He is a quiet, careful man, a craftsman in his work, his seriousness softened by a twinkle in his eye, an occasional goofy grin, and the daffodils he’ll bring into the studio on an especially tense or stuffy day.”

Adams mentioned the camaraderie with his colleagues and one-on-one interviews as among the things he would miss when he left his job as host of “All Things Considered” for a second and final time in 2002.

These interviews, which often turned into “a conversation that’s so quiet and so slow,” were the “kind of conversation [that] cannot be accomplished on anything but radio,” he told The Times.

Among Adams’ signature audio work is the 1981 radio documentary “Father Cares: The Last of Jonestown,” as well as a series of interviews with Tom DeBaggio, a man living with Alzheimer’s disease, and an interview with Betsy Walter, an 8-year-old girl whose parents had gotten divorced. Adams wrote a number of books, including “Piano Lessons: Music, Love, and True Adventures,” which chronicled Adams’ quest to learn how to play the piano in his 50s, and “The Flyers: In Search of Wilbur and Orville Wright.”

“He has a writer’s eye, and I think you hear that when he’s on the air,” Robert Siegel, Adams’ “All Things Considered” co-host, said in 2002. “And he takes sound very seriously. When you combine writing with sound, you can create extraordinary radio.”

Michael Gray, who played the teenager who could turn into a superhero in the 1970s live-action Saturday morning children’s TV series “Shazam!,” has died. He was 75.

Gray died Oct. 16 from natural causes in Palm Desert, a representative for the actor announced Thursday. No other details were provided.

Based on the comic book superhero Captain Marvel, who first appeared in an issue of Whiz Comics in 1939, “Shazam!” aired for three seasons on CBS from 1974 to 1976. Gray starred as Billy Batson, a teenager who could transform into a grown-up superhero by saying the magic word “Shazam!” In his enhanced form, Captain Marvel possesses powers such as superhuman strength and speed, heightened intelligence and the ability to wield lightning. The character has since been renamed to Shazam.

“It was a lot of fun,” Gray said of the role in a 2012 interview with Fanboy Planet. “I didn’t know how much I would like it until years later when I found out how much of an influence my character was, and the show was, in people’s lives.

“There were such good moral values to the show,” he added. “I meet people 1792821573 who say, ‘You have no idea what you did for me as a child. You helped me get through life.’ … I didn’t know the show had that much strength and power back then.”

Born Sept. 2, 1951, in Chicago, Gray grew up in Miami Beach before making his way out west to pursue a career in Hollywood. He would frequently grace the covers of teen pop magazines, including Tiger Beat, thanks at least in part to his manager Charles Laufer, the magazine’s publisher.

“The teen idol angle was orchestrated to some degree,” Gray said during a Q&A event in 2012, according to Comic Book Resources. “I was interviewing for ‘The Brian Keith Show’ with Warner Brothers, and they also owned a news company that produced a lot of magazines. They wanted me to be the next David Cassidy. I was on the front cover of ‘Tiger Beat’ and it worked.”

Among Gray’s earliest screen credits were appearances on shows such as “Room 222” (1969), “The Flying Nun” (1970) and “Marcus Welby, M.D.” (1970). His first recurring role was on “The Little People,” also known as “The Brian Keith Show,” where he played a student doctor named Ronnie Collins. Gray also appeared in an episode of “The Brady Bunch” as Marcia’s boyfriend, Jeff.

Gray left acting not long after his run on “Shazam!” after feeling typecast in the roles that were offered to him. His later pursuits included work in children’s theater education and men’s fashion and owning a West Hollywood flower shop.

More recently, Gray’s legacy from “Shazam!” pulled him back into Hollywood. He voiced a version of himself as Sterling Archer’s childhood hero in four episodes of FX’s adult animated series “Archer” from 2015 to 2019. He also appeared in a cameo in the 2023 film “Shazam! Fury of the Gods” where he interacted with the latest incarnation of the superhero played by Zachary Levi.

Gray is survived by his wife, Stacy Benon Gray; his stepchildren Ryan Cooper and Laurel Cooper; and son-in-law Lee Barker.

HOLLYWOOD legend Tom Skerritt has died at the age of 93 after a six-decade career.

Tom is best known for his roles in Top Gun, Alien, and Picket Fences.

The veteran actor died on Wednesday from natural causes, his family confirmed to TMZ.

“We are heartbroken by his loss,” Tom’s family told the outlet.

The Detroit native’s acting credits span six decades, starting with his breakout role in the 1970 war series, M*A*S*H.

He later played Captain Dallas in the 1979 sci-fi Alien, before landing the part of Tom Cruise’s instructor, Viper, in the 1986 film Top Gun.

Tom is also remembered as Sheriff Jimmy Brock in Picket Fences, which earned him an Emmy Award for Outstanding Lead Actor in a Drama Series in 1993.

Some of his other notable credits include A River Runs Through It (1992), Steel Magnolias (1989), and a six-episode stint on Cheers (1987-1988).

Tom’s final on-screen role was playing Cliff in the 2025 contemporary Western drama Broke, with Dennis Quad and Wyatt Russell.

Years before his Hollywood fame took off, Tom served in the U.S. Air Force.

He later became an advocate for veterans as co-founder of The Red Badge Project.

Tom maintained close friendships with many of the people he met in the industry over the years.

He shared photos from a reunion with Academy Award winner Jeff Bridges in one of his final Instagram posts in April.

The TV star shared his support for Jeff, who is opening an art gallery in Santa Barbara, as the pair hugged and linked arms.

“Got to see my talented friend Jeff Bridges’ photography while in Santa Barbara. Truly inspiring work, and even better catching up with the best people,” Tom wrote in his caption.

Tom also posted a heartfelt tribute last September to his “dear friend” Robert Redford following the actor’s passing.

“We grew up in this industry together – his art and friendship over these many years has profoundly changed my life. The world simply won’t be the same without him,” his post read.

The duo worked together as co-stars of the Korean War drama, War Hunt in 1962, and when Robert directed Tom in A River Runs Through It.

John Anderson, a country western star known for his traditional tunes and twangy voice, has died.

A representative for Anderson confirmed to The Times that the storied singer-songwriter died in his sleep at his home in Smithville, Tenn., on Wednesday. He was 71.

“It is with the heaviest of hearts that we share the passing of our beloved husband, father, grandfather, and best friend,” a statement from Anderson’s family read. “To the world, he was a gifted country music singer whose voice and songs touched countless lives. To us, he was so much more. He was the heart of our family, the one who made us laugh, loved us fiercely, and made every ordinary moment feel special. We are completely heartbroken. His music will live on, but for us, his greatest legacy will always be the love he gave his family and the memories we will carry with us forever. Please keep our family in your thoughts and prayers as we grieve this unimaginable loss.”

Born in Apopka, Fla., on Dec. 13, 1954, Anderson got his first guitar when he was 7 years old and played in garage bands as a teen. When he finished high school, Anderson packed his bags for Music City. He gigged at Nashville nightclubs until he landed his first record contract with the support of music publisher Al Gallico; he signed with Warner Bros. Records in 1976.

Over his storied career, Anderson earned 20 top 10 country hits, including five No. 1s. Through the 1980s and ’90s, Anderson was a leader in the explosion of neotraditional country tunes, and honky-tonks were filled with couples two-stepping to hits including “Swingin’,” “Seminole Wind,” “Straight Tequila Night,” “Wild and Blue” and “Black Sheep.”

In 1993, Anderson received the Academy of Country Music career achievement award. Introducing the award, Reba McEntire said Anderson was an early new traditionalist who “combined a sweet and pure country sound with great energy and emotion.” Billy Dean gave remarks, too, saying, “Back in the early ’80s, John’s sound and material struck the exact right chord with country record buyers and inspired a whole bunch of up-and-coming artists just like myself.”

In 2014, Anderson was inducted into the Nashville Songwriters Hall of Fame, and in 2024, Anderson he was inducted into the Country Music Hall of Fame alongside Toby Keith and James Burton.

“This is an institution that preserves greatness,” Anderson said of the honor. “That I get the chance to be amongst this kind of greatness, words can’t explain.”

This is a developing story.

COUNTRY music legend John Anderson has died at the age of 71.

The iconic voice behind Swingin and Straight Tequila Night was inducted into the Country Music Hall of Fame in 2024 with his heartbroken family paying a touching tribute.

John, a native of Apopka, Florida, passed away on Wednesday.

His cause of death is yet to be announced.

An emotional statement from John’s family read: “It is with the heaviest of hearts that we share the passing of our beloved husband, father, grandfather, and best friend.

“To the world, he was a gifted country music singer whose voice and songs touched countless lives.

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“To us, he was so much more. He was the heart of our family, the one who made us laugh, loved us fiercely, and made every ordinary moment feel special.

“We are completely heartbroken.

“His music will live on, but for us, his greatest legacy will always be the love he gave his family and the memories we will carry with us forever.

“Please keep our family in your thoughts and prayers as we grieve this unimaginable loss.”

He boasted a trio of hugely popular number one hits on the country charts for Wild and Blue, Black Sheep and his signature song Swingin.

John’s last public appearance saw him appear alongside his fellow inductees at the Country Music Hall of Fame Medallion Ceremony in Nashville on October 18.

They were inducting the 2026 stars Tim McGraw, Paul Overstreet and the Stanley Brothers.

John said his own induction into the elusive club was one of his best achievements.

He told Rolling Stone at the time: “One of the main gratifications is I got to live to see it.

“Several of my friends were inducted posthumously.”

John leaves behind his wife of 43 years Jamie Anderson and their two daughters Brionna and Alexa.

Richard Riehle, a prolific character actor who portrayed Tom Smykowski, the product manager with “people skills” in Mike Judge’s cult classic, “Office Space,” has died. He was 78.

Riehle died Thursday of natural causes in Los Angeles, his representatives from Artists & Representatives and Wright Entertainment Inc. confirmed Monday to The Times. No additional details were provided.

“A remarkable actor whose career in theater, film, and television spanned nearly five decades and more than 400 projects, Richard leaves behind an extraordinary legacy,” read the joint statement from his talent agency and management company. “Beyond his immense talent, he will be remembered for his genuine goodness, boundless kindness, and unwavering generosity, particularly toward emerging actors and filmmakers, whom he encouraged and supported at every opportunity.

“Our industry has lost an exceptional talent, and our community has lost a truly wonderful man,” it continued.

In the 1999 corporate comedy “Office Space,” Riehle portrayed Tom, a middle manager who is laid off by the company before being seriously injured in a hit-and-run accident and winning a large settlement.

“We didn’t have a regular effects person to put me into a body cast for my scene after the character’s accident, so we hired an EMT guy to put me in a real cast,” Riehle said in an interview with Notre Dame Magazine. “I couldn’t get out of it for 8 hours — and when the EMT had to go to work he left a cast-cutter for the PA [production assistant]. That was fun.”

Richard Riehle, right, portrays a co-worker of Ajay Naidu, left, Ron Livingston and David Herman in the 1999 classic “Office Space.”

(20th Century Fox)

Riehle’s other credits include portraying the guard who lets Harrison Ford’s character escape custody in “The Fugitive” (1993); the mechanic with a punny name, Bill Cozbi, in “Bridesmaids” (2011); and the proprietor of a local diner in “Pee-wee’s Big Holiday” (2016).

His wide-ranging resume also includes TV roles in episodes of “Star Trek: The Next Generation,” “Star Trek: Voyager” and “Star Trek: Enterprise,” as well as multiple stints in shows including “Quantum Leap,” “Murder She Wrote,” “L.A. Law” and “Drunk History.” He was also a voice actor on animated projects such as “The Legend of Korra” and “Home on the Range.”

For five seasons, Riehle portrayed Walt Finnerty, the father of Donal Logue’s Sean Finnerty, in the sitcom “Grounded for Life,” which aired from 2001 to 2005.

“Richard Riehle was an amazing human being,” Logue wrote in a tribute shared Monday on Instagram. “A consummate professional, he was an actor’s actor — humble, kind, and incredible at his craft.”

Logue said that he “loved every minute” he spent with Riehle and recalled how the late actor made him laugh so hard during his final audition for the show that he fell to the floor.

“I’ll always remember small details — how he always had a novel (never pulp stuff — always Hugo or Dostoevsky or another classic) stuffed into the back pocket of his old-school slacks,” Logue added. “He loved the House of Pies on the corner of Franklin and Vermont (I did, too).”

Richard Mathias Riehle was born May 12, 1948, in Menomonee Falls, Wis. He graduated from Notre Dame with a degree in speech and drama in 1970 before pursuing a master’s in fine arts at the University of Minnesota.

He started his acting career in local theater. His first uncredited onscreen role was in the 1975 western “Rooster Cogburn,” though he mentioned that he couldn’t find himself in it in a 2017 interview with the A.V. Club. His first screen role “with lines” came a couple of years later, in the 1977 movie “Joyride.” One of his earliest breakout roles was in the 1989 Civil War film “Glory.”

“I always wanted the role that would bring something out of me, force me to find something extra,” he said in the Notre Dame Magazine feature. “As I get older, the roles may not be there as much on high-profile projects, but I’m always going to look for ways I can work and maybe even be a part of ways to change the business. When I work, I feel great. That doesn’t ever have to stop.”