David Attenborough

As BBC marks what would have been Queen Elizabeth II’s 100th birthday, Peter Phillips says that his grandmother stunned them all in 2012

As the nation remembers Queen Elizabeth II on what would have been her 100th birthday next week, one grandson has given fresh insight into the subterfuge that went into her astonishing James Bond moment from the 2012 Olympics.

Peter Phillips was gripped by the scenes, along with the rest of the nation, in which the monarch comes face to face with Daniel Craig’s 007, before they seemingly parachute into the stadium from a helicopter.

But speaking in a new BBC documentary, Peter says even the family were kept totally in the dark about the extraordinary stunt. “When the clip first started we were like, ‘I wonder who they’ve got playing the Queen?’ And then she turned around. And we were like ‘wow’. It was sheer amazement. That was one of the best-kept secrets, because literally nobody knew.”

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The tribute film, which airs tomorrow, takes viewers through all the key moments of her reign, with insights provided by leaders, celebrities, experts and loved ones.

Queen Camilla speaks of her deep admiration for her late mother-in-law. Looking back at how she came the first female member of the royal family to join the army full time, when she joined the Auxiliary Territorial Service during the war, Camilla says: “I think duty has over-ridden everything. I don’t think I’ve ever seen anybody have a sense of duty like she had.”

Ex-US president Barack Obama agreed, commending the late Queen’s “combination of a sense of duty, with a very human quality of kindness and consideration and a sense of humour”. He adds: “I think that’s what made her so beloved, not just in Great Britain but around the world.”

Former Labour Prime Minister Tony Blair also had deep respect for Elizabeth II. “She was not a queen, but the queen,” he says. “I don’t think we’ll see her like again.”

Camilla recalls that celebrating the Queen’s platinum jubilee in February 2022, just as the Covid pandemic finally came to a close, was particularly joyous coming, as it would turn out, just a few months before the Queen’s death.

“I remember there were thousands and thousands of people lining the streets and lining The Mall – we were all looking for something to cheer us all up,” she says. “People hadn’t been out, they’d been stuck in their houses so it was an incredible jubilee. She was very much centre stage, I’ve never seen anything like it. Everybody was in a good mood.”

Helen Mirren, who put in as Oscar-winning performance as Elizabeth II in The Queen, agrees that the monarch’s profound sense of duty came naturally to her and says her death in 2022 left many feeling bereft. “She’d become such an intrinsic part of the tapestry of our life, it was as if you were going to pull a thread and the whole thing was going to fall apart.”

To research the role for the 2006 movie, Helen studied hours of footage, including plenty of when the monarch was a child. She laughs when shown an archive reel of a three-year-old Elizabeth. “I’ve never seen this before, so young! And her hair is almost the same as when she died. That’s incredible.”

Another clip shows Elizabeth aged around 10. “When I played the Queen I watched a particular piece of film over and over again of her getting out of a big black car,” the actress explains. “You see how she steps forwards and does what she knows she’s supposed to do, which is shake hands. She naturally had a sense of self control and duty.”

That innate sense of how to behave was again in evidence when Elizabeth’s father, George VI, died suddenly while she and her new husband Prince Philip were just six days in to a tour of the Commonwealth in 1951. Returning swiftly to Britain, she was filmed smiling and shaking hands with the many top-hatted, male politicians who were on the tarmac to greet her.

“She’s only just been told that her beloved, beloved father has died without her being there,” Helen 80, says. “I think that would have been so devastating to her, that she never had the chance to say goodbye.What you see happening is the duty stepping in, she does exactly what she’s supposed to do.”

Camilla is also astonished to see how calm and composed the young queen looks in this challenging moment, when she is dealing with her own grief. “It must have been so difficult being surrounded by much older men. There weren’t women prime ministers or women presidents, she was the only one. So I think she carved her own role.”

Over the course of her life Elizabeth faced plenty of difficult times, including the marriages of three of her children ending in the same year and the loss of many loved ones.

When her husband of 73 years, the Duke of Edinburgh, died during the pandemic, the Queen refused to break the rules governing the nation and instead broke hearts as she sat at his funeral all alone. Watching the sad clip of his isolated grandmother, Peter Phillips says all he wanted to do at the time was “give her a hug”.

But there were also times when the Queen came in for criticism rather than sympathy, never moreso than after the death of Princess Diana in 1997, when she opted to remain at Balmoral for more than a week rather than return to London.

BBC royal presenter Kirsty Young remembers: “There was tangible anger. Whether it was the flag being brought down to half mast or the Queen making a statement, these things were not happening. There was radio silence. There was a sense in which people might almost storm the gates of the palace.”

But the Queen then turned public opinion around with her heartfelt TV broadcast to the nation. Describing the former monarch as “quietly radical”, Kirsty adds: “I think the address by the Queen after the death of Diana illustrated beautifully that she had an ear to the public and that she was willing to do things that had never been done before.”

Blair agrees it was one of the Queen’s most challenging moments. “We had a series of really intense conversations where the Queen was having to balance the impact on her family, on her grandchildren, with the need to respond to what was a national mood at the time. Her genius was, in a way, to steer the monarchy through all of that whilst not really changing much herself.”

For her part, actress Helen believes the Queen was absolutely right to stay with her grandsons after the devastating loss of their mother. “I think she was right to stay in Balmoral with the children and then when she came out and did the very difficult walk with the flowers and everything, that was the right thing to do.”

Born just a couple of weeks after the Queen, Sir David Attenborough was running the BBC at one point in the late 1960s when it was decided the royals needed to become more relatable. This led to the BBC documentary Royal Family, an early example of reality TV, where they let the cameras in. “There was a feeling that the royal family was getting a bit remote and I remember the discussions we had in the BBC, that the image of the family should be softened in some way,” Sir David explains. It was huge hit with more than 30million UK viewers tuning in – but afterwards the Queen regretted her decision to display their private lives. The series has not been shown since the 1970s, with Elizabeth ordering it was locked away in the royal archives.

But tonight viewers can see rare clips from the series, showing a relaxed Philip cooking sausages and the queen laughing and joking with her children.

– Queen Elizabeth II: Her Story, Our Century, BBC1, 9pm, Sunday

After 50 years of being practically synonymous with New York City, “Saturday Night Live” has opened the door to London with “Saturday Night Live UK,” following in the steps of “Law & Order UK” and possibly nothing else. Of all the cities in the world that might conceivably replicate the spirit of the NBC original, the British capital, with its urban dynamism, media concentration and 20,000 comedians, feels like the obvious, and perhaps only, choice. (“Saturday Night Live Italia” might prove me wrong, if that day ever comes.) And, of course, we’ve been in a reciprocal comedy arrangement with Britain — or at least we have been nicking their ideas for shows — for years.

The show premiered in the U.K. this past Saturday on Sky One and NOW, and began streaming stateside Sunday on Peacock, with our own Tina Fey as the first guest host. (“It’s an absolute honor and kind of historic,” she said to studio audience. “Guys, I am the youngest person to ever host ‘SNL UK!’”)

As a “Saturday Night Live” star, writer and head writer; and the co-creator of “30 Rock” — her show about a sketch show set in the very same building as “SNL” — they couldn’t have appointed a better ambassador. Lorne Michaels doubtless has her on speed dial.

Here’s the short review: In the course of a single episode, “SNL UK” managed to feel very much like its parent show — which is to say, some of it worked well and some of it worked less well, but very little of it didn’t work at all. There were sketches that ran too long, or ended weakly, but were generally redeemed by a young(ish), confident 11-member cast that made the most of them. Some will already be recognizable to British viewers. Many have had notable, or anyway noticed, careers in stand-up; in the sort of stand-up that amounts to theater; in straight theater (including Shakespeare, naturally) and/or in television and film. Fey promised to “stay out of their way as much as possible,” but she came to play, and appeared in most every sketch.

The evening followed established protocol. Cold open. (Prime Minister Keir Starmer, played by George Fouracres, is afraid to tell President Trump, whom he regards as a sort of bad boyfriend, that he’ll send no more ships to the Strait of Hormuz: “I know how badly you want to start World War III, and that’s great. You absolutely do that but we can’t be part of it.”) Hammed Animashaun and Jack Shep accompanied Fouracres in the sketch and shared the glory of shouting, “Live from London, it’s ‘Saturday Night!’” They would continue to dominate the episode.

Jack Shep, George Fouracres and Hammed Animashaun in the “SNL UK” cold open, set at 10 Downing Street, in the prime minister’s office.

(NBCUniversal)

Next: Opening credits featuring the cast members out and about in the city. Monologue, with guest appearances from Nicola Coughlan, Michael Cera and Graham Norton. (The set is very much in the style of various American iterations over the years, clock included, with the band onstage.) Film bits and sketches. Musical guest. (Wet Leg, surly.) “Weekend Update.” More skits. Musical guest returns. More comedy. Whole cast onstage at the end, ready to party.

Among other things: A Shakespeare skit found the Bard (Fouracres again) returning to Stratford from London between plays, each time more affected, beginning with an earring and finishing with an electric scooter, sunglasses and a bag of ketamine. A Paddington Bear immersive experience, with an actual bear, turns bloody, recalling Dan Aykroyd’s 1978 classic Julia Child sketch. As a bra salesperson giving an ego boost to Fey‘s customer, Emma Sidi was funnier than the sketch she was in. (It did include a cameo by Regé-Jean Page, from “Bridgerton.”) In another, David Attenborough (Fouracres again, again), using “Jurassic Park” technology, hosts a “last supper” featuring great dead Britons including Winston Churchill, Isaac Newton, Agatha Christie (Fey), “Freddie Mercury, from Queen, Elizabeth the First, from being the Queen,” and Shep’s Princess Diana, pulling focus at Attenborough’s right shoulder; all they manage to discuss is how many starters to get for the table. It had the added bonus of getting the entire cast, and guest host, onstage.

The film bits were first-rate. (Not being live has its advantages.) One advertised an anti-aging cream — Undérage, with a soft “g” — “that works so well everyone will think your man is a nonce.” (That is, a pedophile.) “My skin looks so fresh,” says a happy customer, “my husband can’t go anywhere without being hunted by right-wing pedophile-catching militias.” “My husband lost his record deal and, some, but not all of his fans.” Another concerned a sort of command center where workers labored “to make the internet as bad as we can possibly get it.”

There are, to be sure, tonal differences to British and American comedy; just compare the respective versions of “The Office,” or “Ghosts,” or “Doc Martin” with its domestic remake, “Best Medicine”; the former tends to be darker, more cutting, more absurd. (A “Weekend Update” joke about the former Prince Andrew’s new home, Marsh Fair, “of course named after the nearby marsh where his body will be found.”) Despite that, and the old saw that Britain and America are two countries separated by a common language, the show translated well transatlantically. Apart from some local topical and cultural references, and an occasional unfamiliar word whose meaning was in any case obvious from context, and some swearing, most of it could have been played with few adjustments by the American cast.

“While we may not agree with everything America does,” Fouracres’ prime minister says at the end of the cold open, “we can still be civil and embrace their wonderful, unproblematic culture.” Back at you, buddy!

The season has been extended to eight episodes from the originally ordered six. (Riz Ahmed and Jamie Dornan are scheduled to host.) Why not 10?