David Attenborough

The history of all living things is examined through five key species chosen for the way they move, feed and reproduce and also for their size and intelligence

Chris Packham famously hates so-called “T-shirt” animals – preferring beetles and bugs to the more box-office elephants, lions and tigers.

But for his major new BBC series examining the history of every living creature’s existence, the presenter had to block that prejudice as he looked back over 4 billion years. In Evolution, viewers will see how every plant and animal evolved – differently – from a single celled organism called LUCA.

And in order to explain this effectively, the five episodes focus on the elephant (size), ostrich (reproduction), horse (movement), bat (feeding) and dolphin (intelligence) to show what changes have happened over the millennia until they started to look a bit like the creatures we recognise today.

“TV likes an iconic species, something to put on the T-shirt,” Chris laughs, acknowledging that he doesn’t normally go for these “celebrity” animals which tend to draw in viewers, but go against the grain for Chris. “On Springwatch we’re always keen to champion the underdog, we make films about slugs and snails and flies and all those sorts of things, so we’re trying to build up that idea in people’s minds that everything counts – not just the fluffy birds in the nest, or the cute pine-marten kits. Survival of the cutest has always been an issue.”

“But had we picked, I don’t know, some innocuous little bug, it wouldn’t have looked great,” he laughed. “I’m not a great fan of T-shirt animals, but I am a fan of using them constructively.”

He even admits that filming the series, in different locations around the globe, brought him one of the best moments of his life, when he found himself right in the middle of a pod of dolphins during a break in filming. “It was absolutely extraordinary,” he says. “There were times when the cameraman was doing something and I was still in the water and I could just actually just be there with them.

“I dived down about four metres and I looked down and I had a dolphin right underneath me, under my chest. And I had couple on one side, I mean they never touch you, but they’re close, and a couple on the other side – and then I looked up and they were above me. And I was like in the middle of a pod of dolphins. You can hear them the whole time, they’re constantly clicking. So you can here that that’s that communication going on.

“It was just five minutes or something, it wasn’t a lot of time, but long enough to actually just engage, and realise that this was one of the most remarkable moments in my entire life. To be in that environment with these astonishing animals. I thought ‘blimey, I’m Flipper’.”

The five-part science show, which must be Packham’s most ambitious programme to date, has clear similarities in scope to Sir David Attenborough’s 1979 series Life on Earth, which set out to look at the earliest life forms. “I’d say it was more modern in its narrative structure,” he says thoughtfully. “Also, we’re catering for an audience that we know we need to surprise. We want to feed them short snippets, which are basically entry information into a bigger story, if you like. Those twenty-second things that get people to prick up their ears. And we want people to down the pub and say, ‘do you know what? I just watched this programme and, you won’t believe it, we couldn’t have a head before we had an arse’.

“I don’t think Life on Earth is like that. That felt very 1970s, because that’s when it was made, this just feels like a really modern, cutting-edge version.”

To film the series the BBC team were very careful about where they went in order to limit the carbon footprint. “Ten or 15 years ago, we would have gone to multiple locations to make a series like this,” Chris says. “But I’m pleased to say that each of our programmes was essentially made in one location.”

The elephants in the series opener were filmed in Kenya and the ostriches in South Africa. The horses were in the UK, with three days in France which was reached by train. Then the dolphins were in the Bahamas and the bats were in Borneo.

Chris says his role as presenter on the show, from the team who previously brought us Earth, is to keep the audience enthralled, and showing his own excitement is a big part of that, just as he experienced while watching his hero Attenborough. He particularly remembers a programme made by the veteran broadcaster about birds of paradise, filmed in Papua New Guinea.

“They were my dream birds because they’re mental, they look like space aliens,” he explains. “And I was sat there waiting for it to come on, just thinking, ‘you b****rd, I want to go to Papua, I want to see that.’ But in fact my response to the programme, and a testament to his broadcasting, was that I absolutely loved it because I felt the connection to the birds through his joy.”

Chris found himself caught up in some beautiful moments that will also tug at the audience’s heartstrings, such as when a baby ostrich hatched out of its egg right into his hands. “You’re peering into it, it’s not even in the world yet, and it’s like you’ve had a sneak preview into a life which is going to unfold,” he marvels. “It’s just this little thing moving, and that was really very emotional, that formation of new life.”

Learning new stuff is “the greatest joy” of his job. “I get to work with people who know more about a subject than I do. And their job is to tell me and the team everything they know about it in 30 seconds,” he says. “So my joy is that I attend the University of Zoology every single day that I’m working, and this is updated information, so we’ve constantly gone to the latest science.”

While they don’t skirt away from the technical stuff, like explaining how DNA works, Chris feels it is carefully woven into the narrative. “There’s no dumbing down, but we are conscious constantly of building a narrative which will keep our audience engaged.”

– Evolution, BBC2, Monday 13 July, 9pm

The Prime Minister announced he would be leaving his role

Martin Lewis has moved swiftly to rule himself out of any political role following Sir Keir Starmer’s resignation. Sir Keir confirmed earlier today that he will ‘resign as leader of the Labour Party‘.

The announcement follows a slump in poll ratings and Andy Burnham’s resounding win in the Makerfield by-election. In an emotional address outside Downing Street, Sir Keir announced his departure less than two years after sweeping to power in a landslide victory.

As has happened before, the news prompted widespread calls for money-saving expert Mr Lewis to be put forward as a potential Prime Minister. Fresh data from Focaldata indicates the 54 year old would prove an enormously popular pick amongst the British public, alongside the much-loved Sir David Attenborough.

However, in a post on social media, Mr Lewis firmly ruled himself out of the running by saying, ‘I don’t want to join any political party’. He said: “After a few “throw your hat in the ring!” messages…

1. I don’t want to join any political party

2. I’d rather wire my nipples to electrodes (& not in a good way)

“Tho the geekdom of this pop-culture politics piece is a mix of flattering, funny & scary.”

The Focaldata research revealed that Sir Keir, Reform leader Nigel Farage, and Green Party leader Zack Polanski were amongst the least favoured candidates for PM. Kemi Badenoch was the sole major party leader to achieve a positive approval rating (+2), pointing to wider cross-party appeal.

It read: “Martin Lewis and David Attenborough, who would immediately surpass William Gladstone’s record for oldest serving Prime Minister, are the breakout leaders. They sit head and shoulders above everyone else with best-worst scores of +37 apiece, practically putting them in their own “national treasure status” sub-quadrant.

“Both command cross-party consensus, recording positive scores across every voting intention group. Stephen Fry, Big John, and Louis Theroux also have positive best-worst scores across every major party.

“Piers Morgan, Jeremy Clarkson, and Gary Lineker, somewhat unsurprisingly, varied a lot from party to party. While Piers Morgan and Jeremy Clarkson are viewed positively by Conservative voters, Reform voters, and those intending not to vote, they are viewed negatively by parties on the left.

“Gary Lineker is almost the exact opposite, doing better among Green, and Labour voters although he is still viewed as a good candidate for PM by those saying they won’t vote.”

The survey presented 1,060 Brits with the names of 25 celebrities, TV personalities, politicians, and sports stars. These were then matched up against each other in groups of five, with participants asked in each round who they would most and least like to see as PM.

Nonfiction films and series are among some of the most-watched (and most-discussed) programming on TV. As Emmy season heats up, the directors of six notable contenders share thoughts about their projects.

‘The Yogurt Shop Murders’ (HBO)

“It’s just a famous, famous story in Texas, but particularly Austin,” director Margaret Brown says of the bewilderingly complex case of four teenage girls slain at a yogurt shop in the state’s capital in 1991. “You heard about it all the time at parties. My best friend was like, ‘That story is rabbit hole upon rabbit hole upon rabbit hole — no one knows what really happened. It’s impossible to figure out.’ I liked the idea of something that was impossible to figure out. But when I started doing the interviews, I was like, ‘This is dark, this is deep trauma.’ I’d never watched or done true crime before. I didn’t realize what it would be like to sit with people who hadn’t known what happened to their siblings and children for over 30 years. I remember [thinking], ‘I’ve got to get this right. I can’t mess this up. There’s just too much pain here.’”

‘The American Revolution’ (PBS)

“Leading up to it, I said I just don’t want us drowning in fife-and-drum treacle,” director Ken Burns says of his expansive treatment of America’s origin story, which draws out the experiences of Native Americans and enslaved people as well as the era’s atmosphere of civic discord. “Clearly it’s not, because we’re so existentially challenged by the moment. But the revolution gives us a sense of perspective. Times were more challenging then. More division. More division in the Civil War. More division in Reconstruction. Yes, the threats are unprecedented, but they’re not totally unfamiliar. Mark Twain is supposed to have said history doesn’t repeat itself, but he’s [also] supposed to have said it rhymes. I love that. So like Odysseus, I tie myself to the mast and resist the temptation to put a little neon sign in the film saying, ‘Isn’t this so much like today?’”

‘Sean Combs: The Reckoning’ (Netflix)

“There was so much noise,” says director Alexandria Stapleton, who tracks hip-hop mogul Sean “Diddy” Combs’ rise and shocking fall in this series, executive produced by 50 Cent. “I’m scared for my safety, I’m scared for my career. Then there was every journalist, every giant corporation, trying to chase the same story. Because there was a feeding frenzy, there were a lot of people that were not truthful. It was making sure that we were going after the right people to speak with, and then … making sure that they felt safe emotionally. No one knew who I was interviewing while I was making it. In making a project about a man who’s very connected in media and very good at whatever he wants his narrative to be, there was a very deliberate decision to not drop this project until we literally were a week out.”

‘Ocean With David Attenborough’ (National Geographic)

(Keith Scholey / Silverback Films and Open Planet / National Geographic)

“It’s been weird, because I’ve got older, and he sort of stayed the same, like the Dorian Gray picture,” says Keith Scholey, one of the film’s directors, of the 100-year-old broadcasting legend and naturalist. “He’s still got that huge power and presence and commitment. It comes from the heart. He’s got a huge depth to him, in terms of knowledge, experience, personality … but he’s also very self-effacing. The most boring thing in the world for David Attenborough is David Attenborough. He’s interested in every aspect of the truth, and he loves uncovering that and passing that on to the world. He knows how to present in a way that it’s a performance, but it’s not a performance.”

‘Neighbors’ (HBO)

“Neighbor disputes are a great leveler,” says Harrison Fishman, who co-directs this gonzo excursion into neighborhood feuds with Dylan Redford. “If you think about class and race and politics, all that stuff gets thrown out the window when people are dealing with such small, concrete problems. You quickly start learning why people care so much about the things that they’re fighting for. It becomes a bit like a Trojan horse into learning about aspects of America and things about people that have nothing to do with the dispute. Those tangents are so valuable to us, because it gives context to the dispute. But it also helps people understand who everybody is in our country.”

‘Mr. Scorsese’ (Apple TV)

“We would get together and have these very long conversations,” says director Rebecca Miller, who interviewed American cinema’s great poet of tortured masculinity over five years. “But then in terms of the other voices, I thought, ‘Who knows him best?’ There was this wonderful movie called ‘Crumb,’ by Terry Zwigoff. He interviewed [cartoonist R. Crumb’s] ex-girlfriend at a certain point, and I felt like I got a view into the person, not in a gossipy way, but … trying to get a rounded view. If you only get the front-facing part, you’re not going to get a full sense of who they are. It was very important to me that we hear from the daughters or his wife, that there’s a sense of a person in there.”

Saturday Night Live UK’s cold open featured Peter Serafinowicz in a guest cameo as Nigel Farage, spoofing the Reform UK leader as Prime Minister in 2046 following the party’s sweeping local election wins.

Shaun Of The Dead actor Peter Serafinowicz made a surprise appearance playing Reform UK leader Nigel Farage as prime minister in an SNL UK sketch set in the year 2046.

The comedy programme kicked off on Saturday evening with a political skit depicting Mr Farage occupying Number 10, pulling pints at his desk while US President Donald Trump has seized control as the nation’s king.

The sketch took aim at the party’s landslide victories during this week’s local council and Scottish and Welsh elections. It began with ‘Mr Farage’ recording a personalised 120th birthday message for much-loved naturalist Sir David Attenborough, before Conservative party leader Kemi Badenoch (Ayoade Bamgboye) appeared as his deputy.

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“Big news day, Prime Minister. Thanks to our deportations, the population of London is finally down to single fingers,” she said, drawing uproarious laughter from Mr Farage.

Taking a swipe at the continuing tensions between the US and Iran, she went on: “One last thing, King Trump assures us he has almost negotiated a ceasefire over the Strait of Hormuz.”

Mr Farage responds: “Phew, for a minute there, it felt like we were on the brink of World War Four.”

The pair jest that since their parties joined forces, they have been “unstoppable”, drawing a comparison to the spreading hantavirus, referencing the outbreak that has dominated news coverage in recent days. After checking the weather forecast – which shows London engulfed in flames, satirising climate change – the pair head out for a stroll before Sir Keir Starmer and Angela Rayner emerge from behind a bookshelf, which turns out to be a time machine.

The former deputy leader, portrayed by Celeste Dring, warns Sir Keir (George Fouracres) that unless he allows her to run the government, “this future will come to pass”, to which he replies he will “seize every moment” as Prime Minister.

When Mr Farage returns to the office accompanied by Mrs Badenoch, he queries who Sir Keir is, declaring himself the “big chungus” of the “great United Kingdom and the middle part of Wales”.

They warn they’ll have the Labour party leaders removed from the building by security guards, but Mrs Badenoch jokes: “We deported security.”

The sketch concluded with Al Nash emerging through the prime ministerial time machine portal dressed as Sir Winston Churchill to launch the show, leading into Ted Lasso star Hannah Waddingham’s opening monologue.

The award-winning actress made light of the “glamorous characters” she has portrayed throughout her career, before displaying pictures of less flattering parts such as her “sexy little turn as the shame nun” in hit TV series Game Of Thrones.

Throughout the episode, Waddingham took part in numerous sketches alongside the show’s inaugural cast, and was accompanied by Stargazing singer Myles Smith as the musical guest. The programme also marked Sir David’s landmark 100th birthday in its weekend news segment, with hosts Ania Magliano and Paddy Young sitting down to interview a rhino (Hammed Animashaun) for their take on the much-loved broadcaster.

The skit descended into mayhem when Sir David (Fouracres) burst onto the scene to grapple with the wild beast after it dared to criticise him.

The Sky Original production is filmed live in London, featuring a rotating guest host each week alongside the show’s regular cast, which comprises actor Hammed Animashaun and comedian Ania Magliano.

SNL UK returns to Sky and Now TV on May 16 for its series finale, with Sex Education star Ncuti Gatwa taking the hosting duties, accompanied by musical guest Holly Humberstone.

Saturday Night Live UK is available to watch on Sky and Now TV on Saturdays at 10pm.

He’s made more programmes in the last decade than at any point before, and despite reaching the age of 100, David is showing no signs of slowing down

Sir David Attenborough will narrate Blue Planet III when it hits the screen on BBC1 this autumn. The veteran broadcaster, who celebrates his 100th birthday today, has already recorded his voice-over for the six-part series, which is returning for a third outing 25 years after the first one aired.

This time around, it aims to take the Blue Planet brand “to extraordinary new depths”. In 2001, it was the first ever natural history series to take a deep dive into the state of the world’s oceans, attracting huge audiences across the globe.

In 2017, the Blue Planet II sequel galvanised a huge campaign to rid the sea of single use plastic, with Sir David even taking to the stage at the Glastonbury Festival to hammer home the point.

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Where Blue Planet II exposed the threats to the world’s oceans, Blue Planet III aims to explore stories of adaptation and resilience, showing both hope and recovery. The first five episodes will focus on the planet’s five key underwater habitats: Tropical Seas; Open Ocean; Seasonal Seas; Polar Waters; and The Deep. As is now traditional, the sixth and final episode, Future Seas, will turn to the issue of conservation and examine what further changes must be made.

Jonny Keeling, head of BBC Studios’ Natural History Unit, said they were thrilled to have the world-famous naturalist take the lead on the latest landmark programme to address the issue of our oceans.

“We are so excited to have David narrate this new blockbuster series,” he said. “It’s full of never-before-seen animal behaviour, new locations, new science, and heartfelt storytelling. David is the perfect voice to inspire audiences across the globe to love, understand and protect the oceans.”

BBC specialist factual boss Jack Bootle, added: “I’m thrilled that David is taking the helm of Blue Planet once again. His extraordinary talent for storytelling has shaped the way generations of audiences understand and connect with the natural world, and his voice remains synonymous with the very best of the BBC’s natural history output. I’m absolutely delighted that he’ll be once more bringing his unique skill and authority to Blue Planet III. ”

Expert oceanographer Dr Phillip Sexton, who is an academic consultant on the upcoming series, said that this third run would build on the ground-breaking legacy of the last two, and “offer rays of hope” when it comes to further saving the planet.

“Blue Planet II catapulted issues surrounding our oceans’ health into the public consciousness and demonstrably changed people’s attitudes and behaviour with regard to our oceans,” Dr Sexton explained. “Underpinned by breakthroughs in marine science and cutting-edge technology, this new series will transform our view of what is possible for life on Earth and offer rays of hope for us to conserve the ecological wonders that lie beneath the waves.”

The series will make new breakthroughs in underwater film-making thanks to a “whole new generation” of camera technology, to reveal brand new and previously untold stories. It will build on the legacy of the previous two series to reveal brand new and untold stories from magical underwater worlds using new technology including splash drones and long-term remote underwater cameras.

Blue Planet III was announced by Liz Bonnin and Steve Backshall at an event held at the Royal Albert Hall last night to mark Sir David’s milestone birthday. The glittering show included music from the BBC Concert Orchestra and many clips showing iconic moments from his programmes over the decades.

Tributes were paid by both King Charles and Prince William, and he was also sent a heartfelt message from Felix Ndagijimana at the Dian Fossey Gorilla Fund Karisoke research centre in Rwanda, giving an update on how they all are doing since his visit there fifty years ago.

Celebrities paying tribute and sending birthday wishes on the night included Chris Packham, Michael Palin, Dame Judi Dench, Chris Martin, Hamza Yassin, Kate Winslet and even Paddington Bear. They were joined by more celebrities interested in conservation work, including Leonardo di Caprio, Cate Blanchett, Nile Rodgers, Phoebe Waller-Bridge, Louis Theroux, Camila Cabello and Alan Titchmarsh.

After many musical performances from the likes of Bastille, Icelandic band Sigur Rós and Sienna Spiro – performing music that has been used in series including Planet Earth – the evening closed with a clip of the presenter in action as Sir David recorded his narration to Blue Planet III, followed by him reading the lyrics from the song What a Wonderful World, accompanied by stunning wildlife footage.

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