Dave

Didn’t hit. Didn’t pitch.

But that didn’t make Shohei Ohtani not the story.

On the contrary. Seeing him chillin’ in a Dodger-blue hoodie — and not dressed for success in his white home uniform top — was the most striking part of the Dodgers’ 5-2 victory over the San Francisco Giants on Thursday at Dodger Stadium.

Back on Tuesday, before the Dodgers’ fourth consecutive loss, with Ohtani having recorded just four hits in 36 at-bats, manager Dave Roberts announced plans to bench baseball’s best player.

To get him some R&R — rest and reset. “A good spa day,” Roberts would joke Thursday.

Of course, it’s Ohtani, so much is being made of the much-needed breather.

Dodgers two-way player Shohei Ohtani rounds the bases after hitting a solo home run Tuesday at Dodger Stadium.

(Eric Thayer/Los Angeles Times)

Maybe you hate it. Maybe you hate it for him. Maybe you think a $700 million contract doesn’t account for days off. Maybe you were among the unfortunate 51,048 paying customers who came to watch the Dodgers even their series with the Giants without Ohtani’s help, and you’re sad about it.

Maybe, though, you should give Roberts the benefit of the doubt. Maybe you should remind yourself Ohtani isn’t actually a unicorn. Not a myth, but a man.

“Mentally, the days that he does pitch, it’s tougher on him [to also hit],” Roberts said Thursday. “Physically, it’s the day after.”

And so the manager wasn’t joking; he wasn’t juking. Even after Ohtani homered for the first time in 53 plate appearances in Tuesday’s 6-2 loss, Roberts stuck with the plan and gave his superstar a whole day off Thursday after having him only pitch the night before.

Only. As in that he only pitched seven scoreless innings, only struck out eight and only lowered his ERA to a major-league leading 0.82. Yes, he only teed up the Dodgers for a 4-0 victory. An honestly exceptional day’s work for anyone else.

Then on Thursday, Ohtani contributed only vibes.

Which was weird. Which was good.

Instead of swinging a bat, Ohtani served as the welcoming committee after Will Smith led off the game with a home run. Ohtani was later an accessory to Smith’s prank filling Yoshinobu Yamamoto’s hood with wrapped pieces of bubble gum. And still, for the second consecutive game without him in the lineup, the Dodgers (26-18) finished the job.

For all of their recent scuffing and shuffling, these loaded, baseball-ruining Dodgers should be able to survive an Ohtani skip day every so often.

Even without Ohtani or Mookie Betts, a lineup with Smith, Freddie Freeman, Kyle Tucker, Andy Pages, Max Muncy and Teoscar Hernández should be able to overpower the lowly Giants, who have been outscored by 45 runs and now are 18-26.

Dodgers pitcher Shohei Ohtani laughs with teammates while sitting in the dugout before a game against the Giants Thursday.

(Ryan Sun / Associated Press)

But maybe you think: Here the Dodgers go again, making it too complicated, being too cute. They’re back to being too cautious, too careful.

But don’t think of it as load management. Consider it asset management.

The Dodgers are going to protect their personnel from as much wear and tear as possible — and from themselves.

Obviously, Ohtani — who came into the season appearing to really covet the Cy Young award — is capable of multidimensional greatness. He’s the Him who closed out the National League Championship Series with a wildest-dream-exceeding, 10-strikeout, three-home run game.

But it’s important that the Dodgers don’t let the 31-year-old burn himself out.

“The thing is with all players, once you get to a point where you’re exhausted and tired and that’s in the middle of the summer, it’s tough to recoup,” Roberts said. “So you kind of have to know how to push them but not get to the red line point. If we can kind of hold and get a good rhythm, which I think we’re getting a good grasp on now, then we’ll have more of a base, a foundation to push him when the time is right. It’s certainly not right now.”

Roberts said Ohtani is sharing in these decisions. If there are days that Roberts feels like Ohtani would benefit from a day off, he’s given the manager his blessing.

Sometimes less is more, even for the guy who can do it all.

The roster of campaign contributors to Los Angeles mayoral candidates has something in common with the courtside seats at Lakers games: Both are sprinkled with the rich and famous.

There’s Colin Jost, “Saturday Night Live’s” Weekend Update host, popping up as a donor to Councilmember Nithya Raman. Mayor Karen Bass, meanwhile, counts former Major League Baseball star Dave Winfield among her contributors.

Lakers governor and part-owner Jeanie Buss is there too, as a donor to reality TV personality Spencer Pratt. All three gave the maximum $1,800 contributions to their chosen candidates.

With Los Angeles at the center of the entertainment industry, big names like Jost, Winfield and Buss (none of whom responded to requests for comment) are par for the course in local elections. There might have been even more celebrity contributions were it not for the late-breaking entries of Pratt and Raman in the race, said political consultant Mike Trujillo.

“It’s a very short timeline that is not usual for a mayor’s race where you’re challenging an incumbent,” said Trujillo, who isn’t affiliated with any of the mayoral campaigns. “It takes a while to get these celebrities.”

Trujillo said he expects more big names will contribute if no candidate wins a majority in the June 2 primary, which would trigger a runoff in the Nov. 3 general election.

In 2022, “E.T.” director Steven Spielberg gave $1,500 to Bass’ first campaign for mayor as well as $125,000 to the independent expenditure group “Communities United for Bass for LA Mayor 2022.” J.J. Abrams, the director of “Star Wars: The Rise of Skywalker,” also gave $125,000 to the group.

Jeffrey Katzenberg, the co-founder of DreamWorks Animation, gave nearly $2 million to the pro-Bass group.

Winfield and Buss weren’t the only names associated with the sports world to wade into the mayoral maelstrom.

Brian McCourt, son of former Los Angeles Dodgers owner Frank McCourt, contributed the maximum $1,800 to Bass’ reelection campaign. He is the president of the McCourt Foundation, which runs the Los Angeles Marathon.

Magic Johnson’s son, Andre Johnson, who now runs Magic Johnson Enterprises, also gave the maximum to Bass.

Bass also collected donations from “Grey’s Anatomy” actor James Pickens Jr. and from Pauletta Washington, Denzel Washington’s wife. In 2025, Bass received $1,800 from Edythe Broad, the widow of billionaire developer Eli Broad and co-founder of the Eli and Edythe Broad Foundation.

Raman received dozens of contributions from successful Hollywood writers, producers and directors. She is married to Vali Chandrasekaran, a writer for hit TV shows including “30 Rock” and “Modern Family.” She took in maximum contributions from stand-up comedian Adam Conover as well as musician Joanna Newsom, the wife of Andy Samberg.

The most recent campaign contribution reports showed Pratt raising nearly $540,000 since Jan. 1, more than any other candidate. About $131,000 of his contributions were in so-called un-itemized contributions of under $100, significantly more than any other candidate.

Among the itemized contributions, Pratt reported getting $1,800 from Rick Salomon, the professional poker player who is known for a 2004 sex tape with Paris Hilton. Salomon’s daughter Tyson Salomon, a social media influencer, gave $1,250 to Pratt.

Two other mayoral candidates, tech entrepreneur Adam Miller and community organizer Rae Huang, also raised more than $200,000 each, though there were fewer household names in their contributions

Miller loaned his own campaign $2.5 million.

Dave Mason, a founding member of the British psychedelic rock band Traffic who wrote some of their best-known songs including “Feelin’ Alright?” and “Hole in My Shoe,” has died. He was 79.

The singer and guitarist died Sunday at his home in Gardnerville, Nev., his publicist confirmed to the Associated Press. No cause of death was given.

“On Sunday, April 19, after cooking an amazing dinner with his beloved wife Winifred, [Mason] sat down to take a nap with sweet Star (the maltese) at his feet,” said a post shared Tuesday on the musician’s Instagram page. “He passed away peacefully, in his favorite chair, surrounded by the beautiful Carson Valley that he loved so much. A storybook ending. On his own terms. Which is how he lived his life right up until the end.”

“He leaves a lasting imprint on the soundtrack of our lives and the hearts he has lifted. His legacy will be cherished forever,” the tribute concluded.

Mason canceled his 2024 tour dates after doctors “detected a serious heart condition” during a routine check-up that required “immediate medical attention.” He was expected to make “a full and successful recovery” after treatments. He later announced his retirement from touring in 2025, citing “ongoing health challenges.”

Born May 10, 1946, in Worcester, England, Mason was a teenager when he joined singer and keyboardist-guitarist Steve Winwood, drummer Jim Capaldi and woodwind player Chris Wood to form Traffic in 1967. The band was known for its psychedelic sound that blended elements (and instruments) of rock, blues, R&B and jazz.

Mason was inducted into the Rock & Roll Hall of Fame in 2004 for his work with Traffic, but the musician had a fraught history with the group.

“We did some good stuff,” Mason told The Times in 1995. “We were young kids. The first song I wrote was their first big hit in England (‘Hole in My Shoe’). But I was only 19 years old and couldn’t handle all the fame, really. It was just too much.”

He explained that after he left the band the first time, he was asked to come back because “they didn’t have enough songs for a second album,” while he had written “five or six” including “Feelin’ Alright?” The song, now considered a classic rock staple, has been covered by multiple artists including Joe Cocker, Huey Lewis, the Jackson 5, Gladys Knight & the Pips and Grand Funk Railroad.

“Then I found out that Steve [Winwood] didn’t really care for my stuff,” Mason said. “From my point of view, I think [our] differences made something better. … But it just pulled too much I suppose, and they couldn’t work it. I was more or less forced into having to leave.”

Mason’s subsequent solo career included three gold albums: his 1970 debut “Alone Together” — which featured hits like “Only You Know and I Know,” “Shouldn’t Have Took More Than You Gave” and “World in Changes;” 1974’s “Dave Mason” and 1978’s “Mariposa de Oro.” His 1977 album “Let It Flow” was certified platinum.

He also collaborated with other notable acts such as Eric Clapton, George Harrison, Jimi Hendrix, the Rolling Stones, Delaney & Bonnie and Friends, Joe Cocker’s Mad Dogs & Englishmen, and Fleetwood Mac.

Winwood shared a tribute to his bandmate on Wednesday on Instagram.

“Dave was part of Traffic during its earliest chapter, and played an important role in shaping the band’s sound and identity during that time,” said the caption accompanying a photo of a young Mason. “His songwriting, musicianship and distinctive spirit helped create music that has lasted far beyond its era, and continues to mean so much to listeners around the world.”

“Those years remain a special part of the band’s story, and Dave’s contribution to them is not forgotten,” Winwood continued. “His place in that history will always be remembered, and through the music, his presence endures.”

Mason is survived by his wife, Winifred Wilson, daughter Danielle, nephew John Leonard, niece Michelle Leonard and his brothers-in-law, Sloan Wilson and Walton Wilson.