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The Crown Prosecution Service sees first-hand the impact that domestic abuse has on victims.

It says that of every five cases the police refers to it, four result in charges being brought.

Olivia Rose, the CPS’s National Stalking Lead, says it does not just see physical abuse. There is coercive and controlling abuse too.

“It’s crucial for victims to spot the signs early,” Rose said. “What our prosecutors see can include monitoring of victims’ phones and social media, often inundating them with dozens of messages.

“There’s also emotional blackmail, such as threatening to kill themselves if their partner leaves.

“It’s incredibly important that we get the message out to say that behaviour like this is not just unacceptable: it’s illegal.”

The CPS, the government department responsible for prosecuting criminal cases, say it works closely with the police and women’s charities to ensure that action is taken to stop such behaviour and to help victims to get away.

It says it needs help from communities too. And it is urging people to look out for friends, family and neighbours who could be vulnerable during the World Cup.

“If you can step in to help, you could be making a life-changing difference,” Rose said.

She also wants to get the message to victims that they will be supported if they speak out.

“We understand how difficult it can be to report domestic abuse,” she added. “But if you come forward, you will be taken seriously, and we will bring offenders to justice.

“The World Cup should bring communities together, and it should never be an excuse to fuel abusive behaviour.”

Anyone experiencing domestic abuse who is in immediate danger should always call 999. Victims can also report abuse to the police on 101.

Confidential support services are available. Anyone affected can contact the National Domestic Abuse Helpline on 0808 2000 247 in England, or the Live Fear Free helpline on 0808 80 10 800 in Wales.

Solace’s Advice line is: 0808 802 5565.

MOST young mothers cannot fathom the agony of losing custody of their babies, but for British model Lucia Bartoli, an unimaginable nightmare has taken a dark and twisted turn after a ‘social media ban’.

The 30-year-old Luton-born mum has spent the last year fighting a desperate, David-and-Goliath legal battle against her ex-boyfriend, the £700million German fashion designer Philipp Plein.

Now, in a devastating new blow, Lucia has been silenced after a bizarre move wiped her only lifeline – her Instagram account – off the internet, leaving her isolated and on the brink of homelessness in a foreign country.

Her devoted fans have expressed concern about her internet disappearance.

With celebrity supporters such as actress Alice Evans posting: “Lucia you are SO STRONG. No mother should have to go through this. We are all here for you. Don’t break. We have a collective voice and we can speak for you.. Silence is violence.”

Since her bitter split from Philipp in 2023, Lucia had bravely used her Instagram account to document the destruction of her family and rally support from more than 300,000 followers.

The platform became a crucial tool, helping her raise over £50,000 through GoFundMe to pay her mounting legal bills in her fight to be reunited with her two young sons.

But days after a crushing blow was dealt on June 30, when her Instagram profile appeared to have disappeared.

Friends of the model claim the account was abruptly suspended after five of her own personal family posts, dating back to 2019, 2023, and 2024, were hit by copyright claims.

It is not known who is reporting the young mum’s social media accounts.

A friend of the distraught mother told The Sun: “Lucia is devastated. She is alone in Switzerland and, she has a few good friends there but her main support network is either at home in the UK or online. Losing the account has therefore been a huge blow.”

The digital wipeout has left the young mother feeling completely bewildered and targeted.

Her pal continued: “This came out of nowhere, and Lucia is very confused as to why old content that had been online for years was suddenly flagged for copyright.

“She is desperate to get the account back and has been following all the official steps to try and appeal.”

Lucia’s erasure from the internet has even followed her to other apps, according to pals, who say she has had difficulty posting on TikTok.

The timing of this high-tech silencing campaign could not be worse for the desperate mother.

Lucia was recently evicted from an apartment owned by her billionaire ex and is now rapidly running out of funds.

She has been living in a temporary Airbnb in Lugano, Switzerland, to stay near the jurisdiction where her children reside, but that lifeline is about to be cut.

Revealing the terrifying reality of her living situation, her friend said: “Lucia won’t be able to afford to live in Switzerland for much longer.

“Right now, she is living in a temporary Airbnb where the booking runs out in the next 10 days and she is unable to fund another place with ongoing legal costs.

“She is financially dependent on strangers’ kind donations through her GoFundMe, and she is worried that she may have to fly back to the UK.”

Without her Instagram platform to share her story, those vital donations are at risk of drying up completely, threatening to physically separate her from her boys while her ex pushes ahead with an application to permanently relocate the children to the United States.

At the heart of this digital warfare is a very human tragedy: a mother fighting simply to see her children.

The estranged couple faced each other in court in Lugano, Switzerland again in June for a new hearing, but no settlement was reached.

Consequently, matters relating to custody and residency of the children remain undecided, and Lucia’s court-ordered custody arrangement has not changed.

She continues to endure the pain of having absolutely no visitation or contact with her eldest child – a heartbreaking reality she has faced for nearly a year.

While her contact with her youngest child remains restricted.

The emotional toll of fighting on multiple fronts is becoming unbearable. Her friend admitted: “Dealing with her account suspension, on top of preparing for the next stage of her custody battle, has been exhausting for Lucia, and it has been almost impossible for her to stay positive.”

Philipp, 48, who is dubbed the “King of Bling” for his jewel-encrusted and extravagant designs, won temporary full-time custody last year.

While Lucia battles to restore her Instagram account and faces the very real prospect of homelessness, Philipp has previously maintained that he never wanted the legal fight.

In a prior statement to The Sun, a spokesman for the designer: “Mr Plein always believed, with pure heart and total integrity, in the Swiss judicial system and defended his rights and those of his children in procedures that were not started by him, that he did not want and that he tried everything he could to avoid and prevent.

“He is now facing the big challenge of protecting his children, himself, his family and his business.

“He will continue this fight to achieve respect and protection for his children.”

For Lucia, however, the fight is simply about survival and a mother’s desperate hope to hold her children again.

But with her funds drying up, her legal options narrowing, and her voice systematically erased online, the odds against this British mum have never looked so terrifyingly steep.

Bestselling author Jessica Knoll’s protagonists mostly follow a specific pattern: They are women who have learned Not. To. Flinch.

And, apparently, neither does Knoll. Talking over Zoom about her fourth novel, the erotic thriller “Helpless,” which is out this month, the author is blunt about the challenges it took to complete the book. “It takes a lot of skill to write good sex,” Knoll says. “I relied a lot on feedback from my editor and from my book agents saying ‘this is hot; this is not.’”

Knoll has written romantic scenes before, but “Helpless” needed to be enthralling and economic enough not to get her kicked off of Target’s bookshelves. In the end, the author says, “I went by what felt good and natural for these characters and maybe a little bit of the really unfiltered talk you have with your girlfriends after a couple martinis or are on a girls trip.”

Knoll’s successful career as a novelist rests on her knack for creating provocative page-turners that depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads. Since her debut bestseller, 2015’s “Luckiest Girl Alive,” — a master class in braided narration between a Machiavellian magazine editor and her younger self who endured so much emotional and physical trauma that it’s no wonder she grew up to be extremely calculating — to 2018’s reality TV-set “The Favorite Sister” and 2023’s “Bright Young Women,” a response to the public’s obsession with immortalizing serial killers while also not knowing the name of a single one of their victims. Knoll’s books are not only stories about women who do not care if you like them but also ones where disastrous results await the women who do follow our cultural conditioning to be agreeable to men.

Her “Helpless” heroine is not so different from a lot of her previous main characters: Type A overachievers with cutting inner monologues that let the reader know they’re always one step ahead in the social Darwinism that is female relationships. This time, she’s named Faye Heron, an Emmy-winning Hollywood multi-hyph who found cachet while working on one of those edgy premium dramedies that probably aired on HBO. Faye, and her husband/producing partner, have parlayed this notoriety into indie, cool-kid projects that are just commercial enough that some of the target audiences’ boomer parents may also watch.

When Faye’s beloved college professor dies suddenly and she’s asked to speak at a memorial ceremony, nostalgia and flattery make her drop everything and hightail it back to the leafy northeastern college town. The place is a time capsule with sketchy internet service, drunken frat boys, and — most crucially — Faye’s college boyfriend Henry, who is now married with two kids and still lives in the area. The clothing references and song choices are popcorn for those old enough to remember the aughts but young enough to party during them. The Elsa Peretti-designed Tiffany & Co. heart necklace that was the it-girl accessory of the time, and now is one that Gen Zers are fishing out of the bottoms of their parents’ jewelry boxes, factors significantly into the plot.

Although the story eventually spirals into other tropes of the Knoll-niverse — kidnappings, cover-ups, affairs, the laissez-faire security that only old money affords — Faye stands out because she wants to be told what to do. In a secure and mutually consenting relationship, of course. And preferably after she’s told her partner what she wants.

“Helpless” was influenced by the 1995 Susanna Moore thriller “In the Cut” as well as Sarah J. Maas’ currently uber-popular romantasy series “A Court of Thorns and Roses,” both of which discuss power imbalances and smart women who become enamored with dangerous lovers.

Knoll has always been open about creating work that’s commercial. She famously wrote a 2018 New York Times opinion piece, titled “I Want to Be Rich and I’m Not Sorry,” that discussed her need to rank in money with an almost Scrooge McDuck fervor: “Success, for me, is synonymous with making money,” she writes. “I want to write books, but I really want to sell books. I want advances that make my husband gasp and fat royalty checks twice a year. I want movie studios to pay me for option rights and I want the screenwriting comp to boot.”

(Evelyn Freja / For The Times)

During our Zoom, with the background carefully faded behind her wavy blond bob, she promises that she doesn’t just copy and paste her subjects and settings from what sells.

“I’m just always looking on what the spin is; like, what the timely take is on something that happens to capture my attention,” she continues, citing a habit she credits to her early career working in women’s magazines like Cosmopolitan and Self. She adds that “I just happen to be interested in, like, really dark s—.”

“Helpless,” Knoll stresses, is a work of fiction; even though fans may be looking to draw comparisons to her life since “Luckiest Girl” was heavily influenced by her own career and childhood. Like the book’s Faye, Knoll went to a private liberal arts college. She’s spent time in the Adirondacks with the wealthy families who vacation in bare-basics cabins on the land they own. And she has dealt with her share of studio executives. Unlike Faye, Knoll is happily married to her husband, financial technology executive Greg Cortese. They share a young daughter. Last year, the family moved back to New York after some time in Los Angeles.

She does relate to Faye’s wealth dynamics. Her “Helpless” heroine grew up middle class but now has reached the “made it” level of nervous cockiness that happens when you combine new money and fame; the dream of so many who move to L.A. Henry, Faye’s ex, and his family are so comfortable in their generational wealth that he was raised to wear the same, now-bleach-stained, chambray button-down he had in college than buy a new one because clothes aren’t sound investments.

Knoll says she doesn’t want “things to feel didactic,” but concedes that class divides offer a treasure trove of stories.

“I just find myself going back to, again and again, this idea of someone who is the outsider because they don’t have the pedigree of their peers, but however many years later they’ve accomplished something and they think that they’re on more equal footing with these people from their past,” Knoll says. “Then something happens that brings them back into this environment where maybe they felt less-than years ago. They think that they’re going to go back and be like, ‘well, I’ll show you now because I’ve made it’ and those feelings of inferiority are still there.”

As she’s grown older and her career has become more stable, Knoll says she doesn’t think about success and fame the same way she did when she wrote her viral opinion piece or gave interviews where she talked about money and her own financial security. She says now that her priority is “the longevity of the career.”

Like her heroines, no one tells Knoll what to do. Unless she gives the OK.

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

The ITV drama made it’s highly anticipated debut tonight (July 12) but viewers were distracted

ITV The Dark viewers were quick to identify a problem just minutes into the new series.

The ‘scary’ new thriller, adapted from GR Halliday’s novel, From the Shadows, premiered on Sunday (July 12) night, yet viewers complained about the audio as they struggled to hear what was happening.

Starring Friends’ Helen Baxendale and Outlander’s Laura Donnelly, the six-part series follows a tense cat-and-mouse hunt for a twisted serial killer stalking the residents of a seemingly peaceful town in the idyllic Scottish countryside.

Laura leads the cast as DI Monica Kennedy, who teams up with new partner DC Connor Crawford (Mark Rowley) to hunt a serial killer stalking the Scottish countryside after a young man’s body is found eerily staged.

“As fear spreads through the rural community and secrets begin to unravel, Monica finds herself in a dangerous game of cat and mouse with the killer,” the synopsis continues.

“But when the case becomes intertwined with her own past, she must confront whether her personal history could put both the investigation and her family at risk.”

During the opening episode, DI Monica Kennedy’s family day out, is brought to an abrupt end when a mysterious woman from Monica’s past shows up.

With the threat of this reappearance hanging over her, Monica is called into investigating a chilling crime with her new partner – DC Connor Crawford.

A naked corpse of a young man in his late teens is discovered, posed in the middle of a remote Scottish glen.

Despite all the drama going on, viewers watching at home were quick to spot a major issue not long into the show.

Many insisted there was an issue with the sound as they also claimed that they were forced to use subtitles after struggling to understand the actors.

One viewer wrote: “#Thedark #itv I’ve had to put the subtitles on.. the audio is low, and I can’t understand them.”

Another commented: “Had to put subtitles on for #Thedark.”A third posted: “#thedark audio needs putting through Google translate and the unnecessary background music killing completely.”

Meanwhile many fans seemed to be enjoying the show but insisted that it would have been “perfect” if it was released in the winter.

One fan wrote: “Would have loved this for the dark, wintry rainy cold nights in autumn/winter!”

Another fan jumped in and agreed: “Oh yes that would have been perfect. Proper winter series #TheDark.”

The Dark is available on ITV1 and ITVX.

The Dark is a new ITV crime drama inspired by GR Halliday’s novel From the Shadows.

ITV’s The Dark is arriving with fans keen to discover everything about its “beautiful” setting.

Following the discovery of a young man’s body in the picturesque wilderness, it rapidly emerges that a serial killer is at large.

This marks the start of Detective Monica Kennedy’s (portrayed by Laura Donnelly) perilous cat and mouse chase as she embarks on a treacherous investigation to apprehend the murderer.

As ITV audiences prepare to immerse themselves in the chilling world inspired by GR Halliday’s novel From the Shadows, here’s all you need to know about The Dark’s filming locations.

Where was ITV’s The Dark filmed?

The Dark on ITV is situated in the remote Scottish Highlands, with production taking place across Greenock, Inverclyde, the broader Glasgow region and its surrounding countryside.

Last September, actress Donnelly and actor Mark Rowley were photographed filming The Dark alongside production crews at James Watt College’s Finnart Street campus.

The cast were also captured at Annexe Park, Fox Street, Greenock, Newton Street, Cathcart Square, plus Inverclyde Academy and St Mary’s Primary School.

Multiple sequences were additionally captured throughout greater Glasgow’s countryside, which served as a stand-in for the isolated Scottish Highlands.

Screenwriter Matt Hartley revealed to the Royal Television Society that working in Scotland proved an enormous attraction when it came to production and drawing creative inspiration.

“I grew up in the Peak District and live in Wales so the space and atmosphere in the ­Highlands and areas around where we were filming was intrinsic to me.

“There’s a line early on that says: ‘This is where people come to bury bodies, not display them.'”

“That was one of our key thoughts: this is a world of mystery, where people disappear.”

French-born director Gilles Bannier, however, had quite a different expectation of what filming in Scotland would entail.

He revealed: “It met all my expectations except one.

“I wanted these rolling clouds, amazing mist – the Scottish weather we all know.

“In fact, it was the most beautiful summer and autumn they’ve ever had in Scotland.

“So we were chasing a single cloud, a single drop of rain.”

The Dark premieres on Sunday, July 12, at 9pm, on ITV.

Streaming service Netflix has started early production on your next thrilling TV obsession

Another bestselling thriller is coming to screens soon.

Netflix has lined up an adaptation of Lucy Clarke’s bestselling thriller The Surf House with a familiar name behind the scenes.

No casting has been announced just yet, but the upcoming drama is being helmed by director Ed Lilly, who was behind episodes of major TV titles such as Industry and Tell Me Lies.

Clarke’s novel is set in Morocco and follows a woman named Bea seeking sanctuary amongst a community of travellers.

However, Bea’s travels soon take a dark turn when she uncovers a sinister secret at the heart of the commune.

A synopsis via Deadline reads: “The Surf House is set high on the cliffs of Morocco and is based in a sanctuary for surfers and travellers chasing sunshine and waves.

“But the idyll hides a dark mystery, and when Bea washes in, seeking refuge after a dangerous encounter in Marrakesh, she soon gets caught in the current.

“A woman her age – who stayed in the same area, walked the same beaches, met the same guests – disappeared one year earlier, vanishing without trace, and her last known whereabouts was The Surf House.”

Author Clarke is quickly becoming a household name for thriller fans, with Deadline’s report describing her as a “British Liane Moriarty” (author of Big Little Lies and Nine Perfect Strangers).

Two of her novels, The Castaways and No Escape, have already been adapted by Paramount+, the former starring Sheridan Smith.

Another book, The Hike, has also been optioned by Urban Myth Films, which is backed by Studiocanal, so a big screen adaptation could be imminent.

In the meantime, The Surf House is shaping up to be another must-watch thriller for Netflix based on the original novel’s rave reviews from readers.

One Goodreads user gushed: “This is the perfect thriller. It had everything going on. The scenic beach front hostel in Morocco as the setting was amazing.”

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Another wrote: “I felt like I could not put this one down. I needed to keep reading to see what was going to happen. Also the last 60 percent has several twists and turns. Once I thought I had it figured out it kept changing up on me.”

“I could not get enough of this book,” someone else said. “I am going to buy all of this author’s books now. Such a perfect 5 star for me.”

And a final fan recommended: “If you like fast paced thrillers, multiple mysteries wrapped up in one story all in the back drop of a gorgeous destination and travel setting then this is absolutely for you.”

Netflix’s The Surf House does not yet have a release date.

Apple TV’s new dark comedy thriller series has been dubbed “hilarious” and “brutal” by viewers and critics alike, with many fans claiming it’s “better than Cape Fear”

There’s a vast range of films and TV programmes well worth exploring across popular streaming platforms, from hard-hitting crime dramas and otherworldly fantasy to insightful documentaries, side-splitting comedies, and beyond.

Apple TV has been making quite the impression with hits including the much-loved comedy Ted Lasso, the trippy workplace psychological thriller Severance, sci-fi favourite Silo, the spy thriller Slow Horses, and plenty more.

However, one “hilarious” yet “brutal” comedy thriller series may have passed many fans by. It’s Apple TV’s new show, Maximum Pleasure Guaranteed.

Created by David J. Rosen, the series stars Tatiana Maslany as divorced fact checker Paula Saunders, who becomes embroiled in the criminal underworld after witnessing the abduction of her webcam acquaintance Trevor.

She’s subsequently contacted for ransom money, but police maintain it’s probably a scam – until Trevor turns up dead. Paula is drawn into the mystery, navigating murder and blackmail while grappling with her own personal demons.

The series debuted on Apple TV on May 20, 2026, and boasts an impressive 93% score on the popular review-aggregation website Rotten Tomatoes, where critics and fans alike have showered the drama with praise.

One critic said: “It’s breezy, but also brutal. Hilarious, but also horrific. And since each episode runs 30-40 minutes, it’s a perfect little summertime binge.”

Another agreed: “It sticks the landing through the end, and Maslany keeps you watching… even though you’ll want to yell at the screen every time she makes a new risky decision”. A third said: “One of the most captivating shows of the year thus far”.

While a fourth commented: “An utterly delicious thriller with interesting characters, an effectively circuitous plot, fast pacing, engaging comic undertones and terrific writing, ‘Maximum Pleasure’ will grab you from the first moment.”

These views were mirrored by fans over on Reddit. One devoted an entire post to the show, giving it the title: “Don’t sleep on Maximum Pleasure Guaranteed”.

They went on to elaborate: “Everyone loves Widow’s Bay (and they should; it’s great! ) but Maximum Pleasure Guaranteed is also really compelling: good balance of humour/drama/thriller, plot moves along at a good clip, good acting all around (of course Tatiana Maslany is great but Charlie Hall (Julia Louis Dreyfus’ kid! ) makes a fine comedic foil…) I really look forward to each new episode and hope others check it out.”

Fellow Reddit users were quick to share their thoughts in the comments section – and many agreed the programme is well worth a watch.

One viewer said: “Great show that deserves a bigger audience. People always complain that all the services only make safe bets anymore with established IPs etc. Support this, people! And support Sugar season 2, too. All great shows. Apple is on fire this year.”

Another enthused: “I just started this the other night and am hooked. I love Murray Bartlett too lol”.

A third commented: “I’m really enjoying it and I’m always happy to see Tatiana Maslany on-screen again”.

While another shared: “I’m surprised this isn’t bigger on this sub, it’s a fun series, I’m more invested in it than Cape Fear. I think Apple dropped the ball marketing wise.”

To which a fellow viewer fired back: “That’s because it’s significantly better than Cape Fear and seems to involve some actual plot each episode”.

The photo is from Workers’ Day in Venezuela, when Delcy Rodríguez, wearing a blue Ronald Acuña baseball jersey, announced a long-awaited minimum income increase after several days touring the country, campaigning for a land of peace and prosperity, free of sanctions.

Us Venezuelans know that chavismo loves a propaganda makeover. They can be good at it too, in all honesty. The aftermath of the capture of one of the world’s most loathed autocrats, and the takeover by his supposedly pragmatic, corporate-like vice president was never going to be an exception when it comes to PR reinvention.

Media outlets have noticed the changes in the Caracas landscape: the image of Nicolás Maduro (and to some extent, that of former First Combatant Cilia Flores) is starting to disappear from view. Large billboards featuring the couple, including the phrase “we want them back” (los queremos de vuelta), are getting withdrawn.

This occurs as there’s serious discomfort inside chavismo about how close the Delcy-Trump relationship has become: from the drastic U-turn in the Alex Saab case to increased “supervision” from the US embassy in Caracas and the joint military operation targeting the Tren de Aragua leader, it looks like Washington’s tutelage keeps expanding and deepening at great speed.

Delcy herself is not the main focus. The idea is to convince Venezuelans that things are improving, to encourage them to imagine how the country could thrive if sanctions are lifted.

The official strategy now seems to put Maduro on the back burner, letting him fade away from short-term memory. Getting rid of his image entirely won’t be easy, of course. After all, his face and personal brand—his Super Mustache, and the tricolor M letter from his 2018 presidential campaign which became an official emblem of sorts—can still be seen on public signs, painted in walls and even in official vehicles.

This mirrors what happened earlier with the visual trademarks of the late Hugo Chávez, like his famous eyes and rabo e’ cochino signature. Maduro had reduced their public use and replaced them with his own iconography, for better or for worse. 

Blue-hued efficiency

This sudden shift in dropping Maduro’s image brings an important question to mind: what will replace it? 

One option would be to have Delcy’s face in huge billboards across avenues and highways. But that has not been the case so far. 

Two elements are noticeable. First, Delcy herself is not the main focus. Instead, the idea is to convince the Venezuelan people that things are improving, and to encourage them to imagine how the country could thrive if (more) US sanctions are lifted.

She has embraced a more traditional “head of state” role, prioritizing highly-publicized formal meetings where she signs letters of understanding (often disguised as actual contracts) with foreign investors as signs that the country is back on track and open for business. That completely aligns with how the Trump administration and POTUS himself sell their role here.

Political advertising from the Delcy Rodríguez government tries to project a nation of diverse, forward-looking citizens, which is a huge departure from the Chávez-era exaltation of the all-red masses. Note the Star of David on the left-hand side of the image above, a nod to both the US and a Jewish community famously insulted by Chávez. 

Even Miraflores Palace got its own new styling for such occasions: the Cabinet Room was stripped of not only anything related to both Chávez and Maduro but also the pictures of the late Argentine President Néstor Kirchner. The room was named in his honor in 2011. In its place there’s now a large, White House-styled logo for Miraflores, which has been in use since 2018.

Then there’ the blatant decision of dropping chavismo’s traditional rojo-rojito red for a dark blue. 

Curiously enough, the Rodrigato has taken advantage of the full visual rebrand of the government launched last year by Maduro, which dropped the term Gobierno Bolivariano and related symbols used since the mid 2000s. 

The national flag and formal country name are front and center. The use of a broader institutional look is another stark contrast with the more personalized presentation from the Maduro years.

Delcy has used social media and trips both inside and outside the country in order to compensate for her brand-new stateswoman persona. But she doesn’t go as far as doing an Aló Presidente-style TV show or starting her own podcast like Maduro did with Con Maduro + (where Delcy was once a guest).

Delcy probably knows she is not exactly the most marketable presidential candidate. This rebrand is also an attempt to push her image in that direction while her aides and consultants still have time to sketch something viable.

So far, Delcy´s deeper involvement in mass events this year happened in late April, during the so-called “Great National Pilgrimage for a Venezuela Free of Sanctions,” better known for its shorter slogan Venezuela vuela libre (Venezuela flies free). At its core, it looks like an early balloon trial for what her campaign could look like in a snap election. On the surface, it seemed like an appropriation of the religious frenzy around the canonization of two Venezuelan saints—several months after that event, when Maduro was not in Brooklyn—and of the symbols and rituals of the Machado campaign: rosaries, people embracing a politician’s caravan across a village, blue and white clothes.

This particular change didn’t go unnoticed by former state television host Mario Silva, a longtime supporter of the revolución who has become Delcy’s most outspoken critic within chavismo. Silva recently told the Wall Street Journal: “Red used to mean combat… The pale blue is to put the masses to sleep.” The campaign itself became part of a heated debate between Silva and other figures related to the chavismo’s media ecosystem, such as Indira Urbaneja and the Argentine influencer known as Michelo last month.

Its launch was linked with the grand minimum wage announcement on May 1^st after a four-year wait. It wasn’t really the real wage increase that teachers, healthcare workers and public officials were hoping for. Since January 3rd, Jorge Rodríguez regularly takes over for her sister in public events. By the looks of the recent lack of activity in the official YouTube channel, it’s currently not at the same level of the spring period. The amount of related outdoor ads and street banners seemingly will do heavy lifting this summer.

Presidential disguise

Uncertainty hangs over Venezuela’s political future for the second half of 2026, but Delcy Rodríguez is clearly capitalizing on her position, using every resource at her disposal without facing any pushback from Washington. Yet, when it comes to the raw talent of a traditional politician, her shortcomings are no secret. Her speeches tend to be quite brief and dry. She has sounded nervous when caught off guard. She lacks the charismatic oratory of Chávez and the brazen rhetoric of her brother or her predecessor. She probably knows she is not exactly the most marketable presidential candidate. This rebrand is an attempt to push her image in that direction while her aides and consultants still have time to sketch something viable.

Coming back to Maduro, the little sympathy he had outside the most hardcore chavista supporters won’t improve. People are not missing him, never mind care that Delcy is shedding his old propaganda. Ordinary Venezuelans are generally too busy, dealing with their everyday problems, to pay attention to the politics of chavista PR.

In the end, this stealth attempt to erase Maduro’s image isn’t as simple as turning the page and moving on. Delcy needs to build a whole new persona that fits both the mainstream chavismo she wants to rally (and that still represents her voter base), and the one Donald Trump can be happy with.

She may not be able to deliver the rousing speeches of Chávez in his prime, or pull off the theatrical antics that Maduro leaned on for years, but playing the dignified role of “the President” may just work for her. At least for the foreseeable future.

KATIE Price has said that nobody knew just how bad things were for her when she experienced some very ‘dark moments’ in her life.

The TV star, 48, is gearing up for the release of her upcoming tell-all docuseries, Katie Price: Nothing to Hide – in which she will recount her 2018 and 2021 breakdowns.

Her candid and unfiltered account of three decades in the spotlight is coming to Sky and NOW on July 8.

This week, Katie attended the Sheffield DocFest where she revealed that during her darkest moments and confessed ‘no-one knew how bad it was’, with this set to play out in her new series.

Katie suffered a major mental breakdown in around 2018 following a build-up of traumatic events in her life, she then suffered another in 2021.

She experienced severe depression, suicidal thoughts, and even checked into The Priory amid her breakdown.

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Speaking about this at the DocFest event ahead of her Sky show dropping next month, Katie got candid and confessed: “When I had my breakdown, I don’t think people really knew how bad it was, and how it affected people in my life.

“To hear that my loved ones cried and how much they loved me is like a wake-up call for me.

“There are some really dark moments [in the series] but at the same time, uplifting.

“People have to remember that it’s actually my life, so if you’re exhausted just watching it, imagine how exhausting it is for my little pea brain.

“But I really enjoyed doing it.

“I said they should do 10 parts and they wanted to, but we were lucky to push it to four [episodes].

“There’s still so much you could put in it. Even from what you’re reading today.”

Elsewhere at the event, Katie said: “I’m an open book.

“When [the team] came to me about the documentary, I got excited because something about me and my life is perfect.

“The media narrative is so different to what I’m really like but as you say, every day, even now, there’s always something.

“My life could actually be a soap story – it just doesn’t stop. I’m normal but it’s a weird world I live in. I can’t explain it.”

She also touched on being authentic.

“I have nothing to hide, and when they asked me, ‘are there any areas you don’t want us to go?’, I said, no! You can talk to absolutely anyone you want and you can talk to me about anything you want,” she confessed.

“Luckily the duty of care was amazing. Sometimes after two hours [of interviews], I couldn’t do any more.

“There are moments where I’ve had therapy to get over some of the things in my life, and I had to relive them.

“But I think this is what makes a good show, and I love watching documentaries.

“So many people are so manufactured and they’re in on the edits, so they look like a polished turd, basically. I am not that!

“Even I’m cringing at some of the stuff in the first episode! I haven’t had time to reflect on anything in my life because there’s always the next thing, and the next thing.”

There are four signs you need to be aware of before you get on a plane

A doctor has explained the red flag warning signs that should never be ignored after a flight. Millions of people will jet off on their summer holidays in the coming months and a vascular consultant says holidaymakers should be aware of tell-tale signs before they become a medical emergency.

Dr Mark Regi, Consultant Interventional Radiologist at VeinCentre, said: “Air travel, particularly long-haul flights, can put extra strain on your circulatory system as most people will have limited movement for a long period of time. People with poor circulation or varicose veins can be at greater risk of deep vein thrombosis (DVT), a blood clot usually found in the leg.

“For most people, a walk around the cabin and some compression socks will do the trick, but it’s always worth knowing the signs to look out for that something potentially serious could be happening.”

Last year influencer Molly-Mae Hague told how she feared she had suffered a blood clot after experiencing severe pain in her leg following a flight home from Dubai. After rushing to hospital doctors gave the former Love Island star the all clear. She told fans: “It needs to be taken so much more seriously because it can happen to anyone at any age.”

Symptoms of DVT include a throbbing pain in the calf or thigh, swelling in one leg, swollen veins and the skin around the leg becoming red, blue or darkened. Dr Regi said: “If any swelling doesn’t ease after a flight and you experience a dull ache or heavy cramping then it’s always worth speaking to a doctor.

“DVT can be serious so keep a close eye on any changes that don’t settle down. If you experience shortness of breath or chest pain, together with these symptoms, seek medical advice straight away as this could be a sign a clot has travelled to the lung.”

Dr Regi continued: “People who already know they have poor circulation, for example if they have varicose veins, should try and move around as much as is practical during any long-haul flights. That’s because twisted or bulging veins can struggle to circulate blood effectively during extended periods of immobility.

“I always recommend investing in medical-grade compression stockings if you have varicose veins. You should also keep hydrated and keep alcohol and caffeinated drinks to a minimum. Exercises such as calf raises and ankle pumps can also keep blood pumping around your legs when you can’t get up for a wander.”

Dr Regi says varicose veins are often seen as purely a cosmetic issue, but they should be taken seriously and treatment is available. He said: “Varicose veins mean they are not working as they should. Treatments are available which focus on the underlying venous insufficiency to alleviate symptoms and prevent complications. Endovenous Laser Ablation (EVLA) is a minimally invasive procedure that uses laser energy to close off affected veins, treating the root cause of varicose veins.”

The island’s dark history of forced labour and harrowing conditions for prisoners of war has left a haunting legacy

In the late 19th century, this isolated Japanese island was a bustling town fuelled by its coal-mining industry. Today, it’s gradually being swallowed by the sea and reclaimed by nature, but given the island’s sinister past, perhaps it’s for the best that this once-thriving community has fallen into silence.

Hashima Island sits roughly 15 kilometres off Nagasaki, and was formerly a mining settlement. At its height in the late 1950s, the island housed more than 5,000 residents who lived in its towering apartment blocks — the ruins of which remain visible today.

Initially renowned for its undersea coal mines, the island also harbours a deeply troubling history.

The island was purchased by Mitsubishi in the late 19th century, and in 1916, work commenced on apartment blocks to house workers. There was a school, a kindergarten, a community centre and a hospital.

For leisure, residents could head to the cinema or visit the numerous shops, reports the Express.

Following the end of World War 2, Chinese and Korean prisoners of war were forced to labour on the island, either erecting buildings or toiling in the mines. These prisoners endured appalling and perilous conditions under Mitsubishi’s control.

Many perished from exhaustion and starvation — the precise death toll on the island ranges from 137 to as many as 1,300.

The people who laboured here dubbed the island “Jail Island” or even “Hell Island” — a stark contrast to the tranquil mining town it seemed to be. By the 1970s, coal reserves had largely run dry and the industry was in terminal decline.

This prompted many residents to abandon the island, and by the mid-70s, the mine had shut its doors for good, leaving the island completely deserted.

In 2009, Japan put forward a request for the island to be added to the UNESCO World Heritage List.

The move drew sharp criticism from the governments of North and South Korea and China, with Seoul arguing it would “violate the dignity of the survivors of forced labour”.

Eventually, South Korea and Japan struck a deal allowing the island to be included on the list, on the condition that Japan provided information acknowledging the use of forced labour.

However, in 2021, it emerged that Japan had failed to honour its side of the agreement, having not displayed adequate information regarding the use of forced labour.

The museum in Nagasaki, which documents the island’s history, reportedly contains no testimonies from Koreans about forced labour or discrimination, and the sole Korean testimony on display actually denies that forced labour was ever used.

If anyone needs the axiom “Tell me who you’re with, and I’ll tell you who you are” whispered to them every morning as a reminder to do better, it’s Spencer Pratt.

Can someone do that ASAP, por favor?

Instead of holding events around Los Angeles to convince skeptics that his mayoral campaign is for everyone, the former reality television bad boy has bunkered himself inside an echo chamber of sycophants, friendly podcasters and milquetoast media outlets.

Instead of offering an on-ramp to join his pissed-off posse, he calls Mayor Karen Bass “Basura” — trash — and her supporters “Bassholes,” insults that his followers share and like on social media by the thousands.

Instead of enlisting surrogates to push an uplifting vision for L.A.’s future, Pratt elevates those who speak of the city as a West Coast Chernobyl.

He’s running on a message of righteous fury as a survivor of the Palisades fire, in an era when many Angelenos feel pessimistic about what’s next. In recent months, he’s raised funds at a faster pace than Bass and City Councilmember Nithya Raman and delivered a decent debate performance, while holding strong in the polls with two weeks left before the June 2 primary.

Now that Pratt has shown his electoral quest isn’t a farce, it’s time he shows all Angelenos that they can rely on a Republican entertainer with no political experience to head a largely progressive, multicultural metropolis.

Instead, he continues to double down on his doomsday message, exciting the type of people who have been whining that L.A. is a “Lost Cause” since the days of the Watts riots.

They’re the ones depicting Pratt in AI-generated videos as a superhero — Batman, Luke Skywalker and a gladiator, among others — battling Bass, cast as a clown, Darth Vader, the Joker or as herself handing out needles to half-crazed homeless people.

They hound anyone who points out that L.A. is nowhere near as apocalyptic as they make it out to be, when homicides are at their lowest since the 1960s, burglaries are down 30% from last year and unsheltered homelessness has dropped two years in a row. They follow Pratt’s example and call unhoused people with drug problems “zombies” and “bums” while depicting the L.A. of the past as a problem-free playground out of “The Wonderful World of Disney” that derailed once Democrats took over.

Not all of Pratt’s supporters are this obnoxious. But he repeatedly platforms the worst of them and shows no signs of stopping. That nihilism might sell books and gain followers — but it’s no way to prove to Angelenos he’s serious about fixing anything other than his reputation.

Mayoral candidate Spencer Pratt, left, poses with a supporter during a campaign event in Sherman Oaks.

(Etienne Laurent / For The Times)

Anyone who truly loves the city complains about it even on its best days. They realize L.A. can never be perfect, and that’s what makes it so wonderful. When people try to better their part of paradise, everyone benefits.

But Pratt needs to realize that Angelenos don’t want the city to be torn down, as dissatisfied as they may be. Criticizing the status quo is necessary — but waging a campaign of humiliation, a la Donald Trump, isn’t how to heal L.A. It won’t get large swaths of the city on your side, and it can’t spark the true change City Hall so desperately needs.

Instead, we get people like former Times contributor Meghan Daum — who now calls herself the “official Liberal Elite for Pratt” — gushing in the Atlantic about how her man is the “factory-reset option” to Make L.A. Great Again.

Resetting to when, Meghan? The 2000s of the Great Recession? The 1990s of anti-immigrant policies, the Northridge earthquake and the riots? The 1980s and its out-of-control gangs? The white flight of the 1960s? The 1950s of legal segregation and hideous smog?

Or just to the days when the problems that have long racked L.A. didn’t lap up to the denizens of Prattland — until they did?

These are the people who stayed largely silent as Trump unleashed ICE goons across Los Angeles last summer. They said nothing about housing affordability and violent crime in the years when those issues primarily afflicted South L.A. and the Eastside. They didn’t have a fit about homelessness until encampments spread beyond Skid Row.

Pratt’s loudest fans fundamentally loathe modern-day L.A., and that should chill all other Angelenos. These haters would be his primary constituents and populate his brain trust if he does beat Bass — and if he lets them take over, heaven help the City of Angels.

I’m not discounting Pratt’s chances of winning — he’s too savvy a media pro to fully flop. I knew Bass and Raman would misjudge the anger of Angelenos, fail to capitalize on that rage and find themselves on the defensive against Pratt’s populist push. I also figured he would eschew politeness for the demonizing that has tainted past L.A. elections, from Yorty’s mayoral campaigns of the 1960s to the San Fernando Valley secession movement a generation ago to the continued charges of communism thrown at the democratic socialist wing of the City Council.

I don’t blame Pratt for jumping into the race after his life was upended. And I sure don’t underestimate L.A.’s middle-class malaise, long a reactionary force in city politics with a winning track record that spans decades. But I can’t trust the guy and his crew for just now beginning to say they care about reforming L.A., when all he has fought for is his dark idea of the city.

And if you think L.A. needs a complete makeover, then you probably never really loved it in the first place.

On a recent podcast with Adam Carolla — who has long railed against L.A.’s liberal, multicultural ways and is planning to move to Nevada after his children graduate high school — Pratt huffed that he will “be done with trying to live” in the city if he doesn’t become mayor.

“I’ll go find somewhere that my kids will not have to see naked zombies,” he said, in a comment that was cheered on and seconded by his online army.

Do Angelenos really want to entrust their city to someone who might pick up his ball and quit on a place he professes to love, if he doesn’t get his way?

PLUCKED from obscurity and then dropped when fans lose interest, men in reality TV shows often fare worse than their female counterparts.

While women regularly earn a fortune from brand endorsements, the guys can find themselves struggling after they are no longer on our TV screens.

Now the untimely deaths of The Only Way Is Essex cast members Jake Hall and Jordan Wright within a few months of each other has raised fears that ITV is failing in its duty of care for former reality TV stars.

Jake, 35, died last week in a Spanish villa following a night of partying while Jordan, 33 was found dead in a ditch in Thailand in March.

A TV insider told The Sun: “The tragic deaths of Jake and Jordan have raised some serious red flags.

“No one is blaming ITV but there is definitely a pattern which emerges time and time again on all reality shows.

“Measures were put in place a number of years ago but it doesn’t seem to be enough.”

Artist and designer Jake, who joined Towie in 2015, had been living in Spain.

He was found dead in a pool of blood in a villa in Majorca last Wednesday morning after he seemingly crashed through a window.

A police source said witnesses described Jake as “agitated”, possibly from “alcohol and other substances he may have consumed”.

He had a number of struggles in recent years, from losing his fashion brand Prevu to being hit with a restraining order by ex-girlfriend Misse Beqiri, a model and the mother of his eight-year-old daughter River.

Yet right from the start of his telly career, Jake was open about being uncomfortable with fame.

Shortly after his debut on Towie, Jake said on This Morning: “The privacy part has been quite difficult because everyone knows your life within days of being on the show.”

Jordan, from Basildon, Essex, also admitted he struggled with life in the spotlight.

The former firefighter said: “I had an enjoyable career for six years before I resigned to pursue a life in the limelight of reality TV — a choice that left me hugely unfulfilled, stagnant and lost.

“People think it’s glitz and glamour but the truth is very far from public perception.

“I really struggled.

“When I left I lost a huge part of myself and my sense of purpose.”

Jordan returned to firefighting in 2023 but he struggled to settle and in December moved to Thailand where he was looking forward to a “very exciting year ahead”.

He shared his new life with his 21,500 Instagram followers, but in March was found dead face down in a drainage canal on the island of Phuket.

CCTV footage appeared to show Jordan pacing erratically outside a hotel before bolting out of the complex shortly before his body was found.

Unfortunately, the two deaths were not Towie’s first.

In January 2021, Mick Norcross took his own life, aged 57.

The Sugar Hut owner and businessman had joined the show with his son Kirk, who now runs a waste removal business.

Addiction has also taken hold of a number of cast members, including James Argent, who suffered two near-fatal overdoses at home.

Arg’s drug binges cost him his relationship with co-star Lydia Bright, his job on Towie and other high- profile TV work.

Last year he was in trouble after pushing his former Miss Sweden partner Nicoline Artursson down some steps on holiday in Spain.

He admitted an offence of gender violence and was given a six-month prison sentence, suspended for two years.

Jake and Jordan’s deaths sent shockwaves through fans of Towie and its stars.

Charlie King, who was on the show in 2012 and 2013, has faced his own demons since he left the programme but believes his fellow cast members must “take responsibility”.

He told The Sun: “Reality stars in general are seeking something — whether it’s fame, attention or validation.

“It’s a two-way street — stars want to appear on the shows for that lifestyle and experience, and shows need the participants.

“I can’t say Towie gave me the best support when I finished on the show.

“I remember feeling lost and redundant, trying to navigate a life post the show and still having eyes on me.

“It was hard.

“I missed the show deeply and all that came with it.

“I think access to a counsellor or therapy in those first months or years after appearing is always a good idea.

“But I also don’t think it’s fair to point the finger at these shows for how individuals live their lives after — we have to take responsibility.”

Charlie added that producers offer much better support for their on-screen talent these days and that ITV “isn’t afraid to pull out cast members if they think it’s getting too much or they need a breather, which is great to see”.

Following his stint on Towie, Charlie was diagnosed with body dysmorphia and had a botched nose job.

Other lads from the show have also gone under the knife in a quest for perfection.

Bobby Norris is now almost unrecognisable after having a full deep plane facelift, neck lift and lower eyelid surgery.

James Lock has also battled body dysmorphia and says he has spent around £100,000 on getting work done.

On rival ITV show Love Island, telly bosses brought in a revised set of welfare measures in 2021, including “comprehensive” psychological support, after former stars Sophie Gradon and Mike Thalassitis took their own lives.

Their relatives blamed a lack of support from the show for contributing to their mental anguish.

Love Islanders are offered a minimum of eight therapy sessions when they return home.

They also get advice on coping with their finances.

But unlike Love Island, Towie cast members often appear on the show for years at a time.

A number of its former stars, including Yazmin Oukhellou and Tommy Mallet, have praised the support they have received while on the show — but what happens when the cameras stop rolling?

A telly insider revealed: “When women finish on a reality show, brand deals, an influencing career and other avenues are open to them — but it’s very different for men.

“They can get club PAs but that involves late nights and lots of booze.

“Some people like Jake or Tommy launch a career in fashion, but many struggle to achieve the dizzy heights they once enjoyed.”

Women, meanwhile, have made millions off the back of Towie, thanks to very successful business models.

Former glamour model Sam Faiers owns global collagen brand Revive and is worth £9million, and Gemma Collins is now a huge TV star with £7million in the bank.

Lucy Mecklenburgh — famed for throwing drinks on cheating Mario Falcone — now owns a thriving fitness brand and shows off her happy life on social media.

But there have also been a number of male Towie successes too.

Mark Wright landed I’m A Celebrity and Strictly at a time when Z-listers were reportedly banned, as well as enjoying a stint on US TV.

Now a radio DJ, he is married to actress Michelle Keegan, and the couple live in a £3.5million Essex mansion with one-year-old daughter Palma.

Joey Essex also became a huge breakout star.

These days he is worth at least £10millon thanks to a lucrative reality TV career, savvy personal branding and business ventures.

Another success story is Tommy Mallet, who launched luxury footwear and apparel brand Mallet London and more recently Ctrne trainers.

Tommy, Joey and Mark are living up to Towie’s theme tune The Only Way Is Up — and fans will hope there will be more men from the show who enjoy similar success.

ITV was approached for comment but declined.

Fans of documentaries packed with twists and turns are being urged to give this one a go

Documentary fans are being urged to watch a “stranger than fiction” film that is often ignored.

Three Identical Strangers was one of the top suggestions offered after a Redditor asked for “blow your socks off” documentaries to watch that were not widely known about.

The BAFTA-nominated film, which has a run time of just over an hour and a half, tells the story of triplets – Bobby Shafran, Eddy Galland and David Kellman – who were separated at birth. They were not told that they were triplets and so knew nothing about each other.

In an incredible twist of fate, the trio find themselves crossing paths with each other as young adults in the eighties, purely coincidentally. The amazing story catapults them to celebrity status and they live together, make movie cameos and start their own business, but as they dig deeper into their past, they discover a horrifying truth that changes their lives forever.

“I’m looking for documentaries and I love all types except for murder mystery because they’re typically all the same,” the original Reddit post began. “Could you guys suggest a few documentaries that completely caught you by surprise and you always recommend it to people because of that?”

Under the suggestion of Three Identical Strangers, one person remarked: “I remember this documentary. It made me so angry. But, producers did a great job telling the story.”

“Yess this is one I would typically scroll past but wow it was definitely one of the best,” admitted one viewer who gave it a shot. A third fan added that the story told in the film “felt impossible.”

While it is no longer available on Netflix, the film – described by many as ‘dark’ – can currently be viewed on YouTube, Apple TV and Prime Video for a small fee. Boasting a 96 per cent critics rating on Rotten Tomatoes and 88 per cent from audiences, the viewer consensus seems to be that it is a worthwhile watch for any documentary fan.

“Starting as a fascinating curiosity, the movie takes a dramatic and breath-taking turn to expose a much more unsettling story. Really great documentary,” another viewer said, rating it five stars.

“Classic case of reality being far stranger than fiction. Watch this and you’ll be rewarded (if that’s the proper way of putting it) with a story so wild you’d think it’s made up. Yet this is a documentary,” said yet another bowled over viewer.

Three Identical Strangers is currently available to watch on YouTube, Apple TV and Prime Video for an additional fee.

Social media is full of posts showing off photos and videos of fancy-looking cafes and restaurants in Gaza. Pro-Israeli accounts often use these images to claim that life is back to normal in Gaza, that people are not suffering and that no genocide ever took place.

These cafes and restaurants do exist. I have seen them myself.

In late March, I went on my first visit to Gaza City since the war started. I was shocked to see the destruction wrought on the city. There were piles of rubble at every corner. Unable to recognise the streets, I felt as if I were strolling through a maze. I soon arrived at an area nearby that shocked me even more. It was full of new cafes that did not exist before the war.

These were not makeshift or temporary places as one might expect; they were built with expensive materials, carefully painted, furnished with tables, sofas, and elegant chairs, with glass facades and shining lights. A luxury feel emanated from them. They looked so out of place amid the rubble and the half-collapsed buildings that it felt almost surreal to see them.

These new establishments do not prove that normality is coming back to Gaza. They are a testament to its continuing genocidal abnormality.

The war made some people in Gaza rich, especially those who engaged in illicit activities like smuggling, looting, and hoarding during acute shortages. This wealth is now coming out in various forms, including luxury cafes and restaurants.

In parallel, the vast majority of Gaza’s population has been thrown into abject poverty. While before the war, the average person was able to afford to sit at a cafe and have a drink and a bite to eat, today this is no longer the case.

Most people cannot even look at these new places, let alone enter them and order something. The vast majority of Gaza’s population lives in tents, has no electricity or potable water, and suffers from the loss of livelihoods. They are surviving on what little aid Israel is allowing through.

I am one of them. My family and I live in a tent pitched near the rubble of our home in the Nuseirat camp. We have lost our family livelihood. The comfortable life we used to have is now just a distant memory.

The expensive new establishments reflect the deeply unjust social order that has emerged in Gaza – one where war profiteering has elevated a new privileged class and collapsed the vast majority into misery with no access to proper education, healthcare and even food. The genocide did not just kill and maim people and destroy homes and schools; it eliminated the prospect of a normal life for most people in Gaza.

I could not afford the fancy cafes, so I continued down the street till I reached a more modest restaurant, which used to go to with friends before the war. Entering it felt like stepping back in time to the days before the war; the place was the same, with the same chairs and tables, and the familiar smells that filled the space.

I sat and observed, dwelling on fond memories of spending time there after university lectures. I ordered what I used to order: a chicken wrap, a soda and a small salad plate. The bill was 60 shekels ($20) – more than three times what I would pay before the war, when my family actually had a normal income.

The restaurant bill, together with the fare I paid for a shared ride to get to Gaza City (15 shekels or $5 one way), cost me a fortune. I felt guilty spending all this money to enjoy a glimpse of normalcy.

The few who are fortunate enough to be able to afford going to cafes and restaurants in Gaza may enjoy short moments of relief, a temporary escape from the horrors of reality. Yet these moments are limited, often accompanied by anxiety about returning to the destroyed streets, the bombed-out landscape and the trauma.

As I sat at Al-Taboon, I thought of the friends with whom I used to spend time: Rama, who was martyred and Ranan, who escaped to Belgium. I sat there alone, holding on to these memories amid the greyness of Gaza’s rubble and the lights of the generator-powered cafés.

The genocide has devasted everyone – even those who have profiteered from it. No amount of time spent in shiny cafes and restaurants will ever erase this reality.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.