Dame

DOWNTON Abbey and Harry Potter star Dame Maggie Smith left a £16million fortune to her two actor sons, probate records published nearly two years after her death reveal.

The double Oscar winner, who died at a London hospital in September 2024 at the age of 89, left a net estate valued at £15,977,325.

Her will divides the bulk of that fortune equally between her sons Christopher Stephens, who works under the stage name Chris Larkin, and Toby Stephens.

She also left her West Sussex farmhouse, Douglas Lake Farm at Fittleworth, to a family trust she had set up with the two brothers in 2019.

The five-bedroom house, where she raised her sons and lived for more than 40 years, sits on a secluded plot with barns, a stable and a vineyard.

Born Margaret Natalie Smith in Ilford, Essex, in 1934, she was brought up in Oxford and made her stage debut at the Oxford Playhouse aged 17.

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She won her first Oscar in 1970 for playing the teacher in The Prime of Miss Jean Brodie, and a second in 1979 for California Suite.

She was made a Dame in 1990 and her other films included A Room with a View, Sister Act, Gosford Park and The Lady in the Van.

A generation of children knew her as Professor Minerva McGonagall in the Harry Potter films, a role she played across a decade from 2001 to 2011.

Her role as the acid-tongued Violet Crawley in six series of ITV’s Downton Abbey from 2010 won her three Emmy awards and a fresh television audience around the world.

In all she won two Oscars, seven Baftas, four Emmys, three Golden Globes and a Tony award, and was appointed a Companion of Honour by the late Queen in 2014.

King Charles and Queen Camilla also paid tribute, saying: “As the curtain comes down on a national treasure, we join all those around the world in remembering with the fondest admiration and affection her many great performances, and her warmth and wit that shone through both off and on the stage.”

Harry Potter co-star Daniel Radcliffe, said: “I will always consider myself amazingly lucky to have been able to work with her, and to spend time around her on set. The word legend is overused but if it applies to anyone in our industry then it applies to her. Thank you Maggie.”

Hugh Bonneville, who played her son in Downton Abbey, said: “Anyone who ever shared a scene with Maggie will attest to her sharp eye, sharp wit and formidable talent.

“She was a true legend of her generation and thankfully will live on in so many magnificent screen performances.”

Her sons announced her death in a statement issued through her publicist, in which they thanked hospital staff for their care during her final days.

They said: “An intensely private person, she was with friends and family at the end.

“She leaves two sons and five loving grandchildren who are devastated by the loss of their extraordinary mother and grandmother.”

She married the actor Robert Stephens in 1967, the father of her two sons, and after their divorce married the playwright Beverley Cross in the mid-1970s.

Mr Cross wrote the musical Half a Sixpence and the screenplays for the fantasy adventure films Jason and the Argonauts and Clash of the Titans.

Her will directs that any copyright, royalties and unpublished works she inherited from him after his death in 1998 should be shared out separately.

The proceeds are split equally between his daughter Philippa Maughan, his son Shaun Cross and her own two sons.

She signed the will in September 1996, when Mr Cross was still alive and named as her main beneficiary, but he died 18 months later.

The full value of everything she owned came to £16,003,613, with debts and expenses of just over £26,000 taken off to reach the final figure.

Speaking in a magazine interview in 2019, she was dismissive of the two roles that had made her famous to a new generation of viewers.

She said: “It wasn’t what you’d call satisfying. I didn’t really feel I was acting.”

She added that she was grateful for both jobs, which between them introduced her to millions of filmgoers who had never seen her on stage.

Dame Maggie once summed her life up by saying: “One went to school, one wanted to act, one started to act and one’s still acting.”

USC coach Lincoln Riley said he is glad to have the Trojans’ annual rivalry game with Notre Dame back without compromising the Trojans’ biggest need.

The schools announced they agreed to a four-year series starting in 2030 during Week 1 of the season at the Coliseum. The following year the teams will play in Week 1 at Notre Dame Stadium. The 2032 and 2033 games will be played during Week 1-3 of the season.

“We felt like the best thing for our program was to play this game early in the season,” Riley said. “As I’ve said publicly, we’re a part of a conference. We have a conference schedule to answer to. We don’t make our own schedule, we don’t choose our own kickoff times. And so with that, we have much less flexibility and so it made more sense for us to play this game in a traditional nonconference window.”

Riley, who took many jabs locally and nationally for letting one of college football’s most prestigious rivalry series expire, has been steadfast in noting the inequity between USC playing Notre Dame amid a grueling Big Ten schedule and independent Notre Dame’s ability to surround the contest with less taxing matchups to aid its College Football Playoff push.

Ultimately, both schools said they valued the rivalry and they found a way to reach an agreement announced Monday.

USC owns a 37-53-5 all-time record against Notre Dame, excluding the Trojans’ 2005 victory, which was later vacated due to NCAA sanctions (original record: 38-53-5). Riley is 1-3 during his Trojans tenure against the Irish. The teams battle for the Jeweled Shillelagh.

“I think this benefits everyone,” Riley said. “I think this benefits USC. I think this benefits Notre Dame. I think this benefits college football. This is important. We know its important to our fan base, we know it’s important to alumni, we know it’s important to former players and coaches.”

Dame Sarah Storey, Great Britain’s most-decorated Paralympian, has retired from international competition with immediate effect.

The 48-year-old cyclist has opted not to compete at Los Angeles 2028 to focus on helping improve Para-sport.

The 19-time Paralympic champion feels the sport has “stalled somewhat” since the London 2012 Games and that many areas “still need attention”.

“The years between each Games haven’t been utilised well enough to create the momentum that I and others hoped to see,” she said.

“I see this as a critical stage; there are many areas of Para-sport that still need attention, and that is something that has played a big part in my decision.

“I fully believe that I can have a greater impact off my bike, rather than chasing a 10th Games and possibly further titles.

“I’m excited to be part of a future where we inject the momentum that is needed to ensure the future is bright for all Para-athletes.”

Storey started her career as a swimmer and competed at four Games before switching to cycling, winning a total of 30 Paralympic medals across nine Games, including four golds at London 2012.

World Athletics president Lord Coe, who was chairman of London’s organising committee for the Olympic and Paralympic Games, said: “Para-sport was an enormously significant part of London 2012 and I remain extremely proud of what we were able to deliver.

“However, the issues that Dame Sarah raises upon her retirement resonate with me hugely – sport must continue to take those small but steady steps forward to ensure that what has gone before is not wasted.”

The British Paralympic Association has been approached for comment.

LONDON — Penelope Keith, a comic performer who shone as flinty but lovable upper-crust characters in British sitcoms “The Good Life,” which aired on PBS in the U.S. as “Good Neighbors,” and “To the Manor Born,” has died aged 86.

Keith’s family said Monday that she had been diagnosed with cancer and died at her home in Surrey, near London.

Keith began her acting career onstage and joined the Royal Shakespeare Company in 1963. But she found her greatest fame on television.

She won a BAFTA Award in 1977 for “The Good Life,” playing Margo Leadbetter, a snobbish suburbanite appalled by her back-to-the-land neighbors Tom and Barbara Good, played by Richard Briers and Felicity Kendal.

Kendal called Keith a “comic genius.”

“She was a joy to know and work with, and she will be much missed,” Kendal said.

Keith displayed a similar mix of imperiousness and deadpan wit in “To the Manor Born,” broadcast between 1979 and 1981 and brought back for a 2007 Christmas special. Keith played cash-strapped aristocratic widow Audrey fforbes-Hamilton, forced to sell her country estate to a nouveau millionaire, played by Peter Bowles, with whom she has a love-hate relationship.

Keith’s velvet tones featured on children’s show “Teletubbies” as the voice of the Bear With Brown Fuzzy Hair and in ads for everything from Pimm’s to Parker Pens. She also presented cozy documentary TV series, including “Penelope Keith’s Hidden Villages.”

Keith continued to perform in stage roles into her 80s. Theaters in London’s West End will dim their lights Wednesday evening in tribute to her.

In 2014 she was made a dame, the female equivalent of a knight, for services to the arts and to charity.

She is survived by her husband, Rodney Timson, and their two sons.

Kirstie Allsopp has lashed out at BAFTA following the death of ‘national treasure’ Dame Penelope Keith over the weekend, following a battle with cancer

Kirstie Allsopp has been left furious over BAFTA’s tribute to Dame Penelope Keith. The Good Life star died “peacefully” at her home aged 86 on June 29, following a battle with cancer.

“We are deeply saddened to announce that Dame Penelope Keith died peacefully whilst living with cancer at her home in Surrey where she had lived for more than 50 years,” her family said in a statement, adding they were “grateful” for the care and support she received throughout her treatments.

However, after BAFTA issued a tribute to the late actress, Kirstie Allsopp was unhappy that it had chosen to use the word “passing” in its statement. The organisation said on X, formerly known as Twitter: “We’re saddened to learn of the passing of Dame Penelope Keith, aged 86. A familiar face on stage and screen Keith won a BAFTA for her iconic role in the Good Life in 1997 and another for her work in The Norman Conquests and Saving It For Albie in 1978, with a further three BAFTA nominations during her career.”

However, Kirstie was not happy with this tribute. Taking to X in view of her 425,000 followers, she fumed: “It’s ‘death’, Dame Penelope died, she was an absolute national treasure, she lived & worked and was brilliant and then she died. Dame Penelope did not ‘pass’, she was not a car or a bottle of ketchup.”

She later fumed: “When did we move from saying ‘sad to hear of the death of…’ to ‘sad to hear of the passing of’? Is there any way to stop this? We are already bad enough at discussing death in the U.K.”

However, Kirstie’s response was met with mixed responses. One person said: “I think it is a choice of words that different people are comfortable with. You should use what you feel comfortable using and let others use what they prefer. Let’s not judge, it is a personal viewpoint.”

A second added: “Why would you argue with a family about how they express that.” Hitting back at criticism, Kirstie fumed: “The family issued a statement saying that Dame Penelope had ‘died while living with cancer; a particularly elegant way of addressing two issues I felt. I obviously double checked that before telling BAFTA what I felt about their statement.”

She added: “BAFTA is an organisation not a person, and as Dame Penelope’s family statement said she had died, they should have at least reflected their language.” But Jeremy Clarkson was in support of Kirstie, stating: “I loathe ‘passing’. Loathe it’

Paying tribute, Dame Penelope’s family said in full: “We are deeply saddened to announce that Dame Penelope Keith died peacefully whilst living with cancer at her home in Surrey where she had lived for more than 50 years.

“The family is grateful for the care and support she received throughout her treatments, and ask that their privacy be respected at this time.” The Good Life followed the couple Tom and Barbara Good, played by Briers and Kendal, who try to escape the rat race in their suburban house in Surbiton. They try to become self-sufficient, turning their gardens into an allotment and introducing farmyard animals, much to the horror of their neighbours – Margo and her hen-pecked husband Jerry, played by Eddington.

In one of her last TV appearances in October 2025, Penelope fronted The Good Life: Inside Out on U&Gold, looking back on the sitcom’s huge success. Dame Penelope won a BAFTA in 1977 for her role in The Good Life.

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BBC viewers paid tribute to Dame Penelope Keith, following her death aged 86, as the broadcaster aired a special episode of The Good Life.

BBC viewers have been left “heartbroken” as they paid tribute to an iconic actress.

In a change to scheduled programming, the broadcaster made the decision to honour Dame Penelope Keith with a classic episode of The Good Life on Monday, June 29.

Dame Penelope, star of the 1970s British sitcom, died aged 86, with her family releasing a statement.

They said she “died peacefully whilst living with cancer at her home in Surrey”.

As fans mourned the To the Manor Born actress and friends paid tribute, the BBC confirmed the Margo Leadbetter actress would be remembered with the episode airing on BBC Two.

From the third series of The Good Life, it followed war breaking out between the Goods and the Leadbetters, “proving there is nothing like a good fight over the fence to cement relationships”.

Jon Petrie, Director of BBC Comedy said: “All of us at BBC Comedy are deeply saddened to hear of the passing of Dame Penelope Keith. She was one of the defining figures of British television comedy.

“Her iconic performance as Margo in The Good Life remains one of the nation’s most beloved sitcom roles and continues to delight audiences today.

“We send our heartfelt condolences to her family, friends and all of those who had the privilege of working with her.”

Watching the repeat episode, one person wrote on X: “Just watched #TheGoodLife on bbc as a tribute to Penelope Keith. Still very good!”

Another said: “Lovely to watch #thegoodlife. it brings back memories of when I was a kid. RIP Penelope Keith.”

A third wrote: “Genuinely had something in my eye as soon as the theme tune came on #TheGoodLife #DamePenelopeKeith Thank you BBC2.”

Someone else said: “I’m indulging in some pre-dinner #TheGoodLife on #BBCTwo in honour of #PenelopeKeith RIP.”

Paying their respects, one person said: “I am shocked and now, heartbroken. … Absolutely love this lady. I’ve watched #TheGoodLife so many times, over the years and it just becomes even more funny each time I watch it – seeing/hearing something that I’ve missed previously… I think another “binge-watch” of “The Good Life” is now due. In honour of the beloved #DamePenelopeKeith.”

Someone else wrote: “Pleasing to see BBC 2 scheduling an episode of The Good Life at 7 this evening, by way of tribute to the wonderfully talented Penelope Keith. Hopefully there will be more in the coming weeks. A Penelope Keith night on BBC 4?”

The statement from Dame Penelope’s family read: “We are deeply saddened to announce that Dame Penelope Keith died peacefully whilst living with cancer at her home in Surrey where she had lived for more than 50 years.

“The family is grateful for the care and support she received throughout her treatments, and ask that their privacy be respected at this time.”

The Good Life is available to watch on BBC iPlayer.