D.C

In 1994, then House Speaker Newt Gingrich promised to post all congressional proceedings on the Internet as a way of launching what he called a “civilizational upheaval” in which “regular people in little towns”–not well-moneyed lobbyists–would manage affairs in Washington. In 1996, the representative from Georgia, swayed by the futurism of writer Alvin Toffler, helped pass the Electronic Freedom of Information Act, which required federal agencies to grant Americans prompt access to any information in their databases that could help “ensure an informed citizenry.”

Three years later, Gingrich’s revolution, far from online, is nowhere in sight. Rather than complying with the 1996 law, most parts of the executive, legislative and judicial branches of the U.S. government stand in blatant violation of it.

While the Supreme Court of Mongolia has its own official Web site, the U.S. Supreme Court doesn’t, forcing Americans to search through unofficial Web sites in hope of finding its briefs and opinions. While the Congressional Research Service makes its reports on vital issues like HMO reform instantly available online to legislators, taxpayers, who fund those studies, can get them only through the mail from their members of Congress.

If you are a soldier who believes he was made ill by the military’s anthrax vaccine, for example, you might want to know what was said in Tuesday’s hearing of the House Committee on Government Reform, in which Rep. Henry A. Waxman (D-Los Angeles) and leading scientists discussed how the government should weigh a vaccine’s risks against its benefits. The full text of the hearing was available Tuesday to anyone who could afford a subscription to a private online data service.

Those hoping to access such supposedly public information on the Web, however, were out of luck. The House Government Reform Committee’s Web site lists transcripts from only a hodgepodge of committee hearings. The most recent transcript available at that site is from June.

Today, Sens. Patrick J. Leahy (D-Vt.) and John McCain (R-Ariz.) plan to hold a press conference in which they will release a study by two Washington public-interest groups on how federal agencies have failed to comply with the 1996 law. McCain and Leahy, along with David E. Price (D-N.C.) and Christopher Shays (R-Conn.) in the House, have introduced similar bills to require Congress to put Congressional Research Service documents online within 30 days. The measures currently are in the House and Senate rules committees.

Fundamental change won’t occur until national leaders like President Clinton, Senate Majority Leader Trent Lott (R-Miss.) and House Speaker J. Dennis Hastert (R-Ill.) call upon all government agencies to honor the letter and spirit of the 1996 law.

Reforming the Congressional Research Service is only a baby step toward the revolution that legislators promised so bombastically. But it’s as good a place as any to start.

To Take Action: Rep. David Dreier (R-San Dimas), chairman, House Committee on Rules, (202) 225-2305, www.house.gov/dreier, click on “Feedback”; Sen. Mitch McConnell (R-Ky.), chairman, Senate Committee on Rules and Administration, (202) 224-2541, e-mail, senator@mcconnell.senate.gov

The tumult continues at the John F. Kennedy Center for the Performing Arts as the National Symphony Orchestra’s executive director, Jean Davidson, steps down from her role to become executive director and chief executive of the Wallis Annenberg Center for the Performing Arts. Davidson will assume her new position May 4, the Wallis announced Friday.

Davidson is not new to L.A., having served as the president and CEO of the Los Angeles Master Chorale at the Music Center from 2015 to 2023. She left the Master Chorale for the NSO in Washington, D.C., where she worked for two years until President Trump began his controversial takeover of the Kennedy Center, firing its board and installing himself as chairman. Major artist defections ensued, culminating with a board vote to rename the center the Trump Kennedy Center in December and February’s surprise announcement that the center would close for two years for renovations, beginning July 4.

“I’ve learned a lot in the last three years, and I think it’s no secret that it’s been a hard year,” Davidson told The Times, adding that the politicization of the Kennedy Center was a factor in her decision-making. “I had intended to stay through the [orchestra’s] 100th anniversary in 2031, but found it more and more difficult to achieve the goals that we had set out to achieve given the external forces that are at work that are just so far beyond my control.”

It seemed like “I had reached a natural ending point,” she said.

With the imminent closure of the Kennedy Center, speculation has swirled around the NSO’s future, especially in light of the Washington National Opera’s decision in January to cut ties with the storied venue, which has been its home since 1971. The Kennedy Center’s Trump-appointed leadership, however, made it clear that it intended to support the NSO in the long term, and the orchestra’s board chair assured musicians that the orchestra and its staff would remain intact.

Davidson said the NSO is in the process of identifying venues for the next two years, and that the orchestra has been told by the Kennedy Center that its financial support is not in question.

“Many venue operators in the D.C. area have been very generously reaching out to us, asking how they can help,” she said. “Of course, we plan our seasons years in advance, and so next season was already planned. We already have conductors and soloists and all of that, and so it’s a bit of a jigsaw puzzle aligning our existing programming and obligations to those artists with venues that are appropriate for those programs.”

It will take several more weeks to come up with a cohesive plan and it will probably include several venues, “but we will have a season,” Davidson said. “And we hope that everybody will come.”

In many ways, Davidson said, the NSO is stronger than it has been in quite some time. During her tenure, Davidson helped reboot the orchestra’s international and domestic touring, which includes upcoming shows at New York’s Carnegie Hall in May and at the Hollywood Bowl in August. The orchestra also extended acclaimed music director Gianandrea Noseda’s contract through 2031.

“The orchestra is just playing at such a high level and they really have never sounded so good,” said Davidson, echoing what notable critics have also been saying. “We’re still welcoming many new players after our audition process, and I think that’s all very positive for the NSO.”

Davidson knows that leaving her role will be difficult for the orchestra, but she believes it will emerge stronger.

“I care deeply about the NSO and I am so proud of everything that we’ve accomplished together. I think the world of Gianandrea, of [principal conductor] Steven Reineke, our musicians, our staff and board — it’s a great community of people,” said Davidson.

Davidson also believes that the upcoming renovations to the Kennedy Center will ultimately result in a better experience for audiences and artists. She just wishes there had been much more advance notice.

“Usually orchestras will plan for being out of their hall years in advance, and we only have months to do that, so it is causing a bit of strain,” she said. “I think the most important thing is that our audiences and donors continue to support the NSO during this transition period.”

Davidson will now embark on her own transition as she moves from D.C. to L.A., rejoining her husband who has stayed in the area as a music professor at UC Irvine.

“This is an opportunity that’s been on my bucket list of things that I want to do in my life and it seems like the right time,” said Davidson of her new role at the Wallis in Beverly Hills.

Compared with the NSO, the Wallis is practically brand new, having opened in 2013.

Davidson is excited that there is lots of room for growth, and that the Wallis has evolved into one of the region’s most exciting multidisciplinary performing arts presenters and home base to a variety of local arts groups.

“I think anytime you’re starting a new role, there’s a lot of learning that needs to occur,” Davidson said. “And I’m not somebody that is prone to walking in with a big vision that’s going to suddenly change course. I think they’ve been doing a lot of great work and so I’m looking forward to collaborating with the team that’s there — to learn and to create a shared vision for the future.”

It’s an exciting time to be in Los Angeles, Davidson said.

“The last decade or so has seen a lot of growth in the art sector, and there are so many talented artists and organizations in L.A. that need a place to perform.”

Trae Young has yet to play a game for the Washington Wizards.

The four-time All Star has, however, already been ejected from a game as a member of the team.

That happened Monday night, three days before Young’s expected debut for the team that acquired him in a trade with the Atlanta Hawks on Jan. 7. He has not played in an NBA game since Dec. 27 because of knee and quadriceps injuries.

Earlier on Monday, Young posted a video on Instagram that showed him in Wizards gear and ended with “3/5” on the screen, indicating the date Washington hosts the Utah Jazz later this week. Before his team’s game against the Houston Rockets on Monday night, Wizards coach Brian Keefe said Young was trending toward being able to play in the Utah game.

Still, Young was in street clothes and watching the Rockets-Wizards game on the bench at Capital One Arena. During the third quarter, Houston’s Tari Eason shoved Washington’s Jamir Watkins to the floor, an incident that did not draw a whistle from the referees.

A few seconds later, after a foul was called on Eason for a different incident involving Watkins, Young stepped onto the court while yelling at referee Jacyn Goble apparently over the previous no-call against Eason. Goble called a technical foul on Young, then spoke with crew chief Tony Brothers and umpire Marat Kogut.

Brothers then announced that the technical foul had been called on Young for running onto the court and that Young had been ejected from the game. Eason also was ejected.

Young gave high fives to fans as he left toward the locker room. He did not speak to reporters after the Wizards’ 123-118 loss but joked about his ejection on X.

“Don’t expect me to get ejected too many more times D.C.,” Young wrote, adding a crying-with-laughter emoji, “but I’m definitely bringing that energy & competitiveness when I’m back for my brothers!”

After the game, Keefe praised Young for having his fellow player’s back.

“I think he was just sticking up for his teammates, which I thought was great,” Keefe told reporters. “Obviously, the refs missed a call in which our guy got knocked down, and I loved how our teammates stuck with him. So, whatever happened in that moment, I was actually proud of him because he stuck up for his teammates and I really care about that type of stuff.”

Keefe added that it’s an example of the type of engagement Young has shown since he’s joined the team.

“It’s nothing that he’s not been doing the whole time since he’s been here,” Keefe said. “He’s talking to everybody in every timeout. He sees so much. He has so much stuff to share. He’s completely engaged in the whole game. So I am not surprised that he stood up [for] his teammates. That’s the type of guy he is, and we’re lucky to have him.”