crowd

MILAN — He popped the quad axel. He stumbled across the ice. He tried to hide the pained expression.

Ilia Malinin fell apart in the men’s free skate, tumbling from near lock to win the gold medal to eighth place after a disastrous performance Friday. After his music ended, Malinin covered his anguished face. He put his hands on his knees, shook his head in disbelief and scrunched his face, hoping to hold back the tears.

It was the first time since November 2023 that he hadn’t won a competition.

“I just thought that all I needed to do was go out there and trust the process that I’ve always been doing with every competition,” Malinin said with tear-stained cheeks. “But, of course, it’s not like any other competition. It’s the Olympics.”

American Ilia Malinin reacts after stumbling through the men’s singles free skate at the Winter Olympics on Friday in Milan.

(Robert Gauthier/Los Angeles Times)

Malinin skated four times at the Milan-Cortina Games, helping the United States to a team gold medal with a clutch free skate that clinched the one-point win. But the 21-year-old had just one clean skate in his first Games experience. He explained his slow start during the team event as “Olympic nerves.”

There was no explaining away Friday’s flop.

“I think people only realize the pressure and the nerves that actually happen from the inside,” said Malinin, whose technical advantage was supposed to be insurmountable for his opponents. “It was really just something that overwhelmed me. I just felt like I had no control.”

After Malinin’s score was announced, Kazakhstan’s Mikhail Shaidorov covered his mouth in shock. He was the new Olympic champion. Shaidorov claimed his country’s first Olympic gold in figure skating. His coach held his arm up like a boxing champion as a legion of Kazakh fans seated in the corner above the kiss-and-cry booth where skaters wait for their score waved their country’s teal and yellow flags. Malinin hugged him. He pointed to Shaidorov’s chest.

“You deserve it,” Malinin said.

Japan’s Yuma Kagiyama shook off several falls in his program to fight for his second consecutive Olympic silver. His countryman Shun Sato was in tears after learning he took the bronze.

Ilia Malinin’s father, Roman Skorniakov, reacts during his son’s performance at the men’s singles free skate at the Winter Olympics on Friday in Milan.

(Robert Gauthier/Los Angeles Times)

The United States’ Andrew Torgashev finished 12th with his season’s best 259.06-point total. Maxim Naumov stumbled through several jumps in his free skate to finish 20th overall with a 223.36 point total. The 24-year-old who lost both parents in a plane crash last year earned a standing ovation from actor Jeff Goldblum, who was in the stands behind the judges.

As the groups progressed toward the medal contenders, the crowd filled Milano Ice Skating Arena to the brim. Fans in suites in the rafters leaned over glass panes to get a better look. Volunteers and arena workers stood at the top of the concourse with no open seats left to claim.

While rising to the top of the sport with his stunning jumps and crowd-pleasing backflip, Malinin said his mission was to boost the popularity of figure skating to get this kind of attention outside of just the Olympic stage.

But standing at the center of the ice as fans waved U.S. flags from every corner, Malinin, the “Quad God” who looked invincible just three months ago when he became the first person to land seven quadruple jumps in one program, felt scared.

“Especially going into that starting pose, I just felt like all the just traumatic moments of my life really just started flooding my head,” Malinin said. “It was just like so many negative thoughts that just flooded into there, and I just did not handle it.”

He started off the program with a strong quad flip. Then he bailed mid-air on his signature quad axel that he had yet to attempt in the Olympics. The crowd gasped. Panic started when Malinin downgraded a planned quadruple loop to a double two jumps later.

American Ilia Malinin falls while competing in the men’s singles free skate at the Winter Olympics in Milan on Friday.

(Robert Gauthier/Los Angeles Times)

Behind the boards, his father and coach, Roman Skorniakov covered his face. Coach Rafael Arutyunyan, who has worked with Malinin part-time since 2021, paced back and forth. He hit the padded boards for encouragement before Malinin lined up for a three-jump combination.

Malinin fell again.

The program couldn’t end soon enough just to allow the 21-year-old a chance to hide after years of being in the spotlight as the presumed next Olympic champion.

“Being the Olympic gold hopeful is really just a lot to deal with,” Malinin said, “especially for my age.”

Malinin’s free skate music includes self-narrated voiceovers telling the story of his personal journey growing in the sport. As it begins, he uncovers his face. His words echo over the speakers.“The only true wisdom,” Malinin says in the program, “is in knowing you know nothing.”

After this result, that couldn’t be more true.

Ryan Sickler is used to asking the question that people are afraid to ask: “Is there anyone here who has ever actually died and come back and would be comfortable talking about it in front of all of us?”

It’s not your typical comedy show crowd work but it has profound results. During his special “Ryan Sickler: Live & Alive” released on YouTube in October, a woman in the audience talked about a near-death experience as a child where she rode her bicycle in front of a neighbor’s station wagon. But Sickler pointed out that this remarkable level of candor in the audience is something he continues to marvel about. In fact, he said they did two shows the night they taped his special and during the second show two people in the crowd said they had near-death experiences.

“When I ask the question, I know there’s someone in the crowd that’s like, ‘There’s nobody in here that’s died and come back,’” Sickler said. “So now they’re all very excited to listen too. Like, what happened to this lady, or what happened to this guy? You know, there’s been some wild ones, some real funny ones out there too.”

Given how many comedy specials are being released on various streaming platforms, he says that “we have lost the specialness of the special.” But Sickler said since coming so close to death and being able to talk about it with candor and relatability, he is still calling his latest self-produced YouTube special, special. It now has more than 1 million views on YouTube. Sickler has been on the comedy scene for more than 30 years and released his comedy special “Lefty’s Son” in 2023. He also hosts the “HoneyDew Podcast.” His comedy career has often incorporated his lived experience with a rare blood-clotting disease called Factor V Leiden that almost killed him.

But these days, he’s grateful to be alive, to have been able to wake up when it looked like he might not, to watch his daughter continue to grow up and the laughs along the way. Sickler has long been candid about his chronic health issues with his comedy but he has found particular meaning in doing crowd work when he performs, that talks about death and what it means to live.

The Times recently spoke with Sickler about his special and how he thinks about his sense of health, humor and mortality.

Ryan Sickler in the studio where he films the “HoneyDew Podcast.”

(Al Seib / For The Times)

What did you want to say this time around in your new special?

My first special was something that was a bit of a hybrid of stuff that had been out there and around, but I didn’t own it. It was out there on people’s platforms. They’re making the money off of it. And so I did a bit of, “Let me get this stuff on my channel where I can control it.” And then the other part of that special was becoming a new single dad, all those things this time, specifically, I really just wanted to talk about what had happened and the results after that. I follow these comedy accounts and in October, there were 31 stand-up specials that hit between Netflix, Hulu, YouTube. November was 30. This month was a little slow because the holidays, but it was still at 18 the last time I checked. So I don’t think there’s anything special about stand-up specials anymore. You’re in an environment now where there’s a stand-up special a day, people are doing that with podcasts. There’s so much content going on out there, and I feel like a lot of it is the same. So I this time wanted to just take something that happened very personal to me, this incident, and then tell the story, not only behind it, but what happened after and I was really proud of being able to just focus on that and make that into this special instead of just my observations on this or my thoughts on that. I’m a storyteller and I really think that’s what art is.

When did you realize you had the courage to write about this near–death experience?

I know I had the courage to write about it a long time ago. When I’m making people laugh at my father’s funeral and things like that, I knew I was comfortable being able to take on the material. But what I didn’t know was, could I make it funny? Could I make it relatable? Could I make this one thing that happened to this one person on this rock in outer space matter to anybody and make them care? Because it’s not like we all had this happen to us. This is just one thing that happened to this one dude. So that was really what I was more worried about, is like, can I get this message across and make it relatable, funny and entertaining at the same time? Which is why I threw in those really expensive light cues.

It can be very challenging to hear about these traumatic [near–death] experiences that people have had. How do you absorb that and not absorb it too much?

I’ve been doing this show for so long that it does start to wear on you a little bit hearing a lot of the trauma. So I created a new podcast a couple years ago called the Wayback, which is just fun, funny, nostalgia. So that also for me, was like, let’s not dig into the tears and let’s just laugh about growing up. So that was one way where I could still keep it in my lane and do my job, where I alleviate that a little bit. But the other thing, and I make fun of myself a little, is I’m like the paramedic at the party now. I’m the guy that’s like “You think that’s bad, wait until you hear this.” “This one guy …” “This one lady …” You know what I mean? So I’ve almost become sort of their voice, and I have absorbed it in a way that isn’t so negative, where I carry it home with me. I always forget the quote how it’s worded, but it’s something to the tune of, if we all stood in a circle and threw our problems in the middle, we’d all take our shit right back. It’s like you know what, that’s what you’re dealing with? I’m gonna go ahead and take mine.

How is hearing all these stories and connecting with the crowd and fans in this way [about near–death experiences] changed how you think about your own sense of mortality?

Even with my close call, like, that one angered me, because you start to think about things. You never know how you’re really going to go. You might have an idea if you’re getting older and cancer runs in your family, whatever, but the fact that you could go to a hospital for a simple surgery, they don’t listen to you, everything’s there in your paperwork. You’re your own advocate. You’re doing all the right stuff by yourself, and you’re among professionals, medical professionals, not Yahoos, and you can still have someone else make a mistake and your life is gone. That started me thinking a lot like, “Oh man, for no fault of my own, I could also be gone.” So I go day by day, and I try to be happy day by day. And I’m not going to lie, I also like to know I got a little something tomorrow too.

Do you think that incorporating death and near–death in your comedy helps people work through their own feelings about death and grief?

I only say yes to that because the amount of emails I get, the amount of feedback we get, the amount of guests that still continue to show up [to support] the Patreon. I’ve definitely found, I would say, a purpose in my people. If you’re someone saying you’re a jerk for laughing at this lady talking about cancer, we’re not laughing at her cancer. We’re laughing at something, some light that she found in the darkness of this and trying to have a moment here together, all about, “Hey, there’s some positive ways to look at things at your lowest.” So I know it’s helped people. I mean, we have, over the years, probably thousands of emails now. We have people telling us how much it’s helped. And I mean just through podcasting, I found out I have this blood disease. I was 42 at the time, and already been podcasting. There’s a lady I went to high school with. She’s like “Ryan, my son is 17. He started clotting.” I said, “Go ahead and check for this.” He listens to the podcast. This kid has it. I said, “Well, bad news. It’s genetic.” Now the whole family’s got to get tested. And if you have it from one parent, it’s not great, but having it from two is bad. The whole family gets tested. The parents have it. She’s got it from both her parents. So I can’t get over the fact that a woman I knew when we were children, 35 years later is like, “Hey, that thing you’re talking about on your podcast, my kids, my family, we all have it.” And then I’ve talked about another disease I also have, called Charcot-Marie-Tooth disease, which is CMT. And from bringing that up, people hit me up on that like “I have it, no one ever talks about that.”

What have you found to be one of the positives — besides surviving — of your near–death experience?

Gosh, so many. I have a child, so getting to see her grow and really taking care of my health and things. Not that I wasn’t before, but just I dove in even deeper. I went and got what’s called a gallery test for prescreening for cancer. I started doing all these blood works and like, “Let’s go find out everything you know, because I didn’t find out that I had this blood disease until I was 42 when I clotted.” I’m living my whole life, not even knowing I have this thing and and if I don’t clot, there are plenty of people out there that live to 100 years old and have it. It’s really made me appreciate life and trying to take things day by day. I also was living in a little single-dad pad at the time. We had no central air. We had tandem parking. We were above dumpsters. Our laundry was outside in a room with quarters. And when I got home — I’m still on a walker — and I was like, “What are we doing? We’re going to die without central air? Are we going to die with a bucket of quarters on the fridge? No more.” And so I moved my home, I moved my studio, I did all these things that are, like, the biggest thing you can do in life. We’re going to roll the dice, scared money don’t win, and we’re just going to go for it. Also, as a comedian and anybody in entertainment will tell you, a lot of times you work scared, you hold that money and you wait until the next thing comes. And also, as a single parent, you know we got to budget. And I was like, no more. We’re not going to go out and buy 10 Porsches. We’re going to be responsible. But I was on point with let’s go get a living will and trust. Let’s make sure we have that life insurance policy. Let’s make sure we have all the proper paperwork and stuff done before we do anything like go on a vacation, you know, let’s get this done now and get it done proper.

What do those conversations look like, if you have them at all, about encouraging your male friends to go to the doctor or encouraging them to take care of themselves, physically and emotionally?

I would say the conversations go something like this. My younger brother is like, “Hey, man, I just went in for a test, and they’re telling me I got to have an old school triple bypass,” and then that’s what we all get tested. “Hey guys, I found I got a blood disease.” “Oh man, we all better look into it now.” That’s usually how it goes. I don’t know many men who are proactive. There are a few of us these days. But it’s usually something horrible happens and then we’ll be proactive about everything else.

Do you have male fans who also say “I [saw] your special … I went to your show, and it made me go [to the doctor]”?

Yeah, but I’m saying, though, it still took them to come see a professional clown to get them to go to the damn doctor. I actually have been very good about going, because everyone in my family died. So I’ve been proactive in the sense that I go get two physicals a year. I’ve been doing that since my 20s. I always tell my doctor, if I can go buy expensive sushi, if I go buy weed, if I go buy all these things, I can put money into myself here and come see you a second time and pay for all that. So I do two physicals a year, and I’ve been doing that forever. But I’ve never done any sort of like gallery test. And now we’re in our 50s, so we got to go get the prostate and all that. That’s when you start hearing about that stuff. There’s a lot of ignorance that goes into it as well. I just had a guest here on the “HoneyDew” and said he didn’t go to a doctor or anything for over 20 years because he was just scared of what they were going to tell him. He was scared to get the bad news. You can kind of get the bad news and you could turn that into good news. It doesn’t need to be deadly news.

How do you know when you’ve been too open?

It usually tends to be a personal thing where someone’s like, “I don’t really appreciate you bringing that up.” So I don’t anymore. I’m always cognizant of [saying] like, “Hey, would it be cool if I talked about this or whatever?” I feel like the question you’re asking me would have been great for me just before I started, like, the “HoneyDew” and stuff because this is what I really want to talk about. Everyone wants to talk about the best and bring their best and I just really do want to hear about, you know, the trauma bond. I want to hear about the worst times in your life. I want to know because, honestly, that tells me so much more about you than you verbally talking about you. You know who you were in those moments, how you reacted, how you behaved, how you’ve adjusted. Those things really end up defining who you are, and that’s more what I want to know about. I don’t want to know your best polished version of yourself.

MILAN — Maxim Naumov typically trembles as he waits in his opening position before the music begins. But on Tuesday, the 24-year-old U.S. figure skater stood firm at center ice with the Olympic rings beneath his feet and his right fist raised. A white gold ring with a single diamond on his ring finger glittered in the light.

It was his father’s ring.

A year after his parents, Vadim Naumov and Evgenia Shishkova, were among 67 people killed in a Washingon, D.C. plane crash, Naumov carried their strength during his Olympic debut and delivered an emotional season’s best 85.65 in the men’s short program that qualified him for the free skate.

U.S. teammate Andrew Torgashev also scored a season’s best in his Olympic debut, qualifying for Thursday’s free skate with an 89.94. His coaching team, which includes Irvine-based Rafael Arutyunyan, fist-bumped after Torgashev hit the final combination jump of his program. Skating to “Maybe I Maybe You” by the Scorpions, Torgashev flashed the rock-and-roll symbol to the crowd as he saluted.

Instead of the raw emotion Naumov released after the U.S. championship that clinched his Olympic spot last month, he smiled purely and breathed deeply while the crowd at Milano Ice Skating Arena showered him with applause. He looked toward the rafters and spoke to his parents.

“Look what we just did,” Naumov said. “We did it.”

Maxim Naumov holds a photo of his parents after competing during the men’s free skate at the U.S. championships.

(Stephanie Scarbrough / Associated Press)

The elder Naumov and Shishkova were three-time world pairs skating medalists and two-time Olympians. The 1994 world champions coached at the Skating Club of Boston and remained at the 2025 U.S. championships in Wichita, Kan., after the competition to coach a development camp.

Maxim Naumov, who had finished fourth at the U.S. championships for the third time in a row, returned home immediately after the competition. In one of their last discussions as a family, Naumov’s father laid out the plan to ensure they could reach the Olympics in one year. The talk lasted about 45 minutes. After the first 30 minutes, Naumov said he was rolling his eyes the way children often do, but he understood the message: They were going to work together and revamp everything they do.

After the crash on Jan. 29, 2025, Naumov struggled to leave the house. He couldn’t bear to tie his skates. Going to the rink felt unimaginable.

At every moment, Naumov wanted to lay in bed and rot. He instead chose to find the thing that felt like the most difficult task and attack it. At first it was simply waking up. Then it was getting out of bed. Then it was going to work and coaching his parents’ former students. Now they’re his students.

“The only way out is through,” Naumov said. “Everyone has the ability to do that: to remain strong in your mind, have willpower and do things out of love instead of fear. I think if you’re able to do that, whatever it is that you’re going through, however big or small, you can have small wins every single day, and you can do things that you never thought that you could.”

Naumov earned his Olympic spot by finishing third at last month’s U.S. championships. The emotions of the national competition that would decide the family’s dream were so heavy that after he finished his free program, he found a secluded corner in the tunnel and sobbed.

Finally on the Olympic stage, Naumov felt nothing but stillness. Naumov said he felt his parents’ presence and the support of the entire figure skating community “like a hand on my back pushing me forward.”

Looking at old videos can still be painful for Naumov. But he mustered the strength to look through the family’s large photo album ahead of the U.S. championships and pick out several photos he brought to the competition. His parents had always been in the kiss-and-cry with him. With his spot on the Olympic team at stake, he wanted them there again.

Waiting for his score in Milan, Naumov flashed a photo he picked. He is flanked by his parents standing on the ice for the first time at about 3 years old.

Two decades later, he was stepping off Olympic ice.

“To be able to just have 2 minutes and 50 seconds to show what you’ve been working on for 19 years, and to be able to make it happen when it matters and when it counts, there’s no feeling like it at all ever,” Naumov said, still breathless from the emotional performance more than 30 minutes after he nailed the final note. “I just hope that I made everyone proud.”

U.S. flags waved on every side of the rink as he saluted the crowd. He knows his mother would have not been there watching in person because she was too nervous to attend. Refreshing the online score tracker to keep up with Naumov’s program, she would always find a way to send a message of support to her son.

Before his program, Naumov sent a message of his own.

“Mom and dad,” the videoboard in the arena read, “this is for you.”

The late afternoon sun was setting over Coldwater Canyon when the bus arrived. Students from Boyle Heights’ Bravo High spilled out into TreePeople, a nature reserve and nonprofit in Coldwater Canyon Park, and took off hiking.

As they looked around the sage and monkeyflower-lined path, their chatter quieted, and soon, they were writing poetry.

Alina Sadibekova, a junior at the magnet medical school, sat under native oak trees, breathing in the soil-rich air with a pen in hand.

“Our city is very busy, especially living in L.A. where everything just goes on and on and it feels like there’s never a point where we can take a breath,” Alina said. “Going to the parks helped me ground myself.”

During a field trip to Gabrielino Springs and the L.A. River Gardens, Bravo High School students from Feng Shui Poetry in the Parks work on poems inspired by the landscape.

(Genesis Sierra)

TreePeople, is one of many green spaces she has visited with Feng Shui Poetry in the Parks, a program dreamed up by the West Hollywood poet laureate, Jen Cheng, in partnership with Bravo High English teacher Steve “Mr. V” Valenzuela. Cheng’s aim is for poetry, nature and Chinese principles to inspire a love for nature in students otherwise surrounded by concrete.

“I think as humans, we’re part of nature, so being better connected to nature actually brings you more home to yourself,” Cheng said. She explains that feng shui, the ancient Chinese practice of arranging a space to encourage harmony, is based on five natural elements: water, wood, fire, earth and metal.

“Feng shui, in poetry, is a lens that you can use to process big ideas using your surroundings,” Cheng said. “You can say, ‘Let’s write about water running down a river,’ not literally, but maybe as a metaphor for migration.”

Feng Shui Poetry in the Parks has grant funding through 2026’s spring semester, but next school year is still up in the air. Cheng says she’s looking for other grants, but as the Trump administration cuts humanities funding, including National Endowment for the Arts grants, the options are scarce.

As the oldest of five growing up in Oakland, Cheng felt seen for the first time when she discovered poetry in elementary school. It was inspired by her most cherished memories: field trips. At the time, her immigrant family worked to the point where they were often “too busy for nature.” During field trips, it was exciting, she said, to be out of Oakland’s urban landscape and in parks that felt rare in her working-class experience.

Decades after her elementary school field trips, as a newly appointed poet laureate for West Hollywood, she envisioned a way to mirror this childhood experience.

Poets laureate, whose role is to champion and encourage poetry in their community, are eligible for a $50,000 nationwide grant through the Academy of American Poets to support “meaningful, impactful and innovative projects,” according to the AAP.

As a recipient of this grant, Cheng brought Feng Shui Poetry in the Parks to life with one final addition — a teacher with a passion for poetry, who could connect her to a classroom of students.

Everyone she spoke to, she said, pointed her to the same person — “Mr. V.”

Jen Cheng, left, and Steve Valenzuela, right, close the Feng Shui Poetry in the Parks reading with words of encouragement for the students who shared their poetry at Bravo High School on Dec. 4, 2025. Both instructors have said that they were surprised by the emotion and creativity the students demonstrated in their poems.

(Kayte Deioma)

A sanctuary for ‘lifesaving’ creativity

When you enter Valenzuela’s classroom, the walls are covered with dozens of CD sleeves, from Deftones to Rage Against the Machine. In the gaps, student artwork, notes and photos with current and former students hang.

Valenzuela leads Bravo High’s poetry club, KEEPERS, and for the last few years, he’s guided the students to win awards at international poetry slam Get Lit.

“Poetry is expression, poetry is life-changing, lifesaving, which sounds very dramatic, but it’s not. Some of the things the students have written about are very traumatic,” Valenzuela said. “I’ve seen them work through difficult experiences and come out of it using poetry.”

One such student is 17-year-old Paige Thibodeaux. “I used to think it was better to be closed off, but throughout this, I was able to show my friends and peers who I am,” Paige said. “I didn’t think that’s something I could do and I’m here now.”

Paige, who lives with her family in Compton, recalled having her guard up as she walked through her neighborhood, where she said expression through poetry felt inaccessible.

“I don’t see a lot of kids doing things like this,” she said.

Student poets, friends and family members gather before the start of the Feng Shui Poetry in the Parks poetry reading and zine release at Bravo High School on Dec. 4, 2025.

(Kayte Deioma)

Working on a book, she said, opened up a whole new side of her. She started to confide in friends about stress, or things that bothered her, which otherwise would have stayed inside.

‘I still don’t believe it’

Since August 2025, Paige and her classmates have developed their poems, received feedback from Cheng and submitted their final pieces to be published as a poetry collection.

The cover, designed by Bravo student Adrian Lopez, depicts a tree wrapping around the spine. The poems are rooted in their observations of current affairs and native plants; the publication was completed in December, when Valenzuela and Cheng planned for a reading and celebration of their work at Bravo High.

“Did you guys know your work is going to be read across the country?” Cheng said to students in class one day. “I’m sending it all the way to New York!”

“Feng Shui Poetry in the Parks Vol. 1” is being printed as a zine and will be sent to bookstores and libraries from San Francisco to Chicago as well as the Library of Congress.

Students giggled and gasped in disbelief. “No pressure, I guess,” one student joked.

“It’s really crazy, I still don’t believe it. It’s been a dream of mine,” Alina said. “I never realized I could be a published author as a junior in high school.”

The night of the poetry reading, students, parents and friends gathered in excitement in Bravo High School’s library, settling in rows before a single microphone. Out in the hallway, the raucous chatter of teenagers echoed in the halls, and cars honked on the busy street outside to pick them up. But inside the haven of the library, there was a quiet settling among the crowd for the long-awaited show.

Alina Sadibekova reads her poems “I Want to Fly” and “Messy” for the Feng Shui Poetry in the Parks reading at Bravo High School on Dec. 4, 2025. She says writing poetry over the course of the program “grounded” her and alleviated the stress of school.

(Kayte Deioma)

Aolani “Lani” Alarcon approached the mic to hushed voices. As the lights lowered, she thanked the crowd, the white flower tucked in her hair catching the light as she recited her first poem, “White Sage.”

She says poetry didn’t always come easily to her. “One of the biggest things I struggle with is judgment, so opening up or writing about touchy subjects or things that mean something to me was hard,” Lani said. “Knowing that I wouldn’t be judged, or that people would actually like what I write, means a lot.”

The 16-year-old smiled as she read, describing sage as an ancestor’s prayer. Her next poem, “Hummingbird,” delved into grief.

“You teach me that healing isn’t forgetting,” she read, tears welling. “It’s learning to carry love without breaking under it.”

Manuel Alarcon, her father, was seated in the crowd, clasping his hands in rapt attention. When the readings had finished, he pulled Lani into a long embrace.

“These field trips, it exposed them outside of city life,” Alarcon said. “There’s more than opening a book, listening to a teacher. You need that outside exposure to really understand life. And inner city kids don’t have that. I want [my daughter] to be part of breaking a cycle.”

Valenzuela clapped loudly and cheered as each student stepped off the podium.

“When young voices, and voices from marginalized communities tend to be silenced, sometimes we internalize that and silence ourselves,” Valenzuela said. “I want them to feel like they can speak up.”

As Feng Shui Poetry in the Parks carries on for another semester— maybe its last — students continue to explore writing poetry in the greens of L.A. parks. Some, like 17-year-old Saneli Soto, express themselves along the way.

Saneli’s poem reads:

I’m used to concrete floors
And concrete walls.
I’m used to five story buildings.
I needed a quiet place.
Where I could just lie in the grass.

ANN ARBOR, Mich. — Lauren Betts had 16 points, 16 rebounds, five assists and three blocks to help No. 2 UCLA hold off No. 8 Michigan for a 69-66 win on Sunday.

The Wolverines trailed by 11 points with less than two minutes left and ended the game with a chance to tie the score, Syla Swords shot an airball on a three-pointer with 2.2 seconds left.

UCLA (23-1, 13-0 Big Ten) took a two-game lead over Michigan (20-4, 11-2) in the conference with its 17th straight victory since losing to No. 4 Texas in November.

The Bruins outscored Michigan by 14 over the second and third quarters and finished with their NCAA-best ninth win over an AP Top 25 team.

The Wolverines’ school-record nine-game winning streak in Big Ten games was snapped by a big and experienced team that plays stifling defense and is led by a 6-foot-7 preseason All-America center who does it all.

UCLA players wear pink basketball shoes to support Breast Cancer Awareness on Sunday.

(Lon Horwedel / Associated Press)

Betts was eight of 17 from the field, grabbed rebounds at both ends of the court, set up teammates for shots after drawing double teams and used her size to block or alter shots.

Her surrounding cast is talented, too.

UCLA’s Kiki Rice scored 20, Gabriela Jaquez had 13 and Gianna Kneepkens scored 12.

Michigan’s Olivia Olson had 20 points, Mila Holloway had 15 and Te’Yala Delfosse added 10. Swords was limited to eight points, missing 10 of 13 shots.

The highly anticipated matchup drew a season-high 6,108 crowd to Crisler Center a few hours before the Super Bowl.

During home meets, the moment the UCLA women’s gymnastics team transitions to the mat for floor exercise, the crowd is hyped. The arena announcer further pumps up the audience. During each Bruin’s routine, their teammates are locked in on the edge of the mat cheering while mimicking key moves.

“The floor really is a show,” UCLA coach Janelle McDonald said. “It’s a performance. [Gymnasts] can use their own personality out there to perform for the crowd, put their own stamp on it, so to speak, more so than other events.”

Each routine displays the identity of each performer. Each jump, performed with personality, draws the crowd in. Anytime the gymnastics are dialed in and made to look easy, the crowd can focus on the performance. It is an incredible event to finish a meet at home, McDonald said.

“The team’s been putting in a lot of work because we know that that can be a really strong event for us and so it was great to see it all come together last weekend,” she said.

UCLA earned a 49.700 on the floor during its meet against Washington this past week, the highest team total in the event during the NCAA gymnastics season.

“I just think the energy that we all bring in our floor routines and how different they are really stands out for UCLA gymnastics,” Tiana Sumanesekera said. “Yes, the best show in L.A., and I think we really bring that to the table.

Sumanasekera earned a season-best of 9.925 on her routine during the meet against Washington. She attributes the team’s success to assistant coach BJ Das’ choreography.

“We’re so good at captivating the audience in the sense that we bring our own style throughout our routines,” she said. “I think every single one of our routines, BJ did an incredible and phenomenal job of individualizing them.”

UCLA competes at Minnesota on Saturday at a sold out arena.

“It really is just a show and that’s what we want to put on,” McDonald said.

PORTLAND, Ore. — The mayor of Portland, Ore., demanded U.S. Immigration and Customs Enforcement leave his city after federal agents launched tear gas at a crowd of demonstrators — including young children — outside an ICE facility during a weekend protest that he and others characterized as peaceful.

Witnesses said agents deployed tear gas, pepper balls and rubber bullets as thousands of marchers arrived at the South Waterfront facility on Saturday. Erin Hoover Barnett, a former OregonLive reporter who joined the protest, said she was about 100 yards from the building when “what looked like two guys with rocket launchers” started dousing the crowd with gas.

“To be among parents frantically trying to tend to little children in strollers, people using motorized carts trying to navigate as the rest of us staggered in retreat, unsure of how to get to safety, was terrifying,” Barnett wrote in an email to OregonLive.

Mayor Keith Wilson said the daytime demonstration was peaceful, “where the vast majority of those present violated no laws, made no threat and posed no danger” to federal agents.

“To those who continue to work for ICE: Resign. To those who control this facility: Leave,” Wilson wrote in a statement Saturday night. “Through your use of violence and the trampling of the Constitution, you have lost all legitimacy and replaced it with shame.”

The Portland Fire Bureau sent paramedics to treat people at the scene, police said. Police officers monitored the crowd but made no arrests Saturday.

The Portland protest was one of many demonstrations nationwide against the Trump administration’s immigration crackdown in cities including Minneapolis, where in recent weeks federal agents killed two residents, Alex Pretti and Renee Good.

Federal agents in Eugene, Ore., deployed tear gas on Friday when protesters tried to get inside the federal building near downtown. City police declared a riot and ordered the crowd to disperse.

President Trump posted Saturday on social media that it was up to local law enforcement agencies to police protests in their cities. But he said he has instructed Homeland Security Secretary Kristi Noem to have federal agents be vigilant in guarding U.S. government facilities.

“Please be aware that I have instructed ICE and/or Border Patrol to be very forceful in this protection of Federal Government Property. There will be no spitting in the faces of our Officers, there will be no punching or kicking the headlights of our cars, and there will be no rock or brick throwing at our vehicles, or at our Patriot Warriors,” Trump wrote. “If there is, those people will suffer an equal, or more, consequence.”

Wilson said Portland would be imposing a fee on detention facilities that use chemical agents.

The federal government “must, and will, be held accountable,” the mayor said. “To those who continue to make these sickening decisions, go home, look in a mirror, and ask yourselves why you have gassed children.”