Cristian

SEATTLE — Cristian Roldan and Haji Wright grew up less than three years and 30 miles apart, Roldan in Pico Rivera and Wright in Culver City. The odds that they would go on to become teammates on not one, but two, U.S. World Cup teams seem astronomical.

Yet despite starting at the same time and place and arriving together at the same destination, the two players followed completely different paths to get there.

Wright joined the Galaxy’s academy at 14 and signed with Schalke of the top tier German Bundesliga days after his 18th birthday. Roldan was still playing for El Rancho, when he was 17, making him the only member of the U.S. World Cup team to play four years at a public high school.

“I might be the last one,” Roldan said. “I hope not.”

Crescenta Valley’s Salar Hajimirsadeghi and El Rancho’s Cristian Roldan meet in unison for a header.

(Tim Berger / Glendale News Press)

High school soccer was once the foundation of the sport in the U.S. Eighteen players on the 2002 World Cup team, the only American team to reach the tournament quarterfinals, played for their high school teams. By 2022, the only man on the roster who played four years for a public school was Roldan.

“I don’t wish my story, or how I ended up here, was any different,” Roldan said. “What I will say was it made it more difficult to be here, play[ing] four years in high school. But it makes my story special.”

His story becomes even more special with this World Cup, which opened for the U.S. in Inglewood, a 45-minute drive from his boyhood home, and will continue when the Americans face Australia on Friday in Seattle, where Roldan played two years at the University of Washington and 12 seasons as an all-star midfielder with the Sounders, winning two MLS titles.

“When we talk about people’s paths, Cristian’s is not the standard right now,” said older brother Cesar, an athletic trainer with the Galaxy. “Cristian did it mostly to be around his friends. He wanted to play with his buddies.

“That is not a standard way to make it into MLS. And forget about making [it] all the way to the national team.”

“Yeah, it’s different,” Cristian said with a smile. “Being able to play in your backyard, have friends and family there. It’s a celebration.”

And it may never be repeated.

Roldan, 31, is the third-oldest player on the U.S. team, so the MLS academy system was just getting started when he enrolled at El Rancho in 2010. But as the academy system and the Elite Club National League became larger and more powerful, they began to throw their weight around.

Academy and elite club teams essentially robbed prep soccer of its best players by forcing them to choose between their high school teams and elite club programs, demanding a year-round commitment and banning participation in other sports. When top players began opting for the academies, others had no choice but to follow if they wanted to be seen and scouted.

That also robbed U.S. soccer of one of the few advantages it has over European and South American countries, most of whom have nothing to rival the high school and college sports infrastructure where kids can play and develop for free.

Cristian Roldan sprints during a training session Tuesday in Irvine ahead of the United States’ World Cup match against Australia on Friday.

(Andre Penner / Associated Press)

“That’s not available in Germany or England, or whatever,” said Brian Schmetzer, Roldan’s coach with the Sounders. “I like the fact that the United States is a big enough country where we can give kids opportunities to continue playing.”

Especially since the academy and elite club pathways aren’t open to everybody. Moving from a free neighborhood high school team to an academy can be expensive, erecting a “pay-to-play” barrier that often restricts those programs to wealthier families. Travel to games and practices can also be an issue. Since many high school-age players can’t drive, a parent has to accept the responsibility of toting them back and forth to team activities.

That leaves little time for work, which can pose an additional financial burden.

“My parents would have done whatever for us. So they would have made things happen,” Cesar Roldan said of Cristian. “But he really didn’t have any of those options. There was just not the opportunity.”

Paul Caliguiri, who played in two World Cups before retiring as the second-most-capped player in U.S. Soccer history, said the slow strangulation of high school soccer will ensure some talented players will be overlooked.

“There are a lot more qualified players that choose the path of high school soccer rather than the full-time academies,” he said. “The issue is that many of those players that don’t go to full-time academies when the opportunity presents is likely due to transportation.

“We need to have more full-time training offered to players without increasing the ‘pay to play’ cost.”

Dominic Picon, who coached all three Roldan brothers at El Rancho, agrees.

“We’re losing a ton of kids who never get seen,” he said. “There’s a lot of kids that just get lost in the shuffle simply because we have a very limited scope of how we find players. If you look at our three main sports — baseball, basketball and football — virtually all of them play high school sports. They all come through that pipeline.”

Roldan, the son of a Guatemalan immigrant father and a Salvadoran-born mother, said he never really considered any of those issues when he decided to play with the neighborhood kids in high school, just as his older brother Cesar had done.

“I looked up to my brother and I wanted to share a similar path as he did,” he said. “And I wanted to win a trophy for the city of Pico Rivera, which only has one high school.”

U.S. midfielder Cristian Roldan defends the ball from Senegal forward Habib Diarra during an international friendly match on May 31.

(Scott Kinser / Associated Press)

He made good on that last pledge in his senior season. Playing with younger brother Alex, who was a junior, Roldan scored 54 goals and had 31 assists — what Picon calls “video-game numbers” — to lead El Rancho to 29 wins and a CIF Southern Section title. Individually, he was named the Gatorade national player of the year.

Alex would go on to play alongside Cristian with the Sounders and captain the Salvadoran national team. Picon said he knew the brothers were good. But he didn’t know how good.

“When you’re coaching them, they’re in high school,” he said. “You never look at them and say, ‘You know, these guys are going to be in the World Cup someday.’”

In fact, there was some doubt both would even play in college. Alex was headed to a junior college in Arizona before receiving a last-minute offer from Seattle University. And Cristian, despite his award-winning senior season, had very few firm offers from top schools, in part because he insisted on playing high school soccer and in part because he was small at 5-foot-7.

“What hurt him is playing at a public school,” Picon said. “His rise was improbable because of where he came from, but also when he did play in front of [college] coaches, I think his size was something that dissuaded coaches.”

Contrast that with Wright, whose exposure at the academy level helped him get stamped as one of the country’s top youth players, opening up professional opportunities before he was old enough to vote.

In the end, it wasn’t Roldan’s talent that got him a scholarship as much as it was the boldness of his mother Ana. When Washington coach Jamie Clark inadvertently sat down next to her at the Surf Cup showcase in San Diego, she urged him to have a look at her son.

He did, then called Picon the next week.

“He’s a legit player,” Picon remembers telling Clark. “He’s better than 99% of the academy players out there. It’s just because of where he plays, the city that he’s from.”

Cristian Roldan speaks to reporters during a team training session in Seattle on Thursday.

(Soobum Im / Getty Images)

Picon was right. In his first season at Washington, Roldan was the Pac-12 freshman of the year and after his sophomore season he turned pro. MLS stardom and two World Cup selections were on the horizon. And there was luck in that, the coach says.

But that good fortune started at home with parents who put their faith in public schools, then saw that faith rewarded.

“It’s the quintessential American story, right?” Picon offered. “You have immigrant parents. They come here and they put a lot of trust in the public school system. At the elementary level, the teachers were tasked with making sure they have a grasp of English. They did that.

“At middle school, they were tasked with getting them prepared for high school and they did that. All three were accepted into a four-year [college], their kids.

“Where Cristian and his brothers lucked out is having the parents that they did. They were the type of parents that any coach, high school or club, would want to have.”

Getting to the World Cup, then, isn’t always determined by the path you take. Sometimes the most important factors are how and where you started.

This marks the second time that Romanian director Cristian Mungiu has won the prestigious Palme d’Or prize.

Fjord, a thought-provoking drama about a Christian family in Norway from Romanian director Cristian Mungiu, has won the best film prize at the Cannes Film Festival.

Mungiu won his second Palme d’Or at a star-packed closing ceremony at the festival on Saturday.

The ⁠drama starring Sebastian Stan and Renate ⁠Reinsve is centred around ⁠the clash ⁠of values that ensues when a religious family ‌relocates from Romania to a Norwegian ‌village.

It tells the story of evangelicals who move to Norway, but soon after have their children taken from them by child services for spanking them. Mungiu has called it a tale of “left-wing fundamentalism.”

The movie is based on true events and is notable for how it questions the supposedly progressive values of the Norwegians depicted in the film, as well as the child welfare system.

“This is a message about tolerance, inclusion, and empathy. These are wonderful values that we all cherish, but we need to put them into practice more often,” Mungiu told the audience.

Mungiu becomes just the 10th filmmaker to win the Palme d’Or twice. His, 4 Months, 3 Weeks and 2 Days, a Romanian abortion drama, won the award in 2007.

Russian war drama Minotaur, by Andrey Zvyagintsev, which depicts a callous businessman caught up in Russia’s invasion of Ukraine, won the Grand Prix second prize.

“Put an end to the carnage, the whole world is waiting for it,” Zvyagintsev, who now lives in exile in France, told the audience in a message addressed to Russian leader Vladimir Putin.

Belgium’s Virginie Efira and Japanese actor Tao Okamoto shared the best female performance award for their roles in nursing home drama, All of a Sudden, by Japan’s Ryusuke Hamaguchi.

Belgian duo Emmanuel Macchia and Valentin Campagne from gay World War I drama, Coward, also shared the male best actor award for their roles in the Lukas Dhont-directed movie.

Rwandan filmmaker Marie-Clementine Dusabejambo won the Camera d’Or for best first film for her genocide drama, Ben’Imana, which she dedicated to “the women of my country”.

In a squeaker race for Cannes’ top prize, Romanian director Cristian Mungiu prevailed on Saturday, taking the Palme d’Or for his tense community drama “Fjord.”

The movie, a widely admired conversation-starter at the festival, stars Sebastian Stan and Renate Reinsve as religious parents who come into conflict with the child protection services of their tiny Norwegian town where they have relocated with their family.

Mungiu, a previous winner of the Palme for his controversial 2007 abortion drama “4 Months, 3 Weeks and 2 Days,” now joins an exclusive group of 10 filmmakers who have won the Palme twice — an achievement shared by Francis Ford Coppola (1974’s “The Conversation” and 1979’s “Apocalypse Now”) and Ruben Östlund (2017’s “The Square” and 2022’s “Triangle of Sadness”), among others. No one has ever won a third Palme d’Or.

Another record, maybe even more impressive, was set by distributor Neon, which, with “Fjord,” extends its streak of Palme wins to an unprecedented seven in a row. Those previous six Neon winners, many of which eventually claimed Oscars, are “Parasite,” “Titane,” “Triangle of Sadness,” “Anatomy of a Fall,” “Anora” and last year’s “It Was Just an Accident.”

Neon will release “Fjord” in the fall, with an extensive awards campaign to follow.

This year’s nine-member main competition jury, led by Korean director Park Chan-wook and studded with notables including “The Substance” star Demi Moore, Stellan Skarsgård and “Hamnet” director Chloé Zhao, seemed intent on spreading the wealth among as many winners as possible. There were three ties at Saturday’s awards ceremony.

The award for actress was shared by Virginie Efira and Tao Okamoto, co-stars of Ryusuke Hamaguchi’s “All of a Sudden,” a movie pegged by many to potentially go all the way. Similarly, the prize for actor was bestowed on both Emmanuel Macchia and Valentin Campagne, co-stars of Lukas Dhont’s World War I romantic drama “Coward.”

The prize for directing went to three people — and two movies — with a joint win for Javier Calvo and Javier Ambrossi (better known as Los Javis) for their century-spanning queer historical drama “The Black Ball,” as well as to director Paweł Pawlikowski for his exquisite post-World War II psychodrama “Fatherland.” (Pawlikowski half-joked at the podium, “This was a disastrous piece of mise-en-scène” after the awkward award presentation had him waiting in the wings.)

Claiming this year’s Grand Prize (essentially second place) was “Minotaur,” the rapturously received comeback film of Andrey Zvyagintsev, a Russian director who had been sidelined with a near-fatal bout of long COVID that put him in a coma. His new movie, about a wealthy Moscow family, is both an erotic thriller and an indictment of amoral oligarchy detached from the war with Ukraine.

The festival’s third-place Jury Prize went to the borderland German drama “The Dreamed Adventure,” directed by Valeska Grisebach.