crew

Tour the Endeavour space shuttle with astronaut Danny Olivas

Peer inside the open hatch of the space shuttle Endeavour, and you’ll see a few things: a ladder from the mid-deck to the flight deck (horizontal, since the orbiter is in vertical launch position); pads used to crawl into the hatch and prevent damage to its seal; and small patches of blue Velcro to secure pens, clipboards or procedural notes, so they don’t float away.

Astronaut John Daniel “Danny” Olivas remembers his crews storing tortillas near the blue Velcro. There’s a cold plate there to keep the avionics system cool, and they’d stash the tortillas nearby so they’d stay fresher for longer (“We didn’t have a refrigerator on the space shuttle”). Tortillas, as it turns out, have a long and storied history in space, first brought there in 1985 by payload specialist Rodolfo Neri Vela, the first Mexican astronaut. (Neri Vela requested that they be included in his food supply, and they solved the serious problem of floating crumbs.)

A round hatch door hangs open, looking like a portal into the white nose of the space shuttle Endeavour.

A close-up view of the crew hatch, mid-deck and flight deck of the space shuttle Endeavour. The hatch provided astronauts with access to the crew compartment before launch and after landing, while serving as a sealed barrier during spaceflight. The cockpit contains the flight instruments, displays and controls used to operate the spacecraft during missions in Earth‘s orbit.

(Allen J. Schaben / Los Angeles Times)

There’s something fitting about the tortilla anecdote in multicultural L.A., home to the Samuel Oschin Air and Space Center — the $450-million, 200,000-square-foot expansion to the California Science Center — which now houses Endeavour. On Nov. 13, when the center opens to the public, it will become the only place in the world to see a complete space shuttle system with an orbiter that has actually seen flight (25 missions). That space shuttle system, or “shuttle stack,” includes the orbiter (the part of the shuttle that holds the crew and cargo); a solid rocket booster on either side; and an orange external fuel tank. The entire crew from the Endeavour’s last mission in 2011 plans to attend the center’s opening.

Space shuttles (there have only been five in the U.S., plus one prototype) stand apart for myriad reasons, chief among them are the sheer number of their astronauts, 355, as well as their diversity.

Astronaut Danny Olivas explains the space shuttle program’s significance and what it means for Endeavour to return to launch position in Southern California.

“Because the space shuttle program came forth, we started seeing people: the first female astronaut, the first African American astronaut, first African American female astronaut, the first Hispanic astronaut,” Olivas said on a recent tour of the new gallery. “So the space shuttle program, to me, is near and dear because it ushered in a level of diversity that represented what America was all about. And what makes her [Endeavour] special, being here in Southern California, is that this is the place she was born. All the space shuttles were born here. This is the heart of the aerospace industry.”

Olivas didn’t fly on the Endeavour, but he did fly two missions, one on the shuttle Atlantis and one on Discovery, for a total of almost 28 days. He ventured into outer space itself (“extravehicular activity”) on both missions, for a total of more than 34 hours. Plus, he and Endeavour go way back.

From this angle, the glass windowed ceiling of the 200-foot-tall looks impossibly tall, dwarfing even the space shuttle.

The Samuel Oschin Shuttle Gallery built a nearly 200-foot-tall space to display Endeavour’s orbiter in a vertical launch configuration, flanked by its external fuel tank and two solid rocket boosters.

(Allen J. Schaben / Los Angeles Times)

NASA selected Olivas as an astronaut candidate in 1998, and invited him and the other candidates to Edwards Air Force Base, in the Mojave Desert’s Antelope Valley about 100 miles northeast of Los Angeles. The Endeavour was being refurbished there, and he had the opportunity to go inside the crew module — the flight deck, the mid-deck and the airlock — all now visible in the new gallery.

The Endeavour was Olivas’ first encounter with any space shuttle, and he studied the spacecraft closely in the wake of the 2003 space shuttle Columbia accident. In many ways, he’s been inside the Endeavour much more personally than if he had flown on it. All of this is to say that he’s the perfect guide for today’s mission — getting to know this particular spacecraft.

“As an astronaut, you don’t get to share with the public all that space is,” Olivas said. “During the space shuttle program, the closest you could get to the space shuttle was three miles away,” as a civilian. “But this is an opportunity for space enthusiasts to get an up-close-and-personal look at the things that we had the privilege and honor to fly. … It’s nice to share this with the American people, because, ultimately, this is their ship.”

A man in a black jacket emerges from a silver slide on the left, a man in a blue jacket on the right. He looks thrilled.

Jeff Rudolph, president and CEO of the California Science Center, left, and astronaut Danny Olivas on the 115-foot Shuttle Descent Slide, designed to simulate the descent of a shuttle returning to Earth. “It was no more than a flying brick,” Olivas said. “You had no engines, you had no motors to come home. Unlike the jet engines that you have when you land at LAX, you got nothing.”

(Allen J. Schaben / Los Angeles Times)

It’s been a long journey through time and space for the Endeavour to reach Exposition Park. The Times’ visit to the new gallery in early October happened to mark 15 years to the day since NASA transferred the title and ownership of the shuttle (yes, like a car) to the California Science Center, to the tune of a $1,980,674,785 valuation. (This was largely a donation, although the Science Center did pay for its transportation.)

“The most rewarding thing is watching the people that come through, of all ages, from little kids to senior citizens,” said Jeffrey N. Rudolph, president and CEO of the California Science Center. “Everybody is absolutely thrilled, and I think the sense of awe and wonder that we wanted to create really works.”

A man works on his hands and knees, shining a flashlight into the rim of the base of the solid rocket booster.

A worker inspects the base of one of the solid rocket boosters beneath the space shuttle. During launch, two explosives embedded in the “hold-down nuts” here would detonate, splitting them in half and releasing the shuttle stack from the bolts that held it to the launchpad.

(Allen J. Schaben / Los Angeles Times)

You may remember the orbiter itself or the 154-foot orange fuel tank parading slowly through L.A.’s streets to reach their new home, in 2012 and 2016, respectively. Their voyages were iconic: The former piggybacked atop a Boeing 747, past the Hollywood Sign and Griffith Observatory, before landing at LAX. The latter traversed the Panama Canal on a tugboat named the Shannon Dann, which rescued four fishermen off the coast of Baja California, tangerine behemoth and all.

That external tank, also known as an ET, was like a gas tank for the Endeavour. This one, ET-94, is the last flight-qualified external tank in existence. When full, it contains 1,629,577 pounds of propellants, as well as liquid oxygen and liquid hydrogen, both of which are extremely cold materials.

In the heat and humidity of Florida’s Kennedy Space Center, that meant the shuttle stack would start to drip like a water bottle on a muggy day. “I equate it to the way a thoroughbred would be when you loaded them into a starting gate,” Olivas said. “The cryogenic material would cause the metal to creak and moan due to thermal contraction and thermal expansion. You hear all the hissing of the vent lines, and you hear all the support equipment essentially running to get ready for the launch, and it really came to life. That’s the one thing that you’re missing here.”

A man in a blue flight jacket gestures toward a wide-open rocket, its inner workings exposed to viewers.

Astronaut Danny Olivas shows off the wide-open payload bay of the space shuttle Endeavour. The shuttle’s large cargo bay carried satellites, scientific instruments and other payloads into orbit and helped support missions to construct the International Space Station.

(Allen J. Schaben / Los Angeles Times)

That visceral hissing is basically the only thing not present at the Oschin Center. This shuttle stack sits in flight configuration, almost exactly as it would look on the cusp of liftoff, besides the yellow torque tubes lining the orbiter’s white shell like external ribs. Inside the Science Center, Endeavour’s payload bay doors are cracked wide open, like a car’s lifted hood — but they were built for space, not Earth’s gravity. Here, without the support of those yellow bars, the doors could warp or crumple.

You could get lost in the grandeur of the rocket boosters, full of solid rocket propellant like a firework, or the steampunk bell curve of the main engines, which shoot the spacecraft to more than 17,000 miles per hour in orbit. But each and every piece is incredibly important, as are the teams of people who made them. “There’s no insignificant or small part about space exploration,” Olivas said. “Every single thing has a role to play.”

The space shuttle Columbia disintegrated during reentry because of a piece of foam that the astronaut estimates might have weighed about as much as a Styrofoam container. In 1986, the Challenger exploded during launch because of a tiny rubber O-ring. Olivas himself hung off the end of Atlantis’ robotic arm (the Endeavour has one too) to close a 4-inch hole in the heat-shielding thermal blanket with a medical stapler (the flight surgeon’s idea).

The silhouette of a man gazes at a film image of an astronaut in space above a bright blue Earth.

Astronaut Danny Olivas watches a historical montage about the space shuttle program. Unlike previous spacecraft, “the space shuttle was essentially built to be a work platform,” he said, “so not only did it get astronauts into space, but once it got into space, it was reconfigured from a rocket ship or spaceship into an on-orbit work platform.”

(Allen J. Schaben / Los Angeles Times)

Nothing like that had ever happened before; there was no planned repair — so they innovated. Building a space shuttle (or fixing one) is a testament to what humanity can do when we put our minds to it, Olivas said. We can achieve that which has never even been imagined.

“You take this beautiful bird, and you dock to the space station, a colony that’s been formed in space, and was built since the first element was launched in 1998,” Olivas said. “Human beings have lived in space since the year 2000. It’s an oasis that we, as human beings, built.”

Eight and a half minutes after liftoff, when the spacecraft reaches orbital speed, the main engines cut off (this is called MECO). Just like that, everything’s floating. This particular astronaut turned to look at the bright blue planet below and thought: “When we work together, we can accomplish phenomenal things.” But we choose to focus on the things that make us different, he said. And in doing so, we find conflict.

“But yet, the 99.9999% of you, me, all of us here, we’re all the same,” Olivas said. “We all want the same thing: a happy, healthy life. From space, you look down at the Earth — the only border that you see is between the ocean and the land.”



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Ernie Johnson is leaving ‘Inside the NBA’ ‘after 37 years. ‘It’s time’

Ernie Johnson, the bow-tie-wearing, peace-keeping host of “Inside the NBA,” is leaving the show after 37 years.

“It’s just time,” the 70-year-old broadcaster said in a video posted Wednesday on social media.

“So why now? Total honesty here. I’ve always prided myself on my preparation, the hours I put in every day getting ready for the next show. I’ve always loved that part of my job, but I’ve always vowed that if that ever became more of a challenge than it is a joy, then I’ll know it’s time to step away. And now, after 37 seasons, it’s time.”

“Inside the NBA” started on TNT in 1989, and Johnson became host the following season. Over the years, he was joined by analysts Kenny Smith (1998), Charles Barkley (2000) and Shaquille O’Neal (2011) in a lineup that has become beloved to generations of basketball fans — so much so that the show switched over to ESPN when TNT lost its NBA rights.

“Few people have shaped the way fans experience the NBA as profoundly as Ernie Johnson,” NBA commissioner Adam Silver said in a statement. “His brilliance as a broadcaster is matched by his character, compassion and generosity, which have been evident throughout his 37 years as host of ‘Inside the NBA.’ We are grateful for Ernie’s extraordinary impact on our league and look forward to celebrating him during his final season.”

Johnson repeated his announcement to open the crew’s appearance on ESPN’s “NBA Tip-Off” on Wednesday, then asked a clearly emotional Barkley how he was doing.

“That was tough,” Barkley said. “We knew the day was coming — still tough. Been here for 26, 27 years, and it’s been an honor and a privilege to work with you all this time, and Kenny and Shaq and the amazing people behind the scenes. …

“It’s been an amazing journey. You’ve been our leader. Our unquestionable leader. The question I’m asked the most … is, is Ernie Johnson as good a person as he seems? And I say, man, he’s better than that. So I just want to say thank you. Thank you for being our leader for all these years. … All I can say, Ernie, is thank you.”

Smith gave Johnson a standing ovation, and O’Neal said Johnson was the reason he joined the crew.

“You are the controller of this thing people call the circus — the best circus in town, but without you, it’s going to be very, very difficult,” O’Neal said. “Chuck made a great point. All we can say is thank you, and we appreciate you. We’re gonna miss you, and we will see you around, but thanks for the great run.”

In a video posted on X, Golden State Warriors forward and frequent “Inside the NBA” guest Draymond Green perfectly summed up Johnson’s role on the show.

“He is the best point guard I’ve ever played with — that’s no disrespect to the great Steph Curry,” Green said in a video posted Wednesday on X. “Ernie Johnson on a set is as incredible as they come. He sees everything. He’s like, ‘Man, this guy hasn’t spoke for a while. Let me toss it to him. Man, this conversation is going off the rails a little bit’ — as it can on that show — ‘let me rein it back in.’ … This guy is amazing.”

Johnson also shared that he’s been dealing with “heart issues” for almost two years, including undergoing bypass surgery two months ago, and that it was a “contributing factor” in his decision.

“Still trying to get this thing to beat exactly the way it should, and we’re getting it,” Johnson said. “I mean, I feel great. So this isn’t a case where my doctor said you need to stop working. It’s nothing like that. But here’s the deal: Going through that has made me treasure even more every second with my amazing wife of 44 years, Cheryl Ann, and being Poppy to our five grandchildren. So I just want to slow down a bit, spend more time enjoying that.

“Just to be clear, I’m not retiring; just cutting back. I’ll still do March Madness and other projects for TNT and CBS, and I’ve just started a new production company called 32 Bowties, geared toward telling feel-good stories in sports. So this is by no means the end. It’s just a turning of the page.”

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I’ve travelled the world as cabin crew for 30 years

TUI Cabin Manager Rosie Poulios has spent over 30 years travelling across all continents – but there’s one destination that tops her list.

It has beautiful beaches, wildlife, colourful fishing villages and the best news for Brits, absolutely no jet lag. The destination in question? Senegal.

Rosie has been cabin crew for 30 years – and Senegal is a destination she hasn’t forgotten about Credit: TUI
The country is great for winter sun and has no jet lag for Brits Credit: Shutterstock

Talking about the West African country, Rosie says it combines “sunshine, culture, character and experiences” that you can’t easily find elsewhere.

Senegal is six hours away from the UK and TUI is reintroducing its direct route from London Gatwick on November 2.

There’s no time difference between Senegal and the UK either, so holidaymakers can get their winter sunshine without any jet lag. 

There’s plenty to do too like exploring Gorée Island, a UNESCO-listed island that’s car-free with pastel-colored buildings.

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On the island is the House of Slaves ‘Maison des Esclaves’ a pink-coloured building and memorial museum from 1776 commemorating millions of enslaved Africans.

For those looking to see wildlife, there’s a chance to see all sorts of animals at the Bandia Reserve.

On a safari-style drive, visitors can spot giraffes, zebra and rhino. 

Another popular experience is visiting the Saloum Delta which is waterways and mangroves which is lush with birdlife.

If you go on holiday with TUI, you can book these tours with TUI Musement – full day tours of Goree Island from £69 per adult and £48 per child.

Half-day safaris at Bandia Reserve from £59 per adult and £41 per child. 

TUI Muesement offers day tours to Goree Island Credit: Shutterstock
Collage of travel items including a plane, sunscreen, passport, suitcase, and plane tickets, advertising The Sun's travel Instagram account.

When it comes to staying in Senegal, Rosie suggests checking into the Riu Baobab.

The all-inclusive resort has four swimming pools, a waterpark and is a few short steps away from Pointe Sarene beach.

Guests can try out water activities, lazing about by the pool and enjoying meals at its restaurants.

Rosie said:”It gives families all the convenience of an all-inclusive beach holiday while also offering the chance to discover a fascinating destination beyond the resort.

“And it’s brilliant for adults too with kayaking and paddleboarding on offer on the beach, or thatched parasols to laze the day away beneath.” 

TUI offers a one week all-inclusive stay at the Riui Boabab in Pointe Serene from £1046 per person. 

Zebra, giraffe and rhino can be seen at Bandia Reserve Credit: TUI
The Riu Baobab is an all-invlusive TUI hotel with four pools and direct beach access Credit: TUI

This is based on a family of four departing London Gatwick on November 30.

For anyone who has Africa on their bucket list, Rosie described Senegal as “one of the easiest introductions to Africa you can find.”

Rosie also describes the Senegalese as “some of the friendliest I’ve met”.

She added: “They’re welcoming, proud of their culture and genuinely happy to share their country with visitors.”

“You get the wildlife, the culture, the history and the scenery people dream about, but in a way that feels accessible and completely unintimidating.” 

The best time to visit Senegal is during the dry season from November to May – and temperatures sit around 30C all-year.



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The Paradox’s pop-punk saviors are coming to a town near you

Eric Dangerfield is surrounded by senior citizens.

After a packed set at Riot Fest the previous weekend, the 25-year-old lead singer and rhythm guitarist of the Paradox welcomed the quiet of his boomer-dominated neighborhood.

“I’m a suburban dude,” he said, smiling from his home in metro Atlanta, his cropped two-toned dreads bobbing as he spoke.

The Paradox spent much of the summer on the festival circuit, powering through a growing discography of pop-punk gems, so Dangerfield and the three other band members are taking a brief breather before their Proceed With Caution Tour starts this month — their first as headliners.

It’s peaceful. That is, “Except when the boys come over,” he adds.

On a late morning in September, the boys are here and accounted for: patching in to a video call, minutes apart, from their homes, also in suburban ATL. Dangerfield, born with the perfect stage name, has ideas that flow faster than he can seem to get them out. Then there’s Donald Bryant on bass. Yin to Dangerfield’s yang, with a quiet, commanding presence.

Percy “PC3” Crews has been playing drums since he was 3, and his vicious skills on the drum kit contrast with a cheery, relaxed demeanor. Finally, there’s Christopher Bernard, a.k.a. Xelan — the lead guitarist and Dangerfield’s vocal complement.

Dangerfield likens the four to musical superheroes from a Marvel series. But not so much the “Earth’s mightiest heroes” variety.

Band tied up with caution tape

On their first headlining tour, the band brings its new EP, “Proceed With Caution,” to Los Angeles while claiming space in a historically white genre and weaving social commentary into its pop-punk sound.

(Shorefire Media)

“I’m like Mister Fantastic and Donald’s my Invisible Woman. Xelan’s the Thing, and Percy is John Storm,” he says of his partners in musical mischief. “If I’m ugly, just say that,” quips Xelan, the band’s oldest member at 30. “Yeah. Because you’re strong, bro,” reassures Eric.

By this time, the interview has devolved into fun-loving chaos.

They finish each other’s sentences and switch up their Google Meet backgrounds, cracking up as an awkward graduation portrait pops up. At some point, Bernard decides to give a bedroom tour, showing off his collection of Blink-182 and Fall Out Boy posters.

A photo of him with Travis Barker hangs next to a framed Billboard plaque on a nightstand. Barker was featured on the Paradox’s 2025 single “Bender” and performed with the group at Vans Warped Tour the same year.

The Billboard plaque commemorates the band’s song “Get the Message” from its debut EP, “NSFW,” reaching No. 1 on the Alternative Airplay chart in January — a great achievement for any rock artist — but the Paradox also happens to be the first all-Black band to do so.

The success, although rapid, didn’t come from nowhere. All of the members have been working toward music in some form for years.

Dangerfield had a deal with a small label where he was originally making a go of it as a pop and R&B soloist. He also put out his music online. Looking for something different, he remembered his passing interest in pop-punk from his days growing up in Palm Coast, Fla. It was the “Fat Lip” video by Sum 41 that sealed the deal.

Yearning to be in a band, he started working with Bernard, whom he met online and shared his passion for the genre. Bryant was Dangerfield’s childhood friend from Palm Coast who had also moved to Atlanta, while Crews had been a fixture on the local music scene. And the name? It came from Dangerfield’s love of quantum physics.

Shortly after the group officially formed in June 2024, Dangerfield’s then-girlfriend — now wife and band “momager” Lexi Dangerfield — opened Instagram and TikTok accounts filming and posting their homey videos. The band’s song “Kaitlyn” and some covers blew up. The artists’ perspective, filtered through a Gen Z lens, struck a multigenerational nerve.

Attention came so quickly that Dangerfield felt the need to defend against online detractors who were convinced the group was an industry plant.

From there, the fairy-tale plot thickened. Billie Joe Armstrong followed Dangerfield on Instagram, and the two struck up a friendship that led to the Paradox opening for Green Day on the Atlanta stop of its Saviors Tour. But this was, of course, after Jack White’s people called — who the group ended up opening for at Basement East in Nashville.

Things haven’t slowed down in the two years since, with opportunities coming fast and furious. In the spring of last year, the band signed a deal with Hundred Days Records, a subsidiary of Virgin Music Group, and teamed up with producers Mike Pepe and Robopop to work on “NSFW.”

“Bender,” the group’s collaboration with Barker, and “Do Me Like That” are featured on Madden NFL 27 and NBA 2K26 video game soundtracks. Last month, the musicians streamed a concert from Twitch superstar Kai Cenat’s house. And now, instead of opening for their idols, they are inviting them up on stage as guests. For their second Warped Tour in Long Beach, that meant Deryck Whibley of Sum 41 and Logan Henderson from Big Time Rush.

The embrace from established musicians has definitely helped the band navigate its rise. In a moment of doubt, Crews said Good Charlotte’s Joel Madden, in particular, came through with sage advice.

“He asked me a question: ‘How does it feel being where we were?’ And I was like, ‘It feels like a dream.’ It felt like I was gonna wake up on my desk sophomore year with drool on my f— table. And I was telling him that, and he was like, ‘You know, it may feel that way, but it is real … It’s real, and it’s you … you belong in these rooms.’”

The irony of being embraced in a mostly white subgenre of punk rock while Black American culture formed its foundation is not lost on the group. Had the band come about during one of Dangerfield’s favorite eras of music, the ’50s and ’60s — there would likely have been rooms in which they weren’t welcomed.

While the band members understand the impact their visibility has — especially for non-white kids who grew up in the suburbs as they did: skating, riding BMX, building Legos, watching anime, dreaming of a life onstage — it does require some balance. “They’re not asking Taking Back Sunday this stuff,” Dangerfield acknowledged when asked if they might tire of the representation mantle. “Or Blink, but … We are a minority in this space and in this country, and I think that you know the stuff that comes with being Black should definitely be talked about. I think those conversations are important.”

He said as much in August, when the group made its Tiny Desk debut in celebration of NPR’s Black Music Month. “Now, like they said, we made history,” he said, leaning into the mic after the first song. “And the Paradox is in the business of bringing rock ’n’ roll back to the originators.”

A glance at the comment section under the video makes clear the group’s authenticity resonates with those who haven’t felt seen or heard in certain spaces.

“I’m a black girl from the suburbs of Metro ATL,” wrote @rainjojo. “And I’m glad to see representation of people who are like me indulging in punk rock. I got into this genre from childhood shows like “16,” “Stoked”, and other early 2000 to 2010 shows, and I remember being bullied for being whitewashed. Please keep making more music like this.”

The tour is named after “Proceed With Caution,” the band’s sophomore EP released on Oct. 2. Across six tracks, it continues in the same vein as “NSFW,” with sharp melodies and a dash of humor thrown in. But on “That’s Not Fair,” the group wades deeper into social commentary. It was also the most difficult to record, cut raw with no click track.

“We were just trying to think of things that were not fair, [from] small and trivial like losing your keys to, I don’t know, using it as a bridge to talk about larger issues and things like that,” Dangerfield says of the song. “I think a big thing for me personally, it’s not political … is kind of the fact that everything is getting so expensive. The price of everything is rising so rapidly, and the salaries that people are being paid are not really growing to match that.”

The Paradox perform at The Moroccan Lounge on Thursday, Oct. 22.

The Paradox perform at The Moroccan Lounge on Thursday, Oct. 22.

(Hunter Lyon)

“And it’s like, we got very lucky, but the thing is, most people don’t,” he continued. “If you’re gonna sacrifice all your time, slaving away working for big corporations and stuff like that, you should at least be able to, you know, buy a candy bar or something.”

So far, the musicians aren’t taking anything for granted and are trying to enjoy the in-between moments.

Dangerfield and his wife took their daughter on a Disney cruise for her second birthday — she’s spent much of her young life traveling with the band.

With some of his publishing money, Bernard indulged his love of vintage Japanese fashion and has a 2000s-era Tuscan house on his vision board. Crews stays healthy, listens to lots of Snarky Puppy, and looks forward to the relaxed cannabis laws of L.A. when the tour stops at the Moroccan Lounge on Oct. 22 and 23. If time allows, he might even have time to surf in Malibu.

Bryant, who counts Mike Dirnt, Mark Hoppus and James Jamerson among his biggest influences, balances a dream of seeing his band play for thousands with looking forward to a life lived like his older brother: a chiropractor with a nice family.

But some dreams will have to wait as the band goes back to making music, hopefully with lasting impact. The members want to become household names, “like Nirvana,” with music people will play for hundreds of years. Why not?

Anything is possible when you are a fantastic foursome.



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At least 7 crew members missing after drone attacks on ships in Black Sea | Russia-Ukraine war

Emergency teams are searching for 7 missing crew after two chemical tankers were attacked in the Black Sea. Fires broke out on the ships after they were hit by suspected Russian drones.

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Supreme Court agrees to hear watchdog lawsuit seeking records on Elon Musk’s DOGE

The Supreme Court agreed Tuesday to hear arguments in a watchdog’s lawsuit seeking public records about trillionaire Elon Musk’s Department of Government Efficiency.

The high court is intervening for a second time in Citizens for Responsibility and Ethics in Washington’s case, which seeks access to DOGE records from its operations in the early days of President Trump’s second term. The Trump administration asked the court to hear the case.

Last year, the high court reined in a district court’s order for the government to produce DOGE-related records to CREW. The high court’s conservative majority concluded in June 2025 that U.S. District Judge Christopher Cooper ruled too broadly in ordering documents to be turned over to the group.

CREW claims DOGE is a federal agency and therefore is subject to the Freedom of Information Act.

The Trump administration argues that DOGE is exempt from FOIA’s requirements as a presidential advisory body.

Cooper ruled in CREW’s favor and ordered expedited processing of the group’s records request. An appeals court panel also sided with CREW.

The Trump administration claims the panel ignored the Supreme Court’s direction to consider separation-of-powers concerns and intruded on the “autonomy and confidentiality” of presidential advisers.

“Subjecting advisory bodies to intrusive discovery triggers the very concerns that Congress sought to avoid by excluding presidential advisory bodies from FOIA’s reach,” Justice Department attorneys wrote.

The administration also says the appeals court impermissibly authorized the plaintiffs to take a sworn deposition of DOGE acting administrator Amy Gleason.

CREW says the appeals court fully complied with the Supreme Court’s previous order. The group also asserts that the public has a right to know how DOGE helped the administration carry out a sweeping overhaul of government operations in 2025.

“Undisputed facts in the public record — including the President’s statements — confirmed that (DOGE) was wielding enormous independent authority across the federal government,” its attorneys wrote.

Kunzelman writes for the Associated Press.

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Selma Blair arrested, accused of injuring flight crew

Selma Blair allegedly had a violent episode aboard a Delta Airlines flight.

The “Cruel Intentions” star was taken into custody and transported to a hospital for evaluation on Sunday night after allegedly becoming physically abusive with the flight staff, according to the New York Port Authority. The Port Authority Police Department responded to a call around 11 p.m., when a flight coming from Los Angeles International Airport landed at John F. Kennedy International Airport, and two flight attendants needed medical assistance after an alleged altercation while in flight. One flight attendant was also transported to the hospital for further evaluation.

The FBI is investigating the incident.

According to representatives for Blair, “Selma experienced a medical emergency that led to the alleged conduct. Upon landing, she received immediate medical attention and is currently in stable condition.”

In dispatch audio, obtained by TMZ, a flight attendant suffered a bloody nose and Blair is alleged to have “bashed her head” against an overhead compartment.

A spokesperson for Delta told The Times in an emailed statement, “Delta has zero tolerance for unruly or unlawful behavior, as the safety of our customers and crew always comes first.”

In 2016, Blair was hospitalized after an incident on a flight to Los Angeles International Airport from Cancun, Mexico. She subsequently apologized for the behavior, saying in a statement, “I made a big mistake yesterday. After a lovely trip with my son and his Dad, I mixed alcohol with medication, and that caused me to black out and led me to say and do things that I deeply regret.”

The FBI could not immediately be reached for comment.

This story is developing.

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