copyright lawsuit

A lawsuit filed in federal court on Friday accuses writer and director Taylor Sheridan of stealing the idea for his powerhouse success “Yellowstone” from Lauren J. Salkin, a Virginia-based journalist and screenwriter.

Requests for comment from representatives for Sheridan, Paramount and NBCUniversal, all among those named as defendants in the lawsuit, were not immediately returned on Saturday.

The lawsuit says that Salkin spent more than 10 years developing a series to be called “Sovereign Nation,” which is described as “a dramatic television series centered on tribal governance, casino-driven economic power, and a modern war over land and development” with the overall project copyrighted beginning in 2010 and a specific pilot script copyrighted in 2016.

Having submitted the project to Sheridan’s management company, Elevate Entertainment, in February 2017, according to the filing, Salkin later received an email message that included the statement, “Taylor thanks you very much for your interest. Unfortunately, he’s unavailable for TV projects.”

Soon after, Paramount greenlit Sheridan’s “Yellowstone” project, with the first episode airing on June 20, 2018.

The lawsuit goes on to catalog a list of similarities between “Sovereign Nation” and “Yellowstone,” stating, “What then appeared in ‘Yellowstone’ was not merely another Western about land or family. It included specific expressive choices already embodied in Salkin’s materials.”

Kevin Costner in “Yellowstone.”

(Paramount)

Actors Gil Birmingham and Danny Huston were mentioned in Salkin’s original pitch deck as potential casting ideas for her show. Both would later appear on “Yellowstone.” The lawsuit goes on to say that the subsequent “Yellowstone” spinoffs “1883,” “1923,” “Marshalls” and “Dutton Ranch” are therefore also based on Salkin’s work.

The lawsuit states, “Copyright law does not protect the abstract idea of a Western, a land dispute, an Indian casino, or a powerful family — and that is not Plaintiff’s claim. The infringement alleged here lies in the copying of Salkin’s particular expressive choices and their coordinated selection and arrangement.”

The lawsuit asks for a jury trial, an injunction against ongoing and future copyright infringement and unspecified damages.

“Yellowstone” ran for five seasons from 2018-2024. Sheridan, who is also behind shows such as “Tulsa King,” “Landman” and “Mayor of Kingston,” is set to move his production company from Paramount to NBCUniversal in 2029. Sheridan was also nominated for an Academy Award in 2017 for best original screenplay for the neo-western “Hell or High Water.”

Taylor Swift has yet another new thing to celebrate.

Now in her newlywed era, the pop superstar’s concert film, “The Eras Tour: The Final Show,” earned five Emmy nominations Wednesday. This includes nods for variety special (pre-recorded), sound mixing for a variety series or special, directing for a variety special, picture editing for variety programming, and technical direction and camerawork for a special.

The nomination for variety special (pre-recorded) means Swift herself is a nominee as the performer and a producer of the concert film, which showcased the final performance of her record-breaking tour. This marks the “The Life of a Showgirl” singer-songwriter’s second career Emmy nomination. She previously won in 2015 in the category of creative achievement in interactive media — original interactive program, as the executive producer of the mobile app AMEX Unstaged: Taylor Swift Experience.

The accolades come just five days after Swift married beau Travis Kelce in an extravagant — yet secretive — Manhattan affair at Madison Square Garden. The Kansas City Chiefs tight end has spoken about his failed attempt to slide Swift his phone number (via friendship bracelet) when he attended an Eras tour concert in 2023.

The Emmy nominations follow her latest legal win. On Monday, a federal judge in Florida dismissed with prejudice a copyright lawsuit that accused Swift of plagiarizing a self-published poet.

In February 2025, Kimberly Marasco, representing herself, filed a lawsuit that alleged Swift copied “unique expressions” such as short phrases and specific words from her poetry in numerous songs, including “The Man,” “Down Bad,” “I Can Do It With a Broken Heart,” “Hoax,” “Guilty as Sin?” and “It’s Time to Go.” A similar lawsuit Marasco filed against Swift and other named defendants was dismissed by the same judge last September.

Swift’s lawyers called the lawsuit “absurd and legally baseless” in their filings. “For instance, the concept of betrayal or the words ‘fire’ or ‘love’ cannot be owned by one person, as basic themes or words are not protectable by copyright law,” reads the motion to dismiss submitted by attorneys James Douglas Baldridge and Katherine Wright Morrone, who also represented co-defendants Republic Records and Universal Music Group.

In her order granting Swift and her record label’s motion, U.S. District Judge Aileen Cannon agreed, reiterating that “the allegedly infringed material — basic ideas, themes, metaphors, isolated words, and short phrases — is not protected expression and cannot be infringed.”

Cannon mentioned these allegedly plagiarized words and phrases included “tears,” “running,” “fire,” “rain,” “sky,” “love,” “invisible,” “caged me,” “flesh and blood” and “it’s time to go.”

Even if they were protected expressions, “the works are not even substantially similar — a point Plaintiff effectively concedes by characterizing the alleged copying as ‘paraphrase[s],’ ‘rephrase[s],’ and copying with ‘minor word substitutions,’” Cannon wrote.

But it appears Swift has not completely shaken off Marasco’s copyright lawsuit. The Florida poet has already filed an appeal.