WASHINGTON — President Trump has privately discussed the possibility of firing Atty. Gen. Pam Bondi and replacing her with Environmental Protection Agency Administrator Lee Zeldin, three people familiar with the matter told the Associated Press on Thursday.
In those conversations, Trump has discussed his ongoing frustration with Bondi over her handing of the Jeffrey Epstein files and hurdles the Justice Department has encountered in investigations into Trump’s perceived enemies, the people said. The Republican president has mentioned other candidates but has raised Zeldin’s name as recently as this week, the people said.
The people were not authorized to publicly discuss the private conversations and spoke to the AP on the condition of anonymity.
No decision has been announced, and Trump has been known to change his mind on personnel decisions.
“Attorney General Pam Bondi is a wonderful person and she is doing a good job,” Trump said in a statement produced by the White House.
Zeldin, a former Republican congressman from New York, has been publicly and privately praised by Trump, who at an event in February described him as “our secret weapon.”
Bondi, a former state attorney general in Florida and a Trump loyalist who was part of his legal team during his first impeachment case, has been in her position for more than a year. She came into office pledging that she would not play politics with the Justice Department, but she quickly started investigations of Trump foes, sparking an outcry that the law enforcement agency was being wielded as a tool of revenge to advance the president’s political and personal agenda.
She has also endured months of scrutiny over the Justice Department’s handling of the Epstein files that made her the target of angry conservatives even with her close relationship with Trump.
Under Bondi’s leadership, the department opened investigations into a string of Trump foes, including Federal Reserve Chair Jerome Powell, New York Atty. Gen. Letitia James, former FBI Director James Comey and former CIA Director John Brennan.
The high-profile prosecutions of Comey and James were quickly thrown out by a judge who ruled that the prosecutor who brought the cases was illegally appointed. Other politically charged investigations have either been rejected by grand juries or failed to result in criminal charges.
Richer, Tucker, Balsamo and Price write for the Associated Press.
Shohei Ohtani’s three straight strikeouts in the fourth inning of his final spring start Tuesday featured a different putaway pitch for each.
He got Angels slugger Jorge Soler to whiff on a sweeper. Jeimer Candelario went down on a curveball. And Jo Adell struck out on a fastball.
“Just shows the confidence he has and different ways he had to attack guys, to get ahead and also put guys away,” manager Dave Roberts said after the Dodgers’ 3-0 loss to the Angels in the Freeway Series finale. “And today the feel was really good, even better than the first outing.”
Pretty much everything was clicking for Ohtani heading into the regular season, even though it was only his second spring training start on the mound. Ohtani recorded 11 strikeouts in four-plus innings. He held the Angels to four hits, three of which were consecutive singles in the fifth, and was charged with three runs, all scored in the fifth.
For the first time in three years, Ohtani is set to begin the season as a fully healthy pitcher. And it will be the Dodgers’ first time managing his two-way schedule all year. Limited the last two seasons by his recovery and build-up from elbow surgery, Ohtani last made 20-plus starts in 2023 with the Angels.
“The desire is high,” Roberts said when asked about Ohtani’s aim to pitch wall to wall. “I think it’s realistic. Then the bigger question is, how are we going to manage that and navigate it?”
Thinking through the plan going into the season, Roberts floated the idea of giving Ohtani a little extra rest between starts. Dodgers starters are already on a six- to seven-day rotation. But a six-man starting pitching group gives the team flexibility as they map out their pitching plan.
“My intent is to be in the rotation under normal rest, normal circumstances,” Ohtani said through interpreter Will Ireton last week in Arizona. “Now if management thinks that I need extra rest, I’ll take it. But I’ll let management handle that. Just looking at our roster, we have a lot of pitchers. It doesn’t hurt to rest more.”
Ohtani’s in-game limits, after a build-up slowed by his participation in the World Baseball Classic as a position player, will be adjusted before each start. But his Freeway Series outing Tuesday set him up well. He stretched out to 86 pitches.
“When you’re talking about the first game of the season, could he get through six innings? Could he touch the seventh? Yes,” Roberts said Tuesday afternoon. “But he won’t touch the eighth inning. So there’s got to be some responsibility as far as how we manage him.”
When it comes to awards, Ohtani is going after a third World Series title. But his trophy case is well stocked with individual accolades too. He’s won four MVPs, five All-Star selections, four Silver Sluggers and a Rookie of the Year award.
The Cy Young, however, has remained elusive. He came close in 2022, when a 2.33 ERA and league-leading 11.9 strikeouts per nine innings earned him a fourth-place finish in the American League. It was the only time in his career that he crossed the 25-start threshold, with 28.
“I would never want to sacrifice our chance of winning and performing in the postseason,” Ohtani said. “So I think that’s really the No. 1 goal in my mind. Just because I want to try to win the Cy Young and throw more innings, that’s not necessarily the priority over winning a championship. So with that being said, if there’s a situation where there’s some injuries and I do have to pitch on shorter rest, I’m happy to do so.”
Would showing that he can make regular starts all year automatically put him in the Cy Young conversation?
“Oh yeah,” Roberts said. “Because of just talent, ability, will. If he does that, he’ll be in the conversation, absolutely. I have no doubt about that.”
Of course, besides reigning NL Cy Young winner Paul Skenes, Ohtani would also be competing for the award with his own teammate, Yoshinobu Yamamoto, who enters the season with the edge.
If Ohtani continues to pitch like he did on Tuesday, while building up the rest of the way, he and the Dodgers will be in good shape.
“It was another good one for him,” Roberts said, “and he’ll be ready to go.”
Tom Junod has devoted his long and distinguished career to writing about other people. He won two National Magazine Awards as a star feature writer for Esquire, GQ and ESPN: The Magazine, covering everything from athletes and movie stars to the victims of 9/11 with his elegant prose style. However, it took Junod years before he could tackle the toughest subject of all: His father, Lou, a decorated World War II veteran who fashioned himself as a kind of suburban Sinatra.
He was a hard-drinking philanderer who carried with him a complicated legacy that Junod untangles in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.” I spoke with Junod about fathers and sons, and the difficulty of excavating his family’s fraught history.
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✍️ Author Chat
You pondered this book for years. Was there a moment when you finally said, “Right, time to write this now”?
There was definitely a moment, when my brother Michael had lunch with a woman named Muntu Law, who was one of my father’s lovers. It was the late summer of 2015. She told him, “Of course, you know your Dad and I had an affair for 11 years.” And he didn’t know that. He called me immediately after and asked me if I knew about the affair and I said yes. He asked me why I hadn’t told him, and I responded that I both knew and didn’t know. I knew it the moment Muntu stood up at my father’s funeral.
You intuited it?
Yes. There was a split there that I needed to reconcile and explore. There was too much unresolved stuff.
Your father’s story is shot through with a lot of tragedy. What is the writing process like for you? Was it an unburdening, a catharsis or something else?
When you unburden yourself, what you wind up doing is taking up much heavier burdens, which is what the book was. But it’s very interesting, because now I’m talking about my father with people in my family, and some of these discussions are difficult, but at least I’m talking about him with them. It was mostly pain, writing the book. Exposing your secrets isn’t particularly a relief, but it allows you to carry on your life without the necessity of being silent.
Tom Junod untangles his father’s complicated legacy in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.”
(Lee Crum)
Your Dad is emblematic of this kind of postwar American male that served in the war and came home flush with triumph and a kind of male privilege. Would you agree?
To the absolute max. My dad was an extreme character, and I think what the war did for a lot of men was it allowed them to reinvent themselves and create themselves. I look at my dad as a completely self-created phenomenon.
He clearly carried himself like a star.
There’s a line in the book where I say that Dad was the only celebrity I’ve ever known.
What’s remarkable is that you broke the cycle. You write about your marriage to your wife, Janet, in the book, whom you met in college. You have been together for over 40 years.
I think a lot of people are surprised by that when they read the book. People just thought I had it, you know — that I was successful and I was able to handle difficult situations. Back in the summer, I gave a copy to my friend, Lisa Hanselman, who I worked with at Esquire and GQ for a long time. And she called me up one morning and just said, “I didn’t know.” And that meant a lot to me. In my mind, it’s one of those things that justifies the effort it took to write the book.
(This Q&A was edited for length and clarity.)
📰 The Week(s) in Books
In “AlphaPussy,” Gina Gershon’s real-life stories deal with “themes of manipulation, survival, and moving around and being able to stand on your own two feet.”
(Evelyn Freja / For The Times)
Mark Athitakis is agog over Lauren Groff’s new story collection “Brawler,” a book that “blends the depth of the long view and the drama of the pivotal moment.”
Acclaimed nonfiction writer Daniel Okrent has written “Stephen Sondheim: Art Isn’t Easy,” a short, sharp biography of Stephen Sondheim for Yale’s “Jewish Lives” series, and Julia M. Klein approves. “[Okrent] seeks to liberate Sondheim’s reputation from the encrustation of myth and to demystify his relationships, while offering a succinct analysis of his achievements,” she writes.
Actor Gina Gershon has written a freewheeling memoir called “AlphaPussy,” which looks back on her San Fernando Valley childhood as a proving ground for dealing with male toxicity as a woman in Hollywood. “I’m not that tough,” Gershon tells Cat Woods. “But I’d learned how to maneuver a lot just from growing up in the Valley, and it was a crazy time to be living there. So I thought about the stories that led me to be able to steer myself through toxicity.”
Finally, Yvonne Villarreal sat with Christina Applegate to discuss her new memoir, “You With the Sad Eyes.” “This book is not cathartic for me — let’s just go there,” Applegate says. “I just needed to dump this s— out somewhere.”
📖 Bookstore Faves
Casita Bookstore in Long Beach prioritizes stories from unrepresented and marginalized voices, says owner Antonette Franceschi-Chavez.
(Antonette Franceschi-Chavez)
An inviting literary haven in Long Beach, Casita Bookstore prioritizes stories from underrepresented and marginalized voices from the BIPOC, immigrant, LGBTQ+ communities and what store owner Antonette Franceschi‑Chavez calls “other historically silenced communities.” I spoke with Franceschi‑Chavez about what readers are excited about now.
What kind of clientele do you get in the store, typically?
Our clientele is wonderfully diverse, but they share a common desire for stories, knowledge and community that center voices often underrepresented in mainstream spaces. We see a strong mix of local community members, educators, families and young readers, along with writers, activists and creatives who are drawn to our focus on books by [underrepresented and marginalized writers].
What’s selling right now?
That’s a difficult question, because we get a wide range of reader personalities. I can say that one of the top-selling trends in adult reading right now is dystopian fiction. Some of the top sellers in our bookstore are “Parable of the Sower” by Octavia Butler, “Chicano Frankenstein” by Daniel Olivas and Agustina Bazterrica’s “Tender Is the Flesh.”
Is there still a place for bookstores as community builders?
Of course! Indie bookstores are vital community hubs. Even in the digital age, bookstores provide physical spaces for connection, conversation and shared experience. You can’t replicate that type of connection online. We’re also living in a time when voices are being silenced or punished for speaking out about social justice, oppressive actions and, overall, what’s right. Bookstores are here to lend their spaces, share those stories and bring attention to needed causes. I’ve seen many bookstores, including ours, function as fundraising and donation hubs, protest art spaces, open-mic venues to allow for communities to unite in shared social causes.
PHOENIX — Unable to ramp up through the first month of spring training because of lingering shoulder soreness, Dodgers left-hander Blake Snell took a step toward readiness Thursday, throwing his first bullpen session.
Two hours before Thursday night’s Cactus League game, Snell threw off the mound in front of a group of reporters and fans at Camelback Ranch. Snell threw 15 pitches — all fastballs — sitting between 87 to 89 mph.
“I feel good,” Snell said after his bullpen. “I was very excited to throw off the mound again and pitch. I’ve been looking forward to this for a while. This being like the first one where I actually could have the catcher down. I was still limited to what I could throw. I was throwing 87 to 89 [mph]. It felt effortless, easy, could command the ball, so [I’m] happy with that. [I’m] just happy to continue to grow and get better.”
The two-time Cy Young Award winner says he’s targeting an April return, and that he’s hoping to get back faster than initially expected.
“I want to pitch in April,” Snell said. “That’s my goal. So, I’ve kind of been the one pushing it, and they’re being more cautious. I think we’re just talking a little back and forth, but I think them seeing me throw a pen today, hopefully that just gives them more confidence to keep it going. I think we won’t really know until I throw a live [batting practice], I think that’s when we’ll really know. How do I recover from that? How do I feel? And then that will be like, ‘OK, let’s get him into games.’ That’s what I would envision. I’m not the front office or Dave, but that’s what I would think.”
Dodgers manager Dave Roberts, however, isn’t ready to give a timetable for Snell’s return.
“I think honestly, to think about when he’s going to come back, we’re just a ways away from even really having that conversation,” Roberts said, noting that six weeks is “the floor” when you also account for a potential rehab assignment.
Thanks to the depth of their pitching staff, the Dodgers can afford to be patient with building up Snell. Right-handers Emmet Sheehan and River Ryan, along with left-hander Justin Wrobleski, are all possibilities for starting assignments early in the season.
“We still need him to pitch, and I know he understands that,” Roberts said of Snell. “But we do have the luxury of trying to err on the side of caution. … We are certainly better when he’s pitching for us, when he’s active.”
Snell, for his part, is thankful to be throwing again without shoulder pain.
“The whole offseason, I mean, every throw kind of hurt,” Snell said. “It was just every throw, I could feel my shoulder. It was just cranky and I couldn’t get it going. And I thought I was doing everything I needed to, and I believe I was, and ultimately, I’m feeling better.”
For decades, Iranian novelist and memoirist Shahrnush Parsipur wrote under the threat of her country’s oppressive laws. Parsipur was imprisoned for her work four separate times: once under the shah, who ruled Iran before the Islamic Revolution of 1979, and three times under the regime that took power that year.
Despite this Damoclean sword hanging over her, she managed in 1989 to publish “Touba and the Meaning of Night,” a sweeping historical novel that lays bare Iran’s crushing patriarchal culture. In 1990, she wrote “Women Without Men,” a book of connected stories that trace the lives of five women, including a sex worker and schoolteacher, in search of liberation and self-actualization.
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Shortly after the book’s publication, the Iranian government threw Parsipur in prison for a fourth time, where she remained for over four years.
Flash forward 36 years, and an English translation of “Women Without Men” has published in the U.K. for the first time. (The first U.S. English translation was published by Feminist Press in 2011.)
Now, the U.K. book has been nominated for this year’s International Booker Prize. In an email exchange, Parsipur, who presently lives in exile in Northern California, expounded on her career, Iran and the recent developments there.
✍️ Author Chat
(The L.A. Times may earn a commission from bookshop.org links.)
Women Without Men was longlisted for the 2026 International Booker Prize
(The Feminist Press)
What is your feeling about the U.S. air attack against Iran?
I am very sorry for my country. People suffer and the country becomes ruined. I will never forgive Israel and the U.S. I am an American also and as an American I want to stop the war. I do not think that Americans and Israelis can bring liberty to Iran. The people of Iran must try for themselves.
The government threw you in prison shortly after you published “Women Without Men.”
I was never a political activist and they did not torture me. But one time they put me in a grave for two months in Ghezel Hesar Prison. There, we always had to sit without speaking and our eyes were closed by a cover and we listened to Islamic slogans.
So it was solitary confinement?
We were sitting in a space the size of a grave and there was a wooden wall between every grave, so you could not see anything except your grave.
Did you write in prison?
Yes, I began to write my novel “Touba and the Meaning of Night.” I wrote half of it and suddenly they took it and after one year the men of Ayatollah Montazeri came to prison and they gave me the novel. They had destroyed two pages that were about the killing of a girl. I thought the virginity of my book was ruined. So I burned it. I wrote my memoirs when I came to the U.S.
So you burned the book and then rewrote it?
When my prison term finished I wrote “Touba” again.
Do you still have family in Iran?
Yes, I have some family in Iran and I cannot contact them. The internet does not work and mobiles are silent.
Do you think change in Iran will come soon? Will the U.S. help to liberalize the country?
The Islamic laws must change and a country like Israel cannot do that. So, the Iranian must change the situation. All my books are banned in Iran, except ones that they change themselves. But “Women Without Men” is published in more than 30 countries. The Booker International Prize is an English prize and if they give it to me there is no relation with banning the book in Iran. I am not surprised about the situation.
(This Q&A was edited for length and clarity.)
📰 The Week(s) in Books
“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.
(Los Angeles Times illustration; book jacket from Catapult)
Julia M. Klein is fascinated by Loubna Mrie’s memoir “Defiance,” which, she writes, “offers a prism on Syria’s authoritarian society before the 2011 uprising and subsequent civil war, and vivid snapshots of the devastation that the war unleashed.”
Mark Athitakis considers two books that tackle the old “New Hollywood” of the late ’60s and early ’70s: Paul Fischer’s “The Last Kings of Hollywood,” which spotlights the Coppola, Lucas and Spielberg pantheon, and Kirk Ellis’ “They Kill People,” about the making of “Bonnie and Clyde.” Athitakis calls Ellis’ history “a meaty yet accessible book that captures the lightning-in-a-bottle nature of the generation’s ur-text,” while Fischer’s book “has a gift for highlighting the ways that moments that we now accept as inevitable were often the product of dumb luck.”
Diane Garrett has a chat with Elizabeth Arnott about her novel “The Secret Lives of Murderers’ Wives,” which she calls “an empathetic and at times bracing mystery tale about unlikely crime solvers circa 1966.”
Finally, Costa Beavin Pappas considers Brian Raftery’s curiously titled “Hannibal Lecter: A Life,” which is really a biography of Lecter’s creator, author Thomas Harris. “For fans of true crime, Raftery has written a fascinating biography and origin story about one of pop culture’s most emblematic serial killers, and his lasting bite on society,” writes Pappas.
📖 Bookstore Faves
Taschen Beverly Hills sells eye-catching artistic works
(TASCHEN)
Taschen Beverly Hills may well be the most gorgeous bookstore in Los Angeles, all gleaming, polished wood and ambient light illuminating the store’s lavishly illustrated art and design books. The shop opened over two decades ago as a showcase for the German publisher’s catalog, and it remains a popular destination for tourists and Taschen cultists who collect the company’s highly collectible titles. I spoke with Taschen Executive Director Creed Poulson about what’s selling right now.
What is the store’s clientele?
At the risk of sounding like a marketing manager, we have something for everyone, because our price points range from $10 up to thousands of dollars. Which allows us to have a mixed clientele in the store.
I know there is a kind of Taschen cult, folks who will buy your books because of your reputation.
That comes from our owner Benedikt Taschen, who is a collector and understands the mindset of a collector. Our books become collectible, regardless of the cost.
Lately, there has been a turn among Gen Z into all things analog. Have you seen younger customers come into the store?
Yes, absolutely. I’m seeing a lot of the younger generation coming, especially during our annual sales — fans that are migrating away from just looking at images online, into book collecting. They want a tactile object they can hold and feel, and they want something they can enjoy as an object.
