A two-part docuseries about Melania Trump arrives later this year, the first lady revealed Wednesday. The new project follows the January release of director Brett Ratner’s documentary, which made $16.7 million worldwide at the box office and was universally panned by critics.
“It will come out this year, and it will be very different what is in the movie,” Trump told “Fox & Friends” ahead of her appearance to ring the New York Stock Exchange opening bell. “It’s more [like a] conversation one on one with me.”
Trump indicated that the docuseries will cover new ground.
“So when I was traveling and doing all of the filming, the director was asking me questions, and there’s some private questions that I will answer that people never heard before,” she said.
The Times has reached out to Amazon Studios for more information on the project, which does not appear in press materials, though Ratner teased the new “chapters” in an Aug. 11 Instagram post.
“Here we go again….” the director wrote. “The saga continues …. can’t wait to share with everyone around the world the next two chapters of MELANIA, THE DOCU SERIES!”
Ratner’s film followed the first lady in the 20 days leading up to President Trump’s 2025 inauguration, promising “exclusive footage capturing critical meetings, private conversations, and never-before-seen environments” as Melania “orchestrates inauguration plans, navigates the complexities of the White House transition, and moves her family back to the Nation’s Capital.”
Critics, however, found the cinematic experience lacking.
“I’m hesitant to call ‘Melania’ propaganda because I can’t imagine anyone watching this movie and thinking that Melania Trump comes off well,” Times film critic Amy Nicholson wrote in a February review. “If this vapid, airless, mindless time-waster had subversive designs of being a satire about the first lady of the United States, there’s not much it would have changed. Yet somehow, ‘Melania’ is exactly the film that the first lady wanted to make — her company was paid $40 million for the rights to this self-greenlit production — and no one around her warned that it was a very expensive bad idea.”
“Melania” was Ratner’s first film since six women accused him of sexual assault in 2017. In February 2026, The Times reported that the “Rush Hour” filmmaker appeared in the unsealed Epstein files in photos with unidentified women and the financier, who died by suicide in 2019 while awaiting trial on sex trafficking charges.
In addition to the initial $40 million Amazon MGM Studios paid to license the project, the marketing and promotion budget was reportedly another $35 million.
Born into an African American family with a grim history of enslavement, Marian Anderson was determined from an early age to master the art of singing for the concert hall. A contralto of great range and warmth, Anderson’s abundant gifts as a performer of spirituals, arias and German Leider brought her global fame even as she endured the indignities of racial discrimination at home. Her Easter Sunday performance at the Lincoln Memorial in 1939 in front of 75,000 spectators remains a touchstone of defiance in an age of racial violence.
Anthony Tommasini’s excellent biography of Anderson, “Voice of A Century,” reclaims the singer as a great artist who only embraced her power as a symbol of racial equality much later in life. I spoke with Tommasini about Anderson, Franz Schubert and Albert Einstein.
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✍️ Author Chat
Anthony Tommasini’s biography reclaims Anderson as a great artist who embraced her power as a symbol of racial equality later in life.
(Ahna Tessler Photography)
I feel like people know Marian Anderson in the abstract, but they regard her as a symbol rather than an artist. And among the virtues of your book is that you reestablish Anderson’s legacy as a great singer and performer.
She was a contralto, which is the lowest female vocal register. But that register had such resonance, and she had complete control over it. She also had enormous range; the uncanny, beautiful thing about Anderson’s voice is that when she started ascending even into the soprano sphere, she held those notes so beautifully. They were emanating from below, grounded in that low voice. It made for a mesmerizing sound. I’ve made a playlist to accompany the book.
She embodied this kind of fierce dignity and grace in the face of racial discrimination. But as you point out, she was reluctant to make herself a symbol of the civil rights movement, preferring to let audiences focus on her artistry.
In 1939, she was banned from performing in Washington’s Constitution Hall because of her race, and her manager, with help from Eleanor Roosevelt, arranged a performance in front of the Lincoln Memorial on Easter Sunday. Yet, the night before the performance, she was trying to get out of it. She felt the whole affair had turned into a civil rights demonstration. When it came time to write her memoirs in 1956, she wanted to excise the event from the book. She felt that what she could do is be an example of excellence and possibility for aspiring black artists.
She did play to segregated audiences, even long after she had become a national star.
[This type of segregated performance featured what] was called vertical seating. But she refused to forsake her career, which she had worked so hard to attain, and so she played these segregated shows. Eventually, there was a performance in Virginia which was boycotted, and that sort of broke the trend. She then performed in front of an integrated audience in Florida.
There is an encounter with Albert Einstein, of all people, who counsels her to take a stand against these racist booking policies.
In 1937, she showed up for a concert in Princeton, New Jersey, only to discover she was being refused a room at the Nassau Inn. As it turns out, she had a friend in Princeton who had seen her at Carnegie Hall and had meekly gone backstage to meet her. This was Albert Einstein, who was teaching at Princeton University at the time, and who offered to put Anderson up for the night at his house. He really pressed her on being more outspoken on racial equality.
Anderson played Europe multiple times in the 1930s, right before the rise of Hitler and the Third Reich. As you write, German audiences were blown away by Anderson’s mastery of their music, specifically Franz Schubert’s Lieder, or art songs, which were among Anderson’s most beloved repertoire.
So extraordinary, right? She also made two tours of the Soviet Union during that time. They went crazy for her in the Scandinavian countries, as well. But for the German audiences who are so nationalistic about their Leider, it was confusing. They couldn’t imagine how a Black American woman could sing their music so beautifully.
Anderson was the first Black soloist to perform at the Metropolitan Opera in New York, in Verdi’s opera Un ballo in maschera.
That was really a huge risk and a huge leap for her. She wasn’t a trained opera singer, and she had to dig deep into that material. She was already 58 by that time. There is a radio recording of the performance. There’s this dignity, like she’s calling upon this power. It’s exhausting and it’s draining, but it’s also exhilarating.
This Q&A was edited for length and clarity.
📰 The Week(s) in Books
Book jacket for “Body Language” by Meg Howrey
(Los Angeles Times illustration; jacket from Doubleday)
Marlon James has published his highly anticipated new novel “The Disappearers,” a sprawling story about gay culture in ’80s Jamaica, and Mark Athitakis is quite taken with it. “James is … determined to unwind the cliches of gay fiction: the tragic victim, the heartwarming gestures of solidarity, the blunt porniness,” he writes. “Mere survival will have to be enough for most of these characters; the sense of fear is pervasive, but so is a determination to work through it.”
What’s it like to be the primary dissenting liberal voice on Fox News? Stephen Battaglio found out when he talked to Jesssica Tarlov about her hybrid memoir and self-help book “I Disagree.” “I have a good amount of shyness to me,” she tells Battaglio. “I have a lot of imposter syndrome. I’m constantly in wonder that I ended up getting to do this and that hopefully, am the right person to do it.”
Finally, Emily Wilson, the classicist who has been a lightning rod of controversy over her disparaging remarks in regard to the film version of “The Odyssey,” is going to translate Homer’s epic for a second time, reports Emily St. Martin.
📖 Bookstore Faves
The Hammer Museum’s gift shop is one of the best art book shops in L.A.
(Eric Petschek)
Sure, the Hammer Museum’s gift shop stocks the requisite art-themed mugs, tea towels and tchotchkes, but it’s also one of the best art book shops in L.A. Inside the sleekly designed Hammer Store is a vast inventory of monographs, children’s books and critical texts about modern and contemporary art. In an email exchange, store managers Sara Beattie and Brooke Berlin tell us what museumgoers are buying right now.
Hammer’s store is really the best museum bookshop in L.A. How do you decide what to put on the shelves?
We’re an eclectic bunch of book nerds and love the written word. We start by looking at upcoming programming, exhibitions and the season, and we buy accordingly. And we have a great team that gives us suggestions. We’ve learned to trust our instincts. The Hammer is an experimental institution, and we approach our buying in that spirit.
Do you have patrons that are not necessarily there to check out museum exhibits?
Of course! We’re not only a museum, but a cultural center, which means there’s always something happening — like mindful meditation on Thursdays, or family programming on weekends, or people coming in just to enjoy a meal at Lulu.
What kinds of books tend to do well for you?
Art monographs, especially on contemporary or Los Angeles artists; books about living more conscientiously; and everyone loves a children’s book (even if it’s just to heal your inner child). We love finding unique books that can’t be found elsewhere. Whenever we can, we work with small presses and book distributors. They often make books that can only fully be enjoyed or understood by seeing them in person.
Is there any particular title that is presently selling well?
Why do we still enjoy art books, when we can look at millions of paintings and sculptures on the internet?
Why go outside if you can look through a window? There is a lot of talk of people returning to the analog or physical media, and that includes renewed interest in physical books. BookTok is huge. People love talking about books and showing off their special deluxe book editions on TikTok. Art books by their very nature are deluxe, image filled and thoughtfully designed. A well-produced book is an art object in itself. Nothing beats the experience of paging through a beautiful book. That experience can’t be replicated on a screen.
The Hammer Museum store is located at 10899 Wilshire Blvd., Los Angeles.
Ed Sheeran’s Loop tour, in the span of less than two weeks, became an unexpected lightning rod for controversy and conversation about artist activism amid Israel’s deadly war in Gaza. Still, the show will go on.
Sheeran’s tour will proceed as planned, The Times has learned. He is scheduled to play on Saturday at Lincoln Financial Field in Philadelphia. The venue also confirmed on Wednesday that the Saturday concert is still a go, but that supporting acts have yet to be finalized.
A representative for Sheeran’s tour did not immediately respond to requests for additional information, including who will be the new supporting acts.
In a rapid turn of events since rapper and former opening act Macklemore called for Palestinian liberation onstage earlier this month, Sheeran — the singer of inoffensive hits including “Thinking Out Loud” and “Shape of You” — fell out with the fellow Grammy winner, witnessed all supporting acts drop from his lineup and defended himself against accusations of complicity in silencing criticism of Israel. Additionally, Sheeran confronted scrutiny over his largely apolitical public presence. He attributed this to his longtime desire to “bring people from all backgrounds and cultures together” via his music and performances.
“I am not complicit. I have my personal views on this devastating conflict,” he wrote Tuesday on Instagram. “Just because I choose not to speak publicly, it doesn’t mean I don’t have them, and it doesn’t mean I don’t care. Nor does it mean I don’t support causes in my own, personal way.”
Ahead of Sheeran’s first concert since the scrutiny surrounding Macklemore’s performance, read on for what preceded the fallout of Sheeran’s Loop tour.
Macklemore goes from “Thrift Shop” to “Hind’s Hall”
Macklemore performs at Rod Laver Arena on May 15, 2024, in Melbourne, Australia.
(Morgan Hancock / Getty Images)
Before hitting the stage for Sheeran’s Loop tour, Macklemore famously burst onto the music scene in 2012 as part of the duo Macklemore & Ryan Lewis. The pair gained popularity for the then-inescapable hit “Thrift Shop,” the fourth single off their acclaimed debut album, “The Heist.”
The duo gained further notoriety with hits “Can’t Hold Us” and same-sex marriage anthem “Same Love.” They notoriously bested Kendrick Lamar at the 2014 Grammy Awards in the rap album category. Lamar was nominated for his striking debut “Good Kid, M.A.A.D City.”
A year after releasing their 2016 album, “This Unruly Mess I’ve Made,” the duo announced an indefinite hiatus. Macklemore focused on his solo work, including collaborations with Kesha, Lil Yachty and Skylar Grey. In recent years, Macklemore has taken on a new purpose with his platform.
Macklemore, like many musical acts including Kehlani, Finneas and Irish rap group Kneecap, became a vocal supporter of the Palestinian cause after Israel began its offensive in Gaza in the wake of the Hamas attacks on Oct. 7, 2023. The rapper has channeled his views on the conflict into his music, releasing his protest song “Hind’s Hall” in May 2024. The song calls for a ceasefire, an end to Israeli occupation in Gaza and highlights pro-Palestinian protests on college campuses.
Ed Sheeran announces his Loop tour
Ed Sheeran performs during iHeartRadio Kiss 108’s Jingle Ball 2025 at TD Garden on Dec. 14, 2025, in Boston, Mass..
(Scott Eisen / Getty Images for iHeartRadio)
Last September, Sheeran unveiled his plans to hit the road to promote his eighth studio album, “Play.”
The British “A Team” singer announced at the time that his tour would begin June 2026 with a stop at Arizona’s State Farm Stadium and would run through early November. The announcement did not disclose the supporting acts set to share the stage with him, but informed fans the singer would perform shows across large venues including Inglewood’s SoFi Stadium in August and a pair of performances at MetLife Stadium in New Jersey.
The concerts at MetLife Stadium would later embroil Sheeran, his tour, Macklemore — and somehow pop star Pink — in controversy.
Macklemore calls to ‘Free Palestine’: Performance or ‘propaganda?’
When Macklemore took the MetLife Stadium stage as the supporting act for Sheeran’s Sept. 4 and 5 concerts, he did not mince words in his message. During his set, Macklemore criticized Israel for its war in Gaza and accused it of genocide of Palestinians. He also projected an edited version of his “Hind’s Hall” music video, which features footage of pro-Palestinian college encampments and protests and military strikes in Gaza.
Video of Macklemore’s performance spread online, drawing ire from some Jewish advocacy groups including StopAntisemitism, which accused Macklemore on Instagram of turning “a mainstream event into a political nightmare against the Jewish state.” Pop star Pink, who is Jewish, shared StopAntisemitism’s post to her Instagram story. She faced backlash for the repost and later clarified in a three-part statement that she took issue with the imagery Macklemore displayed during his performance. She also accused the rapper of taking “the mic to tell all the Jews in the stadium that it wasn’t about them.”
In the wake of Macklemore’s performance, the Israeli American Council and the Anti-Defamation League also decried Macklemore’s performance on social media, with the former publishing a petition calling on Sheeran to remove the rapper from the remaining shows of his tour.
“Freedom of expression does not give anyone the right to turn someone else’s stage into a platform for political propaganda,” the Israeli American Council said on Instagram.
Amid the mounting backlash, Macklemore defended his stance and shared video on social media of his full address to the MetLife crowd. “I said ‘Free Palestine.’ I want those words to be loud and clear so that the people in Gaza all the way to the occupied West Bank know that we have not forgotten them,” he tells concertgoers in his introduction to “Hind’s Hall.”
“To all my Jewish brothers and sisters, criticism of Israel, criticism of apartheid, being against genocide in no way is a criticism of you,” he adds, according to video of his address. “My message is for peace, love for all human beings to be treated with dignity, respect and equality.”
The fallout begins: Macklemore fired from Loop tour
Whether Macklemore would remain on Sheeran’s tour amid the public outcry remained uncertain, until he confirmed his status earlier this week. He said in a lengthy statement shared to Facebook that his continued, vocal support for Palestinians amid Israel’s war in Gaza has cost him professionally.
The rapper said he was removed after “some difficult conversations” with Sheeran. He also went into depth about the inner workings that led to his removal from the tour, including conversations between Sheeran and wealthy venue owners, including billionaire Robert Kraft, whose Kraft Group owns Gillette Stadium in Massachusetts, where Sheeran is set to play later this month.
“Ed told me that Kraft said I would not be allowed to perform in his stadium,” Macklemore wrote. “Ed also told me that Kraft had rallied some of the other stadium owners and collectively they gave him an ultimatum: if Macklemore stays on the tour, you will not be allowed to play in our venues.”
Sheeran in a separate statement shared on Tuesday confirmed he had conversations with Kraft but did not speak to the alleged ultimatum. The singer also said removing Macklemore from the tour “was the promoter’s decision, it was not mine” and that Macklemore’s contract was with its promoter. Messina Touring announced on Monday it had dropped Macklemore from the remaining tour dates “after discussions with stakeholders.”
Additionally, Macklemore wrote that Sheeran’s “typical apolitical stance was being challenged” amid the public scrutiny and “he couldn’t get past his public facing, ‘I don’t take sides.’”
Sheeran appeared to address that criticism, writing in his missive that attendees at his concerts “do not expect a political forum.” The singer also wrote he thinks there can be different ways to work toward peace.
“If we only focus on shouting the loudest, nothing will ever change,” he wrote.
Macklemore said in his Monday statement he was hopeful this turn of events would not mean an end to his friendship with Sheeran and he was grateful for the opportunity to play on tour, regardless.
“I didn’t need 10 Shows from Ed. I needed 2,” he wrote. “Two chances to stand in front of 90,000 people and say … ‘Free Palestine.’”
Supporting acts depart tour in solidarity
Grammy winner Finneas was among the supporting acts who announced their departure from Ed Sheeran’s tour on Tuesday.
(Monica Schipper / Getty Images)
Hours after Sheeran shared his side to the controversy, numerous musical acts including Grammy winner Finneas and folk band Beoga, Sheeran’s backing band, pulled from the Loop tour in solidarity with Macklemore and in support of Palestinians.
“Artists must not be silenced when they speak up for the oppressed. I have decided to withdraw from my upcoming tour dates with Ed Sheeran,” wrote Finneas, who has been a vocal supporter of Palestinians. “I stand with Palestine and its people.”
Pop band Lukas Graham and Irish singer-songwriter Aaron Rowe, both billed as supporting acts for several upcoming dates on Sheeran’s tour, voiced support for the Palestinian people and spoke against the inner workings that led to Macklemore’s removal.
In its statement, Lukas Graham wrote: “Money doesn’t give you the right to own the conversation. Nobody’s bank balance should decide who gets to speak or which suffering we’re allowed to acknowledge.”
Rowe in his Instagram statement said that Sheeran “has been a friend to me and has changed my life” but that he is sympathetic to the Palestinian cause. “As Irish people we know all too well about genocide, forced famine and violent occupation,” he wrote. The “Hey Ma” singer accused elites of leveraging their power to “silence the rightful voices” and criticism of Israel.
“I need to be true to myself and my ancestors who resisted colonisation, and fought for a freedom that I enjoy today in Ireland,” Rowe continued.
Macklemore announced Wednesday that he will donate his earnings from his shows with Sheeran to charities supporting Palestinians. He also invited Kraft to match his donation and reaffirmed his dedication to the Palestinian cause.
“This is what this has always been about,” he wrote. “Not me. Not a tour. Not the headlines or the controversy.”
The North American leg of Sheeran’s Loop tour is scheduled to end Nov. 7 at Raymond James Stadium in Tampa, Fla. — the same venue that platformed controversial rapper Ye (formerly Kanye West) earlier this summer.
As a young sportswriter studying journalism at the University of Missouri, Seth Wickersham looked to Los Angeles for inspiration. At the campus bookstore, Wickersham bought his first sportswriting anthology, “The Last of the Best,” a collection of columns from the Los Angeles Times’ Jim Murray, one of four sportswriters ever to win a Pulitzer Prize.
Collections of work from Murray, Rick Reilly, Frank Deford and others offered Wickersham a road map for the career he wanted to build — and he has, with 26 years’ worth of work at ESPN meriting an anthology of his own. “Be on That Hill: Stories From the Summits of Sport,” which will hit bookshelves Sept. 22, is Wickersham’s third book. He said assembling an anthology is both “the coolest thing you could ever imagine happening” and “this weird mind warp.”
“When you’re just on a treadmill like I’ve been, the years just go,” says Wickersham, who’s been covering sports since he was hired by ESPN The Magazine straight out of college. “You don’t realize it, but then you take stock of it, and you’re like, ‘Holy cow, I’ve been doing this 26 years …’ It’s surreal to go back and look at it.”
Football has always been Wickersham’s first love — he weaved his journey as a high school quarterback into “American Kings” — but his latest book features stories about a college basketball coach on the job hunt and an NHL enforcer’s attempts to avoid head injuries.
“I’m trying to write about people who have a certain level of inner turmoil,” Wickersham says, “whether it’s Sean McVay after he wins the Super Bowl, or Jerry Jones when he’s threatening to sue the NFL to stop Roger Goodell from signing a contract extension.”
The sports media industry has changed dramatically since Wickersham’s career began. ESPN The Magazine no longer exists. Access to coaches and players is increasingly hard to secure. But Wickersham’s journalistic goals are the same today as they were when he bought Murray’s anthology.
“I want to be a link on a chain,” he says. “It’s hopefully an installment of a body of work that one day might help me be a link on a chain of the best who did this.”
This Q&A was edited for length and clarity.
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✍️ Author Recommendations
In addition to Jim Murray’s anthology, here are some other sports books that have inspired Wickersham.
“The Breaks of the Game” by David Halberstam: This is the Pulitzer-winning Halberstam’s first sports book, following the 1979-1980 Portland Trail Blazers. “When it comes to trying to decode a team, that’s the standard,” Wickersham says.
“Joe Namath and the Other Guys” by Rick Telander: Namath, the Hall of Fame New York Jets quarterback, serves as an example of quarterbacks’ rising celebrity profile in “American Kings,” and Telander is one of Wickersham’s favorite sportswriters. “The portrait he gave of Joe Namath in his twilight was just so rare,” Wickersham says. “I don’t think a book like that has ever been done.”
“When Nothing Else Matters” by Michael Leahy: Another book about an athlete in his twilight. This one documents Michael Jordan’s time with the Washington Wizards. “He worked his tail off as a reporter and really gave a brutally honest glimpse into what it was like to live and play with Michael Jordan the last few years of his career,” Wickersham says.
“The Franchise” by Michael MacCambridge: Wickersham read this history of Sports Illustrated in college. “It really not only gave a glimpse into how so many of these great stories by my heroes … were done,” he says, “but also how those guys got hired at Sports Illustrated. It was like a job road map.”
📰 The Week(s) in Books
Our fall book recommendations answer your call for learning and discovery this season.
(Kissi Ussuki / For The Times)
Our Fall Preview includes 29 books to keep on your radar this fall, as well as television and movies we’re excited about.
This week, we caught up with Raine De Leon, owner of Sons and Daughters Books, a formerly online bookstore that opened a brick-and-mortar location earlier this year. Here’s what they had to say about their IRL location, the local bookshops that inspired them and more.
This interview was edited for brevity and clarity.
Your bookstore began as an online store in 2024. What motivated you to open an online store? How did it grow from there?
A brick-and-mortar was always the end goal, since I wanted a physical space for writers, readers and other artists to come together for events and community building. Originally, the online store was actually an online poetry journal, where I published poets from around the world, wrote reviews, and held virtual readings. I wanted to translate that into an in-person experience.
What other bookstores, in Los Angeles or elsewhere, served as inspiration for the type of bookstore you wanted to open?
Skylight Books in Los Feliz and Village Well Books and Coffee in Culver City really inspired how I wanted the store to feel: warm, inviting and dynamic enough to serve both a neighborhood and a larger L.A. audience. I took inspiration from the Painted Porch in Texas in regard to curating the selection of books in the store. City Lights in San Francisco was also a huge inspiration for not only my store, but my life in general. The place it holds in the history of its community, the history of publishing and the history of poetry are profound, and I am trying to emulate that legacy as best I can.
What inspired the name Sons and Daughters Books?
The poet Charles Olson wrote a landmark essay, “Projective Verse,” in 1950. In it, he talks about poetic lineage and influence, and he says something to the effect of “We are the sons of the poets who came before us,” and that really spoke to me. I expanded it out to “Sons and Daughters,” with that same sentiment, to be a little more inclusive.
What type of selection can people expect at Sons and Daughters Books?
Our selection is almost all new books with focus on fiction, poetry, social sciences and more. We also have a cart of used books out on the floor every day, and on Sundays I bring out two more carts of used books.
For the new books, I selected each book in the store myself. I may not have read every book on these shelves, but I went line by line in our inventory sheets to select books that I wanted people to be aware of. Even though I am the only staff member, our “Staff Rec” table features reviews and picks from those closest to me. I wanted our selection to be extremely specific to me, my loved ones and the community the store is now in.
In the time you’ve been open, what events have been the most popular? Any particular upcoming events you’re excited about?
Our two most popular events are definitely our weekly stand-up comedy open mic night and our thriller book club.
September is our fullest month yet in regard to events, and I’m very excited for a few. We have two book launch events. The one on Sept. 26 is for “Valley Girl Manifesto” by Noelle Cope, a collection of both poetry and prose. The other, on Sept. 19, is for “Anger Is a Gift,” a new poetry anthology from FlowerSong Press. Both celebrate poetry, locality and connection.
Our full events calendar, which continues to grow, also features community workshops, silent reading clubs and more.
Sons & Daughters is located at 7817 Melrose Ave., Los Angeles.
After LAPD recruitment officers were accused of making racist, sexist and homophobic comments — some of which were caught on tape — department leaders promised to look into whether they improperly disqualified any police applicants.
More than a year and a half later, the city is still waiting on the report.
But the contents of a separate LAPD internal affairs file reviewed by The Times has shed new light on the unit at the center of the scandal and how its officers responded to investigators who were looking into the matter.
No clear explanation has been given for the delay in publicly addressing the scandal’s effect on recruitment efforts.
In response to a records request from The Times, the city’s personnel department, which is conducting the inquiry, said it had not yet finished its review and had no timeline for doing so.
Last month, Los Angeles County Dist. Atty. Nathan Hochman charged Daniel Flores, the LAPD whistleblower who secretly recorded his colleagues, with 16 felonies, alleging he violated a state eavesdropping law. But, after criticism from Mayor Karen Bass and others, the district attorney downgraded the counts to misdemeanors with a diversion agreement that will probably allow Flores to avoid any time behind bars.
Flores’ recordings captured Los Angeles Police Department recruitment officers referring to Black people as “monkeys,” describing a female job applicant as “rapeable,” and saying “F—ing deport them, call ICE” during a conversation about Latinos, among a long list of other offensive remarks.
Asked about the pending LAPD report into the fallout from the tapes, Bass said in a statement that the review “has gone on too long.” The mayor said she had directed the personnel department to “complete the report and release it without further delay.”
Flores alleged in a complaint he filed with the LAPD in January 2025 that some recruits had been improperly rejected, adding to ongoing concerns about the department’s struggle to replenish its ranks.
As of last week, the LAPD had 8,507 sworn personnel — its lowest total since October 1995.
Even after efforts under Bass to streamline hiring and boost recruitment, Chief Jim McDonnell has warned that the department may not be adequately staffed in time for the 2028 Olympics.
McDonnell said after Flores’ allegations were made public in early 2025 that the personnel department would conduct a “biopsy” to examine “any adverse impacts” of the scandal on recruitment.
In a brief statement, the department said that it wouldn’t comment on what discipline, if any, had been meted out to the officers involved, citing state privacy law.
“The Department takes allegations of discriminatory or biased conduct seriously,” the statement read. “We are committed to ensuring the workplace is professional, respectful and free from misconduct.”
The Police Commission said in a statement that it is still waiting on the report, adding that “fair and equitable hiring of sworn and civilian employees remains a priority.”
The LAPD internal affairs investigative file reviewed by The Times described a frat-like office atmosphere in the Hiring and Evaluation Section in which Flores worked.
According to the internal affairs report, Flores claimed that at least one colleague, Shirley Burgos, had inappropriately disqualified candidates based on their appearance.
The report said that Burgos was captured in several recordings making fun of overweight candidates who were “ugly, creepy” people.
Another officer, Ayron McKay, told internal affairs investigators about an instance in which the unit’s officers were discussing a candidate who they believed was overweight.
Burgos then looked up the woman’s driver’s license picture on the DMV database, which several officers told internal affairs probably violated department policy, according to the report.
Burgos and McKay did not respond to inquiries to their work email accounts.
The internal affairs file said Flores recorded another officer saying he wanted to go to Big Bear, a popular winter sports destination in the San Bernardino National Forest, and roll the candidate down the ski slope. Meanwhile, according to the report, McKay asked the others how much they would pay to sleep with the woman, and referred to her as “Jabba the Hut.”
When asked about the conversation by internal affairs, the report said, McKay told investigators that the conversation started with Burgos venting about an applicant, but acknowledged that it should not have been allowed to continue.
In one recording made on Nov. 13, 2024, the report said, Burgos told her colleagues that she had released information about disqualified candidates to a friend of hers at the Los Angeles Sheriff’s Department, which is against LAPD policy.
The officers were all required to sign a confidentiality agreement that barred them from discussing candidates’ personal information with anyone outside the office.
During her internal affairs interviews, Burgos denied providing information to other agencies, saying it was clear from her laughter on the recording that she was joking.
Burgos told investigators that the only time she’d ever discussed a candidate with someone outside the department was during a conversation with an unnamed background investigator with the Sheriff’s Department or Santa Monica police — and said that was only to confirm that the candidate had in fact applied to the LAPD, according to the report.
The LAPD investigation noted that she and the other involved officers all denied that their office conversations had ever caused them to inappropriately disqualify a candidate.
The internal affairs report quoted the unit’s supervisor, Sgt. Denny Jong, a 20-year-department veteran, as describing his relationship with the officers under his command as friendly and professional; none of them had ever expressed discomfort about their work environment, he reportedly said.
Jong did not respond to emailed questions from The Times.
Several officers told investigators that they used gallows humor as a way to deal with the stress of working long hours in a small, windowless basement office.
According to the report, some officers, including Jong and McKay, acknowledged that the office banter sometimes crossed the line, but they denied that there was anything malicious about their comments. They also contended that the unit had little authority about which applicants advanced in the recruitment process — decisions, they said, that had to go through several layers of review.
During his internal affairs interviews, Jong often told investigators that he didn’t recall making certain inappropriate comments. The report said he also denied ever making any of the inappropriate comments that were contained in Flores’ complaint.
When he was confronted with audio of comments in which he referred to a candidate of Chinese descent as a terrorist, Jong said he was joking.
“He explained that this was based on current news stories at the time, which involved concerns over Chinese nationals attempting to infiltrate the country,” the internal affairs report said. “Jong was not serious and did not believe the candidate was a terrorist, but admitted the remark was an off-color joke and inappropriate for the workplace.”
Vice President JD Vance said in a podcast released Tuesday that if a 2024 assassination attempt had killed Donald Trump, he would have always wondered if it was part of a conspiracy and might not have accepted even another Republican as the next president.
Vance made the statement during a conversation with Christian podcaster Bryce Crawford. The vice president, who recently released a book detailing his own journey to Catholicism, also defended President Trump for posting an image of himself as Jesus and mused about whether artificial intelligence was a sign of the end times.
The conversation kicked off with a discussion of faith and the rush to scientifically explain away events that may be divinely touched. Vance cited the July 2024 assassination attempt in Butler, Pennsylvania, during which a bullet nicked Trump’s ear and a supporter was killed.
Trump has long talked about his survival as divinely guided, a theme Vance took up. The vice president said that if the bullet had killed Trump, “we would have had real civil strife in a way that I don’t know that the country could have ever come back from.”
Vance said many Trump supporters would have assumed a conspiracy had robbed them of their chosen president, and he said he would have also had those thoughts “in the back of my mind.”
“I would have assumed very dark forces had taken out Donald Trump, right as he was about to come back into the White House,” Vance said. “There would have just been an illegitimacy to our entire political system.”
Most of the hour-and-ten-minute conversation was an amiable chat about faith, Vance’s own spiritual journey, his Easter meeting with Pope Francis the day before the pontiff’s death last year, and human frailty and fallibility. But it occasionally touched on darker themes.
Crawford asked Vance whether, as vice president, he had ever been in a room that was “spiritually dark.”
“I’ve been in meetings with world leaders where various issues are being discussed, and somebody will say something or somebody will make an observation and I’ll feel some darkness about it, it sets off every spiritual alarm bell in my body,” Vance said. He added he also felt “a very dark spiritual energy” in Gettysburg, Pennsylvania, probably because of the carnage at the Civil War battlefield.
Vance cites AI during a discussion about ‘end times’
Crawford also asked Vance about his interest in the “end times,” which the vice president laughingly said had been more of an obsession in youth during the late 1990s, when people were abuzz about the possibility with the coming millennium. A chortling Vance recounted a story of a friend who was obsessed that the world would end in late 2007 and ran up major credit card debt.
“There are, like, things about the world that make me feel, like, not shocked if the Antichrist was walking among us, but, again I try not to focus too much on it,” Vance said. He cited “IT companies” and the use of artificial intelligence as a substitute for human interaction.
“I think that’s kind of satanic,” Crawford said when Vance recounted the story of one acquaintance using AI as a marriage counselor.
“Yeah, when you completely divorce the human from the social element that God made us for, OK that’s very, that’s very bad,” Vance said.
Crawford asked Vance about Trump’s post on social media of an AI-generated image of himself as Jesus earlier this year, which Crawford said offended him. Trump initially contended he thought the image was of him as a doctor, then took down the post amid widespread criticism from even some of his own backers.
Vance defended the president. “He did not mean to, like, mock or mimic God, that’s just not who he is,” Vance said, adding that the president often tries to keep things light and constantly makes jokes. “He’s a bit of a ballbuster, for those of us who work with him, and he just likes to have a good time. And I think that if people appreciated that, they would recognize, he’s not trying to offend people, he’s trying to keep things light.”
