connection

With just over five minutes left in UCLA’s first-round win over California Baptist on Saturday, freshman Sienna Betts took a shot. She missed. She grabbed the rebound. She missed again. Then, she put it in the basket.

On the bench, her older sister, Lauren Betts, was laughing. No. 1 seed UCLA was up big late, the Bruins were going to advance and Lauren was getting joy from seeing her sister succeed — and fail.

“I’m like, Sienna, just make the shot, and she’s laughing; she’s not serious,” Lauren said.

The sisters recorded double-doubles during the 96-43 win that secured the Bruins a second-round date with Oklahoma State. Sienna had 10 points and 12 rebounds, six of them offensive, and Lauren had 22 points and 10 rebounds.

UCLA freshman forward Sienna Betts plays tight defense on California Baptist guard Sofia Alonso during the Bruins’ first round NCAA tournament win Sunday at Pauley Pavilion.

(Gina Ferazzi/Los Angeles Times)

“She is so hard on herself and she’s so driven, I think her humor is actually a saving grace for her,” UCLA coach Cori Close said of Sienna. “It’s sort of a light moment. It’s laughter. Because when she’s not smiling and bringing joy, she’s usually beating herself up for a mistake. As she continues to grow in that, I hope it doesn’t have to be her escape, but I just have absolutely enjoyed Sienna so much.”

The sisters have only this season to play together before Lauren, a senior, graduates. They played just one season together in high school in Colorado, and this season might be the last time they are ever on the same team.

“It’s this weird thing, on the one hand, I want them to enjoy this connection they have,” Close said. “I want them to enjoy this year. They will look back on this year and just really treasure it.

“Simultaneously, I want to especially treat Sienna on her own journey, and to not make her feel like she’s in the shadows of anything that Lauren is doing.”

Sisters have posted double-doubles in the NCAA tournament before. At Stanford, Nneka and Chiney Ogwumike did it multiple times in the early 2010s. In the 1980s, USC twins Pamela and Paula McGee averaged double-double their senior years.

But it’s a rarity, and one that could only happen this season for the UCLA sisters.

Sienna, though, didn’t want to make a big deal of it. Sitting to the side in the locker room after the win over California Baptist, she was critical of her own game, just the way Close expected.

“I’m trying to focus more on just that game and just taking what we can learn from our mistakes in the first half, especially, and trying to move on,” Sienna said. “But, I mean, I think in an hour, I’ll take that in and be more excited about that.”

Lauren said she thought Sienna played one of her better games of the season.

“Honestly, besides her scoring, I thought her defense was a lot better today and I know that’s something she wanted to get better at,” Lauren said Saturday. “She was just really proud of her slides. Like she didn’t say anything about her points. She was like, I’m so glad that I can guard them. I worked so hard on that.”

Sienna has had back-to-back strong efforts, with 14 points against Iowa in the Big Ten tournament championship game two weeks ago. She has done so without being hounded by her big sister.

“I think [Lauren] respects my boundary to figure it out on my own,” she said.

Lauren, meanwhile, has averaged 16.5 points and 8.7 rebounds per contest this season. The projected WNBA lottery pick is considered one of the best centers in the nation.

UCLA center Lauren Betts drives to the basket under pressure from California Baptist forward Grace Schmidt during the NCAA tournament on Saturday at Pauley Pavilion.

(Gina Ferazzi/Los Angeles Times)

“I love the moments you catch when they have a connection and an eye contact or a smile that is different than everybody else because they are sharing it as sisters and I just think how special that is,” Close said. “That’s so wonderful.”

Charlisse Leger-Walker played with her sister, Krystal Leger-Walker, at Washington State for two seasons. There, the duo shared time in the backcourt for an up-and-coming Cougars squad.

“It’s just a different connection,” Charlisse Leger-Walker said. “Out there, you have someone who is your blood and unconditional love and support. And it’s just awesome to be able to see [Lauren and Sienna] in their journey, and have so much success early.”

Sienna will carry the torch for the Bruins beyond this season when the majority of the veteran roster graduates and many go pro.

That’s when she could be the face of the program on her own. But first, she is working to extend an NCAA tournament run alongside her sister.

“I want Sienna to feel like she’s Sienna,” Close said. “She’s not Lauren’s sister. She can enjoy that, but for our team, she’s Sienna Betts.”

If David Nihill was a philosopher, his credo might be “I digress, therefore I am.”

Instead, Nihill is a comedian. Kind of. “I don’t know if I think of myself in those terms,” says Nihill, whose “Cultural Appreciation” special has 2.5 million views on YouTube. “I wouldn’t even call mine comedy specials.”

Nihill is a conversational storyteller who rarely even moves on stage. “I don’t know how to do performance,” he says, “but I do know how to talk.”

His current show, “Taking Tangents,” which takes him to Irvine, Pasadena and Los Angeles from March 13 to 17, is a wide-ranging collection of tales, with some material shifting from show to show. We’ll come back to it, but first, a few tangents.

Growing up in Ireland, Nihill, 47, struggled to learn, hampered by dyslexia — “I came in the lowest five percentile in the whole country of Ireland for spelling, and I didn’t even spell my name right on the test” — and an aversion to math. He was made to feel inferior because of his difficulties. “I was 100% in the ‘I am a moron’ category,” he says.

Nihill was shoved into a vocational program and most of his friends dropped out of school. He stayed in, but even when his father offered to buy him a Super Nintendo for certain math scores, Nihill fell short. His father bought it for him anyway, he says, “but I sold it and bought myself a motorcycle even though I was 15 and not legally old enough to drive.”

He finished high school and became a poorly paid, overworked apprentice electrician. That was enough to motivate him to go to college; there, he figured out how his brain worked and how to learn. He even developed a passion for reading: His last show, “Shelf Life,” wove in dozens of book recommendations.

During our conversation via video after a New York show, I’d ask one question, then follow Nihill as he ambled through his personal history. He started with a story about jumping off a cliff in Greece and shattering his leg — a part of “Tangents” — then going to Australia, before he stumbled into a master’s degree studying business back in Ireland (despite botching his application). A new friend there took him to his first-ever comedy show in Glasgow — there are even tangents within his digressions — before getting him a job with Enterprise Ireland, the government’s investment fund to boost Irish business overseas. That landed him in San Francisco, part of the “Cultural Appreciation” special. He left to pursue business opportunities in Mexico but, due to a hurricane, somehow ended up in Chile, spent a year wandering north toward America, and then scored an internship in Colombia.

Nihill is a conversational storyteller who rarely even moves on stage. “I don’t know how to do performance,” he says, “but I do know how to talk.”

(Jim McCambridge)

Eventually, Nihill’s story works its way to his current career, which began by accident. “It was never a dream or a goal,” he says. A friend in San Francisco had suffered a spinal cord injury and Nihill wanted to run a fundraiser, but dreaded public speaking.

That leads to a minor diversion, back to a college public speaking course in which Nihill was so terrified that he got drunk before his presentation and introduced himself “as an exchange student from Southern Yemen.”

In San Francisco, he started doing live comedy to overcome that fear. Meanwhile, his business background led him to see an opportunity and he created FunnyBizz, a company and conference where comedians help teach business leaders, like Kevin Harrington of “As Seen on TV,” how to use humor to communicate. The business bankrolled Nihill’s early days in comedy.

While Nihill has lived in America for years, most recently in Los Angeles, he remains passionately Irish, which shapes his shows in several ways.

In Ireland, “your nature is to just default to funny stories.”

He says American stand-up is about taking a topic and making it funny, aspiring for a five-minute joke-filled late night TV spot. Irish comedians say, “This thing happened to me and I think that’s funny. Let me just repeat it.”

The new show is named after “tangents” so that Nihill can go down different rabbit holes each night if he wants. “My head is always doing 60 different things,” he says, and he loves keeping his storytelling “free form and unfiltered,” whether he’s in a pub or on stage (or, apparently, in an interview).

The new show’s subjects will be familiar to Nihill’s fans: his parents, his foolish behavior (there are drunken college-age antics in a story that somehow eventually weaves in White House press secretary Karoline Leavitt) and Irish culture. “There are few countries that punch above their weight in social justice and social impact,” he says, and he always looks to draw connections with other cultures around the world. But the observations and connections he draws are new.

In New York, he added a bit about how 35% of Jamaicans have some Irish roots, quipping “imagine how fast they’d be without that” (in a nod to legendary sprinters like Usain Bolt). But for Nihill, that joke only works if it’s couched within the larger context of the cross-cultural connections, including the fact that Jamaican-born political activist Marcus Garvey drew upon the Irish independence movement for inspiration.

“There has to be some social value to doing it,” he says, although he’s quick to add his comedy isn’t overtly political. “My dad’s a teacher and that lives inside of me. Humor can be the ultimate tool for social activism. I am deliberately getting people to expand their minds in understanding these connections. I want comedy that makes everyone feel good and maybe learn something.”

Nihill on stage at Hollywood Improv.

(Jim McCambridge)

That “feel good” part is central: While he discusses his mother’s death from cancer last year, he leaves out a beautiful but poignant part of their final days together. “I’m deliberately avoiding that,” he says, because he wants to maintain an upbeat mood.

He digresses to tell me the story, however, and it’s literally longer than this entire article’s word count. “A very long answer to a very short question,” he admits, before swerving into a tale about back when his father had overstayed his visa in New York — it involves his dad being interviewed on CNN, getting into a bar fight and avoiding deportation because the immigration officer hailed from County Cork and Nihill’s dad burst into a song from there, earning him a six-month visa extension. The humanity of that scene “in contrast to a 5-year-old being dragged off to a detention center” may end up in a future Nihill show.

Nihill loves sharing the stories that come from observing and listening to people but says he doesn’t love the spotlight, which, he admits, makes comedy an odd career choice. He says he prefers telling stories to just a few people.

“With comedy, the best part for me is that before a show I eat half a chocolate bar and I leave the other half in the hotel room,” he says. “After the show, I get to finish it. That’s true happiness.”

WASHINGTON — Former President Clinton is testifying Friday before members of Congress investigating convicted sex offender Jeffrey Epstein, answering for his connections to the disgraced financier from more than two decades ago.

The closed-door deposition in Chappaqua, N.Y., will mark the first time a former president has been compelled to testify to Congress. It comes a day after Clinton’s wife, former Secretary of State Hillary Clinton, sat with lawmakers for her own deposition.

Bill Clinton has also not been accused of any wrongdoing. Yet lawmakers are grappling with what accountability in the United States looks like at a time when men around the world have been toppled from their high-powered posts for maintaining their connections with Epstein after he pleaded guilty in 2008 to state charges in Florida for soliciting prostitution from an underage girl.

Hillary Clinton told lawmakers that she had no knowledge of how Epstein had sexually abused underage girls and had no recollection of even meeting him. But Bill Clinton will have to answer questions on a well-documented relationship with Epstein and his former girlfriend Ghislaine Maxwell, even if it was from the late 1990s and early 2000s.

Hillary Clinton said Thursday that she expected her husband to testify that he had no knowledge of Epstein’s sexual abuse at the time they knew each other.

Republicans were relishing the opportunity to scrutinize the former Democratic president under oath.

“The Clintons haven’t answered very many, if any, questions about their knowledge or involvement with Epstein and Maxwell,” Rep. James Comer, the Republican chair of the House Oversight Committee, said Thursday.

“No one’s accusing, at this moment, the Clintons of any wrongdoing,” he added.

Republicans finally get a chance to question Bill Clinton

Republicans have wanted to question Bill Clinton about Epstein for years, especially as conspiracy theories arose following Epstein’s 2019 suicide in a New York jail cell while he faced sex trafficking charges.

Those calls reached a fever pitch late last year when several photos of the former president surfaced in the Department of Justice’s first release of case files on Epstein and Maxwell, a British socialite who was convicted of sex trafficking in December 2021 but maintains she’s innocent. Bill Clinton was photographed on a plane seated alongside a woman, whose face is redacted, with his arm around her. Another photo showed Clinton and Maxwell in a pool with another person whose face was redacted.

Epstein also visited the White House several times during Clinton’s presidency, and the pair later made several international trips together for their humanitarian work.

In the lead-up to the deposition, Bill Clinton has insisted he had limited knowledge about Epstein and was unaware of any sexual abuse he committed.

“I think the chronology of the connection that he had with Epstein ended several years before anything about Epstein’s criminal activities came to light,” Hillary Clinton said at the conclusion of her deposition Thursday.

Comer has pledged extensive questioning of the former president. He claimed that Hillary Clinton had repeatedly deferred questions about Epstein to her husband.

Has a precedent been set?

Democrats, who have supported the push to get answers from Bill Clinton, are arguing that it sets a precedent that should also apply to President Donald Trump, a Republican who had his own relationship with Epstein.

“We’re demanding immediately that we ask President Trump to testify in front of our committee and be deposed in front of Oversight Republicans and Democrats,” Rep. Robert Garcia, the top Democrat on the committee, said Thursday.

Comer has pushed back on that idea, saying that Trump has answered questions on Epstein from the press.

Democrats are also calling for the resignation of Trump’s Commerce Secretary Howard Lutnick. Lutnick was a longtime neighbor of Epstein in New York City but said on a podcast that he severed ties with Epstein following a 2005 tour of Epstein’s home that disturbed Lutnick and his wife.

The public release of case files showed that Lutnick actually had two engagements with Epstein years later. He attended a 2011 event at Epstein’s home, and in 2012 his family had lunch with Epstein on his private island.

“He should be removed from office and at a minimum should come before the committee,” Garcia said of Lutnick.

Comer on Thursday said that it was “very possible” that Lutnick would be called to testify.

Groves writes for the Associated Press.

When the pandemic hit, and reality settled in that life would be isolated and mostly inside, Grammy winner Anderson .Paak found himself on the outside looking in, in a way he didn’t anticipate. “I was the odd man out. My son was 8, and BTS took over the whole house,” .Paak explained in an interview with The Times at his WeHo lounge, Andy’s. “It was a K-pop storm. Before that, me and my son were bonding off of my music.”

.Paak’s son, Soul Rasheed, and his now ex-wife originally from Korea, Jaylyn Chang, had become obsessed with K-pop alongside much of America, which reminded .Paak of the intensity of Beatlemania. Black American music influenced the birth of a new style, which formed and expanded across oceans, then returned to the U.S. and exploded. This effect in the .Paak household was palpable, causing Soul and Chang to deeply bond in a new way. .Paak himself, as a soul, R&B and hip-hop aficionado, was tapped into the source, but not the reinterpreted subject. So he had to find a way in.

Soul, at the time, like many 8-year-olds, had also become obsessed with becoming a YouTuber. Besides .Paak’s music, the father-and-son duo had also previously connected over humor, so .Paak started there. They began with funny skits and eventually fused them with BTS dances. Soon, there were even videos featuring them comedically educating each other about their individual music tastes. “I loved it,” .Paak recalled, getting lost in the memory. “I was getting to know him more, and he was getting to know me. My mom would always say, ‘It’s one thing for your kids to love you, but it’s another to share things you’re interested in.’ It wasn’t like I was being Anderson .Paak, I was just Dad.”

“I was getting to know him more, and he was getting to know me,” .Paak said of bonding with his son, Soul.

(Carlin Stiehl / For The Times)

Through this exploration and the realization of a potential continued familial bond, a story idea emerged, then a treatment for a K-pop-centered film that .Paak would direct and he and Soul would both star in. .Paak then began directing a slew of music videos as the pandemic began to fade, building a portfolio and gaining experience in the medium. But he could start to sense Soul’s interest fading as time passed. After a few failed pitch attempts, .Paak urgently enlisted the help of one of his oldest friends and fellow entertainer, Jonnie “Dumbfoundead” Park, who brought .Paak and the idea to Stampede Ventures.

“The pitch was from an idea that Anderson had, and [to introduce it], we showed them this TikTok that he had with his son,” Park recalled over Zoom. “Anderson was like, ‘Do you know anything about BET, son?’ And [Soul] was like, ‘No, but I know BTS.’ Then they were just going back and forth, arguing about BET and BTS. That was literally the deck, [us saying] we would take that energy and put it into a two-hour film. They loved it. As soon as we walked out of the office, Anderson looked over like, ‘Are we greenlit?!’ They just understood it, the whole intergenerational, intercultural element of Black and Korean.” Stampede combined forces on the project with Live Nation Studios and .Paak’s debut feature “K-Pops!” was off to the races.

It’s important to note that .Paak is himself Black and Korean. His mother was adopted from Korea by a SoCal Black American military family and .Paak’s father was also a Black military officer. Thus, while his mother was born in Korea, he was raised almost entirely within a Black cultural space. .Paak didn’t experience much direct exposure to Korean culture until his 20s, when he met Chang at the Musicians Institute in Hollywood. As an immigrant directly from Korea, Chang showed him the fortitude of structure amid her community. He was also taken by their inherent family value system. “In Korean households, you stay in the house until you get older so you can take care of your parents, and your parents can help take care of the kids,” .Paak explained. “There’s an infrastructure that’s worked out. Also, Korean food is important, as is learning the language. I was drawn to that. My son didn’t eat anything outside of Korean food for so long, and he’s just now getting into tacos.”

.Paak then further explored his Korean side through a burgeoning friendship with Park, which happened a bit later, after Chang had already given birth to Soul. Park introduced .Paak to K-town-based Korean culture through their shared music scene. “The people that came from K-town had a lot of Latino and Black influences as well,” .Paak remembered. “There was a little more of a melting pot, and it was more urban. But in a similarly communal way [to Koreans from Korea], they were all hanging out in K-town with other Korean friends. They’d drink soju, and go to after-hours where you had to have somebody Korean with you.”

While .Paak had some opportunities in adulthood to grasp a bit of his Korean heritage, in “K-Pops!,” through his main character BJ, he also got to actualize what his mother may have missed. In the film, BJ, a failed karaoke bar R&B musician, gets a lucky chance to go to Korea and be the drummer for a popular K-pop competition series. There, he bumps into his estranged ex-girlfriend’s son, Tae Young (played by Soul), who is competing on the show. He then finds out that the kid is his. While a messy transition ensues, BJ and Tae Young eventually get to galavant around Korea and work together to try to win the competition. Through this exploration, BJ finds out he can thrive in Korea while still holding onto his Blackness. .Paak’s mother’s dive back into her roots had a different result. “My mom went abroad and spent a year in Korea, but when she went there, she just didn’t like it,” .Paak explained. “In the movie, initially, BJ doesn’t really have any connection to his Korean side and doesn’t really care to know, but then he finds a bridge.” That bridge is music.

Actor Yvette Nicole Brown, who in “K-Pops!” plays BJ’s mother, proclaimed over Zoom that, “Everything about the film and the music in it is Blasian, every culture is celebrated and massaged and made into something beautiful.” .Paak made a concerted, intentional effort to explore both the Black and Korean sides of K-pop in two scenes.

The first is an early breakdown initiated by Soul’s character, Tae Young, who explains the structured roles of a K-pop group, which may be fun for superfans and educational for laypeople to the genre. The next is a winding presentation by BJ to Tae Young about the influence of Motown groups like the Jackson 5 and boy bands like New Edition on the momentum of K-pop’s rise. It’s particularly poignant because it is all shot at a record store on the streets of Korea, where .Paak explained he actually found the records he was referencing. “There’s nothing wrong with people doing their interpretation of Black music, as long as you pay homage and as long as you respect it and take care of it,” .Paak declared. “Because [if you do], then they’ll take care of you, but the moment you don’t, you’ll see what happens … I wanted to explain that history because that’s how I saw it.”

Real-life father and son, Anderson .Paak, left, and Soul Rasheed, co-star in “K-Pops!”

(Jake Giles Netter)

”K-Pops!” has as much of who .Paak and Soul are as father and son as he could fit in. There are appearances by legacy Black artists like Earth, Wind & Fire, as well as K-pop stars like Vernon from Seventeen. There are original songs co-written and co-produced by .Paak and musician Dem Jointz, that feature K-pop fused with soul and funk, one of which Tae Young performs as his finale competition number (soundtrack arriving soon). The film was shot in both L.A. and Korea and provided ample time for bonding (especially during scenes filled with off-the-cuff humor) that .Paak envisioned from the beginning. Yet still, at the time they were about to shoot, .Paak almost couldn’t get Soul on board because he had turned 11 and wasn’t as into K-pop or acting comedically anymore; he insisted he was instead “into Slipknot.”

The duo did find their footing, though, and executed a winding story that centers on their connection. As a burgeoning teenager in 2024, Soul went with his father to the world premiere at the Toronto International Film Festival, along with a plethora of Korean relatives from his mom’s side. .Paak anxiously awaited their full reaction to the culmination of his quest for a deeper bond.

“Everybody really enjoyed it,” .Paak remembered, relieved. “[Soul] was like, ‘I’m proud of you, Dad.’ I asked him, ‘You think you would ever do part two?’ He was like, ‘Nah, I don’t think acting is my passion, but I’ll never forget those moments … You know what? On second thought, it depends on the script.’ But I think he’s really proud of it. I think it’s something like, when he gets older, he’ll see how special it is as well. But yeah, he didn’t say it’s cringe.”

“K-Pops!” has its L.A. premiere on Tuesday and debuts in select theaters Friday.