concert

It is unclear when Billy Joel will perform again.

The 77-year-old singer has to take “a series of tests” before being able to tour again, he told the Hollywood Reporter in a health update following his 2025 brain disorder diagnosis.

“I’m not allowed to drive,” Joel said in the interview published Thursday. “And I can’t do performances because what the neurologist told me, every time you do a show, it’s like you’re getting a concussion.”

Joel canceled concerts in May 2025 after revealing two months before that he had a brain disorder known as normal pressure hydrocephalus, or NPH, which causes physical and mental issues.

“This condition has been exacerbated by recent concert performances, leading to problems with hearing, vision and balance,” Joel said in a statement on his Instagram in May 2025. “Under his doctor’s instructions, Billy is undergoing specific physical therapy and has been advised to refrain from performing during this recovery period.”

NPH is a brain disorder in which excess cerebrospinal fluid accumulates in the brain’s ventricles, according to the Alzheimer’s Assn. It can cause cognitive issues, difficulty walking and the loss of bladder control. Those suffering with NPH often walk with a wide stance and their bodies bent forward as if they were trying to maintain balance on a boat — a feeling that Joel described while on Bill Maher’s podcast “Club Random” on July 21, 2025.

Other symptoms include mild dementia that involves short-term memory loss, a lack of interest in daily activities and difficulty completing routine tasks.

NPH is one of the few causes of dementia that can be controlled or reversed with surgical treatment, usually involving the placement of a shunt.

It is unclear whether Joel underwent the procedure, although the “Uptown Girl” singer initially postponed his concerts in March 2025 after undergoing unspecified surgery and physical therapy.

The surgery took place just weeks after the crooner lost his balance on Feb. 22, 2025, while performing “It’s Still Rock and Roll to Me” at the Mohegan Sun Arena in Uncasville, Conn.; however, it is unclear if the tumble and subsequent surgery were at all related to the NPH diagnosis he revealed to the public that May.

For now, Joel reports that he is “OK” and the diagnosis is “not that serious,” per his THR interview. Neurologists have warned the singer, however, about the risks involved in performing, including that the lighting and sound can cause stress in the body.

“And [neurologists] said, ‘Well, you really shouldn’t be doing that right now.’ So they have to test me further to see if I can go back and do performing again, which I would like to be able to do,” he said.

Times staff writer Alexandra Del Rosario and former assistant editor Christie D’Zurilla contributed to this report.

Halfway through her very sold-out concert Tuesday night at the Greek Theatre, Ella Langley pulled up a stool near the front of the stage and told us she wanted to “be kind of normal for a second, if that’s all right witcha.”

Life has been pretty un-normal lately for the 27-year-old country singer from small-town Alabama, whose smash “Choosin’ Texas” set a new record last month for the longest stay of all time atop Billboard’s Hot 100. The chart achievement only bolstered talk that Langley is due to clean up when Grammy Award nominations are announced next month — welcome chatter, no doubt, for a striver who grew up, as she said at the Greek, determined to get exactly where she’s gotten.

Yet Langley’s success has brought with it some darkness, including accusations from armchair experts on social media that “Choosin’ Texas” — a monster hit that people keep saying they’ve never heard — owes its impressive stats to an act of record-biz chicanery. More ominously, Langley called off a concert in Oklahoma last week due to what she called a “serious security threat.”

Then former Homeland Security Secretary Kristi Noem got involved in Langley’s business when she tried in a tweet to pit the singer against Kacey Musgraves after Musgraves hosted the Senate hopeful James Talarico at a show in Dallas. (Langley, who’s been circumspect about voicing her political opinions, appeared to un-tag herself from Noem’s post, which is objectively hilarious.)

So you could empathize with Langley — empathize more than with other country singers longing for the good ol’ days — as she straightened up on that stool to do “Somethin’ Simple,” a winsome ditty from this year’s double-platinum “Dandelion” LP. “While I’m living the dream,” she sang, “all I’m dreaming about is slowing down just a little.”

This acoustic section of Tuesday’s gig, the first of two at the Greek, was by far the best part of the night; Langley also brought out her two openers for a pair of stripped-down duets in “Dreams,” the deathless Fleetwood Mac classic, which she sang with Laci Kaye Booth, and “Strangers,” her soulful power ballad with Kameron Marlowe, who gladly disregarded that unspoken rule about not showing up the headliner who hired you.

Loose, chatty, surrounded by friends and bandmates, Langley here was just a musician playing music; I can’t say whether she attained the normalcy she said she was looking for, though I’d buy that this is more or less what she gets up to on the back porch she sings about missing in “Somethin’ Simple.”

The problem with the rest of the concert — the parts with the lights and the videos and the goofy stage business involving a guy with a keytar and a cigarette — was that it demanded a level of star power that Langley simply doesn’t possess (or anyway isn’t interested in deploying).

On record, she summons a coolly detached quality that plays intriguingly against arrangements lush with romantic pedal steel; there’s something hard to pin down about the emotion of tunes like “Be Her” and “Choosin’ Texas,” in which the narrator sounds almost alienated from her own heartbreak.

If somebody wants to make a case that Langley’s beautifully dead-eyed love songs represent the purest embodiment of Gen Z’s post-pandemic social dysfunction — well, I’m all ears. (Great look too: very Linda Ronstadt meets Stevie Nicks.)

But onstage the lack of affect just felt flat, not least when she’d dole out the kind of canned banter between songs that would make anyone resent the mechanics of stardom. The performance posed an interesting question: How much (or how little) charisma is required to support a branding infrastructure as robust as Langley’s? At the Greek there were ads for her jeans and her sunglasses and her energy drink, and there were more merch stands than I’ve ever seen at the venue. Every one of them was jammed.

A pet project of architect Frank Gehry, a smaller concert hall to complement his legendary Walt Disney Concert Hall, is taking shape in downtown Los Angeles for an opening next September.

Elements Gehry devised to set it apart are already visible, as construction on the $337-million addition to the Colburn School of Performing Arts reveals details the architect conceived years ago.

The centerpiece of the expansion will be a 1,000-seat concert hall named for Pasadena philanthropists Terri and Jerry Kohl with an in-the-round design meant to create intimacy between the performers and the audience. The hall will include an orchestra pit and a stage similar in size to the one at Disney Hall so it can accommodate grand orchestra, opera and dance performances.

The Colburn Center, still under construction, in downtown Los Angeles last week.

(Genaro Molina / Los Angeles Times)

Gehry set out to create an immersive hall that would inspire artists and envelop the audience, said Meaghan Lloyd, his chief of staff and right-hand at his firm, Gehry Partners.

“Frank’s passion was bringing the audience closer to the performers and getting the relationship between the two just right, so that the audience can feel the performers, the performers can feel the audience reacting,” Lloyd said.

Kohl Hall will be part of the school where Colburn’s symphony orchestra, bands, youth string programs and children’s choirs will perform. It will also be available for rent for outside productions such as jazz and classical music concerts. It is expected to be in use more than 200 times a year.

Architect Frank Gehry with a model of his design for an addition for Colburn School.

(Christina House / Los Angeles Times)

The hall will open with a concert on Sept. 25, the Colburn School announced Tuesday. The weekend celebration will include inaugural performances at the Dance Center, a new dance instruction and performance venue being built as part of the 100,000-square-foot Gehry-designed addition.

The new Dance Center will double facilities for the school’s Trudl Zipper Dance Institute. The dance facilities will include a 100-seat theater for dance and four professional-size studios for dance instruction and rehearsal.

Beginning next year, the hall will be the home of the Los Angeles Chamber Orchestra, a group of professional musicians about half the size of the Los Angeles Philharmonic. LACO concerts will feature premieres of new fanfares by celebrated film composers, including a work by John Williams to be performed at LACO’s inaugural concert in the hall.

The fanfares are curated by Grammy nominee and singer Seth MacFarlane, best known as the creator and star of “Family Guy.”

Meaghan Lloyd, chief of staff and partner at Gehry Partners, left, and Sel Kardan, president and chief executive of the Colburn School, look over construction of the Terri and Jerry Kohl Hall.

(Genaro Molina / Los Angeles Times)

Part of the hall’s commercial appeal is expected to be its size, in a sweet spot between the 2,265-seat Disney and the popular 415-seat Herbert Zipper Concert Hall already on the Colburn campus. The nearby Dorothy Chandler Pavilion seats about 3,200 guests. The Peacock Theater at L.A. Live seats 7,100.

Kohl Hall’s in-between size “is the missing piece of the venue puzzle” for Los Angeles, Colburn President Sel Kardan said.

A key feature already in place, hanging from the ceiling, is an array of steel clouds packed with concrete, designed to improve acoustics and evoke a sense of airiness. The clouds were made in the Netherlands by a firm with a history of building steel ship hulls that now specializes in building complex steel constructions like the clouds using digital data.

Visitors stand underneath concrete sound clouds designed to improve acoustics.

(Genaro Molina / Los Angeles Times)

The exterior metal cladding of the addition features a luminescent pink paint coating called Pink Kandi.

Japanese acoustical engineer Yasuhisa Toyota will serve as the hall’s acoustician, as he has for all of Gehry’s concert halls, beginning with Disney Hall.

The long-awaited Colburn School addition will be the third Gehry-designed building on Bunker Hill, which already has Disney Concert Hall and the Grand LA, a $1-billion apartment, hotel and retail complex he designed for New York mega-developer Related Cos.

The Colburn School dates to 1950 and moved to its current location downtown in 1998, where it has more than 2,000 students, most of whom range from middle school to college age.

Turns out Ed Sheeran, whose Loop tour became embroiled in controversy this month, won’t perform at billionaire Robert Kraft’s Gillette Stadium this weekend, either.

The “Shape of You” pop star’s Friday and Saturday shows at the Foxborough, Mass., venue have been canceled “due to severe weather warnings” in the region, Messina Touring, the Loop tour’s promoter, announced Friday in a statement shared on Instagram. The touring group said it made the “difficult decision” to cancel the upcoming shows after consulting with local officials. A powerful nor’easter is expected to bring strong winds, coastal flooding and heavy rain to much of the East Coast over the weekend, with wind gusts potentially reaching 50 to 55 mph around Boston and 35 to 40 mph farther inland, the Associated Press reported.

“The decision was made with the safety of fans, staff and everyone involved in the show as the top priority,” the statement continued, adding that fans can now receive refunds for their tickets.

Sheeran’s Loop tour hits its latest snag after weeks of turmoil. Earlier this month Sheeran and his touring team faced pressure to remove former opening act Macklemore from future shows. The Grammy-winning “Thrift Shop” rapper drew criticism from a handful of Jewish advocacy groups over his pro-Palestinian messaging during his opening sets at MetLife Stadium in New Jersey. Within days of the concerts, Messina Touring dismissed Macklemore from the shows. While Sheeran denied having a role in Macklemore’s departure, he confirmed that he spoke with Kraft, who was among the stadium owners expressing concern about Macklemore’s continued involvement in the tour.

Shortly after Macklemore’s dismissal, the remaining supporting acts for Sheeran’s tour, including Grammy winner Finneas and folk band Beoga (Sheeran’s backing band), quit the Loop tour in solidarity. Sheeran proceeded with his tour over the weekend.

News of Sheeran’s canceled shows also comes on the heels of Macklemore’s announcement of his Free Palestine tour. The rapper, who has been a vocal advocate for the Palestinian cause, revealed three concerts set to take place in late October in Dublin, Paris and London. Though additional details have yet to be revealed, Macklemore said he will be joined by artists “who have shown up and used their stages to stand in solidarity with the Palestinian people.”

Macklemore also announced that dates for U.S. tour stops will come in a later announcement and that the entirety of proceeds from his tour will go to a handful of charities supporting the Palestinians amid Israel’s war in Gaza. Macklemore announced last week he would donate all $1 million of his earnings from his time on Sheeran’s tour to numerous pro-Palestinian charities.

Sheeran is next expected to perform Oct. 3 at Mercedes-Benz Stadium in Atlanta.

PHILADELPHIA — Ed Sheeran opened a solo concert in Philadelphia on Saturday with comments about Gaza, saying what’s happening is “catastrophic and unjustifiable.”

“My heart has been broken by the scale of devastation and loss of civilians’ lives, of children’s lives,” Sheeran said at his nighttime performance at Lincoln Financial Field.

Sheeran also said he wants his music and shows to be about unity and humanity, not politics.

He then addressed the controversy that unfolded since his supporting acts withdrew in solidarity with opener Macklemore, who was dropped from the tour after making pro-Palestinian comments onstage.

Sheeran has performed much of his Loop Tour concerts solo, but he had been joined for several songs at each stop by the Irish folk band Beoga. Macklemore, Sheeran’s original U.S. opener, had been replaced by Danish band Lukas Graham and Irish singer Aaron Rowe before they backed out.

Finneas, Billie Eilish’s brother and musical collaborator, was due to tour with Sheeran in South America later this year before he too dropped out earlier this week.

As of Saturday afternoon, tickets were still available for the show, and Sheeran’s website did not list any replacement acts.

Earlier a group of about 50 pro-Palestinian demonstrators congregated outside the stadium before the show. Hillary Steinberg, 34, of Philadelphia, said she got tickets a year ago but wound up getting a refund and attending the demonstration instead, disappointed that Sheeran had not taken a stand.

“I was, until this week, a big Ed Sheeran fan,” Steinberg said. “I think all art is political, and all music is political, and so this choice — even though he was saying that he wasn’t complicit — is a political choice.”

The show comes after a tumultuous week that opened with Macklemore being dropped in response to exclaiming “Free Palestine!” during a Sept. 5 show in New Jersey. Sheeran has said he was not responsible for the decision, which came at the urging of New England Patriots owner Robert Kraft. His company owns a stadium where Sheeran’s tour was scheduled to play Friday.

Within hours of Sheeran’s statement Tuesday, his supporting acts withdrew.

Diane Savitz, a 53-year-old concertgoer from Stroudsburg, Pa., got her tickets to the show months ago and is a big Sheeran fan. She said she does not think that he did anything wrong or that a concert is the place for politics.

“A concert should be for people enjoying the music. Music should bring people together,” Savitz said. “Everyone has their right to freedom of speech, but not every platform is the place for it.”

Macklemore said Wednesday he is donating $1 million to support Palestinian relief efforts and called on Kraft to match the gift; a spokesperson for Kraft has said the billionaire and Sheeran have each agreed to donate $2 million but have not specified where the money will be directed. Sheeran’s representatives have not responded to multiple requests for comment.

Sheeran’s Loop Tour was the highest-grossing in the world, with an average box office gross of over $7 million per city, Pollstar said in May. Through the end of 2025, Sheeran was the No. 3 top-earning concert act since 2021.

Sheeran has said the tour promoter was ultimately responsible for the decision to drop Macklemore.

The Grammy winner was adamant in his Tuesday statement that he wouldn’t be drawn into discussion of the war in Gaza, arguing that his fans don’t come to his shows to hear about these issues.

He also said he “spoke with the venues at length all week to try to build a bridge” before Macklemore was dropped. He insisted he would never willingly let down his fans or abandon the touring crew and others who rely on him to make a living.

While promoters and venues wield great power over concert tours, experts say an artist of Sheeran’s magnitude generally has the final say about what happens concerning the shows.

Sheeran told the crowd in Philadelphia that everyone is welcome at his concerts, and they can have opposing points of view while still singing his songs, which are about “love, hope, and unity.”

Vejpongsa writes for the Associated Press. AP journalist Jessica Hill in Las Vegas contributed to this report.