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The Ducks held their annual fan appreciation day Sunday, handing out thousands of gifts, from a new car to team jerseys and gift cards. But the one prize the Ducks’ long-suffering fans really wanted, a playoff berth, remained just out of reach.

Needing a win to clinch a postseason berth for the first time since 2018, the Ducks lost a sloppy 4-3 overtime decision to the Vancouver Canucks, the NHL’s worst team, leaving them a point shy of the playoffs with two games to play. The loss was the seventh in eight games for the Ducks, who have tumbled from first to third in the Pacific Division standings and may now have to settle for a wild-card berth.

So they’ll hit the road Monday for their final two games of the regular season needing one point from games in Minnesota and Nashville. The Ducks could also back into the playoffs if Nashville losses either of its final two games.

“We haven’t clinched anything yet,” captain Radko Gudas said. “With two games to play, there’s still a lot of work to do, 120 minutes to give it our all and make that push.”

“We just can’t be satisfied with what we’re at right now,” coach Joel Quenneville agreed. “We didn’t make it easy on ourselves, that’s for sure.”

The Ducks have already assured themselves of their first winning record since 2017-18 but the playoffs have been the Holy Grail the team has been chasing since then. And it appeared within reach until Marco Rossi scored on a power play with less than 11 seconds left in the extra period, silencing a sellout crowd that had repeatedly peppered the Ducks with rhythmic chants of “We want playoffs!”

“I loved it,” Quenneville said of the chant. “I wanted to complete that wish tonight.”

And it looked as if that would happen given the way the Ducks started, with Cutter Gauthier opening the scoring with the first of two goals 3:41 into a feisty and physical first period that was interrupted by seven penalties and two fights.

But Vancouver got the next three scores, taking a 3-1 lead when Brock Boeser intercepted a sloppy Leo Carlsson pass intended for John Carlson in Vancouver’s defensive end, then outskated Carlson the other way before lifting the puck over goaltender Lukas Dostal less than five minutes into the final period.

The shorthanded goal seemed to wake the slumbering Ducks, with Gauthier scoring on a power play 37 seconds later to halve the lead and become the first Duck with 40 goals in a season since Corey Perry in 2013-14.

“It’s a huge milestone and something I’m very proud of,” Gauthier said. “But that’s not why I’m playing hockey. I’m playing to win games and eventually win a Stanley Cup.”

Carlsson then evened things at 3-3 on a spectacular goal less than two minutes later, backhanding the puck over Canucks goalie Nikita Tolopilo while skating away from the crease for his 29^th goal of the season.

“It was kind of a dagger when they score a shorthanded goal on us,” Gauthier said. “It’s supposed to be the opposite way. But I thought we responded really well, obviously tying it back up.”

The Ducks couldn’t keep it there, however, with Chris Kreider taking a slashing penalty with 2:07 left in overtime, giving Vancouver an extra skater. Dostal had kept the Ducks in the game, making seven saves in the extra period, including five huge stops on the power play, but he couldn’t stop Rossi on the final shot, one which sent the Ducks’ fans home disappointed and eager to end to the second-longest playoff drought in the NHL.

“They’ve been hungry to get back in the playoffs over these last seven years,” said Gauthier, who was in junior high school in Michigan the last time the Ducks played in the postseason. “They’re excited for it, we’re excited for it. We fell short tonight but we had a great opportunity to go on this road trip and get some get points.”

Actually just one point — the one they left on the ice Sunday — will be enough.

“I’m repeating myself a lot, but I feel a lot of support. Not only from the owners but from Richard [Hughes] and Michael [Edwards]. A lot of support from them but as weird as it might sound, I also feel the support from the fans,” said Slot.

“In Paris when the players went out for the warm-up and after the 4-0 loss [against Manchester City] the fans immediately started singing ‘we love Liverpool‘.

“I think it’s fair to say we were outplayed for 90 minutes and they were still singing and clapping for us.

“I’ve said it many times, the club knows the period of time we’re in and in the meantime, I feel complete support.”

He added that Wednesday’s defeat to PSG would serve as motivation during this “defining” period of the season, which starts with Fulham‘s visit to Anfield on Saturday.

“We faced the champions of Europe and we experienced that we were not on the level we should have been.

“The good thing is we have four or five days to show we can be much more competitive. It also tells us we want to keep improving and playing at that level next season.

“I think if you experience that two days ago, you want to be involved next season to show we can do even better. Therefore, we have to perform in the league as well.”

April 2 (UPI) — The Artemis II astronauts have completed their perigee raise burn as part of a planned orbital adjustment and are headed back into a four-hour rest period, NASA said.

After an earlier rest period, the astronauts were awakened at 7:06 a.m. EDT for the perigee burn. NASA played the song “Sleepyhead” by Young and Sick to wake them up.

In the perigee burn, the spacecraft lit its main engine for 43 seconds, which raised the lowest point of its orbit. This helps prevent the craft from re-entering the Earth’s atmosphere. It also refines the trajectory of the craft as it circles Earth. It put Orion into a stable high-Earth orbit, which aligns with its path to the moon.

The crew will now have another four-and-a-half-hour rest period, then they will be awakened to start their first full day in space.

Later today, the mission management team will have its first meeting of the mission to assess the spacecraft’s systems and will give its approval for the upcoming translunar injection burn. That burn will send astronauts out of Earth’s orbit and toward the Moon for the first time in 50 years. It will last just over six minutes and will speed the craft to escape Earth’s gravitational pull.

The launch on Wednesday evening began at 6:35 p.m. EDT from the Kennedy Space Center in Florida.

Soon after launch, Wiseman told operators on the ground, “We have a beautiful moonrise, we’re headed right at it.”

There was a small glitch in the craft’s space toilet, Space.com reported.

“The toilet fan is reported to be jammed,” NASA spokesperson Gary Jordan said during live mission commentary. “Now the ground teams are coming up with instructions on how to get into the fan and clear that area to revive the toilet for the mission.”

NASA Director of Flight Operations Norm Knight told reporters that the problem was a controller issue on the toilet in urine collection. The astronauts were able to use a backup system until the engineers fixed the problem before their first rest period.

About 9 minutes after the launch, the crew entered Earth’s orbit, traveling about 15,000 mph. They are expected to enter the moon’s orbit in about six days, travel around it and then return to Earth.

The four-person crew are: NASA’s Commander Reid Wiseman, Victor Glover and Christina Koch, and Canadian Space Agency’s Jeremy Hansen.

If April is the cruelest month, per T.S. Eliot, the Oscars surely must be the cruelest (and longest) season. Other awards shows push their way into the queue for moments of borrowed red carpet glory, but the Academy Awards are what the buildup is all about and the one people remember.

Thankfully, the countdown can now be measured in hours and minutes rather than months, with the 98th Academy Awards slated to start Sunday at 4 p.m. at the Dolby Theatre at Ovation Hollywood. Conan O’Brien is back to host the awards for the second straight year.

Best picture is expected to come down to “Sinners,” which broke the record for most nominations with 16, and “One Battle After Another,” with 13. Paul Thomas Anderson and “One Battle” have dominated the precursor awards, but Ryan Coogler and “Sinners” have gained momentum in recent weeks. The films also expect to vie in the newly added and long-anticipated casting category.

Last year’s acting winners, Adrien Brody (“The Brutalist”), Kieran Culkin (“A Real Pain”), Mikey Madison (“Anora”) and Zoe Saldaña (“Emilia Pérez”), will return to the Oscars stage to present.

Other announced presenters include Javier Bardem, Chris Evans, Chase Infiniti, Demi Moore, Kumail Nanjiani, Maya Rudolph, Will Arnett, Priyanka Chopra Jonas, Robert Downey Jr., Anne Hathaway, Paul Mescal, Gwyneth Paltrow, Rose Byrne, Nicole Kidman, Jimmy Kimmel, Delroy Lindo, Ewan McGregor, Wagner Moura, Pedro Pascal, Bill Pullman, Lewis Pullman, Channing Tatum and Sigourney Weaver.

The 2026 Oscars will air on ABC, and those with cable subscriptions can also watch the show by logging in to the ABC app or abc.com. The telecast will stream live on Hulu, YouTube TV, AT&T TV and FuboTV. Internationally, the ceremony will be broadcast in more than 200 territories.

Beginning in 2029, the show will stream exclusively on YouTube.

Follow along live as we wait to hear the words “And the Oscar goes to … ”

Best picture
“Bugonia”
“F1”
“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“The Secret Agent”
“Sentimental Value”
“Sinners”
“Train Dreams”

Actress in a leading role
Jessie Buckley, “Hamnet”
Rose Byrne, “If I Had Legs I’d Kick You”
Kate Hudson, “Song Sung Blue”
Renate Reinsve, “Sentimental Value”
Emma Stone, “Bugonia”

Actor in a leading role
Timothée Chalamet, “Marty Supreme”
Leonardo DiCaprio, “One Battle After Another”
Ethan Hawke, “Blue Moon”
Michael B. Jordan, “Sinners”
Wagner Moura, “The Secret Agent”

Actress in a supporting role
Elle Fanning, “Sentimental Value”
Inga Ibsdotter Lilleaas, “Sentimental Value”
Amy Madigan, “Weapons”
Wunmi Mosaku, “Sinners”
Teyana Taylor, “One Battle After Another”

Actor in a supporting role
Benicio del Toro, “One Battle After Another”
Jacob Elordi, “Frankenstein”
Delroy Lindo, “Sinners”
Sean Penn, “One Battle After Another”
Stellan Skarsgård, “Sentimental Value”

Directing
Chloé Zhao, “Hamnet”
Josh Safdie, “Marty Supreme”
Paul Thomas Anderson, “One Battle After Another”
Joachim Trier, “Sentimental Value”
Ryan Coogler, “Sinners”

Adapted screenplay
“Bugonia,” Will Tracy
“Frankenstein,” Guillermo del Toro
“Hamnet,” Chloé Zhao and Maggie O’Farrell
“One Battle After Another,” Paul Thomas Anderson
“Train Dreams,” Clint Bentley and Greg Kwedar

Original screenplay
“Blue Moon,” Robert Kaplow
“It Was Just an Accident,” Jafar Panahi
“Marty Supreme,” Josh Safdie and Ronald Bronstein
“Sentimental Value,” Joachim Trier and Eskil Vogt
“Sinners,” Ryan Coogler

Documentary feature
“The Alabama Solution”
“Come See Me in the Good Light”
“Cutting Through Rocks”
“Mr. Nobody Against Putin”
“The Perfect Neighbor”

Documentary short
“All the Empty Rooms”
“Armed Only with a Camera: The Life and Death of Brent Renaud”
“Children No More: ‘Were and Are Gone’”
“The Devil Is Busy”
“Perfectly a Strangeness”

Animated feature
“Arco”
“Elio”
“KPop Demon Hunters”
“Little Amélie or the Character of Rain”
“Zootopia 2”

Animated short
“Butterfly”
“Forevergreen”
“The Girl Who Cried Pearls”
“Retirement Plan”
“The Three Sisters”

Cinematography
“Frankenstein,” Dan Laustsen
“Marty Supreme,” Darius Khondji
“One Battle After Another,” Michael Bauman
“Sinners,” Autumn Durald Arkapaw
“Train Dreams,” Adolpho Veloso

Costume design
“Avatar: Fire and Ash,” Deborah L. Scott
“Frankenstein,” Kate Hawley
“Hamnet,” Malgosia Turzanska
“Marty Supreme,” Miyako Bellizzi
“Sinners,” Ruth E. Carter

Film editing
“F1,” Stephen Mirrione
“Marty Supreme,” Ronald Bronstein and Josh Safdie
“One Battle After Another,” Andy Jurgensen
“Sentimental Value,” Olivier Bugge Coutté
“Sinners,” Michael P. Shawver

International feature
“It Was Just an Accident” (France)
“The Secret Agent” (Brazil)
“Sentimental Value” (Norway)
“Sirāt” (Spain)
“The Voice of Hind Rajab” (Tunisia)

Live-action short
“Butcher’s Stain”
“A Friend of Dorothy”
“Jane Austen’s Period Drama”
“The Singers”
“Two People Exchanging Saliva”

Makeup and hairstyling
“Frankenstein,” Mike Hill, Jordan Samuel and Cliona Furey
“Kokuho,” Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
“Sinners,” Ken Diaz, Mike Fontaine and Shunika Terry
“The Smashing Machine,” Kazu Hiro, Glen Griffin and Bjoern Rehbein
“The Ugly Stepsister,” Thomas Foldberg and Anne Cathrine Sauerberg

Original score
“Bugonia,” Jerskin Fendrix
“Frankenstein,” Alexandre Desplat
“Hamnet,” Max Richter
“One Battle After Another,” Jonny Greenwood
“Sinners,” Ludwig Göransson

Original song
“Dear Me” from “Diane Warren: Relentless”
“Golden” from “KPop Demon Hunters”
“I Lied to You” from “Sinners”
“Sweet Dreams of Joy” from “Viva Verdi!”
“Train Dreams” from “Train Dreams”

Production design
“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“Sinners”

Sound
“F1”
“Frankenstein”
“One Battle After Another”
“Sinners”
“Sirāt”

Visual Effects
“Avatar: Fire and Ash”
“F1”
“Jurassic World Rebirth”
“The Lost Bus”
“Sinners”

Casting
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“The Secret Agent”
“Sinners”