“In that darkness, I found myself,” says Mexican pop star Kenia Os, who collaborated with indie icon Carla Morrison and transmuted online hate into her fiercest album yet
Mexico’s reigning pop princess is entering her femme fatale era.
Kenia Os played up her cute and cuddly side in her previous album, 2024’s “Pink Aura” — but with her upcoming album “K de Karma,” out Friday, Os is putting that era to bed.
Os, born Kenia Guadalupe Flores Osuna in Mazatlán, Sinaloa, has made an incredible leap from social media influencer to Latin Grammy-nominated pop star in under a decade. Yet at 26, she has weathered countless storms — whether facing incessant body-shaming online, or defending her pop music pivot from cynics in the comments.
In an interview with the L.A. Times, the Mexican superstar explains how she transmuted that energy into her most fierce and sexy musical offering yet.
“In that darkness, I found myself,” the 26-year-old says over Zoom from her hotel room in Los Angeles — where she’s traded her signature blood red dress for a black tank top and jeans as she prepares for her upcoming tour.
“This album is totally about empowerment. There’s an energy behind it of divine justice… What’s for you belongs to you.”
Os had plenty of examples of powerful pop divas to draw inspiration from. Though she fondly recalls her mother playing the music of the late Selena Quintanilla and Jenni Rivera, Os was tapped into American talents like Miley Cyrus — namely her “Hannah Montana” alter ego — as well as Demi Lovato, Ariana Grande and Selena Gomez.
“I’ve always been inspired by a lot of female artists,” she recalls. “The power that women wield has always been at the core of who I am an artist.”
As Os looks back on being a teen girl who shared her life gratuitously on YouTube, and later social media platforms like Instagram and TikTok, she still feels the sting of body-shaming comments. Os reveals during that time, her weight would fluctuate from dealing with hormonal issues such as PCOS (polycystic ovary syndrome) and endometriosis.
“It’s very difficult how people judge you for your body, if you gain weight, have a tummy, or whatever,” she says. “It was very complicated to grow from a young girl into a woman [in a world] where you are how you look. Currently, I feel at ease because thanks to the universe, I’ve had the opportunity to take care of my body, understand it, and heal from within. It’s made me a stronger woman.”
Another hurdle that Os had to overcome in her career is an ongoing stigma placed on influencers-turned-pop stars. Although artists like Addison Rae, Tate McRae, and Charli D’Amelio successfully forged their careers as performers on social media before taking center stage, Os sees Mexico as being less receptive to that kind of career transition as the U.S. or Canada.
“In Mexico, it hasn’t been that easy for people to understand that I am a singer,” she says. “I’m not the best, but I’m here, I have my fandom that I love and we’re doing incredible things together.” (Os is referring to her massive following online, which includes 26.3 million fans on TikTok and 18.2 million fans on Instagram.)
When Os first launched as a singer in 2018, some immediately took aim at her dance moves and the digitally augmented sound of her voice. Os admits that she’s come a long way since that first iteration with rigorous singing and choreography lessons; three years later, she signed a record deal with her current label Sony Music Mexico, and released her glossy debut album, “Cambios De Luna,” in 2022.
Since then, Os has come to rule the Latin pop scene in Mexico, boasting multiple sold-out tours of the country.
“It’s been difficult for people to understand that I started out making content — which I still love to do — and suddenly, I’m [also] a singer,” she says. “They try to devalue my work and what I do as an artist. At the end of the day, I’m still as hard-working as I [was] on day one. I’m on the charts with a lot of artists. I’ve put myself in a position where I can say that I’m fully dedicated to music. For me, it’s been a beautiful journey where I’ve learned a lot about myself and I’ve grown so much.”
Os achieved an international breakthrough with her visual album, 2022’s “K23.” The following year she scored a viral hit on TikTok with the flirty “Malas Decisiones,” which has over 340 million streams on Spotify. Os would soon tour the U.S. for the first time, and at the 2023 Latin Grammy Awards, “K23” was nominated in the category of long form music video.
“I loved that experience, and I believe it would be beautiful to win a Grammy, but now I’m more dedicated to my fans, my music and what I like without expecting an award,” she says.
Last year, Os also pulled a page from Taylor Swift’s playbook by releasing the concert film “Kenia Os: La OG” in theaters in both the U.S. and Mexico.
Now with “K De Karma” out, Os is finding strength in further harnessing a sexier and more defiant alter ego — which she introduced in her cinematic music video for “Belladona.” Directed by Daniel Eguren, the visuals emphasize the fatality of her femininity with a car explosion and suited-up businessmen bending to her will.
“It doesn’t feel like that I have to act or pretend to be sexy or sensual,” Os admits. “Now, this feels very natural. It feels very me. This is who I am at this moment as a woman.”
She adds that her album was also inspired by a marginalized group that stuck by her side through her ups and downs: the LGBTQ+ community. As a show of gratitude to the girls and the gays, Os transforms from “Belladona” to Primadonna in vogue-ready house bangers like “Slay,” “Problemática,” and “Boom In Your Face.”
“I wanted to do something fun and different for the LGBTQ+ community,” she says. “I’m very happy and grateful for the love they’ve given me. I believe they’re my most passionate fans — they’re the kind of fans that are there for you the most. To put on concerts where you know most of the crowd belongs to that community, it’s an incredible experience.”
A surprising collaborator on “K De Karma” is Mexican singer-songwriter Carla Morrison. She co-wrote the tender love song “Tú y Yo X Siempre” with Os; the two also collaborated on “Días Tristes,” which is reminiscent of the moody ‘80s pop anthem by Jeanette, “El Muchacho De Los Ojos Tristes.”
Os reveals that she and Morrison worked on a third song that they’re still putting the finishing touches on. “It was very magical to work with her,” she adds. “She’s an exceptional and incredible human being with a big heart. She told me very beautiful words that motivated me all of last year. Those were words that I needed to hear.”
On the personal side, Os is also relishing her relationship with Peso Pluma. After collaborating on the reggaeton track “Tommy & Pamela” in 2024, the two Mexican artists went public as an item last year. Os has even accompanied Pluma on a few stops of his recent Dinastía Tour.
“It’s very beautiful to know that you have a partner that knows what you go through and that can give you advice from his experiences as well,” Os says. “I love that I can count on someone that understands me completely and supports me.”
As for now, she is raring for the Mexican leg of her “K de Karma Tour” that kicks off on April 25 in her hometown. She is hoping to eventually add some dates in the States.
“I want to grow more internationally with this album,” says Os. “As long as my fans love and enjoy this album, that’s all that matters to me.”
Puka Nacua denies woman’s claim that he made antisemitic comment
Puka Nacua has denied a woman’s claim that he made an antisemitic comment, says the Rams wide receiver’s attorney.
Madison Atiabi made the claim this week in an application for a temporary restraining order obtained by The Times.
Atiabi asserted in the court filing that during a group New Year’s Eve dinner, Nacua said “f— all the Jews … in a manner audible to [her] and others at the table.” Atiabi added that Nacua’s “vulgar, threatening, violent and harassing conduct” escalated as the evening progressed.
After dinner, Atiabi said she was in a car with Nacua and others when the Rams star bit her on the left shoulder, leaving a substantial bite mark that was photographed. Nacua also is alleged to have bitten the thumb of Atiabi’s friend “so forcefully that she screamed in pain,” according to the filing.
Nacua’s attorney, Levi McCathern, said he has spoken to witnesses — including other Rams players who were present — who didn’t hear Nacua make the antisemitic statement. He also said the bite was innocent “horseplay.”
“Puka denies these allegations in the strongest possible terms,” McCathern said. “We will pursue all available legal remedies in response to these false and damaging statements.”
The request for a temporary restraining order was denied by a Los Angeles Superior Court judicial officer and a hearing is scheduled for April 14.
“Our office was contacted with demands of millions of dollars in exchange for not publicizing these allegations,” McCathern told TMZ. “This is not a legitimate claim — it is blackmail.”
In December, Nacua apologized for an antisemitic gesture he made while appearing on a livestream with Adin Ross and N3on.
The livestreamers, with Nacua out of earshot, discussed whether Nacua would get in trouble if he performed a move that references an offensive stereotype about Jewish people. Ross is Jewish, but he often performs the move in his livestreams.
They suggested Nacua, who led the NFL with 129 receptions and was named an All-Pro in 2025, perform the gesture the next time he scored a touchdown.
“At the time, I had no idea this act was antisemitic in nature and perpetuated hateful stereotypes against Jewish people,” Nacua wrote in his post. “I deeply apologize to anyone who was offended by my actions as I do not stand for any form of racism, bigotry or hate of another group of people.”
The Rams distanced themselves from Nacua’s gesture in a statement.
“There is no place in this world for antisemitism as well as other forms of prejudice or hostility towards the Jewish people and people of any religion, ethnicity, or race,” the team said.
Source link
Democrats call for review of Paramount’s Middle Eastern financial backers
Democratic lawmakers are demanding scrutiny into Paramount Skydance’s financial backers amid rising concerns about potential foreign influence of U.S. media properties.
In a letter this week to Federal Communications Commission Chairman Brendan Carr, seven U.S. senators criticized Carr’s suggestion that Paramount’s $111-billion bid for Warner Bros. Discovery, backed by billionaire Larry Ellison and his family, was on a fast track to receive FCC approval with scant oversight.
Such complicated mergers typically receive an intense government review. The proposed merger would combine two legendary film studios, dozens of cable channels, HBO, CBS and two major news organizations, CNN and CBS News.
Ellison and his son, David, who chairs Paramount, are friendly with President Trump, who has long agitated for changes at CNN, which is slated to be absorbed by Paramount.
The company has said it expects to complete the deal by the end of September.
The Democrats expressed concerns that the fix may be in. Trump’s Justice Department has been reviewing whether the merger would violate U.S. antitrust laws, but a key deadline passed last month without comment from the department’s antitrust regulators.
Also at issue is the Middle Eastern money the Ellison family has been expecting to pull off Paramount’s leveraged buyout of its larger entertainment company rival. The acquisition would leave the combined company with nearly $80 billion in debt.
Late last year, Paramount disclosed that it had lined up $24 billion from wealth funds representing the royal families of Saudi Arabia, Qatar and Abu Dhabi, who would then become equity partners in the combined company.
Paramount has described the funds as largely passive investors, saying the royal families would not have input into corporate decision-making. They also would not control seats on the Paramount-Warner board.
Congressional Democrats previously have warned about potential national security concerns. The senators, led by Cory Booker (D-N.J.) and Chuck Schumer (D-N.Y.), remain concerned, particularly because the transaction will help shape the future of Hollywood production and the direction of key news outlets, including CNN, which maintains a strong presence around the world.
Members of the party have called on Carr to conduct “a full and independent” analysis of the foreign ownership interests before signing off on the merger. The FCC could play an important role, they said, because the tie-up includes Paramount-owned CBS, which holds FCC broadcast station licenses.
Paramount declined to comment. FCC officials did not respond to a request for comment.
Booker and Schumer pointed to Carr’s comments at an industry conference in Spain earlier this month. During an appearance at the Mobile World Congress, Carr suggested the Paramount-Warner deal could be swiftly approved because the foreign investment would warrant only a “very quick, almost pro forma review,” Carr reportedly said.
The FCC has a duty to examine foreign ownership, the lawmakers said, referencing the U.S. Communications Act, which forbids owners from outside the U.S. from holding more than 25% of the equity or voting interests in an entity that maintains an FCC license.
The lawmakers mentioned the FCC’s move earlier this year to tighten its foreign ownership framework to bolster transparency.
Paramount has not yet disclosed its final list of equity partners.
The company previously disclosed its proposed partners in Securities & Exchange Commission filings. However, last month, the composition of the Paramount-Warner deal changed when Larry Ellison agreed to fully guarantee the $45.7-billion in equity needed to finance the $31-a-share buyout of Warner investors.
Before Ellison stepped up, Warner board members had expressed concerns about Paramount’s financing. The tech billionaire’s increased involvement helped carry the Paramount deal over the finish line. Netflix bowed out Feb. 26, ceding the prize to Paramount.
Still, Paramount is expected to line up billions of dollars from outside investors.
It would be significant if Saudi Arabia’s Public Investment Fund, the Qatar Investment Authority and Abu Dhabi’s L’imad Holding Co., contributed $24 billion to the deal, the Democrats wrote.
“This is not incidental capital, it represents roughly one-fifth of the total transaction value,” Booker and the others wrote. “And it is not clear that this will be the only foreign investment.”
Initially, Paramount included Chinese technology company Tencent Holdings as a minority investor, but Paramount later removed Tencent from the investor pool due to concerns about its problematic status — it has been blacklisted by the U.S. Department of Defense.
Bloomberg News reported earlier this month that Tencent might return to the fold.
“This constellation of foreign investment from China and from Gulf States, with complex and sometimes competing relationships with the United States, demands rigorous, not perfunctory review,” Booker and the others wrote.
The letter also was signed by Sens. Dick Durbin (D-Ill.), Elizabeth Warren (D-Mass.), Richard Blumenthal (D-Conn.), Sheldon Whitehouse (D-R.I.) and Mazie K. Hirono (D-Hawaii).
They keyed in on the role of Saudi Arabia’s sovereign wealth fund, saying it was controlled by Crown Prince Mohammed bin Salman “whom the U.S. intelligence community concluded ordered the murder of Washington Post journalist Jamal Khashoggi in 2018.”
The proposed $24-billion investment would give “these governments a significant financial stake in the future content, licensing, and strategic decisions of a combined entity that includes some of the most-watched news and entertainment networks in America.”
It is also unclear whether the current tensions in the Middle East over the Iran war will have an impact on Paramount’s investor syndicate.
Trump’s son-in-law Jared Kushner, a proposed Paramount investor, also withdrew late last year.
Paramount shares held steady at $9.17. The company’s stock is down 31% since Feb. 27, when the company prevailed in the Warner auction.
Source link
Kenia Os has paid her dues. In new album ‘K de Karma,’ she takes back her power
“In that darkness, I found myself,” says Mexican pop star Kenia Os, who collaborated with indie icon Carla Morrison and transmuted online hate into her fiercest album yet
Mexico’s reigning pop princess is entering her femme fatale era.
Kenia Os played up her cute and cuddly side in her previous album, 2024’s “Pink Aura” — but with her upcoming album “K de Karma,” out Friday, Os is putting that era to bed.
Os, born Kenia Guadalupe Flores Osuna in Mazatlán, Sinaloa, has made an incredible leap from social media influencer to Latin Grammy-nominated pop star in under a decade. Yet at 26, she has weathered countless storms — whether facing incessant body-shaming online, or defending her pop music pivot from cynics in the comments.
In an interview with the L.A. Times, the Mexican superstar explains how she transmuted that energy into her most fierce and sexy musical offering yet.
“In that darkness, I found myself,” the 26-year-old says over Zoom from her hotel room in Los Angeles — where she’s traded her signature blood red dress for a black tank top and jeans as she prepares for her upcoming tour.
“This album is totally about empowerment. There’s an energy behind it of divine justice… What’s for you belongs to you.”
Os had plenty of examples of powerful pop divas to draw inspiration from. Though she fondly recalls her mother playing the music of the late Selena Quintanilla and Jenni Rivera, Os was tapped into American talents like Miley Cyrus — namely her “Hannah Montana” alter ego — as well as Demi Lovato, Ariana Grande and Selena Gomez.
“I’ve always been inspired by a lot of female artists,” she recalls. “The power that women wield has always been at the core of who I am an artist.”
As Os looks back on being a teen girl who shared her life gratuitously on YouTube, and later social media platforms like Instagram and TikTok, she still feels the sting of body-shaming comments. Os reveals during that time, her weight would fluctuate from dealing with hormonal issues such as PCOS (polycystic ovary syndrome) and endometriosis.
“It’s very difficult how people judge you for your body, if you gain weight, have a tummy, or whatever,” she says. “It was very complicated to grow from a young girl into a woman [in a world] where you are how you look. Currently, I feel at ease because thanks to the universe, I’ve had the opportunity to take care of my body, understand it, and heal from within. It’s made me a stronger woman.”
Another hurdle that Os had to overcome in her career is an ongoing stigma placed on influencers-turned-pop stars. Although artists like Addison Rae, Tate McRae, and Charli D’Amelio successfully forged their careers as performers on social media before taking center stage, Os sees Mexico as being less receptive to that kind of career transition as the U.S. or Canada.
“In Mexico, it hasn’t been that easy for people to understand that I am a singer,” she says. “I’m not the best, but I’m here, I have my fandom that I love and we’re doing incredible things together.” (Os is referring to her massive following online, which includes 26.3 million fans on TikTok and 18.2 million fans on Instagram.)
When Os first launched as a singer in 2018, some immediately took aim at her dance moves and the digitally augmented sound of her voice. Os admits that she’s come a long way since that first iteration with rigorous singing and choreography lessons; three years later, she signed a record deal with her current label Sony Music Mexico, and released her glossy debut album, “Cambios De Luna,” in 2022.
Since then, Os has come to rule the Latin pop scene in Mexico, boasting multiple sold-out tours of the country.
“It’s been difficult for people to understand that I started out making content — which I still love to do — and suddenly, I’m [also] a singer,” she says. “They try to devalue my work and what I do as an artist. At the end of the day, I’m still as hard-working as I [was] on day one. I’m on the charts with a lot of artists. I’ve put myself in a position where I can say that I’m fully dedicated to music. For me, it’s been a beautiful journey where I’ve learned a lot about myself and I’ve grown so much.”
Os achieved an international breakthrough with her visual album, 2022’s “K23.” The following year she scored a viral hit on TikTok with the flirty “Malas Decisiones,” which has over 340 million streams on Spotify. Os would soon tour the U.S. for the first time, and at the 2023 Latin Grammy Awards, “K23” was nominated in the category of long form music video.
“I loved that experience, and I believe it would be beautiful to win a Grammy, but now I’m more dedicated to my fans, my music and what I like without expecting an award,” she says.
Last year, Os also pulled a page from Taylor Swift’s playbook by releasing the concert film “Kenia Os: La OG” in theaters in both the U.S. and Mexico.
Now with “K De Karma” out, Os is finding strength in further harnessing a sexier and more defiant alter ego — which she introduced in her cinematic music video for “Belladona.” Directed by Daniel Eguren, the visuals emphasize the fatality of her femininity with a car explosion and suited-up businessmen bending to her will.
“It doesn’t feel like that I have to act or pretend to be sexy or sensual,” Os admits. “Now, this feels very natural. It feels very me. This is who I am at this moment as a woman.”
She adds that her album was also inspired by a marginalized group that stuck by her side through her ups and downs: the LGBTQ+ community. As a show of gratitude to the girls and the gays, Os transforms from “Belladona” to Primadonna in vogue-ready house bangers like “Slay,” “Problemática,” and “Boom In Your Face.”
“I wanted to do something fun and different for the LGBTQ+ community,” she says. “I’m very happy and grateful for the love they’ve given me. I believe they’re my most passionate fans — they’re the kind of fans that are there for you the most. To put on concerts where you know most of the crowd belongs to that community, it’s an incredible experience.”
A surprising collaborator on “K De Karma” is Mexican singer-songwriter Carla Morrison. She co-wrote the tender love song “Tú y Yo X Siempre” with Os; the two also collaborated on “Días Tristes,” which is reminiscent of the moody ‘80s pop anthem by Jeanette, “El Muchacho De Los Ojos Tristes.”
Os reveals that she and Morrison worked on a third song that they’re still putting the finishing touches on. “It was very magical to work with her,” she adds. “She’s an exceptional and incredible human being with a big heart. She told me very beautiful words that motivated me all of last year. Those were words that I needed to hear.”
On the personal side, Os is also relishing her relationship with Peso Pluma. After collaborating on the reggaeton track “Tommy & Pamela” in 2024, the two Mexican artists went public as an item last year. Os has even accompanied Pluma on a few stops of his recent Dinastía Tour.
“It’s very beautiful to know that you have a partner that knows what you go through and that can give you advice from his experiences as well,” Os says. “I love that I can count on someone that understands me completely and supports me.”
As for now, she is raring for the Mexican leg of her “K de Karma Tour” that kicks off on April 25 in her hometown. She is hoping to eventually add some dates in the States.
“I want to grow more internationally with this album,” says Os. “As long as my fans love and enjoy this album, that’s all that matters to me.”
Source link
Democrats excluded from USC governor debate urge rivals to boycott
Four Democrats running for governor called on their fellow candidates to boycott an upcoming debate at USC, reiterating concerns that the criteria used to determine who was invited to participate resulted in every prominent candidate of color being excluded from the forum.
“We ask each and every candidate who is in this race to recognize that if we can’t have a fair process for a debate, then we should all not participate,” said Xavier Becerra, the former U.S. Health and Human Services secretary. “We call on them to withdraw from this biased forum.”
Becerra’s call was echoed by former Los Angeles Mayor Antonio Villaraigosa, state Supt. of Public Instruction Tony Thurmond and former state Controller Betty Yee during a Friday afternoon news conference.
The candidate’s request comes a week after some of them raised concerns about the criteria for Tuesday’s debate, arguing that it was engineered to allow the inclusion of San José Mayor Matt Mahan, who entered the race in late January and quickly raised millions of dollars from Silicon Valley executives.
“The rules initially were polling and money. Matt Mahan is [polling] lower than some of us, period,” Villaraigosa said, adding that the debate organizers “then added time in the race,” which resulted in Mahan’s invitation.
Mahan’s campaign did not respond to a request for comment on Friday, but when Becerra raised such concerns last week, Mahan said the former Biden administration official ought to be included in the debate.
The matter is further complicated by Mahan supporters who have notable ties to the university.
Mike Murphy, a co-director of the USC center hosting the debate, has been voluntarily advising an independent expenditure committee backing Mahan. The veteran GOP strategist said last week that he had nothing to do with organizing the debate and that he has asked for unpaid leave at the university through the June 2 primary if he takes a paid role in the campaign.
USC has also received tens of millions of dollars in donations from billionaire real estate developer Rick Caruso and his wife. Caruso, a USC alumnus who served as a trustee for years, is also a Mahan supporter.
A representative for Caruso did not respond to a request for comment.
The debate, hosted by the USC Dornsife Center for the Political Future, KABC-TV Los Angeles and Univision, is scheduled to take place on campus at 5 p.m. Tuesday — less than two months before ballots begin arriving in voters’ mailboxes. The forum will be streamed and broadcast on ABC and Univision affiliates across the state.
USC and the television stations put out a joint statement Friday morning, prior to the candidates’ news conference, justifying the criteria used to determine who was invited to participate and saying none of the debate partners had any influence on the methodology.
“We want to be clear that we categorically, unequivocally deny any allegations that the debate criteria was in any way biased in favor or against any candidate and want to clarify the facts,” they said in a statement, adding that Christian Grose, a USC political science professor, was asked to develop “data-driven” benchmarks to determine which candidates were invited.
“The methodology was based on well-established metrics consistent with formulas widely used to set debate participation nationwide — a combination of polling and fundraising — and developed without regard to any particular candidate.”
After the Democratic candidates called for their competitors to not participate, USC and KABC declined to comment further. Univision did not respond to a request for comment.
Grose defended the methodology he crafted as “objective” in an interview Friday, and said he met with Becerra as well as the staff of other candidates to explain it.
“The idea that it was biased or designed to create some sort of outcome to disfavor the candidates who spoke at the press conference is just not correct,” Grose said, adding that attacks on the methodology have a “chilling effect” on universities and media outlets who sponsor debates.
“I’m not worried about the optics,” he said. “The optics are we are having a debate at USC to inform voters and educate students.”
Jarred Cuellar, a political science assistant professor at Cal Poly Pomona, described Grose’s methodology as “thoughtful” and “empirically grounded,” and characterized the concerns raised by candidates not included in the debate as unfounded and not credible.
“The formula is methodologically sound and represents a clear improvement over how debate participation has often been determined,” he said. “Rather than relying on a single metric such as polling, it takes a multidimensional approach to evaluating candidate viability. That approach better reflects how political scientists measure complex phenomena like electoral competitiveness.”
But the controversy has caused consternation among USC professors past and present.
“It seems like an unforced error that is casting the entire event in a bad light,” said a current USC professor who closely follows politics but is not involved in the debate, and who asked for anonymity to speak candidly. “It’s super important that if the debate happens, it happens correctly.”
Darry Sragow, a veteran Democratic strategist who taught election and environmental law at USC for 19 years, said that while he believes the large field of Democratic candidates needs to be winnowed, that’s not the job of a university or media outlets.
“Every one of these eight [Democratic candidates] is capable of running the state of California,” he said. “ It would certainly be my advice to USC and to Univision and to ABC to allow all the candidates to take part, or to cancel the debate.”
The four Democratic candidates not invited to the debate argued that voters are just starting to pay attention to the thus-far sleepy race and that diverse candidates should be represented.
“We are a minority-majority state, and the idea that the four candidates of color are not going to be on the stage to bring those perspectives, to really speak to those communities, is really not doing right by the voters,” Yee said.
Becerra said some of the candidates had requested to speak with top university leadership, including President Beong-Soo Kim. In other conversations, he said university officials raised the possibility of “either canceling this debate or incorporating more of the candidates in it. Evidently they could not agree to do that. … I think they recognize that there were problems with the way this debate had been organized.”
Becerra said he reviewed the formula and has “never seen” debate criteria like it before during his decades of serving in elected office.
“Your fundraising numbers are divided by the number of days you’ve been out there campaigning in front of voters,” he said. “So you could have raised millions of dollars, but if you’ve been in longer than someone else who just raised millions of dollars very quickly, you get penalized.”
Campaigns for the invited candidates — Democrats Rep. Eric Swalwell of Dublin, former Orange County Rep. Katie Porter, climate activist Tom Steyer and Mahan; as well as Republicans Chad Bianco, the sheriff of Riverside County, and former Fox News host Steve Hilton — did not respond to requests for comment on the call to boycott the debate.
Source link
‘Lanterns’ EP Damon Lindelof apologizes for calling Green stupid
“Lanterns” co-creator Damon Lindelof is setting the record straight: “Green is f— awesome.”
The prolific TV writer, who is an executive producer on the upcoming HBO Max superhero drama, addressed the backlash against comments he previously made about the Green Lantern show’s title in a lengthy apology posted to Instagram on Monday.
“I made a dumb joke on a comedy podcast,” the “Lost” showrunner wrote in the caption accompanying a photo of him wearing a very green T-shirt with the Green Lantern symbol at his first Comic-Con appearance. “I’m not going to bob and weave about context, the joke was dumb, the fandom is not. I owe them an explanation and a genuine reflection of my actual feelings.”
The joke in question was made during his appearance on a 2024 episode of “Pod Save America” co-host Jon Lovett’s “Lovett or Leave It” podcast. “It’s called ‘Lanterns’ because we all agreed that the ‘Green’ was stupid,” Lindelof said when the host brought up the upcoming TV show.
These remarks were resurfaced recently after the first “Lanterns” teaser was released earlier this month and some fans noticed a lack of green. The uproar gained enough steam that even comic book great Grant Morrison noticed. Morrison, the writer of a Green Lantern comics series from 2018 to 2021, then addressed the situation in a Sunday Substack post calling Lindelof out directly and questioning why he even took the “Lanterns” job.
“Why does a writer attach himself to this kind of narrative if he thinks it’s fundamentally ‘stupid’?” wrote Morrison. “What is this jockish dismissal of superhero conventions intended to prove anyway? Does Lindelof imagine it makes him seem less nerdy? … The only people who give a [f—] about the ‘Lanterns’ TV series are Green Lantern fans. Why alienate them at the start? That feels more like ‘stupid.’”
Lindelof acknowledged Morrison’s criticism and owned up to his faux pas before sharing just how much Hal Jordan — one of the Green Lanterns who will be featured in the series — meant to him growing up.
“For a quiet, uncoordinated kid, there was nothing cooler than a hero whose superpower was his imagination,” Lindelof wrote in his social media apology. “And green is not stupid, it is my lifelong favorite color and I have a questionnaire that I filled out in third grade to prove it.”
“More importantly, it would be a betrayal to everyone I worked for and alongside to say anything other than I was absolutely honored to be a part of the team that manifested the incredible construct that is Lanterns … because it was,” he added. “I was sloppy and careless with my words, ironic considering I care so much about Hal, John and the entire Corps. I can and will do better to be worthy of the oath. … [U]ntil then, I’ll let the show speak for itself and I can’t wait for you all to hear what it has to say.”
Among those sending Lindelof some love in the comments of his Instagram post were “Superman” actor Nathan Fillion, whose Green Lantern Corps member Guy Gardner is set to appear in “Lanterns,” as well as DC Studios boss James Gunn.
“The joke was funny. No harm, no foul! Keep up the great work, we appreciate you!” wrote Fillion, who included a green glove emoji in his message. Gunn was more succinct, showing his support with just a green heart emoji.
“Lanterns,” about superpowered intergalactic cops, will follow new recruit John Stewart (Aaron Pierre) and veteran Hal Jordan (Kyle Chandler) as they investigate a murder. Co-created by Lindelof, Tom King and showrunner Chris Mundy, the series will premiere in August.
Source link
TikTok’s Becki Jones makes cryptic comment about ‘not being honest’ amid fat jab and surgery rumours after weight loss
TIKTOK star Becki Jones has finally responded to claims she has “not been honest” about her extreme weight loss.
The influencer rose to fame on the video streaming platform back in 2020 and is famed for her ‘what I eat in a day’ videos, which showed her enjoying foods such as McDonalds for breakfast, takeaways and treats.
Sign up for the Showbiz newsletter
Thank you!
However, in March last year she quit the platform without explanation before suddenly returning in September — with a significantly smaller frame.
While Becki has consistently insisted that she has not lost weight via jabs or surgery, fans have been left questioning the legitimacy of her claims.
And now, she has made a cryptic comment in response.
During a TikTok live stream by Becki this week, one user left a comment which read: “People would hate less if you were honest”.
Beck’s Scandal
Are fat jabs behind Becki Jones’ drastic weight loss? Pals reveal truth
brand becki
Why Becki Jones’ revamped ‘trad wife’ lifestyle will earn TikTok star £500k
Becki replied: “I have been honest about everything that needs to be said.
“The only thing I haven’t told you about is what I’ve been through and what I’m currently battling with as well. It’s nothing that will benefit anybody knowing, so, yeah.”
Later on in the stream, she said: “I did not come back to TikTok in September to be like, ‘Guys! I’ve lost weight’.
“That was not my intention, it was not my goal. Like I’ve said, my page was never gonna be ‘Becki Jones for fitness’ or ‘Becki Jones for how to lose weight’.
“That’s never been my goal for my journey on TikTok or as a content creator.”
Becki added: “I’ve come back and to be fair, most of my weight I’ve lost has been since September.”
Fans in the comment section still weren’t convinced by her comments, as one wrote: “People just want honesty… period!”
“Just give people a straight answer, especially your loyal followers,” echoed another.
However, others defended that it was “nobody’s business” what Becki has done.
Last year, a source told The Sun why Becki really left social media, and why she returned.
They explained: “Everyone knows Becki took six months offline because she felt the trolling had become too much.
“It was a real chance to reflect on her life and the main cause of issues – her weight. She’s also a secret smoker, so really did start to feel like her lifestyle wasn’t doing her any favours.
“Once she started losing some weight, she felt a new wave of confidence and when she returned online and saw the reaction to the way she looked, it really spurred her on.”
They added: “It’s the same when she was larger and the more she ate, the more people watched her videos. At the end of the day, it’s all about engagement and making money. It’s addictive.”
Source link
Advocates concerned city has not reviewed LA28 plan for homeless, human trafficking
A report on how Olympic organizers will tackle civil rights, homeless and human trafficking ahead and during the 2028 Games has not been made public by the city more than two months after it was filed and no date for its release has been set, leaving human rights advocates fearing the issues will not get the attention and funding they deserve.
Council president Marqueece Harris-Dawson, who chairs the ad-hoc committee on the LA28 Games, has not included the human rights report on the committee’s agenda. His office did not respond to requests for comment and Sharon Tso, the city’s chief legislative analyst, and Matthew Szabo, the city’s administrative officer, both said they have not seen the report and “nothing appears on the council file,” according to Tso.
The delay is limiting discussion on an important topic, said Stephanie Richard, a clinical professor who leads the Sunita Jain Anti-Trafficking Initiative at Loyola Law School, which released its own comprehensive report on human trafficking and the 2026 World Cup and 2028 Olympics in December.
“From an anti-trafficking perspective, this is a historic moment” she said. “Yet the public has no access to the draft.
“Without transparency, Los Angeles cannot responsibly prepare, and advocates cannot provide informed guidance. LA28 is setting a global precedent — one that currently lacks public accountability.”
LA28, the private nonprofit organizing committee for the 2028 Summer Olympic and Paralympic Games in Los Angeles, was responsible for developing a human rights strategy around the Games. Its report was due Dec. 31, a deadline it met, according to a spokesperson for the group. LA28 is not allowed to release the report publicly until the city does.
“As per our Games Agreement with the City, LA28 completed the Human Rights Strategy at the end of 2025,” said Jacie Prieto Lopez, the group’s vice-president of communications and public affairs, in LA28’s first public statement on the report. “We are now working closely with city leaders on next steps.”
What those next steps are and when they’ll be taken, no one seems to know.
FIFA is producing its own report on human rights and human trafficking around this summer’s World Cup, which will feature eight games at SoFi Stadium in Inglewood.
“In each host city, human rights teams are working towards tailored FIFA World Cup Human Rights Action Plans in consultation with local human rights stakeholders and in line with FIFA guidance,” a FIFA spokesperson said in a written statement. “Plans will be published ahead of the tournament. This work reflects a sustained and consistent commitment by FIFA to embed human rights considerations throughout the planning and delivery of the tournament.”
The FIFA report for Los Angeles isn’t expected to be released until May, according to sources close to the process not authorized to speak publicly, about a month before the tournament kicks off. Some of the other 11 U.S. host cities, among them Seattle and Houston, have already rolled out their own initiatives addressing the issue.
Richard, who was invited by the city to consult with LA28 on its study, said the release of both the Olympic and World Cup reports is important for Los Angeles because it allows for public comment and oversight.
Richard’s group has called on LA28 and FIFA to allocate between $2.75 and $3.1 million specifically for anti-trafficking implementation; to fund a public-awareness campaign and independent audits to ensure accountability and transparency; and to invest in long-term programs that extend beyond the two sporting events.
“One of the things our report starts from is the only evidence-based data connected to major sporting events is that labor trafficking increases,” Richard said. “Major sporting events requires an influx, a large influx, of workers, a lot of time immigrant workers who are highly vulnerable in the construction industry..
“Presumably a lot of these workers are brought in months ahead of time to do some of this work.”
Richard said the continued presence of federal immigration officers in Los Angeles adds another layer of complexity to the human trafficking mix.
In mid-February, nine state legislators signed a letter calling for LA28, FIFA and local officials to incorporate the recommendations made by Richards’ group into their own plans and to release the report publicly as “a critical step toward accountability.”
But when asked about the letter this month, the signatories contacted refused to comment. A spokesperson for assemblywoman Celeste Rodriguez, who represents the eastern San Fernando Valley, said Rodriguez was “unavailable to talk on this issue.”
Source link
Veteran Rep. Darrell Issa decides not to seek reelection in new Democratic-leaning district, sources say
As the deadline approaches to file to run for office, veteran Republican Rep. Darrell Issa has decided not to run for reelection in his newly-configured congressional district in San Diego and Riverside counties, according to two GOP strategists familiar with his plans.
An Issa spokesperson did not respond to requests for comment, but the congressman’s decision was confirmed by two veteran Republican strategists who requested not to be named because they were not authorized to speak about Issa’s plans.
Issa, among the wealthiest members of Congress, began telling people earlier this week that he would retire from Congress, those sources said. The Republican congressman is backing San Diego County Supervisor Jim Desmond to replace him, they said.
Desmond has been running in a neighboring congressional district that straddles Orange and San Diego counties that is currently represented by Rep. Mike Levin (D-San Juan Capistrano). Desmond withdrew from that race and filed to run in Issa’s district on Thursday, according to the San Diego County registrar of voters.
Desmond’s campaign did not respond to a request for comment.
Issa, 72, has represented various San Diego-area districts in Congress for more than 23 years. Issa’s once solidly Republican district had been trending more moderate in recent years. Then, his district was redrawn to favor Democrats in the Proposition 50 redistricting plan voters passed in November to counter President Trump’s efforts to push GOP-led states to redraw their congressional lines to favor Republicans.
Democratic registered voters outnumber Republicans by more than four percentage points in the new district, which spans San Diego and Riverside counties and was reshaped to include liberal communities such as Palm Springs, according to the nonpartisan California Target Book. Issa’s current congressional district had a 12-percentage-point GOP edge in voter registration in 2024.
As soon as the new districts were approved, speculation began swirling about Issa‘s reelection plans. Some of his supporters in Texas urged him to move there to run in a GOP-friendly Dallas-area district, but he said in December that he declined and would instead seek reelection in California.
“I believe that the people of San Diego County, who have elected me so many times, will, in fact, regardless of registration, vote for me,” Issa told the Fox affiliate in San Diego in December. “This is my home, and I’m going to fight for it.”
Several Democrats had already announced plans to challenge Issa.
The high school dropout and Army veteran made his fortune by purchasing a struggling electronics business in 1980 and transforming it into the Viper car alarm system, with Issa’s voice warning potential thieves to “stand back.”
Source link
Panel reviewing Trump’s White House ballroom project will vote on it April 2
WASHINGTON — A federal panel reviewing President Trump’s plans to build a ballroom at the White House has set April 2 for a final vote on the project, the chairman said as the agency prepared to give additional consideration to the construction plans.
Will Scharf, chairman of the National Capital Planning Commission and a top aide to the Republican president, made the announcement Thursday at the start of the panel’s March meeting.
The panel will hear additional details about the project from the White House as well as its own staff, and had been expected to vote on Thursday.
But Scharf announced that the vote was switched to April to give every member of the public who wants to comment a chance to do so. More than 100 people had signed up to comment at Thursday’s meeting, which was being conducted online as a result.
The panel has also been flooded with scores of written comments about Trump’s plans to build a 90,000-square-foot addition where the East Wing of the White House once stood. Trump has said it will cost about $400 million and be paid for with private money. Trump had the East Wing demolished in October.
Scharf said the meeting was being conducted online to ease the public testimony portion, which he said was likely to extend into Friday given the number of people who had signed up to speak.
“They are taking time out of what I presume are busy schedules to join us,” he said. “One way or the other, we are going to make sure that members of the public have the opportunity to be heard on this project.”
Critics of the project have argued that Trump should not have demolished the East Wing until the National Capital Planning Commission and a separate panel, the U.S. Commission of Fine Arts, had reviewed and voted on his plans. The fine arts panel approved the project last month.
The National Trust for Historic Preservation, a private, nonprofit group, asked a federal judge to temporarily halt construction until the White House submitted the plans both to federal panels and to Congress for approval, and allowed the public to comment.
U.S. District Judge Richard Leon rejected the request last week, and the trust has said it plans to file an amended lawsuit.
Superville writes for the Associated Press.
Source link
12-year-old dies after collapsing during soccer practice
A 12-year-old boy died Thursday after collapsing during soccer practice following a hot day in San Bernardino.
Adriel Enriquez collapsed on the soccer field on Feb. 26, while practicing with the Platinum IE soccer club, said his uncle, Joshua Gutierrez in a social media post.
“What started as a normal afternoon doing what he loved turned into every parent’s worst nightmare,” Gutierrez wrote in a GoFundMe launched by the family to help cover funeral costs and expenses.
Paramedics were sent to the scene at about 8:40 p.m., said San Bernardino County Fire Department Capt. Eric Sherwin. Adriel was rushed to a local hospital where he was pronounced dead.
“Adriel had no medical issues that we were aware of, and his passing was unexpected and an absolute shock,” Gutierrez wrote on Facebook, alongside a video memorializing his nephew.
Adriel played for Platinum IE since May 2024. Coaches and teammates remembered him as someone who left a mark.
“He was the sweetest most gentle and shy soul with a quiet strength that touched everyone around him,” the club said in a social media post. “Forever our #23.”
The post was liked thousands of times with almost 200 people sharing their condolences in the comments.
Adriel died during a spell of unusually warm winter weather in Southern California. Temperatures peaked at 88 degrees the day he collapsed, according to the National Weather Service.
A cause of death has not yet been determined by the county coroner.
Source link
Hilary Knight won’t let Trump’s ‘distasteful joke’ ruin Olympic gold
U.S. women’s hockey star Hilary Knight wasn’t a fan of a comment that President Trump made about her team days after it claimed Olympic gold at the Milan-Cortina Games.
“I thought it was sort of a distasteful joke, and unfortunately, that is overshadowing a lot of the success of just women at the Olympics carrying for Team USA and having amazing gold medal feats,” Knight said Wednesday during an appearance on ESPN’s “SportsCenter.”
On Feb. 19, the U.S. defeated Canada 2-1 in overtime for a third gold medal in women’s hockey; the team won gold in 1998 and 2018. Three days later, the U.S. men’s hockey team also won gold by defeating Canada 2-1 in overtime.
After the men’s game, Trump addressed the U.S. players by phone in the locker room, extending an invitation for them to attend his State of the Union address two days later and adding a seemingly dismissive comment about the women’s team.
“I must tell you, we’re gonna have to bring the women’s team, you do know that,” Trump said during the call. By not inviting the other American gold medal hockey team, the president said, “I do believe I’d probably be impeached.”
Trump’s comment was met with loud laughter in the locker room. But Knight said she and her teammates aren’t spending much time thinking about the remark.
“We’re just trying to focus on celebrating the women in our room, the extraordinary efforts and continue to celebrate three gold medals in program history, as well as the double gold for both men’s and women’s at the same time and really not detract from that with a distasteful joke,” Knight, who has won two gold medals and three silvers in five Olympics with the U.S. team, said.
“It was unfortunate, but yeah, I think really focusing on celebrating all great things that have come out of the Olympics and feeling the love and the support and getting back in our respective communities and sharing this journey with them, that’s what it’s all about and that’s what makes this moment super special.”
The majority of the men’s team met with Trump at the White House on Tuesday before being honored at the State of the Union address, where they received a bipartisan standing ovation lasting about two minutes. During his address, Trump announced that goalie Connor Hellebuyck will receive the Presidential Medal of Freedom, the nation’s highest civilian honor.
The women’s team confirmed in a statement Monday that it declined an invitation to attend the State of the Union address “due to the timing and previously scheduled academic and professional commitments following the Games.” Trump said during the address that the women’s team would be visiting the White House “very soon.”
Amid the controversy over Trump’s locker room comment, hip-hop legend Flavor Flav invited the women’s hockey team to a special event celebrating their achievement in Las Vegas. He later extended the invitation to “ALL Female US Olympians and Paralympian medalists” for the “She’s Got Game Weekend” from July 16-19.
“It was definitely super special, after everything that’s been going around online, to have someone step up like that and really go to bat for us,” forward Alex Carpenter said of Flav’s invitation during a Seattle Torrent news conference on Wednesday. “I think we’re fully gonna take advantage of that and go have some fun and celebrate like we deserve to.”
U.S.men’s team member Jeremy Swayman told reporters at Boston Bruins practice Wednesday that the laughter heard in the locker room following Trump’s comment does not reflect how the players feel about the women’s team and its accomplishments.
“Yeah, we should have reacted differently,” Swayman said. “We are so excited for the women’s team, we have so much respect for the women’s team, and to share that gold medal with them is something that we’re forever grateful for. And now that we’re home we get to share that together forever and see the incredible support we have from the USA and share in this incredible gold medal.”
Jack Hughes, who scored the winning goal for the U.S. men against Canada, said the men’s players were caught “in the moment” during the president’s call that came during the middle of their victory celebration.
“Obviously it is what it is now, but we have so much respect for the women’s team and they have so much respect for us,” Hughes told reporters after his New Jersey Devils’ 2-1 loss to the Buffalo Sabres on Wednesday night. “We’re all just proud Americans and we’re happy that we both swept the Olympics.”
Knight said she thinks there is “a genuine level of support and respect” between the U.S. men’s and women’s players and called the moment a “sort of a quick lapse” by the men’s players.
“I think the guys were in a tough spot,” Knight said. “So it’s a shame that this storyline and narrative is kind of blown up and overshadowing that connection and genuine interest in one another and cheering one another on.
“I think this is just a really good learning point to really focus on, you know, how we talk about women, not only in sport, but in industry.”
Discussion about the call wasn’t the only criticism of the White House from the world of Team USA hockey.
On Thursday, men’s player Brady Tkachuk said he was unhappy that the White House shared a video on TikTok that made it appear he disparaged Canadians while using profanity. The video, which also features hockey footage and part of an interview with Hughes, carries a note saying it “contains AI-generated media.”
“It’s clearly fake because it’s not my voice and not my lips moving. … I know that those words would never come out of my mouth,” Tkachuk told reporters.
He added: “I would never say that. That’s not who I am.”
The White House did not immediately respond to a request for comment from the Associated Press.
Tkachuk also denied being the voice heard shouting “close the northern border” during the team’s call with Trump.
The Associated Press contributed to this report.
Source link
Woman bitten by dog at L.A. animal shelter wins $5.4-million verdict
A woman who was mauled by a dog at a Los Angeles city animal shelter has been awarded $5.4 million by a jury.
Genice Horta, 51, said that neither the shelter nor the rescue group she worked for told her the dog, a Belgian Malinois named Maximus, had bitten a teenager and a shelter employee, sending both to the hospital.
After six surgeries to repair the bones and nerves in her right arm, Horta was left with permanent damage, according to a brief by her attorneys in the lawsuit she filed in 2022.
After a 10-day trial, the L.A. County Superior Court jury decided last week that the city was 62.5% liable, the rescue group was 25% liable and Horta was 12.5% liable for medical expenses and pain and suffering.
It was the third multi-million payout in recent years involving allegations that the city animal shelters failed to notify potential adopters that a dog had bitten and seriously injured someone, as required by state law.
Horta’s case “revealed a series of serious and preventable mistakes made with respect to warning about Maximus’ bite history and adopting out and failing to control a dangerous dog,” one of her attorneys, Ivan Puchalt, said in a statement.
A spokesperson for the L.A. City Attorney’s Office did not respond to requests for comment.
Agnes Sibal-von Debschitz, communications director for LA Animal Services, said in statement that according to department policy, “staff must provide a bite and behavioral disclosure to any person receiving an animal with a prior bite history.”
The policy was formally enacted last November in response to a $3.25-million settlement reached by the city with Kristin Wright, who was severely injured by a pit bull she adopted from the South L.A. shelter. Wright said the shelter didn’t inform her that the dog had bitten his previous owner’s elderly mother in the face.
The rescue group, HIT Living Foundation, did not respond to a request for comment.
HIT Living Foundation hired Horta to drive Maximus from the East Valley Animal Shelter to Arizona. She had no prior experience with shelter dogs, according to the city’s attorneys.
On Sept. 23, 2020, after a shelter employee told Horta that Maximus had “kennel anxiety,” she offered the dog a treat containing trazodone, a common anxiety medication for dogs, according to an amended complaint by Horta’s attorneys.
Maximus took the treat, then lunged and latched onto Horta’s right hand and arm. A fuzzy video of the attack was played in court during the trial.
Horta alleged that the shelter employee who brought Maximus to her car negligently failed to control him and never told her the dog could be dangerous. During the attack, the employee was gripping a metal pole with a cable looped around Maximus’ neck.
The employee, Jose Humildad, testified that he told Horta not to approach Maximus with the treat.
Maximus’ previous owners surrendered him to the shelter after he bit their 15-year-old daughter on the foot, leaving deep puncture wounds and requiring hospital treatment, according to the brief by Horta’s attorneys, and several weeks later, Maximus bit a shelter employee who went to the emergency room for a severe bite to the abdomen.
Horta said she never was told of the attacks, which made Maximus unsuitable for public adoption, and he was placed on the city’s New Hope list, which is accessible to registered nonprofit rescues.
Shelter employees had documented Maximus “viciously biting and snapping at people walking past his enclosure,” according to the brief by Horta’s attorneys. One employee wrote “USE EXTREME CAUTION!!!”
Horta’s attorneys argued that Maximus was so dangerous that he should have been euthanized.
The city pushed back on that interpretation.
L.A. animal shelters are not “death row in Mississippi at midnight,” Deputy City Atty. Joshua Quinones said in his closing argument Thursday afternoon. “This is a rescue operation.”
Quinones also argued that Maximus already had been sold to HIT Living Foundation when he bit Horta.
Trying to find Maximus a home, animal rescuers posted repeatedly on Instagram days before the 1-year-old dog bit Horta, describing him as a “handsome misunderstood pup” and a “young troublemaker” in danger of being euthanized.
The post said Maximus had a bite history but provided no details.
Source link
Cubs’ Pete Crow-Armstrong disses Dodgers fans with a curious comment
What’s not to love about Pete Crow-Armstrong? The young, talented Chicago Cubs center fielder is somehow simultaneously super cool and fiery. Nicknamed simply PCA, he should be an entertaining and accomplished player to watch for many years.
And he’s Southern California born and bred, the product of esteemed diamond factory Harvard-Westlake High.
So why oh why did these words come out of his mouth during an interview for a 4,500-word article published Monday in Chicago Magazine?
“I love Chicago more and more,” he said. “It’s just an incredible city. The people are great. They give a [crap]. They aren’t just baseball fans who go to the game like Dodgers fans to take pictures and whatever. They are paying attention. They care.”
The love of Chicago and Cubs fans? Understood.
The dissing of all Dodgers fans as photo-obsessed, uncaring whatevers? Laughable.
The Dodgers became the first team to draw four million fans in 2025 and have exceeded 3.7 million paying customers every non-COVID season since 2013.
And it’s a false narrative to suggest the devotion is merely a byproduct of back-to-back World Series titles and a star-studded lineup. Remember, the Dodgers didn’t win a title from 1989 through 2019, a 31-year drought during which their attendance exceeded 3 million 25 times.
So, where did a baseball-loving future MLB star growing up in Sherman Oaks come to such a contorted conclusion?
Blame it on dad.
PCA penned a first-person article for the Player’s Tribune in September that spelled it out:
“Growing up in L.A., my dad gave me a couple of rules. 1) I couldn’t root for the Dodgers. 2) I couldn’t root for the Cardinals.
“He’s from Naperville, just outside Chicago. He didn’t force me to be a Cubs fan, but let’s just say it was heavily encouraged.”
The Cubs won the World Series for the first time in 108 years in 2016. PCA was 14, and he and his dad, actor Matthew John Armstrong, watched Game 7 together on television. Dad cried.
“I don’t think I fully got it in the moment, you know?” PCA wrote. “I was like, Dad, don’t be weird … stop crying. But I’m sure almost every Cub fan of a certain age had tears in their eyes that night. And now, a bit older, I get it.”
PCA signed with the New York Mets after being drafted 19th overall out of high school in 2020. He was traded to the Cubs a year later for Javier Báez, Trevor Williams and cash and swiftly rose through the minor leagues, making his Cubs debut in 2023.
Last season he broke out as a bona fide star, becoming the first MLB player to accumulate 25 home runs, 25 stolen bases and 70 runs batted in during the first half of a season. He also cemented himself as the top center fielder in the game.
PCA slumped during the second half and finished with 31 homers and 35 stolen bases to go with a .247 batting average. Although the fans might not have noticed with all the picture-taking and whatever, he has done well in six games at Dodger Stadium, batting .333 with a home run and five RBIs.
But according to his teammate and close friend Nico Hoerner, PCA feels at home in the friendly confines of Wrigley Field.
“That’s one thing that is very cool about him that not a lot of younger players get,” Hoerner said. “He couldn’t have more of an appreciation for the history of the game and playing in Wrigley Field. He’s excited to be a part of the city of Chicago in a way a lot of guys don’t really understand.”
Source link