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LA Card Show! Dodger Stadium will be full even though team is away

Dodger Stadium won’t be empty Sunday, even though the next time the Dodgers play at home will be Tuesday in a National League Division Series opener.

But LA Card Show will make its Dodger Stadium debut that day with a Dodger blue-tinged format that includes a watch party of the team’s regular-season finale starting at 12:10 p.m. on DodgerVision.

Most of the time, however, attendees likely will have their heads down, studying the intricacies of trading cards and memorabilia of all stripes and types. More than 350 collectibles vendors will display, buy, sell and trade wares across sports, Pokémon, Disney and other trading card games along with comics, toys and art.

“It’s the perfect blend of card show and cultural experience, and Dodger Stadium provides the ultimate backdrop for us to lean in and create an extraordinary event,” said Chris Koenig, executive director of Dodgers 365, the program that brings outside events into Chavez Ravine.

The event begins at 10 a.m. and will include live DJ sets, food vendors, brand activations, giveaways and an autograph lounge with former Dodgers Ramón Martínez, Joe Kelly and Orel Hershiser, who owns a collectibles store in Claremont called Legends’ Attic.

Tickets are available at lacardshow.com/tickets.

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Wake up, Los Angeles. We are all Jimmy Kimmel

Comics have long been on the front lines of democracy, the canary in the cat’s mouth, Looney Tunes style, when it comes to free speech being swallowed by regressive politics.

So Jimmy Kimmel is in good company, though he may not like this particular historical party: Zero Mostel; Philip Loeb; even Lenny Bruce, who claimed, after being watched by the FBI and backroom blacklisted, that he was less a comic and more “the surgeon with the scalpel for false values.”

During that era of McCarthyism in the 1950s (yes, I know Bruce’s troubles came later), America endured an attack on our 1st Amendment right to make fun of who we want, how we want — and survived — though careers and even lives were lost.

Maybe we aren’t yet at the point of a new House Un-American Activities Committee, but the moment is feeling grim.

Wake up, Los Angeles. This isn’t a Jimmy Kimmel problem. This is a Los Angeles problem.

This is about punishing people who speak out. It’s about silencing dissent. It’s about misusing government power to go after enemies. You don’t need to agree with Kimmel’s politics to see where this is going.

For a while, during Trump 2.0, the ire of the right was aimed at California in general and San Francisco in particular, that historical lefty bastion that, with its drug culture, openly LBGTQ+ ethos and Pelosi-Newsom political dynasty, seemed to make it the perfect example of what some consider society’s failures.

But really, the difficulty with hating San Francisco is that it doesn’t care. It’s a city that has long acknowledged, even flaunted, America’s discomfort with it. That’s why the infamous newspaper columnist Herb Caen dubbed it “Baghdad by the Bay” more than 80 years ago, when the town had already fully embraced its outsider status.

Los Angeles, on the other hand, has never considered itself a problem. Mostly, we’re too caught up in our own lives, through survival or striving, to think about what others think of our messy, vibrant, complicated city. Add to that, Angelenos don’t often think of themselves as a singular identity. There are a million different L.A.s for the more than 9 million people who live in our sprawling county.

But to the rest of America, L.A. is increasingly a specific reality, a place that, like San Francisco once did, embodies all that is wrong for a certain slice of the American right.

It was not happenstance that President Trump chose L.A. as the first stop for his National Guard tour, or that ICE’s roving patrols are on our streets. It’s not bad luck or even bad decisions that is driving the push to destroy UCLA as we know it.

And it’s really not what Kimmel said about Charlie Kirk that got him pulled, because it truth, his statements were far from the most offensive that have been uttered on either side of the political spectrum.

In fact, he wasn’t talking about Kirk, but about his alleged killer and how in the immediate aftermath, there was endless speculation about his political beliefs. Turns out that Kimmel wrongly insinuated the suspect was conservative, though all of us will likely have to wait until the trial to gain a full understanding of the evidence.

“The MAGA gang [is] desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it,” Kimmel said, before making fun of Trump’s response to the horrific killing.

You can support what Kimmel said or be deeply offended by it. But it is rich for the people who just a few years ago were saying liberal “cancel culture” was ruining America to adopt the same tactics.

If you need proof that this is more about control than content, look no further than Trump’s social media post on the issue, which directly encourages NBC to fire its own late-night hosts, who have made their share of digs at the president as well.

“Kimmel has ZERO talent, and worse ratings than even Colbert, if that’s possible. That leaves Jimmy and Seth, two total losers, on Fake News NBC. Their ratings are also horrible. Do it NBC!!!” Trump wrote.

This is about making an example of America’s most vibrant and inclusive city, and the celebrity icons who dare to diss — the place that exemplifies better than any other what freedom looks like, lives like, jokes like.

If a Kimmel can fall so easily, what does that mean the career of Hannah Einbinder, who shouted out a “free Palestine” at the Emmys? Will there be a quiet fear of hiring her?

What does it mean for a union leader like David Huerta, who is still facing charges after being detained at an immigration protest? Will people think twice before joining a demonstration?

What does it mean for you? The yous who live lives of expansiveness and inclusion. The yous who have forged your own path, made your own way, broken the boundaries of traditional society whether through your choices on who to love, what country to call your own, how to think of your identity or nurture your soul.

You, Los Angeles, with your California dreams and anything-goes attitude, are the living embodiment of everything that needs to be crushed.

I am not trying to send you into an anxiety spiral, but it’s important to understand what we stand to lose if civil rights continue to erode.

Kimmel having his speech censored is in league with our immigrant neighbors being rounded up and detained; the federal government financially pressuring doctors into dropping care for transgender patients, and the University of California being forced to turn over the names of staff and students it may have a beef with.

Being swept up by ICE may seem vastly different than a millionaire celebrity losing his show, but they are all the weaponization of government against its people.

It was Disney, not Donald Trump, who took action against Kimmel. But Federal Communications Commission chair Brendan Carr threatening to “take action” if ABC did not sounds a lot like the way the White House talks about Washington, Oakland and so many other blue cities, L.A. at the top of the list.

Our Black mayor. Our Latino senator and representatives. Our 1 million undocumented residents. Our nearly 10% of the adult population identifies as LGBTQ+. Our comics, musicians, actors and writers who have long pushed us to see the world in new, often difficult, ways.

Many of us are here because other places didn’t want us, didn’t understand us, tried to hold us back. (I am in Sacramento now, but remain an Angeleno at heart.) We came here, to California and Los Angeles, for the protection this state and city offers.

But now it needs our protection.

However this assault on democracy comes, we are all Jimmy Kimmel — we are all at risk. The very nature of this place is under siege, and standing together across the many fronts of these attacks is our best defense.

Seeing that they are all one attack — whether it is against a celebrity, a car wash worker or our entire city — is critical.

“Our democracy is not self-executing,” former President Obama said recently. “It depends on us all as citizens, regardless of our political affiliations, to stand up and fight for the core values that have made this country the envy of the world.”

So here we are, L.A., in a moment that requires fortitude, requires insight, requires us to stand up and say the most ridiculous thing that has every been said in a town full of absurdity:

I am Jimmy Kimmel, and I will not be silent.

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Premios Juventud announces its 2025 nominees, moves show to Panama

The Spanish-language awards show will broadcast live on Sept. 25, 2025 from Panama City at 7 p.m. ET/ 6 p.m. CT.

Premios Juventud announced its nominees for its 22nd annual award ceremony. Puerto Rican superstar Bad Bunny and Venezuelan balladeer Danny Ocean both lead with six nominations each.

Not far behind are hitmakers Anitta, Beéle, Carín León, Emilia, Myke Towers, Netón Vega and Peso Pluma, who each count five nominations. Other nominees include Becky G, Camilo, Fuerza Regida, Grupo Frontera, Kapo, Karol G and more.

It’s a monumental year for the awards ceremony, which began back in 2004 as part of the Univision network, now under the media conglomerate TelevisaUnivision.

The live broadcast will take place in Panama City, Panama, which is the first time the show will be held outside of the U.S. The decision to host abroad follows TelevisaUnivision’s “commitment to honoring the strength, values, and traditions of Latin American communities,” the network writes in a press release statement.

But location is not the only new element in the works. The theme this year is “Evolucionando al ritmo de la música,” and that certainly seems to be the case.

This year, Premios Juventud is introducing eight new categories to its lineup that better reflect evolving youth interest, including best alternative Mexican music song, best pop/rhythmic song, Afrobeat Latino of the Year.

While there has historically been an emphasis on music and television, this year the organization is also honoring creators in the beauty and fashion industry as well as podcasters, streamers, travel vloggers and soccer enthusiasts. In recent years, the award show has opened up new categories for digital creators, advocates and comics as social media platforms have become a hot spot for growing Latino talent.

Winners of Premios Juventud 2025 are determined by votes from viewers, which can be cast at premiosjuventud.com from now until September.

Hosted by Dominican actor Clarissa Molina (and others TBA), the awards show will broadcast live on Sept. 25 from the Figali Convention Center on Univision, UNIMÁS, Galavisión and ViX at 4 p.m. PT, 7 p.m. ET, 6 p.m. CT.

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‘Superman’ isn’t superwoke. Why immigration backlash is overblown

This story contains some spoilers for “Superman.”

In James Gunn’s “Superman,” the titular superhero is devastated when he learns that his birth parents sent him to Earth to subjugate humanity.

In theaters now, the film is set a few years into Superman’s caped career. The Kryptonian — who grew up as Clark Kent on a farm in Smallville, Kan. — always believed a message left to him by these birth parents was an encouragement to use his powers to be a protector and hero. He is more than shaken to learn that was never the case.

It’s Clark’s human father, Jonathan, who points out that the message’s intent doesn’t really matter.

“Your choices [and] your actions, that’s what makes you who you are,” he says to his son.

Being an alien refugee might be why Superman has his superpowers, but it’s who he is as a person that makes him a superhero. And although it is mostly left unsaid, Clark’s kindness and values come from how he was raised — by loving parents in America’s heartland.

Despite “Superman” being as all-American as ever, the movie has become the most recent front in America’s never-ending culture war because of comments made by Gunn acknowledging the character is an immigrant.

But Superman is more a story about the triumph of assimilation and opportunity. As the new movie also shows, Superman would not be Superman if he was not raised by Martha and Jonathan Kent on a farm in Kansas. And as much as Superman is undeniably an immigrant, it’s hard to deny in the current political climate that he also resembles the type of immigrants who have traditionally been more embraced in this country.

Since early last month, the Trump administration has aggressively targeted Latino communities across California. Immigration raids have seemingly indiscriminately taken people from their workplace, on their way to court and even in parking lots. Federal officials have pushed back on claims that these operations have targeted people “because of their skin color.” According to federal authorities, more than 2,700 undocumented immigrants have been arrested in L.A. since early June.

This is not the first time the U.S. government has targeted specific communities of color because of their ancestry. During World War II, 120,000 people of Japanese descent were incarcerated in wartime camps regardless of their citizenship.

Gunn, however, has long maintained that his “Superman” is “a movie about kindness [and] being good.”

The filmmaker, who has been outspoken in his criticism of President Trump, told the London Times that “Superman is the story of America. … An immigrant that came from other places and populated the country.” He reiterated that the movie is about “human kindness.”

The backlash was swift, with familiar right-wing commentators and personalities criticizing the film for allegedly being “superwoke” before it was released. Even former Superman actor Dean Cain has spoken out against Gunn’s comments and the perceived politicization of the character’s story.

In response, comic book fans, including Democratic politicians, have pointed out that Superman — an alien born on the planet Krypton, sent to Earth to escape his planet’s destruction — has always been an immigrant.

“The Superman story is an immigration story of an outsider who tries to always do the most good,” Rep. Robert Garcia (D-Long Beach) posted Wednesday on X. “His arch nemesis is a billionaire. You don’t get to change who he is because you don’t like his story. Comics are political.”

“Superman was an undocumented immigrant,” Gov. Gavin Newsom’s press office wrote Thursday on X in response to an image of Trump as Superman posted by the White House.

Others on social media have circulated clips from past Superman media, including from Cain’s show “Lois & Clark,” where the character’s immigration status is addressed.

Despite the accusation and backlash, Superman has never been as “woke” as the current debate makes him seem.

Created by Joe Shuster and Jerry Siegel, both children of Jewish immigrants, Superman’s first official appearance was in the first issue of “Action Comics” in the 1930s. With his iconic red and blue caped costume, the character is known as much for his godlike superpowers as he is for being the ultimate good guy with all-American looks and charm.

His adventures have spanned comics, radio, television and film. Besides evil billionaires, Superman has taken on superpowered supervillains, alien invaders and even his clones, as well as human threats like Nazis and the Ku Klux Klan. Yes, some Superman stories are more political than others.

But Superman has never been radical in his politics. As a Kryptonian raised on Earth by human parents, the character has been shown in stories where he struggles with his own sense of otherness and belonging because he straddles two worlds. But other than rare outliers, his story has never delved deeply into how immigrants or those perceived as other are treated in the U.S. (For that, consider checking out some “X-Men.”)

That’s because Clark Kent’s immigration status or Americanness will never be questioned because of his appearance. That itself could be subversive, but that’s a debate for a different “Superman” movie.

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