There’s a lot of chatter around reality TV right now and the hazards of leaning into mess for the sake of potential viewership. Before Utah-based reality star and social media influencer Taylor Frankie Paul was making national headlines over domestic violence allegations brought against her by former boyfriend Dakota Mortensen — putting “The Bachelorette” and “The Secret Lives of Mormon Wives” series under interrogation — The Times was working on a group of stories that captured the longevity and cultural impact of the unscripted format.
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Speaking of reality TV — Valerie Cherish and “The Comeback” have returned for another round of the showbiz satire. The HBO comedy, which blends scripted comedy with a mockumentary format, originally premiered a year before the “Real Housewives of Orange County” and lampooned the effects of the early-2000s reality TV boom. It followed Valerie (Lisa Kudrow), a former sitcom star from the ’90s, as she attempts to revive her career by starring in a new sitcom while allowing a reality TV crew to document her journey. When the short-lived series was revived in 2014, it poked fun at the rise of prestige TV and the evolution of celebrity culture in the social media era. Now, its third and final season finds our favorite leading lady navigating Hollywood’s AI revolution. Michael Patrick King, who developed the series with Kudrow, stopped by Guest Spot to discuss the show’s latest timely exploration.
Also in this week’s Screen Gab, we take a breather from current programming and dust off two bygone titles. One is an animated sitcom that revolves around a mild-mannered therapist and his sessions with a notable clientele of real-life comedians playing exaggerated versions of themselves; the other is a mid-aughts thriller (of the Lifetime TV variety) that follows a heroic doctor who moonlights as a dangerous predator — its Letterboxd rating spread is something to behold. And it’ll make you wonder what Valerie Cherish might have brought to camp like that.
Let it all be incentive to spend some extra time on the couch this weekend — it’ll cut down on trips to the gas pump! Until next week.
— Yvonne Villarreal
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Dr. Katz, played by creator Jonathan Katz, invites his ex-wife, Roz, played by actor/author Carrie Fisher, to indulge in a dysfunctional family Thanksgiving on “Dr. Katz, Professional Therapist.”
(Comedy Central)
“Dr. Katz, Professional Therapist” (YouTube)
Once in a while the algorithms that rule our lives do us an actual favor, and so it was that YouTube alerted me that the entirety of this great turn-of-the-century cartoon lives there, hosted unofficially on a variety of channels. (Just type in the title.) Created by star Jonathan Katz with Tom Snyder, the inventor of an animation workaround called Squigglevision — in which vibrating outlines give a crude effect of action — and co-produced by Loren Bouchard, who would go on to co-create “Bob’s Burgers,” this six-season, semi-improvised, Peabody Award-winning Comedy Central series is founded on the notion that a comedian’s patter can resemble the neurotic unloading one might encounter in a psychotherapist’s office. And so onto Katz’s couch comes a parade of future comedy elder statespersons, naively but recognizably rendered, including Ray Romano, Lisa Kudrow, Dave Chappelle, Garry Shandling, Marc Maron, Catherine O’Hara, Margaret Cho, Wanda Sykes, Patton Oswalt, Sandra Bernhard, Paul F. Tompkins, David Cross, Jim Gaffigan, Steven Wright and Conan O’Brien. Rodney Dangerfield, already an elder comedy statesperson, has some things to say about his wife. Framing the therapy sessions are the domestic misadventures of Katz and his adult child son, Ben (H. Jon Benjamin, the Mel Blanc of adult animation, if Mel Blanc only used his own voice). Can’t-be-bothered secretary Laura (Laura Silverman, recently seen as Jane the documentarian on the new season of “The Comeback”), fills out the regular cast. — Robert Lloyd
“Stalked by My Doctor” (Tubi)
Last weekend, the Museum of Home Video hosted an interactive game at Vidiots where the sold-out crowd watched the first five minutes of 10 films and then voted on which flick to finish. “Stalked by My Doctor” won in a landslide. This 2015 Lifetime TV movie is one of the most bizarrely watchable trash films of the 21st century. Eric Roberts stars as Dr. Beck, a lovelorn, egotistical California cardiologist who is convinced he’s a catch. This graying bachelor falls for his patient, a high schooler named Sophie (Brianna Joy Chomer) and, when rejected, threatens to clobber her disabled boyfriend (Carson Boatman) with the guy’s own crutch. Filmmaker Doug Campbell makes B-pictures like a plastic surgeon does liposuction: He hacks off all the fat. Subtle? Absolutely not. Yet, there’s not a single dull scene and the characters make smarter moves than you’d expect. By the end, I was hooting and clapping, and giddy to hear that this top-notch schlock launched a five-film franchise. Some night soon, you can bet I’ll put on “Stalked by My Doctor: Patient’s Revenge.” — Amy Nicholson
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Lisa Kudrow as Valerie Cherish in “The Comeback.”
(Erin Simkin / HBO)
Could ChatGPT deliver a script worthy of Valerie Cherish’s talents? More than 11 years after it was last revived, “The Comeback” returned this month with a third season that explores the fear of technology replacing artists, and the ethical compromises that arise, through its sharp and uncomfortable comedic touch. Valerie is offered the lead in a new sitcom, “How’s That?,” on a faltering streaming service called the New Net. But there’s a catch. It’s the first-ever TV series to be written by AI — a fact that network brass wants to keep secret to avoid industry backlash. Valerie is initially resistant to the idea, but a humiliating experience on an indie shoot has her reconsidering. Is she about to be part of the new future of TV? A new episode of “The Comeback” drops Sunday on HBO and HBO Max. Over email, King shared his worries over how AI may transform the entertainment business and the series he’d pick to join the comeback circuit. — Y.V.
This season has Valerie Cherish starring in the first sitcom written by artificial intelligence. The series has always hilariously explored industry shifts. What concerns or curiosities do you have regarding AI, and did those evolve as you worked on the season?
Concerns — yes, many. They range from young writers with nowhere to learn their craft to no writers, young or seasoned, anywhere but the Coffee Bean & Tea Leaf. And yes I’m curious — white-knuckle curious — to see how the threat of AI (Season 3) will change how we make TV compared to how way the threat of reality TV (Season 1) and the threat of prestige cable and streaming (Season 2) did. Spoiler alert …television and TV writers are still here. When is this being published?
Without spoiling anything, there’s a scene in this week’s second episode where Valerie takes a meeting with some Hollywood folks — and it’s an odd experience. Do those meetings feel any more confusing or bizarre to you, in terms of how network brass thinks about the landscape, than they did a decade or two ago?
That billion-participant Zoom scene in the episode is very reflective of the “pitch process” today — in fact more than reflective — it’s a documentary … minus the occasional “pop-up pet.” What’s missing from this current Zoom pitch process is the in-person connection, which also accounts, I think, for why you no longer hear the phrase: “I sold it in the room.” No room, more people — less sales?
What does your writing process with Lisa Kudrow look like? Place me in those weeks of writing the first episode of this season.
The first and every episode has the same process. We talk, we laugh, we eat, we improv, we take turns writing it down — you know, things human writers do.
In addition to this third go with “The Comeback,” you worked on multiple seasons of “… And Just Like That.” What have you found interesting about the process of revisiting characters at a different stage in your life? Has one felt easier to navigate than the other in the current entertainment landscape?
I’m fascinated by a character’s personal evolution — how they can grow over the years. Who they were, who they might be now, what they’ve let go of — how they’ve changed. I’m also fascinated by how some fans of these characters don’t want them to change. In the current TV landscape — the fans are very vocal.
What have you watched recently that you are recommending to everyone you know?
“The Pitt” [HBO Max]. In addition to the good characters, it’s the thrill of being introduced to new actors.
As a viewer, which show — excluding those in your catalog — do you think would be worthwhile to revisit in 2026?
“Freaks and Geeks” [Prime Video, Paramount+]. One season only. Sometimes … a special show that was canceled — deserves a comeback.
INDIANAPOLIS — Kawhi Leonard made a jumper with 0.4 seconds remaining, and the Clippers rallied from a 24-point deficit to beat the Indiana Pacers 114-113 on Friday night.
Leonard finished with 28 points, reaching 20 for the 50th straight game. Darius Garland led the Clippers with 30.
The Clippers were run off the floor early by the team with the NBA’s worst record. The Pacers were a sizzling eight for 11 from three-point range in the first quarter to open a 42-21 lead.
It grew to 45-21 early in the second before the Clippers stormed back for their fourth straight victory, giving coach Tyronn Lue the 400th of his career.
Indiana had gone back ahead 113-108 on Obi Toppin’s jumper with a minute to play. Leonard answered with a jumper, Garland made two free throws and the Clippers got the ball back after Pascal Siakam missed a jumper. They inbounded along the left side to Leonard, who dribbled into the middle and pulled up for the winner.
Leonard become the 14th NBA player to score at least 20 in 50 straight games, a streak that began Nov. 28.
Bennedict Mathurin scored 17 points against his former team, going 12 for 15 on free throws.
Aaron Nesmith scored 26 points and Toppin had 20 for the Pacers, who have dropped two in a row since the victory that snapped their 16-game winning streak. They lost forward Jarace Walker after he was evaluated for a concussion in the first half.
Like the mythical city of Brigadoon, Lisa Kudrow’s “The Comeback” has returned to television after many years away, with the difference that time has not stood still for its inhabitants, older in a changing world that values them less and which they navigate with less assurance.
Kudrow, who created and writes the series with Michael Patrick King, was in her youth a player in the twilight of network-dominated television, cast in a smart, influential show with wide, multigenerational appeal; in a quantitative sense, at least, everything would be downhill from there, as the medium transformed and transformed again. “The Comeback” premiered in 2005, just a year after the end of “Friends”; the first season addressed the rise of reality TV, and the next season, in 2014, riffed on dark, streaming “prestige” television.
The new (and final) season, which is both timely and speculative, addresses the impact of artificial intelligence on the medium and the industry, hinting at a dystopian future; this gives it a moral, even political component, not to say a sense of urgency. Not surprisingly, “The Comeback,” as a thing made by humans, comes down firmly on their side — it’s a manifesto at times — even as it acknowledges, uncomfortably, that computer-produced content might be “good enough.”
Once again, Kudrow plays Valerie Cherish, who, at 60 — the phrase “of a certain age” repeats throughout the series — still qualifies as a working actor. But she’s been pushed into the further reaches of the profession: Her two-season cozy mystery series, “Mrs. Hatt” (“part-time gardener, solves crime, husband is an ex-police chief”), is on no one’s radar but her own, having shown on Epix. A day’s work on a “no-budget” film is even less rewarding than she had imagined; she lasted all of two episodes on “The Traitors.” Paddling hard to stay current, to improve her brand, she bumbles through a podcast, “Cherish the Time,” without any idea what to do with that time; employs a social media person, Patience (Ella Stiller), with no discernible impact; and posts pictures of herself holding products in hopes of “future collabs.”
Still, she is not poor. Valerie and husband Mark (Damian Young), have moved from Brentwood to a condominium with a view in the (real life) Sierra Towers, overlooking the Sunset Strip, opening the latest “new chapter” in their lives, though just what that chapter for them is hard to say. Mark has lost his job in finance — “You told a joke at work at a time when jokes were illegal,” Valerie says, trying to cheer him, “no one cares now” — but left on a golden parachute; now he builds his day around pickleball. A potential role in a reality show, “Finance Dudes,” isn’t working out to anyone’s satisfaction. He’s on the verge of a three-quarter-life crisis.
When her self-promoting manager/publicist Billy (Dan Bucatinsky) comes to her waving an offer for a new series, for a new network, in which she’ll star, Valerie is more than intrigued, if taken aback when he tells her that it’s being written by AI. (He isn’t supposed to know.) Network head Brandon (Andrew Scott, as blandly discomfiting as his Moriarty on “Sherlock”) assures her that it is “within the Writers Guild agreement,” but that it is also a secret — which will account for a lot of comedy going forward, secrets and lies being the very stuff of the form. “AI is really extraordinary,” he tells Valerie. “After all, it picked you.”
It’s also created a wholly generic multicamera sitcom, “How’s That?,” in which Valerie’s character, Beth, as she describes it, “runs a cute, charming old New England B&B with the help of her hunk nephew, Bo — so Beth and Bo, B&B.” (“Viewers want a break from the complicated confusing storylines of all these dark streaming shows,” says a network exec.) Her eager supporting cast has no idea that the series is being written by anything other than its human faces, unhappily married couple Josh (John Early) and Mary (Abbi Jacobson). Josh, who thinks of himself as “the voice of women of a certain age,” is precious about the jokes he manages to get into the script; Mary couldn’t care less. Untalented writing assistant Marco (Tony Macht) only wants “to get, like, a really nice house.” The AI, meanwhile, is personified to the cast and crew, who know nothing about it, as someone named “Al,” who “works remotely.”
One by one, the old company is introduced into the new season, Valerie finds Jane (Laura Silverman), her former documentarian, working as a cashier at Trader Joe’s, having tired of scuffling as a filmmaker, “begging people to care about the things that I cared about.” When Valerie lets it slip that her new series is AI-generated — “but don’t tell anyone ‘cause that’s a secret” — Jane is inspired to pick up her camera again. Lance Barber will eventually rejoin as screenwriter Paulie G., Valerie’s old nemesis. Robert Michael Morris, who played Mickey, Valerie’s hairdresser and best friend, in earlier seasons, passed away in 2017; Jack O’Brien, as Tommy, occupies a version of that space here.
Valerie may be only moderately successful, but she isn’t a hack. She has an Emmy for “Seeing Red,” the drama at the center of Season 2. She pushes back against the costumer (Benito Skinner) who wants to put her in a caftan. She knows her craft and is nominally proud of belonging to a union. She’s not a diva, but she has her pride. And that she is loyal, even when it does her no good, makes her easy to like. Thrust half-wittingly onto this cutting edge — being the first in an AI comedy, Mark tells her, “is like saying, ‘I was the first one to eat an arm in the Donner Party’” — she is wholly sympathetic, and, eventually, as things bend toward horror in a last-act revelation, a hero.
Though the subject is serious, the approach this time is light and farcical. Partially abandoning the documentary aesthetic of its predecessors — the first season had the look of amateur video, and the second of guerrilla filmmaking — much of this season is shot as a conventional, non-meta television show, allowing us access to private conversations and meetings without having to account for Jane and her crew, or requiring the players to act as if they’re being watched. Paradoxically, without pretending to reality, it makes some things more real.
Playing himself, director James Burrows, whom Valerie convinces to helm her pilot, notes that the jokes AI writes might come fast but are never better than obvious. “Surprising only comes from a group of writers huddled in a corner beating themselves up to beat out a better show,” he says. And just as Valerie is not a character an algorithm could produce, Kudrow is not an actor a machine could ever imagine. She’s no Tilly Norwood, or Tilly Norwood at 60, or Tilly Norwood with quirks applied. There’s no one like her— other than her — for the learning machines to scrape.
You should never settle for “good enough” when better, or best, is available. But that choice is on you.
Former L.A. mayor and current candidate for governor Antonio Villaraigosa wants voters to know that he navigated billion-dollar budgets, cracked down on violent crime and championed the expansion of bus and rail lines.
The onetime state Assembly speaker argues he’s the only Democratic candidate with the experience to do the complicated job of running California.
But Villaraigosa left City Hall in 2013 — eons ago in the world of politics. President Obama was still in office, singer Robin Thicke’s “Blurred Lines” was atop the charts and Apple Watches weren’t yet a thing.
Because of his distance from elected office, combined with a decent but overshadowed fundraising effort, Villaraigosa lacks a high-profile platform to attract attention in today’s fractured media universe, an essential ingredient he needs to remind voters about his experience and accomplishments as mayor and a state lawmaker.
Antonio Villaraigosa gets his photo taken with students from Hazeltine Avenue Elementary School while visiting Placita Olvera in 2013.
(Irfan Khan / Los Angeles Times)
Recent polls show Villaraigosa, 73, wallowing at the bottom of the field, though none of the major Democratic candidates have an overwhelming edge.
Villaraigosa also ran for governor in 2018, coming in third in the primary election behind Democratic rival Gavin Newsom, who went on to win and is now serving his second term, and little-known Republican businessman John Cox.
Political strategist Mike Madrid, who worked for Villaraigosa on that campaign, said the former mayor’s absence from politics in recent years is a major liability in this race.
“He’s a dogged, determined candidate,” Madrid said. “But there are pretty stiff headwinds.”
Villaraigosa got a boost last week when the State Building and Construction Trades Council of California pledged $1 million to an outside committee supporting him.
His allies argue voters aren’t paying attention to the governor’s race because eyes are on President Trump, immigration raids and the Iran war.
But the new funding is a pittance compared to some of his rivals. Billionaire Tom Steyer is tapping tens of millions of his own money to pump out ads. Tech companies and billionaire Rick Caruso are supporting Matt Mahan, the mayor of San José, with millions.
Another contender, Rep. Eric Swalwell (D-Dublin), has the power of incumbency. Swalwell launched his campaign on “Jimmy Kimmel Live!” and is a regular on cable news shows, while former Orange County Rep. Katie Porter, who is also running, recently served in Congress and campaigned for the U.S. Senate two years ago.
With the June primary looming, Villaraigosa’s campaign risks sputtering out.
Angeleno Celine Mares holds a copy of Newsweek featuring newly elected Los Angeles Mayor Antonio Villaraigosa as he is sworn into office on the steps of City Hall July 1, 2005.
(David McNew / Getty Images)
Leaving a Compton church earlier this month, he reacted to Mahan’s support from technology companies, and the billionaire money in the race.
“When you have overwhelming sums of money influencing elections, there’s a great deal of concern for those of us who care about our democracy,” said Villaraigosa. “As much as they say it’s about free speech, it actually drowns out speech.”
(During his 2018 bid for governor, though, Villaraigosa was a major beneficiary of Californians using their wealth to wield political influence. Charter school backers, including Netflix co-founder Reed Hastings and philanthropist Eli Broad, spent around $23 million on efforts to boost his campaign. )
Earlier in the morning, he rallied runners at a 10K road race in L.A.’s Chinatown, lighting firecrackers, posing for photos and looking as energetic as when he was mayor and would dart into the street to personally fill potholes.
Villaraigosa flitted around the racers’ VIP tent, spotted a bowl of fortune cookies and made a beeline. “You have an active mind and a keen imagination,” he read aloud.
“Antonio V.!” a middle-aged man called out as the former mayor passed.
Minutes later, Villaraigosa swapped his black and white Veja sneakers and jeans for dress shoes and a suit for the church service in Compton, at which an overwhelmingly Black audience gave him a warm reception.
Building a coalition of Black and Latino voters helped him win the 2005 L.A. mayor’s race in a dramatic upset of then-Mayor Jim Hahn, and brought wide attention to the one-time high school dropout, who was raised by a single mother on Los Angeles’ eastside.
Newsweek magazine featured Villaraigosa on its cover with the headline, “Latino Power: L.A.’s New Mayor and How Hispanics will change American Politics.”
But national acclaim can be fleeting. Today, voters aren’t as interested in identity-based politics, said Fernando Guerra, a professor of political science at Loyola Marymount University who has known Villaraigosa for decades.
Guerra said Villaraigosa is struggling to differentiate himself in the race because his pitch to voters is not unlike the moderate path taken by Mahan. Another contender, former Health and Human Services Secretary Xavier Becerra, overlaps with Villaraigosa when it comes to biographical details: Both are from the L.A. area, Latino and relatively close in age.
“What’s made it so difficult is that [Villaraigosa said], ‘Here’s my path,’” said Guerra. “Well, guess what, there are one to two more candidates who are also on that path.”
Strategist Madrid questioned whether voters even want to hear about a candidate’s experience at a time when anti-Trump messages rally Californians. “They want a fighter,” he said.
Since leaving the mayor’s office, Villaraigosa has enjoyed success in the lucrative private sector. He purchased a $3.3 million home in the L.A. neighborhood of Beverly Hills Post Office in 2020. . A recent campaign filing shows he’s spent the last few years advising companies including the health company AltaMed, financial lender Change Company and crypto currency exchange Coinbase Global.
Then mayor Antonio Villaraigosa holds a news conference at the Department of Water and Power on Hope Street July 22, 2005, urging all of Los Angeles to conserve energy in an effort to ensure Southern California avoids blackouts.
(Ken Hively / Los Angeles Times)
He also worked for a few years for consulting firm Actum and briefly advised the Newsom administration on infrastructure projects.
“It’s not that I didn’t like the public sector,” said Villaraigosa, explaining his decision to run again. As he talked about his desire to serve, he cast a gauzy image of the aughts in Los Angeles, taking credit for the downtown resurgence, skyline full of construction cranes and fewer homeless people on the streets during that period.
“Most people look back on those years and say they were some of the best years we’ve had in the last 25 — at least,” said Villaraigosa.
Stuart Waldman, president of the business group Valley Industry and Commerce Assn., argues Villaraigosa’s experience in the private sector and distance from elected office is a good thing.
“Look at what the economy was like, look at what the city was like” under Villaraigosa, said Waldman. “That’s what he’s going to be judged on.”
Villaraigosa started his career working for labor and civil rights groups before entering politics. Elected to the state Assembly in 1994, he pushed legislation that banned assault weapons and created healthcare coverage for children. His outgoing personality established him as a coveted fundraiser for Democrats in Sacramento and paved the way for him to be chosen as Assembly speaker.
As L.A. mayor, he brought down gang crime through a program that used former gang members to broker truces. Voters backed his ballot measure to expand L.A.’s transit system through new sales tax money in the middle of the Great Recession. He drove down pension costs after a bruising battle with city unions. At the same time, he established himself as a national leader on climate issues and education.
His reputation took a hit after an affair with a television reporter led to the breakup of his marriage.
The media scene that covered Villaraigosa back then is vastly diminished, with young people now getting news from TikTok videos, message boards or Instagram posts.
Weighing in on recent TV news layoffs in Los Angeles, Villaraigosa called himself “lucky” that there were plenty of newspaper and television reporters covering him as mayor, recalling that he’d get a dozen cameras to his press conferences.
Asked to compare his 2018 campaign for governor with this one, he said, “I didn’t have to reintroduce myself last time in quite the way I’ve had to this time.”
Villaraigosa spent a significant time in Mexico in recent years to see his now ex-wife Patricia Govea, a clothing designer. “She was in Mexico 80% of the time, the last six years. So I` went to Mexico a lot.” The pair’s divorce was finalized last year.
During a debate in front of Jewish voters on L.A.’s westside last month, Villaraigosa appeared to seize on the fact that he was the sole Angeleno on the stage, introducing himself by saying, “It’s good to be home.”
He told the crowd about his work as president of the American Civil Liberties Union of Southern California and criticized UCLA — his alma matter — for its handling of incidents targeting Jewish students on its campus.
It remains to be seen if he’ll have a hometown advantage. In the 2018 race for governor, Newsom won more votes than Villaraigosa in Los Angeles County. While Villaraigosa did well in Latino communities in central L.A. and on the Eastside, Newsom captured more votes in wealthier, whiter areas.
But at the Compton church, a security guard approached Villaraigosa and told him she’d worked on his 2005 campaign, while others promised to vote for him.
“I know he has a track record,” said Valerie Bland, a 63-year-old former port worker from Long Beach, as she watched Villaraigosa work the pews. “I haven’t even looked at anyone else.”
Former Assembly speaker Fabian Núñez, a longtime friend of Villaraigosa and managing partner at Actum, hopes voters dig into Villaraigosa’s record.
“We have short-term memories in this country,” said Núñez.
In this photo taken Wednesday, police stand in front of a promotional video in central Seoul for the upcoming BTS live performance in Gwanghwamun Square. Photo by Yonhap
Police vowed Friday to detain any suspects behind possible terror threats targeting K-pop juggernaut BTS‘ comeback concert set to draw hundreds of thousands to downtown Seoul next week.
The group is scheduled to perform before some 22,000 fans in Gwanghwamun Square on March 21, with police estimating as many as 260,000 people to gather around the area that day.
The Seoul Metropolitan Police Agency said it would deploy police commandos to inspect the site, noting it could not rule out the possibility of terror in connection with the current conflict in the Middle East.
“If police resources are wasted or the event is disrupted due to public threats, such as bomb threats, (we) will pursue and apprehend (the suspects) to the end under the principle of investigation under detention,” it said.
Police plan to set up metal detectors at the venue’s entrances as well as barricades to prevent possible accidents or acts of terror, such as a vehicle-ramming attack.
They also asked concertgoers to minimize personal items as security checks will be strengthened.
Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.
Devon Toews scored the tiebreaking goal late in the third period, Martin Necas added an empty-netter to go with two assists, and the Colorado Avalanche defeated the Kings 4-2 on Monday night.
Toews got free in the slot and converted Nathan MacKinnon’s pass with 4:55 remaining to help the Avalanche (40-10-9) become the first NHL team with 40 wins this season.
MacKinnon and Gabriel Landeskog each had a goal and an assist. Mackenzie Blackwood made 19 saves for Colorado, which has won five of seven.
Brandt Clarke had a power-play goal, Angus Booth scored in his NHL debut, and Anton Forsberg made 35 saves for the Kings, who were playing their first game since firing coach Jim Hiller on Sunday and replacing him on an interim basis with D.J. Smith.
The Kings were also missing seven key players because of injury or illness, including medalists from the Olympic hockey tournament at the Milan-Cortina Games in defenseman Drew Doughty, forwards Joel Armia and Quinton Byfield and goalie Darcy Kuemper. Those absences led to the Kings giving three players their NHL debuts in Booth, center Kenny Connors and winger Jared Wright.
With Kuemper ill, the Kings also recalled Erik Portillo to back up Forsberg. Armia was placed on injured reserve before the game.
The Avalanche capitalized early, scoring twice in the opening 10:13 on one-timers from MacKinnon and Landeskog, before the Kings responded with a power-play goal from Clarke late in the first period.
An early whistle wiped out Necas putting in a rebound early in the second, and Booth got to the top of the crease to tip in Brian Dumoulin’s centering pass to tie it 2-all at 8:32.
Lionel Messi scored twice as Inter Miami fought back from two goals down to beat Orlando City 4-2 in the Florida derby.
The reigning champions, who lost their season opener against Los Angeles FC last month, looked set for another defeat when goals from Marco Pasalic and Martin Ojeda put Orlando 2-0 up inside 25 minutes.
But after midfielder Mateo Silvetti’s stunning 25-yard drive just after half-time gave Miami hope in Orlando, the Argentina legend grasped control of the game.
The 38-year-old scored his first goal of the season to equalise in the 57th minute with a left-footed strike from the edge of the area, then set up midfielder Telasco Segovia to score with five minutes remaining.
Messi sealed victory in the 90th minute when his low free-kick crept past Maxime Crepeau and he celebrated with a signing gesture towards the touchline.
“He’s the best player to ever play this sport. He’s a leader, and as a leader, he inspires others, but he also often needs to be inspired himself,” said Miami coach Javier Mascherano.
“He has the ability to create chances like no-one else, and that’s what allowed us to turn the game around.”
The eight-time Ballon d’Or winner has now scored 898 goals for club and country, including 79 in 90 appearances for Miami.
The win was Miami’s first in nine trips to Orlando, and they now face a game away at DC United on Saturday.
Another winnable game was slipping away, another frustrating performance by USC unraveling in painfully familiar fashion, when Jaden Brownell lifted up from the corner for a wide-open three-pointer, offering a split-second of hope in an otherwise hopeless second half.
But the shot clanked away. A collective sigh from the cardinal-and-gold faithful rippled through Galen Center, only to be swallowed up seconds later when Nebraska’s Pryce Sandfort, who finished with 32 points, knocked down a three-pointer of his own. That’s when USC’s own arena exploded with a deafening Big Red roar, loud enough to make you forget you were in Los Angeles — or that these lifeless Trojans had once looked like a real NCAA tournament team.
There were still more than nine minutes remaining after that in Saturday’s brutal 82-67 loss, though that roar from the Nebraska faithful might as well have been the exclamation point. Whether it becomes the punctuation mark on a frustrating second season for USC under coach Eric Musselman was still to be determined.
The Trojans have lost five consecutive games as of Saturday and sit in a tie for 11th in the Big Ten. They still have two regular-season games remaining to bolster their middling tournament resume, both of which they can ill afford to lose.
A midweek matchup at Washington looms especially large. A loss to the Huskies, who are 14-15, would make climbing back from the bubble brink especially harrowing. A rivalry rematch awaits after that against UCLA.
“I still think we could have a successful season,” forward Terrance Williams II said Saturday . “I had that positive mindset coming into the season. I still have that positive mindset. The season’s not over. … We can change the trajectory of the season very quickly.”
Nebraska forward Pryce Sandfort (21) drives past USC forward Terrance Williams II (5) during the first half Saturday.
(William Liang / Associated Press)
Nothing, though, about Saturday’s second half suggested USC was poised for positive change.
The Trojans positioned themselves in the first half to make a very different statement Saturday. They took advantage of foul trouble from Nebraska point guard Sam Hoiberg and led by five points at halftime. Chad Baker-Mazara had already poured in 14 points, and they barely needed freshman Alijah Arenas, who was left out of the starting lineup and played only nine minutes. “They had belief,” Musselman said.
Yet after shooting 52% from the field in the first half, the Trojans were suddenly unable to find the target in the second. For the first five minutes of the half, a dunk from Jacob Cofie was USC’s only basket. During another five-minute stretch in the second half, USC couldn’t even manage a dunk.
Its issues only got worse when Baker-Mazara fell hard trying to block a lay-in. He didn’t play the rest of the game, as Musselman said Baker-Mazara told the staff he was unable to go.
“They played great in the second half,” Musselman said, “and we did not play very good.”
The Trojans didn’t fare much better on the glass, either, as Nebraska more than doubled USC’s total rebounds (22 to 10) after halftime.
The defense followed suit, with Nebraska piling up points in the paint at will. Sixteen of the Huskers’ first 20 points in the second half came on either dunks or lay-ins as USC’s defense lacked any semblance of urgency.
“I feel like they came out with more energy to be honest,” Williams said. “The first couple possessions, you could see it. They wanted it more than we did.”
How that’s still the case, after several similarly frustrating second halves this season, is still unclear.
“Second halves, they’re hard,” Brownell said. “We have to accept that and get ready quicker in the locker room, get our mental right and then come in and be ready.”
But with the Trojans on the very brink of the tournament bubble, time is quickly running out on that possibility.
As It Was singer and former One Direction star Harry Styles took to the stage to open the Brit Awards 2026 live from Manchester on Saturday, with fans admitting they were ‘shaking’
20:44, 28 Feb 2026Updated 20:45, 28 Feb 2026
As It Was singer and former One Direction star Harry Styles took to the stage to open the Brit Awards 2026(Image: AFP via Getty Images)
It’s safe to say Harry Styles impressed fans with his performance at the Brit Awards.
The As It Was and Sign of the Times singer, and former One Direction star, opened the live ceremony on ITV1 and ITVX on Saturday night. He performed his new track Aperture after recently announcing the release of his fourth album would be very soon.
Marking his return to music, the singer took to the stage to kick things off, the performance no doubt gave fans a peak of what to expect with his upcoming world tour. Amid a backlash from many viewers about the prices of his tour tickets, Harry won over viewers with his vocals and choreography.
In fact, fans claimed they were “shaking” and “going to be sick” after watching it live. Taking to social media, one fan said: “Wish I could be normal but unfortunately I’m literally shaking over Harry Styles performing at the Brits.” Another said: “I AM SHAKING,” as a third added: “I’M GONNA BE SICK.”
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A fourth fan said: “HE IS A PERFORMER,” as a fifth said: “HARRY IS SO BACK THAT WAS INSANE.” A further post read: “Harry sounds GOOD. Aperture live is such a vibe.”
Another fan commented: “OMG DID HE HAVE TEARS IN HIS EYES!?? HARRY STYLES IS SO BACK.” A final tweet read: “Ok Harry actually ate that choreo.”
It was revealed the awards would take place in a new home on Saturday night, at the Co-op Live in Manchester. Artists revealed to be performing included Olivia Dean, Wolf Alice, EJAE, Audrey Nuna and REI AMI, the singing voices of HUNTR/X (filmed in advance of The BRIT Awards).
Alex Warren, Mark Ronson, ROSALÍA, SOMBR and RAYE were also confirmed. Mark was also revealed to be receiving an award for his outstanding contribution to music, while Noel Gallagher was said to be receiving a songwriting award.
Speaking of honours, it had also been revealed that tributes would be made to some of the lost music acts who have recently passed away. Ozzy Osbourne is set to be honoured with Robbie Williams fronting a super group paying tribute to the star. It comes seven months after the Black Sabbath frontman died aged 76.
The performance will be a special arrangement of ‘No More Tears’ – the title track from Ozzy’s multi-million selling 1991 album of the same name. It was curated by Ozzy’s wife, Sharon Osbourne, and will boast a phenomenal line up of British and international musical talent.
It will feature musicians that played as part of Ozzy’s band over the years, including Adam Wakeman, Robert Trujillo , Tommy Clufetos and Zakk Wylde. The makeshift group will be fronted by Robbie, who was invited personally by Sharon to be part of this special moment.
BRIT Awards bosses are also set to honour Stone Roses bassist Mani at Saturday night’s show – led by Charlatans legend Tim Burgess. Gary ‘Mani’ Mounfield died suddenly aged 63 last November, and close pal Tim will be on hand to deliver an emotional speech.
A source said: “Tim is set to present the In Memoriam section, but before he does so, he is primed to talk about Mani who was both a dear friend and mentor. The fact that Mani was from Manchester too – and the awards is being held there for the first time – means it will be a really special moment. Mani will then feature heavily in the section, as will other greats we have lost including Ozzy Osbourne.”
Ahead of the ceremony, three acts had received the most nominations. They were Olivia Dean and Lola Young with five nominations apiece, and Sam Fender trailing closely on four nominations following his Mercury Prize success.
Beckett Sennecke kept the puck and shot on a two-on-one break, with Kreider backhanding the loose puck in at the side of the net.
After Leo Carlsson, Pavel Mintyukov and Ryan Poehling scored third-period goals to give the Ducks a 4-3 lead, Winnipeg’s Kyle Connor tied it with 1:22 left and Hellebuyck off for an extra attacker.
Hellebuyck made 35 saves in his first game since backstopping the United States to Olympic gold.
Jacob Trouba also scored for the Ducks, Sennecke had three assists and Lukas Dostal made 29 saves. The Ducks have won seven in a row at home and 11 of 13 overall.
It marked the ninth multi-goal comeback this season for the Ducks, who became the second team since the 1987-88 season to achieve such a feat through 58 games. No other team has had more than five multi-goal comeback wins this season.
The Ducks won two nights after returning from the break to beat Edmonton at home for coach Joel Quenneville’s 1,000th NHL victory. The Ducks have five games left on a nine-game homestand.
Winnipeg rookie defenseman Elias Salomonsson had his first NHL goal and Alex Iafallo and Gabriel Vilardi also scored. Well back in the race for a playoff spot, Winnipeg has a game left on three-game trip before an eight-game homestand.
Up next for the Ducks: vs. Calgary at Honda Center on Sunday.
Iraq is in a political deadlock. It still has no government, though general elections were held in November.
At the heart of the crisis is the former prime minister, Nouri al-Maliki, who was picked by the majority coalition in parliament as its candidate to take over the role again.
But that choice has been met with strong opposition from United States President Donald Trump.
And that warning has further polarised the political landscape in the country.
So, what’s really behind Washington’s strong stance against al-Maliki? And what role does the US still play in Iraq?
Presenter: James Bays
Guests
Muhanad Seloom – Assistant professor of international politics at the Doha Institute for Graduate Studies
Ahmed Rushdi – President of the House of Iraqi Expertise Foundation, and a former foreign policy adviser in the Iraqi parliament.
Kenneth Katzman – Senior Fellow at The Soufan Center
