comeback

ADELE is gearing up to shock the music world by making a comeback – and is already hard at work.

The elusive superstar singer vowed to take a “big break” two years ago.

Now The Sun can reveal she secretly flew into London earlier this month from her LA bolthole and has been writing and recording at Church Studios in North London over the past week.

In even more exciting news for fans, other famous musicians have been spotted there while she has been inside.

It all leads to hopes the 38-year-old may have collaborations on her next record, having never done so on the core work of her four albums.

American singer-songwriter Justin Vernon, better known as frontman of indie folk band Bon Iver, was photographed outside the studios last Wednesday.

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It is not known whether he is working with Adele, although in 2016 she tweeted: “Bon Iver’s music is one of the true loves of my life. Every. Single. Time.”

Gen Z heartbreak singer Gracie Abrams also appeared to be shooting a music video outside at the same time.

The studios are owned by producer Paul Epworth, who Adele has worked closely with throughout her career, and with whom she won an Oscar for James Bond theme song Skyfall.

Church Studios are also where she made parts of her 2015 album 25.

A source said: “Adele is spending at least a fortnight in London writing and recording music.

“She was in and out of sessions last week and will be back in there this week, but she is keeping a low profile while she is here.

“She feels safe at Church Studios and it’s where Paul is based, so it made sense to travel over for the ­sessions, rather than work somewhere else in LA.”

The studios were previously owned by Eurhythmics great Dave Stewart, and it was where the British band recorded their 1983 album Sweet Dreams (Are Made Of This).

Industry insiders believe the move is an attempt to develop a more English-sounding album, after her most recent one, 30, was made in the States.

A second music source said: “Adele has been living in LA for a decade now and although she loves it, her roots in London are very important to her.

“People close to her have been encouraging her to reconnect with where she grew up for her new music, because they believe it will help inspire something different.

“Her last album was well received but it was very Hollywood.

“People loved Adele originally because she was down to earth and relatable, so she’s trying to bring that back by drawing on inspirations in her home town.

“Coldplay, Paul McCartney, Oasis, Mick Jagger, Florence + The Machine, Culture Club, The Streets, Tom Jones, and her close friend Jack Penate have all worked at Church Studios before, so she’s in good company.”

Adele was born in Tottenham, North London, and later moved to Brixton and West Norwood in South London.

On her third album 25, released in 2015 just before she relocated to the US, she had lyrics about the capital and a song called River Lea, about the waterway running through Tottenham.

But 2021’s 30 was written about her divorce from charity entrepreneur Simon Konecki, which happened in LA, and made no mention of the UK.

After releasing the record, she ­performed two sell-out shows in Hyde Park, followed by her two-year ­Weekends With Adele residency in Las Vegas and a ten-night residency at a purpose-built stadium in Munich.

Now it is clear the mum-of-one is trying to soak up some British ­culture while she is here.

Adele was photographed in London nine days ago arriving at the 36th birthday party of actor Aaron Taylor-Johnson.

Then on Thursday night she attended Messy singer Lola Young’s concert at O2 Academy Brixton, and the youngster shared a selfie of them together.

Fans have also claimed Adele was in the audience at a production of Romeo & Juliet in London’s West End on Friday night.

In July 2024, Adele revealed she planned to take a break after her run of Sin City shows.

She said: “I don’t have any plans for new music at all.

“I want a big break after all this and I think I want to do other ­creative things just for a little while.”

But in February, she flew to Rome for her acting debut in Tom Ford’s upcoming historical drama Cry To Heaven, based on Anne Rice’s 1982 novel of the same name.

She spent several weeks there and will appear opposite Hollywood heavyweights including Colin Firth, Julianne Moore, Nicholas Hoult and Thandiwe Newton.

Two months later, The Sun revealed she was being courted to record a single for the soundtrack.

But although work has brought her back to the UK, it looks unlikely that a move is on the cards.

The Rolling In The Deep singer paid £47million in 2022 for Sylvester Stallone’s former Californian home with her sports agent partner Rich Paul.

The following year Adele talked about how she would find it tough to move back to the UK.

The singer, who now only occasionally returns to London, explained: “I get really bad seasonal depression, so the weather is good for me here.

“It is strange sometimes, because I’m very British. Because it’s a bit harder for me to go out nowadays, what I love the most about LA is everyone goes to each other’s houses. I like that.

“And I actually have made a lot of really great core friends. I didn’t think I’d ever have a real friend group here. I don’t want a bunch of celebrities being my friends — well, only celebrities.

“And my friends are actually from LA, Before I moved here, I’d never met one person who was from LA.

“They’re not famous and they’re great. And having a kid at school, I’ve got great mum friends. I do like it.”

The same year, she had an ­emotional exchange with British actor and presenter James Corden on his final Carpool Karaoke ­segment on The Late Late Show, before he moved back to the UK.

James said: “It’s been a brilliant adventure but I’m just so certain it’s time for us as a family, with people getting older, people that we miss, to go home.”

A teary Adele responded: “I know. I’m just not ready to come back yet, otherwise I would come back with you.”

She also said she likes being left alone in LA, adding: “For anyone that has never been to LA, you assume it would be the opposite. But there are so many famous ­people here that they don’t waste their time,” she said.

“I really miss London, but I miss the London from before all of this happened in my life.”

Since releasing her debut album 19 in 2008, Adele has become one of the 21st century’s best-selling artists, and won 16 Grammys.

Her second album 21 racked up sales of 57million, while 30 sold 261,000 copies in its first week to become the fastest-selling album in four years.

Now the pressure is on for Adele to continue her streak of success.

Having named her first four albums after the ages she was when she wrote them — 19, 21, 25 and 30 — it remains to be seen whether her next record will be called 38, her age now.

When 25 came out, Adele said: “I think this will be my last age one.

“I’m sure I’m wrong with this but I feel there’s been a massive change in me in the last couple of years.”

She later decided to name her fourth album after the age she was when she got divorced, and reflected on the future of her titles in an interview at the time.

Adele said: “I am just like everyone else in the world. I can change my mind. And I haven’t got to stay true to something that I’ve said — you know, I think the age thing is a bloody good idea. And so I want to keep going with (the titles). Or I might not.”

Our music insider added: “Adele feels the pressure with her music and won’t rush anything out if it’s not up to scratch with her back catalogue.

“She has been writing for a while now but she is taking her time with it.

“She knows there are always grand expectations and she is determined to only return when the music is the best it can be.”

SACRAMENTO — Zach Neto hit a two-run homer in the ninth inning that gave them their first lead, Denzer Guzman tied the score with a three-run home run in the eighth, and the Angels beat the Athletics 9-7 on Sunday.

Donovan Walton also homered and had three RBIs, while Nolan Schanuel and Jose Siri each added two hits to help the Angels (32-47) split the series after losing the first two games, including blowing an 11-4 lead Friday night.

Nick Kurtz hit his 19th home run, and Zac Gelof had a single and a double to extend his hit streak to 24 games for the A’s (38-40). Kurtz has 55 career homers, tied with Bob Johnson (1933-34) for the most in franchise history through the first two seasons of a career.

Five players drove in runs for the A’s. Joey Meneses had an RBI single in his Athletics debut after being called up from the minors before the game.

Chase Silseth (2-1) had two strikeouts and worked a scoreless eighth for the win. Sam Bachman pitched a 1-2-3 ninth for his first save of the season.

Guzman’s third home run in as many days, a three-run drive off Hogan Harris (3-1), tied the score at 7-7.

After Siri singled with one out in the ninth, Neto belted an 0-and-1 fastball that landed just beyond the fence in left field.

Angels starter Reid Detmers gave up five runs and walked four in six innings.

Gelof singled leading off the game, doubled in the fourth, then reached on an error in the seventh before Kurtz’s home run. His hitting streak is tied for the second-longest in franchise history since 1961.

A’s starter Jack Perkins had eight strikeouts in five innings and gave up four runs.

Up next for the Angels: LHP Sam Aldegheri (2-2, 4.50 ERA) faces the Baltimore Orioles on Monday.

JUST two weeks ago, Tina O’Brien was waxing lyrical about going on her first solo holiday as she embraced single life for the first time in years.

It turned out to be rather short-lived, though, as yesterday the Corrie star was spotted kissing a hunky new man in the street.  Now, insiders tell us why her latest fling – with Irish TikToker Rory Martin – has sparked concern amongst her inner circle, who fear her new beau might have an ulterior motive.

Our insider said: “Tina was genuinely trying to enjoy some time on her own after her recent split, but she has really fallen for Rory’s Irish charm. 

“Rory is no stranger to hanging out with famous women – he was linked to Una Healey last year and has gained a bit of a reputation for being a ladies’ man.

“He loves TikTok fame and will really be enjoying the attention he’ll be getting off the back of dating Tina.

“It’s worrying for her friends, because they don’t want to feel like she is being used.

“Tina is someone who loves love and enjoys being caught up in the whirlwind of it all, and they just don’t want her to rush into anything.”

While her last ex, Adam Fadle, disliked the limelight, Rory, in contrast, is said to be very taken with her high profile.

We’re told Tina now lives in a very well-known area where paps often frequent, so it’s unlikely to have come as a surprise to her that they were photographed.

It’s thought Tina, 42, actually met Rory, 30,  through her daughter, 17-year-old Scarlett, who she shares with ex Ryan Thomas. 

They are said to have connected through the music world. Rory also dabbles in singing and guitar playing, as well as doing social media.

He also works for the ambulance service – but is believed to be in the call centre rather than working as a paramedic, as his social media would suggest.

Our source continued: “People think Rory is some kind of sexy paramedic, but the reality is much less glamorous.

“He really plays up to it in his social media because he knows his thirst traps in his uniform attract both women and men to him.”

Last June, Rory surprised fans by posting a video of him singing with Saturday’s star Una in a kitchen.

We’re told the pair were casually dating for some time and really enjoyed making music together. 

Tina’s new romance comes seven months on from her splitting from her millionaire boyfriend Adam Fadle, whom she met in Cheshire following her move there.

The actress, who is known for playing Sarah Platt on the Cobbles, is thought to have been single since her split from millionaire businessman Adam.

At the time, we revealed that it was interior designer Adam who ended things with the star. Rather than being taken with her glam life in the public eye, we’re told it ended up being a huge turn-off for him.

Our insider said: “He was the one who wanted out and ended it. In a brutal swipe, he said it ended up being like something out of a Coronation Street storyline.”

That relationship was hot on the heels of the end of her marriage to personal trainer Adam Crofts. They got together just four months after it ended. 

Tina and Adam Crofts were married for six years and share a son, Beau, together.

Tina also, of course, has her daughter from her relationship with her former Corrie co-star Ryan Thomas.

Her romance with Ryan lasted from 2003 to 2009, with the pair’s very public split fraught and involving a number of public spats. 

Most recently, the pair have been navigating their daughter’s burgeoning singing and social media career together. 

While Ryan has fully embraced that world, Tina’s had a love-hate relationship with social media over the years, vowing to take a break from Instagram in 2020 after calling the site “toxic” and admitting she felt like a “fraud” trying to present a “filtered version” of her life to gain validation. 

But six years on, things are completely different, and she has big plans for the future after signing up to an agency – Alpha Talent Group – which will be helping her land a series of brand partnerships.

Alpha already has a string of celebrity clients. They look after boxer Tommy Fury, The Wanted star Max George, Made in Chelsea’s Miles Nazaire, and Love Island stars Paige Turley, Helena Ford, and twins Eve and Jess Gale.

While Tina is set to branch out on socials, fans shouldn’t expect to see her all over TikTok, like Scarlett and her dad Ryan and his brothers Adam and Scott Thomas are.

Our source previously explained: “She won’t be doing cringe TikTok trends, but there are some exciting brand deals on the horizon.

“And don’t be surprised if she steps out of her comfort zone and does some reality TV – she did Strictly over a decade ago and feels like she wants the public to see her personality.”

And dating another social media star, who has half a million followers on TikTok, is probably not a bad place to start. 

June 12 (Asia Today) — Thousands of South Korean soccer fans packed Gwanghwamun Square in central Seoul on Friday, cheering, gasping and celebrating through South Korea’s 2-1 comeback victory over Czechia in its opening match of the 2026 FIFA World Cup.

“Dae-han-min-guk! Until the end!” fans shouted as the square turned red with supporters wearing national team jerseys and carrying South Korean flags, cheering sticks and handheld fans.

The Group A match was played Friday morning in South Korea, but the weekday timing did little to slow the crowd. Children, office workers and longtime members of the Red Devils, South Korea’s national soccer supporters’ group, gathered in front of a large outdoor screen set up near the square.

When the opening whistle sounded at 11 a.m., fans shouted “Fighting!” and “Let’s win!” Police unofficially estimated about 3,000 people had gathered at the square at the start of the match.

The temperature in Seoul rose to 28 degrees Celsius, or 82.4 degrees Fahrenheit, under clear skies. Many fans used parasols, portable fans and folding fans to cope with the heat.

Some supporters took vacation days to watch the match in public. Lee Hyun-soo, 37, an office worker who came with his elementary school-age child, said he used annual leave so they could cheer together.

“The next day is the weekend and my child also filed for an experiential learning day, so I took the day off,” Lee said. “It is very hot, but it is better than cloudy or rainy weather.”

South Korea controlled much of the early play but failed to score in the first half. When chances ended without a goal, fans grabbed their heads and groaned in frustration.

The crowd grew sharply near halftime as office workers from nearby buildings joined during their lunch breaks. Some skipped restaurant meals and watched while eating toast or convenience store food.

Kim Sung-il, 28, who works near Gwanghwamun Station, said he came with co-workers to watch the second half.

“Lunch break gives us enough time to watch the second half,” Kim said. “I hope the result lets us start the afternoon shift happily.”

As the crowd swelled, police and event staff moved quickly to control pedestrian flow. Seoul’s real-time city data showed about 14,000 to 16,000 people were in Gwanghwamun Square at noon, more than twice the 6,000 expected by the Korea Football Association.

Police deployed about 260 officers from three mobile units to manage the crowd. Officers and staff repeatedly asked fans to fold parasols while moving and to continue walking in one direction. No major safety incidents were reported.

The match turned tense in the second half. Czechia took the lead in the 59th minute when Ladislav Krejci scored with a header. The mood at the square briefly fell silent.

South Korea quickly answered. Hwang In-beom equalized in the 67th minute and later helped create the winning goal by substitute Oh Hyeon-gyu in the 80th minute.

As Oh’s goal went in, fans hugged friends, jumped in place and shouted in relief. Many stayed in the square after the final whistle, still caught up in the emotion of South Korea’s first opening-match win at a World Cup since 2010.

Kim Ji-min, 23, a university student, said she had been nervous before the match.

“I was very worried before the game, but I am so happy we came back and won,” Kim said.

Shim Sung-min, 42, an office worker, said the match felt cinematic.

“I heard this was South Korea’s first opening-match win in 16 years,” Shim said. “Today’s match felt like a movie. I think I can enjoy the rest of the weekend.”

South Korea’s win gave the team three points to begin Group A and lifted hopes among fans watching from Seoul that the national team can advance from the group stage.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260612010004331

Rubio, who also had spells as assistant manager at Crystal Palace and West Ham, felt Jimenez fully deserved such a moment after what he has been through.

“After his head injury it took a bit of time to get back into the career,” said Rubio.

“There were not just medical concerns, but also would he be the same killer in front of goal? His application is tremendous, he is a lovely guy, his family are beautiful and very supportive and that has helped him.

“He is a very family person. He is a big player but never acts like one and he is very humble and I’m delighted for him.

“It was life-threatening injury and I felt scared for him. At that moment he was doing so well, he was at the top of his career and it was very difficult.”

But Jimenez’s determination has led to him scoring 68 Premier League goals in 233 appearances. Even now, he still needs to wear a reinforced headband to protect himself from further injury.

“Having known him I could see why he has been able to get back on to the pitch [after the injury] and get back into his form,” added Rubio. “He is a fighter. I worked with him in his last year at Wolves. There were doubts, even with himself, that he was going to get back into it and that last year at Wolves was a challenging year for him.

“But there were no doubts for me personally, I always knew he would get back into it. I’ve worked with many top professionals and you can see he has the resilience and has a lovely family supporting him.

“Everyone there [at Wolves] loved him, the whole club wanted him to do well and the whole club was invested for him to get back so it was very emotional, not only because of his career, but also because he is such a loving character.

“He was so invested in the club, the city and his family felt like it was home, that’s why I feel they will be delighted to be going back there.”

But, before Jimenez will be back in the West Midlands, he has further chances to score more World Cup goals in his home country, with Mexico already in a strong position to advance into the knockout rounds.

NBA legend Charles Barkley branded the San Antonio Spurs “the dumbest basketball team in the history of civilisation” after the New York Knicks pulled off the biggest comeback in NBA Finals history.

The Spurs led by 29 points as they aimed to level the best-of-seven series in New York before hosting game five, but the Knicks fought back to win 107-106.

London-born OG Anunoby claimed a tip-in basket with 1.2 seconds left to clinch victory, much to the delight of a star-studded crowd at Madison Square Garden, which included Taylor Swift and Timothee Chalamet.

It gave the Knicks a 3-1 lead in the series and put them within one win of their first championship since 1973.

The previous biggest comeback in the NBA Finals was 24 points, by the Boston Celtics against the Los Angeles Lakers in 2008.

San Antonio went 29 points up in the second quarter and their 27-point lead at half-time (76-49) was the largest for a road team in Finals history, but they then scored just 30 points in the second half.

“That was some of the most mismanaged, stupid basketball,” said ESPN analyst and former NBA most valuable player Barkley.

“When you blow a 29-point lead, the other team has to help, and the San Antonio Spurs helped the New York Knicks win this game.”

Victor Wembanyama scored a team-high 24 points for San Antonio and claimed 13 rebounds.

“I can’t really explain it right now,” said the NBA’s defensive player of the year.

“I don’t know. I think it’s just execution, greediness of some sort. We clearly weren’t the most hungry in the second half.”

The Knicks still trailed 90-75 heading into the fourth quarter but Jalen Brunson put them in front for the first time at 105-104 with 82 seconds remaining.

Anunoby then made a block with 11.1 seconds left, to stop the Spurs leading 108-105, before tipping in the game-clinching score after Brunson’s three-point attempt struck the rim.

“One word that caps that all is just ‘belief’,” Brunson told ESPN. “It was chipping away, one possession at a time. It wasn’t going to be one play to get us back.”

Game five is in San Antonio on Saturday (01:30 BST, Sunday).

EXCLUSIVE: Scott Mills was axed from the BBC earlier this year after new evidence came to light about a historical alleged sexual offences – but this might not be the end of the former radio DJ

Axed star Scott Mills has seen a flurry of support this week as his husband Sam Vaughan returned to Instagram to mark their two-year anniversary.

In his first post since the DJ’s shock sacking, Sam posted a sweet picture of him and his husband from their wedding day, captioning the post with a white heart emoji and the words “2 years.”

Stars including Zoe Ball, Rylan Clark and Sara Cox reacted to the post, with former colleauge Zoe writing: “Love you,” in the comments, followed by four red heart emoji’s. Rylan and Sarah also posted hearts in the comments section.

It comes as the Mirror exclusively revealed that Scott is set to sue the BBC for unfair dismissal after his surprise sacking. The DJ has enlisted top lawyers to lodge a case against the BBC. It’s understood he will claim that he disclosed the full details of the cop probe – including the accuser’s age – to BBC Radio 1 bosses at the time.

The BBC has previously said that they knew about the investigation but that “new information” came to light which sources claim was the fact the accuser was under 16. But it’s understood Mills will argue that this was all raised at the time to Radio 1. A source said: “It’s going to get very messy indeed.”

Mills was interviewed by police in 2018 under caution after being accused of serious sexual offences against a boy under the age of 16. A full file was sent to the CPS, who said there was not enough evidence to charge him.

In April, Mills released a statement through his lawyers claiming he had been the subject of “rumour and speculation” since his sacking and that he had “co-operated fully” with the police investigation into the allegations.

As Scott gears up for a battle with the Beeb and his partner returns to social media, questions have been raised on when the DJ could make a career return. “I think Scott Mills’ route back into the spotlight will depend on whether the public see his departure as a temporary setback or as a sign that his broadcasting career has reached a crossroads,” Mayah Riaz, a PR to the stars, tells the Mirror.

“Historically, we have seen that established presenters who have a strong personal brands and years of goodwill behind them are often afforded a second act. This is especially true when they have built up a loyal audience and have industry support over many years,” she said.

The expert noted the significance of the public show of support towards Scott’s husband Sam as it highlights that the star still has a network of influential friends and colleagues who are willing to publicly stand by him. She said this can help “soften the narrative” and “remind people of the affection that exists for a personality.”

The DJ has lost a number of gigs since being axed by the BBC, including podcast roles on Race Across the World and Pop Top 10 with Rylan Clark. Mills was also dropped as a patron of children’s cancer charity Neuroblastoma UK and “stepped back” from his role as an ambassador for the MS Society UK.

His regular panto work, which reportedly made him £600,000 in the last three years, has also been cut. Imagine Theatre, which got Scott involved in Jack And The Beanstalk shows, said there are no plans to work with the presenter for the 2026/2027 season. It said the decision was taken before he was fired by the BBC.

If Scott was to make a comeback, Mayah suggests it won’t be through a “grand relaunch”. Instead, it could be through a project that reminds his audience why they connected with him in the first place.

She explained: “Talent and familiarity remain powerful currencies in broadcasting. It goes without saying that authenticity will be key. The public are increasingly sceptical of overly polished comeback campaigns and media-managed statements.”

Mayah says the public respond “far more positively to resilience, humility and genuine passion for the work” and the biggest mistake Scott Mills could make is to come across “desperate to reclaim the spotlight”. She added: “The strongest celebrity comebacks are those that give people something new to talk about.”

Mills previously issued a statement via lawyers thanking his well-wishers. He said: “I wish to thank from the bottom of my heart all those who have reached out to me with kindness, my former colleagues, and my beloved listeners, who I greatly miss.”

On the police probe, he said: “The recent announcement that I am no longer contracted to the BBC has led to the publication of rumour and speculation. In response to this the Metropolitan Police has made a statement, which I confirm relates to me.

“An allegation was made against me in 2016 of a historic sexual offence, which was the subject of a police investigation in which I fully co-operated and responded to in 2018.” He added: “Since the investigation related to an allegation that dates back nearly 30 years and the police investigation was closed seven years ago, I hope that the public and the media will understand and respect my wish not to make any further public comment on this matter.”

LAS VEGAS — Shea Theodore scored at 5:38 of the second overtime, avoiding what could have been a potentially devastating loss for the Golden Knights after they blew a four-goal lead, and Vegas beat the Carolina Hurricanes 5-4 on Saturday night for a 2-1 series lead.

Theodore’s goal went in off goalie Brandon Bussi’s skate. It came long after teammate Mitch Marner had the fastest hat trick in Stanley Cup Final history.

The teams take two days off before meeting in Game 4 on Tuesday night in Las Vegas. Teams that take a 2-1 series lead in the final went on to win the Cup 46 of 57 times, or 80.7%.

Carolina had been 6-0 in overtime this postseason. The Hurricanes were trying to become the first team to win after trailing by at least four goals in the third period, but now clubs in that situation are 0-109.

“We just left our foot off the gas,” Theodore said on the ABC broadcast. “I think we have to be sharper in the third, but I liked the resiliency out of our group. I liked the way we started that second overtime, and I felt like we were more on our toes.”

This was the 10th time the first three games of a Cup Final were decided by a point. The last time was in 2016 between Pittsburgh and San Jose.

The Golden Knights seemed to have it in hand after scoring four times in the second, including a natural hat trick by Marner.

But Jordan Martinook, Taylor Hall and Jordan Staal scored goals for the Hurricanes. Their goals, occurring 39 seconds apart, are the fastest in a Cup Final game.

Andrei Svechnikov jammed in a puck on a six-on-four power play with 1:42 left to force overtime.

Marner’s scoring outburst came over a 6:10 stretch of the second period, and he had four points in the period. He had the secondary assist on Tomas Hertl’s goal midway through the period.

The last time a player had four points in a period of the Cup final was in 1919 when Frank Foyston of the Seattle Metropolitans pulled off that feat.

Marner nearly added to the total in the third period, but failed to capitalize on a breakaway and a penalty shot. Those missed chances came back to bite the Golden Knights.

The Hurricanes made the comeback after changing goalies to open the third, going with Bussi, who made 18 saves. Frederik Andersen had given up those four goals on 16 shots.

Carolina also rallied without forward and former Golden Knight William Carrier, who had an upper-body injury in the second period.

Vegas’ Carter Hart stopped 29 shots.

Vegas twice thought it took the lead early in the second period, but the Hurricanes successfully challenged both goals to keep the game scoreless.

Mark Stone’s goal from the slot 36 seconds into the period was overturned when Brett Howden was determined to be offside after a video review. Another review wiped off Jack Eichel’s rebound goal four minutes in when Rasmus Andersson was called for goalie interference.

It’s not the first time this series went against the Golden Knights.

An unsuccessful video challenge by Vegas coach John Tortorella in Game 2 on Thursday night led to a power-play goal by Staal, whose goal helped the Hurricanes rally to win 4-3 in overtime.

The Golden Knights received a major boost when defenseman Brayden McNabb took the ice. He took a puck in the face in the first period Thursday night at Carolina and didn’t return to the game. McNabb, who had on a cage to protect his face, is Vegas’ best defensive defenseman. He was on the first defensive pair with Theodore.

This series has been, if anything, unpredictable.

Each team blew two-goal leads in the first two games, with the Golden Knights rallying in the opener and Hurricanes responding with a Game 2 victory in overtime.

Anderson writes for the Associated Press.

Serena Williams has added another stop to her comeback tour: the Berlin Tennis Open.

Just a day after announcing her return to professional tennis, the 23-time Grand Slam singles champion has been added to the 16-team doubles field at Germany’s WTA 500 event.

“Every tournament I add to my schedule right now feels special, and Berlin is no exception,” Williams said in a statement shared by the event on Tuesday. “I’m excited to compete in front of the German fans and continue building momentum throughout the grass-court season.”

Williams is set to play in the doubles tournament at the HSBC Championships at London’s Queen’s Club, which kicks off June 8. On Thursday, 19-year-old Canadian rising star Victoria Mboko confirmed on Instagram that she’ll be Williams’ partner at the event. The Berlin Tennis Open will begin June 13 and Williams’ partner has yet to be named.

The 44-year old tennis great is returning to the sport after almost four years away from competition. She firmly denied rumors of her return on social media just last year.

Williams appeared to poke fun at her own turnaround with a short ad video posted to X on Thursday captioned “I changed my mind.”

Despite prior rumors, Williams’ sister Venus seemed just as surprised as everyone else that Serena was returning to the competitive circuit.

“I think she hits every now and then,” Venus Williams, who also still competes professionally, said during a recent interview at Roland-Garros. “I never see her on the court that often, so I don’t know when she’s been practicing, honestly.”

Despite not having seen her practice first-hand, Venus Williams is not worried about how Serena will play at the upcoming competitions.

“She’s, I think, a little bit of a natural,” she said with a laugh. “She has a pretty good record. She knows what she’s doing. She’s very tenacious. I’m not worried about how she’s going to play, even though I really haven’t seen her play. It’s so crazy.”

June 4 (Asia Today) — The biggest upset of Wednesday’s local elections came in Seoul, where People Power Party candidate Oh Se-hoon overcame early expectations of defeat and won a dramatic late comeback victory in the mayoral race.

Oh’s win allowed the conservative bloc to hold South Korea’s capital despite a strong nationwide showing by the Democratic Party. The result immediately raised Oh’s standing as a potential conservative contender in the next presidential race.

Oh narrowly defeated Democratic Party candidate Jung Won-oh after an extremely close vote count that continued into early Thursday morning, becoming the first person to win a fifth term as Seoul mayor.

“Citizens have once again upheld the democratic principle of checks and balances,” Oh said at a press conference Thursday. “They have left Seoul as the last safeguard of democracy so that South Korea does not tilt completely to one side.”

Political observers said Oh’s victory significantly changes his political status. Holding the capital while the People Power Party struggled nationwide could become a major asset for a future presidential bid.

Oh’s campaign strategy also drew attention because he kept some distance from the party leadership under Jang Dong-hyeok and focused on his own record as incumbent mayor. Analysts said that approach may allow Oh to emerge as an independent center of gravity in any future conservative realignment.

A People Power Party official said Oh had now fully risen as a national political figure representing the conservative camp.

“This Seoul victory is virtually close to a ticket toward the presidency,” the official said.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260605010001627

Serena Williams has shaken up the tennis world by announcing her competitive return to the game after a nearly four-year absence.

The 23-time Grand Slam winner and mother of two said on Monday that she will compete in women’s doubles at this month’s Queen’s Club Championships in the United Kingdom, where media reported she will play with 19-year-old Canadian Victoria Mboko.

The 44-year-old American great received a wildcard entry for the competition, which is seen as a warm-up for Wimbledon, the year’s third Grand Slam.

“I’m very happy. Me and Serena have stayed in touch, which is really, really nice because I really look up to her,” Mboko said at the French Open last week.

Williams ended months of speculation over a rumoured return with a cheeky social media video captioned: “Good news travels fast.”

‘It will bring people to watch tennis’

Former world number one Lindsay Davenport said she believes Williams could make an appearance at her home Grand Slam, the US Open, in a couple of months.

“It seems like she’s trying to work her way up maybe to the US Open, and those fans would be so ready to see her back on a singles court there,” Davenport said.

Williams won seven Wimbledon titles and six at the US Open before stepping away from the game in 2022. In doubles, she won six titles at Wimbledon and two at the US Open – all with her older sister Venus Williams.

Four-time major champion Naomi Osaka, who beat Serena Williams in the 2018 US Open final for her first major title, was excited at the prospect.

“It will bring people to watch tennis,” Osaka said. “I’m going to be tuned in to the first match, for sure. I think a lot of people are. Everyone knows Serena and Venus were my role models growing up, so it’s going to be cool to see her on the grounds again.”

Osaka was joined by several current players in sharing their excitement at the news of Serena Williams’s return.

“She’s a legend. It’s inspiring to see,” top-ranked Aryna Sabalenka said at the ongoing French Open. “I’m excited to see her play and probably face her. … It’s very good news for tennis.”

Coco Gauff, who looked up to Serena Williams growing up, chimed in as well.

“One of my biggest regrets was not being able to play her,” the world number four said.

Gauff also commented on Williams’s Instagram post, saying, “Dreams come true.”

Singles return on the cards?

Fellow American and former champion John McEnroe suggested Williams could compete in singles at Wimbledon, which starts on June 28 .

“She’s not getting any younger, but she’s Serena Williams, so I bet you she would tell me about wanting to win the whole damn thing,” McEnroe said in Paris.

The Queen’s Club tournament starts on Monday, and the Women’s Tennis Association (WTA) said Williams will play “with a partner to be announced in due course”.

“Queen’s Club feels like the perfect place to begin this next chapter,” Williams said in a statement. “Grass has given me some of the most meaningful moments of my career, and I’m excited to be back competing on one of the sport’s most iconic stages.”

Davenport said some current women’s players travelled to Florida to practise with Williams recently.

“I don’t think anyone’s admitted to that, but I do know that some of them were,” Davenport said. “So I think she has kind of a handle on where the level is. But I don’t know if she’s been playing a two-hour singles match, right? We’ll have to see how she can handle that physically.”

Williams, who has won 14 Grand Slam doubles titles overall in her storied career, became eligible to compete in February after reregistering for a mandatory antidoping programme six months earlier – the first step towards a comeback.

Davenport admitted that her former opponent would face a tough challenge.

“It’s not going to be easy. If anyone could do it, certainly, it could be her.”

Grand Slam social media accounts used more playful language to celebrate her return, using the goat emoji to symbolise her status as the “greatest of all time”.

Williams joins list of champions making comebacks

Williams is not the only top-level athlete with unfinished business as advancements in training and medical care have allowed for longer careers across several sports.

Seven-time track gold medallist Allyson Felix said this year that she would try to make the US squad in what would be her sixth Olympics. She is aiming to secure a spot on the mixed 4x400m relay team at the 2028 Los Angeles Games despite having previously said the Tokyo Games would be her last.

“It’s just ⁠⁠about testing the limits, kind of an experiment of what’s still left there,” the 40-year-old Felix, who gave birth to her second child in 2024, told the NBC TV network’s Today show last month.

Her fellow American Lindsey Vonn became the oldest downhill skier to win a World Cup race in December when she mounted a comeback after knee-replacement surgery.

Vonn, whose Milano-Cortina Olympics campaign ended abruptly with a horrific crash, was among the first top-level athletes to offer her encouragement to Williams on social media.

Vonn and Felix both celebrated Williams’s comeback announcement on social media.

In tennis, longtime Williams friend Caroline Wozniacki of Denmark made it to the fourth round at the US Open in 2023 and 2024 during her own comeback campaign while older sister Venus became the oldest WTA singles match winner since 2004 when she returned from a 16-month absence last year.

Serena Williams’s “return is an expression of her passion for competition”, WTA Chairwoman Valerie Camillo said in a statement on Monday. “I cannot wait to see her face a new generation.”

As so many of Newcastle’s games have been this season, it looked like one-way traffic from their opponents from kick-off.

Making his first start at outside centre with Luke James unwell, Roebuck crossed with a minute on the clock, cutting inside from the left after a hand-off from Reed, with George Ford notching the extras.

Newcastle’s Simon Benitez-Cruz saw a try chalked-off for a forward pass before Seb Kelly barged over for his first Prem try at the other end on six minutes after a slick break down the left from Reed was stopped just short of the line.

The hosts got on the board on 10 minutes following a series of close-range drives with Christie diving under a pile of bodies to touch down on the whitewash.

O’Flaherty scored the third Sale try 15 minutes in after a basketball-style tip back from the touchline from Roebuck, with Ford notching the extras from out wide.

Joe Carpenter secured the bonus-point try inside 24 minutes after taking a short pass from Ford on the charge, with the England fly-half adding the extras.

The recalled Amanaki Mafi bulldozed down the blind side from a close-range scrum to reduce the arrears for Red Bulls as the heavens opened, though the conversion was missed once again and Sale added their fifth try through Alfie Longstaff after a rolling maul from a line-out, with Ford kicking his fifth conversion from the right.

Sale struggled to get going after the turnaround and the hosts made them pay as Hearle burst onto Harrison Obatoyinbo’s pass to plunge over by the posts, with Brett Connon slotting his first conversion to make it 35-17.

Lockwood picked up after Christian Wade was stopped a metre short of the line after gathering a long diagonal kick and dived into the corner and Ben Healy converted from the touchline to make it an 11-point game with 25 minutes remaining.

Roebuck thought he had picked up his second score after driving forward and then winning the race to Newcastle-bound Raffi Quirke’s grubber kick towards the line but it was ruled-out for a knock-on from O’Flaherty and the hosts then produced a defiant goalline stand to keep the Sharks at bay, with Roebuck held up on the line and then knocking on under the posts.

The waves of pressure continued and Reed eventually crossed after quick hands from Quirke, Ford and O’Flaherty, with Ford adding the conversion.

However Newcastle raced back and with 13 minutes remaining a brilliant flick from Healy sent Christie diving over for his second score in the right corner.

Healy turned provider once again on 72 minutes with a delayed pass to send Hearle over for his second to the right of the uprights and then notched the conversion to make it a four-point deficit.

After one win in 547 days the hosts were not going to settle for a close call and broke away from their own 22 after the clock ticked over to 80 minutes with Hearle on hand to collect a short pass and blaze away from halfway untouched to spark wild scenes in the final game of the season at Kingston Park.

HER last tour in 2020 was cut short thanks to the Covid pandemic but now Louise is gearing up to go back on the road.

The Borderline singer will play five live shows as part of her Naked/Confessions tour next April, taking in cities including London, Birmingham and Manchester, with tickets on sale today.

And in an exclusive interview to celebrate the announcement, ex-Eternal star Louise says she’s never felt so inspired after her last album Confessions became her fourth top ten record.

“I’m so proud of that album,” Louise tells me.

“That’s really what spurred me on to carry on writing.

“It taught me that it’s OK not to please everybody.

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“I’m enjoying the creative process of not worrying about if people might hate on it.

“Knowing that you just can’t please everyone.

“It’s all about the mindset and the confidence.

“I do think that comes with age as well.”

After saying yes to going back on the road, Louise reveals she’s learned the power of saying no — and was inspired by pop royalty Madonna.

“I am a big fan, I loved the show she did with Sabrina Carpenter. As a woman, for me, it’s about celebrating people and their achievements,” Louise says.

“I hated reading anything negative about that because for me, she is a genius. I’m at that stage where I’m trying to embrace everything and go with it, but I am also saying no.

“I just wrote a song about saying no and I love it.

“The basis of the song is when you finally learn to say, ‘That’s not for me.’

“We all live in a world where we don’t want to say no to anything for a multitude of reasons.”

The tour, which kids off in Sunderland on April 8 next year, will see Louise picking her favourite tracks from her debut album Naked — which turns 30 in 2027 — and from Confessions for the set list.

And Louise — who will play The Mighty Hoopla festival in London next weekend — has promised to throw in some brand new tunes too.

Louise, who has scored nine Top Ten solo singles including 2 Faced and Pandora’s Kiss, adds: “I get that people will want the hits. It’s about celebrating Naked and Confessions — but I definitely will do new stuff on the tour.

“I don’t want to play it particularly safe.

“The one thing I have learned in this industry is that you have to keep changing.

“You have to keep finding new ways to motivate yourself. Whether that be music, what you’re wearing, the lyrics you’re writing.

“Now I know the lane that I’m in and I know what I want to do.”

Girls single minded

THEY have been together for over a decade, represented the UK at Eurovision and performed at Wembley Stadium.

Now, British girl group Remember Monday have given Bizarre’s Howell the exclusive that they’ve just completed work on their debut album in Prague – and have today dropped the first single, Delusional.

The trio, made up of Lauren Byrne, Charlotte Steele and Holly-Anne Hull first started work on the track two years ago, but only finished it last summer with the help of McFly’s Danny Jones and Dougie Poynter, after being introduced to them at the Capital Summertime Ball.

Lauren, who posed with her bandmates for the single artwork, said: “It feels like it was the first song that started the whole new era.

“After that session, it was like, this is the kind of music that we want to be working on now.”

Holly continued: “We just wanted to kind of hone in on our sound, really solidify what we want to say moving forward.

“I don’t know if we can say, but . . . well, we’re releasing an album.

“The sound that we’re going down is quite nostalgic. Like, we really love the Nineties rom-com energy of music.”

The group will support McFly on tour this summer.

They admit their path is not always easy given that they are independent artists without the financial backing of a major record label.

Referencing the title of their single, Charlotte said: “Our whole band is run and fuelled by delusion.”

Lauren added: “It’s weird to be around. But we do just talk about things as if they are happening regardless of whether we have the funds or contacts. We just speak it into existence.

“And it actually has worked. I don’t even know how we’ve got to this stage.”

It’s working so far ladies.

Good for you.

Too pretty for this ditty

SONGWRITER Linda Perry has revealed she almost turned down Christina Aguilera’s request for her song Beautiful after admitting she thought she was too pretty to sing it.

Linda wrote the track which ended up being one of Christina’s most enduring songs from her 2002 album Stripped.

Appearing on the Zach Sang Show, Linda said she played American star Christina, pictured at the Abbey’s 35th anniversary party in Hollywood, the track and explained: “She was like, ‘ I want that.’

“And I’m thinking, ‘No, you’re like, a hot chick. I’m not giving you this song. No way. Are you kidding me?”

It was only after Christina sang the track for Linda that she changed her mind, adding: “It broke the ice between the both of us when I saw that.

“That’s when I discovered beautiful people are actually insecure and just as damaged as I am.”

Sphere come all the Girls?

THE SPICE GIRLS might fancy zig-a-zig-ah-ing their way into a Las Vegas residency, but I’m told bosses at the Sphere aren’t interested in a quick nostalgia cash-in.

Insiders have confirmed bosses will only give the green light if Victoria Beckham, Melanie C, Melanie B, Geri Horner and Emma Bunton are all on board.

My Sphere insider said: “The Spice Girls would be a massive draw, but this couldn’t be done as a one-off or a short residency.

“The costs involved in creating a Sphere show are enormous. There’s special cameras, bespoke visuals and millions of dollars in production costs before a ticket is sold.

“They’d need all five on board and would want 40 to 60 shows.”

Last month Posh Spice teased that she was keen for the shows to go ahead, saying: “How good would the Spice Girls be at the Sphere? I love the idea of it.”

The venue, which has mind-blowing wraparound screens, has already hosted U2, The Eagles and No Doubt.

TREVOR NELSON was handed a top gong at last night’s Audio Academy Arias.

Rylan Clark hosted the bash at The Roundhouse in North London, which saw Radio 2 legend Trevor honoured with a Special Recognition Award.

He was handed the gong by my pal Craig David, who spoke about Trevor’s impact on the British music scene.

It was a great night for Radio 1 DJ Greg James too, with his Breakfast show landing the top prize in its category, while BBC Radio 6 Music’s Beth Ditto was handed Best New Presenter.

LOUIS TOMLINSON reckons there’s one man who could tempt him into a collaboration – fellow Doncaster star Yungblud.

Ex-One Direction singer Louis admitted he’s not keen on teaming up with artists for the sake of it, but working with the rock wild man would feel different.

Louis explained: “I really like his music and he’s from Doncaster, my hometown, I think that would make it even more interesting.”

But he joked that their might be a slight age gap issue.

Louis laughed: “I’d be the senior one in that conversation.”

Doncaster might be running the UK music scene soon . . . 

MY fellow Spurs fan AJ Tracey has joined talkSPORT as a World Cup pundit.

The Thiago Silva rapper will join footballer-turned-Strictly star Jimmy Floyd Hasselbaink and Burnley ace Kyle Walker on the station’s line-up for the big event this summer.

CRUZ BECKHAM And The Breakers lead the new music releases today with their catchy new single, Yeah, Yeah, Yeah.

DJ Sonny Fodera also drops his new tune, Let Me Be In Your Arms, ahead of his performance at Radio 1’s Big Weekend tonight.

LEGENDARY recording studio Abbey Road has announced its fifth annual Music Photography Awards.

This year’s judging panel is packed with music industry royalty, including Raye and Nile Rodgers.

Photographer to the stars, Rankin, is also on the panel ahead of the VIP ceremony on September 24.

Rankin said: “With another stellar judging panel joining us, I can’t wait to get stuck in and review the 2026 submissions. What are you waiting for?”
Submissions are open now.

Top Gear was suspended before the BBC announced in November 2023 that it would not be returning “for the ­foreseeable future” but now insiders say it is returning

Four years after the horror crash that saw Freddie Flintoff suffer life-changing injuries, the car show Top Gear is being brought back by the BBC according to insiders.

In 2022, Freddie’s life was changed after a car crash while filming BBC1’s Top Gear at Dunsfold Aerodrome in Surrey left him with devastating facial injuries. He underwent extensive reconstructive surgery led by maxillofacial surgeon Mr Jahrad Haq. Freddie is believed to have been paid £9million compensation.

The popular series was suspended before the BBC announced in November 2023 that it would not be returning “for the ­foreseeable future”. However, Prime Video has since announced a reboot of The Grand Tour, the motoring show hosted by Clarkson, May and Hammond after they left Top Gear.

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A new presenting team will replace former hosts Andrew Flintoff, Paddy McGuinness and Chris Harris. BBC Studios has already started work on the reboot, which could be aired next year — half a century after the show launched in 1977.

An insider told The Sun: “BBC bosses are keen to revive Top Gear because they have never filled the space it left behind and so many viewers hanker after a motoring show. And it’s not just in Britain that the programme is much loved, it is a brand in its own right and watched by millions around the globe.

“Which is why it wasn’t just important to satisfy the needs of petrolheads, but also, specifically, fans of Top Gear. They’ll be thrilled to hear it is returning.”

The search is already under way for new presenters for the show.

Hosts over the years

The show’s most successful period came with Jeremy Clarkson and the little-known Richard Hammond and James May — plus the mysterious Stig — from 2002 to 2015.

There was a brief period from 2016 when DJ Chris Evans and Friends star Matt LeBlanc took over. Then in 2019, former England cricket captain “Freddie” Flintoff and comedian Paddy signed up to present alongside motoring expert Chris.

While the BBC insider said the show “is returning” the Beeb and BBC Studios, who produce the show, said they had no updates on whether the show was returning.

A spokesman for BBC Studios said: “The Top Gear brand continues to thrive across digital, publishing, and global formats. As a commercial producer, we’re always exploring new ways to develop the brand and reach audiences by leveraging such iconic IP.”

Boston were 99-98 behind following two Neemias Queta free throws before Maxey scored eight unanswered points to give his side a 107-98 lead with 15 seconds left.

“We started off well and then in the second quarter we kind of relaxed a little,” said Embiid. “Same thing with the start of the fourth.

“But we stuck together, closed it out.”

He added: “It means a lot. You can’t win alone, you need a team to be able win and everybody doing their job.”

Embiid had returned for the last four games of the series after an emergency appendectomy had ruled him out since 6 April.

“What changed in the series is Joel Embiid came back, and they’re a completely different team,” said Celtics coach Joe Mazzulla.

Boston star Jayson Tatum missed the decider because of a left knee issue, with Jaylen Brown top scoring for them with 33 points.

“Loved the looks that we got, loved the process that we had, but hate the result,” said Mazzulla.

Seoul – Shekinah Yawra had no other option but to spend the night at a South Korean jjimjilbang, a 24-hour bathhouse, after every hotel near central Seoul sold out in late March.

But sleep was secondary for the 32-year-old Filipino who had made her way to Seoul’s Gwanghwamun Square at 7am to secure a spot in a crowd that city officials estimated would grow to hundreds of thousands.

All this was for a glimpse at the seven-member K-pop supergroup BTS, who returned to the stage on March 21 after almost four years away from the limelight for their staggered, mandatory military service.

Though she failed to secure one of 22,000 free tickets for BTS’s first return concert in the square, Yawra was still ecstatic to stand on the sidelines and watch the concert live on a big screen set up for the occasion.

“We all came just for this,” she told Al Jazeera, recounting how friends had flown in from the Philippines for a single night to catch the concert.

Worldwide, more than 18.4 million viewers tuned in for the Netflix livestream of the concert.

With an estimated 30 million fans worldwide – who refer to themselves as the BTS ARMY – the K-pop group is the most visible symbol of “Hallyu”, or the “Korean Wave”, and the global surge of interest in South Korean popular culture and the financial revenues being generated as a result.

In late March, BTS’s 10th studio album, Arirang, topped the charts in the United States, Japan and the United Kingdom, the world’s three largest music markets. The group’s upcoming world tour is expected to generate more than $1.4bn in revenue across more than 80 shows in 23 countries.

Domestically, inbound tourist numbers for the first 18 days of March rose 32.7 percent from the previous month, according to Ministry of Justice data, as the return concert approached and hotel prices surged across central Seoul amid the demand for rooms.

In the week leading up to the concert, sales of BTS merchandise – from BTS glow sticks to blankets – surged 430 percent at the Shinsegae Duty Free retail outlet in central Seoul, the company said.

Over the concert weekend, revenues also rose 30 percent at the city’s Lotte Department Store and 48 percent at Shinsegae overall, compared with the same March weekend a year earlier, in 2025.

As far back as 2022, the Korea Culture and Tourism Institute (KCTI) – a government-sponsored think tank and research organisation – estimated that a single BTS concert in Seoul could generate up to 1.2 trillion won ($798m) in overall economic impact.

KCTI researcher Yang Ji-hoon told Al Jazeera that a sample study of the crowd at the BTS comeback event at Gwanghwamun Square highlighted the uniqueness of fandom-driven tourism. More than half of those at the concert were foreign visitors and many required long-haul travel to attend.

“In Europe and the United States, travel tends to be concentrated within its own regions,” Yang said.

“So, for people to overcome such travel barriers and come to South Korea, it usually requires more than just ordinary motivation or typical spending – it’s not something that happens easily,” he said.

K-pop’s transition to the global mainstream

The scale of BTS’s return to the entertainment world reflects a broader state-backed strategy.

When music promoter Hybe requested Seoul city support for the Gwanghwamun square comeback concert, authorities approved it on public-interest grounds, treating the event as a showcase of national cultural influence.

Almost befitting an official event, more than 10,000 state personnel were deployed for security, logistics and crowd control.

According to data retrieved by South Korean publication Sisain, through a public information disclosure request to the Seoul government, close to 130 million won ($87,400) of city funds were spent as part of logistics for the comeback concert.

South Korean government support for BTS has a precedent.

As members of the boyband approached South Korea’s mandatory military service age, policymakers debated special exemptions for members of BTS, which was estimated to have generated $4.65bn annually to the country’s economy.

After BTS’s forthcoming concerts in Mexico City sold out in just 37 minutes, Mexican President Claudia Sheinbaum urged South Korea’s President Lee Jae Myung to “bring the acclaimed K-pop artists more often”, noting nearly one million fans in Mexico had attempted to secure 150,000 tickets.

South Korea’s cultural influence is also extending beyond music.

South Korea’s cosmetics exports surpassed $11bn last year, according to global accountancy firm PricewaterhouseCoopers (PwC), overtaking France in cosmetics shipments to the US, while South Korean food and agricultural exports reached a record $13.6bn, according to data from the Ministry of Agriculture, Food and Rural Affairs.

KCTI researcher Yang described the growing interest as a phase of “transition to the global mainstream”, where South Korean products are internationally recognised and content output is measured against worldwide benchmarks such as the Billboard charts and the Academy Awards.

He also warned that structural reform is now essential to keep pace with the wave of interest in South Korea.

“As the industries expand in scale, they must also evolve in its underlying systems, infrastructure, and workforce,” he said.

“Rather than focusing solely on direct financial support, future governmental policies should move toward strengthening foundational conditions – such as improving labour environments, addressing unfair practices, building relevant infrastructure, and establishing more robust statistical and data systems,” he said.

Politicians appear to be paying attention.

During his election campaign last year, President Lee framed the next phase of cultural expansion as “Hallyu (Korean Wave) 4.0”, with promises to grow the sector into a 300 trillion won ($203bn) industry with 50 trillion won ($34bn) in exports.

In line with this vision, the government set the budget to bolster “K-content”, support the “pure” arts sector and strengthen the overall culture-related fields at a record 9.6 trillion won ($6.5bn) — reflecting the president’s view of the cultural sector as a strategic national industry rather than merely a consumer market.

South Korea’s strategy appears to be paying off.

South Korea now ranks 11th globally in “soft power”, according to Brand Finance’s Global Soft Power Index, placing the country as both “influential in arts and entertainment” and “products and brands the world loves”, just behind the US, France, the United Kingdom and Japan.

The darker side of K-pop: Pressure to become a perfect idol

Amid its global success, the darker side of the K-culture industry has received more scrutiny.

Mega-promoter Hybe has been embroiled in a prolonged dispute with K-pop’s New Jeans, a band considered to be a potential heir to BTS and their all-female colleagues Blackpink. The highly public legal dispute that started in 2024 highlights industry tensions over creative control and artist autonomy.

Since the early 2000s, K-pop has also grappled with the legacy of “slave contracts”, or highly restrictive agreements limiting artists’ freedom. Although reforms by the Fair Trade Commission have improved protections for performers, contractual obligations in the K-pop industry are exacting on new performers and their strict work routines have long been documented.

From their trainee years, aspiring idols endure gruelling schedules that involve long workdays and little sleep.

Many top stars often face contractual restrictions on socialising, using their phones or dating. They are also typically limited in what they can say publicly, relying on agency-managed messaging to communicate with fans and the media.

While the rise of social media and other online platforms has opened new avenues for more direct expression and interaction in recent years, concerns over burnout and depression have continued to shadow the industry, with several high-profile stars taking their own lives.

Beauty standards associated with the K-culture genre have also become another flashpoint for controversy.

A 2024 report by South Korean economy news site Uppity found 98 percent of 1,283 respondents born between 1980 and 2000 viewed physical appearance as among the most desirable “social capital” an individual can possess.

Nearly 40 percent of respondents in the survey had undergone cosmetic procedures, while more than 90 percent held neutral or positive attitudes regarding undergoing medical procedures to enhance beauty.

According to the International Society of Aesthetic Plastic Surgery, South Korea has the world’s highest rate of procedures, with 8.9 per 1,000 people compared with 5.91 per 1,000 people in the US and just 2.13 per 1,000 in neighbouring Japan.

Yoo Seung-chul, a professor of media studies at Ewha Womans University in Seoul, said that K-culture has reinforced the normalising of beauty as a significant metric of personal and social value.

“K-culture has reinforced systems and structures around self-expression,” Yoo told Al Jazeera.

“With the rise of webtoons that incorporate themes like plastic surgery, there has been a noticeable reduction in the stigma towards going under the knife among younger audiences in their teens and early twenties,” Yoo said, explaining that popular plastic surgery platforms such as Unni have further normalised the trend by connecting people to clinics and reviews of these clinics and their surgeons.

At the same time, globalisation has reshaped the K-culture industry itself. Many new K-pop acts now include international members to broaden appeal.

Hybe has expanded this strategy through its US subsidiary, Hybe America, producing globally oriented groups like Katseye, which only has one South Korean member in its six-member girl group.

The shift has prompted debate.

Even BTS’s latest album Arirang – a nod to South Korea’s most iconic folk song – has divided fans over its use of English lyrics and foreign producers.

“K-content is being designed with global audiences in mind from the outset. In film, there has been a noticeable rise in genres like horror and science fiction, which are easier to export internationally,” Yoo said.

“This global orientation is also reflected in K-pop agencies recruiting foreign members for idol groups,” he said.

But international audiences do not always prefer highly globalised versions of Korean content, Yoo said, adding, in fact, that many are drawn to K-pop’s “sense of locality”.

As audiences increasingly seek authenticity, Yoo argues the industry faces a defining challenge.

“Industries and companies need to figure out how to preserve a sense of local identity while effectively marketing to global audiences,” Yoo added.

“Striking that balance will be crucial in shaping the next phase of Korea’s cultural exports.”

Pimblett threw 170 strikes to Gaethje’s 200, with a majority of the contest being contested on the feet.

Gaethje, 37, knocked Pimblett down twice on the way to securing the interim belt and a shot at Ilia Topuria at UFC White House on 14 June.

Pimblett is back in camp and aiming to return to action at UFC 329 in July.

The 31-year-old is waiting to be assigned an opponent but Frenchman Benoit Saint-Denis, currently on a four-fight winning streak, is rumoured to be the current frontrunner.

Pimblett says he is eager to have a rematch with Gaethje in future.

“I’ve got to show everyone why I deserved to get that title shot, show everyone that I’m going to be getting another one in the near future,” Pimblett said.

“I hope [Justin] beats Ilia so I can fight him again.

“That’s all I’m hoping for. He’s got a big ask, beating Ilia Topuria.”

The most decorated American Olympian in athletics, Felix won her only solo gold in the 200m at London in 2012, but also topped the 4x400m relay podium at every Games between 2008 and the delayed 2020 Tokyo Games.

She also won 4x100m relay titles in 2012 and 2016, and took 200m silver in 2004 and 2008, along with 400m silver and bronze in Rio and Tokyo respectively.

The LA native also won a record 20 medals at the World Championships, the most for any woman or man, including 14 titles.

Felix, who also has a daughter born in 2018, attended the 2024 Paris Olympics as a spectator and said she experienced “mixed emotions”.

“There were moments where I was like, ‘Oh, this is so great. It’s so exciting to be in the stands and on the other side,'” Felix told Time magazine, external.

“And then there were moments where I was, ‘You know, I miss this feeling’.”

Felix, a member of the athletes commission for the 2028 LA Olympic organising committee, said she is realistic about her comeback.

“I know, at 40, I am not at my peak. I have no illusions about that,” she added. “I’m very clear in what it is and what I want to see. And so I hope it’s seen that way.

“When I was competing, you just heard this roar for host-country athletes at the Olympics. I would love to experience that.

“I would probably be upset at myself if I just didn’t give it a try. However it turns out, I’ll still be there with my kids, hanging out and cheering everybody on.”

Allyson Felix is attempting a comeback at age 40 that could give her a chance to add to her Olympic-record medal haul two years from now in Los Angeles.

Felix, a mother of two, told Time magazine she thought about coming back some four years after calling it quits and decided: “Let’s go after the thing. Let’s be vulnerable.”

“You know, at this age, I should probably be staying home and taking care of my kids, doing all that. And just, why not? Let’s flip it on its head,” she said.

Felix has won 11 Olympic medals — the most by any woman in track — and has a record 20 medals from world championships.

She is a seven-time Olympic champion, with six in the relays and her lone individual gold coming in the 200 meters at the 2012 London Games.

Before retiring in 2022, she became an outspoken advocate for athletes who become mothers and want to keep their careers going.

Felix, who landed a spot on the IOC Athletes’ Commission in retirement, has two kids — 7-year-old Camryn and 2-year old Trey.

She said she expects to start full-time training with her coach, Bobby Kersee, in October with the goal of competing in 2027. The Olympics will be in her hometown a year later.

“I totally get the person who sticks around too long and you’re like, ‘What are they doing?’” Felix said. “I know, at 40, I am not at my peak. I have no illusions about that. I’m very clear in what it is and what I want to see. And so I hope it’s seen that way.”

The sports-themed panel show, A League of Their Own, is set to make a new comeback just one year after it was axed from TV after 20 seasons on Sky.

A year after the show was axed, A League of Their Own has announced that it will return in the form of a live arena tour, set to take place later in 2026 in the autumn.

It was announced that many of the famous faces from the show will be making an appearance again, with Jamie Redknapp and Jill Scott returning to the show. Jill will be the team captain for the blue team, while Tony will lead the red team.

Tom Davis, Patrice Evra, and Maisie Adam will also make guest appearances, with more A-listers set to be announced. The tour is set to hit major cities including Liverpool, Manchester, London, Newcastle, Birmingham and Glasgow, giving fans the chance to experience the action up close like never before.

As in the TV show, the live tour will include challenges in the studio, but this time performed live on stage in front of audiences.

Speaking about the tour announcement, Jamie Redknapp said: ‘‘I can’t wait to take A League Of Their Own on tour to some of the biggest and best venues in the UK. We’ve put together a top team of League legends, some very special guests, and every night promises to be different.

“It’s gonna be loud it’s gonna be chaotic and it’s probably gonna be full of Leatherman jokes at my expense. Hosting A League Of Their Own Live is a dream job, so come and join in the fun. See you there!”

The announcement that the series was coming to an end came in April 2025, with Sky revealing the series would be ending after the 20th season.

Phil Edgar-Jones, Executive Director of Original Unscripted at Sky, said: “Series 20 is the perfect opportunity to celebrate everything A League of Their Own has achieved and to give it the send-off it truly deserves.

“We’re incredibly proud of the show — it’s been a cornerstone of Sky’s entertainment line-up for fifteen years and has delivered endless laughter, heart, and unforgettable moments. Huge thanks to the brilliant team at CPL Productions and to our fantastic on-screen line-up — Romesh, Jamie, Jill and Micah — who continue to bring such energy and chemistry to the show.”

Tickets for A League of Their Own go on sale on Friday, May 1 on Ticketmaster.

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BACK in the 80s and early 90s, this movie star was known for huge blockbuster films, and was one of the biggest names in Hollywood.

Sadly, in 1991, the actor’s beloved wife died and he started to take a step back from the limelight and eventually quit fame – but now the 72-year-old star is making his big comeback.

Rick Moranis, famed for 80s films like Ghostbusters, thrilled fans when he made a rare appearance at CinemaCon 2026.

The much-loved actor was spotted at the big event with the cast of the Spaceballs sequel as he prepares for his return to the big screen.

It was announced last year that the Canadian actor would be reprising his role as Dark Helmet.

The original movie, which is a spoof of Star Wars, came out in 1987 and starred many notable names, including Mel Brooks, Daphne Zuniga, Bill Pullman, the late John Candy, and Joan Rivers, among others.

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Many of Rick’s former co-stars have returned for the sequel, such as Mel, Daphne, Bill, and George Wyner.

There are also several new faces among the cast, including Josh Gad and Keke Palmer.

The cast joined Rick at a panel event to promote the movie at CinemaCon.

Despite the star rarely being seen in the last three decades, the actor hasn’t changed much in appearance.

The Flintstones star wore his trademark round-framed glasses, which he was famed for in his iconic movies.

Other than Spaceballs, Rick starred in many successful films in the 1980s and 1990s, including Honey, I Shrunk the Kids and its sequels, and playing Barney in The Flintstones.

Sadly, Rick started to take a step back from Hollywood when his wife, Anne Belsky, passed away from breast cancer in 1991.

During the 90s, he slowly started to quit fame to focus on parenting his two children.

Although Rick hasn’t been seen on screen, he hasn’t entirely distanced himself from acting.

He lent his voice to several animated projects over the years, including Disney‘s Brother Bear in 2003, and its sequel, Brother Bear 2, in 2006.

Rick’s voice also appeared in a 2018 episode of The Goldbergs and a 2020 episode of the Disney+ docuseries Prop Culture.

However, he hasn’t appeared in a live-action film since Disney’s Honey, I Shrunk Ourselves, which was released directly to video in 1997.

But Rick is now set to be back on the big screen, with production for Spaceballs 2 underway.

The hotly-anticipated sequel is set to hit cinemas in 2027.

Norway is preparing to lift restrictions preventing its $2.2 trillion sovereign wealth fund from investing in government bonds issued by Syria.

The move follows the political transition after the ousting of Bashar al-Assad and the rise of Ahmed al-Sharaa, whose government has been seeking economic recovery and international reintegration after more than a decade of war and sanctions.

At the same time, Norway plans to newly restrict investments in bonds issued by Iran, aligning with ongoing international sanctions.

Policy Shift and Financial Context

The Norwegian sovereign wealth fund, the largest in the world, plays a major role in global financial markets. Its investment decisions often influence broader investor behaviour.

The updated policy removes Syria from the exclusion list for government bonds while adding Iran, reflecting changing geopolitical and sanctions dynamics.

Although the fund does not currently hold investments in Middle Eastern government bonds, the policy shift opens the door for future allocations and signals a reassessment of risk and legitimacy.

Geopolitical Significance

Norway’s decision represents a notable step toward Syria’s re-entry into the global financial system. It comes alongside other developments, including the restoration of Syria’s financial links with international institutions after years of isolation.

The move also highlights a divergence in how states are being treated: while Syria is gradually being reintegrated, Iran remains economically isolated due to continued tensions and sanctions.

As one of the world’s most influential sovereign investors, Norway’s stance could encourage other countries and institutions to reconsider their own restrictions on Syria.

Analysis

The decision reflects a broader recalibration of international economic engagement based on political change and shifting strategic priorities. By opening the possibility of investment in Syrian bonds, Norway is signalling cautious confidence in the new government’s direction and stability.

At the same time, the move remains largely symbolic in the short term. The wealth fund has no immediate exposure to Syrian debt, and actual investment will depend on risk assessments, market conditions, and institutional safeguards.

More importantly, the policy underscores how financial tools are increasingly used as instruments of foreign policy. Inclusion or exclusion from global capital markets can legitimise governments, incentivise reforms, or reinforce isolation.

In Syria’s case, gradual financial reintegration could support reconstruction and economic recovery, but it also raises questions about governance, transparency, and long-term stability after years of conflict.

With information from Reuters.