comeback

THE Pussycat Dolls are in advanced talks to headline their first ever British festival.

Insiders said Nicole Scherzinger, Ashley Roberts and Kimberly Wyatt had been approached to perform at Mighty Hoopla next summer.

It comes off the back of their PCD Forever tour, which ended last night with a huge show in Sao Paulo, Brazil.

A source said: “Hoopla bosses have approached The Pussycat Dolls about headlining Hoopla and talks are ongoing.

“Everyone is hopeful they can make the deal work as it would be huge to have them performing.

“Their comeback tour went down a storm in the UK and the festival bosses would love to have them come back to play again.

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“It would be the first time the group will have headlined a festival stage too so it would be a massive coup for Hoopla if they can pull it off.

“As ever, there are always so many moving parts when festivals are booking major acts but everyone is hoping The Pussycat Dolls will agree.”

Nicole, 48, Ashley, 45, and Kimberly, 44, finished up their run of seven UK shows at London’s O2 Arena on October 13.

The Sun first revealed the group were reuniting for a tour back in February.

It came 21 years after they first burst onto the music scene with their hit single Don’t Cha.

They had a subsequent seven Top Ten tunes including Stickwitu, Beep, Buttons, When I Grow Up and Jai Ho, followed by another Top 40 hit with React in 2019.

Mighty Hoopla is taking place at London’s Brockwell Park across June 5 and 6 next year.

Lily Allen and Scissor Sisters headlined this summer’s event, with acts including Cheryl Tweedy, Kelly Rowland, Ciara, Jade and Nelly Furtado all performing previously.

ADELE is gearing up to end her musical hiatus, and I can exclusively reveal the details of her much-anticipated comeback.

Last week our newspaper told you the superstar was on the brink of announcing her fifth album, and now my music mole has spilled all on what the record will sound like.

The 38-year-old is tipped to release the follow-up to her fourth album next summer, and I’m told the working title is 39.

The name would follow the pattern of her previous albums, from 19 and 21 through to 25 and 30.

My source explained: “Adele is gearing up for a huge comeback and feels ready to start a new chapter musically.

“She’s been away from performing for a while, but music has never been far from her mind.

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“The album is being tipped for next summer, although the release plans are still being worked through. The working title being discussed is 39.”

Adele stepped back from the stage after her Las Vegas residency ended in November 2024, and has spent the time away focusing on her family.

But I’m told she has been writing the whole time.

My insider said: “She’s spent the past couple of years prioritising her family and enjoying some time away from the pressure of being in the spotlight, but she’s also been thinking about music constantly.

“She’s been writing throughout her break. She famously finds the fame side of her career difficult, so stepping away has been important for her.

“She now feels creatively revived and has come back to the music with a fresh perspective.”

As revealed last week, Adele has been secretly recording at the famous Church Studios in Crouch End, North London, which is owned by producer Paul Epworth.

And my source says he is on board for the new record.

They said: “Paul Epworth is involved, which is significant given their history together. They’ve made some incredible music in the past, including Skyfall, and there’s a real understanding between them creatively.

“He knows how to bring out the best in Adele while allowing her to experiment.”

The pair won an Oscar together for the Bond theme.

While fans can expect the huge vocals and emotional honesty Adele is known for, I’m told she is keen to move slightly away from her trademark ballads.

The source said: “She doesn’t want to abandon the ballads that made her a global superstar, because that’s such a big part of who she is as an artist.

“But she’s also looking at how she can evolve. She wants the record to feel fresh and reflect the person she is today, rather than simply repeating what she’s done before.”

Never one to shy away from honesty, Adele will also tackle the darker side of fame on the album.

My insider said: “There are songs exploring the more difficult side of fame and what it’s like to live so much of your life in the public eye.

“Adele has always been very honest in her music, and this record will continue that, including some of the struggles she’s had with herself and her own image.”

But I’m told that at its heart, it is a love album, and will feature a tribute to fiance Rich Paul.

They said: “She’s keen to include a song dedicated to Rich, because her relationship is an important part of her life and it would be natural for that to find its way into her songwriting.”

Adele’s London roots will also come through in the music, despite her years living in the US.

The source added: “There’s a sense of looking back at her roots and the experiences that shaped her. It’s about recognising how far she’s come while still holding on to the person she was before the fame.”

Fans have also been sent into a spin after Adele briefly changed her YouTube name to her full name, Adele Adkins, last week before switching it back.

My mole says the star knows how closely she is being watched.

They said: “Adele knows that even the smallest change around her online presence will get people talking, but she isn’t going to rush into announcing anything before she’s ready.

“She wants to get everything right, and when she does come back, she wants it to feel like a proper new era rather than a quick announcement followed by a long wait.”

New music is also expected to feature in blockbuster Cry To Heaven, which could help launch her next chapter.

My source said: “It could help introduce audiences to a different side of her creatively and build anticipation for the album itself. It’s about setting the tone for her return and giving people a taste of what’s to come.”

And for those hoping to see her live, a tour is not off the cards.

They said: “A tour is something that could be considered once the album plans become clearer, but nothing is set in stone at this stage.

“She knows how much fans want to see her live again, but if she does decide to tour, it will be because she feels ready for it rather than because she feels pressured to get back on the road.”

Fingers crossed the wait won’t be much longer.

CHERYL TWEEDY has revealed she has a secret TikTok burner account to keep up with pop culture without drawing attention to herself.

The singer said: “I like scrolling TikTok as people are funny and fun and they are a bit more relaxed.

“They don’t care about taking the mick out of themselves.

“I’m a secret scroller. A burner.”

NOT TOO SHABBY

RISING music star Shab has come a long way after leaving her native Iran with just a suitcase to her name.

She has toured with The Wanted and JLS and now she is back with a new single, Catch Me If You Can.

In an exclusive chat, she said: “Catch Me If You Can is exactly where my head is at right now.

“I’m done asking permission to be me. I know what I bring, and I’m not chasing anybody to prove it.”

Shab, whose single Perfume VIP Remix peaked at No11 on the Dance Music Charts, also has ambitions to move into fashion.

Last month, she appeared on the runway at a Dallas catwalk show and has now launched her own clothing brand DropTrou.

This is a woman not to be underestimated.

GEORGE FILM A KLASS ACT

MYLEENE KLASS was among the fans at the posh premiere of the new George Michael concert film.

And she was in for a treat, as the late singer is at his bottom-thrusting best in George Michael: The Faith Tour.

The remastered footage from his 1988 run of shows features more than 200 thrusts by the Fastlove singer – with one cinema- goer admitting they were shocked.

“Watching George’s bottom thrusts in IMAX was certainly something,” they told me after watching the film, which   is out next Friday.

“It has to  be seen to be believed.”

SIGN UP FOR COSY U2 GIG

U2 have joined forces with BBC Radio 2 to perform an exclusive, one-off show in London next month.

The concert, which is being recorded in front of a select audience on November 3, will see Bono and his bandmates ­performing tracks from their upcoming album, Carnaval De Luz, as well as hits from their back catalogue.

To be in the crowd, you have until midnight tonight to register on the BBC website under the Shows And Tours section.

The set will air next month in full on BBC Two, while Jo Whiley will welcome the band on to her show on November 30 for an interview, which will also feature songs from the live performance.

MONDAY GIRLS GO PURE POP

REMEMBER MONDAY have finally announced their debut album, Can We Press Rewind?.

The 12-track record, out on January 29, features their new single, Dream Cheat, which is out now.

Insiders told me the three-piece – Charlotte Steele, Holly-Anne Hull and Lauren Byrne – have dug deep for the record.

A source said: “Charlotte, Holly-Anne and Lauren have delved into their own romantic history for this record, and it’s littered with dating disasters and questionable decisions.

“It’s pure pop fun and shows how far they’ve come.”

The album will come out just days before they kick off their I’m Just A Girl tour, which is their biggest run of shows to date.

Remember Monday will start their run in Bristol on February 8, before shows in Birmingham, Portsmouth and Glasgow.

As Luiz Inacio Lula da Silva celebrated his election victory on Sunday in Sao Paulo, he placed his hand on the head of a man standing beside him and beaming in a green and yellow Brazilian football jersey.

Lula thanked him for his role in the campaign, calling him “our general”.

Andre Janones, a 42-year-old Brazilian congressman who had spent the final weeks of the presidential run-off building a mass online movement to get Lula re-elected, then embraced the president.

“He played an exponential role in this campaign in lifting the morale of our troops every day, morning, noon and night,” Lula told thousands of supporters who packed Paulista Avenue, the city’s main artery.

Just three weeks earlier, the president seemed to be in trouble. He had finished behind his right-wing rival Flavio Bolsonaro after the first round of voting, his campaign struggling to keep up with the right’s powerful social media operation.

Janones, who had also helped coordinate Lula’s digital operation in his run-off against Jair Bolsonaro in 2022, was convinced Lula’s campaign needed a change – and that he could help turn things around.

He posted a video declaring, “We are going to win this election. Lula will be re-elected president of Brazil.”

His plan centred on a WhatsApp channel he had launched months earlier.

Called Exercito do Lula, or “Lula’s Army”, it had about 60,000 followers after the first round.

By election day, Lula’s Army had grown to almost 11 million subscribers, with Janones widely credited with helping Lula stage his comeback.

How Andre Janones built Lula’s WhatsApp army

Janones is a lawyer and congressman who grew up in a working-class family in Minas Gerais. He made a name for himself through his social media commentary during Brazil’s 2018 truckers’ strike and was elected to Congress that year.

In 2022, he dropped his own presidential bid to endorse Lula, joining his run-off campaign.

“At the time, he became widely known for employing tactics similar to those used by Bolsonarism, despite operating on the left,” said Viktor Chagas, a professor at Fluminense Federal University who studies digital politics and online campaigning.

Janones coined the term “cultural Janonism” to describe his approach, which relied on urgent messages, memes and calls for supporters to take action, as well as what Chagas described as the occasional use of negative campaigning and “content of questionable origin”.

But the scale of Lula’s Army in 2026 was unprecedented, Chagas said.

In the video declaring that Lula would win, Janones urged supporters to enlist as “soldiers” by posting saluting emojis and joining his WhatsApp channel, where he assigned them what he called “missions”.

The tasks were simple, from recruiting three friends to sharing campaign videos to promoting hashtags.

They came in a relentless stream of messages from Janones himself, often written in capital letters. Supporters couldn’t reply, but they could forward the messages or react with emojis, often doing so in the tens of thousands.

Chagas described the strategy as a form of “electoral gamification”, with Janones setting targets for supporters to reach together.

For Andre Pagliarini, an assistant professor of history and international studies at Louisiana State University and the author of a book on Lula, the appeal of Janones’s approach was giving people something they could actually do to help Lula win.

“It became an organising platform that grew exponentially because it spoke to a desire that many Lula supporters evidently had to do something tangible to defeat Flavio Bolsonaro,” he said.

How Lula’s campaign changed its message

But the path to victory wasn’t just about mobilising supporters online.

Pagliarini credited the campaign for also finding a more effective way to tell the story of the president’s working-class past.

“The campaign’s mistake in the first round was to present this history as a finished monument, worthy of admiration but distant from the lives of the people it was meant to represent,” he wrote.

After Bolsonaro mocked the president for having nine fingers during the final televised debate, for example, Lula responded by recalling how he lost a finger at 17 while working a night shift at a factory. He then linked his experience to workers injured as a result of employers’ negligence.

“Unlike Flavio, he reminded voters, he knew the world of work because he had lived in it,” said Pagliarini.

After the debate, Janones spread the message online, promoting the hashtag #SomosTodos9Dedos, or “We Are All Nine Fingers”. Supporters shared the slogan, with some posting photographs of their own amputated fingers in solidarity.

Janones had also publicly called for simpler, less polished campaign videos that showed a more relatable side of Lula, drinking coffee, visiting people’s homes and talking to ordinary Brazilians. Around the same time, the campaign started posting more informal, selfie-style videos.

“Lula was looser in his political communication, less mediated,” Pagliarini said.

Did Lula’s WhatsApp army help him win?

It is difficult to establish whether Janones’s digital army actually delivered votes.

“I am not sure there is a way to empirically connect the group to the outcome,” Pagliarini said.

But he believes Janones helped turn the campaign around.

“Janones himself became a kind of character in the campaign, a cheerleading strategist who seemed confident in a plan that had been missing throughout much of the race,” wrote Pagliarini.

Chagas agreed that it was “difficult to imagine the outcome we achieved without Lula’s Army”, adding that the channel brought together left-wing supporters who had previously been scattered across fragmented online communities, and gave them a way to work together.

The challenge now is keeping that momentum going, Chagas said, pointing to the far right’s use of “permanent campaigning”, maintaining the engagement of supporters between elections.

On election night, at least, Janones kept his soldiers busy.

“EVERYONE TO PAULISTA TO CELEBRATE,” he wrote, urging them to gather on Sao Paulo’s Paulista Avenue. “NOW.”

Later, he asked them not to go to sleep, adding that he’d let them go once he got back from the celebrations.

“Then we’ll discuss a few days off for you,” he joked in a message that drew more than 225,000 reactions.

SALT LAKE CITY — Luka Doncic raised three fingers toward the Utah crowd. Fans were left counting more than just his points.

Doncic hit three clutch three-pointers late in the fourth quarter and took a momentum-swinging charge to lead the Lakers to a nail-biting 132-123 victory over the Utah Jazz on Sunday at Delta Center. Doncic led the Lakers (3-0) with 52 points, 10 assists and eight rebounds as the team fought back from an 18-point second-quarter deficit.

Guard Austin Reaves hit a dagger three with 34 seconds remaining to give the Lakers a seven-point lead. As Doncic salted the game away from the free-throw line, he was serenaded with chants of “MVP!” Reaves finished with 29 points.

“Getting MVP chants in someone else’s arena is crazy,” center Walker Kessler said. “But, you know, obviously deserving.”

Kessler knows this arena well. It’s where he spent the first four years of his career. But the center was quiet in his return to Salt Lake City. After he joined the Lakers in a massive sign-and-trade deal that cost the Lakers two first-round picks and two first-round pick swaps and a four-year, $130-million contract, Kessler was held to just two points on one-of-two shooting with seven rebounds.

Kessler received a mixed reception from the crowd, which included a large number of fans in Lakers colors. The Jazz didn’t play a highlight reel during the game to welcome the center back, as many teams often do for a player who returns on an opposing team.

Kessler had averaged 24 points and 8.5 rebounds per game during the Lakers’ first two games and shot a blazing 84.6% from the field while feasting off lob passes from Doncic and Reaves.

When asked whether Kessler’s return would spark extra motivation for the Jazz, Utah coach Will Hardy dispelled any suggestions of revenge.

“In no way is tonight about Walker,” Hardy said. “Like it’s not a, ‘Oh wow Walker’s here so we better play harder.’ We’re gonna demand the same standard that we did in our last game. Some of the story lines I don’t quite understand. Like we have a lot of love for Walker. He’s somebody that we have a great relationship with and a lot of shared experience.”

Kessler admitted he “let my emotions get the best of me” in his return Utah, which he described as “a special place.”

“Kind of got too amped and then just couldn’t find the ball,” Kessler said. “Couldn’t find the rhythm, just kind of was off a couple fouls that were tough, a couple blocks I usually [make]. It’s one of those nights. But fortunately basketball is not a one-man sport.”

The Lakers showed they have one of the best duos in the league.

Reaves was held scoreless during the first quarter, but awoke for 15 points in the second. The undrafted guard has so far lived up to the massive contract extension he signed in June, averaging 26.7 points per game on 63.9% shooting with 6.2 assists per game.

“AR so far in these three games has just been Mr. Consistency,” Lakers coach JJ Redick said.

Reaves started the comeback. Doncic completed it. In less than 30 seconds, Doncic watched a fadeaway jumper circle the rim before dropping through for a three-point play, then ripped the ball out of Ace Bailey’s arms for a steal before hitting a three at the buzzer to put the Lakers up by three at halftime.

The Slovenian superstar was coming off an admittedly “terrible” game in which he had 23 points, seven assists and 11 turnovers in the Lakers’ home win over the Clippers. Redick said Doncic is still finding his rhythm after not playing with the Slovenian national team over the summer as he typically does.

Doncic made just two of his first eight three-point attempts Sunday. He looked right back in rhythm when he splashed the tying three with 4:06 remaining in the fourth quarter and pushed his palms toward the ground to quiet the crowd.

The final shot before halftime showed Redick that Doncic has his groove back.

“When he’s in the flow state, he gets into, like, showman mode,” Redick said. “He’s on stage performing … it’s always really fun to watch.”

Doncic gave the friendly road crowd his best moves. Lying on his back watching one his shots roll through the net, he shimmied his shoulders before teammates pulled him to his feet. When he splashed the tying three with 4:06 remaining in the fourth, he wagged his finger. On the next possession, he let out a scream when he stepped in front of Keyonte George to take a charge. After putting the Lakers up by six with 1:40 remaining with one of his signature step-back threes, Doncic held three up three fingers to the crowd.

Doncic went nearly seven months without hearing that roar. Not playing with the national team left him out of competition for one of the longest stretches of his career. He doesn’t think he’s back to full form yet.

“I’m still getting there honestly,” Doncic said. “This is the first time I didn’t play basketball in six or seven months, which is a long time. So I’m not used to it.”

He still looked right at home hearing “MVP” chants from a road crowd.

PHILADELPHIA — Leo Carlsson scored a goal and set up the game-winner against the team that tried to sign him away from Anaheim last summer, as the Ducks overcame a two-goal deficit to beat the Philadelphia Flyers 5-4 on Saturday.

Philadelphia signed Carlsson to a five-year, $80-million offer sheet as a restricted free agent last July, only to have the Ducks match it and retain him. He scored the Ducks’ first goal at 8:38 of the second period on a pass from Cutter Gauthier, who continued to hear vitriolic chants from Philadelphia fans for forcing his way out of Philadelphia three years ago.

Carlsson later assisted on a power-play goal by Beckett Sennecke in the third period, firing a pass toward the net that Sennecke tipped past Flyers goalie Joseph Woll.

Carlsson leads the Ducks in scoring with 13 points (3 goals, 10 assists).

A.J. Greer, Judd Caulfield, and Tristan Luneau also scored for Anaheim, and Lukas Dostal made 28 saves to snap the Ducks’ five-game losing streak.

Matvei Michkov extended his point streak to five games when he scored the first of two goals for the Flyers on the same power-play opportunity. Michkov snapped a wrister through Porter Martone’s screen during a five-on-three advantage to score his seventh goal of the season. Martone followed 1:03 later to build an early two-goal lead for the Flyers.

Tyson Foerster also scored a goal and Michkov added a second goal in the third period, but Philadelphia never could draw back even, and had its three-game winning streak snapped.

Up next: The Duck begin a three-game homestand Tuesday against Vancouver; the Flyers host the Columbus Blue Jackets on Tuesday.

The match statistics alone showed what a threat Ngumoha can be.

He had 12 touches in the opposition box, completed seven out of eight dribbles, and registered two crucial assists.

But watching Ngumoha is more than just a numbers experience. There’s a fearless nature to his play that can get the crowd going, and he was the one bright spark in a first half where Liverpool lacked any sort of rhythm.

In a game increasingly focused on structures, Ngumoha’s raw ability to take a man on is what helps to set him apart.

“He was magnificent tonight,” said former Liverpool forward Daniel Sturridge on Amazon Prime.

“On the ball, this kid has so much potential – and I say ‘kid’, but he’s a young man. He has so much quality and it’s stuff that you can’t teach to be honest.

“What he does with the ball at his feet – that is God-given ability – and his hard work on the training pitch, doing things day in and day out, and being ruthless, is what he said in his interview, and I like that. He wants to be decisive, and I love that.”

Ngumoha, who has grown up playing down the left, has struggled to get minutes on his preferred side this season, especially with Cody Gakpo and Barcola often playing down that flank.

But head coach Andoni Iraola wants his wingers to be able to play on both sides and Ngumoha’s improvement on the right flank has been impressive in such a short space of time.

Ngumoha also spoke about his rapid development on the right on Saturday, after Liverpool beat Brentford.

“I feel like I’ve got a lot better playing there from the Newcastle game [at the start of this season] until now,” Ngumoha said.

“I’m understanding it more. And going away with England helped a lot as well. I like playing on both sides. It gives me another tool in the toolbox.”

“For me, performance can’t be everything,” Miley Cyrus declared on Friday night, and you had to admire her choice of setting: onstage at the Hollywood Bowl in front of approximately 18,000 people who’d turned up precisely to see her perform.

A star since her teenage days on the Disney Channel’s “Hannah Montana,” the 33-year-old musician and actor was maybe half an hour into the first of two sold-out concerts at the iconic hillside amphitheater — a place close to Cyrus’ heart, as she explained in a videotaped intro recalling a gig she and her fiancé, Maxx Morando, caught last year by the French band Air.

“I step into wine, which soaks onto my boots,” she said in the dramatic black-and-white clip. “I don’t mind stained leather — it only adds to their character.”

Cyrus’ shows were billed as part of the rollout of her latest album, “Bass Persuades,” which came out in September (and which found her dropping her last name to go simply by Miley). Yet the two-night engagement is really meant to mark her grand return to the stage after she said a few years ago that she’d sworn off touring because it was too harmful to her mental health.

Is “grand” the right word for a comeback as equivocal as this one? Despite all the hype surrounding this weekend’s concerts, Cyrus spoke again and again Friday about how much less space for performance she has in her life these days than she used to; she talked repeatedly about her quest to balance her fans’ emotional needs with her own.

At one point, after singing a couple of numbers on a small B-stage about halfway up the bowl, she walked through the crowd back to the main stage, gripping and grinning the entire way. Then she described the toll her trip had just taken: “I appreciate each of you guys reaching out and touching me, and me getting to feel you. But I do want to say — it is a lot for me,” she said. “It is a little bit overwhelming.”

In an era of parasocial pop stardom, the radical honesty of Cyrus’ approach — her clear-eyed appraisal of the relationship that binds an idol and her audience — was kind of a thrill to behold. The problem was that her singing for the most part wasn’t.

As she described being overwhelmed, her band slowly revved up her song “Wrecking Ball.” It’s one of the great power ballads of the last 25 years, with a chorus as cathartic as any in modern pop; Cyrus, the showbiz lifer, surely understood the payoff she was building toward. Except when the moment arrived, she inexplicably dodged it, skipping the song’s first chorus and soft-pedaling the second — an anticlimax for the ages.

Indeed, Cyrus let the audience and her backup singers handle vocals for many of her biggest hits, among them “The Climb,” “Party in the U.S.A.” and “We Can’t Stop”; during that last one, she twerked for a second, evoking memories of the infamous 2013 MTV performance that briefly scandalized a nation.

She sang more heartily in songs from “Bass Persuades,” which would’ve been better news if that tuneless mishmash of bleary synths and dated club beats weren’t one of the year’s least likable pop records. (This month Variety reported that, after debuting at No. 1 on the Billboard 200, the album took the biggest fall in chart history in its second week of release.)

The paradox of Cyrus’ career at this stage is that she wants to do the thing that nobody wants her to do — “Bass Persuades” is just the latest in a string of crummy LPs — and doesn’t want to do the thing that everybody wants her to do. Truly, her bad taste should be studied: On Friday, she welcomed Wayne Coyne of the Flaming Lips to the B-stage for a duet on “Karen Don’t Be Sad,” from the miserable psych-rock record they made together in 2015. Naturally, Cyrus said it was her favorite of her albums.

One highlight of the show was Cyrus’ tribute to her late godmother, Dolly Parton, whom she memorialized with a rendition of “Jolene” and with a funny and touching account of the time Parton tried unsuccessfully to get Cyrus to sing with her at the Bowl.

I also found myself moved near the end of the night by Cyrus’ performance of the only keeper on “Bass Persuades” — a dreamy little love song called “Let’s Get Married” for which Morando joined her onstage. As he played drums, she ran her hand tenderly over his chest before laying her head on his shoulder; the moment reminded me of that goofy intro video about the Air concert, which she likened to a bubble containing only the two of them.

“That’s how it feels when we’re together,” she said. “I think I’d live in that bubble.”

Amy Dowden has teased her comeback to Strictly Come Dancing after it was confirmed she would be replacing injured Delta Goodrem, who is unable to dance this week

Amy Dowden has teased her comeback to Strictly Come Dancing as she’s set to replace injured Delta Goodrem.

Singer Delta has been forced to miss this year’s Icons Week after breaking her rib. She has been forced to pull out of the show this week and will get a bye to the following week as per the rules.

It has been confirmed that Amy will dance with Kai. Vogue Williams said on Lorraine today: “It’s good to see her back, but she’s going to be dancing with Kai, and supposedly to Dolly Parton’s Jolene. I mean, that’s going to be so good.”

Now, footage has emerged of Amy – who was first out the competition with Chris Appleton – reacting to the group dance. “I really think this Icon’s Week is going to be phenomenal,” she said as the group prepared to dance to a Madonna number.

Today, Delta shared an update on her own health. Taking to social media, she wrote: “Just wanted to come on here and say a big Thank you to everyone who has sent messages and wrote lovely comments the last couple of days, I see them all.

“Not the start to the week I’d hoped for but your support has meant the world. Also special big thank you to my amazing dance partner @kaiwidd who I will miss dancing with this weekend but I am so beyond grateful for his guidance and friendship through it all.. as well as the wonderful Strictly team!!”

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Delta had previously said she was “absolutely gutted” to be out the show for the week, and hoped she’d be back the following week. She told fans: “I’ve been loving every second of this experience, so having to sit this one out is heartbreaking – especially after the high of Saturday night.

“I cannot tell you how much I love being a part of this magical show. I’m going to focus on resting and recovering, and hopefully I’ll be back on that dancefloor very soon. Thank you so much to everyone for all the love and support. It’s so appreciated. I’ll be cheering everyone on from the sidelines this week!”

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BILLIE EILISH is gearing up for a return in 2027 – and planning to perform on the biggest stages of her career so far.

I have been told the American singer has almost completed work on her fourth studio album, and a tour is also in the works to coincide with its release next year.

The last time Billie performed in the UK, she sold out six nights at London’s O2 Arena, four at Manchester’s Co-op Live, as well as two in Dublin’s 3Arena.

But now she is hoping to go even bigger, with her team in talks for major stadium concerts and festivals in 2027 and 2028.

My music insider explained: “Billie has been hard at work on her fourth album this year and her team are already putting a plan together for its rollout.

“She has grown and grown in popularity, and promoters are speaking to her team about putting on the biggest shows of her career.

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“She has the popularity to be a stadium act now and sell out massive venues.

“On her first few tours, her team were conscious that she was very young and didn’t want to overwhelm her with venues which were too big, too early on.

“But Billie is in a really good place and she is raring to get out on the road again.”

Remarkably, next year will also mark ten years since her debut EP, Don’t Smile At Me, which was released when she was just 15.

Billie has had an incredible career so far, scoring three No1 albums.

She released her debut When We All Fall Asleep, Where Do We Go? in 2019, followed by 2021’s Happier Than Ever and 2024’s Hit Me Hard And Soft. Meanwhile, her 14 Top Ten singles include No Time To Die, What Was I Made For and Guess, with Charli XCX.

She has also won ten Grammys — including Song Of The Year three times since 2020 — as well as two Oscars and two Golden Globes.

In April, Billie commented on the progress on her fourth album, saying: “We’re more than halfway.”

She took time out over the summer to shoot a movie adaptation of The Bell Jar.

But from what I’ve been told, there isn’t too long to go before we get to hear a few more tunes from her.

PHILADELPHIA — It’s rarely sunny in Philadelphia for Sean McVay and the Rams.

Before Sunday’s game against the Eagles, McVay was 1-6 against them, 1-4 at Lincoln Financial Field and 0-4 against Eagles coach Nick Sirianni.

The last time the Rams visited here, the Eagles blocked a field-goal attempt and returned it for a touchdown on the final play.

And for much of the game Sunday, gloom once again engulfed McVay and a team that opened the season as a heavy Super Bowl favorite.

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Gary Klein breaks down what went right for the Rams in their 24-20 comeback win over the Philadelphia Eagles.

But it finally lifted midway through the fourth quarter, with quarterback Matthew Stafford leading two touchdown drives that gave the Rams a come-from-behind, 24-20 victory.

“A lot of gutsy efforts,” McVay said, “and I have a headache from hell right now.”

No doubt stress-induced.

While McVay enjoyed watching Kyren Williams rush for two touchdowns and receiver Puka Nacua rush for another, the Rams had to overcome turnovers, penalties and special teams miscues to improve to 2-2.

After sitting out two games because of a hip injury, Nacua caught nine passes for 125 yards, several during the final two scoring drives.

“I’m excited to get on this plane and get up out of here,” Nacua said. “Hopefully, they have some Philly cheesesteaks for us.”

The Rams had mostly had their fill of Philadelphia after losing an NFC divisional game here in 2024 and last year’s debacle that ended with the blocked field goal and touchdown.

“We obviously haven’t found a way to get it done here,” McVay said, “and our guys found a way today.”

Rams players celebrate with Kyren Williams following one of his two fourth-quarter touchdowns against the Eagles on Sunday.

(Chris Szagola / Associated Press)

The Rams can thank their defense.

The Eagles were without receiver DeVonta Smith and left tackle Lane Johnson, and star running back Saquon Barkley left the game in the first quarter after suffering a hamstring injury.

The Eagles were 0 for 12 on third downs. They converted only one of four fourth downs and managed just 172 yards.

“When it was the time for us to make a play, the defense stepped up,” said edge rusher Byron Young, who had 2½ of the Rams’ four sacks, “and we had to do what we do.”

Despite their elation over Sunday’s victory, the Rams have plenty to fix.

Stafford was great down the stretch but otherwise did not look like the reigning NFL most valuable player. He completed 32 of 51 passes for 317 yards with two interceptions.

The Rams, historically one of the league’s least-penalized teams under McVay, had 13 penalties for 91 yards in last Sunday’s 30-26 defeat by the Denver Broncos. On Sunday, they were flagged eight times for 100 yards.

“Any way you could shoot yourself in the foot — we were doing it on the offensive side of the ball,” Stafford said.

Special teams also continued to be an issue. The Rams gave up a long punt return that set up a touchdown, and usually reliable kicker Harrison Mevis missed a 48-yard field-goal attempt.

But the defense kept the Rams within striking distance.

“You’d like to see [us] play as a team where you go and score, and then hold ‘em, score and hold ‘em and score,” receiver Davante Adams said. “But sometimes that’s not how it plays out.

“[The defense] did their thing to put us in a position to win it, and we went down there and finished the job.”

The Rams trailed, 20-10, at halftime, as the Eagles turned two interceptions into 10 points, and Jalen Hurts tossed two touchdown passes to receiver Darius Cooper.

After Mevis missed, it got uglier.

Near the end of the third quarter, it finally looked like the Rams’ defense would be rewarded for a good play: It stopped Hurts on a fourth-down tush push, giving the offense a first down at the Eagles’ 38-yard line.

But Nacua’s penalty for an illegal block stymied the possession, and Stafford’s fourth-down pass for tight end Tyler Higbee fell incomplete.

McVay rallied the offense on the sideline.

“He said, ‘Make things go. Wipe it. Get to the next play,’” Higbee said.

Stafford said McVay was “trying to put some belief” in the team.

“I think we had it,” Stafford said, “but it was great to hear from him.”

The defense came up big again, stopping the Eagles on downs at the Rams’ two-yard line.

On came Stafford, who ranks fourth all time in fourth-quarter comebacks.

“We call it the Mamba period,” said Williams, who rushed for 80 yards in 15 carries and had 10 receptions for 67 yards. “We knew we had to get things done. … Matthew, man, he got us all together. He said ‘Let’s freakin’ do it’ and we did the dang thing.”

Stafford engineered a nine-play, 98-yard drive that Williams finished with a one-yard touchdown run to cut the deficit to 20-17 with less than four minutes left.

Stafford got the ball back with 2:55 left at the Rams’ 21-yard line. He connected with Nacua three times and Higbee once before Williams scored on a seven-yard run with 1:10 remaining.

Rams quarterback Matthew Stafford slides after running the ball against the Eagles on Sunday.

(Matt Slocum / Associated Press)

The play included Williams’ trademark second and third efforts.

“I wasn’t looking at any defender,” Williams said. “I wasn’t looking at any blocks. I was just having that smell, that nose for the end zone.”

Next up: Josh Allen and the 3-1 Buffalo Bills, a 29-26 loser Sunday against the New England Patriots.

The Rams will go into the game a .500 team riding the high of a comeback victory rather than trying to get out of a 1-3 hole.

At some point, the Rams will welcome back edge rusher Myles Garrett, defensive lineman Aaron Donald, who sat out because of a sore back, and tight end Terrance Ferguson, who like Garrett is on injured reserve. They are still more than capable of becoming the team that was hyped throughout the offseason.

So Sunday’s victory — rather than another loss in Philadelphia — could pay dividends.

“Hopefully,” Stafford said, “it was really important come later in the year.”

The knives were already out. The boos were already ringing.

At the end of an already brutal week at USC, during which the nation was ready to dance on the graves of the Trojans and their coach, it seemed for much of Saturday that any last shreds of faith in coach Lincoln Riley might melt away in the beating Southern California sun. Not only had the aftermath of their Oregon loss gone as poorly as possible, but now the Trojans were tripping over themselves again, trailing Washington, a middling Big Ten team down to its fourth-string running back, and a chant began to rise above the fray, from the USC student section.

“FIRE LINCOLN!” they roared.

That refrain had only been heard in hushed tones until this past week. But Saturday, before the No. 18 Trojans pulled away with a 25-21 victory, it felt as if their embattled coach stood at the edge of a certain Rubicon, one he may not return from with one wrong step.

That tension still hung thick over the Coliseum until late in the third quarter, when linebacker Elijah Newby came roaring around the edge toward Washington quarterback Demond Williams Jr. He swatted the ball out of his right hand, and defensive tackle Jahkeem Stewart scooped it up. He sprinted 48 yards on a sore foot for a go-ahead score — and joked afterward that he hit 22 mph on his scoring scamper.

Just two minutes earlier, the Trojans had been down 21-10, and it wasn’t hard to envision how their season could continue spiraling from there. One mistake, one missed opportunity, one penalty after another brought them to this point, despite the fact that the Huskies actually struggled to move the ball on USC’s defense throughout.

It looked, for most of Saturday, like that unit took a step forward after the past two weeks, when both Rutgers and Oregon marched on them. Through one half, USC held Washington to just 44 passing yards. Through three quarters, Washington was averaging fewer than six yards per play.

“The bounce back was huge for us,” freshman defensive end Luke Wafle said.

Washington quarterback Demond Williams Jr., left, tries to fend off USC linebacker Elijah Newby during the second quarter Saturday at the Coliseum.

(Ronaldo Bolaños / Los Angeles Times)

USC’s defense nearly came apart in the fourth quarter, though, at the worst possible time. Washington hadn’t converted a single third down until its final drive, when Williams converted a third-and-11 pass, then hit a fourth-and-two bomb for 43 yards. The Huskies got as close as the USC 12-yard line, before the Trojans finally shut the door.

“We had to dig deep for this one,” Riley said. “Especially as sloppy as we played.”

USC (5-1, 2-1) did try something a little different on defense, with defensive coordinator Gary Patterson calling the game from the press box instead of the sideline. Riley said the decision was akin to “trying to just move the chess pieces to get everyone in the right position.” He also added that Patterson’s former staff at Texas Christian had a lot more familiarity with Patterson’s scheme, and thus he handled things differently with that staff.

But the communication issues of past weeks appeared less of a problem on defense. The real concerns Saturday actually came on offense, where the Trojans uncharacteristically sputtered. Jayden Maiava was 21 of 34 for 245 yards, with a touchdown and an interception.

Still, judging by the box score alone, you’d be hard-pressed to understand how USC could have nearly squandered a game in which they piled up far more yards (360 to 319) and had the ball for far longer (34:58 to 25:02) and dominated on third down.

“We’re gonna fix it,” Stewart said. “No team comes out perfect. It takes time.”

After a disappointing few weeks on the defensive end, USC actually opened the game by forcing Washington (3-2, 0-2) into back-to-back three and outs.

But the Trojans managed a measly three points from those stops. Their first drive, stalled in the red zone. The next one backed up USC to the one-yard line after wideout Terrell Anderson muffed a punt.

Washington took advantage of the field position on its next drive. Faced with a fourth and seven in USC territory, Williams slipped past pressure and scampered to a first down. It was the first sign of life from the Huskies’ offense, which found its way into the end zone four plays later.

Then, USC gave the ball right back. On the run, Maiava launched a pass off his back foot under heavy pressure. It fell well short of its target and was picked off.

USC’s defense held strong, forcing a third three and out in the Huskies’ first four drives. And its offense finally held up its end of the bargain, with Waymond Jordan punching in an eight-yard touchdown.

USC quarterback Jayden Maiava scrambles during the first half against Washington at the Coliseum on Saturday.

(Ronaldo Bolaños / Los Angeles Times)

Washington continued to struggle moving the ball, but mistakes from USC helped its cause. An illegal formation penalty wiped away a deep Trojan touchdown pass to Kayden Dixon-Wyatt. Then on the ensuing possession, Wafle grabbed Williams’ face mask as he pulled him down for a sack.

USC had more penalty yards (50) than Washington had passing yards (44) in the first half. And those penalties gave the Huskies life at the end of the half, as they drove the length of the field and scored again.

“We felt like we were outplaying them,” Riley said. “We just couldn’t get out of our own way a little bit. That’s probably going to be a defining thing for this team going forward, how much we can do that.”

With a chance to regroup, the Trojans tripped over themselves out of the half too. An unsportsmanlike penalty killed their opening drive. Then, Washington tight end Decker DeGraaf caught a pass and took off down the sideline, running through two feeble-arm tackles on the way to an inexplicable 42-yard touchdown.

After that, the Riley chants rang out from the student section. But the Trojans’ offense mounted a 13-play scoring drive in response. Tanook Hines tore the ball away from a Washington defender in the end zone.

USC coach Lincoln Riley walks back to the sideline after speaking with his players during a timeout in the first half Saturday.

(Ronaldo Bolaños / Los Angeles Times)

Less than two minutes later, Stewart scooped up the fumble and took off. His 48-yard return completed a 12-point swing for the Trojans.

“To overcome all that and still win shows me some of the guts and toughness and culture in this room right here,” Riley said. “We could’ve folded.”

Still, USC couldn’t put Washington away. Down to their last drive, the Huskies converted a third and 11 and two fourth downs to drive deep into Trojan territory late.

But Kameryn Crawford pulled Williams down for a sack — the Trojans’ fifth of the game — and the defense held. And USC, at the end of a long, brutal week, breathed a sigh of relief.