Colombian

Legendary Colombian folk singer Totó La Momposina dies at 85

Colombian folk music icon Totó La Momposina, known as the “Queen of Cumbia,” has died. She was 85.

The Colombian Ministry of Culture announced the lauded vocalist’s death Tuesday morning.

“Today we bid farewell to the eternal Totó. (1940-2026) To the eternal teacher who traveled the entire world to the rhythm of cumbias, porros, mapalés, and bullerengues born in the heart of our land,” the ministry wrote in an X post. “To the eternal Momposina who spoke of the traditional music of the Caribbean, empowered it, and enriched it for decades to write an entire chapter in the cultural history of our country.”

In an Instagram post from the artist’s official account, her children provided a cause of death.

“With profound sorrow, we, her children Marco Vinicio, Angelica Maria, and Euridice Salome Oyaga Bazanta, announce the passing of our mother, Sonia Bazanta Vides, better known as Totó la Momposina, surrounded by her family in Celaya, Mexico, on Sunday, May 17. Cause of death: myocardial infarction,” the post read.

The children also touched on the enduring legacy that their mother left behind.

“Totó was a woman who, with her voice and extraordinary dedication, carried the culture and memory of the Colombian people to the far corners of the world. Her joy, light, wisdom, talent, generosity, and many other virtues touched the lives of countless people,” they continued in the post. “She shared with the world the music, culture, dances, and essence of Colombia’s Caribbean coast. Her name will forever remain in the memory of those who admired her, accompanied her and loved her.”

Born Sonia Bazanta Vides in 1940 in the Colombian town of Talaigua Nuevo, Totó la Momposina was born to a family with Afro-Colombian and Indigenous roots. Her music was renowned for incorporating the percussive and melodic instruments unique to her cultural identity. Both of her parents were amateur musicians and she began performing on stage at the age of six.

Her musical taste and sound was informed by the Afro-Indigenous rhythms of the traditional mapalé, chalupa, porro, bullerengue and cumbia genres that originated in Columbia and which she studied by visiting musicians in neighboring villages throughout her youth.

After moving to the Colombian capital of Bogotá in the 1960s, she immersed herself in the city’s music scene and began performing as part of a group. Totó la Momposina moved to Paris in the 1980s to study music at the Sorbonne University.

When Colombian author Gabriel García Márquez received the Nobel Prize in literature in 1982, she accompanied him to Stockholm and was among several Colombian artists to perform at the ceremony.

Hot on the heels of some international recognition, Totó la Momposina released her debut solo album “La Verdolaga” in 1983. She would later catapult to greater worldwide fame after she formed an artistic relationship with English musician Peter Gabriel. Under Gabriel’s Real World Records label, Totó la Momposina released her 1993 album “La Candela Viva,” which received international acclaim and a formative text in the cumbia and bullerengue genres.

In 2011, she was award record of the year at the 12th annual Latin Grammy Awards, alongside Calle 13, Susana Baca and Maria Rita for the track “Latinoamérica.” The singer also received a Latin Grammy lifetime achievement award in 2013.



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Federal judge orders Trump administration to bring back Colombian woman deported to Congo

A federal judge has ordered the Trump administration to bring a Colombian woman back to the U.S. from Congo, after she was deported to the African nation that had refused to accept her.

The deportation of Adriana Maria Quiroz Zapata “was likely illegal,” U.S. District Judge Richard J. Leon ruled Wednesday.

Zapata, 55, who has diabetes and a thyroid condition, “has been sent to a country that refused to accept her because they cannot provide sufficient medical care,” the ruling said. “As a result, she faces a daily risk of medical complications, up to and including death.”

Black spots began to grow on Zapata’s back and foot while she was in detention, her skin started to peel and her nails blackened, according to a declaration that Zapata submitted in court, and which was provided to the AP by her lawyer.

“She’s not doing well and does worry that she’s going to die,” her lawyer, Lauren O’Neal, said.

Zapata entered the U.S. from Mexico in August 2024 and was taken into Immigration and Customs Enforcement custody. Since being deported, she has lived in a hotel in Kinshasa, Congo’s capital. The hotel gates are locked, O’Neal said. Zapata and other deportees are rarely allowed out, and only with supervision, she said.

Zapata was among thousands of immigrants living legally in the U.S., waiting for rulings on asylum claims, when they were suddenly issued deportation decrees that ordered them expelled to countries where most had no connections.

More than 15,000 third-country deportation orders were issued in the White House push for ever more immigrant expulsions, advocacy groups say, though only a fraction of the orders have been carried out.

Few details are known about the agreements to accept these deportees, though the U.S. has signed them with a range of countries, including Ecuador, Honduras, Uganda, Cameroon and Congo. Advocacy groups estimate only a couple of hundred third-country deportations, at most, have been carried out.

Galofaro writes for the Associated Press.

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