clueless

I watched my dad die on party boat – ‘clueless’ staff covered him with towel & still partied…Why his death won’t be last

HOLIDAY booze cruises promise a carefree escape with sun, sea and endless partying – but beneath the decks and pounding music lies a darker reality.

For Nakita Colville, a pirate-themed boat trip in Turkey turned to tragedy when her father, Peter, suddenly died while swimming – but instead of rushing back to shore, staff told his shell-shocked daughter, “he’s dead, he’s gone”, covered his body with a towel, and told guests they would go ahead with a planned foam party.

Peter Colville smiling at the camera with clothes hanging on a line in the background.

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Peter Colville died on a boat trip in Turkey as his family watched on in horrorCredit: SWNS
Nakita Colville and her sister Tasha.

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Nakita Colville with her sister Tasha on holiday in Turkey before her dad died on a boat tripCredit: SWNS
A boat full of people sailing past mountains on the water.

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The boat – which cost the family £200 – where Peter Colville tragically diedCredit: SWNS

In her first exclusive interview since her father’s heartbreaking death just nine weeks ago, on July 27, she told The Sun how “unbothered and clueless” staff on board just stood there watching as her dad died in front of his children and grandchildren.

She also warned that this wouldn’t be the last tragedy at sea onboard unregulated party boats with shoddy safety standards.

She tells The Sun: “I don’t think people are aware of how dangerous it can be until something like this happens to your family.

“Unless things change, I don’t think this will be the last death.”

Despite thousands of tourists signing up for boat parties and trips every year, what was once a thrill-filled novelty is now a high-risk activity, where the line between fun and danger is perilously thin. 

And the risks are compounded once you step outside UK waters, where regulations can be patchy and enforcement inconsistent – and lax safety measures, unlimited drink offers, and drugs circulating on board create a perfect storm.

On one booze-filled stag-do party cruise in Lisbon, laddish “banter” led to the tragic death of city worker Nishanthan Gnanathas.

Thrown from a yacht into the River Tagus in November 2019, Nish – best man and beloved friend – hit his head on a balustrade before crashing into the icy water. 

The coroner’s conclusion was stark – what happened was “horseplay that went tragically wrong”.

Dr Fiona Wilcox recorded a conclusion of misadventure, saying: “This was an absolutely tragic accident that could not have been reasonably anticipated.”

Tragedy Strikes Pirate Ship: British Dad Dies on Holiday in Turkey

Maritime police chief Malaquais Dominguez said “it was a stupid joke between friends”.

“He was pushed and he went overboard. He disappeared in the water. I have no doubt they will live with this terrible moment for the rest of their lives,” Dominguez said. 

The story echoes the growing unease around stag and party-boat culture abroad – where cheap alcohol, bravado, and ritualised pranks can lead to tragedy.

In Amsterdam, Neil Stewart’s fiancée arranged a surprise weekend in the Dutch capital – and told her it was “the happiest time of his life”.

But by the end of a night on a party boat, Stewart was dead, swallowed by the inky waters of the Noordzeekanaal after what witnesses believe began as a prank on board.

The Newcastle coroner’s inquest heard Stewart had taken cocaine and cannabis before boarding the boat for the Bounce Til I Die event. 

Post-mortem tests later confirmed both in his system, along with traces of cannabis from a “space cake” eaten earlier in a café.

A witness said she saw Stewart “deliberately jump” from the smoking deck and initially thought it was “a silly prank” – especially as he seemed to be laughing in the water before he drowned, and Stewart’s body was recovered two weeks later.

People dancing at a foam party on a boat on the Aegean Sea near Oludeniz beach in Turkey.

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A foam party on a tourist boat near Oludeniz beach in Fethiye, TurkeyCredit: Getty
Neil Stewart with a woman.

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Neil Stewart, 30, from Newcastle, died on a party boat in Amsterdam
Nishanthan Gnanathas, known as Nish, a risk manager for a City investment firm.

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Nishanthan Gnanathas died after he was thrown in the water during a prank on a stag party river cruise in PortugalCredit: SWNS:South West News Service

‘Pirate ship’ tragedy

On July 27, grandfather Peter Colville, 60, from Woking, died on board a pirate-themed boat trip in Alanya, Turkey.

Daughter Nakita, 27, told how her father and nine other family members, including children, had boarded the boat.

The “luxury pirate ship” promised entertainment, DJs and a foam party, along with two swim stops for guests to go snorkelling.

The family paid over £200 for tickets to board the “luxurious six-deck yacht” – called Legend Big Kral – at an excursion centre.

Everyone was enjoying the music, blue seas and stunning views of the Mediterranean as the boat, carrying some 600 passengers according to Nakita, set sail.

Unless things change, I don’t think this will be the last death

Nakita Colville

Nakita, an admin assistant, said: “My dad is very safety-conscious, and I remember as we walked onto the boat, he said it was strange they didn’t seem to tick off names, hand out wristbands or get waivers signed.

“At that point, we just brushed it off – we never could have known what was to come.”

The first swim stop came and went, with most of Nakita’s family getting into the water, including property maintenance boss Peter – who was an avid snorkeller. 

Peter Colville wearing blue shorts and a snorkel, swimming in the sea.

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Peter Colville minutes before his deathCredit: SWNS
Peter Colville holding his daughter Nakita as a little girl.

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Peter with daughter Nakita when she was littleCredit: SWNS

Nakita recalled feeling strange that only the children were given life jackets.

So, being a weaker swimmer, when the second swim stop came at Cleopatra Beach, she opted not to go back in.

But confident swimmer Peter, and Nakita’s brother-in-law, Ben Diamond, 35, were keen to get back in the water again.

The pair were happy snorkelling together one minute – and the next, Nakita heard screams of panic.

She says: “I looked into the water and saw my dad’s face, floating, and people scrambling to get him out of the water.

“My sister and I ran down – and she screamed, ‘Oh my God, he is going purple’.”

Nakita said guests dragged Peter, a dad-of-seven and grandfather-of-six, onto the deck, and one began administering CPR.

As Nakita’s family – along with countless other guests – crowded around, “screaming and horrified”, she claims “unbothered and clueless” staff on board “just stood there watching”.

She alleged staff on board repeated, “he’s dead, he’s gone” before a member of the team suggested covering Peter’s body with a towel – before the coastguard even arrived.

Nakita says: “There didn’t seem to be any system in place to deal with an emergency situation. There didn’t seem to be a plan.

“He was laid on the deck – and then nothing. No proper procedure, no clearing the deck of onlookers, no immediate CPR. They stood there with their arms crossed, clueless.

“Some seemed like they weren’t bothered, some of the younger staff members looked like they felt bad that they didn’t know what to do. 

“It didn’t feel like they were adequately first-aid trained. It was the guests giving my dad CPR.”

Rosalind and Peter Colville on a boat trip.

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Rosalind and Peter Colville on the boat tripCredit: SWNS
Peter Colville, the dad who died on a Turkey holiday pirate ship boat trip.

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Peter Colville’s daughter said he wouldn’t have got in the water if he wasn’t feeling wellCredit: SWNS
People carrying a white coffin into a church for Peter Colville's funeral.

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Peter Colville’s funeralCredit: SWNS

She claims she asked staff if the boat carried a defibrillator and was told by a crew member that they didn’t have one as they “couldn’t keep it charged”.

She said: “I found that strange, as they had electricity for the DJ decks and foam machines.”

According to UK Maritime and Coastguard Agency advice, all ships should undertake a risk assessment, but “as a general guide, vessels in regular operation carrying in excess of 100 persons” should carry a defib.

But many holiday booze cruises operate in foreign ports with looser safety standards, overcrowded decks, and minimal oversight. 

Life jackets may be scarce, crew training is often insufficient, and emergency procedures can be a little more than a box-ticking exercise. 

Nakita said the event was so traumatising that her mother and Peter’s wife, Rosalind Colville, 53, collapsed from shock.

And Nakita says it was also guests on board helping Rosalind by bringing her water and getting her a chair – rather than staff.

I was told the remaining guests were told ‘sorry for the delay’ and they carried on with the party. Apparently it was disturbing – nobody else on board even wanted to party after what they had just witnessed

Nakita Colville

Nakita says: “My sister and I were just holding my dad’s hand, screaming.

“As far as we knew, or he knew, he was healthy – we have no idea what happened.

“He was smart – if he had been, or felt, unwell, he wouldn’t have got in the water.

“They had covered him with a towel before the coastguard even arrived.”

When they did finally arrive 40 minutes later, Peter was taken to hospital.

The family were asked whether they wished to remain on the boat for the rest of the trip, or get off and go to hospital with him.

The family – including two of his grandchildren – were taken off the boat, and at the hospital Peter was confirmed dead.

Nakita says she learned from other guests at their hotel, who were also on board the boat, that after her family left, the party continued.

The law… and how to stay safe

DAVID McFarlane (Master Mariner), from Maritime Risk and Safety Consultants Ltd in the UK, said crew members on party boats should be adequately trained to deal with emergencies – including saving persons from the water and giving first aid to casualties.

He told The Sun: “With regards to drinking alcohol, there are no distinct rules concerning passengers although crews will be subject to the local law and generally many shipping companies do not allow alcohol to be consumed at all by the crew, but it is up to individual companies to make that decision and on how to implement it.

“All would appear to involve quite heavy drinking by passengers and this is also evident when looking at some adverts on the likes of Facebook.

“It is difficult to see how this practice can be changed; the passenger may see drinking as part of the party experience and the company will no doubt be looking at the profits being made at the bar.

“However, the dangers associated with drinking alcohol cannot be overstated.

“While the sea temperatures in the Mediterranean are much warmer than around our coastline, alcohol reduces the blood sugar levels and this can impair the response to cold with a person losing body heat faster than normal.

“But large amounts of alcohol (and drug consumption) will also impair the individual’s mental faculties that will have to be relied on when getting into difficulty in the water.

“The effects will also impair people’s perception of risk and safety and not worry about leaping into the water or the risk of drowning.

“No one wants to stop people enjoying themselves but there definitely does have to be an element of control.

“This is a very difficult equation to balance for an operator of these vessels. There is profit versus safety.

“But also, the risk of legal action against a company (or individual within that company) when something goes wrong.”

She claims she learned the crew even hosted a foam party for the remaining traumatised passengers.

She said: “I was told the remaining guests were told ‘sorry for the delay’ and they carried on with the party.

“Apparently, it was disturbing – nobody else on board even wanted to party after what they had just witnessed.”

Nakita had to break the news by phone to her four brothers and their families back home.

Postmortems were conducted in Turkey and back in the UK when his body was brought home.

Nakita said neither could find a cause of death, so investigations are ongoing as the family tries to grieve the loss of their beloved father and grandfather.

One Tripadvisor review from the day of the tragedy read: “The way it was handled by the crew was nothing short of horrifying.

“It is unsafe, unprofessional, and the crew is neither trained nor emotionally capable of handling emergencies – or tragedies.”

There didn’t seem to be any system in place to deal with an emergency situation. There didn’t seem to be a plan

Nakita Colville

But Nakita fears tourists don’t realise the risks associated with excursions like this one.

She says: “With these trips, even if safety measures are in place, there are always risks.

“Thinking back, I don’t think there were enough crew members for the number of people on the boat, and to be able to watch all the people swimming in the water.

“We can’t say it was the company’s fault that he died, but maybe he could have been saved.”

Legend Big Kral did not respond to a request for a comment, but a representative did contact Nakita directly after her original story was shared. 

They claimed that all ten staff members were first aid trained. 

Nakita says the representative also claimed that Peter passed of a heart attack – a fact which has not been confirmed yet by two post-mortems. Coroners say it is still being investigated. 

For many Brits, holiday booze cruises start as a fantasy: sun, cheap drinks and a chance to let loose, far away from the office or family life. 

But increasingly, these trips are leaving more than just a hangover in their wake. 

Two police officers on a patrol boat during the Sail 2010 boat parade in Amsterdam.

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Cops searching the Amsterdam canal for Neil StewartCredit: Alamy
Nishanthan Gnanathas, known as Nish, standing in water up to his waist, wearing sunglasses and red swimming trunks.

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Nishanthan Gnanathas, known as Nish, disappeared after plunging into the water while on a boat party in AmsterdamCredit: SWNS:South West News Service

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30 years of ‘Clueless,’ plus the week’s best movies in L.A.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

We are pleased to exclusively announce that the Egyptian Theatre will host the U.S. premiere of the new 4K restoration of Charlie Chaplin’s “The Gold Rush” on June 26, the 100th anniversary of the film’s premiere at that same venue in 1925.

The restoration premiered as part of the Cannes Classics section at the recent Cannes Film Festival. On June 26, the restoration will screen in more than 70 countries, with the Egyptian being the exclusive engagement in the U.S. Film historian Jeffrey Vance, author of the 2003 book “Chaplin: Genius of the Cinema,” will introduce the screening. Reproductions of the original film program will be available for 25 cents, the same price that it cost in 1925.

A little tramp hides under a table from competing prospectors.

An image from Charlie Chaplin’s “The Gold Rush.”

(Roy Export Company Ltd.)

“The Gold Rush” features Chaplin in his iconic Little Tramp character, searching for his fortune prospecting for gold, and features some of his most famous moments on-screen. The restoration, carried out by Cineteca di Bologna and L’Immagine Ritrovata, draws from materials sourced from archives all around the world, including the BFI Archive, George Eastman Museum and the Museum of Modern Art.

Tickets are now available at egyptiantheatre.com.

‘Clueless’ turns 30 at the Academy

Two high school girls in plaid suits speak on cell phones.

Stacey Dash, left, and Alicia Silverstone in the movie “Clueless.”

(Paramount Pictures)

On Saturday the Academy Museum will present a 30th anniversary screening of “Clueless” in 35mm, with director Amy Heckerling, actors Alicia Silverstone, Elisa Donovan and Breckin Meyer, costume designer Mona May and casting director Marcia Ross all scheduled to attend for a Q&A.

Written by Heckerling, the film is a loose adaptation of Jane Austen’s “Emma” relocated to affluent 1990s Beverly Hills. Cher Horowitz (Silverstone), a popular and fashionable teenager, sets about playing matchmaker for a new classmate, Tai (Brittany Murphy), enlisting her best friend Dionne (Stacey Dash) to help. Paul Rudd, in his feature debut, plays Cher’s stepbrother.

In his original review, Kenneth Turan called the film “a wickedly funny teen-age farce from writer-director Amy Heckerling that, like its heroine, turns out to have more to it than anyone could anticipate. … Put together with verve and style, ‘Clueless’ is a sweet-natured satire of L.A.’s over-pampered youth that gets more fun out of high school than most people had attending it.”

A woman in a baseball hat gives notes to the cast of a movie.

Director Amy Heckerling, second from left, on the set of “Clueless.”

(Paramount Pictures)

In the summer of 2020, Justin Chang interviewed Heckerling, who spoke about writing Cher’s voice-over narration and getting into the mind of the character by saying, “Once you get into her head, then it just goes. It’s not the voice of God. It’s the voice of that person. And you get into it, and it’s not necessarily what the writer needs — it’s what the writer wants you to think that person is thinking. And that’s a lot of fun to do. It’s like, as a writer, you’re also playing a character.”

The “Clueless” screening opens a series on teen movies that will run through July 10. Other titles include “Bring It On,” “Ferris Bueller’s Day Off,” “Adventures in Babysitting,” and “Saved!” all in 35mm, along with “Napoleon Dynamite,” “Dope,” “Love, Simon” and “10 Things I Hate About You.”

‘The Incredibly True Adventure of Two Girls in Love’

Two women embrace.

Nicole Parker, left, and Laurel Holloman in the movie “The Incredibly True Adventure of Two Girls in Love,” directed by Maria Maggenti.

(Alyson Levy / Fine Line Features)

Also on Saturday will be another 35mm 30th anniversary screening, with the UCLA Film & Television Archive showing writer-director Maria Maggenti’s “The Incredibly True Adventure of Two Girls in Love.” A charming example of ’90s indie filmmaking, the movie follows the burgeoning relationship between Evie (Nicole Parker) and Randy (Laurel Hollomon), two girls from opposite sides of the tracks who shouldn’t particularly even be friends, let alone romantically drawn to each other.

In his original review of the film, Peter Rainer wrote, “The experience of first love is a movie perennial but rarely is it believably rendered. The best thing going for ‘The Incredibly True Adventure of Two Girls in Love’ — an amateurish, sweet, little piddle of a movie — is that it captures a bit of the freshness, and the awkwardness, of the moment. … They seem like real people, and so their budding romance strikes a few remembered chords.”

In a June 1995 profile of Maggenti by Chris Riemenschneider, the filmmaker talked about her inspirations in making the film.

“I didn’t make a niche-market film,” Maggenti said. “It wasn’t about ‘Let’s make a lesbian film, and a bunch of lesbians will go see it.’ I wanted to make a film that people would enjoy, a film about an authentic human experience, and it happens to be with someone of the same sex.”

Points of interest

‘Death Becomes Her’ in 35mm

Two women pursue youth at all costs.

Goldie Hawn, left, and Meryl Streep in the movie “Death Becomes Her.”

(Deana Newcomb / Universal Pictures)

On Sunday the Academy Museum will host a 35mm screening of Robert Zemeckis’ 1992 “Death Becomes Her,” starring Meryl Streep, Goldie Hawn, Isabella Rossellini and Bruce Willis. Made with still-dazzling special effects work that should look spectacular in the Academy’s David Geffen Theater, the film is about two women who go to great lengths to maintain their youthful appearance, including competing for the romantic affections of a top plastic surgeon.

In his original review of the film, Kenneth Turan wrote, “‘Death’ gets progressively darker and darker, forgetting all about humor in its attempts to push the more mordant limits of its story. The three principals are game enough about all this, soldiering on until the end, but their characters, not having much to do that they haven’t done before, tend to sound the same single notes they have since Frame One.

“There is something regrettable in all this, because by industry standards this picture does take a few risks, and few enough pictures in today’s Hollywood take any at all. But even though ‘Death Becomes Her’ has no fear of being out on the edge, brazenness alone is no guarantee of success.”

The film is screening as part of a “Summer of Camp” series, that will also include “Valley of the Dolls,” “Sleepaway Camp,” “Flash Gordon,” “The Birdcage,” “Lifeforce,” “Serial Mom,” “Disco Godfather,” “To Wong Foo, Thanks for Everything! Julie Newmar,” “Showgirls” and “Drop Dead Gorgeous” all in 35mm prints, plus “Batman & Robin,” “But I’m a Cheerleader” and more. There will also be triple features of the “Austin Powers” movies and titles starring Joan Crawford and Elizabeth Taylor.

Shock-A-Go-Go Film Festival

A pink poster advertises movies and special guests.

A poster for the Shock-A-Go-Go Film Festival.

(Shock-A-Go-Go Film Festival)

The Shock-A-Go-Go Film Festival will settle into the Lumiere Cinema at the Music Hall on Saturday and Sunday. The highlight of this year’s program will be the Saturday screenings of 1978’s “Piranha” and 1981’s “The Howling,” with director Joe Dante and star Belinda Balaski present for both. Dante is a masterful storyteller and unflinching in his recollections. Any opportunity to hear him talk is worth taking.

Among the finest examples of the Roger Corman school of filmmaking (rooted in low-budget genre filmmaking but reaching unexpected heights), both “Piranha” and “The Howling” were written by John Sayles, who would go on to a notable career as a filmmaker in his own right.

Also on Saturday will be will be a screening of “Hellbound: Hellraiser II” with writer Peter Atkins and director Tony Randel present, as well as “Return of the Living Dead 3” with director Brian Yuzna in person. Yuzna’s 1989 cult classic “Society” will also show.

‘Personal Best’ and ‘Star 80’

A smiling young actor poses on a balcony.

Mariel Hemingway in January 1982.

(Lennox McLendon / Associated Press)

The New Beverly is featuring a double-bill of movies starring Mariel Hemingway on Monday and Tuesday: Robert Towne’s 1982 “Personal Best” and Bob Fosse’s “Star 80” from 1983.

“Personal Best” was the directorial debut for the Oscar-winning “Chinatown” screenwriter Robert Towne, who died in July of last year. The film stars Hemingway as a rising track star who falls in love with an older athlete, played by real-life Olympic track and field athlete Patrice Donnelly. Both are training for the 1980 Olympics. The film was noteworthy at the time for its frank depiction of a lesbian relationship, as well as its focus on the athletes at work.

A January 1982 profile of Towne by Dale Pollack found him in a suite at the Westwood Marquis Hotel (now the W) “filled with typewriters, phones, vodka bottles and stacks of yellowing newspapers.”

In a sign of the moment (and mindset) in which he was making it, Towne took some objection to classifying “Personal Best” as a gay-themed film, saying, “I don’t think in any way this is a lesbian or homosexual movie. What I’m interested in is how you deal with a society that encourages competition, and still care about other people. These two women are in love with each other. In order to place emphasis on who they’re making love to, you have to show it. But there are only two minutes of sex in the film; there are two hours of competition.”

I know I’ve talked about Bob Fosse and “Star 80” around these parts a number of times before, but for me it always rates a mention. Thinking of the film specifically in relation to “Personal Best” is worthwhile, as both films meditate on the use and meaning of women’s bodies.

Few films are as unsparing and dispiriting in their depiction of the star machinery of Hollywood as “Star 80.” Hemingway plays Dorothy Stratten, the Playboy Playmate turned actor who was brutally murdered by her ex-husband and manager, played with psychotic commitment by Eric Roberts.

In her original review of the film, Sheila Benson called it “creepy” and added, “Worst of all, there is a feeling of complicity that is not far from voyeurism that you get as part of ‘Star 80’s’ audience, sitting through the increasingly morbid tightening of the story.”

In other news

People gather outside a theater's marquee.

People gather outside the Gardena Cinema in 2023.

(Mel Melcon / Los Angeles Times)

Two local theaters are finding unique ways to support their communities this summer. Vidiots is launching Movie Den, a program of tween and teen-centric matinees focused on engaging a new generation of film lovers. Underwritten by Mubi and Golden Globe Foundation, screenings will take place in the venue’s microcinema. Tickets are $2 and popcorn is free. Titles in the program include “Scott Pilgrim vs. the World,” “Princess Mononoke,” “Rear Window,” “La Bamba,” “Hairspray,” “The Half of It,” “Hot Rod” and more.

In a statement, Maggie Mackay, executive director of Vidiots Foundation, said, “As a mom to teens and a member of a community that has been through so much this year, it was important to me and our team that we try to make what we know will be a hard summer for so many a little easier, by expanding programming with an intention to get us out of the house, off devices and reconnected.”

The Gardena Cinema, the last family-run independent single-screen indoor movie theater in South Los Angeles, will have free screenings this weekend as part of Pluto TV’s Free Movie Weekend at indie movie theaters across the country. Oscar-winning filmmaker Sean Baker — who did a Times interview from the Gardena last year and appeared there again just last weekend — has partnered with Pluto TV to support their program.

Screening for free at the Gardena this weekend will be “Grease,” “Saturday Night Fever” and 1984’s “Ghostbusters.”

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