Peter Pan’s flight is also currently closed until September 19.
Pirate’s Beach is currently closed and will be until October 23 for a safety inspection as well as replacement of the ground padding.
Mad Hatter’s Tea Cups will be closed between September 21 and October 2 to repaint the floor.
La Tanière du Dragon will close on October 5 until the middle of the month for servicing.
Europa Park
Europa Park is closing one ride permanently before the end of the yearCredit: Getty
Euro-Mir at Europa Park will be permanently closed towards the end of 2026 to make room for a new coaster.
There are also a number of water coasters at the park which will continue to operate weather permitting but usually close for the season in November.
Efteling
Efteling has a number of temporary closuresCredit: Supplied
Efteling is open year-round so closes rides for maintenance at different times.
For example, Python will be closed between September 7 and 9 to inspect the track.
Sirocco will be closed between September 14 and 18 for servicing.
Baron 1898 will close between October 5 and 9 for cable tensioning and brake checks.
Danse Macabre will have a slightly longer closure period between October 26 and November 6 to calibrate the ride and work on the audio visuals.
Max & Mortiz will close between October 26 and 30 for vehicle maintenance.
Gondoletta will close across the same dates for cable inspection and canal cleaning.
Droomvlucht will close for a longer period between November 9 and December 4 for an overhaul of the animatronics as well as the lighting and track systems.
Halve Maen will close between November 9 and 11 to work on the braking mechanics.
And finally, Joris en de Draak will close between November 30 and December 18 for structural inspections.
Thorpe Park
Thorpe Park, alongside a number of other UK theme parks, closes seasonallyCredit: Alamy
Thorpe Park will shut down for the season in early November following Fright Nights until late March 2027, excluding some seasonal events.
Rumba Rapids at the park had already retired earlier this year, after 39 years.
Other UK theme parks
Drayton Manor will close on November 1 for the season, as will Chessington World of Adventures, excluding some seasonal events.
Alton Towers will then follow on November 8, after Scarefest, excluding some seasonal events.
A number of waterparks will close seasonally across Europe as wellCredit: Trip Advisor
Caribe Aquatic Park at PortAventura World in Spain will close on September 21 for the season until late May 2027.
The outdoor parts of Rulantica at Europa Park in Germany will close in late September, with the entire indoor water world will then shut for the season in mid-November.
Aquafan in Italy will close in mid-September for the season and Caneva Aquapark also in Italy will then close in late September.
Disney‘s Typhoon Lagoon water park will temporarily close for its annual refurbishment on September 9 but a reopening date has not yet been announced.
Testimony ended Wednesday in the triple-murder trial of Lindsay Clancy, with closing arguements expected Thursday. File Photo by Justin Lane/EPA-EFE
Aug. 26 (UPI) — Testimony ended Wednesday in Lindsay Clancy’s triple-murder trial, with closing arguments set to begin Thursday.
Clancy, 36, is charged with three counts of first-degree murder in the killings of her three children, ages 5, 3 and 8 months, at their Duxbury, Mass., home in January 2023. She pleaded not guilty.
The defense has argued that Clancy should not be held criminally responsible because of extreme mental health issues, including postpartum psychosis, while prosecutors say she deliberately killed the children. A panel of 12 jurors is expected to start deliberations after closing arguments.
An FBI psychiatrist, Dr. Gregory Saathoff, was the final witness Wednesday. He said Clancy could still appreciate right from wrong when she killed the children and noted her planning for it, CNN reported. Clancy sent her husband out for takeout before the killings and then attempted to take her own life, cutting her wrists and neck and jumping out a second-floor window. She was paralyzed by the fall.
“The fact that this was done without any witness present during a time where she had asked a potential witness to go on a longer errand — also I thought was significant,” Saathoff said.
The jury will have the choice of first- or second-degree murder or manslaughter charges. If Clancy is found guilty, she will face life in prison. If she is found not guilty by reason of insanity, she will likely be committed to a mental health facility.
The prosecution called more than 70 witnesses during the trial, while the defense called 10. Clancy’s defense included testimony from friends and family members who called her an “incredible” mother.
Clancy, who worked as a labor and delivery nurse at Massachusetts General Hospital, sought treatment for her mental health issues and was prescribed more than a dozen psychiatric medications on and off over several months. Both sides called psychiatric experts to testify during the trial.
Britons Jacob Fearnley, Toby Samuel, Harry Wendelken and Harriet Dart stand one win away from a place in the US Open main draw after coming through their second round qualifying matches in New York.
Fearnley showed great resilience in battling to a three-set victory over Frenchman Luka Pavlovic, which set up a meeting with Austria’s Jurij Rodionov.
The 25-year-old world number 100 recovered from a break of serve down to take the opening set, and held his nerve in the decider after his opponent levelled the match to clinch a 6-4 6-7 (4-7) 6-4 win.
Samuel, bidding to qualify for the US Open for the first time, produced a comeback victory against fellow Briton Billy Harris.
The 23-year-old, who made his slam debut at this year’s French Open, recovered to win 4-6 6-4 6-1 and set up a meeting with Chile’s former top-20 player Cristian Garin.
Wendelken, who has never contested the main draw at an overseas slam, saved a match point to come through a three-hour tussle with Switzerland’s Remy Bertola.
The 24-year-old, ranked 196th, appeared on the brink of elimination at a set and 5-2 down, but denied Bertola a match point to level at 5-5 before edging the second-set tie-break.
Wendelken took charge of the decider, establishing a 5-2 lead, but was forced to withstand a late fightback from his opponent before eventually clinching a 5-7 7-6 (7-4) 6-4 win. He will face Lithuania’s Vilius Gaubas next.
The United States is considering closing its consulate in Medan, Indonesia, which is near the highly strategic Strait of Malacca. File Photo by Fazry Ismail/EPA
Aug. 13 (UPI) — The Trump administration’s decision to close the U.S. Consulate in Medan, Indonesia, may save relatively little money. But it risks weakening American influence in one of the Indo-Pacific’s most strategically important regions at a time when Washington says competition with China is its foremost foreign policy priority.
The Medan consulate is small compared with the U.S. Embassy in Jakarta or major diplomatic posts elsewhere in Asia. Yet, its strategic value has long exceeded its size.
Situated on the island of Sumatra, the consulate serves roughly 60 million Indonesians across 10 provinces, supports U.S. commercial interests, advances educational and environmental partnerships and provides Washington with a permanent presence near the Strait of Malacca — one of the world’s busiest maritime corridors.
The proposed closure comes as the United States seeks to deepen its Comprehensive Strategic Partnership with Indonesia, Southeast Asia’s largest economy, the world’s largest Muslim-majority democracy and an increasingly influential G20 member.
Those ambitions sit uneasily alongside a shrinking American diplomatic footprint in one of Indonesia’s most important regions.
For years, U.S. officials have argued that competition with China extends beyond military deployments and naval exercises. It also depends on trade, investment, educational exchanges, environmental cooperation and people-to-people ties.
Those objectives require diplomats on the ground, particularly outside national capitals where many of today’s political and commercial relationships are forged.
“The administration should reconsider closing a strategically located consulate near the Strait of Malacca,” Patrick Cronin, chair for Asia-Pacific Security at the Hudson Institute, told UPI. “Recent tensions around the Strait of Hormuz remind us how indispensable the Strait of Malacca remains to global commerce.”
Sumatra is one of Indonesia’s economic engines, producing energy, palm oil, coffee, rubber and other commodities, while anchoring important shipping and trade routes across the Malacca Strait and the Indian Ocean.
The island accounts for a large share of Indonesia’s palm oil production, while its provinces are also major exporters of rubber, coal, agricultural products and manufactured goods.
North Sumatra recorded more than $3.5 billion in exports in 2025, while South Sumatra recorded $6.3 billion. American companies operating in energy, agribusiness, manufacturing and logistics therefore have commercial interests that extend well beyond Jakarta, including relationships with provincial governments, suppliers, ports, industrial estates and local business communities.
A diplomatic presence in Medan provides U.S. officials with a base for supporting those relationships, monitoring commercial conditions and helping American companies navigate regulatory and administrative issues in a region central to Indonesia’s trade and resource economy.
“It will reinforce the perception that the United States is shrinking its footprint in Southeast Asia,” Murray Hiebert, head of research at BowerGroupAsia, told UPI. “Closing Medan also removes the only permanent U.S. diplomatic presence near the Strait of Malacca.”
Unlike many countries where political authority is concentrated in one capital, Indonesia’s decentralized system gives provincial governments considerable influence over investment, environmental management and economic development. Relationships built through a regional consulate cannot easily be replicated through periodic visits from embassy officials based in Jakarta.
Indonesia also occupies a distinctive place in Washington’s Indo-Pacific strategy. It is neither a treaty ally nor a strategic adversary, but an independent regional power that has consistently pursued its long-standing “free and active” foreign policy. Jakarta has resisted choosing sides between Washington and Beijing, preferring to cultivate strong ties with both.
Ted Osius, former U.S. Ambassador to Vietnam, who also served as president and CEO of the U.S.-ASEAN Business Council, said Washington has spent years strengthening its partnership with Indonesia as both countries seek closer trade and defense cooperation.
“The annual cost of operating the U.S. Consulate in Medan, staffed by just two American diplomats serving an island of more than 60 million people, is roughly equivalent to one minute of Pentagon spending during the conflict with Iran,” Osius told UPI. “The modest savings from closing the post would come at a disproportionate strategic cost.”
China has long recognized that influence is built through sustained local engagement as much as national diplomacy. Over the past decade, Beijing has expanded its presence across Indonesia through infrastructure projects, mining investments, industrial cooperation and Belt and Road financing.
Chinese companies dominate Indonesia’s rapidly growing nickel-processing industry, while the Jakarta-Bandung high-speed railway has become Beijing’s flagship infrastructure project in Southeast Asia.
Chinese engagement extends well beyond Jakarta. Provincial governments across the archipelago work directly with Chinese companies, universities and local officials, allowing Beijing to deepen relationships through consistent local engagement rather than high-profile diplomatic initiatives alone.
Against that backdrop, reducing the American presence outside the capital risks reinforcing perceptions that Washington’s commitment is narrowing rather than expanding.
The implications extend beyond geopolitics. Sumatra contains some of the world’s richest tropical forests, including the Leuser Ecosystem, one of the few places where orangutans, elephants, rhinos and tigers still co-exist in the wild. These forests also rank among the world’s most important carbon sinks, making them central to global biodiversity and climate efforts.
“We should not be closing the U.S. Consulate in Medan,” Robert Blake, a former U.S. ambassador and now senior managing director at McLarty Associates, told UPI. “Despite its relatively small operating cost, the consulate punches well above its weight.
“It enables U.S. diplomats to engage with Sumatra’s 60 million people, promotes American business in a region rich in energy, palm oil and coffee, and supports Indonesia’s efforts to protect Sumatra’s unique biodiversity — a globally significant natural heritage and one of the world’s most important carbon sinks.”
That work has included support for conservation partnerships, scientific cooperation, educational exchanges and civil society initiatives. As climate change increasingly intersects with national security and economic policy, environmental diplomacy has become another arena in which countries build long-term influence.
The Medan consulate has served as a regional presence in North Sumatra, providing U.S. diplomats with direct access to local officials, business leaders, universities, civil society organizations and other institutions outside Indonesia’s capital.
Its location also gives Washington a base for monitoring developments across a strategically important part of the country, including trade, investment, maritime activity and regional ties.
Closing or consolidating that presence would shift more of those functions to the U.S. Embassy in Jakarta and other regional posts, potentially changing how frequently American officials engage with counterparts in Sumatra.
Supporters of consolidation argue that modern communications and periodic travel can substitute for permanent regional offices, particularly during a period of fiscal restraint. But diplomacy remains fundamentally relational. Trust develops through sustained interaction, familiarity with local institutions and networks that cannot be built through occasional visits.
Whether the closure ultimately proceeds is less important than what it signals. Throughout the Indo-Pacific, Washington contends that strategic competition with China will be won not only through military strength, but also through sustained economic, diplomatic and societal engagement. That strategy depends on people, institutions and local relationships built over decades — not only on high-level summits or defense agreements.
The annual savings from closing a small consulate in Medan are likely to be modest. The strategic cost may be harder to measure.
James Borton is a non-resident senior fellow at Johns Hopkins SAIS Foreign Policy Institute and the author of Harvesting the Waves: How Blue Parks Shape Policy, Politics, and Peacebuilding in the South China Sea. Borton is the editor-in-chief of the South China Sea NewsWire. The views and opinions expressed in this commentary are solely those of the author.
Wales finished a first season under Tandy with a record of three wins, against Japan, Italy and Fiji, from 12 Tests.
They are 11th in the world rankings – bizarrely moving up a place courtesy of the Azzurri’s heavy loss in Australia – as they count down to next year’s World Cup, when they face England, Tonga and Zimbabwe in the group stages.
“The squad has developed, particularly with our performances against Scotland and Ireland during the Six Nations, and then the win over Italy,” said Morgan.
“We were pleased with the victory over Fiji at the start of the summer as well because we know how difficult they are to beat.
“We just have to keep developing and we’ve been doing that as a squad. There are still plenty of lessons to learn, but the more we play together, the more experience we gain and the more we can improve.”
Morgan, who is now officially a Gloucester player after his summer move from Ospreys, missed eight Tests after suffering a shoulder injury against Argentina in Tandy’s first game.
The British and Irish Lions flanker says that Wales are leaving no stone unturned in their bid to close the gap as quickly as possible.
“We’re a very close group and everyone wants to get better,” said Morgan, who was captain for Tandy’s first game.
“I’m proud of the effort they’ve put in, not just over these last three weeks but throughout the whole season.
“It’s clear that everyone wants to learn, improve and continue developing together as a squad.”
Wales play four Nations Championship fixtures in November against Japan, New Zealand and Australia in Cardiff before facing another southern hemisphere opponent at finals weekend in Twickenham.
Italian singer Pausini told the BBC’s Carl Nasman that she’s “very excited” and “proud” to be performing alongside Williams and Scherzinger at the closing ceremony.
“When Robbie [Williams] invited me to sing with him, I felt goosebumps everywhere because Robbie’s one of my favorite singer, songwriter, and performer,” Pausini told the BBC.
The celebrity line-up will continue at half-time with performances by Madonna, Justin Bieber, Shakira and BTS.
Madonna, the best-selling female music artist of all time, is set to perform after the launch of her new album, Confessions II, which debuted at number one on the Billboard 200 chart in July.
Bieber also returned to the spotlight earlier this year, with his biggest live performance in four years at the Coachella music festival after cancelling his Justice world tour because of health issues.
The 2026 World Cup final will feature two live performances: one before kickoff and another at half-time.
The match will be played at MetLife Stadium in New Jersey on Sunday, July 19, with some of the world’s biggest musicians taking the stage as part of the celebrations.
Recommended Stories
list of 4 itemsend of list
Here is what to know:
When is the World Cup 2026 final?
The World Cup final between Spain and Argentina will take place on Sunday, July 19.
Kickoff is scheduled for 3pm local time in East Rutherford, New Jersey, which is 19:00 GMT.
The match will be played at MetLife Stadium, home of the NFL’s New York Giants and New York Jets. During the tournament, the venue has been temporarily renamed New York-New Jersey Stadium.
The multipurpose stadium can hold up to 82,500 spectators for football matches. It also hosted the 2025 FIFA Club World Cup final and both semifinals.
What time does the World Cup closing ceremony start?
The World Cup closing ceremony will begin at 1:30pm local time (17:30 GMT) in New Jersey on Sunday, July 19.
Jennifer Hudson will also perform the United States national anthem before kickoff.
The ceremony will celebrate the 48 teams that competed across the three host countries and 16 host cities during the tournament.
When does the half-time show start?
Unlike the closing ceremony, which takes place before kickoff, the half-time show will be staged during the interval between the first and second halves. With kickoff at 3pm local time (19:00 GMT), it is expected to begin just after 3:45pm local time (19:45 GMT), depending on stoppage time.
The half-time performance is expected to last about 11 minutes, although FIFA has not officially confirmed the length of the interval. Reports suggest the break could be extended beyond the standard 15 minutes to between 20 and 25 minutes to allow time for the stage to be installed and removed.
Under the Laws of the Game set by the International Football Association Board (IFAB), half-time should not exceed 15 minutes. However, competition rules can allow a longer interval with the referee’s approval, and FIFA has not explained how the extended break will be implemented.
Although this will be the first half-time show in a World Cup final, FIFA tested the concept at last year’s Club World Cup final at MetLife Stadium. That performance took place on a stage above the stands and the interval lasted just over 24 minutes.
Unlike the Club World Cup final, Sunday’s stage will be built directly on the pitch before being removed ahead of the second half. Organisers say it has been designed to be assembled and dismantled within minutes.
Longer half-time breaks are not unusual in major sporting events. Shakira’s performance at the 2024 Copa America final delayed the restart by about 26 minutes.
Chris Martin, J Balvin, Tems, Doja Cat and Emmanuel Kelly perform during the half-time show at the Club World Cup Final [File: Jeenah Moon/Reuters]
Who is performing at the World Cup closing ceremony?
On Wednesday, football’s governing body said American rapper-singer Post Malone will headline the ceremony.
The World Cup closing ceremony will also feature performances by Italian singer Laura Pausini, American singer Nicole Scherzinger, British pop star Robbie Williams and YouTube creator IShowSpeed. Actor Tom Cruise is also set to make a special appearance.
Produced by Balich Wonder Studio, the ceremony is designed to celebrate the tournament’s defining moments and the global appeal of football after a month of competition across the United States, Canada and Mexico.
FIFA has said additional performers and special guests will be announced closer to the final.
“Echoing the spirit of the opening ceremonies, which welcomed the world to the greatest stage in Canada, Mexico and the US, the closing ceremony will bring the FIFA World Cup 2026 full circle through music, culture and football, before we kick off the highly anticipated match that will crown the champions of this groundbreaking tournament,” said Heimo Schirgi, chief operating officer.
Who is performing at the half-time show?
Justin Bieber will join Madonna, Shakira and BTS as headliners of Sunday’s halftime show.
They will be joined by Nigerian singer Burna Boy, Venezuelan conductor Gustavo Dudamel and New York’s PS22 Chorus, with the performance curated by Coldplay frontman Chris Martin.
The show will support the FIFA Global Citizen Education Fund, which aims to raise $100m to expand access to education for children.
“The FIFA World Cup brings the world together in a way nothing else can,” Bieber said in a statement. “I’m grateful to be part of this half-time show, and even more grateful knowing it’s already helping expand access to education for children around the world.”
Burna Boy, who collaborated with Shakira on the tournament’s official song, Dai Dai, said performing at the final was “a privilege and a responsibility” and an opportunity to represent Africa on the global stage.
How can I watch the World Cup final and shows?
In the US, the match will air in English on FOX and in Spanish on Telemundo and Universo, with streaming available through the FOX Sports app, FOX One and Peacock.
In Canada, viewers can watch on CTV and TSN, while audiences in Mexico can tune in through TelevisaUnivision, TV Azteca and ViX.
Across the Middle East and North Africa, the match will be broadcast live on beIN Sports.
After 52 years of providing the Inland Empire with mini golf, roller skating and go-karting, Fiesta Village Family Fun Park is shutting down.
The Colton amusement park said in a statement Tuesday that it will remain open to the public for its final days this weekend.
“This decision has not been easy. For decades, Fiesta Village has been a place where families gathered, friendships grew and memories were made,” the company said in the statement.
Owner Michelle O’Brien said that rising operation costs and declining attendance were the main reasons behind the closure.
“It’s been a privilege to be the steward at the park. It’s devastating to have to close it, but you get to a point where there are no other options,” O’Brien said. “We’re so grateful that Fiesta Village carried a place in people’s hearts.”
The park first opened in 1974, with a mini golf course, waterslides and go-karts. O’Brien purchased it in 2002 and has operated it ever since. Under her and her husband Patrick’s ownership, the park added attractions such as the Scrambler and Tilt-a-Whirl, along with laser tag and a roller skating rink.
Since the COVID-19 pandemic, the theme park industry has struggled to fully rebound. Rising costs and a lack of tourism have made the business increasingly difficult to sustain.
Last year, California’s Great America, a Silicon Valley park operated by Six Flags Entertainment, had to cut its workforce and shorten its season. Even theme park giants such as Disneyland are seeing slight downturns in attendance. Disney previously said its U.S. theme parks saw a 1% drop in attendance compared with the prior year, which the company attributed to “continued softness” in attendance by international visitors. Disneyland’s Anaheim park also recently began offering $71 tickets to draw more local visitors.
For parks like Fiesta Village, the rising cost of essentials such as food ultimately makes survival harder, said Dennis Speigel, president of International Theme Park Services, a consulting firm. He added that competition from nearby parks is also drawing business away. As a Southern California venue, Fiesta Village sits within driving distance of destinations such as Knott’s Berry Farm and Disneyland.
“It’s hard for smaller parks to compete with the big entities that surround them. Particularly now as we continue to see this amazing growth in technology for rides and attractions,” Speigel said. “Big attractions are very expensive propositions for parks to put in, and parks like Fiesta Village can’t keep up with that.”
Given the current economic uncertainty, Speigel said, theme parks will probably see a “flat year” — meaning no major growth or decline industrywide.
After Fiesta Village’s final celebration with the public on Friday and Saturday, the park will host a private event Sunday before shutting down for good. It’s unclear what will happen to the property afterward.
“Thank you for allowing us to be part of your lives and your family traditions,” the company wrote. “We will always cherish the role Fiesta Village has played in bringing people together.”
Times staff writer Samantha Masunaga contributed to this report.
It’s at once a practical and existential question that plagues the two lead chefs in FX’s “The Bear.” He was the emotionally tortured and volatile chef who left behind a rising career in Michelin-starred restaurants to return to Chicago, his hometown, to run his recently deceased brother’s floundering sandwich joint. She was a Culinary Institute of America-trained chef with potential and a steady demeanor seeking mentorship and an opportunity to work with a prodigy. Together, Carmen “Carmy” Berzatto and Sydney “Syd” Adamu — played by Jeremy Allen White and Ayo Edebiri, respectively — transformed the Original Beef of Chicagoland from a hole-in-the-wall into the titular fine-dining establishment.
But now their partnership in the kitchen has come to an end.
Created by Christopher Storer, “The Bear’s” fifth and final season picks up the morning after Syd, Richie (Ebon Moss-Bachrach) and Nat (Abby Elliott) learn Carmy is quitting the food industry and leaving the restaurant in their hands at a make-or-break moment. And the pressure mounts for Syd to decide if she’ll jump ship to pursue another opportunity. The eight-episode season, now streaming in full on Hulu, largely stretches across one day as the restaurant’s debts accumulate, suppliers cut them off and an unrelenting storm floods the kitchen and threatens to upend a night of service the chefs desperately need to have one last shot at survival and one last performance as a team to deliver an improbable turnaround.
In some ways, it’s a journey that mirrors the actors’ own trajectories. Before “The Bear” became a runaway hit, White was best known for his role on Showtime’s long-running dark comedy “Shameless,” while Edebiri primarily worked as a stand-up comedian and writer. Just as their characters have evolved and gained electric momentum in their careers, so have the actors. Both garnered Emmy Awards for their performances on “The Bear,” and they have added a multitude of film and TV credits to their résumés since. Edebiri is currently starring opposite Don Cheadle in the revival of “Proof,” her Broadway debut, while White will be starring this fall as an investigative reporter in Aaron Sorkin’s “The Social Reckoning,” a companion piece to “The Social Network” that chronicles Facebook’s whistleblower scandal.
Over separate video calls from New York, Edebiri and White reflected on “The Bear’s” conclusion and what it means to leave the characters that supercharged their careers behind. Here are edited excerpts from the conversations.
Ayo Edebiri as Sydney Adamu and Jeremy Allen White as Carmen “Carmy” Berzatto in a scene from Season 5 of “The Bear.”
(FX)
After living inside these characters’ skins for so many years, what’s it like to be done playing them?
Edebiri: They keep saying that we’re done, so I guess that really is the thing of it. Obviously I know that it’s over, but even when we were finishing our first seasons, it didn’t matter how much critical acclaim we got because we’re on a show that’s a part of a network that has a deal with the streaming service — there’s all these things that are continually in flux or that you know that you have no control over. As an actor, you’re used to this state of limbo or not totally knowing or being prepared for an ending, so I think I’m not overwhelmed by it, if that makes sense.
White: I don’t know yet. We were very lucky to understand for a long time when the show was going to end and, to a degree, how the show was going to end. It was difficult to see the direction it went — I have strong feelings about Carmy and where he ends up and how his story might continue on. So much of this season, for Carmy, is about a surrender or acceptance of his place in the world and his place in the kitchen, and it’s the first time he’s really been able to get very honest with himself since we’ve met him. And, in doing so, he chooses to leave, and that was hard for me, for Jeremy. Maybe there’s a world in which he tries this and he comes back. I think I had a different understanding for a while of Carmy’s future. I want him to be happy and healed, but it felt like … I don’t know — imagining him outside of a kitchen was hard for me.
I want to unpack that a little bit more. He wants to be happy. But it was interesting to see him wrestle with how his work hinders that — is it the crutch or the salvation? Did you find yourself having an existential moment as Jeremy taking in what Carmy was wrestling with, or have you reckoned with it before?
White: He threw himself into this work, into this world, pretty young in life. And he was really good at it. But a big part of him burying himself has so much to do with his brother, with his family. I was finishing something too. And, yes, of course, I was thinking of goodbyes, and I was thinking of moving on, and new pursuits and all of these things. I was checking in with myself and what it might feel like to just make such a hard turn in life. I thought a lot about what you get back from your work, but I think ultimately, what Carmy and I don’t share is he was causing so much chaos in his work life; it wasn’t just himself that he was punishing at times. It came down to this surrender to an easier way, a softer way, which was to turn it over to Syd, to turn it over to Richie, to turn it over to Tina in the kitchen — that part, I had an easier time understanding.
“The most beautiful thing about their relationship is their true unconditional belief in one another,” says Allen about Sydney and Carmy in “The Bear.”
(David Urbanke / For The Times)
Syd was facing a crossroads: a shiny new job that could take her to the next level or sticking with this seemingly sinking ship that has taken her to the next level, but where she’s felt unappreciated or stifled at times. Ayo, what did you think of the choice she made?
Edebiri: We’re really fortunate to have such amazing writers who thought about her and her journey. [There’s] an awareness of Sydney’s womanhood and Blackness and youth, but I think [they treated] her with the full dignity of just being a human being and getting able to be a complex character in this show and giving her the dignity of being just as flawed as the other characters. [The choice she made] just made sense to me. It made sense in the architecture of the show. It was gratifying to get to build to that with everybody.
The bulk of this final season has the team dealing with this massive storm that’s created a slew of setbacks at a make–or–break moment for the restaurant. It leads to one final symphony in the kitchen together.
White: Those days were beautiful. So much of our show is shot so quickly, but then we really get to slow down with these choreographed pieces of kitchen ballet, and that’s also when we feel really strong as a group of performers, where we’re incredibly reliant on one another, not just for the emotional beats of a scene, but in this very technical aspect as well. I remember going back to Season 1 and filming Episode 7, “The Review,” which was the single-take episode, and just how much camaraderie came from that, and how much respect came from that for everyone — that feeling of real success that we could do this. It’s a really nice thing that happens sometimes on sets, where there is such a nice mirror of what’s going on with the characters and what’s going on with the cast. In this last push, and this team effort, we want these things as the characters, and we want these things as the cast. We want these people to have what they want, what they deserve, so it was really exciting shooting that last episode or two where all those things are coming into place.
Edebiri: That’s Chris’ thing — it’s like a classical piece of music or something; there’s different movements. His own challenge that he puts on himself, and that, in turn, puts on us, is that we’re still in the same piece of music, but everything just has a different feeling. He’d been talking about it since, low-key, Season 3, but definitely started talking about it a little bit more concertedly when we were filming [Season] 4. It was really starting to take shape in his brain. This challenge of having it be in this one day, and how each episode can feel different, was really exciting to him, so in turn, it became exciting to us.
Were you hoping for more runway to chart what the characters were facing?
Edebiri: No, I think it was cool. I was just like, “Yeah, let’s see what it is.” That’s kind of what everything has been with this show. Part of her emotional journey for the last season, what was on a slower track, in a way, there was something also really fun in having the pressure cooker of one day, and everything getting to ramp up and be quite immediate, which I think has been reminiscent of Seasons 1 and 2 in a fun way.
Tina (Liza Colón-Zayas), left, Sydney (Ayo Edebiri), Richie (Ebon Moss-Bachrach) and Carmy (Jeremy Allen White) in “The Bear.” The restaurant faces multiple setbacks, including a storm that causes damage and dwindling supplies.
(FX)
Carmy and Sydney’s dynamic has been so fundamental to the series. These are two people who see something in each other that the other doesn’t. What do you admire about their relationship as friends and as co–workers?
White: The most beautiful thing about their relationship is their true unconditional belief in one another. They see the beautiful things in one another that the other one is not able to witness in themselves. Even though trust has been tested and trust has been broken at times, there is such a loyalty to the best in themselves. They know that they can rely on one another. In a lot of ways, they saved each other. That piece in the opening episode of Season 3, where Carmy gets the call about Mikey and serves the scallop to Syd without ever having met her — there is this invisible tether that was not witnessed by either of them, but it inspired Syd, and whether Carmy knew it or not, this thing was loved and enjoyed by someone that was birthed from this very traumatic moment. There’s just this beautiful, invisible tether that has always existed and will always exist between the two of them.
Edebiri: What I admire about it is the fact that they are able to bring out — through a lot of miscommunication and hard work, but ultimately, I think, with good intentions — the best in each other. They want to see each other be the best versions of themselves.
How is that reflected in your dynamic? Jeremy, who is Ayo as a scene partner and what has she brought out in you as a performer, and vice versa?
White: I was really so lucky to kind of witness Ayo in real time — everybody else had to wait some months to see her on the show. I remember genuinely being struck by her presence, her groundedness. It felt like, if this makes sense, wrong because she was doing it so well. She’s incredibly smart, she’s a wonderful writer, and she’s very skilled improvisationally, and so, in acting with her, there’s something that always makes you feel very in the moment. You can never like relax, in the best way. It’s like you always have to surrender yourself to each moment.
Edebiri: When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work. He’s a really great leader. There are ideas in society of men in power, and what power held by men has to look like and feel like, and he’s very gentle — especially in the show, which can live so much in the space of chaos and anxiety, having a gentle spirit really helps with filming. He’s so good at making that very clear and helping teach me that as well … I’ve definitely learned from him, without realizing it, ways to protect yourself and protect your peace, and protect also the peace of your co-workers — you get the work done, you be serious about it, but it doesn’t have to be torture.
Edebiri on working with White: “When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work.”(David Urbanke / For The Times)
What was it like to see them get this thing they’ve been after — not one, but two Michelin stars?
White: Reading that moment —there’s been so much pain and heartache … for years and years and years, and I was just so relieved to see this joyous moment on the page. It felt so, so close to the surface of me already. And we — Jeremy and Ayo — have shared so many insane, joyous moments in our lives since the show. So it felt familiar in the best way. I’m so glad for that moment for both of them — for Carmy and Syd.
Edebiri: We’re shooting it so fast. You always wish you just had more time, and that was one of the last scenes — I think it was the last thing that he and I shot. There’s obviously a bit of a preciousness and emotionality that you’re feeling in that moment, while also tapping into what’s happening to the characters. It’s this thing that, in the brain of myself, we’ve been building to this over five seasons. There’s obviously a somewhat meta reflection of what we’ve gone through — this is just such a crazy journey. But I think at the end of it, especially because of what we know is going to change in their relationship, that in their working proximity, that they are not going to be close, but they know that they were able to do this thing and build this thing together, I think [is] what felt very special, and felt very cool. I hope it’s something that people who have loved the show also feel.
Fans have intense feelings about their relationship, as I’m sure you know. Has it surprised you how strongly people feel about their dynamic?
White: I know that exists. I don’t have too much knowledge on how that all works. It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us. It didn’t occur to us. But I understand it. There is an intimacy, of course, with these two characters. And there is this trust. They lean on each other and they admire each other so much. I’m not like — nobody’s crazy to feel that. There is love there, it’s just not a romantic partnership.
Edebiri: It surprised me the first two [seasons] because I don’t think that that’s what we were doing. Anytime that you say otherwise, I’ve learned [not to]. It’s been hard when doing press, it feels like we get asked specific questions to try to give a specific answer, but the point of art is we make it and we give it. If people are having a response, that’s great, and if I don’t agree with you, I don’t think I’m shutting it down or anything. We made something, then you’re picking something up — that’s the exchange.
White says he knows fans have intense feelings about the relationship between Carmy and Syd. “It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us.”(David Urbanke / For The Times)
Carmy has a few heartfelt conversations this season, but one that really stands out is the one with his mom, played by Jamie Lee Curtis, while revisiting the family home he’s stayed away from for years. He cooks for her. She’s remorseful. Jeremy, what did you think of that moment for Carmy?
White: There’s resistance in it. People like Carmy, you can give them the answer, you can give them the sorry, you can give them the opportunity, and a lot of the times they don’t know what to do with it, or they push it away, or they push it down. What that scene was about, for Carm, was becoming available to even listen. That was the conflict of the scene and the moment. But he was able to eventually get to that acceptance to release some of the resentment, to release some of the anger. Then he is able to show up for her, which was what has been absent. He was able to take it and give her something. It’s been years, if ever, that he’s really been able to do that, to get out of his own way, and be of service in that way to his mother.
Ayo, it was really touching to see Syd naming Tina her chef de cuisine. How did you feel about what that sets up for where Syd and the Bear might be headed with these women as partners in the kitchen?
Edebiri: I loved it. I love getting to work with Liza [Colón-Zayas]. I’ve been so privileged to also be able to direct her — she’s just phenomenal. I think about these two characters, where they started Day 1; Tina was pretending not even to speak English just to stay away from the girl. It was rough from the get-go, but I think both for Liza and I, as two women of color as well, we felt so invested in their relationship and the community they built with each other. There’s something very moving about that to me. Part of the thing for Sydney, she doesn’t know — I think Carmy can see it — that one of her strengths is that they’re different types of leaders. Part of what I think makes Sydney a great leader is that she’s able to delegate and actually remove herself when she knows that she might not be the best in a situation, it might be somebody else.
I haven’t actually seen it. I can’t watch the episodes, but I know when we were filming it, it was both very sweet and very funny. I don’t know if they kept any of the improv from Liza.
You can’t watch because you’re emotional about it or because you just don’t have access?
Edebiri: No, I don’t want to. We were doing all this press and everybody was, “You were so emotional; you wanted to cry, right?” And I’m like, “No, I just don’t want to watch.” I’ll watch it later. The only season that I watched before [it aired], frankly, was 3 and 4 because I had episodes that I made in it. I love the show and I know the show is good. I don’t enjoy watching myself.
I do love that Syd’s ethos in the kitchen is borrowed from “Ratatouille.”
Edebiri: Yes, f—ing rat. It tracks for Sydney.
“I love getting to work with Liza [Colón-Zayas],” says Edebiri about her co-star, whose character is named chef de cuisine. “I’ve been so privileged to also be able to direct her — she’s just phenomenal.”
(FX)
Jeremy, what was your reaction when you read Carmy is in a suit interviewing for an internship at an architectural firm? And what he expresses there?
White: I understand and I’m proud of the courage that it takes [to do a life pivot], but also I tried to play that scene in a way where I didn’t want it to be entirely clear [what happens next]. I wanted the question to be like, “Is this guy still so f— up in the head that he’s trapped regardless of his place in this world, or place of work? Is it a romance that he’s saying goodbye to? Is it a love that he still has, and he’s not quite over yet?” Then I was like, “Do we snap out of that scene and we’re back on the clock?” What is this? I think the goal of the scene is it shouldn’t be all too clear and wrapped up.
What do you think?
White: I could see there’s obviously so much love. There’s love for the people he works with, and there’s love for the paces he’s gone through, but I didn’t know. … I didn’t know if it was a goodbye or an admittance. I think I was trying to find something between him coming clean and being like, you know what, I don’t belong anywhere else or I’m so in love with this thing, but it’s not good for me, and I think it exists somewhere in between that.
Ayo, what was your reaction to Carmy interviewing at the firm?
Edebiri: I was like, “Yeah, that makes sense. This boy’s a noodle.” He’s a fool, he’s ridiculous. It makes sense.
Where do you think he goes from here? Have you thought about it? Do you think he will ever find his way back to the kitchen?
White: I haven’t thought about it too much. I do think there’s something really honest about that direction that Carmy was moving into, but I would hope there’ll always be room for him somewhere in a kitchen.
Edebiri: Syd is like, “You can’t do anything else, brother. Like, what’s the plan?” I don’t know if he takes a break, if he comes back to help her, if he does his own thing.
What do you think happens to the Bear?
Edebiri: I think they do well. It’s not just her; it’s her and Sugar and Richie and Marcus and Tina. She got in it for Carmy, but I think she ended up finding her own voice. I think they keep going, at least for a few more years. I really do.
White: I have to believe that all the pain and suffering and trauma — not only that Carmy has gone through, but that everybody has gone through — is for some greater good. That there is a payoff. My hope is that it would be successful. They’ll have the endurance and the motivation to make it.
