closing

When musician Cary Brothers found out that the Hotel Cafe was shutting down, he felt like he’d been told his parents were selling his childhood home.

The beloved music venue, which kick-started the careers of then-little-known singer-songwriters Adele, Sara Bareilles and Damien Rice, is closing its doors in early 2026, its co-founders Marko Shafer and Max Mamikunian announced in November. For those like Brothers, who considered the Hotel Cafe a second home, the news of the closure was a heavy blow.

Luckily for them, Shafer and Mamikunian plan to open a new location in the nearby Lumina Hollywood tower in early 2027. Brothers said it provides consolation, but not complete comfort.

“Yeah, they’re buying a great new house, but it’s not our house,” he said.

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Elected the “mayor of the Hotel Cafe,” Brothers discovered the Hollywood haunt before it even had a liquor license. In those days, the cafe had a BYOB policy and sold buckets of ice for visitors to chill the alcohol they brought in with them, and jazz legends pouring out of local bars after last call capped off their nights with a 3 a.m. jam session in the Hotel Cafe’s piano room (or smoking room, depending on whom you ask).

Every penny they made went back into the venue, Shafer said.

Brothers has always likened the Hotel Cafe in that era to “‘Cheers’ with guitars,” where he could show up any night and a dozen of his closest friends would be there. Eagles songwriter Jack Tempchin used to say it was the closest thing to the front bar at the Troubadour in the ’70s.

“Nobody became the Eagles, sure, but the spirit was the same,” Brothers said.

Dave Navarro, left, and Billy Corgan perform with Spirits in the Sky at the Hotel Cafe in 2009. The venue was a launching pad for many prominent singer-songwriters in the late 2000s and early 2010s.

(Tiffany Rose / WireImage via Getty Images)

Beginnings on Cahuenga Boulevard

The owners attribute much of Hotel Cafe’s success to good timing.

At the turn of the century, Mamikunian said, “Word on the street in Los Angeles was, it’s an industry town and music venues don’t work here.”

Mamikunian, on the other hand, believed the city was teeming with raw talent, but there was no place for it to develop. Judging by the laundry list of musicians who flocked to the Hotel Cafe in those early years, his hunch was spot-on.

“We hit it right when it needed to happen,” he said.

For independent artist Kevin Garrett, the Hotel Cafe was a “gym” where he could flex his creative muscles and experiment with his sound, judgment-free. For local folk singer Lucy Clearwater, it was her sign that moving to L.A. was the right decision for her career.

And for Ingrid Michaelson, the spot was ahead of its time in championing female artists. When the Hotel Cafe asked Michaelson to headline its 2008 all-female tour, she thought, “When does that ever happen, except for Lilith Fair?”

In Michaelson’s native New York, there were a handful of venues that cradled early-career musicians: the Living Room, the Bitter End, Kenny’s Castaways.

“But in L.A., there really was just the Hotel Cafe,” Michaelson, behind such 2000s hits as “The Way I Am” and “You and I,” said. “So it was this distilling of all the singer-songwriters in L.A., kind of coming through this one port.”

Patrons enter the Hotel Cafe through a back alleyway along Cahuenga Boulevard.

(Gina Ferazzi / Los Angeles Times)

Through the musical generations

In its 25 years of operation, the Hotel Cafe has seen several generations of musicians shuffle through the space, Shafer said. Production manager Gia Hughes calls them the “graduating classes.”

In Brothers’ days, it was Joshua Radin, Bareilles, Meiko and other late 2000s singer-songwriters whose music regularly landed on shows like “Grey’s Anatomy” — or in Brothers’ case, the indie cult classic “Garden State,” directed by and starring fellow Northwestern alum Zach Braff.

Next came residencies from breakouts Johnnyswim and JP Saxe, and later, folksters Clearwater and her close confidant Rett Madison. Clearwater said that during her tenure, she would often join her fellow performers onstage to sing backing vocals or play a violin solo.

“Every four years it’s like a different kind of community that comes about,” Hughes said. “And it’s different, but it’s also not.”

It’s why Shafer and Mamikunian aren’t worried about losing the magic they created on Cahuenga. In their eyes, it was never confined to the space itself.

“I remember when we first talked about expanding the Hotel Cafe and everybody said, ‘Don’t do it. You’re going to ruin what you have,’” Shafer said, referencing the venue’s 2004 acquisition of additional space next door. (They expanded again in 2016 with their Second Stage annex, about half the capacity of the main stage.)

“When we did it, it changed the room so much for the better, and gave us access to bigger artists but still didn’t lose the intimacy,” he said about the expansion.

Shafer and Mamikunian thought they’d outgrown the Cahuenga space and had long been pondering a move. This year, the logistics lined up, Mamikunian said.

“It wasn’t anything dramatic,” he said. It was just time.

Hughes called the move “an opportunity to pursue a space that can check a lot more boxes for us, for the long term”: more parking, increased room capacity, greater accessibility.

L.A. singer-songwriter Maris performs in the Second Stage performance room at the Hotel Cafe.

(Gina Ferazzi / Los Angeles Times)

A new beginning around the corner

Zoning clearances are still pending for the new location in Lumina Hollywood on Sunset Boulevard, a high-rise apartment building set to be upgraded by Morguard Corp. And although the new venue is slated for a 2027 opening, the timeline depends on an upcoming zoning hearing, expected in March or April, Mamikunian said.

But Shafer and Mamikunian opted to announce the closure while details were still being worked out rather than wait and risk information leaking to the public. Plus, this way, both artists and patrons have time to say their goodbyes.

After Clearwater heard the news, she rushed to a “Monday Monday” weekly showcase and immediately felt like she’d been transported back to 2017, when she spent four-plus nights a week at the joint.

“So many of my old friends from that time — some of [whom] I had fallen out of touch with — I saw all of them there,” the Bay Area-bred folk singer said. “You could feel everybody loving it so much.”

The singer said she couldn’t help but wonder whether things would have panned out differently had people shown out like that before Shafer and Mamikunian made their choice. But sipping red wine in the green room that night, she felt lucky just to be there.

“It’s the wood, it’s the bar, the backstage chairs, the little lanterns,” she said. “I’m just going to miss what it looks and smells like, but the people, that’s never gonna go away.”

The Hotel Cafe hosted its annual holiday showcase on Dec. 19, with proceeds benefiting the Recording Academy’s nonprofit arm, MusiCares.

(Gina Ferazzi / Los Angeles Times)

Farewell for now

Earlier this month, the Hotel Cafe hosted its last-ever holiday event at the Cahuenga location. Hughes, with the help of her interior designer sister, Nina Hughes, spent hours that day decking the halls with carnival lights and ribbons galore.

Even before the night’s performances began, attendees were clinking glasses and giving lingering hugs — the kind befitting the last day of summer camp.

“It’s going to be a love fest,” Hughes predicted.

As heartfelt as that night’s musicians were in their speeches, bartender Dan Shapiro said waxing sentimental onstage has been the norm for weeks.

“People are always doing eulogies to the place,” Shapiro said with a chuckle. As he surveyed the lineup posted at the bar, he said he’d put his money on performer Lily Kershaw shedding a few tears. Fellow bartender Dave Greve concurred.

Against the odds, Kershaw didn’t cry as she led the crowd through a rendition of Crosby, Stills, Nash & Young’s “Our House” a few hours later. Subsequent performers stayed on theme with songs composed of resonant lyrics like “So long stranger / I like to think I know you best” and “Hold on tight / don’t let go.”

As Brothers crooned his own tribute, he closed his eyes, as though praying.

“It’s never gonna be what it was, but it’ll be something new and different, and I’m really excited to see what that is,” Lucy Clearwater said about the Hotel Cafe’s relocation to Sunset Boulevard.

(Gina Ferazzi / Los Angeles Times)

James Babson, a longtime doorman at the Hotel Cafe, said its staff and attendees alike have always been reverent toward performers. For some, he said, the listening experience is “spiritual.”

“Maybe they’re not churchgoers, so they have this sense of community and transcendence, where that song touches them on this level, which takes them somewhere else,” he said.

Peter Malek felt it the first time he stepped inside the Hotel Cafe 20 years ago. Hooked on that feeling, he started visiting the venue several times a week. Sometimes, he never even made it inside, content to chat with Babson for hours at the door; other evenings he spent in the staff offices, cramming for his medical school exams.

According to Malek’s last tally, he’s been to the Hotel Cafe 1,333 times. Although he was saddened when he heard the news of the relocation — several months before almost everyone else found out — he said he isn’t expecting Shafer and Mamikunian to replicate what they built at the Cahuenga site.

Instead, Malek said, he’s left “happy that he witnessed it.”

The Hotel Cafe was packed with regulars and first-time attendees at its farewell holiday performance in December.

(Gina Ferazzi / Los Angeles Times)

All night at the Hotel Cafe’s holiday party, attendees wondered whether penultimate performer Dan Wilson, of the pop-rock band Semisonic, would play “the song.” No one had to name it.

When Wilson finally sang the magic words, “Closing time, open all the doors / And let you out into the world,” the room erupted into cheers.

It was the closest Brothers came to crying, but he held it in. There would be time for that later.

WASHINGTON — A bipartisan federal commission, in an unprecedented effort to save money and consolidate the nation’s sprawling complex of military bases, recommended Thursday that Defense Secretary Frank C. Carlucci shut 86 bases and partly close another five, yielding a savings of $700 million a year.

The commission called for six California bases to be closed, including the historic Presidio in San Francisco and two Air Force bases in San Bernardino County. It recommended also that the Navy halt construction of a new station at Hunters Point in San Francisco and that ships slated to have been based there be transferred instead to ports at San Diego, Long Beach and Pearl Harbor in Hawaii.

Cleanup Problems Seen

If approved by Carlucci and not overruled by Congress, the panel’s recommendations could move more than 17,000 Defense Department employees out of California and lead to the sale of thousands of acres of military warehouses and airfields–as well as environmental cleanup problems–to new owners in the private sector across the country.

Moreover, approval of the commission’s recommendations would mark the first time in a decade that the Defense Department has overcome political obstacles to base closures and shut any major military facility in the United States.

In presenting the report, former Rep. Jack Edwards (R-Ala.)–co-chairman of the 12-man President’s Commission on Base Realignment and Closure with former Sen. Abraham Ribicoff (D-Conn.)–called the report “a totally nonpartisan effort” and added that in reaching its conclusions, “we didn’t accept any list from anybody.”

The panel’s findings met mixed reaction on Capitol Hill, where several members of the California delegation complained that the state would be unfairly affected by the closures. But congressional leaders predicted that the recommendations would be implemented despite the objections.

Congress, which established the panel last May to hold down the rising cost of maintaining the nation’s military bases, will have 45 days from March 1 to reject the entire list by voting a measure of disapproval in both houses. A two-thirds’ vote is required. Unless it does so, the Defense Department is expected to move quickly to implement the commission’s recommendations, with official base closures beginning in January, 1990.

Won’t Give Up Fight

Representatives from hard-hit states, however, were not yet ready to give up their home-state military facilities without a fight. Illinois Democratic Sens. Alan J. Dixon and Paul Simon criticized the commission for not recommending closures of U.S. bases overseas.

“How can we justify closing military bases in our own back yard when we don’t even consider a single one of the 1,500 overseas U.S. military facilities?” Dixon asked.

Still, the vast majority of House members will support the base-closing recommendation, in large part because their districts are not affected, House Armed Services Committee Chairman Les Aspin (D-Wis.) said. Most of the 86 bases slated for closing have fewer than 30 employees, Aspin noted.

“We’re really talking about a universe of only 27 communities that will be hit markedly,” Aspin said. “I would say the chances of overturning this process are not high.”

In the Senate, Armed Services Committee Chairman Sam Nunn (D-Ga.) praised the commission for its “workman-like approach” to the task of closing unneeded bases and predicted that the recommendations will not be overturned by Congress.

Neither Aspin’s Wisconsin district nor Nunn’s home state of Georgia is affected by the base-closing plan, which would provide an estimated savings of $5.6 billion over 20 years.

Edwards defended the heavy hits against California bases–which represented a little more than 7% of the total closures–saying that the state’s high economic growth and its large military presence made it a likely site for some shutdowns.

“We found over 300,000 military and civilian people in California,” Edwards said. “When you’ve got that kind of activity in a state, it’s not unlikely that you’re going to have some activity on this committee on that state.”

New Hampshire, New Jersey and Illinois, states with a much smaller military presence than California, were hit hardest by the initiatives. With the closure of Pease Air Force Base, New Hampshire would lose almost half of its military population. With the proposed closure of Chanute Air Force Base and Ft. Sheridan in Illinois and Ft. Dix in New Jersey, those states’ military populations would be cut by 9.7%. By contrast, California would lose 5% of its military population.

Citing air traffic congestion and encroachment by the surrounding civilian communities, the commission recommended the closure of George Air Force Base and Norton Air Force Base in San Bernardino County.

March Would Grow

The move would draw 6,653 military and civilian workers from Norton and 5,358 from George. But March Air Force, 9 miles southeast of Riverside, would pick up an additional 3,420 military and civilian employees from proposed consolidations, many of them from Norton.

In both cases, the panel contended that the actions would have a “minimal impact on local employment,” though its members conceded that those affected by the recommendations might differ with that assessment. The commission noted that Norton and George have had trouble recruiting civilian workers from the local population because of competition from the high-technology private firms operating in and around the Apple Valley.

The closure of Norton could cost $132 million, according to commission estimates. But the panel believes that the move would save the Air Force $68 million annually in operating costs, yielding savings within three years. The closure of George, estimated to cost $37 million early in the process, would result in quicker returns because the Defense Department will save $70 million in operating costs once it is shut.

The panel urged also the closure of Mather Air Force Base, 12 miles southeast of Sacramento, a move that would take away about 3,000 military and civilian employees and a payroll of $242.3 million.

The Pentagon tried unsuccessfully to shut Mather in January, 1987, but was prevented by Reps. Robert T. Matsui and Vic Fazio, both Democrats from Sacramento, who won backing for an amendment forbidding the use of appropriated funds for the closure.

The closure of the Presidio–1,416 acres of land at the base of the Golden Gate Bridge in San Francisco–may be one of the commission’s most lucrative recommendations. All but 32.5 acres of the land by law must be turned over to the National Park Service. The rest of the land, which houses a hospital, under current law is to be offered for lease to the city of San Francisco for use in treating victims of acquired immune deficiency syndrome.

“The full value of the 36.5 acres could be realized if the legislation on lease of Presidio lands were repealed,” the commission report notes, adding that closure will save $314 million initially and $74 million in yearly operating costs.

In recommending that the Navy discontinue construction of a new home port at Hunters Point in San Francisco, the commission anticipates that the Defense Department will save $8 million annually “forever,” Edwards said. The panel proposed that the Navy shift to Pearl Harbor a battleship and two cruisers to have been based at Hunters Point, send one cruiser to Long Beach and one cruiser, two destroyers and two frigates to San Diego.

Although Congress’ acquiescence to the recommendations is expected, the Defense Department must count on more than that if it is to carry out the panel’s proposals, lawmakers said. Edwards said that Congress will have to approve $300 million next year “to prime the pump” with funds until the proceeds from early land sales, which will help pay the initial costs of closures, become available.

It is during the annual appropriations fight that dissident members of the Senate and House may try to win back funding for bases in their states.

“Watch out for appropriations,” Aspin warned. “I’m going to be watching for any such shenanigans. And I hope the press and public will keep an eye out, too.”