class

The original ‘Faces of Death’ has a dark history in California schools

It’s been decades since “Faces of Death” stirred panic among parents of teens trading the 1978 pseudo-snuff VHS. The “video nasty” spawned a number of sequels, spinoffs and now a remake starring Barbie Ferreira and Dacre Montgomery that hit theaters this month.

But back in the 1980s, the original film caused an uproar at Southern California schools.

Days before school was out for summer in 1985, Escondido High School math teacher Bart Schwartz, then 28, used a spare two hours during finals week to squeeze in a film screening with his class. Schwartz wanted to show the film because it was “interesting.”

According to the Times coverage of the incident and subsequent lawsuit, the scenes shown in the classroom included autopsies, decaying cadavers and live animals being butchered, mutilated and tortured. The original “Faces of Death” also includes scenes of a man being electrocuted, a decapitation and an orgy during which a man is gutted by a flesh-eating cult.

Although today’s audiences might be more desensitized to such gruesome scenes thanks to hyperrealistic special effects in modern horror movies, and the commonplace spread of graphic clips online, audiences of the ‘80s were reportedly traumatized and scandalized. Not only was the film considered macabre, but it also was widely believed to be composed entirely of real footage.

“The ultimate taboo,” “100% real” and “banned in 46 countries!” were taglines for the original film. It wasn’t until decades after the film’s release that director John Alan Schwartz publicly confirmed that while some footage was real and pulled from news and autopsy archives, much of the movie was staged and the shockumentary’s host pathologist, Dr. Gröss, was an actor.

“Each new generation discovers it,” Schwartz told New York Public Radio in 2012. “And even though things look hokey now, there are still segments that people actually believe are real that aren’t.”

The 2026 remake, by comparison, is clear about its fictional plot, but also includes real clips of death that were “carefully trimmed,” according to director Daniel Goldhaber.

Back to 1985 — Escondido High’s Schwartz, who had previously been named “teacher of the year,” reportedly would not allow students to leave the classroom while the film played. One student, then 16-year-old Diane Feese, said the teacher fast-forwarded through the dialogue and forced students to watch the film’s most gruesome scenes. She covered her eyes, according to reports from the time, but was still subjected to other students’ commentary and the audio of the deaths depicted on-screen.

That fall — when school was back in session — Feese sued the teacher and the school principal for $3 million. Schwartz was suspended with pay for 30 days, then an additional 15 days without pay.

In 1986, another student in Schwartz’s math class, Sherry Forget, followed suit and took the math teacher to court for being subjected to the film. In 1987, the lawsuits were settled with Feese receiving $57,500 and Forget, who asked for $1 million, netting $42,500.

Less than a decade later, a Los Angeles high school teacher was also sued by his students for showing “Faces of Death.”

Verdugo Hills High School social sciences teacher Roger Haycock showed his cultural awareness class the film in December 1993. Students Jesse Smith and Darby Hughes alleged in their lawsuit that they were required to watch the film and write a paper on it. The teen boys said they suffered nightmares, emotional problems and were harassed by other students for their reaction to the film.

According to The Times, Haycock showed excerpts from “Faces of Death” to five classes that day and gave students the option to write a paper for extra credit or go to the library if they didn’t want to see the film. Haycock said he showed only parts of the film depicting animals being killed and did not show portions of the film that depict human death.

“Basically it had to do with the treatment of animals and the way we get our food, which was the lesson,” Haycock said at the time. “We go to the supermarket and get our meat, and we think it sanitizes us because it’s wrapped in plastic. But it has to be slaughtered for us by someone else. I was trying to show how other cultures provide food for themselves versus the way we do, living in the city.”

The judge dismissed the lawsuit, siding with the district’s argument that students shouldn’t be able to sue based on what they are taught in class.

Source link

‘I spent £7k flying first class on British Airways and there was 1 big downside’

A man splurged almost £7,000 on a first class flight with British Airways but one big issue left him feeling unimpressed with some saying he has “sufficient evidence for a refund”

A man forked out almost £7,000 on a first class flight with British Airways but branded his experience “shocking” due to one specific downside.

Flying first class is a dream many people have, especially on a long-haul flight as standard airline seats are notoriously tight and cramped. For those lucky enough to snap up a first class ticket, their expectations may be as high as the price. Now one content creator, known as Jabz, splashed £6,800 on a first class ticket with British Airways and documented his experience in a vlog-style video which he shared to social media.

In the footage, which was posted on Instagram to his 213,000 followers, he narrated his thoughts. Jabz began: “I just flew British Airways’ first class which was £6,800 and it was shocking.”

He did praise the cabin, which looked quite “modern” with a “minimal” design. It also came with a “super wide” seat which offered “more than enough space” to stretch out his “long” legs.

Jabz said: “The only downside is there was no privacy door which is a shame because even business classes have them now.”

When he was handed an “amenity kit” and a set of pyjamas, he was immediately impressed, and then enjoyed a welcome drink while he familiarised himself with the features of his seat.

But things took a turn for the worst after he was handed a menu. First class passengers are able to “request different meals before departure”, which he did, but was told by staff that “they forgot to load it onto the plane”.

Jabz said sarcastically: “That’s fine because there’s gonna be other options, right?”

He had wanted a fish dish but this wasn’t possible. He continued: “BA said they only had one fish meal in first class and someone had already requested it but they said they’re gonna check what they had spare in the lower cabins to see what they could do.

“Talk about first world problems but that’s just not what I paid for. I’m over here getting treated like I’m Oliver Twist.”

Content cannot be displayed without consent

He then included clips of all the meals he was served onboard. He branded a tomato soup “actually quite decent” but said a “cold plate of tomatoes, paneer and couscous” was “really not good, unfortunately”.

Jabz jokingly described his main dish as a plate of “glippy gloop and fizzy widgets”. He said: “If this is what they’re serving in first class, the food in economy must be radioactive because I genuinely don’t know what this is supposed to be.”

He was “excited” for dessert which “looked good” but “tasted like baby oil and sugar” while the accompanying fruit plate contained mangoes which “weren’t even ripe”.

Jabz also noted the first class bathroom didn’t contain a shower, which differed to previous experiences he enjoyed on other first class flights.

Onto a positive feature, he praised the “really cool” wardrobe outside first class seats which allows passengers to hang up their clothes once they’ve changed into the provided pyjamas. After returning to his seat, he noted the flight attendant had made it into a bed so he could lay down and get some rest. Jabz was pleased it was “really spacious” and said it was “one of the more comfortable cabins to sleep in”.

But his final plate of food was made up of “miscellaneous ingredients” that he wasn’t impressed by.

In the comments section, fellow Instagram users were keen to share their thoughts. One person said: “Flying first class is a personal dream that I’ll likely never achieve. Thanks BA for making me feel so much happier about not being able to afford it.”

Another quipped: “You have sufficient evidence for 70% refund.”

A third said: “These for £6,700? No thanks.”

Another added: “That is pretty shocking. That food wouldn’t be barely passable in business but First? It should be pure gourmet.”

Meanwhile others had more positive things to say about their previous experiences. One said: “Yes I fly First Class to Barbados, worth it. I love BA, thanks.”

While someone else commented: “I’ve flown BA business with the new sliding doors and it was great.”

What does BA offer in First Class?

According to BA’s website, a first class experience comes with “exceptional, elegant service”. It added: “Your own private, spacious suite, a fully flat bed with luxurious bedding.

“Delicious, indulgent fine dining. Temperley London loungewear, amenity bag and slippers. Seven-piece luxury skin and body care collection from Elemis. Access to luxurious lounges. Exclusive and dedicated service. Priority boarding.”

The airline prides itself on providing a “luxury travel experience” where you can “cross the world’s skies comfortably, enjoying excellent food”.

BA has been approached for a comment.

Source link

Prep talk: Jordan Ayala of Norco is latest baseball player to reclassify

Jordan Ayala, a standout sophomore pitcher and hitter at Norco High, is the latest baseball player to reclassify and become a member of the class of 2027 next season, he confirmed on Tuesday during the first round of the Boras Classic.

Another player who has reclassified from the same tournament is Huntington Beach pitcher Jared Grindlinger, who will join the class of 2026, making himself available for this summer’s MLB amateur draft.

All this is happening with uncertainty about a possible MLB lockout when the current collective bargaining agreement runs out and not knowing what changes might happen to the draft.

Ayala, 16, said he’s moving his graduation date up to preserve his arm and take a look at becoming a professional after high school.

Huntington Beach coach Benji Medure said reclassifying is not for everyone.

“It takes a special person,” he said. “You’re putting yourself out there.”

Don’t be surprised to see more top players joining the reclassification movement next year.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Source link

Candace Parker heads 2026 Basketball Hall of Fame class

Candace Parker, Elena Delle Donne, Chamique Holdsclaw and the 1996 U.S. Olympic women’s basketball team will be enshrined in the Naismith Memorial Basketball Hall of Fame later this year.

Parker, Holdsclaw and members of the 1996 Olympic team were all in attendance Friday at halftime of the UConn-South Carolina game during the women’s NCAA Final Four, where the selections were announced, as was Amar’e Stoudemire and Mike D’Antoni.

They will be joined by longtime NBA official Joey Crawford, NBA coach Doc Rivers and Gonzaga coach Mark Few in the Hall of Fame.

Parker won three titles in the WNBA with three different teams: Los Angeles, Chicago and Las Vegas. She is the only player in league history to win both the MVP and Rookie of the Year in the same season.

She also won two titles while playing in college for Tennessee under Hall of Fame coach Pat Summitt, plus two Olympic gold medals and two WNBA MVP awards.

Delle Donne won two league MVP awards in 2015 and 2019, the second of which came when she led the Washington Mystics to their lone WNBA championship. Delle Donne became the first player in league history to shoot more than 50% from the field, 40% from three-point range and 90% from the free-throw line.

Holdsclaw won three straight titles at Tennessee from 1996-98, the first team to accomplish that. The 1998 championship was Tennessee’s first undefeated season at 39–0 and the Vols also set an NCAA record for the most wins in a season. Holdsclaw went on to have an 11-year WNBA career.

Stoudemire, who was the only NBA player in this year’s class, was Rookie of the Year in 2003 and became six-time All-Star. He spent the first eight years of his career with the Phoenix Suns, where he teamed with D’Antoni.

Rivers has nearly 1,200 victories on his resume, which puts him eighth on the all-time wins list. He led the Boston Celtics to the NBA championship in 2008 and also was in charge of the Los Angeles Clippers during their Lob City era.

Few has won more than 770 games at Gonzaga in his career at the school. He set the NCAA Division I men’s coaching record by winning 81 games in his first three years at the school.

Crawford officiated 2,561 regular-season NBA games and 50 Finals games over his 39-year career. He retired in 2016.

The enshrinement ceremony will take place in August at the Hall of Fame in Springfield, Mass.

Source link

3 FBI agents fired after investigating Trump file class action suit alleging ‘retribution campaign’

Three fired FBI agents sued on Tuesday to try to get their jobs back, saying in a class-action lawsuit that they were illegally punished for their participation in an investigation into President Trump’s efforts to overturn his 2020 election defeat.

The federal lawsuit adds to the mounting list of court challenges to a personnel purge by FBI Director Kash Patel that over the last year has resulted in the ousters of dozens of agents, either because of their involvement in investigations related to Trump or because they were perceived as insufficiently loyal to the Republican president’s agenda.

The lawsuit in federal court in Washington was technically filed on behalf of just three agents but may have much broader implications given that its request for class-action status could open the door for agents fired since the start of the Trump administration to get their jobs back.

The three agents — Michelle Ball, Jamie Garman and Blaire Toleman — were fired last October and November in what they say was a “retribution campaign” targeting them for their work on the investigation into Trump. The agents had between eight and 14 years of “exemplary and unblemished” service in the FBI and expected to spend the remainder of their careers at the bureau but were abruptly fired without cause and without being given a chance to respond, the lawsuit says.

“Serving the American people as FBI agents was the highest honor of our lives,” they said in a statement. “We took an oath to uphold the Constitution, followed the facts wherever they led and never compromised our integrity. Our removal from federal service — without due process and based on a false perception of political bias — is a profound injustice that raises serious concerns about political interference in federal law enforcement.”

Trump’s indictment

The investigation the agents worked on culminated in a 2023 indictment from special counsel Jack Smith that accused Trump of illegally scheming to undo the results of the presidential election he lost to Democrat Joe Biden in 2020. Smith ultimately abandoned that case, along with a separate one accusing Trump of illegally retaining classified records at his Mar-a-Lago estate in Palm Beach, Fla., after Trump won back the White House in 2024, citing Justice Department legal opinions that prohibit the federal indictments of sitting presidents.

The lawsuit notes that the firings followed the release by Sen. Chuck Grassley, the Republican chair of the Senate Judiciary Committee, of documents about the election investigation — known as Arctic Frost — that he said had come from within the FBI. Those records included files showing that Smith’s team had subpoenaed several days of phone records of some Republican lawmakers, an investigative step that angered Trump allies inside Congress.

The complaint names as defendants Patel and Atty. Gen. Pam Bondi, accusing them of having orchestrated the firings despite being “personally embroiled” either as witnesses or attorneys in some of the legal troubles Trump has faced.

Patel, for instance, was subpoenaed to appear before a federal grand jury investigating Trump’s retention of classified documents at Mar-a-Lago and had his phone records subpoenaed, while Bondi was part of the legal team that represented Trump at his first impeachment trial, which resulted in his acquittal.

“And now, by virtue of presidential appointment to the pinnacle of federal law enforcement, Defendants are abusing their positions to claim victories that eluded them on the merits,” the lawsuit states.

Spokespeople for the FBI and the Justice Department declined to comment on the ongoing litigation. Patel and Bondi have said the fired agents and prosecutors who worked on Smith’s team were responsible for weaponizing federal law enforcement, a claim that was also asserted in their termination letters but that the plaintiffs call defamatory and baseless.

Fired agents call for ‘fundamental constitutional protections’

Dan Eisenberg, a lawyer for the agents, said in a statement that his clients were fired without any investigation, notice of charges or chance to be heard.

“This lawsuit seeks to reaffirm fundamental constitutional protections for FBI employees, ensuring they can perform their duties without fear or favor. We all benefit when law enforcement officers’ only loyalty is to facts and the truth,” said Eisenberg, who is with the firm of Emery Celli Brinckerhoff Abady Ward & Maazel.

The lawsuit asks for the agents to be reinstated to their positions and for a court declaration affirming that their rights had been violated. It also seeks to represent a class of at least 50 agents who have been terminated since Jan. 20, 2025, or will be. Those agents also stand to recover their jobs in the event the case is successful and the requested class-action status is granted.

Others have been fired too

Other fired employees who have sued include agents who were photographed kneeling during a racial justice protest in 2020; an agent trainee who displayed an LGBTQ+ flag at his workspace; and a group of senior officials, including the former acting director of the FBI, who were terminated last summer.

The firings have continued, with Patel last month pushing out a group of agents in the Washington field office who had been involved in investigating Trump’s hoarding of classified documents. Trump has insisted he was entitled to keep the documents when he left the White House and has claimed without evidence that he had declassified them.

Tucker writes for the Associated Press.

Source link

Inside the fancy first class lounge at one of the UK’s best train stations

THE LNER first class lounge at London King’s Cross Station will reopen tomorrow after a plush makeover.

It’s the perfect place to relax with plenty of seating, private booths and complimentary food and drink.

LNER has resigned its first class lounge in London King’s CrossCredit: LNER
The six private booths are a new addition to the lounge in the busy train stationCredit: LNER

LNER is the only passenger lounge at King’s Cross Station and it closed a few months ago for an upgrade.

It will reopen on March 31, 2026 with a brand-new look – and it’s very fancy.

Inside is an open plan area with dark red walls and pink coloured furnishings along with elegant lamps and little tables.

New to the lounge are six booths that have been designed to be private and are ticked away from the main lounge.

GO SEA IT

£9.50 holiday spot with shipwrecks, seals offshore & horseshoe-shaped waterfalls


GRUBS UP

Best pubs, fish and chip shops and cafes in Sussex – by Sun readers & locals

Each has charging ports, small desk and a lamp.

Anyone in the lounge can enjoy free food and drink which is available throughout the day.

In the morning, there’s a selection of pastries and in the afternoon there are cakes and muffins – and a range of biscuits and crisps.

There’s also fruit juices, tea and coffee.

Guests to the lounge can enjoy the snacks on the curved banquette seating, or nearby tables and chairs.

Thanks to the redesigning of the space, the capacity of the lounge has increased to 122.

Off the back of customer feedback, other additions include more luggage and storage areas and resigned the reception.

There are new screens too for platform information so customers shouldn’t miss their train – even if they’re relaxing in the lounge.

The lounge is on the mezzanine level of King’s Cross stationCredit: Alamy

Colette Casey, Customer Experience Director at LNER, said: “The Lounge has been transformed into a modern, comfortable, relaxing area for our First Class customers to spend time in and enjoy before or after travelling with us, and we cannot wait to hear what they think of the changes.”

There is some disappointing news and that is that most travellers won’t be able to use the lounge as it’s only accessible to first-class LNER ticket holders.

But if you do have one of these tickets, then you can access the lounge from the ground floor located next to Waitrose.

Or head upstairs to the entrance on the mezzanine.

The lounge is open during the weekdays from 7am until 9.25pm.

Saturdays it’s open 8am to 8.15pm and 9am to 8.15pm on Sundays.

There’s also a free family zone with beach huts, a soft play area and a huge train set within London King’s Cross.

It’s right next to the Travel Centre and can be used by families who are booked onto trains departing the station – but it’s not limited to LNER customers.

Inside are four brightly-coloured beach huts complete with tabletop toys and games.

There’s a bespoke Hornby train set, keeping both big and little kids entertained.

And there’s a soft play area with a slide and a tiny black boulder doubling as a climbing frame.

Here’s another secret spot in London St Pancras…

Just opposite Kings Cross within St Pancras is somewhere else that you may not have stumbled upon – and you can get free drinks.

A hidden bar called the Booking Office 1869 is within the St Pancras Renaissance Hotel London.

Each day at 5:05pm, visitors can have a free drink.

According to a TikTok video posted by @thecuriouspixie: “A bill rings, a flame ignites and a bartender will perform a full rum punch ritual.”

This happens at 5:05pm because the hotel originally opened on May 5, 1873, but the booking office opened in 1869 – which is where the name comes from.

For more on trains – this could be the most glamorous train ride ever with a beautiful bar and onboard suites.

And here’s more on how the first ever direct trains from London to Switzerland are even closer to launching.

LNER is reopening its first class lounge with a brand new designCredit: LNER

Source link

The ‘Ballet Reign’ YouTube channel brings Gen Z vibes to the art form

“Everyone is at least a dormant ballet nerd,” declares 22-year-old Eden Lim, while sitting for an interview in the suburban Dallas studio where she and her sister, Jordan, 24, film and edit their popular YouTube channel “Ballet Reign.”

Judging from the near-universal backlash to Timothée Chalamet’s recent bad-mouthing of ballet, Eden’s summation of the central tenet of their show may be true. With 67,000 subscribers in 166 countries and growing, the Lim sisters are mixing Gen Z humor and exuberance with astounding erudition to bring ballet to a new generation and fire up older, longtime fans.

With episode titles such as “Addictive Ballet Moments to Alter your Brain Chemistry” and promises like “This will increase your lifespan and double your morale,” they are on a mission to ensure that ballet not only survives but thrives.

  • Share via

Mirthfulness is the Lim sisters’ medium, but their message is serious. During each show, they parse video clips of great performances, often by explaining the history of the piece and giving detailed behind-the-scenes stories. They dissect the most famous pas de deux with trenchant insight and introduce their audience to the greatest dancers, including Natalia Osipova and Roberto Bolle. With signature, irrepressible enthusiasm, the sisters help viewers see precisely what makes the shows and dancers so extraordinary.

Two women in dance clothes.

Eden, left, and Jordan Lim of YouTube channel “Ballet Reign” trained as professional dancers before deciding to focus on their show full time.

(Larsen & Talbert / For The Times)

A video clip featured in the “Addictive Ballet” episode shows New York City Ballet principal dancer Ashley Bouder launching herself into a jeté so high she seems to leave Earth’s gravity. In midair she manages to turn herself 180 degrees before being caught by her partner, despite her momentum seeming to drift into his arms like a feather blown by a breeze.

While watching the singular feat, Eden exclaims, “Call the news channels! We found a person who can actually levitate!”

Jordan says the goal is to make viewers feel equipped to say, “I understand what’s going on, and I can appreciate it, and I can appreciate that this was done well.”

“Ballet Reign” launched three years ago with modest hopes. The sisters sought a mere toehold in the YouTube universe, aiming for a narrow niche audience of fellow ballet fanatics (“ballet nerds”) ages 16 to 25. To their initial astonishment, they have attracted a far wider viewership spanning all ages, even followers who hitherto had only scant interest in ballet. They have drawn in many young children and older adults, with those 65 and up now their third-largest subscriber group.

The show has rapidly won acclaim from within and outside of the ballet world — perhaps because the depth and breadth of their knowledge makes it hard to shake the suspicion that they secretly are Ivy League professors.

Two women dancing.

The Lim sisters speak with sophistication about classic ballets and dancers they love — delivering their message through a whimsical show that has attracted fans of all ages.

(Larsen & Talbert / For The Times)

They comment with equal sophistication on ballet steps, choreography, history, musicology and the minute details of costume design. Eclectic references pop out of nowhere — a metaphor from quantum physics, an aside that the flute is the instrument whose sound is closest to a sine wave, that a serinette is an 18th century music box used to teach caged canaries to sing.

Even actual professors laud the show.

Nicolas Krusek routinely shows “Ballet Reign” episodes in his classes for adults on ballet history at Simon Fraser University in Vancouver. Krusek says what makes the show compelling “is the spirit of the videos, just the sense of joyousness and benevolence that they communicate, and a real sense of reverence for the art and the artists.”

John Meehan, a Vassar College professor of ballet and former principal dancer with American Ballet Theatre, calls their episode on Igor Stravinsky’s “The Firebird” ballet “amazing,” adding that it conveys at least as much information in much more palatable form than a “dry” university lecture.

Julie Cronshaw, director of the Highgate Ballet School in London, says even for learned, longtime balletomanes the show opens up a whole new realm of understanding and appreciation. For those weighed down by adult concerns, watching an episode leaves them feeling uplifted.

This is why Jordan believes “Ballet Reign” has attracted a significant older audience — and also because the sisters honor tradition.

“They’re looking at the content and saying, ‘These are pieces that I grew up watching. And these are the dancers that I adored when I was younger,’” Jordan says.

Eden says she hopes “it’s because our content, and the way we deliver it, is able to touch hearts.”

Two women smile.

The Lim sisters keep a disciplined schedule, turning out polished, deftly produced episodes 52 weeks a year.

(Larsen & Talbert / For The Times)

The show also benefits from its high production values, with expertly edited clips from performances, clever blurbs of text and quirky cutaways to, say, a pole vaulter as an allusion to how high a dancer jumps.

Episodes generally begin the same way, with the sisters sitting behind a table with an old-fashioned radio-days microphone nicknamed “Mike-elangelo” between them. Eden kicks things off by announcing, “Ladies and gentlemen, this is Ballet Reign.”

A flash of superimposed text identifies them as “*Very certified*, extremely serious ballet experts.”

Jordan and Eden revel in each other’s company, finish each other’s sentences and play off each other with insightful or witty interjections.

“We grew up best friends from the beginning, and that’s never changed,” Jordan says.

They keep a disciplined, grueling schedule, turning out polished, deftly produced episodes 52 weeks a year.

Comments validating their efforts come in frequently. “You really helped me through a dark time,” reads one. Another notes, “I was going through a really difficult life transition and having your videos helped me get through.”

Jordan says, “That’s a sort of impact that I genuinely did not see coming.”

The sisters are openhearted and enjoy revealing ballet’s best-kept secrets, but they have kept a remarkably mysterious online profile. Until now, they have never even disclosed their last names, let alone anything about their background, education or experience.

There is also nearly nothing on the internet, and fans have long wondered about their credentials, including whether they are professional dancers themselves.

On the show the sisters certainly come across as if they were. Surprisingly, the answer is no — with an “almost” caveat.

The oldest of four siblings, Jordan and Eden spent nearly all of their childhood in Ottawa. From the time they were small the sisters beelined toward becoming professional ballet dancers. Jordan says when she was 4 she got up at the crack of dawn every day and put in a VHS tape of a ballet class that her mother, Mary Lim, had bought. With fierce determination, she performed tendus and relevés along with the older students on the tape.

Eden’s ballet fascination quickly followed. Mary says she soon realized she had no choice but to send them to ballet school.

“Obviously, if you look at a 4-year-old doing ballet at 7 a.m. every single day, you’re like, OK, let’s try lessons,” Jordan says.

Two women having fun.

Eden, left, and Jordan Lim of “Ballet Reign” are the oldest of four siblings and spent nearly all of their childhood in Ottawa before relocating to Texas to pursue their careers.

(Larsen & Talbert / For The Times)

By 2015, the girls needed a better ballet school than was available in Ottawa. Their parents packed up the family and moved to Dallas, where the pair enrolled in the Ballet Academy of Texas. Aside from ballet classes they were entirely homeschooled, but they had plenty of experience dancing in school performances, ballet competitions and with real companies.

Mary says the intent was “to give them an opportunity to move and carve their own path … We wanted them to find their passions.”

The moment the sisters had worked for all their lives arrived in 2020, when the time came to set off around the country — and the world — to audition for ballet companies. But the COVID-19 pandemic hit just as they got started, and almost everything in the ballet world shut down.

Jordan says the hiatus led them to reflect for the first time on whether their lifelong ambition was truly what they wanted. At the same time they groped for a way to put their passion for ballet to temporary use.

For years the sisters had fantasized, half-seriously, about having their own YouTube channel. Eden convinced an initially reluctant Jordan it was time to make the daydream real, and “Ballet Reign” premiered on Dec. 21, 2022.

The sisters say they convinced themselves they were using the show to take “a gap year” while waiting out the pandemic. As the first months passed, and their audience widened and sent glowing feedback, they began to realize they were having a big impact and touching lives. It dawned on them that this wasn’t just an interlude but their calling.

In an agonizing twist, just as the show had gotten underway, Jordan received word she had been accepted by a professional ballet company. She turned down the offer.

“It was one of the hardest decisions I’ve ever had to make,” Jordan says, but in retrospect the right one.

Source link

Venezuela: Between Imperial Intervention and Class Suicide

The oil reform and the stance regarding the war against Iran are key elements scrutinized. (EFE)

The early morning of January 3, 2026, marked a turning point in Venezuela’s recent history. An operation carried out by US forces combined airstrikes on Caracas and strategic military areas with a ground incursion that culminated in the abduction of President Nicolás Maduro and his wife, Cilia Flores, and their subsequent rendition to New York. The operation left more than 90 dead, including 32 members of the Cuban special forces who fought to protect Maduro, inflicting some damage on the imperialist forces before being killed.

While it is certainly strange that the United States could carry out the operation to kidnap Maduro and his wife without encountering significant resistance—beyond that offered by the innermost security ring, most of whom were of Cuban origin, like the aforementioned 32 martyrs—perhaps even more surprising are the statements made by Defense Minister Vladimir Padrino López. Weeks after Maduro’s kidnapping, Padrino asserted that it was impossible to deploy fighter jets at the time of the attack given the United States’ air superiority, with 150 aircraft. He thus acknowledged that, with the exception of the president’s personal guard and a few soldiers stationed near the residence, the Venezuelan Armed Forces did not respond to the imperialist aggression. 

We cannot speculate on military matters, since we are not experts and do not have all the necessary information on the issue. That falls outside our purview. In any case, Padrino López’s own words and the events that unfolded during the attack indicate that, for some reason or another, the decision was made not to respond militarily to the Delta Force attack in the early hours of January 3 in Caracas. 

To the surprise of many, Maduro’s abduction did not lead to an immediate or complete institutional collapse. Vice President Delcy Rodríguez assumed the interim presidency, backed by the Supreme Court and the National Assembly, headed by Jorge Rodríguez. This “two-pronged approach” allowed for a certain degree of formal stability to be maintained while the administration of the country’s strategic resources was reorganized and the implementation of policies to adapt to the new context was accelerated.

Coordination with Washington was immediate. On January 15, CIA Director John Ratcliffe – who just days earlier had overseen the aggressive operation alongside Donald Trump in Florida – visited Caracas and met with Delcy Rodríguez. A few days later, the reform of the Organic Law on Hydrocarbons was presented and approved. This timeline reveals an almost symbiotic alignment between Venezuelan authorities and the US administration aimed at ensuring that oil wealth flows under the empire’s supervision, while simultaneously safeguarding the interests of large corporations and international creditors. Whether this link is the result of betrayal or capitulation is, for now, irrelevant. However, what is becoming clearer every day is that, if this were a tactical retreat, it seems unlikely that it could be corrected without strategic direction. And the latter appears to be beyond the reach of the country’s new authorities.

The liquidation of oil sovereignty: from Chávez to Delcy Rodríguez

The recent reform of the Organic Law on Hydrocarbons (LOH) is not a minor amendment to the previous law, but rather the culmination of a process of gradual neoliberal regression that finally took shape in the substantial repeal of the 2001 law – a cornerstone of the Chavista social project and a historic achievement in the assertion of Venezuelan sovereignty.

The original 2001 law, enacted by Hugo Chávez as an Enabling Law, alongside subsequent reforms in 2006 and 2007, marked the peak of Venezuela’s oil nationalization. It established exclusive state ownership of hydrocarbons in the subsoil, PDVSA’s monopoly on international marketing, majority state control in all joint ventures, state planning of investment, and the priority allocation of revenue to social development.

Throughout the various phases of Maduro’s administration, and in the face of the economic crisis caused by brutal US-led sanctions, revenue-seeking policies were implemented in an effort to secure liquidity and foreign currency, which gradually eroded the Chavista socioeconomic structure. This laid the groundwork for the gradual privatization of national resources, even though commercial control and ownership of the oil remained formally in the hands of the state.

Furthermore, during the 2019–2024 period, Maduro granted operating licenses to Chevron and other foreign corporations that allowed for direct exploitation and marketing in certain areas, setting precedents for private control over production. These agreements, presented as “temporary exceptions” to revive output and alleviate the social burden of sanctions, established the framework of dependency that the 2026 reform ultimately consolidated legally.

The January 2026 reform promoted by the Delcy Rodríguez administration, designed in accordance with the requirements of January 9 Trump administration Executive Order 14373, completes this process of erosion and represents a substantial rollback of the economic foundations of Chavista social transformation. Many of the changes introduced reflect mechanisms imposed under the Anti-Blockade Law (2020) and the Special Economic Zones Law (2022), which loosened restrictions on the private sector’s role, primarily through broad tax exemptions and trade incentives, while the 2026 LOH eliminates any remaining obstacles to private operational control of that sector. Or, in other words: what under Maduro were exceptions designed to circumvent sanctions – particularly pressing in the context of the pandemic and post-pandemic period – are formalized in Rodríguez’s reform to institute open subordination.

First, the exclusive state ownership of hydrocarbons in the subsoil – which the 1999 Constitution reaffirmed as an inalienable principle and which even Maduro formally upheld – has been rendered meaningless. While Article 5 of the 2001 law stated that “hydrocarbons in the subsoil are the property of the Republic,” the 2026 reform establishes that foreign private operators can acquire property rights over production from the moment of extraction, allowing them to market it directly without the state involvement that characterized the original Chavista model. The qualitative difference from the Maduro era is that this direct commercialization is now generalized across the entire sector, and the geographical and temporal restrictions that maintained a prospect of state control have been eliminated.

Second, the reform permanently eliminates the state monopoly on international commercialization. The 2001 law and subsequent reforms stipulated that PDVSA was the only entity authorized to export. The 2026 reform allows Western conglomerates such as Chevron, ExxonMobil, Shell, and Repsol to directly market all or portions of production, thereby undermining the state’s sovereign authority to decide to whom to sell, under what conditions, and at what price. Private companies now determine the destination of shipments, negotiating directly with refiners and distributors, while the Venezuelan state receives only royalties and dividends subject to external control mechanisms.

This commercial subordination is further reinforced by a restrictive framework imposed by Washington: General Licenses 46, 50A, and 52 issued by the US Office of Foreign Assets Control (OFAC) strictly prohibit Venezuelan crude oil from reaching entities based in Russia, China, Iran, North Korea, or Cuba, extending the ban to any company that maintains ties of ownership or control with individuals from those countries. Far from restoring commercial autonomy, the 2026 reform institutionalizes these barriers: while transnational corporations are given carte blanche to negotiate directly with Western refiners, all transactions with Chavismo’s historical partners remain prohibited. The Venezuelan state is reduced to collecting royalties under foreign supervision, with no capacity to direct oil flows toward those markets that for years guaranteed the sustainability of the Bolivarian project. This leads to a situation as deplorable as it is surreal, where the Zionist entity has been able to receive Venezuelan crude without hindrance, while Cuba is left helpless against Washington’s strangulation.

Third, the reform abolishes state control over investment and exploitation. The 2001 law reserved for the state the right to plan investment. The 2026 reform allows private operators to unilaterally determine investment levels, the technology to be used, and reserve policy, eliminating any need for approval from Venezuelan authorities beforehand. Foreign companies acquire the right to import equipment and personnel without restrictions, operating under a regime of fiscal and legal extraterritoriality.

Fourth, the reform dismantles the framework for protecting social investments. The 2001 law stipulated that oil revenues must be allocated primarily to economic and social development. The 2026 reform includes provisions allowing for international arbitration to resolve disputes, prioritizing the protection of private investments over any social claims. Funds derived from oil production are subject to foreign control mechanisms. 

Lastly, the aforementioned OFAC licenses effectively establish an architecture of fiscal subordination that privileges foreign interests, with Venezuelan oil proceeds deposited in US Treasury-run accounts. By accepting these licenses – and with the additional stipulations of the reform – the Delcy Rodríguez administration is effectively subject to mechanisms for external validation of its budgets.

Oil reform and foreign oversight are not isolated processes: they constitute a neocolonial arrangement disguised as economic normalization, which maintains formal sovereignty while relinquishing operational control. In strategic terms, Venezuela has gone from being an actor with a relative capacity to define its energy policy— despite sanctions and threats — to a subordinate whose critical decisions are dictated by the United States. 

Condemning Iran: geopolitical alignment as submission

Structural subordination is also evident in foreign policy. In the face of the recent imperialist aggression against Iran, launched jointly by the United States and the Zionist entity on February 28, 2026, which left more than 200 dead in the first few hours (including 148 girls killed in the bombing of an elementary school in Minab), the Delcy Rodríguez government rushed to abandon its traditional alliance with Tehran. 

In an initial statement, it took a stance condemning both the imperialist aggression and the response of the attacked country, falling into a shameful and ridiculous position of neutrality. This official statement, issued on February 28 stated that the Venezuelan government “condemns and deeply regrets that the military option was taken against Iran” and expressed dismay over the civilian casualties. However, the text then went on to refer to “Iran’s inappropriate and reprehensible military reprisals against targets in various countries in the region.” In doing so, the Delcy Rodríguez administration denied the bombed country the right to self-defense, placing the aggressor and the victim on the same level.

This statement, which Foreign Minister Yván Gil ended up deleting from his social media accounts hours later, marks a definitive break with the anti-imperialist stance that Venezuela had been building for two decades. The condemnation of the response by Tehran – a historic ally of Chavismo and high-level strategic partner since 2022 – shows that alignment with imperialism is now a fait accompli.

The Venezuelan communiqué cannot be understood without considering the context: the complete opening of the oil sector to foreign capital, the aforementioned reception in Caracas of the CIA director, and the subsequent arrival of US Chargé d’Affaires Laura Dogu as a diplomatic representative, along with visits by US Secretary of Energy Chris Wright, US Interior Secretary Doug Bergum, and the head of US Southern Command, General Francis Donovan; all within a few weeks, prior to Trump’s own recognition of Delcy Rodríguez as Venezuela’s president.

The Rodríguez administration not only hands over the oil and refuses to stand up to the empire, but also politically legitimizes US hegemony, breaking with the internationalist and popular legacy that Chavismo had always fostered, defended, and pushed forward. The condemnation of the Iranian resistance – which undoubtedly amounts to a condemnation of the entire anti-Zionist Axis of Resistance and all peoples oppressed by the colonial entity – is presented as “international responsibility” and a “commitment to peace.” The new Venezuelan administration thus disguises its surrender of diplomatic sovereignty and buries the solidarity-driven, internationalist Venezuela that Chavismo led, both during Chávez’s and Maduro’s tenures.

Cabral’s Dilemma: betrayal of the Chavista project or class suicide

To fully understand what has happened in Venezuela, it is quite helpful to examine it in light of the political theory of Amílcar Cabral, the independence leader of Guinea-Bissau and Cabo Verde and one of the most incisive thinkers of African and Third World liberation. Cabral first formulated the concept of “class suicide” in his 1964 message to Guinean militiamen, later developing it in numerous speeches throughout the 1960s and 1970s, particularly in his address, “The Weapon of Theory,” delivered at the First Tricontinental Conference of the Peoples of Asia, Africa, and Latin America, held in Havana in January 1966.

In the context of Guinea-Bissau’s liberation struggle, Cabral further developed this theory by applying it to that specific reality in his work Guinea-Bissau: An African Nation Forged in Struggle, posthumously published in 1974. The Guinean petty bourgeoisie, formed under the Portuguese colonial administration, had to choose between joining the African Party for the Independence of Guinea and Cabo Verde (PAIGC) and its peasant base, renouncing their privileges as colonial officials, or remaining on the sidelines and eventually collaborating with Portugal. Cabral had no illusions about the difficulties of this choice. The historical dilemma of this petty bourgeoisie, according to Cabral, is strictly binary: “either it betrays the Revolution or it commits suicide as a class.” There is no third way, no middle ground, and no possible compromise. Any attempt to maintain a neutral stance ends, sooner or later, in subordination to imperialism and the betrayal of national interests.

Class suicide did not mean the physical disappearance of individuals, but rather the destruction of their particular class status. It entailed a radical and conscious transformation. As Cabral explained, the petty bourgeoisie had to “renounce the class position it occupies in social life” and “integrate itself with the popular forces – that is, with the workers and the peasants.” In other words: voluntarily abandon their privileges as an intermediate class, cease to be a class separate and distinct from the people, and fully identify with the popular forces as part of a project of national and social liberation. 

The betrayal of the revolution – the other option in this dilemma – occurs when the bourgeoisie preserves its class existence and its intermediary privileges through subordination to imperialism. It does not renounce its position, does not identify with the people, and does not dismantle its networks of privilege. On the contrary, it negotiates its corporate survival with the enemy, becoming a comprador bourgeoisie. This betrayal is not always explicit or conscious. It often presents itself as “realism,” “pragmatism,” or “tacticism.” But its result is always the same: the consolidation of structural dependence and the blocking of any emancipatory project aimed at true sovereign independence, an indispensable requirement for delinking from the imperialist system.

The theory of class suicide has profound methodological implications for political analysis. First, it establishes that national liberation cannot be led by the national bourgeoisie or by the petty bourgeoisie unless they have committed class suicide. Second, it demonstrates that formal independence does not equate to real liberation if the political leadership retains its character as a subordinate intermediary class. Third, it points out that the class struggle continues during the revolutionary process and that the principal contradiction is not always between the people and external colonialism, but also between the people and their own leadership that resists class suicide.

What sets the Venezuelan case apart is that the petty bourgeoisie – whether treacherous or capitulationist – is not the traditional colonial class that Cabral analyzed, but rather a bureaucratic bourgeoisie forged in the very process of revolutionary change. Over two decades of Chavismo, this class has accumulated experience in state administration, built autonomous power networks, developed a distinct corporate identity, and created a social base of support. Class suicide would mean renouncing all this historical accumulation, dissolving into the popular masses, and reconfiguring the project from the ground up by aligning with the proletariat and the communal project. Betrayal, on the other hand, allows for the preservation of bureaucratic and clientelist power structures by adapting them to the new framework of subordination. A bureaucratic bourgeoisie that controls the state and oil revenues has its own material interests that may conflict with a direct confrontation against imperialism.

In the wake of the rapid and radical changes implemented by the Delcy Rodríguez administration that we have described, we can observe with bitterness how the national bourgeoisie has ceased to administer independence – the original purpose of the Chavista project – and has instead come to manage dependence.

All of this is being presented, as one would expect, under the guise of Bolivarian continuity, the preservation of symbols, and rhetoric about historical responsibility, all of which serve to obscure the surrender of oil revenues to imperialist control, demolishing what was once the cornerstone of the Chavista social project. This is accompanied by a rupture or abandonment of historic alliances such as with Iran and Cuba, with national resources destined for the Zionist entity without question, in a shameful capitulation to US interests.

The 2026 oil reform is the key element of this submission: state ownership of oil – a pillar of the sovereign development project – is being dismantled in favor of corporate control and placed at the mercy of the US Treasury. This constitutes a sophisticated form of neocolonial domination because it hinders resistance to the brutal imperial agenda. Indeed, the masses are not facing an enemy in the form of a foreign occupation, but rather an elite that speaks their language, appropriates their symbols and folklore, and maintains a patriotic rhetoric, all while systematically dismantling the core foundations that Chavismo built over decades in its quest for a historic break with dependency.

Conclusion

The history of liberation struggles teaches us that if the revolutionary project is the lighthouse, the revolutionary class must be its operator. As such, its cause must be anchored in a historical strategy capable of guiding even the most difficult tactical retreats. But there can be no tactical retreat without strategy, nor strategy without the material foundations on which to sustain it. Economic independence is not a mere ideological ornament of the revolutionary process: it is its condition of possibility. When a nation’s sources of wealth are handed over to the empire’s management, when the revenue that fueled the social project is subjected to external control, and when the state voluntarily relinquishes the instruments that allowed it to decide on its own development, there is no room left for future strategic maneuvering. What is presented as prudence or realism is nothing more than, at best, the institutionalization of capitulation; at worst, of betrayal. 

Those same processes of national liberation have also shown that no revolution has survived without cadres willing to take on the risks demanded by the confrontation with imperial power. Revolutionary leaders are not called upon merely to manage structures, but to embody a historic will capable of sustaining the conflict to its final consequences. In the early hours of January 3, as the Venezuelan state apparatus sealed its commitment to servile negotiation, those willing to give their lives for that cause were the Venezuelan soldiers and 32 Cuban internationalists who fell defending the presidential residence. And in that event, both brutal and symbolic, lies the essence of the dilemma Cabral articulated decades ago: in the face of imperialism, there is no lasting middle ground between class suicide and betrayal. Everything else – the rhetoric, the symbols, the appeals to tactics – are merely transient ways of naming a decision that, sooner or later, history ultimately reveals.

Joan López and Alejandro Pedregal are members of the Anti-Imperialist Network (AIN), anti-imperialist.net.

The views expressed in this article are the authors’ own and do not necessarily reflect those of the Venezuelanalysis editorial staff.

Source: El Salto Diario

Note: there have been minor edits to the original version to clarify certain aspects of the oil reform.

Source link