clash

“South Park” creators Matt Stone and Trey Parker, who this summer landed one of the richest TV deals ever, are being called Scrooges by performers at their Casa Bonita restaurant near Denver.

In late October, the performers, including the famed cliff divers, went on a three-day strike, citing unsafe working conditions and stalled negotiations over their first contract. The performers voted unanimously to unionize with Actors’ Equity Assn. a year ago.

The strike ended when the restaurant’s management agreed to bring in a mediator to assist in the negotiations.

But the standoff has continued, prompting Actors’ Equity to take out an ad in the Denver Post this week that depicts a “South Park” cartoon-like Parker and Stone awash in hundred-dollar bills while their staff, including a gorilla and a person clad in a swimsuit, shivers outside in the Colorado cold.

The union said its goal is to prod the star producers to resolve the labor tensions by giving about 60 Casa Bonita performers, including magicians and puppeteers, a pay increase and other benefits along with their first contract.

A full page ad is running in the Denver Post on Dec 24.

(Actors’ Equity Association)

Other Casa Bonita workers voted earlier this month to join the International Alliance of Theatrical Stage Employees Local 7.

“At Casa Bonita, we value all of our team members and their well being,” the restaurant management said in a statement. “We are negotiating in good faith with our unionized team members in the hopes of concluding fair collective bargaining agreements.”

Parker and Stone declined to comment through a spokesperson.

The pair, who also created the hit Broadway play “The Book of Mormon,” rescued the kitschy, bright-pink Mexican-themed eatery in Lakewood, Colo., from bankruptcy in 2021 and have since plowed more than $40 million into the restaurant to upgrade and correct unsafe electrical, plumbing and structural issues after the facility had fallen into disrepair.

For “South Park” super-fans, the venue has become something of a mecca since first being featured in the seventh season of the long-running Comedy Central cartoon.

In that episode, Cartman flips out when Kyle invites Stan, Kenny and Butters Stotch to his birthday party at Casa Bonita (not Cartman), where they are serenaded by the restaurant’s ubiquitous mariachi bands.

Along with legions of other kids who grew up in Colorado, Parker and Stone fondly remember making the trek to the Casa Bonita of their 1980s youth. Restoring the restaurant has become a passion project for the writers, a journey that became grist for a documentary, “¡Casa Bonita Mi Amor!,” which streams on Paramount+.

In July, Paramount managers were eager to tie up loose ends to facilitate the company’s sale to David Ellison’s Skydance Media and RedBird Capital Partners. The incoming management team also became involved in the protracted negotiations to strike a new deal with Parker and Stone’s production company, Park County, to avoid having the situation unravel, possibly tripping up their corporate takeover.

Paramount ultimately agreed to extend the overall deal for Park County as well as lock up the show’s exclusive global streaming rights for $300 million a year over five years. Until this year, the show streamed exclusively on HBO Max.

The overall deal is slated to bring Parker and Stone’s firm $1.25 billion through 2030.

As part of the pact, the team agreed to create 50 new “South Park” episodes for Paramount. The series has enjoyed a ratings bounce and increased cultural resonance this year as it routinely roasts President Trump.

Actors’ Equity, which also represents Broadway performers, is seeking pay raises for its members at Casa Bonita. Union representatives said performers’ wages there average $21 to $26 an hour.

“Matt and Trey have become fabulously wealthy by pointing out the hypocrisy of rich and powerful people,” said David Levy, communications director for Actors’ Equity. “And now they are behaving exactly like the people they like to take down.”

Joe Ely, a singer-songwriter and foundational figure in Texas’ progressive country-rock scene, has died. He was 78.

According to a statement from his representatives, Ely died Dec. 15 at home in New Mexico, from complications of Lewy Body Dementia, Parkinson’s disease and pneumonia.

Ely had an expansive vision for country and rock, heard on singles like “All My Love,” “Honky Tonk Masquerade,” “Hard Livin’,” “Dallas” and “Fingernails.” Born in 1947 in Amarillo, Texas, Ely was raised in Lubbock before moving to Austin and kicking off a new era of country music in the region, one that reflected both punk and the heartland rock of the era back into the roughhousing country scenes they came from.

After founding the influential band the Flatlanders with Jimmie Dale Gilmore and Butch Hancock (which dissolved soon after recording its 1972 debut), he began a solo career in 1977. He released several acclaimed albums, including 1978’s ambitiously rambling “Honky Tonk Masquerade,” before finding his popular peak on 1980’s harder-rocking “Live Shots” and 1981’s “Musta Notta Gotta Lotta.”

Ely, beloved for barroom poetry that punctured country music’s mythmaking, was a ready collaborator across genres. He befriended the Clash on a tour of London and sat in on the band’s sessions recording their epochal “London Calling” LP. He later toured extensively with the group, singing backup on “Should I Stay or Should I Go,” and earning a lyrical tribute on “If Music Could Talk” — ”Well there ain’t no better blend than Joe Ely and his Texas men.”

Ely was a favorite opener for veteran rock acts looking to imbue sets with Texas country swagger. He performed with the Rolling Stones, Stevie Nicks, Tom Petty & the Heartbreakers and Bruce Springsteen, who later sang with him on “Odds of the Blues” in 2024. Springsteen once said of Ely: “Thank God he wasn’t born in New Jersey. I would have had a lot more of my work cut out for me.”

In the ‘90, Ely joined a supergroup, the Buzzin Cousins, with John Mellencamp, Dwight Yoakam, John Prine and James McMurtry, to record for Mellencamp’s film “Falling From Grace.” Robert Redford later asked Ely to compose material for his film “The Horse Whisperer,” which led to collaborations with his old Flatlanders bandmates and a reunion in the 2000s. He also acted in in the musical “Chippy: Diaries of a West Texas Hooker” at Lincoln Center in New York City and joined the Tex-Mex collective Los Super Seven — he shared in the band’s Grammy for Mexican-American/Tejano Music Performance in 1999, his only such award.

Ely was inducted into the Austin City Limits Hall of Fame in 2022 and released his last album, “Love and Freedom,” in February.

WASHINGTON — Members of Congress clashed Thursday over President Trump’s use of the National Guard in American cities, with Republicans saying the deployments were needed to fight lawlessness while Democrats called his move an extraordinary abuse of military power that violated states’ rights.

Top military officials faced questioning over the deployments for the first time at the hearing before the Senate Armed Services Committee. They were pressed by Democrats over the legality of sending in troops, which in some places were done over the objections of mayors and governors, while Trump’s Republican allies offered a robust defense of the policy.

It was the highest level of scrutiny, outside a courtroom, of Trump’s use of the National Guard in U.S. cities since the deployments began and came a day after the president faced another legal setback over efforts to send troops to support federal law enforcement, protect federal facilities and combat crime.

“In recent years, violent crime, rioting, drug trafficking and heinous gang activity have steadily escalated,” said Mississippi Sen. Roger Wicker, the committee chairman. The deployments, he said, are “not only appropriate, but essential.”

Democrats argued they are illegal and contrary to historic prohibitions about the use of military force on U.S. soil.

Sen. Tammy Duckworth, D-Ill., had pushed for the hearing, saying domestic deployments traditionally have involved responding to major floods and tornadoes, not assisting immigration agents who are detaining people in aggressive raids.

“Trump is forcing our military men and women to make a horrible choice: uphold their loyalty to the Constitution and protect peaceful protesters, or execute questionable orders from the president,” said Duckworth, a combat veteran who served in the Illinois National Guard.

Military leaders point to training

During questioning, military leaders highlighted the duties that National Guard units have carried out. Troops are trained in community policing, they said, and are prohibited from using force unless in self-defense.

Since the deployments began, only one civilian — in California — has been detained by National Guard personnel, according to Air Force Gen. Gregory M. Guillot, commander of U.S. troops in North America. Guillot said the troops are trained to de-escalate tense interactions with people, but do not receive any specific training on mental health episodes.

“They can very quickly be trained to conduct any mission that we task of them,” Guillot said.

Republicans and Democrats see the deployments much differently

In one exchange, Sen. Mazie Hirono, D-Hawaii, noted how former Defense Secretary Mark Esper alleged that Trump inquired about shooting protesters during the George Floyd demonstrations. She asked whether a presidential order to shoot protesters would be lawful.

Charles L. Young III, principal deputy general counsel at the Defense Department, said he was unaware of Trump’s previous comments and that “orders to that effect would depend on the circumstances.”

“We have a president who doesn’t think the rule of law applies to him,” Hirono said in response.

Republicans countered that Trump was within his rights — and his duty — to send in the troops.

Republican Sen. Tim Sheehy of Montana, a former Navy SEAL officer, argued during the hearing that transnational crimes present enough of a risk to national security to justify military action, including on U.S. soil.

Sheehy claimed there are foreign powers “actively attacking this country, using illegal immigration, using transnational crime, using drugs to do so.”

Senators also offered their sympathies after two West Virginia National Guard members deployed to Washington were shot just blocks from the White House in what the city’s mayor described as a targeted attack. Spc. Sarah Beckstrom died a day after the Nov. 26 shooting, and her funeral took place Tuesday. Staff Sgt. Andrew Wolfe is hospitalized in Washington.

Hearing follows court setback for Trump

A federal judge in California on Wednesday ruled that the administration must stop deploying the California National Guard in Los Angeles and return control of the troops to the state.

U.S. District Judge Charles Breyer granted a preliminary injunction sought by California officials, but also put the decision on hold until Monday. The White House said it plans to appeal.

Trump called up more than 4,000 California National Guard troops in June without Democratic Gov. Gavin Newsom’s approval to further the administration’s immigration enforcement efforts.

The move was the first time in decades that a state’s National Guard was activated without a request from its governor and marked a significant escalation in the administration’s efforts to carry out its mass deportation policy. The troops were stationed outside a federal detention center in downtown Los Angeles where protesters gathered and were later sent on the streets to protect immigration officers as they made arrests.

Trump also had announced National Guard members would be sent to Illinois, Oregon, Louisiana and Tennessee. Other judges have blocked or limited the deployment of troops to Portland, Oregon, and Chicago, while Guard members have not yet been sent to New Orleans.

Klepper, Finley and Groves write for the Associated Press. AP writer Konstantin Toropin contributed to this report.