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A lawsuit filed in federal court on Friday accuses writer and director Taylor Sheridan of stealing the idea for his powerhouse success “Yellowstone” from Lauren J. Salkin, a Virginia-based journalist and screenwriter.

Requests for comment from representatives for Sheridan, Paramount and NBCUniversal, all among those named as defendants in the lawsuit, were not immediately returned on Saturday.

The lawsuit says that Salkin spent more than 10 years developing a series to be called “Sovereign Nation,” which is described as “a dramatic television series centered on tribal governance, casino-driven economic power, and a modern war over land and development” with the overall project copyrighted beginning in 2010 and a specific pilot script copyrighted in 2016.

Having submitted the project to Sheridan’s management company, Elevate Entertainment, in February 2017, according to the filing, Salkin later received an email message that included the statement, “Taylor thanks you very much for your interest. Unfortunately, he’s unavailable for TV projects.”

Soon after, Paramount greenlit Sheridan’s “Yellowstone” project, with the first episode airing on June 20, 2018.

The lawsuit goes on to catalog a list of similarities between “Sovereign Nation” and “Yellowstone,” stating, “What then appeared in ‘Yellowstone’ was not merely another Western about land or family. It included specific expressive choices already embodied in Salkin’s materials.”

Kevin Costner in “Yellowstone.”

(Paramount)

Actors Gil Birmingham and Danny Huston were mentioned in Salkin’s original pitch deck as potential casting ideas for her show. Both would later appear on “Yellowstone.” The lawsuit goes on to say that the subsequent “Yellowstone” spinoffs “1883,” “1923,” “Marshalls” and “Dutton Ranch” are therefore also based on Salkin’s work.

The lawsuit states, “Copyright law does not protect the abstract idea of a Western, a land dispute, an Indian casino, or a powerful family — and that is not Plaintiff’s claim. The infringement alleged here lies in the copying of Salkin’s particular expressive choices and their coordinated selection and arrangement.”

The lawsuit asks for a jury trial, an injunction against ongoing and future copyright infringement and unspecified damages.

“Yellowstone” ran for five seasons from 2018-2024. Sheridan, who is also behind shows such as “Tulsa King,” “Landman” and “Mayor of Kingston,” is set to move his production company from Paramount to NBCUniversal in 2029. Sheridan was also nominated for an Academy Award in 2017 for best original screenplay for the neo-western “Hell or High Water.”

FCC faces scrutiny as Disney claims licence renewal order is tied to political motives against ABC’s coverage.

Disney has filed a lawsuit against the Federal Communications Commission (FCC) amid efforts to stop an early licence review for eight ABC-owned and -operated stations around the United States.

In the lawsuit filed in a federal court in Washington, DC, the media giant alleged the early renewal is an effort by the administration of US President Donald Trump to intimidate the company after infuriating the president.

In April, the FCC ordered the network’s stations, which include its affiliates in New York and Los Angeles, to file their licence renewals ahead of schedule despite the fact that for six of its stations, the current term isn’t even halfway finished. The station with the closest deadline is WTVD in Durham, North Carolina, but that is not until December 2028. The network says the move is part of a political “retaliatory campaign”.

“Again and again, the Administration has attacked ABC’s speech – the stories its journalists report and the viewpoints its network programs air. Over time, those attacks have escalated into express demands that ABC be stripped of its broadcast licenses because of its speech,” the 46-page complaint said.

The suit presented a wave of Truth Social posts that the president posted in 2025 threatening the network, among them one saying that the network “should lose their Licences for their unfair coverage of Republicans and/or Conservatives”.

The FCC said the April licence renewal call was a result of diversity, equity and inclusion practices at ABC’s parent company, Disney, and an investigation into the ABC network’s talk show programme The View.

In March, FCC Chairman Brendan Carr threatened broadcasters, saying stations airing “fake news” could lose their licences amid Trump’s frustration with coverage of the US-Israel war on Iran.

Not long after, Trump demanded that ABC fire late-night host Jimmy Kimmel over comments he made before the White House correspondents dinner shooting in which he called first lady Melania Trump an “expectant widow”. Trump responded to them after the shooting, characterising them “a call to violence”.

Free speech advocates have praised ABC for the lawsuit.

“It’s about time for someone to take Brendan Carr and his FCC to court over their endless campaign of intimidation and retaliation against journalism that displeases Carr’s thin-skinned boss,” Seth Stern, director of advocacy at the Freedom of the Press Foundation, told Al Jazeera.

“No matter what pretexts he asserts, Carr’s modus operandi is clear: to serve as Trump’s censorship tsar and abuse his office to repeatedly and exclusively target Trump’s perceived adversaries in the media, whether through sham proceedings or threatening letters and X posts.”

The network called for a “speedy hearing” in the complaint as well as a temporary restraining order.

News of the lawsuit sent Disney’s stock surging in morning trading by 1.1 percent.

Aug. 7 (UPI) — Former CNN anchor Don Lemon is seeking to have a federal indictment against him in Minnesota, arguing that he is being illegally targeted for vindictive prosecution.

According to Lemon’s attorneys, U.S. President Donald Trump‘s anger towards the journalist “is well documented, stretching back over a decade.”

The attorneys argued in court filings that Lemon was charged by the U.S. Justice Department “as punishment for his First Amended protected reporting on protests related to Operation Metro Surge in Minnesota.”

Lemon is one of several journalists facing charges — along with a number of protestors — for violating the FACE Act, which bars interfering or intimidating people as they exercise their constitutional rights to practice religion. He has pleaded not guilty.

Federal prosecutors have alleged Lemon and another independent reporter took part in a “takeover-style attack” of Cities Church in St. Paul. Lemon live-streamed anti-ICE protestors entering the charge on Jan. 18. He said during his live-stream as well as afterwards that he entered the church to report on the protest.

In the court filing, Lemon’s lawyers cited public remarks by Trump, as well as current and former Justice Department officials, that were aimed at Lemon ahead of his indictment in late January.

The Justice Department first tried to file a criminal complaint against Lemon, but a magistrate judge ruled against it, citing a lack of probable cause.

The Justice Department then sought intervention from the chief judge and the Eight Circuit Court of Appeals but was rejected. Prosecutors then secured an indictment from a grand jury. Lemon was arrested in Los Angeles on Jan. 30 to cover the Grammy Awards. He has said he sought to turn himself in but never heard back from the Justice Department.

President Trump ordered his administration Friday to install signs in front of the Smithsonian Institution’s U.S. history museum telling visitors that some of the exhibits are inaccurate, his latest move to reshape how the story of the United States is told.

Trump’s move follows a report released July 4 by his Domestic Policy Council saying leaders of the Smithsonian and its National Museum of American History don’t tell history “in a way that is inspiring, unifying, and worthy of our great republic.”

The president lacks authority to quickly fire the Smithsonian leadership or to order changes to exhibits, so his executive order targets the sidewalks out front, which are maintained by the National Park Service. The order calls for signs telling visitors about the White House report and directing them to resources for what he calls “accurate information regarding America’s history.” It also calls for a temporary exhibit that corrects information he deems inaccurate.

Smithsonian officials declined to comment on Trump’s order.

Anthea M. Hartig, director of the National Museum of American History, challenged the White House report during congressional hearings last week.

“As we continue to fact-check the report, we unwaveringly attest that it does not fairly or accurately characterize the full body of work at the museum,” she told lawmakers. “There is always room for improvement. But I also know the beauty and the inspiration and the expertise that lies in our collections, our exhibits, and our programming.”

The Smithsonian operates outside the executive branch, and museum directors report to Smithsonian Institution Secretary Lonnie Bunch, who is subject to oversight from its Board of Regents.

Trump’s escalating effort to force changes at the Smithsonian marks the president’s latest move to transform cultural pillars of society, such as universities and art, that he considers out of step with conservative sensibilities. Trump had himself installed as chairman of the John F. Kennedy Center for the Performing Arts with the aim of overhauling programming, and his handpicked board voted to add his name to the building, only for a federal judge to later order the signs to be removed.

Trump has also imposed changes on historical sites beyond Washington, including in Philadelphia, where the administration won a court ruling this month allowing it to reinstall interpretive panels that critics say whitewash the history of slavery at the site of President Washington’s home. Advocates, academics and officials have been concerned for months that the version that complies with Trump’s order could give a history that plays down the pain in the nation’s past in favor of a more triumphant view.

Trump in March revealed his intention to force changes at the Smithsonian Institution with an executive order that targeted funding for programs that advanced “divisive narratives” and “improper ideology.”

Cooper writes for the Associated Press.

PETE Tong has hit back at a rival DJ as they are embroiled in a row over a music collaboration gone wrong.

American DJ John Summit took to X in a rant where he claimed that the Radio 1 star had ‘promised’ to release his music together, but then decided to work with Dutch DJ Franky Rizardo instead and “jacked” John’s remix.

Fans of Pete and Franky were excited when the DJs revealed they were releasing a new remix of Everything But The Girl’s Missing earlier this year, but ran into controversy when John made the public claims that he was meant to be involved too.

John wrote online: “hey @petetong thanks for promising to release my missing remix with u (while doing nothing in terms of production)

“Then jacking my remix to release with franky rizardo release class act you are. to think i actually looked up to u too.”

John then went on to claim that there was ‘proof’ and said: “Also i ended up doing the whole orchestral version myself which im premiering this weekend, thanks for the zero help”.

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Pete hit back in a video, as he claimed discussions of working with John were simply that and never came to fruition, and that the project with Franky was an ‘independent’ one.

In a video, Pete said: “I’m disappointed. I don’t like being accused of things that aren’t true. If you’ve got a problem, pick up the phone – that’s certainly what I would preach.”

Going on to say that he had tried to call and text John with no avail, Pete claimed: “I think we acted correctly, we laid out the scenario to his team, for one reason or another, it wasn’t to be.

“They never got back to us, we carried on making the other version with Franky. And that’s it.”

Pete later explained: “We had positive conversations on text about doing a new version of his remix and at the same time I was talking to Franky.

“It’s quite normal when releasing a song to have different versions of the same song.

“I started the conversation with both of them, I got into it with John because he was particularly interested in the orchestra because he wanted to perform the song with an orchestra himself.”

Pete then said his management took over communication and told John they were also working on a version with Franky.

He claimed how his team then failed to hear back from John and chased him “multiple times” but never heard back.

Pete did hear back from Franky, he says, and they continued to work on their planned track.

Following John’s very public claims, Franky announced he was withdrawing from the release – saying it “no longer feels right”.

The Writers Guild of America sued Paramount on Tuesday, alleging that the company’s planned $111-billion acquisition of Warner Bros. Discovery violates federal antitrust law.
The union said that with fewer competitors, the merged Paramount-Warner Bros. Discovery business would be able to lower costs by reducing writers’ wages and work.

“Writers will be paid less and have fewer employment opportunities,” the WGA said in its lawsuit.

The move comes a day after California Atty. Gen. Rob Bonta led a coalition of 12 Democratic state attorneys general who filed a federal lawsuit to block Paramount Skydance’s $111-billion merger with Warner Bros. Discovery.

Bonta has separately asked a judge in San Francisco for a temporary restraining order to hold up the deal while his case is pending in court.

“We feel we have a very strong case,” Bonta said Tuesday during a town hall meeting. “This proposed merger will raise prices. It will lower quality. It will reduce output. It will hurt the American people, and it’ll hurt the the economy and competition.”

The writers guild’s missive creates a second line of attack against tech scion David Ellison’s industry-reshaping deal.

Ellison’s proposed merger has been moving closer to the finish line after securing approvals from the U.S. Justice Department and numerous other foreign governments. President Trump, an ally of Ellison’s billionaire father Larry Ellison, favors the deal.

David Ellison wants to close the deal by September to avoid a higher payout to Warner Bros. Discovery shareholders.

A Paramount spokeswoman said the company is reviewing the lawsuit.

The proposed merger has sparked fears in Hollywood that it would bring thousands of job losses — similar to past consolidations, including Walt Disney Co.’s 2019 takeover of Fox entertainment properties.

“The Writers Guild of America will not stand idly by as Paramount attempts to violate our country’s antitrust laws and deepen the contraction entertainment workers already feel,” said Writers Guild of America East President Tom Fontana in a statement. “This proposed combined entity would be the largest employer of writers, with tremendous power to suppress our wages, eliminate opportunities for emerging writers, cut jobs across the industry, and produce less programming, affecting the range of storytelling. This merger is not inevitable and we are fighting to stop it.”

Holidaymakers have returned to ‘their’ poolside sunloungers to find their towels and property gone

Holidaymakers battling for poolside loungers may have finally met their match after a hotel worker was filmed removing towels and bags from reserved sunbeds while guests were at breakfast. The footage, filmed by Lucie Hewes, 19, from the UK, shows a member of staff making his morning rounds at a hotel in Rhodes, Greece, clearing unattended loungers despite personal belongings being left on them.

Lucie said the hotel has a clear policy banning guests from reserving sunbeds, but many holidaymakers ignored the rule by laying out towels, hats and bags before heading off to breakfast – or even back to bed. She said: “The pool man comes round at around 8 every morning and removes towels and belongings from the beds with no one sitting on them.”

According to Lucie, some guests returned looking confused when they discovered their belongings had vanished, while others were unhappy to find fellow holidaymakers already sitting on what they considered “their” sunbeds. She added: “It was funny and entertaining to watch and good to see, as the rule of no sunbed reservation is fair.”

One woman reportedly confronted a member of the pool staff, complaining that her belongings should not have been moved because she now had nowhere to sit. Lucie said staff calmly explained the hotel’s policy, telling her sunbeds could not be reserved so that all guests had a fair chance of getting one.

“She did not agree despite getting all her stuff back,” Lucie said. The clip has reignited the annual sunbed wars debate, which has become a familiar feature of British holidays abroad.

Lucie’s video was viewed 538,000 times, had 23,000 likes and had 294 comments. One user said: “Well done wish all hotel done this.”

Another person said: “All hotels should do this.” Someone else added: “If you don’t like this, all skip breakfast and stay on your loungers.”

Jay said: “Every hotel should do this! Well done.”

Another user added: “Not all heroes wear capes.”

It comes just days after another UK holidaymaker made headlines for taking a far more controversial approach to the problem. Tom Caunce admitted secretly sprinkling itching powder onto towels left on reserved loungers during a holiday in Majorca, saying he was fed up with guests claiming the best poolside spots before sunrise and then disappearing for hours.

President Trump accused Iran of shooting down a US Apache helicopter over the Strait of Hormuz and said the US will respond out of “necessity.” The Pentagon confirmed both pilots were rescued by a US sea drone and are uninjured. Kimberly Halkett reports from the White House.