Ciaran Hinds

We used to have more films like “Midwinter Break,” in which the combination of a couple of great actors, a gifted writer and the unfussy shepherding of a thorny, intimate scenario gave discerning moviegoers their recommended weekly allowance of adult drama about the human condition.

That’s no longer the case, so you would be forgiven for attaching more importance to the small-scale appeal of this adaptation of Irish author Bernard MacLaverty’s 2017 novel. Without gimmicks or pomp (save a picturesque setting) and through the supreme talents of Lesley Manville and Ciarán Hinds, it offers up an affecting two-hander about a couple on the brink who’ve never really acknowledged said precipice. As directed with low-key confidence by Polly Findlay, the movie is both good and, in a certain way, good enough.

Should a marriage be merely good enough? Because hiding in the 40-year togetherness of retired teacher Stella (Manville) and ex-architect Gerry (Hinds) is an unmistakable chasm. It’s a divide with roots in the turbulent Belfast of their youth, which necessitated starting their family in Glasgow. It manifests now in a brittleness that tints their everyday exchanges as ossifying empty nesters.

Stella’s restless energy in wanting to fix things spurs her to arrange an impromptu trip for them to Amsterdam. Initially they rekindle a genial intimacy over art, meals and the city’s beauty. She eases off her intolerance for his drinking by tagging along to bars, while he accompanies his faith-driven wife to the Begijnhof, a historical religious site of dwellings initially intended to house a sisterhood of single Catholic women. We gather her keen interest isn’t entirely touristy but also, because Hinds is so good, that his wisecracks about religion — which she bristles at — have a basis in something personal, too.

We eventually learn what it is that has kept Stella and Gerry in a state of deepening apartness. But these expected revelations aren’t as cathartic as one might hope, probably because what “Midwinter Break” had going for it was a gathering totality of unhurried observance, as if we, too, were stumbling in the dark along with these nervous dancers, who once knew each other so well yet had lost the ability to turn knowing into understanding.

Still, the chance to see Manville and Hinds give heart, soul and edge to a cracked marriage is a display of nuanced skill that no screenwriting choice (even if true to the source material) can fully hamper. Manville, one of our greatest actors, is achingly real, giving Stella the protective bearing of a wounded soldier. Hinds, meanwhile, masterfully shows an affable partner’s emotional immobility.

Findlay knows to stay out of the way when her actors are deep inside what’s lived-in about their situation, or when grace notes — especially the story’s real ties to the Troubles — needn’t be overstruck. Modest to a fault, “Midwinter Break” seems to float like something cautious and wishful, hoping along with the audience that this union’s individual strains will fall into harmony once more.

BBC iPlayer’s Kin has been hailed as the ‘best series’ by viewers, with the Irish gangland drama achieving a flawless 100% score on Rotten Tomatoes

BBC iPlayer’s gritty crime drama Kin has been winning rave reviews from audiences. The gangland thriller, which follows a Dublin criminal family embroiled in an underworld feud, has left viewers clamouring for more despite running for just 16 episodes.

Originally aired between 2021 and 2023, the show continues to win over new fans on Netflix and BBC iPlayer. The Irish-made series has also impressed critics, securing a perfect 100% rating on Rotten Tomatoes for its first series.

The show’s synopsis states: “A boy is killed, and his family embarks on a gangland war with an international cartel. But the Kinsellas have something the cartel does not, the unbreakable bonds of blood and family.”

The impressive cast includes Charlie Cox, famous for playing Marvel superhero Daredevil, alongside Game of Thrones star Aidan Gillen and Ciarán Hinds, who play rival gang leaders.

The drama kicks off with Michael Kinsella, the black sheep of the family, walking free from prison. The Kinsellas rely on local drugs kingpin Eamon Cunningham (Hinds). But tensions are rising as they grow weary of being under his thumb, and before long, all-out gang warfare erupts.

One viewer confessed: “I binge-watched all of Kin series one on Netflix yesterday, didn’t finish it until 3am,” continuing, “Really enjoyed it. When will series two be released? I need to do more bingeing into the wee small hours.”

One glowing review on Rotten Tomatoes gushed: “Best series I have seen, could not stop watching it, brilliantly written, acting superb, a must watch for me.”

A viewer took to IMDb to counter the negative reviews, asserting: “Surprised by the negative reviews because this is an excellent series, with great performances, realistic action and a good plot. None of your Hollywood 10-minute fight scenes; the violence is short, sharp and decisive.”

They continued: “The first season held my attention throughout, and I looked forward to every episode, even though I could see the ending coming a mile off. You could look at it as the copying of a great ending to a great movie or just a nod to that movie.

“I wasn’t sure about season two, but warmed to it after the first couple of episodes. I’m not fond of endings that leave parts of the story hanging for next season, but in this case, I’ll forgive them because it was, otherwise, the perfect finale to the main plot line.”

Another fan praised: “The series is deeply character-driven, with standout acting, sharp dialogue, and nuanced interactions that will have you on the edge of your seat, hanging on every word when things get real.”

They wrapped up their review by saying: “The action sequences are seamlessly incorporated, as one critic noted. Even as someone who doesn’t enjoy drama, I found this a fantastic watch.”

Meanwhile, viewers have been making comparisons to Love/Hate, the acclaimed Irish crime drama which ran from 2010 to 2014. One fan suggested: “Watch love/hate instead, especially S2 + S3. Up there with the best shows I’ve ever watched”.