Chris

CHRIS Hughes was left devastated watching England’s defeat in the World Cup on Wednesday night – with the Love Island star shouting at the TV before storming off.

The reality star joined the rest of the country in mourning as hopes of the Three Lions taking home the winning title were dashed by Argentina.

However, Chris was extra animated during the game.

His girlfriend JoJo Siwa filmed as Chris stood in front of the TV watching intently.

And when Argentina‘s Lautaro Martínez scored in the 92nd minute, Chris furiously shouted: “Oh My God, England!” while storming off.

Angrily walking away, he continued to shout: “What are you doing?!”

STRATTON HER STUFF

Rivals’ Emily Atack shows off weight loss as she goes braless in dress

SPLIT FEARS

Lisa Snowdon sparks fears she’s split from fiance after 12 years together

Chris then completely stormed out of the room, and could be heard shouting: “Oh my good God”.

It’s a far cry from Chris’ usually soft-spoken demeanour, with girlfriend JoJo even admitting in the caption: “Didn’t know his vocals could reach that octave” with laughing faces.

Chris was watching the game over in the US, where he is currently visiting JoJo.

As the match came to a disappointing close, she filmed him with his head against the wall in dispair.

The couple have been together since meeting on Big Brother last year, and do long distance between London and L.A.

Chris wasn’t the only famous face to be left feeing down over the result, with Sam Thompson also taking to his Instagram Stories to rant about the loss.

While die-hard football fan Ross Kemp was all smiles as he got behind England before the game – shouting and kissing his England shirt in a topless video before the semi-final kicked off.

He then couldn’t contain his excitement when England scored the first goal of the game in the 55th minute, sharing a second video.

But the energy was much less on the other side of the game, with Ross radio-silent since the loss.

David Beckham – who was at the game and got booed by Argentina fans when he popped up on the big screen – described the loss as a ‘heartbreak’ in a social media post.


Arrive early — or stay late — for low wait times.

Be wary of rushing straight to the most popular attractions at the park, as many others will have that identical strategy.

If you don’t mind being split up, take advantage of the single rider line, especially on a showcase attraction such as Radiator Springs Racers.

Every Disneyland regular has tips, time-saving, stress-reducing ideas to enhance your day at the park.

So when I had the opportunity to talk to Chris Mortensen, one of the Disneyland Resort’s longest-tenured vacation planners, I wanted to know his.

Mortensen recently celebrated his 40th year with the company, and has spent more than 20 of them in his current role as director of West Coast Travel Operations. That means a significant part of his job is talking on the phone with those who want advice on how to plan their Disneyland days.

He comes from a Disney family. His wife has spent about 30 years with the resort, and one of their children is also a cast member. If anyone should know how to plan a special day at Disneyland, it’s Mortensen.

One of his key pieces of advice: Decide what’s most important to you as a guest. “Is it a thrill ride? Is it entertainment? Is it food?” Mortensen asks. “One of the things that I like to tell people is that you’re going to have a really busy day, but take time for yourself.”

Here are some of Mortensen’s other favorite park tips. We steered the conversation to Southern California locals, and those who may want a little glimpse of what makes Disneyland so special.

Get around the park by train

Here’s one hint, off the bat, that Mortensen says he gives most everyone: “Use the Disneyland Railroad as a form of transportation. Yes, it’s a great little attraction. Seeing the dinosaurs is one of my favorites. But it’s also a great way to get from one place to another. If you’re on Main Street and don’t want to walk all the way back to see ‘Bluey,’ jump on the railway. It’s a great way to get a little rest, and experience the park.”

Decompress at Disneyland’s most tranquil spot

Disneyland’s Snow White Grotto is a tranquil spot overlooked by many guests.

(Todd Martens / Los Angeles Times)

Mortensen notes that it’s impossible to see all Disneyland has to offer in a single day, but rather than stressing about rushing from attraction to attraction, prioritize those that are important to you, and then take a breather at some overlooked park elements, especially those that add to its beauty and tranquility. I couldn’t agree more, and was pleased when Mortensen singled out one of my favorite places in the park: the Snow White Grotto, which is on a path on the eastern side of Sleeping Beauty Castle.

Sculpted by Leonida Parma from Carrara marble, the initial figures have, according to Disney’s fan club D23, been since replaced by fiberglass ones built from the original molds. The eight figures are still a sight, and Disney legendary designer John Hench constructed the fountain that holds them in 1960. The character figures, in the midst of a collection of jutting rocks and log bridges surrounding a peaceful waterfall, are all the same height, so Hench used forced perspective illusions to make it seem like Snow White was towering over the dwarf sculpts.

“The Snow White wishing well — you won’t find that anywhere [else],” Mortensen says. “Bring a quarter and toss it in, experience that.”

Take time for the Sleeping Beauty Castle Walkthrough, a lesser-known attraction

Don’t sleep on the Sleeping Beauty Castle Walkthrough at Disneyland.

(Todd Martens / Los Angeles Times)

“People don’t know about it,” Mortensen says of the self-guided mini-tour that tells the tale of Princess Aurora.

Indeed, I had the Sleeping Beauty Castle Walkthrough to myself one late Sunday morning. The attraction, best experienced with patience in mind, is largely inspired by the artwork of Eyvind Earle. Earle’s approach, after all, is designed to transport us, to place us in lush, fairy-tale-like environments that contain an ever-so-slightly foreboding atmosphere.

Think of this as a mini-art gallery where illuminated dioramas spring to life and transform before us. The walk-through was updated with new effects and artwork in 2008 but dates to 1957.

It’s Disneyland. Order the iconic turkey leg.

Mortensen and I clearly have different palates. If I’m recommending a must-try Disney snack, it’s not the churro. It’s the corn dog. Mortensen, however, is voting for the turkey leg. A brave choice, I believe, as it’s a hefty item and, well, a lot of tough meat. Mortensen, however, made his case.

“It’s unique,” he says. “Yes, you can get a churro, but where else can you walk around and just literally bite out of a turkey leg? It’s about trying to create memories. Every time we have conversations with someone, it’s about, ‘What’s going to make a memory for you?’ You’re always going to remember walking around Disneyland as a 5- or 6-year-old little boy or girl with a turkey leg.”

Turn It’s a Small World into a scavenger hunt

Cinderella is one of the many Disney characters that was added to It’s a Small World in the late 2000s.

(Todd Martens / Los Angeles Times)

Mortensen had my attention when he declared It’s a Small World a must-do attraction at the park. After all, the Mary Blair-styled boat excursion is my favorite Disneyland ride.

Mortensen highlights a once controversial but now beloved late 2000s renovation that added more than two dozen Disney and Pixar characters to the attraction. When riding It’s a Small World, he says, try to spot as many as possible. Disneyland even recently placed Miguel from “Coco” in the ride. Focusing on the scavenger hunt, says Mortensen, helps turn a familiar attraction into one that feels fresh.

“There’s more to it than just riding the attraction,” he says.

Spot details in the windows of Main Street

Enjoying a horse-drawn trip around Main Street, U.S.A., is a relaxing start to a Disneyland day.

(Todd Martens / Los Angeles Times)

Disneyland’s introductory land is a joy. Often, I start my day with a ride on one of Disneyland’s horse-drawn carriages, which venture from the foot of Main Street, U.S.A., to the Sleeping Beauty Castle and back. It’s a relaxing way to settle into the theme park and take a look at the exquisite designs of the Main Street buildings, which many guests rush past on their way to one of the park’s many rides.

Mortensen wanted to call specific attention to Main Street’s windows, which celebrate those who were integral to the development of the park. Many are nods to famed Disneyland designers. Most recently, the park awarded a window to the just-retired Kim Irvine and her mother, Leota Toombs. Irvine and Toombs were longtime creatives with Walt Disney Imagineering vital to the development of the park.

“I love to point out the windows on Main Street,” Mortensen says. “If you and I were walking in, that’s what I would do. I’d grab a box of popcorn, and just point out two or three of the names. Some people you may recognize. Some people you may not.”

And I certainly won’t argue with popcorn for breakfast.

This week in SoCal theme parks

Disney legend Don Iwerks died last week at 96.

(Lori Shepler / Los Angeles Times)

• A legend was lost. Don Iwerks, whose inventiveness helped transform Disney’s theme parks, died July 9 at the age of 96, reported the Walt Disney Co. For Disney and his own studio, Iwerks Entertainment, Iwerks helped develop technologies and techniques like Circle-Vision, the 360-degree camera behind “America the Beautiful” and other early Disney attractions, and the 3D effects used in attractions like Captain EO and Star Tours. He also had major contributions to the world of cinema, instrumental, particularly, in the effects sequences of “Mary Poppins.” Read more about Iwerks in The Times’ obituary by Corinne Purtill.
• Fiesta Village is no more. The Inland Empire amusement park, which stood for more than 50 years, closed for good last weekend. A center for mini golf, roller skating and go-karting, Fiesta Village announced the closure last week, citing rising operation costs and declining attendance.
• Montezooma’s Revenge is back. The reimagined coaster, now known as Montezooma: The Forbidden Fortress, is set to return to Knott’s Berry Farm on Monday. Shuttered for the last four years, the ride has essentially been rebuilt, now featuring enhanced Aztec theming, new trains and a modern launch system. Look for a report on the remade coaster next week.
• It’s almost Halloween season. Disneyland in mid-August will launch its Oogie Boogie Bash, Universal will follow in early September with Halloween Horror Nights and Knott’s Berry Farm isn’t far behind with its Knott’s Scary Farm. The latter is the longest-running Halloween event in the Southland, and defined the maze-focused haunt formula. Tickets are now on sale for all three happenings.
• Happy 71st anniversary, Disneyland! On Friday, Disneyland will turn 71. While the occasion won’t be as grand as the 70th anniversary, which has been celebrated for the past year and will essentially continue up until the start of the park’s Halloween activities, the Anaheim theme park typically recognizes the birthday with some light festivities for guests. Think, perhaps, a character cavalcade or some specialty treats.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

The initial news for those who purchased Disneyland’s specially priced $59 nighttime ticket is good. While now sold-out, Disneyland launched the promotional evenings this past Sunday, and the park didn’t appear flooded with twilight guests. Attendance was continuing a summer trend of being relatively light, and though wait times increased in the evening, nothing was headache-inducing.

At times, even showcase attraction Star Wars: Rise of the Resistance stood at about 40 minutes, with Space Mountain often showing a similar wait time. Most rides, however, were even more approachable, topping off at around 25 minutes throughout the night. Since the evening ticket only gives guests a taste of Disneyland — five hours worth — it’s a positive sign that the event’s opening night kept things manageable, providing those who bought in at a budget price a prime experience.

I’d definitely rather be playing Argentina than the Swiss and I reckon Thomas Tuchel and the England players will be absolutely delighted too – they will think they can get at Argentina.

In wide areas, Argentina looked vulnerable. Nahuel Molina, who started at right-back, was given a torrid time by Dan Ndoye, who ended up scoring.

Molina got hooked in the end but, whether it is him or Gonzalo Montiel who starts against England, they will have their hands full with Anthony Gordon.

Similarly, whether it is Noni Madueke or Bukayo Saka on the right, I think they will have the better of Argentina left-back Nicolas Tagliafico in one-on-one duels too.

And, in the centre of their defence, Lisandro Martinez has made mistake after mistake in this tournament. He has got another rick in him, I’m sure of that.

The way Argentina set-up, they overload the middle of the pitch and play really narrow, then try to get Messi on the ball and hope he can produce something.

I know it is easy to say ‘you stop Messi, you stop Argentina’ but watching them, that was literally the case. Apart from Messi they are hoping Julian Alvarez bends one in from 25 yards rather than playing through teams.

Alvarez is usually in midfield but he played slightly differently against Switzerland, and was the one trying to stretch their backline. If he wasn’t doing it, no-one else was.

Messi certainly isn’t going to be making those runs and he was really quiet for long periods against the Swiss, but once they were down to 10 men he was probing and looking more of a threat.

If Declan Rice is fit, then it will be his job to deal with him. The Swiss realised you could not give Messi an inch and Granit Xhaka was brilliant at that.

Messi will still be dangerous but he is 39 now and, as long as Tuchel has a plan to stop him drifting into space, I think England will have enough quality everywhere else to win.

Look, it will be a brilliant tie because of all the history between the two countries at World Cups, with the Diego Maradona handball and the David Beckham red card.

The previous meetings have been pretty feisty, and I am expecting more of the same here.

I would not be surprised to see some antics from the Argentina players because they love that side of it. They will be happy if it turns into that kind of game, where things get a bit wild and England players might lose their heads.

But, if they can keep their cool, I am expecting England to win comfortably – and my other prediction is for Argentina to finish the game with nine men.

Messi has never played against England, and maybe he will make his mark, but England have got their own superstar now in Jude Bellingham.

His first goal against Norway was sensational, with his power, poise and the finish. He is absolutely flying at the moment and if it comes down to one player deciding this game, it is likely to be him.

Sutton’s prediction: 3-1

AI’s prediction: 1-2

The history of all living things is examined through five key species chosen for the way they move, feed and reproduce and also for their size and intelligence

Chris Packham famously hates so-called “T-shirt” animals – preferring beetles and bugs to the more box-office elephants, lions and tigers.

But for his major new BBC series examining the history of every living creature’s existence, the presenter had to block that prejudice as he looked back over 4 billion years. In Evolution, viewers will see how every plant and animal evolved – differently – from a single celled organism called LUCA.

And in order to explain this effectively, the five episodes focus on the elephant (size), ostrich (reproduction), horse (movement), bat (feeding) and dolphin (intelligence) to show what changes have happened over the millennia until they started to look a bit like the creatures we recognise today.

“TV likes an iconic species, something to put on the T-shirt,” Chris laughs, acknowledging that he doesn’t normally go for these “celebrity” animals which tend to draw in viewers, but go against the grain for Chris. “On Springwatch we’re always keen to champion the underdog, we make films about slugs and snails and flies and all those sorts of things, so we’re trying to build up that idea in people’s minds that everything counts – not just the fluffy birds in the nest, or the cute pine-marten kits. Survival of the cutest has always been an issue.”

“But had we picked, I don’t know, some innocuous little bug, it wouldn’t have looked great,” he laughed. “I’m not a great fan of T-shirt animals, but I am a fan of using them constructively.”

He even admits that filming the series, in different locations around the globe, brought him one of the best moments of his life, when he found himself right in the middle of a pod of dolphins during a break in filming. “It was absolutely extraordinary,” he says. “There were times when the cameraman was doing something and I was still in the water and I could just actually just be there with them.

“I dived down about four metres and I looked down and I had a dolphin right underneath me, under my chest. And I had couple on one side, I mean they never touch you, but they’re close, and a couple on the other side – and then I looked up and they were above me. And I was like in the middle of a pod of dolphins. You can hear them the whole time, they’re constantly clicking. So you can here that that’s that communication going on.

“It was just five minutes or something, it wasn’t a lot of time, but long enough to actually just engage, and realise that this was one of the most remarkable moments in my entire life. To be in that environment with these astonishing animals. I thought ‘blimey, I’m Flipper’.”

The five-part science show, which must be Packham’s most ambitious programme to date, has clear similarities in scope to Sir David Attenborough’s 1979 series Life on Earth, which set out to look at the earliest life forms. “I’d say it was more modern in its narrative structure,” he says thoughtfully. “Also, we’re catering for an audience that we know we need to surprise. We want to feed them short snippets, which are basically entry information into a bigger story, if you like. Those twenty-second things that get people to prick up their ears. And we want people to down the pub and say, ‘do you know what? I just watched this programme and, you won’t believe it, we couldn’t have a head before we had an arse’.

“I don’t think Life on Earth is like that. That felt very 1970s, because that’s when it was made, this just feels like a really modern, cutting-edge version.”

To film the series the BBC team were very careful about where they went in order to limit the carbon footprint. “Ten or 15 years ago, we would have gone to multiple locations to make a series like this,” Chris says. “But I’m pleased to say that each of our programmes was essentially made in one location.”

The elephants in the series opener were filmed in Kenya and the ostriches in South Africa. The horses were in the UK, with three days in France which was reached by train. Then the dolphins were in the Bahamas and the bats were in Borneo.

Chris says his role as presenter on the show, from the team who previously brought us Earth, is to keep the audience enthralled, and showing his own excitement is a big part of that, just as he experienced while watching his hero Attenborough. He particularly remembers a programme made by the veteran broadcaster about birds of paradise, filmed in Papua New Guinea.

“They were my dream birds because they’re mental, they look like space aliens,” he explains. “And I was sat there waiting for it to come on, just thinking, ‘you b****rd, I want to go to Papua, I want to see that.’ But in fact my response to the programme, and a testament to his broadcasting, was that I absolutely loved it because I felt the connection to the birds through his joy.”

Chris found himself caught up in some beautiful moments that will also tug at the audience’s heartstrings, such as when a baby ostrich hatched out of its egg right into his hands. “You’re peering into it, it’s not even in the world yet, and it’s like you’ve had a sneak preview into a life which is going to unfold,” he marvels. “It’s just this little thing moving, and that was really very emotional, that formation of new life.”

Learning new stuff is “the greatest joy” of his job. “I get to work with people who know more about a subject than I do. And their job is to tell me and the team everything they know about it in 30 seconds,” he says. “So my joy is that I attend the University of Zoology every single day that I’m working, and this is updated information, so we’ve constantly gone to the latest science.”

While they don’t skirt away from the technical stuff, like explaining how DNA works, Chris feels it is carefully woven into the narrative. “There’s no dumbing down, but we are conscious constantly of building a narrative which will keep our audience engaged.”

– Evolution, BBC2, Monday 13 July, 9pm

In New York, the Brooklyn Bridge went up in flames briefly during a fireworks display. In Washington D.C., stormy weather delayed a grievance-filled speech by President Trump.

And here in Los Angeles? On Saturday night, tens of thousands of Angelenos joined voices peacefully at the L.A. Memorial Coliseum to sing along with Chris Stapleton as the country star compared a lover to Tennessee whiskey.

A unifying cultural figure beloved by both liberals and conservatives, Stapleton was the headlining act at a Fourth of July benefit concert that also featured Smashing Pumpkins, Chaka Khan, Maren Morris and Queen Latifah. (I’d be surprised if those five names had previously appeared together in the same sentence.) The show, with tickets priced at $17.76, was presented by America250, a bipartisan commission that Congress created in 2016 to plan celebrations for the country’s 250th birthday; proceeds went to Feeding America, which calls itself the largest domestic hunger-relief organization in the United States.

• Share via Close extra sharing options

“No politics — just purpose” is how America250 Chair Rosie Rios described the night in remarks from the stage, and it wasn’t hard to interpret the distinction she was seeking to draw between her group and Freedom 250, Trump’s rival semiquincentennial initiative that organized Saturday’s windblown event on the National Mall (not to mention an earlier concert by Vanilla Ice that was called off due to the threat of rain).

But here’s the thing: Compared with the president’s celebration, where he complained about his treatment by the justice system and suggested we should refer to his current term as his third, the show at the Coliseum really did feel like a politics-free zone — the somewhat rare occasion these days when folks from different walks of life come together just to listen to music and drink overpriced micheladas.

Said Stapleton not long into his set: “I won’t waste time talking.”

America250’s success was hardly a sure thing. Despite the relatively low price, tickets moved slowly in the weeks before the concert; one guy I talked to Saturday told me he’d paid six bucks for a discounted pass. Yet to my eyes the Coliseum was close to full by the time Stapleton came on.

The country singer was as solid and soulful as always, snarling gently through “Bad as I Used to Be,” then trading loving harmonies with his wife, Morgane, in “Millionaire.” He closed with “Tennessee Whiskey,” of course — a trusty yet somehow un-shopworn piece of Americana that’s earned a place on the shelf next to Ray Charles’ “Georgia on My Mind” and Willie Nelson’s “Angel Flying Too Close to the Ground.”

Smashing Pumpkins was perhaps a stranger fit for an explicitly patriotic event — “The world is a vampire,” frontman Billy Corgan sneered in “Bullet With Butterfly Wings” — yet the band sounded sharp and punchy in the ’90s alt-rock hits that have brought zoomers and even Gen Alpha kids into its audience.

Billed not inaccurately on the concert’s poster as “the legendary Chaka Khan,” the 73-year-old funk doyenne flexed her vocal chops in jammy renditions of “Ain’t Nobody” and “Tell Me Something Good” and got people hoisting their drinks for “I’m Every Woman.” Morris, who’d flown in from New York after attending her pal Taylor Swift’s wedding on Friday night, made an improbably smooth segue between her and Zedd’s synthed-up “The Middle” and the rustic “My Church.”

As the show’s host, Queen Latifah dispensed uplifting thoughts about American idealism throughout the evening but also got a slot of her own to do her classic “U.N.I.T.Y.” with help from a rambunctious drum line. It’s an unapologetic message song about demanding respect, and what was moving about hearing it here is that nobody seemed put off by that idea.

I’ll wave a flag for that.

Here are more photos from Saturday’s concert:

Chaka Khan performs.

(Myung J. Chun / Los Angeles Times)

Queen Latifah hosted the show.

(Myung J. Chun / Los Angeles Times)

A couple in patriotic garb share a kiss.

(Myung J. Chun / Los Angeles Times)

Smashing Pumpkins performs.

(Myung J. Chun / Los Angeles Times)

A concertgoer enjoys confetti.

(Myung J. Chun / Los Angeles Times)

Maren Morris performs.

(Myung J. Chun / Los Angeles Times)

Four-time Tour de France winner Chris Froome has brought an end to his illustrious career in professional cycling.

The 41-year-old British rider has not raced since a serious crash in August 2025 when he collided head-on with a road sign at more than 30mph and suffered five broken ribs, a collapsed lung and a lumbar vertebrae fracture.

Froome’s wife later said doctors discovered a pericardial rupture – an injury where the sac that surrounds the heart is torn – during surgery and were able to repair it.

“Unfortunately, there was that crash last summer – that was not the way I wanted it to end. But even then, I knew it was over,” Froome told Belgian broadcaster Sporza.

The Kenyan-born rider retires as one of the most decorated cyclists in history, winning seven Grand Tours with Team Sky (now Team Ineos).

His four Tour de France victories came in 2013, 2015, 2016 and 2017. Only four men – Jacques Anquetil, Bernard Hinault, Miguel Indurain and Eddy Merckx – have won more Tour de France titles.

He also won the Giro d’Italia in 2018 and Vuelta a Espana in 2011 and 2017, and claimed two Olympic bronze medals in the individual time trial in 2012 and 2016.

Froome was made an OBE for his services to cycling in 2015.

Former NFL running back Chris Johnson has issued a challenge to his family, friends and fans — one that could quite literally send a chill down the spine of those who remember a certain viral trend from more than a decade ago.

A quick refresher: A social media sensation went viral in 2014, involving people posting videos of themselves having a bucket of ice water poured over their heads and challenging others, by name, to do the same.

The trend was often referred to as the ALS Ice Bucket Challenge because many folks used the videos to raise awareness for and funding to help fight the degenerative neurological disorder amyotrophic lateral sclerosis, commonly known as ALS or Lou Gehrig’s disease.

Johnson, a three-time Pro Bowl selection who holds the NFL record for most yards from scrimmage in a single season, on Tuesday revealed on “Good Morning America” that he has been diagnosed with ALS. Soon after, former Utah basketball player and sports content creator Hunter Mecum posted a video on Instagram in which he dumped a large bowl of ice water on himself in Johnson’s honor.

That video inspired Johnson to bring the movement back.

“Man… the love y’all have shown me these last few days really [means] more than you know. Me and my family appreciate every prayer, message and every bit of support,” Johnson wrote on Wednesday on Instagram.

“After seeing @huntermecum video, I’m asking y’all to help me with something. Let’s bring back the ALS Ice Bucket Challenge. Grab a bucket, challenge 3 people and if you can, donate to help fund ALS research.”

Johnson included a link in his bio to a fundraiser for ALS research set up in his honor. As of Thursday morning, it had raised more than $32,000.

The retired player known as CJ2K also called on three people to accept the ice bucket challenge — ex-Tennessee Titans teammate LenDale White and fellow former NFL greats Marshawn Lynch and Adam “Pacman” Jones.

So far, White and Lynch have accepted Johnson’s challenge. Lynch, the former star running back for the Seattle Seahawks and Oakland Raiders, obliged by getting hailed on by a bucket of ice.

White, who was Johnson’s “Smash and Dash” counterpart in the Titans backfield, took the traditional ice water route and nominated former NFL players Deion Sanders, Vince Young and Michael Sims-Walker, who was on hand at the time and accepted the challenge in a separate video.

Johnson also posted a video of his daughter Honey Love taking the challenge, with White handling the ice-bucket duty. She nominated her brothers and former Lakers superstar LeBron James.

James hasn’t yet responded, but he was one of the many celebrities who took part in the original challenge 12 years ago. Others included Kobe Bryant (who submerged himself in an ice tub), Shaquille O’Neal (who humorously poured one drop of water on his head) and Donald Trump (who joked he was nominated because “they want to see whether or not it’s my real hair, which it is”).

A civil jury says R&B star Chris Brown must face the music for the vicious dog attack that in 2020 left one of the two housekeepers working at his Tarzana home hospitalized with injuries to her face, arm and leg.

The Los Angeles jury on Tuesday found the 37-year-old Grammy winner liable in the years-long case and determined he must pay nearly $13 million to Maria Avila, whose sister Patricia Avila sued Brown and his Black Pyramid Co. in April 2021. Court documents reviewed by The Times on Wednesday show that Brown owes Maria Avila $12.9 million in damages including emotional distress and medical expenses. Brown must also pay $885,000 in damages to Patricia Avila, who was present during the dog attack on her sister, and $50,000 in damages to Maria’s husband.

Patricia Avila’s attorney Michael C. Murphy Jr. told The Times in a statement his team was “thrilled” by the outcome. “We are so happy for her and her family after everything they went through on that horrible day,” he said. “It was an honor to represent her.”

A legal representative for Brown did not immediately respond to The Times’ request for comment on Wednesday.

Patricia Avila filed her civil suit against Brown in Los Angeles County Superior Court five years ago, suing the singer for premises liability, negligent infliction of emotional distress and strict liability. At the time, she was seeking an unspecified amount of damages including loss of wages, medical expenses and legal fees.

Avila alleged in her lawsuit that she and sister Maria Avila were hired in November 2020 as housekeepers at Brown’s home in Tarzana. The suit says the sisters were aware the singer owned dogs at the property and understood he kept the pets locked up in a different part of the home. According to the complaint, the incident occurred in December 2020 when Maria went to the home’s backyard to empty out a vacuum. There, she encountered the singer’s Caucasian shepherd, which “proceeded to viciously attack Maria,” the lawsuit said.

“Plaintiff [Patricia] fully recognized that the screams were coming from her own sister, knew that her sister went outside to empty a vacuum, and could hear that a dog was violently attacking her sister,” the lawsuit said. “The screams were so bad that it caused Plaintiff to immediately run outside, where she found her sister covered in blood while she was screaming and crying for help. Mr. Brown proceeded to call 911.”

The lawsuit said the dog attacked Maria around her eye, her left arm and had bitten into her leg. Paramedics responded to Brown’s home and transported the woman to a hospital, where she remained for multiple days and underwent two surgeries. Patricia Avila said in the complaint that she suffered emotional distress and had been unable to work as a result of the incident.

The jury reached its decision after a two-week trial in Van Nuys.

As one legal saga appears to be coming to an end, another awaits Brown. The singer and his friend Omololu Akinlolu, a musician who performs as HoodyBaby), are set to stand trial in October for allegedly attacking music producer Amadou “Abe” Diaw in February 2023 at a London nightclub.
The singer, who notably assaulted ex-girlfriend and Fenty beauty mogul Rihanna the night before the 2009 Grammy Awards, pleaded not guilty last year in the Diaw case. He pleaded not guilty to one count of attempting to unlawfully and maliciously cause grievous bodily harm with intent, assault causing actual bodily harm and having an offensive weapon.

Brown is performing with Usher on their joint North American stadium tour. The singers will take over Inglewood’s SoFi Stadium on Sept. 25 and 26.

Chris Johnson, the former NFL running back who holds the record for most yards from scrimmage in a single season, has the degenerative neurological disorder amyotrophic lateral sclerosis, commonly known as ALS or Lou Gehrig’s disease.

Johnson shared the diagnosis during an interview with Michael Strahan that aired Monday on ABC’s “Good Morning America.” The 40-year-old father of four spoke in his own voice but didn’t use his mouth — instead, he used his eyes to trigger a device that generated sentences based on recordings Johnson made soon after he was diagnosed last year.

“It’s continued to progress much faster than I ever imagined,” Johnson said of the disease. “I want people to understand just how quickly ALS can attack your body. Just over a year ago, I was picking up my 7-year-old daughter so she’d make a wish with her birthday cake. Today, I couldn’t do that.”

There is currently no known treatment that stops or reverses ALS, according to the National Institute of Neurological Disorders and Stroke, and most people with disease die of respiratory failure within three to five years of noticing symptoms (although one in 10 survive a decade or more).

In addition to receiving the standard medication to help slow the disease’s progression, Johnson has been working with neurologist and leading ALS researcher Dr. Merit Cudkowicz. She told “Good Morning America” that Johnson has taken part in a clinical trial for a therapy “that decreases inflammation, and I think that helped him a lot.”

“At first, you’re in shock, then you realize you have two choices: You can give up, or you can fight,” Johnson said. “I chose to fight.”

Johnson’s wife Brittany told Strahan: “We’re still hopeful. We’re hopeful that a breakthrough will happen or … a miracle will happen.”

Selected by the Tennessee Titans at No. 24 in the 2008 draft, Johnson was an instant NFL star. He made the Pro Bowl in each of his first three seasons and was named the league’s offensive player of the year in 2009. Also that season, Johnson led the NFL with 2,006 rushing yards — earning the nickname CJ2K as one of only nine players to have rushed for 2,000 or more yards in a season — and set a record with 2,509 yards from scrimmage that still stands.

Johnson rushed for more than 1,000 yards in each of his six seasons with the Titans, then spent a year with the New York Jets and three more with the Arizona Cardinals before retiring after the 2017 season. He finished with 9,651 yards and 55 touchdowns rushing and 2,255 yards and nine touchdowns receiving.

Titans owner Amy Adams Strunk released a statement Monday morning after Johnson’s diagnosis was revealed.

“Learning this news is extremely difficult, and we will support Chris every step of the way throughout his journey,” she wrote. “We are holding him and his family close, and join our fans around the world in expressing our love for Chris.”

The Jets and Cardinals also released statements expressing their support for Johnson.

While Johnson’s body will no longer allow him to perform a task like gripping a cup, he said he wants people to know that with ALS, “your mind stays sharp.”

“People sometimes look at the physical disability and assume you’re not still the same person inside,” Johnson said. “I still think the same. I still dream. I still love my family. My body just doesn’t cooperate.”

Sixteen of the 48 teams are heading home, but which of the sides left standing will survive all the way to the World Cup final at MetLife Stadium near New York City on 19 July?

The hopes of another 16 nations will bite the dust after the first knockout round, which includes England against DR Congo and holders Argentina against surprise package Cape Verde.

It was a different team who caused the biggest shock in the final set of group games, however.

While BBC Sport’s football expert Chris Sutton and AI still went for Cape Verde to lose against Saudi Arabia – from more than 50,000 users playing the BBC’s new predictor game – 39% of you correctly went for a draw and 43% even backed the African side to win.

Instead, it was Ecuador who caught almost everyone out this time.

From more than 56,000 users predictions for that game, only 597 of you correctly backed them to beat Germany.

Chris and AI were also wrong about that one but, overall, they both got 15/24 predictions right from that set of matches.

Again, the users did better, with 17/24, and they still lead the way with 72 of this World Cup’s 104 matches now completed.

Chris has been right 41 times (57%), AI has a score of 43 (60%), but you lot are doing even better with 48 (67%).

Before the tournament, Chris also picked the order he thought each of the 12 groups would finish in. He was right about seven of the winners, but only got all four teams in the correct order in three of the groups.

AI’s predictions have been generated using Microsoft Copilot Chat. We simply asked the tool to ‘predict the results of the World Cup last-32 ties’.

The new BBC predictor game allows readers to pick a winner from each knockout tie.

PLAY WORLD CUP PREDICTOR HERE

Tennis legend Chris Evert is battling ovarian cancer for the third time and will not attend Wimbledon this year, the 18-time Grand Slam champion and longtime ESPN analyst said Thursday on Instagram.

“This past weekend, after undergoing CT and PET scans, I learned that my ovarian cancer has returned,” Evert, 71, wrote. “I have already undergone surgery as the first step in my treatment and recovery, and will begin chemotherapy in the coming weeks.

“Because of this, I will not be attending Wimbledon this year, and I will step back from my professional commitments over the next few months to focus on my health.”

Evert was first diagnosed with ovarian cancer in December 2021. Two years later, she revealed her cancer had returned.

“Ovarian cancer is relentless, but I will stay optimistic and determined in continuing to fight this battle,” Evert wrote. “I am deeply grateful to my medical team, my family, friends and everyone who has reached out with kindness and encouragement. I look forward to seeing everyone again soon.”

Evert was one of the most dominant women’s tennis players of the 1970s and 1980s, winning a record seven French Open titles to go with six at the U.S. Open, three at Wimbledon and two at the Australian Open. She won at least one Grand Slam for 13 consecutive years (1974-1986) and retired in 1989 with a career record of 1,309-146.

Her on-court rivalry with Czech American tennis great Martina Navratilova during that period is legendary, with Navratilova beating Evert in six of their 10 Grand Slam finals against one another and 43 of their 80 overall matches as opponents. They also won the French Open in 1975 and Wimbledon in 1976 as doubles partners.

A new Netflix documentary, “Chris & Martina: The Final Set,” covers their history together, which also includes a decades-long friendship and support for each other through numerous battles with cancer (Navratilova was diagnosed with early-stage breast cancer in 2010 and stage 1 throat cancer and breast cancer in January 2023; she announced she was cancer-free in June of that year).

Navratilova was one of the first people to comment on Evert’s Instagram post.

“My friend Chrissie is a champion of champions and as such she will slay this monster again,” Navratilova wrote. “We are all pulling for you, and know you will come out on the other side cancer free again- lots of love, m.”

Other former on-court rivals and fellow International Tennis Hall of Fame members also offered their heartfelt support in the comment section of Evert’s post.

“You beat me 18 straight times, therefore you can beat cancer 19 straight if you have to,” wrote Pam Shriver, who lost 19 of her 22 career matches against Evert. “Much love and respect to one of the greatest competitors ever, Pammie”

Billie Jean King, who lost 19 of her 26 matches against Evert, wrote: “You are a champion and a fighter, and you will beat this. Sending love and prayers from both of us for a strong recovery.”

The Associated Press contributed to this report.

Chris Appleton could be about to count on the support of pal Kim Kardashian from the Strictly stands as he gets ready to take on the BBC dance competition

Kim Kardashian could be set for a part in Strictly Come Dancing after playing a key role in Chris Appleton’s sign-up, according to reports. The reality TV star is said to have been a big player in making the celebrity stylist join the current roster of celebs hitting the dance floor.

The hairstylist was the fourth star announced for the upcoming series after Lacey Turner, Dani Dyer and Delta Goodrem. And he is set to get the support from some of his high profile clients, which have included Jennifer Lopez, Kim Kardashian, Sofía Vergara, Ariana Grande, and Katy Perry.

And it’s the Kardashians star who is said to have helped him bag the gig in the first place. A source said: “Kim’s most important advice to him was simple: before you launch a brand or product, make people feel like they know you, are invested in your life, in you.”

It comes as Chris reportedly wants a little more in life, namely, his own brand of hair products. And Kim sees the reality contest as the perfect way to introduce him to the British public.

The source went on to tell The Sun: “It was Kim who pushed him toward Strictly – he’s had a lot of reality TV show invites in the US.

“He was initially very hesitant to put himself out there as a ‘star’ but Kim argued that a successful run on the show would do more for his brand than a year of PR campaigns and huge ad budgets.”

They added: “Being in the Strictly spotlight makes him a household name in the UK, gets him into every room and red carpet event that matters in London, and builds the kind of public warmth that no advertising budget can manufacture – and that’s exactly the diving board you want to launch a brand from.”

And it’s claimed if Chris ventures into the later stages of the competition then Kim could come to the UK to support him from the crowd. The source said Kim has given Chris “free rein” to discuss their friendship too.

After he was announced as a Strictly contestant, Chris said: “I’m thrilled to be joining Strictly Come Dancing and coming home to the UK for this incredible experience. I’ve always believed that the best things happen when you take a chance and try something new.

“I may know my way around a salon floor, but the dance floor is a whole different story – and I can’t wait to get started.”

Chris grew up in Leicester, but he now lives in Los Angeles. But it’s said the UK will always be home to the star and he will be using the contest to be closer to home.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads.

AMANDA Holden has slipped into a skin-tight gold catsuit for a very sexy Father’s Day date with her husband Chris Hughes.

Amanda, 55, took to Instagram to share snaps with her fans and captioned them: “The name’s Holden. Golden Holden. Licence to shimmer.”

She jokingly added: “Permission to be subtle: denied.”

Wearing a full‑body, metallic gold outfit, the BGT judge looked simply stunning as she posed for the cameras.

In the official shoot, Amanda is posed on all fours on a large, circular, cushioned platform.

In another, she was lying face‑down on a bed with her body angled slightly to one side.

ONE UP-E

Love Island’s Ope takes savage swipe at bitter rival and reignites villa feud

FAMILY PAIN

My parents refuse to accept me, says Towie star… but I won’t give up on them

Amanda also wore matching gold high‑heeled shoes, which addded cinematic Bond vibes to the shoot as she stood beside her husband Chris.

The TV star also shared a video which showed her posing outdoors and having her make-up spritzed.

In full glam makeup and her blonde locks flowing loosely over her shoulders – Amanda also shimmied and danced in the clip.

Her followers flocked to comment and one wrote: “Straight out of a Bond movie.”

TV Presenter Lizzie Cundy wrote: “This is epic!” Towies Sam Faiers said: “The glam!”

Another fan wrote: “Love it! Channeling Shirley Eaton in Goldfinger.”

“Midas Touch,” wrote another.

While another said: “This is epic! Obsessed with your commitment to a theme.”

Zuffa Boxing’s first show in the UK, featuring Chris Billam-Smith, appears set to go ahead on Saturday despite legal action from rival promoter Boxxer.

Former WBO cruiserweight champion Billam-Smith is scheduled to fight Canadian Ryan Rozicki at the Bournemouth International Centre as the headline bout, with fellow Britons Jack Massey and Sam Hickey both on the undercard.

The event is due to be shown on Sky Sports, but promoter Boxxer claims to have contractual rights involving fighters on the bill and says they are appearing without “consent or authorisation”.

BBC Sport understands that Zuffa does not accept the claims by Boxxer and plans to proceed with the event as planned.

“Boxxer can confirm it is seeking urgent injunctive relief against Zuffa Boxing and Sky Sports concerning the promotion and proposed participation of fighters who remain subject to binding contractual obligations to Boxxer,” said a statement from Boxxer.

“Boxxer have ensured that all parties involved are fully aware of the contractual obligations owed to Boxxer by the fighters being promoted for Saturday’s event. Despite this, those fighters continue to be advertised and promoted without Boxxer’s consent.

“As a result of the conduct it has witnessed in recent months, Boxxer has been left with no option but to seek further relief from the English courts.”

Zuffa Boxing, which was founded by UFC president Dana White and backed by Saudi Arabian funding, is looking to rival the sport’s established promoters.

Billam-Smith signed a multi-fight deal with Zuffa Boxing in April after previously being promoted by Ben Shalom’s Boxxer.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell and I sort of wished Chris Taylor had signed a one-day contract to retire as a Dodgers.

Taylor is one of those guys who become a fan favorite because they seem to be wringing every ounce of athletic ability out of their body. We could identify with Taylor, because we could imagine us playing the way he did. Play like Shohei Ohtani? No. But play like Taylor? We could fool ourselves into believing that if we just stuck with it, we could have been Chris Taylor. He was us on the field.

This newsletter began a couple of weeks before the 2015 season. And I believe the first group of angry emails I got about something the Dodgers did was June 19, 2016, when the Dodgers traded pitcher Zach Lee to Seattle for some guy named Chris Taylor.

Lee had been touted as one of the best Dodgers pitching prospects in years. In the minors in 2015, he went 13-6 with a 2.63 ERA. Sure, he had a terrible outing in what turned out to be his only start with the Dodgers (4.2 IP, 11 hits, one walk, three strikeouts, 13.50 ERA), but that could happen to anyone. He was the pitcher of the future. Until he wasn’t. And to trade him for this Taylor guy, who in three seasons with the Mariners hit .240/.296/.296? Surely they could have gotten more for him than that! (They couldn’t and don’t call me Shirley.)

So, Taylor had a steep hill to climb. In 34 games with the Dodgers in 2016, he hit .207. And then, well, there’s a reason why Jerry DiPoto, who was GM of the Mariners for the trade, called it the worst deal he ever made.

Before the 2017 season, the Dodgers, or Taylor, or both, unlocked something offensively. He hit .288/.354/.496 with 34 doubles, 21 homers, 72 RBIs and 17 stolen bases in 2017 while playing five different positions and was a key player on the team that reached the World Series before losing to the Houston Astros*. Taylor hit two homers during the NLCS and one during the World Series. He was named co-MVP of the NLCS with Justin Turner. Little-known fact: He didn’t make the team out of spring training. He was brought up from the minors on April 19, 2017, when Logan Forsythe suffered a broken toe when hit by a pitch. How would Dodger, and Taylor’s, fortunes have changed if Forsythe wasn’t hit by that pitch?

In 2018 he hit .254/.331/.444, with 35 doubles and 17 homers, .262/.333/.462 with 29 doubles and 12 homers in 2019 and .270/.366/.476 during the COVID-shortened 2020 season. He made his first and only All-Star team in 2021. And then the wheels started falling off, as he struggled his last couple of seasons with the team.

Here’s a guy who was with the team from 2016-25, and what do we know about him? Not much. He never sought the spotlight, just did his job every day to the best of his abilities.

“He is the consummate pro, the way he did a trust fall when he got here,” Dodgers president of baseball operations Andrew Friedman said when the Dodgers released Taylor last season. “He came in hungry and wanting to get better, and dove in with our hitting guys, with our position coaches. … He was a huge part of so much success that we’ve enjoyed. Can’t say enough about the human, the worker, the teammate, the player.”

If you dig a little deeper into Taylor, you discover he quietly helped families who were hurt by the devastating wildfires in 2025. His CT3 Foundation raised millions of dollars for organizations in L.A. and his hometown Virginia Beach, including Children’s Hospital Los Angeles, Variety Boys and Girls Club, the Friendship Foundation, Los Angeles Fire Department Foundation, Children’s Hospital of the Kings Daughters, and Roc Solid Foundation.

Taylor’s first career home run was a grand slam with the Dodgers. His 100th career home run was a grand slam with the Dodgers, making him the only player in history whose first and 100th home runs were grand slams!

He appeared in 80 postseason games with L.A., hitting .247/.351/.441 with 13 doubles, nine homers and 26 RBIs. The most important homer may have been his walk-off in the 2021 wild-card game against St. Louis. You can watch that here.

He made an incredible catch in Game 7 of the 2018 NLCS against the Brewers. You can watch that here.

He hit three home runs in Game 5 of the 2021 NLCS against Atlanta. You can watch that here.

He always reminded me of that great quote from the movie “Rudy,” which I am going to alter a bit here:

“You’re 5 foot nothin’, 100 and nothin’, and you have barely a speck of athletic ability … And you’re gonna walk outta here with two World Series rings.”

Thank you, Chris Taylor, for the memories.

*-The Astros cheated during that season and postseason.

Injuries!

Wow, that’s like, three exclamation points in one newsletter. A record. I bought a bunch at the dollar store and need to get rid of them.

Injuries struck the Dodgers this week, and this time not to pitchers.

Kiké Hernández, fresh off the IL, had gone four for four in two games with two doubles and a homer when he came out of Tuesday’s game with what was diagnosed as a torn oblique. He will be out quite a while.

He initially got injured while taking batting practice before his first game back.

“I was pretty embarrassed about it,” Hernández told reporters Wednesday. “I thought it was just weird tightness. Never done an oblique before. So I didn’t really know what I was feeling. Came in today, wasn’t feeling great. I got treatment, but I thought I could play. … Compared to some of the things I’ve played through in the past, it was nothing. And, yeah, it was a little more than nothing.”

On Wednesday. Teoscar Hernández strained his left hamstring while trying to beat out a grounder.

“Don’t know how severe it is; he tested well,” Dave Roberts said after the game. “… There’s just no timeline, but something like that obviously is going to be a few weeks at the minimum. Disappointing. He’s been playing so well and he’s a big part of what we’re doing. So to lose him for any length of time is not great.”

Teoscar had been on a hot streak lately, so it’s doubly infuriating.

Alex Freeland and Ryan Ward were recalled from the minors to replace the injured duo.

Whoops! My bad

Remember that consecutive scoreless innings streak by the bullpen we talked about last time? It ended the night the newsletter came out. Sorry about that.

Up next

Friday: Philadelphia (Zack Wheeler, 4-0, 1.67 ERA) at Dodgers (*Justin Wrobleski, 6-2, 3.07 ERA), 7:15 p.m., Apple TV, AM 570, KTNQ 1020

Saturday: Philadelphia (Andrew Painter, 1-5, 5.40 ERA) at Dodgers (Roki Sasaki, 3-3, 4.93 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Sunday: Philadelphia (*Jesús Luzardo, 4-4, 4.38 ERA) at Dodgers (Yoshinobu Yamamoto, 4-4, 3.09 ERA), 1:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shaikin: As MLB proposes salary cap, Sacramento pursues team it might not be able to afford

Shaikin: For Dodgers, getting to playoffs is not good enough for Mark Walter. For Lakers?

Kiké Hernández’s oblique shows ‘significant tear’ as utility man returns to IL

How Dodgers pitching coach Mark Prior influenced Eric Lauer at the beginning of his pro career

And finally

Chris Taylor career highlights. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Opinions are divided on whether dog owners should allow their beloved pets to lick their faces or not – but Springwatch’s Chris Packham has some strong scientific backing for his take

It’s one of those questions that can divide even the closest friends: would you let a dog lick your face? Medical opinions vary.

Professor Graham Roberts, honorary consultant paediatrician in paediatric allergy and respiratory medicine, is quoted in medical journal The Hippocratic Post as saying that that babies brought up in homes with pets are far less likely to suffer from allergies than babies who grow up in pet-free homes. He states: “If you are born into a household where there is a pet, you are less likely to be allergic.”

But others, such as Professor John Oxford, emeritus professor of virology and bacteriology at Queen Mary University of London, is strongly opposed to excessively close contact with dogs.

He points out: “It is not just what is carried in saliva. Dogs spend half of their life with their noses in nasty corners or hovering over dog droppings so their muzzles are full of bacteria, viruses and germs of all sorts.”

But for BBC Springwatch’s Chris Packham, there’s no debate. Speaking on the Oh My Dog podcast, the naturalist told host Jack Dee: “When we cut our finger, what’s the first thing we do? We lick it. And you lick it because there are bacterial fauna in your saliva which have antiseptic and healing properties.”

Similarly, he says, there’s a health benefit to be gained from dogs’ saliva: “In days of old, when they were having medieval battles and doing unspeakable things to one another with swords, there were a lot of wounded people and they would allow the camp dogs to come and lick their wounds. They discovered that if the dog was licking the wound… it would be less less likely to get infected.”

All domestic dogs are ultimately descended from wolves, and Chris says that while a small amount of a dog’s saliva can be good for us, wolves’ saliva has even more healing power: “I’ve been licked by wolves, been kissed by wolves,” he says, “and they have even cleaner, or bacteriologically richer, saliva than than dogs.” They’ve never been treated with antibiotics or other medicines that might compromise their natural state, he says.

Chris adds that when wolves lick each other, it’s part of ensuring the survival of the pack: “When wolves go back to their their den, in order to carry the food which they may have caught many kilometres away, they eat it and swallow it, and partially digest it.

“So when they get back to the den, the pups lick their lips and that stimulates the adult wolves to regurgitate the food.”

“Now obviously,” Chris adds, “dogs have lost that habit – they don’t regurgitate for their young. But that licking is retained into adulthood in dogs because it’s a greeting.”

Similarly, he adds, when dogs eat each other’s poo, there is a valid reason for it. While it might seem disgusting to us – providing support for the opponents of face-licking – this also dates back to wolf behaviour.

“Research has been done recently in California,” Chris explains, “which shows that they will only eat faeces that are between one and two or three days old.”

Chris adds: “It was a relic to wolf behaviour. Because adult wolves will come back and eat all of the faeces in the den area when they’ve got cubs… because it’s a way of reducing parasite load because the eggs of those parasites are in the faeces, and they don’t want their young to get them.

“So that apparently appalling behaviour, because everyone’s nauseated by the fact that their dog eats other dogs’ faeces, that comes from the wolf and it’s about reducing parasites.”

When actors from TV’s top comedy series recently gathered for The Envelope’s Emmy Comedy Roundtable, any lessons they’d learned over the years about how not to break quickly went out the window — this year’s guests made each other laugh early and often.

Contributing to the hilarity were Danielle Deadwyler, whose English professor in HBO’s “Rooster” has her life disrupted by a bestselling writer; Donald Faison, who reprises the role of Christopher Turk, now chief of surgery, in the revival of ABC’s medical sitcom “Scrubs”; Sabrina Impacciatore, who embodies the vain managing editor of a failing regional newspaper on Peacock’s “The Paper”; Justine Lupe, who plays Morgan, a flighty but loyal sister and podcast co-host in Netflix’s rom-com “Nobody Wants This”; Lamorne Morris, who portrays New York City journalist Robbie Robertson in Prime Video’s Depression-set “Spider-Noir”; and Chris Perfetti, who features on “Abbott Elementary” as awkward but well-intentioned social studies teacher Jacob Hill.

In the course of our conversation, participants discussed surviving bad reviews, what fans misunderstand about comedy and, yes, how they keep a straight face during funny scenes (if not on The Envelope roundtable). Read excerpts from the conversation below.

What is the last thing that made you laugh out loud, whether it was meant to be funny or not?

Lupe: I have a one-and-a-half year-old. She’s just starting to talk. She doesn’t really say a lot of words at once, but she started doing this thing where, when she’s going poop, she just goes, “Oh, wow. Oh, wow.” And every time it’s just so cute.

Perfetti: I also do that when I poop, so please tell her it’s normal… I don’t know, guys. It’s scary times. I don’t find myself laughing out loud very much anymore. I guess to that end, I watch Jimmy Kimmel’s monologue every night and I think that it’s pretty drop-dead gorgeous. It’s so funny, and he’s using that platform in such a gorgeous way.

Faison: My daughter was playing a volleyball game against a very formidable opponent. I’m just going to put it out there: LeBron James’ daughter. She was serving and pushed everybody back with her serve. Boom! Everybody backs up. Now she’s got everybody out of bounds, then she taps it real soft and it falls in front of them. I laughed out loud. I was just so impressed, and my daughter looked at me like, “You mother—. Don’t you enjoy that!”

Impacciatore: A couple of days ago I was fighting with my boyfriend and it was a very bad fight and I really wanted him to understand my reasons. I was trying to put on my trousers and unfortunately I put two legs in one [side]. He started to laugh so loud and I was so upset. And then I started to laugh loud too. But it’s horrible when it happens, because I’m a very serious person when I fight.

Donald, the last season of “Scrubs” concluded in 2010. Now Dr. Turk is back working at the hospital with his buddy J.D. (Zach Braff) and a lot of the original cast. What was it like stepping back into that world?

Faison: When the pandemic happened, Zach and I did a rewatch podcast of “Scrubs,” and that’s where all of this started to formulate again. In doing the rewatch podcast, we researched what the fans liked, what we liked, and what we thought was funny. And we were very honest about it. If it sucked, we said it sucked. Then the T-Mobile [ad campaign with Faison and Braff] happened. So for the past five or six years, I’ve been playing Turk to Zach Braff’s J.D. When the revival came around, it was easy to slip back in because we had been doing this banter for so long. The only thing that’s different is that he’s older, but maturity has not set in with him yet. He’s a 50-year-old kid who’s really good at cutting people open and training younger people, but for the most part, he’s still silly.

Chris, “Abbott Elementary,” which follows several teachers at an underfunded public school in Philly, is heading into its sixth season. That means you’ve been playing Jacob for quite some time. Do you ever find the line between your personalities blurring?

Perfetti: The line between Chris and Jacob is definitely blurring. When we first started, I was shocked that [creator] Quinta [Brunson] saw me as this person. We weren’t alike at all, but I trusted that she saw something [in me] she wanted to exploit. Now, I would be so lucky to steal some of what he’s got going on. He’s unbelievably loyal and ambitious and really comfortable in his own skin. He leads from that place. And I need to shut the hell up and stop telling the writers things about my own life because now they’re showing up in the show. So truly the line between Chris and Jacob is getting weirder.

Danielle, “Rooster” takes place at a fictitious college. You actually have several degrees, including multiple master’s. Did you draw on your own experience in academia for “Rooster”?

Deadwyler: I was a student, and that’s a very different dynamic than being an administrator or a professor. But I dig education. I dig the intention of the environment, the debate, the ongoing pushing of the self and weaving that into your personal life. It’s all super connected. So I just brought that to the show.

You’re renowned for your work in intense films like “Till” and “The Piano Lesson.” Do you use a different muscle for comedy?

Deadwyler: I was always saying to the [“Rooster”] team, ‘Hey, guys, I feel good. I can breathe. I have energy to do things. Is that normal for people?’ So yes, it’s a completely different muscle. But [co-star] Steve [Carell] says this beautiful thing that characters don’t know whether they’re in a comedy or a drama. And that’s about as true as it gets. You bring full rigor and development and discipline to the making of a role, regardless of what genre.

Justine, how much do you relate to your character Morgan in the interfaith romantic comedy “Nobody Wants This”? Or is it more like you want to fix her?

Lupe: I don’t know if I want to fix her because that’s what’s compelling about her. I have so much fun playing the mess of Morgan. I relate to her. I started off where she was kind of a semiautobiographical story of [show creator] Erin Foster’s relationship with her sister, Sara. Then immediately the ship left the dock when I took the character. Justine has now taken over this idea of who this person is, and it’s a lot more sloppy and unbridled. The mess of her is actually me, because I’m a little bit sloppy as a person.

The show really captures the relationship between siblings, and sisters in particular.

Lupe: I identify with the idea of being someone who’s evolved past their original home life, and then going back into circumstances with your family, and regressing immediately. I wanted to play with that dynamic. Morgan might think that she’s evolved past certain things and then the minute she’s codependent with her sister, they devolve back into the bratty kid-like versions of themselves that are like picking on each other. I know the feeling, when you go back home and you’re like, “Wow, have I grown up at all?”

Lamorne, “Spider-Noir” is based on a Marvel comic and is set in an exaggerated version of 1930s New York. Audiences have the choice to watch the series in black and white or in color. How does the tone change between the two styles?

Morris: I watched both and they both have their own unique qualities. I would say the way folks should watch it is the way we traditionally watched TV as a people. You start in black-and-white and then when color was introduced, you would go back and watch those same films when they added color to it. While we’re filming it, [I was thinking] “How are they gonna make this visual effect look cool in black-and-white?” And then you watch it in black-and-white and you go, “What the f—?!” And I go back and watch it in color and go, “Holy — it looks great in color, too.” Everything down to the wardrobe [and] the set design, you watch it in black-and-white and it looks bold and as vivid as if it were in color. But then when you watch it in color and you go, “Holy crap, that house is blue, that suit is orange.” So just go watch it in both versions.

Sabrina, your character in “The Paper” wants to be the managing editor of the Toledo Truth Teller, but she’s really all about the clickbait. How much did you know about that conflict in modern journalism?

Impacciatore: I made sure not to know anything about it because Esmeralda doesn’t have a clue. Esmeralda is not a real journalist. Esmeralda is there for some mysterious reasons that I’m trying to figure out. She’s the queen of bull—, so I made sure not to know anything about journalists. And because I had played Valentina in “White Lotus,” I wanted to make sure that this character is going to be completely different from her. She must be out loud, she must be big. So I made some choices about her, for example, the nails. I still have these nails because I’m still shooting, but usually I don’t have long nails. But these nails started to make me think in a different way, to move my hands in a different way. Like these are guns, weapons to manipulate people. [Touches Morris with her nails.]

Morris: Consider myself manipulated.

Impacciatore: I’m the opposite. I have no filters in life. I am my own worst enemy. I’m too transparent. I don’t know how to hide feelings. So I thought, “What does she do?” Because it’s a documentary, she thinks one day she will be a star. So I have her have hair like Rita Hayworth the first day I arrived on set. They were looking at me like, “What is she doing?” They didn’t get it, so I had to explain that she wants to be a star. Once you start to play a manipulative person, you see manipulation everywhere. It’s like now I’m losing a bit of innocence, because I don’t trust anybody anymore. Now randomly I say, “Are you trying to manipulate me?”

“The Paper” and “Abbott Elementary” are mockumentaries. Does it make a difference in how you’re performing when it’s shot in that style?

Perfetti: On our best day, we’re trying to dupe people into believing that it’s real life. But similarly, I think Jacob thinks that he will be the star of this documentary whenever it comes out. He’ll be an executive producer on it. So there’s very much an element of having one foot in the audience’s experience. His outrage is heightened because he knows it’s being captured on film. I grew up doing plays and so it’s an easy dynamic to borrow from. When you’re on stage, even on your best days, you always have even a pinkie in the audience’s experience. You have to be able to be in conversation with them. The mockumentary format really allows for that and I think it informs the show in a really beautiful way.

Impacciatore: The first time that I watched “The Office,” I thought, “This project is incredible, but the light is so horrible. I will look so ugly.” I was trying not to be chosen for this project because I was so scared to be so ugly. So when I arrived on set as the character, I brought my own ring light and I said, “Guys, Esmeralda, because she knows she’s in a documentary, she needs her own lighting.” I got away with it. To me, comedy is a very serious thing.

What do audiences underestimate or misunderstand about what it takes to make a comedy?

Deadwyler: The assumption is that you’re being funny, and it’s not that at all. When you [Chris] just talked about doing plays, I was thinking theater is the thing that enabled me to really lean into the joy and transition into working on “Rooster.” There’s a rhythm and a quality of engagement that I learned completely in the theater world that applied to the gelling and the cohesion of “Rooster” in all of the scenes. So leaning into drama enables you to lean into the hilarity or the quirkiness or awkwardness of humor.

Morris: If the script is funny, it’s going to be funny if you’re an actor playing it real. And obviously you have throughout history those characters who know how to add to that, who can ham it up in such a way. Chris Farley and those guys. The Belushis, the Will Ferrells. They can take something really funny and just say, “I’m gonna add my stamp to it so when you see this type of humor, you know it was from me.” Then you have your Judd Apatows of this world who can create a funny environment and all the actors are basically playing it real and playing it straight.

Faison: People think you’re actually that funny or you’re that quick and you can come up with those jokes that fast. But really you’re saying somebody else’s words and you’re being somebody else. Somehow I got labeled as a stand-up comic. I’ve never done stand-up in my life, but I’ve been in so many comedies that people think, “He must be funny in real life.” I imagine Jack Black must hate going outside because everybody’s, “Do that skandosh, sliggidy, diggity thing that you do!”

Deadwyler: They want you to do that you do for drama, too.

Morris: “Make me cry”?

Deadwyler: They want you to give them the feeling that they know you for, because that’s all they’ve witnessed of you. They want me to ride a horse. They want me to cry. And it’s like, “I’m just trying to get these chicken wings and go home.”

And trying to break out of that, whatever that is, and move on to the next thing that you want to do.

Faison: For a long time it was very difficult as an actor to do anything else other than comedy, because you could get typecast. That’s something that happens right away. You could be the best friend for the rest of your life if you’re not careful.

Morris: I came up in traditional comedy. Second City, Chicago. When I was a kid, I didn’t care about anything else other than like making people laugh. So in plays and things, I was always cast as the comic relief, back in my ham-it-up days. Up until the beginning of my TV career with “New Girl.” I didn’t know who I wanted to be on that show. I didn’t know who I was and I’m thankful to the staff for just allowing me to grow into that character. But what I grew into was a f— clown. I just was like, “Oh man, I get to do this for seven years.” I loved every minute of it.

When you get recognized out in public or somebody knows they know you from something, who have you been misidentified as? Or do they simply call you by your character’s name?

Faison: I was at sushi once and it was actually another famous person that came up to me, I’m not gonna say their name. And he looks at me and goes, “Alfonso?” I said, “Nope.” And he hightailed it out so quick. I was like, “I gotta call Alfonso Ribeiro and tell him that somebody thought that I was him at a restaurant.” I’m glad to be recognized, but I am not Alfonso Ribeiro.

Morris: People think I’m everybody, but there’s one guy I get. Malcolm Barrett. This has been going on for 15 years. A good friend from theater school, we did every play together, he called me when I moved to L.A. and was like, “Dude, congratulations on your AT&T commercial!” I was like, “What AT&T commercial?” And he’s like, “The one where you’re playing Pop-a-Shot basketball.” And I’m like, “That’s not me.” Years later, everyone, people would come up to Malcolm all the time and say, “Congrats on ‘New Girl.’”

Perfetti: I cannot go to Philadelphia because I suddenly now have 5 million new family members. I don’t get mistaken for an actual person, but I do love the moment where you pass them on the sidewalk or on the subway and you see the wheels churning in their mind.

Lupe: I have a yoga teacher that still calls me Willa [her character from “Succession”]. I’ve been going to her for like a year and she’ll be like, “And Willa, you want to move into down dog.”

Justine, you’ve been referred to as a scene-stealer more than once for your work in “Succession” and “Nobody Wants This.” What do you make of that?

Lupe: That was the thing about “Succession.” I started when I was 26 and I felt like I got to be a fly on the wall in so many incredible scenes with all-star actors. To even be even seen among that kind of company, it makes me so happy. I feel the same way about “Nobody Wants This.” I look around and I’m like, “Wow, these are just incredible people that I’m working with.” So it’s nice to know that people are even registering my existence.

Perfetti: Willa is responsible for what I think may be one of the funniest TV moments ever. I can’t remember which season where you read your reviews and throw the iPad overboard, but it lives in my mind rent-free. The sound you make, the way that you just kind of stare off into the distance afterward, it’s one of the greatest things I’ve ever seen.

Do you read reviews of your work?

Morris: I did a movie called “Sandy Wexler” with Adam Sandler and he said to me, “Hey buddy, when a film comes out, don’t read the reviews.” He’s like, “Who cares? We got our own thing going.” … It allowed him to stay true to who he is for his fan base, which is larger than life. If you start caring so much about what people think about your art, it’s going to change what got you there in the first place. That’s what Jamie Foxx talked about after winning an award, you don’t want to switch it up all of a sudden because everybody looks at you like you’re this great actor, you won this thing, and you start doing things differently.

Impacciatore: On set, if someone gives me a feedback about something that he liked, I don’t want to hear that because it feels like a trap. And I don’t want to know what worked and what didn’t work because I want to be free. I want to explore things. Reading a review … it’s something rational that is describing something irrational. Like to me, acting is an irrational act. It’s wild when it happens. It’s going somewhere else and not even knowing what you did.

Faison: I tend to not look at reviews. This was the first time ever in my life … when “Scrubs” came out this time around. It’s because we made it for the fans. It was strictly for the fans. So when we put it out and the critics were very nice this time around, that was cool. And then you get to Reddit and Instagram and you’re waiting for them to be like, “You guys suck!” “How dare you?!” And that didn’t show up. It was like, well, I’m gonna read the reviews then.

Lupe: I once had a critic call me a “bargain-basement Gwyneth Paltrow.”

Morris: You’re like, “Gwyneth Paltrow, you say?”

Lupe: As long as the word Gwyneth is in there, I’m OK.

Morris: If someone calls me “a bootleg Eddie Murphy,” I’m retiring.

Faison: “He kind of reminds me of a poor man’s Richard Pryor.” Why, thank you.

Lupe: There was like a part of me where I was like, “Well, if I can make it through that, then whatever. Who cares? It’s just fun to hear people’s perceptions of what you’re putting out there. How people interpret it. Because sometimes you can’t see the forest through the trees. If you have enough perspective, it’s interesting to hear the dialogue about the things that you’re working on.

Deadwyler: If it’s productive, I find that critical analysis is useful. But if it’s critical stabbing, that’s useless to me.

Faison: I have a question for all of you guys. When it comes to acting on set, do you prefer to see what you just did or do you prefer to trust what the director says? When it comes to comedy, I wanna see what the f— we are doing just to make sure we’re in the rhythm.

Lupe: I don’t watch it in the moment. I’ve gotten easier on myself watching things after they’re released. When I first watched my work, I just wanted to like, in all honesty, tear my face off. It was really a tough experience.

Morris: If I trust the director, I never look at the monitor. No knock on, like first-time directors, because I work with a lot of first-time directors that I trust, but there are some from time to time that just go, “It’s great,” every take. And so sometimes I have to go, “Just give me a second, let me see.” … A couple of times [they’d tell me], “Everything you did was brilliant.” And I know for a fact it wasn’t. So now I don’t trust s— you say.

The Envelope’s 2026 Emmy Comedy Roundtable: Lamorne Morris, from left, Justine Lupe, Chris Perfetti, Danielle Deadwyler, Donald Faison and Sabrina Impacciatore.

Chris, the cast on “Abbott” are so good at bouncing lines off one another. How are you not breaking all the time, or are you?

Perfetti: It’s certainly gotten harder as we’ve gotten closer. We’re all trying to make each other break now. But we’re pretty good. The show is sort of made on the fly and we’re constantly throwing jokes away or trying to see how far we can push something. I think a lot of what we find funny on “Abbott” is people trying to avoid pain. Even when it’s ridiculous, it doesn’t feel too hard to keep our feet on the ground. We’re also so blessed with the mockumentary [format]. The story is very much told by the camera. So I’m always on, and something that comes up in that take might make it into the final cut because there’s three cameras going at all times. But Quinta probably breaks the most because … she genuinely forgets about some of the jokes that she writes. And so when she hears it again, it takes her by surprise.

Lupe: There is something to that energy of people enjoying being in that kind of space with each other, like on the verge of laughing. Riding the line of being just about to break, it’s so much fun. The chemistry between them is so palpable. When you see a break like that, you’re like, “Wow, they’re really enjoying each other.”

Morris: [It’s hard when] I’m literally loopy, it’s late and I know this actor I’m working with is a f— killer. I start laughing before we roll, and I’m like, “This is gonna be so difficult.”

Lupe: And then it’s like that thing when you’re like a little kid, where someone’s like, “Stop laughing” and it makes it worse because you are trying so hard not to laugh.

Impacciatore: If there is that moment where we can break, there is a real abandonment and there is a real freedom … It’s the most beautiful feeling about being an actor. It’s about feeling less lonely.

Faison: Danielle, you’re working with Steve. First of all, he’s gonna break everybody. I’m pretty clear that everybody on set’s gonna laugh because he’s just got that. But has anybody made him break yet? And who is that person? I know if I made Steve Carell break in the middle of a scene, I’m dancing for a while. I’m gonna be calling my mom like, “Yo, he f— laughed at my joke!”

Deadwyler: I know that they wilded out the day the bed broke [during a fight scene with co-star Phil Dunster]. But I have not seen him break in that way. He is so rigorous. He’s about building the character, building a dynamic, trying to tell a full story.

Lupe: He also must have so much practice from “The Office.”

Deadwyler: He’s strong.

Faison: I laugh harder at “Saturday Night Live” when they break than when they keep it together.

The victory of Chris Rabb in a US House of Representatives primary in Pennsylvania represents a boost to Democrats’ progressive flank, a movement that has come under heavy pressure in recent years.

Running to represent a district stretching across Philadelphia, widely considered the “bluest” in the country, Rabb handily defeated his top competitors. The state lawmaker carried about 44 percent of the vote, compared with about 30 percent for State Senator Sharif Street and 24 percent for paediatric surgeon Ala Stanford.

With no Republicans on the ballot in the primary, Rabb is expected to skate to victory in the midterm.

While all candidates sought to highlight progressives’ bona fides in the race, Rabb skewed farthest left, railing against the political machinery that has long played kingmaker in local politics.

He also broke from his opponents on US policy towards Israel. He has pledged to join 12 current members of Congress in signing a resolution recognising the Nakba and has urged his competitors to describe Israel’s actions in Gaza as a “genocide” on the campaign trail.

In one exchange with voters, Stanford appeared to say that using the term “genocide” was “harmful”. Street, whose victory would have made him Philadelphia’s first Muslim member of Congress, has also been criticised for a lack of clarity on the issue.

In a statement, Kendra Brooks and Nicolas O’Rourke, cochairs of the Pennsylvania Working Families Party, said the race was a weathervane for Democrats.

“The question in this race was not whether we would elect a Democrat, but what kind of Democrat we would choose,” they said.

“The people of Philadelphia made their choice clear: bold, working-class leadership, and an end to the broken status quo.”

Indeed, the race in many ways mirrored internal strife for Democrats, kicked into overdrive following the party’s routing in the 2024 election.

Street, the former chair of the Pennsylvania Democratic Party, and Stanford, who was endorsed by outgoing Representative Dwight Evans, have largely been viewed as representing the party’s longstanding establishment.

Underscoring that perception, earlier this Month, Axios reported that Pennsylvania Governor Josh Shapiro had urged building unions supporting Street not to run attack advertisements against Stanford, over concerns it would boost Rabb’s chances.

Rabb, meanwhile, had been endorsed by a series of progressive stalwarts, including Representatives Ocasio-Cortez, Representative Ilhan Omar and Senator Chris Van Hollen and progressive groups, including Justice Democrats and the Sunrise Movement.

The Socialist Democrats of America, who endorsed Rabb early on in the race, have been largely credited with leveraging their ground operation before the primary win.

“We will be with Congressman Rabb every step of the way in the fight to abolish ICE (Immigration and Customs Enforcement), free Palestine and win Medicare for All,” the group said on Wednesday.

Progressives targeted

Rabb’s win represents a sign of hope for progressives, who have been heavily targeted in primary races, particularly for their criticism of Washington’s longstanding support for Israel.

In 2024, both Cori Bush of Missouri and Jamaal Bowman of New York, members of the so-called Progressive “squad” in Congress, lost their primary races amid a massive influx of spending by AIPAC and pro-Israel lobby groups. All told, AIPAC and affiliated groups spent about $25m to unseat the pair.

Progressives have so far seen a mixed bag this primary season. Analilia Mejia saw an early surprise victory when she defeated former Representative Tom Malinowski in February.

Malinowski, who has long portrayed himself as a centrist, was targeted by AIPAC in the 11-way race, in a strategy that has been viewed as a major backfire for the pro-Israel lobby. Instead of boosting a pro-Israel candidate, AIPAC’s targeting indirectly buoyed Mejia, a staunch critic.

In Texas, pro-Palestine pastor and civil rights leader Frederick Haynes III also won his primary race. Haynes was also endorsed by the Justice Democrats, an organisation launched in 2017 to support progressive candidates. The group has endorsed 15 candidates so far this year.

Three other progressive candidates, Junaid Ahmed and Kat Abughazaleh in Illinois, and Nida Allam in North Carolina, lost their primaries amid a massive onslaught of opposition spending from pro-Israel and artificial intelligence-aligned groups.

Still, Justice Democrats spokesperson Usamah Andrabi said Rabb’s victory was an energising sign before a slate of competitive races in June.

Also in Pennsylvania, incumbent Representative Summer Lee easily sailed to victory in her Democratic primary race in Pittsburgh.

“The sky is the limit,” Andrabi told Al Jazeera, “and it is clear that the Democratic base is desperate for a new generation of leadership that not only takes on Republican extremism but takes on the Democratic establishment and their corporate backers all at once.”

Battlelines draw

Tuesday’s primaries across six states saw the battle lines for the midterm election in November further drawn.

The vote will determine which party controls the US Senate and the US House of Representatives, which will set the pace for US President Donald Trump’s second term in office.

Most notably on the Republican side, US Representative Thomas Massie lost his primary race to Trump-backed challenger Ed Gallrein, in what was the most expensive House primary race in history.

Massie had broken with Trump on the investigation into billionaire financier Jeffrey Epstein, the war in Iran, and US support for Israel. His loss indicated Trump’s enduring hold over the party.

But it remained to be seen if that influence would extend to the general election, with Trump’s approval ranking tanking in recent months amid the war with Iran and its knock-on economic fallout. Polls have shown the president’s support has been particularly hard hit among independents, who typically do not vote in primaries.

In Georgia, two Republicans, Congressman Mike Collins and former football coach Derek Dooley, will advance to a run-off election on June 16 in the US Senate race. The winner will take on Democrat Jon Ossoff in one of the closest-watched races of the season.

Meanwhile, Democrat Keisha Lance Bottoms, the former mayor of Atlanta, won the party’s primary in the gubernatorial race. Two Republicans, Rich Jackson and Burt Jones, meanwhile, will head to a run-off.

The race is set to be consequential, with election administration – and the redrawing of congressional maps – in the state looming large in 2024 and potentially set to play a key role in the 2028 race.

On Mother’s Day, let’s salute two single mothers who became the No. 1 fans for their sports-playing sons and stayed by their side through good and bad times.

Sylmar pitcher Matthew Torres has tried to make it through life without a father after his parents’ separation when he was 12.

“He’s not been to any high school games,” Torres said.

Enter his mother, Roxanne, who has raised four boys and one girl by multitasking and embracing sports activities. She intervened to help Matthew make it through tough times.

“Her bringing me to church and getting to know God has made me the man I am today,” the 6-foot-3, 185-pound senior said.

Torres became the No. 1 pitcher in the Valley Mission League this season with an 8-0 record while also hitting .488. He helped Sylmar win the league title and become the No. 1 seed for the City Section Division I playoffs.

He has a secret plan scheduled for Sunday to salute his mother. Who doesn’t like surprises?

At Carson High, All-City quarterback Chris Fields has a mother, Shere Fletcher, who could play or coach football the way she has dived headfirst into learning the sport to be at the side of her son.

There were once tough times as a family. Fields said the family was “impoverished.” Mom worked multiple jobs while also studying but sacrificed everything to make sure her son and daughter could have a bright future. She became a paralegal and never misses a practice or game. She should be called “Coach Fletcher” but prefers mom.

“I’ve been through everything with my mom,” Fields said.

Her Mother’s Day gift since the 49ers are her favorite team is a vintage Jerry Rice jersey and a trip to Santa Anita.

There are plenty of moms who’ve spent countless hours driving, feeding and motivating their sports-playing sons and daughters through highs and lows.

Happy Mother’s Day to all.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Wood’s spot-kick, smashed high beyond Emi Martinez, was his 200th career goal and gives Forest something to defend at Villa Park next week.

The New Zealand international only returned this month, having been sidelined since October with his knee issue.

He missed the entirety of Sean Dyche’s reign, having surgery in December, but started the quarter-final first-leg draw in Porto three weeks ago.

Lucas Digne’s baffling decision to raise his arms and handle the ball as Omari Hutchinson tried to keep it in play gave Wood his chance with 19 minutes left.

There was an audible cheer when Wood stepped up to take the penalty – Morgan Gibbs-White having missed from the spot against Strum Graz and Braga this season.

There was a sense of expectation, which is only fair as Wood has not missed a penalty in 10 years – since failing to score against Hull for Leeds in April 2016.

He has now scored 28 successive spot-kicks.

“That’s what I have to do and that’s what I try to do. It’s the job, the responsibility that my team gives me,” he told TNT.

“It’s cup competitions. They come down to small margins at times. Both teams played very well. But it’s small moments that can potentially change games. Thankfully it went in our favour tonight and hopefully again next week.

“It’s one leg of the tie. It’s nice to have the advantage but going to Villa Park will be a tough game. They’re good at their place. But we’ve done the job here at home and now hopefully we’ll build into next week.”

He scored in last Friday’s 5-0 Premier League win at Sunderland – his first goal since a penalty against Midtjylland in October – and has six goals in 19 games for club and country this season.

Wood, 34, has explained he will have to manage his knee injury for the rest of his life – but after watching so much of Forest’s battle against the Premier League drop from the sidelines, he is just glad to be back in action and scoring.

“That’s all I wanted to do,” he said. “I wanted to get back fit and firing to help my team as best as I can at the end of the season. I knew we had a lot to play for when I was fighting to get fit and it’s showing. It’s some big competitions to be a part of.

“We’re in the crunch end of the season. We need to perform on both parts and we’ll be looking to do that for sure.”

Hughton then moved into management, where he guided both Newcastle and Brighton to promotion to the Premier League.

He also had spells in charge of Birmingham, Norwich and Nottingham Forest, and was most recently manager of Ghana.

“I had very good advice and all the treatment options were given to me, and I decided to have my prostate removed. The recovery has gone really well,” he added.

“I’m one year post-operation and I feel good. It’s all gone very well. I’ve got a lot of energy.”

Prostate Cancer UK chief executive Laura Kerby said: “Chris’ story is ultimately a positive one. But it’s also a timely reminder of the dangers of prostate cancer and we thank him for sharing his story in the football community, and helping men.

“Prostate cancer is now the most common cancer in the UK, and it’s still the only major cancer without a screening programme. It doesn’t give you signs or symptoms in its earlier stages when it’s more treatable, so awareness is everything.”