chilling

Murder 24/7 returns tonight with another harrowing episode as detectives race against the clock for justice

Chilling video footage recovered from a killer’s phone has been exposed, showing a violent spree across “two days of torture”.

Murder 24/7 has returned this week with a harrowing two-part special titled Natural Born Killer. Returning for its third series earlier this month, the true crime documentary takes viewers right into the heart of murder investigations across the UK.

Following West Mercia Police, the show, which sees detectives racing against the clock to ensure justice is done, has been dubbed better than Channel 4’s 24 Hours in Police Custody.

Last night (August 4), viewers were horrified after a harrowing episode delved into the murder of 54-year-old Jamie Gawler who was brutally killed and found by officers dead in an armchair with a towel thrown over his head.

Tonight (August 5), the second episode will air at 9pm on BBC One, as detectives continue their investigation into suspect Matthew Jonathan. A synopsis reads: “In Hereford, detectives continue to build their case against Matthew Jonathan for the murder of 54-year-old Jamie Gawler.

“The suspect maintains a ‘no comment’ stance in interviews, so the team is relying on digital and physical forensics to piece together the final days of Jamie’s life.”

It adds: “A critical forensic breakthrough comes when analysts match an incomplete, bloody footprint from the scene to Jonathan’s rare boots via a national database. Soon after, investigators recover a series of phone videos that reveal the true extent of the assault.”

In the episode, officers can be seen analysing a mobile phone recovered, believed to be Matthew’s, before discovering harrowing video footage on it which appears to show him assaulting Jamie.

The clips were played out as detectives watched on in horror. In the video footage, Matthew can be heard laughing and saying: “Don’t give me that broken face b******.”

He later instructs his victim: “Lift your head up,” before levelling abuse at him. He then adds: “I’ll do 30 years for this, I don’t care.”

The episode then sees officers showing Matthew the footage as one detective can be heard saying: “This is now two days into what I would describe as torture.”

Matthew Jonathan was eventually charged with murder as the episode explains three months later, he pleaded guilty to the charge. At sentencing, Matthew received a life sentence with a minimum of 32 years.

With all episodes available to stream on BBC iPlayer, viewers were horrified after watching the latest instalments this week. Taking to TikTok, one true crime fan admitted their “jaw was on the floor watching this show.”

In the video, they added: “Wow. Absolutely brutal…. I couldn’t believe them episodes, they were brutal.” Another replied: “I love watching this programme but those two were brutal.”

Murder 24/7 can be streamed on BBC iPlayer

The three part documentary has finally been released in the UK

True crime fans cannot stop talking about a brand new documentary that has been dubbed a “disturbing” watch.

Don’t Date Brandon has this week been released on Channel 4, with all three episodes airing last night (July 30) as it explores two chilling relationships.

Viewers are plunged into the moment that two women discover that they have dated the same man that they met online, but despite things seemingly appearing well, dark secrets are soon uncovered.

Amber Rasmussen and Athena Klingerman bravely open up on how they were manipulated by con man Brandon Johnson as the three part series exposes his elaborate web of lies and past abuse.

A Channel 4 synopsis reads: “True crime series. When Amber finds out that her husband’s a liar, she starts a podcast with his ex-wife. But as more women come forward, they discover that Brandon isn’t just a cheat; he’s dangerous.”

First airing on Paramount+ last year, Don’t Date Brandon has just been released on Channel 4, with all three episodes available to stream online for free. Despite its release in 2025, viewers are only just discovering the harrowing watch now as they say it is a must watch for everyone.

Taking to TikTok, one true crime fan said in a video: “I promise you definitely won’t want to miss this one because it is an absolutely wild ride.”

They went on to say: “As you’re watching this documentary it becomes more and more dark and more and more terrifying. What unfolds at the end of it is truly quite chilling and there are actually some very disturbing scenes in this so be aware of that.”

In another video, another viewer said: “It’s quite good.” One person commented: “Just finished Don’t Date Brandon. Started it last night – had horrible nightmares about my ex last night.”

Taking to their own video, one person admitted they were not “prepared for this documentary” as they captioned their post: “Craziest one in a while”.

Another stated they have been “waiting for the longest time” for the UK release, adding: “I cannot wait to watch this, I’ve heard great things from those of you who have already seen it.”

One person replied: “Don’t Date Brandon is amazing I watched it on YouTube crazy.”

When it was released in the USA last year, one viewer said it was one of the “most horrifying” documentaries they had watched, adding on TikTok: “Episode 3 is incredibly hard to watch.”

Don’t Date Brandon can be streamed for free on Channel 4

The documentary will explore the harrowing story of Dr George Kenney, the former principal at a Florida high school.

True crime fans can expect to see the documentary series airing very soon.

The limited ITV series, titled Look Into My Eyes, will delve into the chilling case of Dr George Kenney, who was once a beloved principal in a high school.

However, his reputation started to unravel when it was revealed he had been practising hypnosis on students.

A synopsis reads: “In 2011, three students died in separate incidents, prompting widespread scrutiny and a national news story.

“The series examines the events surrounding these deaths and the questions that followed, including the extent of Kenney’s influence and the debate over responsibility.

In the documentary, viewers will hear interviews from the victims’ families, along with experts, eyewitnesses and other people connected to the case.

It’ll also look closely into the events leading up to their tragic deaths and the lasting impact it had on the community.

Directed and executive produced by Brent Hodge, the person behind the 2021 documentary Pharma Bro, ITV viewers can expect it to air on August 18.

Look Into My Eyes has been produced by Blumhouse Television and Anchor Entertainment, with Jason Blum being one of the executive producers. He’s best known for being involved in the horror films Insidious, The Conjuring and The Purge.

An investigation into Dr George Kenney was escalated after three of the students he hypnotised had died, two by suicide and one in a car crash.

Although it’s believed that hypnotised between 70 and 75 students since 2006, all of the students that died were 16 years old, with Wesley McKinley killing himself a day after being hypnotised by the former principal.

Meanwhile, Brittany Palumbo sadly took her own life a month before, with Marcus Freeman dying in a car crash a month before Brittany.

After an investigation by the Florida Department of Health, the former principal resigned in June 2012 and pleaded no contest to practising therapeutic hypnosis without a license.

While he served no jail time, Dr. George Kenney was sentenced to two consecutive sentences of six months of probation and was given 50 hours of community service.

The parents of the students who died sued the school board in December 2012 for the wrongful death of each of the teens.

In the end, each family received the maximum sum of $200,000 in October 2015 when both the families and the school board settled.

Look Into My Eyes is available to watch on ITV from August 18

Worst Neighbor Ever is now available to stream on Netflix

The chilling calls to emergency services after a huge insurance scam explosion have been revealed in a brutal true crime documentary series.

This week, Netflix dropped anthology series Worst Neighbor Ever, which follows on from Worst Ex Ever and Worst Roommate Ever.

This time, it explores real life neighbour disputes that take a fatal turn. Plunging viewers into a series of events including intimidation and violence, it uses real life bodycam footage and CCTV to highlight what occurred.

As well as hearing heartbreaking accounts from victims, the true crime series also stands out with its use of animated re-enactments to tell the stories.

An official synopsis reads: “You think you know your neighbors? Think again. This new series features firsthand accounts of violence, intimidation, and harassment that are more shocking than ever.

“Through compelling testimonials, startling body cam footage, and animated reenactments, Worst Neighbor Ever proves the people next door aren’t just a nuisance – they’re lethal.”

The second episode plunges viewers back to 2012 when a huge explosion wreaked devastation on one tight knit community in Indiana. On November 10, 2012, Monserrate ‘Moncy’ Shirley’s home exploded, leaving two people in the vicinity dead and many others injured, destroying dozens of homes.

But when investigators find the real cause, lives were changed forever. The episode hears from the neighbours who were at home that evening as well as revealing what Moncy was really like, as well as her new boyfriend at the time Mark Leonard.

Following the huge explosion, one neighbour can be heard saying: “At first, we thought we were being bombed. Our whole house lifted up off the foundation.”

Another said: “It was like one of those mortar fireworks going off right next to your house.”

Showing chilling video footage of the explosion and the flames, the documentary also showcased some of the heartbreaking calls made to the emergency services.

In one phone call, a neighbour said: “Something literally just exploded”, as another asked: “What just happened?” A third said: “We had a large boom, I don’t know if it was a bomb, a gun went off or what.”

Detailing the aftermath, one resident said: “The flames were just massive. The street looked like it had snowed, but this bright light of fire is in the distance.”

A call between emergency services continued: “We’ve had an explosion at a house, we’re going to need medics, IFD, it’s going to be a major incident control.”

The episode explores how Moncy, her boyfriend Mark and his brother had plotted to start a fire that would result in an insurance payout, however, their plan resulted in a huge explosion that wreaked devastation for years afterwards.

Worst Neighbor Ever can be streamed on Netflix

Netflix viewers will want to add this 2022 thriller to their watch lists

Fans say this gripping thriller ruined their sleeping schedules.

Netflix viewers have been completely hooked on Harlan Coben’s latest drama, and for good reason. I Will Find You landed on the streaming platform on June 18 and has already climbed to Number 1 on the most-watched TV show charts.

It centres on David Burroughs, a father wrongfully imprisoned for his young son Matthew’s murder. But when he discovers Matthew may be alive, David is forced to escape and uncover the truth.

The show only has eight episodes, which many viewers have already devoured over the last week.

Those on the hunt for another bingeable crime drama should look no further than Black Bird, streaming now on Apple TV+.

Starring Taron Egerton, the six-episode drama was inspired by the real story of Jimmy Keene. Once an aspiring sports star, Jimmy’s life takes a turn when he starts dealing drugs. He gets caught and is unexpectedly sentenced to 10 years in prison on drug and weapon charges.

But Jimmy is soon gets a life-changing offer from the FBI: he must befriend suspected serial killer Larry Hall and coax a confession out of him to help find the bodies of over a dozen women. If successful, Jimmy would have his criminal record wiped.

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The drama dives into the dangers Jimmy faces along the way, as well as convicted killer Hall’s (played by Paul Walter Hauser) chilling crimes.

Critics and casual viewers were completely captivated by the series when it first hit screens in 2022. It bagged a stellar 98% score from Rotten Tomatoes reviewers, alongside a slightly less-generous 95% rating from audiences.

These figures are significantly higher than I Will Find You, which has earned a 60% critical rating and 65% audience score.

Raving about Black Bird, one fan said: “It was a gripping thrill ride from start to finish. Beautifully acted and very well written. The worst part about the show was that it ended!”

A second praised: “Chilling but surprisingly heroic true-crime drama! The tension never lets up, pulled along by an incredible story and great performances.”

While a third fan added: “I literally watched all six episodes in a row because I needed to know what happened. It’s gripping, intense, and at some points I just wanted it all to be over because the psychological pressure on Jimmy becomes almost too much even I felt it— but in a way that keeps you hooked.”

And a final viewer gushed: “As a guy who thought he check out one episode, Black Bird absolutely wrecked my sleep schedule—in the best way.”

Black Bird is streaming on Apple TV.

TOP Gun: Maverick actor James Handy has been stabbed to death with his girlfriend’s son telling cops in a 911 call: “I just killed the man”.

The 81-year-old, who also starred in Logan and Jumanji, was found unconscious with multiple stab wounds to his chest on his front yard.

Authorities rushed to the scene in Tarzana, Los Angeles on Wednesday morning at around 9.30am after receiving a chilling 911 call.

Police revealed a voice at the end of the line said: “I am the son of man, I just killed the man of sin.”

Officials rushed to James’ home on Erwin Street and raced him to hospital where he was pronounced dead.

Some time later, 44-year-old Michael Gledhill – the son of James’ partner – waved down officers as they searched near the home.

GRISLY END

Man bleeds to death after ‘cutting off his penis & slicing throat’ on LA street

Gledhill confessed to carrying out the fatal attack and said he was the one who phoned the police, according to the Los Angeles Police Department.

Gledhill was arrested for murder and taken to Van Nuys Jail with his bail set at $2,000,000.

The LAPD statement said: “Detectives believe this is an isolated incident and there appears to be no danger to the public at this time.”

A motive for the attack remains unclear.

Neighbors have claimed Gledhill and James were overheard arguing overnight.

The star’s talent agent, Pam Ellis-Evenas, paid tribute saying: “With great sadness I can confirm that the gentleman who was attacked and killed on Wednesday in Tarzana was the actor James Handy.”

James’ career spanned almost five decades with his most recent major role being in Tom Cruise’s Hollywood sequel Top Gun: Maverick in 2022.

He played the role of bartender Jimmy.

Another memorable role for James came in 2017 superhero flick Logan as he played the doctor who treated lead man Hugh Jackman.

James also starred in 1995 cult classic Jumanji alongside Robin Williams, Bonnie Hunt and Kirsten Dunst.

His career featured several TV credits such as the role of Arthur Devlin in eight episodes of Alias and recurring stints on Melrose Place and NYPD Blue.

James’ tragic death comes less than a year after Hollywood icon Rob Reiner, 78, had his throat slit inside his LA home.

Son Nick, 32, is currently in jail after being accused of killing both Rob and his mum Michelle, 68, while they were in bed on December 14, 2025.

Nick has pleaded not guilty on both counts of murder and is awaiting trial.

Cape Fear,” premiering Friday on Apple TV, is a 10-episode limited series remake of a 1991 Martin Scorsese remake of a 1962 film adapted from John D. MacDonald’s 1957 novel “The Executioners,” and as in a game of telephone each subsequent version adds new material and moves a little farther from the original. (The credits to the series, created by Nick Antosca, note all previous sources and screenwriters.) Thirty-four years having passed since the last go-round, we are treated to such modern advances as catfishing, drones, deep fakes, social media and pushy true-crime podcasters.

In each iteration, a family is menaced by a recently released ex-con who blames one or more of them for his incarceration. Antosca fills his extra-long take on the material with complications and inventions; though the series is also chock full of borrowings from and allusions to its predecessors — you can hardly call them Easter eggs, lying there as they do in plain sight. (And sound: Bernard Herrmann and Elmer Bernstein‘s earlier scores share space with Jeff Russo’s new one.)

In every version, the antagonist is a now-charming, now-menacing psychopath named Max Cady (Javier Bardem), memorably played by Robert Mitchum in 1962 and Robert De Niro in 1991. In the novel and movies, Cady was serving time for rape; here it’s for the murder of his wife and unborn child, when new evidence suddenly springs him from prison after 17 years. We are invited to suspect this evidence from the very beginning, though this suspicion will itself become suspect. “Or is it?” is a question you’ll be prompted to ask through the series.

The objects of Cady’s slow-boiling vengeance — seemingly — are married lawyers Tom (Patrick Wilson) and Anna Bowden (Amy Adams), sharing the position previously represented solely by Gregory Peck and Nick Nolte in turn. Anna, who had unsuccessfully represented Cady, ironically works for an Innocence Project-type nonprofit, whose chief, Noa Toussaint (CCH Pounder), is only too delighted to fundraise on the back of Cady’s celebrity. Cady, claiming no hard feelings, insinuates himself into their world, apparently friendly, apparently helpful, so that it’s not always clear what’s sincere and what’s strategy. Is he a wolf in sheep’s clothing, or just a creepy, sometimes violent sheep? (“Killed his wife, didn’t kill his wife,” a minor character will volunteer, “he’s an arrogant bastard either way.”)

There are now two Bowden children in the picture, doubling earlier versions. Natalie (Lily Collias), Anna’s daughter from a previous relationship, is a good girl looking to go just a little bad, who feels unseen by her busy parents. Sad, sullen younger half-brother Zach (Joe Anders), unrecovered from a social media misstep, is acting more strangely than teenage boys usually do.

This is a cat and mouse — or cats and mice — melodrama, with customized stock characters given dark secrets and backstory traumas less as explanation than complication. (Good, bad, whatever, everyone’s got issues.) Cady, who has a prison-acquired brain injury — cue flashback, in black and white, naturally — suffers from headaches and hallucinations, reacting painfully to flashbulbs (a Chekov gun, I wondered?), seeing visions of his dead wife and son, whom he pictures grown. (He is sad about it, whether or not it’s his fault.) And is that masked woman in green he keeps seeing real or imagined?

On a nuts and bolts level, it’s all screwed together tight, even the pieces that stick out at weird angles. (Is there a reason to make Cady an apparently talented chef, other than to demonstrate his knife skills?) The actors fill their parts with feeling. Bardem gets the most, and most extreme attitudes, to play, whether cozying up individually to the Bowdens, threatening a groupie, undergoing a religious conversion, acting normal or being weird. Adams is low-key forceful as his primary opponent. (Tom’s comparatively weak character is underscored by his secret habit of microdosing LSD and a nothingburger flirtation with a colleague.) Collias is impressively real. The dialogue is well-crafted, the Southern atmosphere (Atlanta doubling Savannah, with Savannah here and there standing for itself) suitably oppressive.

Nevertheless, it’s fair to ask whether this story, even with its yards of extra material, could be told in under nine hours? The answer, most assuredly, is yes. And might it be better shorter? It might.

Not that I’ve ever been a fly on the walls of the executive conference or dining or washrooms where such deals are made, but I suspect the length has less to do with artistic necessity than A) the obscure economics of streaming and B) the not unrelated habits of viewers, who, to judge by questions I get asked, abhor a vacuum. A 10-episode series will put off the moment when they have “nothing to watch,” while the streamer gets to keep them in the ecosystem longer. “Cape Fear” is hardly the only series to which this applies. As I imagine the series will do well — mystery with a smattering of horror seems very much what the people want — more may be just the ticket for some people. Still, there’s a sense that the story has expanded to fill the space, with plotlines for all and crazy side trips (snakes! drugs!) in escalating levels of nuttiness.

That might be more feature than bug, but I can’t say I felt much of anything for the characters, or was concerned whether the Bowdens would emerge from their ordeals a stronger family. (Whatever the outcome, I’d say they have work to do.) Having been given only eight of 10 episodes to review, I’m interested, in a disinterested way, how this all will shake out, when the story finally moves to the Cape Fear River, and whatever final twists — that there will be twists, I am certain — an inevitably Action Packed Finale has in store.