chilling

Netflix viewers will want to add this 2022 thriller to their watch lists

Fans say this gripping thriller ruined their sleeping schedules.

Netflix viewers have been completely hooked on Harlan Coben’s latest drama, and for good reason. I Will Find You landed on the streaming platform on June 18 and has already climbed to Number 1 on the most-watched TV show charts.

It centres on David Burroughs, a father wrongfully imprisoned for his young son Matthew’s murder. But when he discovers Matthew may be alive, David is forced to escape and uncover the truth.

The show only has eight episodes, which many viewers have already devoured over the last week.

Those on the hunt for another bingeable crime drama should look no further than Black Bird, streaming now on Apple TV+.

Starring Taron Egerton, the six-episode drama was inspired by the real story of Jimmy Keene. Once an aspiring sports star, Jimmy’s life takes a turn when he starts dealing drugs. He gets caught and is unexpectedly sentenced to 10 years in prison on drug and weapon charges.

But Jimmy is soon gets a life-changing offer from the FBI: he must befriend suspected serial killer Larry Hall and coax a confession out of him to help find the bodies of over a dozen women. If successful, Jimmy would have his criminal record wiped.

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The drama dives into the dangers Jimmy faces along the way, as well as convicted killer Hall’s (played by Paul Walter Hauser) chilling crimes.

Critics and casual viewers were completely captivated by the series when it first hit screens in 2022. It bagged a stellar 98% score from Rotten Tomatoes reviewers, alongside a slightly less-generous 95% rating from audiences.

These figures are significantly higher than I Will Find You, which has earned a 60% critical rating and 65% audience score.

Raving about Black Bird, one fan said: “It was a gripping thrill ride from start to finish. Beautifully acted and very well written. The worst part about the show was that it ended!”

A second praised: “Chilling but surprisingly heroic true-crime drama! The tension never lets up, pulled along by an incredible story and great performances.”

While a third fan added: “I literally watched all six episodes in a row because I needed to know what happened. It’s gripping, intense, and at some points I just wanted it all to be over because the psychological pressure on Jimmy becomes almost too much even I felt it— but in a way that keeps you hooked.”

And a final viewer gushed: “As a guy who thought he check out one episode, Black Bird absolutely wrecked my sleep schedule—in the best way.”

Black Bird is streaming on Apple TV.

TOP Gun: Maverick actor James Handy has been stabbed to death with his girlfriend’s son telling cops in a 911 call: “I just killed the man”.

The 81-year-old, who also starred in Logan and Jumanji, was found unconscious with multiple stab wounds to his chest on his front yard.

Authorities rushed to the scene in Tarzana, Los Angeles on Wednesday morning at around 9.30am after receiving a chilling 911 call.

Police revealed a voice at the end of the line said: “I am the son of man, I just killed the man of sin.”

Officials rushed to James’ home on Erwin Street and raced him to hospital where he was pronounced dead.

Some time later, 44-year-old Michael Gledhill – the son of James’ partner – waved down officers as they searched near the home.

GRISLY END

Man bleeds to death after ‘cutting off his penis & slicing throat’ on LA street

Gledhill confessed to carrying out the fatal attack and said he was the one who phoned the police, according to the Los Angeles Police Department.

Gledhill was arrested for murder and taken to Van Nuys Jail with his bail set at $2,000,000.

The LAPD statement said: “Detectives believe this is an isolated incident and there appears to be no danger to the public at this time.”

A motive for the attack remains unclear.

Neighbors have claimed Gledhill and James were overheard arguing overnight.

The star’s talent agent, Pam Ellis-Evenas, paid tribute saying: “With great sadness I can confirm that the gentleman who was attacked and killed on Wednesday in Tarzana was the actor James Handy.”

James’ career spanned almost five decades with his most recent major role being in Tom Cruise’s Hollywood sequel Top Gun: Maverick in 2022.

He played the role of bartender Jimmy.

Another memorable role for James came in 2017 superhero flick Logan as he played the doctor who treated lead man Hugh Jackman.

James also starred in 1995 cult classic Jumanji alongside Robin Williams, Bonnie Hunt and Kirsten Dunst.

His career featured several TV credits such as the role of Arthur Devlin in eight episodes of Alias and recurring stints on Melrose Place and NYPD Blue.

James’ tragic death comes less than a year after Hollywood icon Rob Reiner, 78, had his throat slit inside his LA home.

Son Nick, 32, is currently in jail after being accused of killing both Rob and his mum Michelle, 68, while they were in bed on December 14, 2025.

Nick has pleaded not guilty on both counts of murder and is awaiting trial.

Cape Fear,” premiering Friday on Apple TV, is a 10-episode limited series remake of a 1991 Martin Scorsese remake of a 1962 film adapted from John D. MacDonald’s 1957 novel “The Executioners,” and as in a game of telephone each subsequent version adds new material and moves a little farther from the original. (The credits to the series, created by Nick Antosca, note all previous sources and screenwriters.) Thirty-four years having passed since the last go-round, we are treated to such modern advances as catfishing, drones, deep fakes, social media and pushy true-crime podcasters.

In each iteration, a family is menaced by a recently released ex-con who blames one or more of them for his incarceration. Antosca fills his extra-long take on the material with complications and inventions; though the series is also chock full of borrowings from and allusions to its predecessors — you can hardly call them Easter eggs, lying there as they do in plain sight. (And sound: Bernard Herrmann and Elmer Bernstein‘s earlier scores share space with Jeff Russo’s new one.)

In every version, the antagonist is a now-charming, now-menacing psychopath named Max Cady (Javier Bardem), memorably played by Robert Mitchum in 1962 and Robert De Niro in 1991. In the novel and movies, Cady was serving time for rape; here it’s for the murder of his wife and unborn child, when new evidence suddenly springs him from prison after 17 years. We are invited to suspect this evidence from the very beginning, though this suspicion will itself become suspect. “Or is it?” is a question you’ll be prompted to ask through the series.

The objects of Cady’s slow-boiling vengeance — seemingly — are married lawyers Tom (Patrick Wilson) and Anna Bowden (Amy Adams), sharing the position previously represented solely by Gregory Peck and Nick Nolte in turn. Anna, who had unsuccessfully represented Cady, ironically works for an Innocence Project-type nonprofit, whose chief, Noa Toussaint (CCH Pounder), is only too delighted to fundraise on the back of Cady’s celebrity. Cady, claiming no hard feelings, insinuates himself into their world, apparently friendly, apparently helpful, so that it’s not always clear what’s sincere and what’s strategy. Is he a wolf in sheep’s clothing, or just a creepy, sometimes violent sheep? (“Killed his wife, didn’t kill his wife,” a minor character will volunteer, “he’s an arrogant bastard either way.”)

There are now two Bowden children in the picture, doubling earlier versions. Natalie (Lily Collias), Anna’s daughter from a previous relationship, is a good girl looking to go just a little bad, who feels unseen by her busy parents. Sad, sullen younger half-brother Zach (Joe Anders), unrecovered from a social media misstep, is acting more strangely than teenage boys usually do.

This is a cat and mouse — or cats and mice — melodrama, with customized stock characters given dark secrets and backstory traumas less as explanation than complication. (Good, bad, whatever, everyone’s got issues.) Cady, who has a prison-acquired brain injury — cue flashback, in black and white, naturally — suffers from headaches and hallucinations, reacting painfully to flashbulbs (a Chekov gun, I wondered?), seeing visions of his dead wife and son, whom he pictures grown. (He is sad about it, whether or not it’s his fault.) And is that masked woman in green he keeps seeing real or imagined?

On a nuts and bolts level, it’s all screwed together tight, even the pieces that stick out at weird angles. (Is there a reason to make Cady an apparently talented chef, other than to demonstrate his knife skills?) The actors fill their parts with feeling. Bardem gets the most, and most extreme attitudes, to play, whether cozying up individually to the Bowdens, threatening a groupie, undergoing a religious conversion, acting normal or being weird. Adams is low-key forceful as his primary opponent. (Tom’s comparatively weak character is underscored by his secret habit of microdosing LSD and a nothingburger flirtation with a colleague.) Collias is impressively real. The dialogue is well-crafted, the Southern atmosphere (Atlanta doubling Savannah, with Savannah here and there standing for itself) suitably oppressive.

Nevertheless, it’s fair to ask whether this story, even with its yards of extra material, could be told in under nine hours? The answer, most assuredly, is yes. And might it be better shorter? It might.

Not that I’ve ever been a fly on the walls of the executive conference or dining or washrooms where such deals are made, but I suspect the length has less to do with artistic necessity than A) the obscure economics of streaming and B) the not unrelated habits of viewers, who, to judge by questions I get asked, abhor a vacuum. A 10-episode series will put off the moment when they have “nothing to watch,” while the streamer gets to keep them in the ecosystem longer. “Cape Fear” is hardly the only series to which this applies. As I imagine the series will do well — mystery with a smattering of horror seems very much what the people want — more may be just the ticket for some people. Still, there’s a sense that the story has expanded to fill the space, with plotlines for all and crazy side trips (snakes! drugs!) in escalating levels of nuttiness.

That might be more feature than bug, but I can’t say I felt much of anything for the characters, or was concerned whether the Bowdens would emerge from their ordeals a stronger family. (Whatever the outcome, I’d say they have work to do.) Having been given only eight of 10 episodes to review, I’m interested, in a disinterested way, how this all will shake out, when the story finally moves to the Cape Fear River, and whatever final twists — that there will be twists, I am certain — an inevitably Action Packed Finale has in store.

I’VE been reporting on the darker side of Katie Price’s husband Lee Andrews since she married him back in January – and now believe his “kidnapping” is simply another brazen storyline he’s written to try and hoodwink her further.

And now it’s all unravelling faster than he could have imagined, with Katie finally admitting she is giving up on searching for him because (spoiler alert) she’s realised it’s all a massive lie.

For four months, I have been unravelling Andrews’ web of untruths – and it would be correct to say he absolutely loathes me now.

From day one, I have refused to let his lies get in the way of reporting the truth.

Every time a woman shared her story with me, he berated them and claimed he’d never heard of them – despite me having evidence to the contrary.

Those close to Katie have since sent vile messages to his ex, Alana Percival, who has gone through more with Andrews than I think anyone will ever know.

If she chooses one day to share the rest of her story, I would urge you to listen to her. I did, and it made me feel physically sick.

Andrews threatened that he had lodged criminal charges against me in Dubai, which would see me arrested if I ever landed in the country and said he was suing me for defamation, which, comically, he spelt “deformation”.

Andrews then bragged he was going to get me sacked before messaging me on social media with a meme calling me a “c**t.”

I replied, “Likewise,” because he really is.

Now Katie has finally admitted she’s given up on “searching” for her husband, and I know it is because she’s finally realised this entire “kidnapping” scenario is just another part of Andrews’ elaborate lies.

Over the past few days, I have taken numerous calls from people all over the world who wanted to share their experiences of Andrews.

People have claimed to me that Andrews owes millions to businesses from failed schemes and warned there are more women who willingly handed over cash to receive nothing in return.

The “kidnapping” scenario is worthy of a Hollywood film script.

But it’s not unusual for wrong ‘uns who, after realising the jig is up, introduce an elaborate narrative to try and distance themselves from the chaos they’ve left in their wake.

In my opinion, the events of the past seven days are all a narrative being spun by Andrews to be parroted out by Katie, whose friends insist has nothing to do with his lies.

Now she’s reached the end of her patience.

“Katie knows something isn’t right about this scenario deep down,” a friend told me.

“Lee was active on WhatsApp two days after he told her he was going missing. She has heard nothing and has just been ghosted.

“She was so panicked at the start, but now it’s become a drain on her. The people around her have warned that this isn’t normal and that it all seems a bit suspect.”

In my opinion, Andrews has been laying the groundwork for his exit from Katie’s life for some time.

Some weeks ago, a contact of mine was gossiping about Andrews and his seemingly endless stream of fibs – including that he’d boasted to Katie he was an international arms dealer.

I’d never heard that porker before, and I laughed as I regaled a story his ex-fiancee, Alana, who bravely spoke out to warn Katie off Andrews back in January, had told me about Andrews telling her he had worked for MI5.

Much like his now-debunked claims from his fictional CV, including that he worked for the Labour Party and was the Director of Philanthropy at the King’s Trust, I laughed it off and forgot about it.

But after seeing the messages Andrews sent Katie, where he claimed he had been kidnapped and taken to a “black site”, to me, it suddenly all started to make sense.

In my opinion, Andrews’ MO is twisting narratives in a bid to make out he is something he plainly isn’t.

Suggesting to Katie and others that he works in a more than shady industry as an arms dealer to me suggests he was laying the foundations that he worked in a dangerous underworld.

So when Andrews suddenly walked off the face of the earth on Thursday after telling Katie he had been arrested and was being taken to a “black site” – the name given to clandestine state-operated detention centres – naturally, she would believe it.

My esteemed boss Clemmie Moodie persuaded Katie to share the final desperate texts she received from Andrews in The Sun newspaper – and to me, his messages bear all the hallmarks of a man trying to pen a story with a better twist than some of Agatha Christie’s greatest works.

“Katie was basically told by Lee that he was involved in all sorts of business, and not all of it was savoury,” my contact explained.

“He told her he was an international arms dealer. It was something he openly boasted about.

“Lee made her think he had his fingers in all sorts of pies.

“So when he spun her a story about being kidnapped, she fell for it. Because, as far as Katie is concerned, this is the kind of world Lee has connections with and operates in.

“Now with everything that is coming out, she’s realising she may have been played for a fool.”

Far from being kidnapped, I firmly believe Andrews is now simply hiding out in Dubai – a country he cannot leave because, as Katie herself confirmed, he has a travel ban… even though Andrews went on to deny it.

Clemmie’s work uncovering his scam first hand, and the pressure piled upon him by the thousands of people invested in this story, has backed Andrews into a corner..

He initially managed to shrug off the criticism.

But after he publicly humiliated Katie live on Good Morning Britain, and she publicly turned on him for the first time, I believe Andrews realised he had entered uncharted waters and knew it was time to get out.

Katie has not heard from Andrews since the early hours of Thursday morning, when the live location he shared with her on WhatsApp turned off – along with, it seems, the phone he used to contact her.

But I know Andrews uses multiple phones, and we know he was online and using one of them on Saturday evening.

Today, an even wilder twist – with Andrews going back on Instagram to follow another woman – adds to my theory.

Andrews had an escape route planned. And now he’s out – he’s moving on to someone else.

This man is in hiding, and he will stay there for as long as it is physically possible.

I’m not sure even Andrews, who probably could get a PhD in deception, could lie himself out of this one.

Good Morning Britain star Richard Madeley is to head inside one of the world’s most controversial prison’s for an eye-opening Channel 5 documentary

Richard Madeley is switching the comfort of the Good Morning Britain sofa for the grey walls of prison for a new documentary. The presenter will also head over to Channel 5 for the documentary as he takes on a huge new project.

The feature-length documentary titled Richard Madeley On Murder Row has been commissioned and is set to air later this year. The programme will offer up a rare peek inside one of the world’s most controversial prisons.

The 69-year-old star will head to Centro de Confinamiento del Terrorismo (CECOT). The vast maximum security prison has become the cornerstone of El Salvador President Nayib Bukele’s war on gangs.

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Richard will be given access to the full site. It’s said the rare offer “took months to negotiate”, with the presenter also taking in how life really is inside the detention centre.

The GMB presenter will speak to inmates at the facility as they live under the strict regime. And he will also chat with guards who set the harsh rules to try to keep the felons under control.

Away from the institute, Richard will visit the tough urban areas that surround it and are home o a number of violent gangs. He will find out exactly what the effects of the CECOT being on their doorstep has had.

Speaking of the opportunity, Richard said: “‘I was genuinely thrilled to be asked to front this film for 5. It’s not every day you’re given the chance to step inside a place as extraordinary and talked about as CECOT.”

He went on: “What struck me straight away was the sheer scale of it, and the stories behind it. In meeting the people who run the prison and those living inside it, what unfolds is a fascinating and often surprising look at justice, security, and the human realities behind the headlines. It’s been a remarkable experience.”

Guy Davies, Consultant Editor for Commissioning 5, said: “This access to CECOT was a tantalising prospect. Richard is, at heart, a first-class popular journalist and we were thrilled to get the chance for him to serve some time there. I think viewers will be very surprised by the results.”

And Andy Dunn, Senior Executive Producer, ITN Productions, added: “Gaining access to CECOT, the most secretive and notorious prison in the world, took months of negotiation. It was really important for Richard to experience the extreme conditions there first hand, and he takes us on a compelling and unique journey as he considers the effectiveness and ethics of such a harsh regime.”

Last year, it was revealed Donald Trump had sent 250 gang members to what has been labelled the “world’s worst prison”. The maximum security mega-prison in Tecoluca, El Salvador has seen hundreds of immigrants being sent from the US by the Trump administration.

Tens of thousands of prisoners have been locked up on bare metal bunks in the prison. They often don’t have a mattress and conditions have been described as inhumane. Cells have two toilets and a basin which are open with no privacy while there are no windows and they are watched by guards from holes in the mesh ceiling.

The conditions are unlike anything seen in the UK system as the inmates take their cramped space on the metal bunks.

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