chilling

The three part series has recently been added to BBC iPlayer as true crime fans say it is ‘well worth a watch’

A “mind blowing” true crime documentary with a twist fans do not see coming, is now available to stream online for free.

The mini series, titled Captive Audience: A Real American Horror Story, was first released on Disney Plus and Hulu back in 2022 as it follows the real life story of a seven year old boy who suddenly vanishes from his home in California.

Named Steven Stayner, he miraculously returns seven years later, sparking a media sensation, but where had he been? Spanning across three episodes, the documentary is now available to stream on BBC iPlayer as it has been dubbed the perfect watch for fans of true crime.

A BBC synopsis reads: “A story that captivated a nation – and destroyed a family. A boy missing for seven years miraculously returns home, but it wasn’t the Hollywood ending it seemed to be.”

The three-part series plunges viewers back to 1972 when the unusual kidnapping case first came to light. It then explores his return as well as the family being thrust back into media headlines decades later.

Featuring heartbreaking accounts from family members, including Steven’s daughter and mother, fans have also admitted they were not expecting the revelations made in the third episodes.

Viewers may also recognise a TV film titled I Know My Name is Steven, which was released in 1989, also exploring the same case.

The documentary has been branded a must watch for fans of the genre as one person said in a TikTok video: “It’s really good, well worth a watch.”

Another commented: “I watched the three episodes of Captive Audience last night and OMG I never dreamed of what was coming in episode 3.”

A third added: “I was fascinated watching Captive Audience. It was shocking and sad.”

In another video, recommending the documentary, one viewer said: “You will want to watch it because it is a mind blowing story.

“It’s a really fascinating documentary. If you haven’t watched it already, I would definitely recommend it.”

Another commented: “It’s absolutely mad, very sad as well.” A third echoed: “It’s a heartbreaking real life story from beginning to end.”

Over on Facebook, one user said: “A heartbreaking and chilling story about trauma, survival, and the long shadow of tragedy.”

An IMDB reviewer said: “This documentary is heart breaking and captivating. To learn what this kid went through and his own heroic act to save another child, is mind blowing.”

Another added: “I loved this story and the way it was told. It is not often in true crime that we get to see the family and friends and how their lives have been impacted by the crime.”

Captive Audience: A Real American Horror Story can be streamed on BBC iPlayer and Disney Plus.

A new documentary has been announced by 5, revealing the devastating impact of a crime that shook two continents

A chilling documentary has been confirmed after a devastating crime, and it will likely leave fans in tears.

5 has announced a compelling two-part documentary series, Trial By Jury: The Killing of Claire Leveque, which offers exclusive access to the murder trial at the Edinburgh High Court that followed the tragic death of the 24-year-old Canadian. The series will also feature Claire’s family as they faced the “harrowing” days of the trial and beyond.

Claire was brutally killed by her boyfriend while living on the Shetland Islands in 2023. Filmed with rare in-court camera access, granted by the Lord Justice General, the chilling events surrounding Claire’s murder will be examined across two hour-long episodes.

The instalments will reveal the “horrific details that shook a close-knit island community in Shetland and left a family in North America heartbroken.”

The case also highlights the profound toll of intimate partners violence, and the challenges of uncovering domestic abuse in rural areas.

Using a fixed in-court rig, Trial By Jury follows the eight-day trial that led to a unanimous guilty verdict and a life sentence with a minimum term of 25 years for Claire’s boyfriend, Aren Pearson.

Judge Lord Arthurson previously described the crime as “a sustained episode of feral butchery”, while paying tribute to the “dignity and restraint” shown by Claire’s family, who travelled from Canada to attend every day of proceedings.

A synopsis for the documentary reads: “From Claire’s small Canadian hometown to the windswept Shetland village where she lived in near-isolation, the documentary pieces together her final months through testimony, archive footage and investigative reporting.

“The series also follows [Claire’s father] Clint and his fiancée, Jenny, as they make an emotional journey to the island to confront their grief.”

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In a statement, Claire’s heartbroken dad, Clint, said: “My little girl was stolen from me. I’ll never get to hug her again, hear her laugh or see her smile. I’ll never see the woman she would have become. She’ll never have the chance to be a mother or grandmother, or to know the love a parent has for their child and know that is the love I have for her.”

Gary Davies, consultant editor for commissioning at 5, added: “This thoughtful series gives a deeply human account of an unimaginable tragedy. It shines a light on the justice process and honours the courage of Claire’s family as they seek truth and remembrance.”

Mark Procter, executive producer for Big Little Fish, echoed the sentiment, saying: “We are profoundly grateful to the Judicial Office for Scotland and to everyone who enabled our access to the trial.

“Above all, we are honoured that the Leveque family have entrusted us to document what happened to Claire. We hope this series serves as a respectful tribute – giving her the voice that was so cruelly taken from her.”

Trial By Jury: The Killing of Claire Leveque will be released on 5

If you’ve been affected by any of the issues raised in this story, organisations including Refuge, New Beginnings Peer Support and Women’s Aid can provide further support and information. The 24-hour, freephone National Domestic Abuse Helpline is 0808 2000 247

Louis Theroux has spoken to key male influencers on social media in the Manosphere for new Netflix project

As a concerned father-of-three, Louis Theroux has admitted he doesn’t know what his own kids are looking at online half the time. So this might explain why he has got involved with male content creators online, with millions of followers, who are part of what is dubbed “The Manosphere” for his new documentary.

Louis says: “These aren’t figures on the margins – anyone who’s got kids, and especially boys, will know that they are making inroads into the culture. Their influence is being felt in schools, in the workplace and all across the internet.

“Going back to the earliest days of my programmes I’ve always been interested in the taboo and people who believe things which run against the grain of values I’ve grown up with. Those in the manosphere embody a swaggering machismo that is by turns misogynistic, homophobic, antisemitic and racist. So there’s a whole bunch of red flags there which I find interesting.”

TV host Louis, 55, starts the Netflix documentary by saying he noticed a few years ago “parts of the internet were being taken over” by a collection of male influencers who claim to give young men “cheat codes to win at life”.

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Asked about his own sons and what they are watching, Louis replies honestly: “I think as a parent you hope that your influence will outweigh whatever they’re being fed online, but truthfully they probably spend more hours looking at their phones than they do talking to us and we don’t always know what they’re looking at.”

In his 90-minute film, Louis explores how key figures, including Harrison Sullivan (known online as HSTikkyTokky), Myron Gaines, Nicolas Kenn De Balinthazy (AKA Sneako), Justin Waller and Ed Matthews, are helping to reshape young men’s ideas about masculinity and fuelling a resurgent global men’s rights movement.

Louis immerses himself in their world, encountering prominent figures within the movement, each presenting their own interpretations of traditional gender roles and values.

Sullivan, 24, was handed a one-year suspended prison sentence at Staines Magistrates’ Court in November last year after pleading guilty to dangerous driving and driving without insurance.

He has also been disqualified from driving for two years. Asked what his message is, he tells Louis: “I coach boys how to be f**king boys, how to make money, how to be outside the system, how to not have a boss telling you want to do.

“I teach guys to be proper boys and not gimps that walk around in the modern world.”

These men online have similar ideas to those of influencer Andrew Tate, a self-proclaimed misogynist.

A 2025 YouGov poll suggested one in eight Gen Z men (aged 14-29) had a “favourable view” of Andrew Tate, one of the leading figures of the manosphere, while more than one in three believed misandry – hatred or discrimination against men – was widespread in the UK.

Sounding worried about their impact, Louis said: “It was my kids who first made me aware of Andrew Tate – it would have been around 2022 and they kept referencing him and what he was saying – I had no idea who he was. Four years later, he’s still got cultural influence because he has millions of hours of content sitting out there for people to discover.

“As a parent I’m obviously concerned about the impact that that has, and it would be easy to say; ‘oh well, they don’t take it too seriously’, which a lot of the time I think they don’t, but at a certain point, a joke is no longer a joke – especially when it’s unchallenged and repeated. So we try to stay on top of what they’re watching and try to have conversations with them about it, but it’s hard.”

Louis encounters difficulties in the film which see the male influencers film him for their own social media and subject him to abuse and questions they receive from their followers whilst streaming footage live. It leads to Louis being abused about his previous documentary with the late Jimmy Savile.

He also witnesses homophobic behaviour by HSTikkyTokky whilst Myron Gaines speaks in front of his girlfriend about wanting multiple wives in the future.

Sullivan says he would “disown” his own daughter if he had one and she joined Only Fans, despite claiming to own an agency that represents girls on there. He also says he could not have a son who was gay.

There is also much discussion in the documentary on the notion of ‘red-pilling’ which Louis explains can mean “that men and women are fundamentally different and that women don’t want what they say they want – all they actually care about is big, rich guys with big dicks.”

Asked why he thinks the manosphere is attractive to many teenagers, Louis said: “I think there’s a lot of lonely men out there, and there’s now a whole industry dedicated to them. There are millions of hours of podcasts that talk about the masculinity crisis – how we’ve seen a decline in manufacturing jobs in the west and how there’s been efforts to correct the patriarchal skew in society that has in turn triggered a backlash.”

Louis also defended his decision to make the documentary in the first place, which could be seen as amplifying potentially harmful ideologies and helping the men to get even more followers thanks to them being shown on Netflix.

For him it is a case of trying to understand and challenge the ideas which are being pushed to youngsters.

He said: “My view is always I’m not trying to embarrass them or trick them in any way. I am trying to tell the truth and I will confront them appropriately. I’m not trying to pick a fight. I’m just trying to understand them, get my questions answered and then challenge and push back on the parts that don’t make sense to me or strike me as dangerous. At the end of the day I’m trying to make TV that engages people – so a few fireworks don’t go amiss and some raised voices or a sense of menace is actually quite helpful.”

In the concluding moment of the documentary, after spending weeks with these male influencers, Louis concludes: “In a world that’s changing at dizzying speed with narrowing opportunities, where the old entitlements of manhood have been challenged. It is perhaps not surprising that some have sought the comfort of a simplified world of game hacks and conspiracy theories. It struck me that the matrix they rail against more accurately describes the algorithmic prison they’ve created for their followers, an illusion of endless wealth and power that actually only enriches a few at the top.

“We are in a world where the fringe is no longer fringe. Where we are all increasingly, inside the manosphere, and it’s up to us how we get out.”

* Louis Theroux: Inside The Manosphere is available on Netflix from March 11.

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