Charlie

‘I Love L.A.’ review: Gen Z is desperate, difficult but very watchable

Unto every generation, and fraction thereof, a sitcom is born, in which the young people of the moment state their case, self-mockingly. FX recently gave us a State of New York Youth in “Adults,” and here we are now, closer to home with “I Love L.A.,” premiering Sunday on HBO, the network of “Girls” (your guide to the 20-teens), still the most prestigious slot on linear television.

As a native of this fair city, who will never call downtown “DTLA” — let alone #DTLA — I miss the days when the rest of the country wanted nothing to do with us. (Real conversation from my life: Person: “Where are you from?” Me: “Los Angeles.” Person: “I’m sorry”). I can get a little cranky when it comes to the gentrihipsterfication of the city by succeeding hordes of newly minted Angelenos. (The place-name dropping in “I Love L.A.” includes Canyon Coffee, Courage Bagels, Jumbo’s Clown Room, Crossroads School and Erewhon.) I’m just putting my cards on the table here, as I approach characters whose generational concerns are distinct from mine, even as they belong to a venerable screen tradition, that of Making It in Hollywood, which runs back to the silent era. (The heroine of those pictures, stardom escaping her, would invariably return to the small-town boy who loved her. No more!)

Created by and starring Rachel Sennott (“Bottoms”), “I Love L.A.” takes its title from a Randy Newman song written well before Sennott or any of her co-stars were born. (To tell us where we are, as regards both HBO and the location, the series opens with a sex scene in an earthquake.) As in many such shows, there is a coterie of easily distinguishable friends at its center. Sennott plays Maia, turning 27 and in town for two years, working as an assistant to talent/brand manager Alyssa (the wonderful Leighton Meester, from “Gossip Girl,” that 2007 chronicle of youth manners) and hungry for promotion. Back into her life comes Tallulah (Odessa A’zion, the daughter of Pamela Adlon, whose throatiness she has inherited), a New York City It Girl — does any other city have It Girls in 2025? — whose It-ness has lately gone bust, as has Tallulah herself, now broke and rootless. She is one of those exhausting whirlwind personalities one might take to be on drugs, except that there are people who really do run at that speed, without speed — Holly Go-Heavily.

A man and two women cheering as they stand in a room with many ribbons tied to balloons hanging around them.

Also starring in the series are Jordan Firstman, left, True Whitaker and Odessa A’zion.

(Kenny Laubbacher / HBO)

Charlie (Jordan Firstman) is a stylist whose career depends on flattery and performative flamboyance. (“What’s the point of being nice,” he wonders, “if no one that can help me sees it?”) Alani (True Whitaker) is the daughter of a successful film director who has presumably paid for her very nice house, with its view of the Silver Lake Reservoir, and whatever she needs. (She has a title at his company even she admits is fake.) Since she wants for nothing, she’s the least stressful presence here, invested in spiritual folderol in a way that isn’t annoying. Attached to the quartet, but not really of it, is Maia’s supportive boyfriend, Dylan (Josh Hutcherson), a grade-school teacher and the only character I came close to identifying with. Do the kids still call them “normies”? Or did they ever, really?

That I find some of these people more trying than charming doesn’t prevent “I Love L.A.” from being a show I actually quite like. (The ratio of charm to annoyance may be flipped for some viewers, of course; different strokes, as we used to say back in the 1900s.) If anything, it’s a testament to Sennott and company having done their jobs well; the production is tight, the dialogue crisp, the photography rich — nothing here seems the least bit accidental. The cast is on point playing people who in real life they may not resemble at all. (My own, surely naive, much contradicted assumption is that all actors are nice.)

Desperation, in comedy, is pathetic but not tragic; indeed, it’s a pillar of the form. Maia, Tallulah and Charlie are to various degrees ruled by a need to be accepted by the successful and famous in the hope of becoming famous and successful themselves. (Alani is already set, and Dylan is almost a hippie, philosophically.) At the same time, the successful and famous come in for the harshest lampooning, including Elijah Wood, in an against-type scene reminiscent of Ricky Gervais’ “Extras.” On the other hand, Charlie’s unexpected friendship with a Christian singer he mistakes for gay is quite sweet; comedy being what it is, one half-expects the character to be taken down. Miraculously, it never happens. You can take that as a recommendation.

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Charlie Sheen’s lifelong pal Tony Todd helped rescue him from bedlam

When Charlie Sheen needed his then-13-year-old daughter taken to a hair appointment because he was too drunk to drive, he turned to his sober friend, Tony Todd.

When Sheen wanted to meet Carlos Estévez because the major league pitcher shared Sheen’s given name, he turned to his connected friend, Tony Todd.

When Sheen was in the throes of a crack addiction, fired from his starring role on “Two and a Half Men” and in need of an unwavering voice of encouragement, he turned to his non-judgmental friend Tony Todd.

“There are so many fake friends in Charlie’s life,” Todd said. “I’ve been there for him since we were little kids. The cool thing is, we’ve never had an argument.”

Thanks to the recent Netflix documentary “aka Charlie Sheen” and publication of “The Book of Sheen” memoir, Todd’s 50-year friendship with the mercurial actor has been revealed to the world. Todd’s social media accounts have since been flooded with praise from viewers far and wide.

“I had to reach out immediately to say you were and remain an angel from heaven.”

“You are the friend we would all like to have man, greetings from Spain!”

“Dear Tony, If you ever visit Istanbul, it would be our honor to host you in our hotel…. You are not only a great actor but also a true friend.”

“You … are a stellar human being [heart emoji].”

Todd and Sheen have been pals since they bonded through baseball, first on Little League fields in Malibu, then on the Santa Monica High School team, then while taking batting practice in Sheen’s posh indoor batting cage, then while putting on power-hitting displays at local high school fields and even Dodger Stadium.

Charlie Sheen and Tony Todd sit side by side on an airplane

And their friendship spread into their private lives, with Todd serving as best man at the first two of Sheen’s three marriages and serving as a drug-free wingman even when Sheen descended into a chaotic, self-destructive morass of cocaine, alcohol and reckless sex.

“There’s never been a call he hasn’t answered, there’s never been a crisis he didn’t help solve,” Sheen said in a phone interview. “Tony Todd has always been a friend, and a true one.”

The documentary “aka Charlie Sheen” is a first-person tell-all, with the narrative helped along by Sheen’s oldest brother, Ramon, childhood neighbor Sean Penn, “Two and a Half Men” co-star Jon Cryer and executive producer Chuck Lorre, drug dealer Marco Abeyta and ex-wives Denise Richards and Brooke Mueller.

And, of course, Todd. He laughs. He cries. He exudes honesty and empathy.

“He’s just one of my favorite people to have around in any situation,” Sheen said.

All of it certainly has made Todd — not to be confused with the actor of the same name who starred in “Candyman” and died a year ago — fame-adjacent.

Although he has enjoyed a career that includes acting/stuntman roles in both “Black Panther” movies and acting roles in the movie “Little Big League,” the TV show “Anger Management” and more than two dozen national commercials, Todd is best known in Santa Monica as the dude who can’t say no to volunteer fundraisers and sports a vanity license plate that reads “NVR KWT.”

Just this summer he helped raise $10,000 for Santa Monica Little League by hosting an outdoor screening of “Little Big League” and tapping into his vast contact list of pro athletes and A-list entertainers to attract silent-auction items.

And Todd was hailed as a “real hero” by authorities after he gave $700 to a family of five who had been robbed of their rent money in Lancaster in 2018. He was “so moved by the family’s story” that he jumped in his car and drove from Santa Monica to the high desert to hand-deliver the money.

His friendship with Sheen resonates with many, in part because Todd professes never to have taken a drug or a drink. Sheen, of course, was the poster man-child of substance abuse until becoming sober in December 2017, the day he relinquished his car keys to Todd to drive his daughter Sami to a hair salon appointment in Moorpark.

When Sheen was addicted to crack, Todd moved into his friend’s Mulholland Estates house in Beverly Hills. Even then, Sheen wouldn’t smoke the drug in Todd’s presence, and they often would end evenings watching MLB Network or ESPN’s “Sports Center.”

“I didn’t do hard stuff in front of him, just out of respect,” Sheen said.

Todd wept in “aka Charlie Sheen” when he explained why he continued to live with his friend knowing the actor was often smoking crack in the next room.

“I just can’t leave him to die,” he said.

Charlie Sheen and Tony Todd sit together on an outdoor sofa

Happier times occurred when they would head to a ball field to hit. Years earlier, after suffering a shoulder injury, Sheen had learned to bat left-handed, taking a hundred or so swings a day off an Iron Mike pitching machine in his indoor batting cage.

While filming a DirecTV commercial at Dodger Stadium in 2007, Sheen stepped into the batter’s box during a lunch break and crushed a pitch over the right-field wall. Todd whooped and hollered, in no small part because he had bet a Dodgers employee that his buddy would go deep.

“I knew it was going to happen because of all the [batting practice] we’d been taking,” Todd said.

Sheen also increased his strength by taking massive doses of testosterone, which he mentions in the documentary and alluded to in a 2015 interview when he said his HIV-positive diagnosis wasn’t the reason for his epic meltdown in 2011 after he was fired from “Two and a Half Men.”

“I wish I could blame it on that, but that was more of a ’roid rage,” said Sheen, who earlier had admitted he took steroids ahead of filming the 1989 hit movie “Major League,” in which he played pitcher Ricky (Wild Thing) Vaughn.

Todd had a video shot of batting sessions at Oak Park and Santa Clarita Hart high schools around 2008. Sheen hit a home run Todd estimated traveled 445 feet at Oak Park and hit a barrage of homers at Hart in the presence of Hall of Fame slugger Eddie Murray and the Hart High team.

Todd followed Sheen’s power display at Hart with a home run of his own. Todd was a talented-enough baseball and football player to earn a double scholarship to USC, although a serious injury his senior year in high school cost him the free ride.

His baseball ability landed him the role of Mickey Scales in “Little Big League” and his astonishing speed delighted Sheen even into their 40s. During one of their batting sessions at Oak Park High, Todd was challenged to a race around the bases by an onlooker.

Sheen told the man to start the race at second base while Todd started at home plate.

“By the time they rounded third, Tony had passed him, and after touching the plate he grabbed a glove and pretended to tag the guy when he reached the plate,” Sheen said, laughing.

Todd served as a baseball coach at Santa Monica High for several years, and in 2013 he lobbied for the school to award Sheen his diploma — the actor had been 1½ credits short 30 years earlier and hadn’t graduated.

Todd reached out to his friend Ross Mark, who handled bookings for “The Tonight Show With Jay Leno,” and they concocted a plan to have Sheen on as a guest and for Leno to surprise him with the diploma.

Todd walked on stage with the diploma and Sheen — who had quickly donned a cap and gown — gave him a hug, his lifelong friend having effectively smoothed over one more rough patch in his life.



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The Shooting of Charlie Kirk: When Tragedy Becomes a Political Narrative Commodity

The shooting of Charlie Kirk, a right-wing activist and founder of Turning Point USA, has attracted global attention. It didn’t take long for the media to rush to write narratives related to the shooting of Charlie Kirk. This tragedy is not only a sad news, it has transformed into a political stage that reveals the reality of how the world of news works. This, of course, raises a big question: how can a violent tragedy turn into a political conversation?

The Political Dimension of the Charlie Kirk Shooting

In a society often polarized by politics, an event is often responded to not by its substance but by who was involved in it. In this tragedy, the most widely reported information was related to Charlie Kirk’s political identity, his affiliation with Donald Trump and his close ties to conservative groups.

Violence against political figures in the United States is nothing new. However, Kirk’s case has become a turning point, demonstrating how vulnerable the public can be when political identities take precedence over human values. In its official statement on S. Res. 391, Congress honored Kirk’s commitment to the constitutional principles of civil discussion and debate among all Americans, regardless of political affiliation.

Facts about the Charlie Kirk shooting tragedy

On September 10, 2025, Charlie Kirk was shot and killed on the campus of Utah Valley University. At the time of the incident, Kirk was answering questions about transgender shooters and mass shooters at a public debate themed “Prove Me Wrong” and hosted by Turning Point USA. Panic ensued, and security officers immediately carried him out on a stretcher, but unfortunately, Kirk’s life could not be saved because the bullet hit his neck.

The FBI and Utah State Police are working together to gather evidence, release video of the alleged shooter, and even offer a $100,000 reward for information leading to the identity of the Kirk shooter. Campus CCTV footage shows a man jumping from the Losee Center building. Prior to the arrest of Tyler Robinson (the shooter), two other men were detained on the day of the shooting, but were soon released after their innocence was proven.

An affidavit of probable cause from the Utah prosecutor’s office outlines the charges and elements of the charges, one of which is the enhancement of victim-targeting related to the victim’s political views. Tyler Robinson was charged with Aggravated Murder under Section 76-5-202 (F1 Felony), Felony Discharge of Firearms under Section 76-11-210(2)(3C) and Obstruction of Justice-Capital/First Degree Felony Conduct under Section 76-8-306(2)+(3A).

The Shift from Tragedy to Narrative in Public Space

The threat of domestic violence and terrorism in the United States is driven by social, political, and global factors. A divided political environment and the proliferation of digital disinformation have fueled the radicalization of individuals, often targeting political activists, government officials, and ethnic and religious minorities.

In this context, Kirk’s shooting demonstrates how a real tragedy has become a platform for shaping public opinion. Framing Kirk’s position and the perpetrator’s position creates a polarization, with conservatives viewing the shooting as a form of silencing of the values ​​of free speech in the United States. While others view this event as a form of ideological hostility that has led to political violence, they believe it reflects extreme rhetoric. What ultimately creates two conflicting versions of the truth, so that society no longer sympathizes with the event but shifts to its ideological position.

Public Polarization and the Construction of Global Media Reality

Several media narratives also highlighted the affiliation of Tyler Robinson, a 22-year-old college student who was confirmed by the FBI as the perpetrator of Kirk’s shooting. However, public attention was no longer focused on the perpetrator’s motives, but rather on his ideological positions, social background, and political views. This further widened the gap in public polarization. Recurring narratives in the media reinforced certain images, one of which placed Tyler as affiliated with a political party. Most media outlets did not write narratives that showed the motives of the crime and the human aspects that could build public empathy. As a result, many people speculated that this was a political incident, not an ordinary shooting tragedy.

In an increasingly connected world, the line between local events and global issues is becoming increasingly blurred. The news of the Charlie Kirk tragedy has crossed borders and shaped broader debates about freedom of speech and democracy in the United States. This event has then become no longer seen as a domestic US issue but has evolved into a global reflection of narratives that are more often traded than conveying reality.

Kirk’s death should elicit empathy regardless of political affiliation or ideological views. Politics has taken over the media’s sense of humanity. Media plays a crucial role in distributing information, so it should be free from political elements that shape public opinion. When differing views are used as a source of conflict, the public sphere loses its function as a forum for discussion. Ultimately, the public can only be urged to think critically so that a tragedy is no longer used as a political commodity.

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US revokes six visas over Charlie Kirk death amid social media crackdown | Donald Trump News

The State Department says the US has ‘no obligation to host foreigners who wish death on Americans’ after revoking visas over critical social media posts.

The US Department of State says it has revoked the visas of six foreigners over remarks they made on social media about Charlie Kirk, the conservative political activist who was shot dead at a rally in September.

“The United States has no obligation to host foreigners who wish death on Americans. The State Department continues to identify visa holders who celebrated the heinous assassination of Charlie Kirk,” the department said in a post on X on Tuesday evening in the US.

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The post was followed by a list of screenshots and critical remarks from six social media accounts, which the State Department said belonged to individuals from South Africa, Mexico, Brazil, Paraguay and Mexico.

“An Argentine national said that Kirk ‘devoted his entire life spreading racist, xenophobic, misogynistic rhetoric’ and deserves to burn in hell. Visa revoked,” the State Department tweeted along with a screenshot that had the username blacked out.

The screenshot post said Kirk was now somewhere “hot” – an allusion to religious descriptions of hell.

The news from the State Department came as Kirk was posthumously awarded the Presidential Medal of Freedom on Tuesday by President Donald Trump.

Kirk, who was 31 at the time of his death, was a cofounder of the conservative Turning Point student organisation. He was credited with driving young voters to vote for Trump during last year’s US presidential election.

His death led to a wave of social media commentary on the US left and right about his politics, as Trump elevated him to the status of a “martyr for truth” during a memorial service.

More than 145 people were fired, suspended, or resigned over social media posts or comments about Kirk, according to a New York Times investigation.

US Secretary of State Marco Rubio previously said the Trump administration could revoke the visas of foreign nationals over comments on Kirk, while Deputy Secretary of State Christopher Landau urged internet users to report social media comments of people applying for US visas.

“I have been disgusted to see some on social media praising, rationalising, or making light of the event, and have directed our consular officials to undertake appropriate action,” Landau tweeted in September. “Please feel free to bring such comments by foreigners to my attention so that the [State Department] can protect the American people.”

While the State Department has required visa applicants to share their social media handles on their applications since 2019, in June, it added the provision that student applicants must make all their social media accounts public for government vetting.

The move follows a crackdown on international students who supported pro-Palestine protests on university and college campuses across the US under the Trump administration.

In August, a State Department official told Fox News it had revoked more than 6,000 student visas this year.

About two-thirds of visas were revoked because students reportedly broke US law, the Fox News report said, while “200 to 300” were cancelled because they supported “terrorism” or engaged in “behaviour such as raising funds for the militant group Hamas”.



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Trump honors Charlie Kirk with Presidential Medal of Freedom

President Trump on Tuesday posthumously awarded America’s highest civilian honor to Charlie Kirk, the slain activist who inspired a generation of young conservatives and helped push the nation’s politics further to the right.

The ceremony coincided with what would have been Kirk’s 32nd birthday. It came just over a month after the Turning Point USA founder was fatally shot while speaking to a crowd at Utah Valley University.

In a sign of Kirk’s close ties to the administration, he was the first recipient of the Presidential Medal of Freedom in Trump’s second term. The president also spoke at at Kirk’s funeral in September, calling him a “great American hero” and “martyr” for freedom, while Vice President JD Vance accompanied his body home to Arizona on Air Force Two along with Kirk’s widow, Erika.

“We’re here to honor and remember a fearless warrior for liberty, beloved leader who galvanized the next generation like nobody I’ve ever seen before, and an American patriot of the deepest conviction, the finest quality and the highest caliber,” Trump said Tuesday afternoon.

Of Kirk’s killing, Trump said: “He was assassinated in the prime of his life for boldly speaking the truth, for living his faith and relentless fighting for a better and stronger America.”

The Presidential Medal of Freedom was established by President Kennedy in 1963 for individuals making exceptional contributions to the country’s security or national interests or to world peace, or being responsible for significant cultural endeavors or public and private initiatives.

Tuesday’s event followed Trump returning to the U.S. in the predawn hours after a whirlwind trip to Israel and Egypt to celebrate a ceasefire agreement in Israel’s war with Hamas in Gaza that his administration was instrumental in brokering.

Trump joked that he almost requested to move the ceremony because of the trip.

“I raced back halfway around the globe,” Trump said. “I was going to call Erika and say, ‘Erika, could you maybe move it to Friday? And I didn’t have the courage to call. But you know why I didn’t call? Because I heard today was Charlie’s birthday.”

Argentine President Javier Milei, who had been visiting with the president at the White House earlier, stayed to attend the ceremony.

Trump has awarded a string of presidential medals going back to his first term, including to golf legend Tiger Woods, ex-football coach Lou Holtz and conservative economist Arthur Laffer, as well as to New York Yankees Hall of Fame pitcher Mariano Rivera and conservative radio host Rush Limbaugh, the latter of which came during the 2020 State of the Union. He awarded posthumous medals to Babe Ruth and Elvis.

This term, Trump has also announced his intentions to award the medals to Rudolph W. Giuliani, the former New York City mayor and a close former advisor, and to Ben Carson, who served as Trump’s first-term secretary of Housing and Urban Development.

Kirk founded Turning Point USA in 2012. Trump has praised Kirk as one of the key reasons he was reelected.

But Kirk’s politics were also often divisive. He sharply criticized gay and transgender rights while inflaming racial tensions. Kirk also repeated Trump’s false claims that former Vice President Kamala Harris was responsible for policies that encouraged immigrants to come to the U.S. illegally and called George Floyd, a Black man whose killing by a Minneapolis police officer sparked a national debate over racial injustice, a “scumbag.”

Trump wrote in a social media post hours before the event that he was moving the ceremony from the White House’s East Room to the Rose Garden to accommodate a crowd he said would be “so big and enthusiastic.”

Weissert writes for the Associated Press.

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