Chalamet

TIMOTHÉE Chalamet’s painful Oscars experience was made worse by love rival Travis Scott cheering for Michael B. Jordan, a source close to the star told The U.S. Sun.

Chalamet endured a brutal Academy Awards, from being roasted by host Conan O’Brien to missing out on a career-defining award.

O’Brien targeted the Willy Wonka actor over his scathing remarks about opera and ballet, which had sparked global criticism and threatens to end his partnership with Cartier.

Chalamet said last month in a CNN town hall with Matthew McConaughey that “no one cares” about either artform, with one Academy insider labelling him as “arrogant.”

The night, however, reportedly worsened when controversial rapper Scott — girlfriend Kylie Jenner’s ex and father of her two children — openly supported Jordan, who beat Chalamet in the Best Actor category.

The insider said the 30-year-old was “shaken” after Marty Supreme failed to win any of its nine nominations.

While he was happy for Jordan, who impressed judges with his dual role in Sinners, Chalamet struggled to hide his disappointment, and his tension with Scott reportedly hit an “all-time low.”

“Travis’s support for Michael B. Jordan was seen as a direct snub, and it’s clear he has little respect for Timothée’s talent,” the source said. “While he isn’t confrontational, their relationship has grown colder than ever.”

Chalamet was, according to the insider, withdrawn throughout the evening, leaving the after-party earlier than usual.

Another source also told The U.S. Sun that the couple even walked out of the Oscars ceremony for an hour, leaving seat fillers in their spot.

People close to him said he leaned heavily on Jenner for comfort, appearing so reliant that she sometimes seemed overwhelmed.

It has been a dispiriting awards season for Chalamet.

Last month at the 2026 BAFTA Film Awards in London, he was nominated for Best Actor for Marty Supreme but lost to Robert Aramayo for his performance in I Swear.

Marty Supreme, which tells the true story of a table tennis player in the 1940s, went home empty-handed despite nine nominations.

Sources said Chalamet left the BAFTA ceremony visibly deflated, struggling to enjoy himself despite efforts from Jenner and his friends.

“Going home with nothing in London deeply bruised his ego, though he will certainly learn from the experiences of the last few months.

“He never truly settled into the vibe of the ceremony; his mood was tense and stressed, and he struggled to enjoy himself.”

It wasn’t just host O’Brien laughing at him, either.

Another roast came from Alexandre Singh, who accepted the award for Best Short Film (a tie between The Singers and Two People Exchanging Saliva) and addressed Chalamet’s ballet comments.

“Maybe it takes ten years’ time, but we can change people’s lives through art, through creativity — through theatre and ballet — and also cinema,” Singh said after collecting his award.

The insider said the energy throughout the night was tense, with Jenner’s behavior described as almost maternal.

“The atmosphere was strange for everyone involved. Kylie has become his primary safe space, to the point where those around him feel she is essentially babysitting him.

What did Timothee Chalamet say about ballet and opera? Oscars controversy explained

Timothée Chalamet has sparked a heated cultural debate following comments made at a CNN and Variety Town Hall on February 21, 2026.

Speaking alongside Matthew McConaughey about needing “draws” to pull in an audience to his movies, Chalamet made harsh comments about industries he claimed feel forced to stay afloat.

“I don’t want to be working in ballet or opera… where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore,’” he said.

The remarks mirror sentiments Chalamet expressed as early as 2019 during a promotional event for The King, where he labeled the disciplines “dying art forms.”

The Royal Ballet and Opera issued a formal rebuttal, emphasizing that these art forms do not exist in isolation but rather “inform, inspire, and elevate” the broader cultural landscape, including the film industry itself.

“It is a bizarre dynamic; while she seems to embrace her influence over him, it often feels like she is acting as a maternal figure rather than a partner, which many find frustrating to witness.”

Sources said the Oscars provided Chalamet a reality check when he faced fellow nominees Jordan and Brazilian actor Wagner Moura.

Friends have advised him to adopt a more mature public persona, projecting confidence rather than appearing like a “young boy with a high school girlfriend.”

“The gap in maturity was obvious,” the insider said. “He’s been told multiple times he needs to project more maturity to be taken seriously as a leading man.”

Chalamet now plans to put the disappointment behind him by going on vacation, attending some NBA games, and “reconnecting with himself” before returning to work.

OSCARS host Conan O’Brien has taken a dig at Timothee Chalamet in his opening speech after the actor’s controversial comments about the arts.

The Marty Supreme star found himself facing serious backlash after claiming “no one cares” about opera or ballet.

Conan, 62, kicked off the Oscars with a dig at Timothee, 30, as he smiled and laughed next to girlfriend Kylie Jenner, who arrived at the show dressed to the nines in a slinky red gown.

He joked about heightened security amid ongoing uncertainty in the world, pointing to an unexpected source of tension.

The former late night TV host quipped: “Security is extremely tight tonight…I’m told theres concerns about attacks from both the opera and ballet communities.”

He looked down at Timothee, who was giggling slightly.

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Kylie, 28, shifted slightly in her seat, smiling although she looked slightly uncomfortable.

Conan then added: “They are just mad you left out jazz!”

Later in the show, the Conan O’Brien Needs a Friend host circled back with Timothee, seemingly trying to smooth things over.

“I’m vibing with Timothee right now, we’re vibing, right?!” he asked, looking down at the Willy Wonka actor.

The camera did not pan to the star, but it doesn’t seem like he was feeling the same vibe.

Conan added: “He doesn’t think so, alright!”

At this point, Timothee must be somewhat used to the blowback.

He’s been taking heat for his comment for days now.

The Oscar-nominee was chatting with Matthew McConaughey at the University of Texas about efforts to preserve cinema back in February.

“I don’t want to be working in ballet, or opera, or things where it’s like, ‘Hey, keep this thing alive, even though like no one cares about this anymore’,” he said.

“All respect to all the ballet and opera people out there,” he added.

Since then, he’s taken heat from ballet and opera stars, as well as other big figures in Hollywood.

Steven Spielberg, for example, disagreed vehemently.

According to Page Six, he said of the arts during a 2026 SXSW panel: “At the end of a really good movie experience, we are all united with a whole bunch of feelings that we walks into the daylight with, or into the nighttime with.

Biggest Oscar Nominees of 2026 Academy Awards

Everyone in Hollywood hopes to snag a nod on the industry’s biggest night but only few get that honor. Here are the nominees from the major categories of the 2026 Academy Awards:

Best Picture

• Bugonia
• F1
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams

Best Director

• Chloé Zhao — Hamnet
• Josh Safdie — Marty Supreme
• Paul Thomas Anderson — One Battle After Another
• Joachim Trier — Sentimental Value
• Ryan Coogler — Sinners

Best Actor (Leading Role)

• Timothée Chalamet — Marty Supreme
• Leonardo DiCaprio — One Battle After Another
• Ethan Hawke — Blue Moon
• Michael B. Jordan — Sinners
• Wagner Moura — The Secret Agent

Best Actress (Leading Role)

• Jessie Buckley — Hamnet
• Rose Byrne — If I Had Legs I’d Kick You
• Renate Reinsve — Sentimental Value
• Emma Stone — Bugonia
• Kate Hudson — Song Sung Blue

Best Supporting Actor

• Benicio Del Toro — One Battle After Another
• Jacob Elordi — Frankenstein
• Delroy Lindo — Sinners
• Sean Penn — One Battle After Another
• Stellan Skarsgård — Sentimental Value

Best Supporting Actress

• Teyana Taylor — One Battle After Another
• Wunmi Mosaku — Sinners
• Amy Madigan — Weapons
• Elle Fanning — Sentimental Value
• Inga Ibsdotter Lilleaas — Sentimental Value

Best Original Screenplay

• Bugonia — Yorgos Lanthimos & Will Tracy
• Marty Supreme — Josh Safdie & Ronald Bronstein
• One Battle After Another — Paul Thomas Anderson
• Sentimental Value — Joachim Trier & Eskil Vogt
• Sinners — Ryan Coogler

Best Adapted Screenplay

• Blue Moon — Richard Linklater & Glen Powell
• Frankenstein — Guillermo del Toro
• Hamnet — Chloé Zhao
• The Secret Agent — Kleber Mendonça Filho
• Train Dreams — Clint Bentley & Greg Kwedar

Best Animated Feature

• Arco
• KPop Demon Hunters
• The Magnificent Life of Marcel Pagnol
• Zootopia 2
• The Night Gardener

Best International Feature Film

• The Secret Agent — Brazil
• Sentimental Value — Norway
• It Was Just an Accident — Iran
• Universal Language — Canada
• Sujo — Mexico

Best Documentary Feature

• The Alabama Solution
• Come See Me in the Good Light
• Four Daughters
• No Other Land
• The Perfect Neighbor

“And there’s nothing like that. It happens in movies, and in concerts. And it happens in ballet and opera, by the way.”

Timothee is nominated for two Oscars during the 2026 awards show.

He’s up for Best Actor for his role in Marty Supreme and Best Picture.

He will be up against Michael B. Jordan in Sinners; Leonardo DeCaprio in One Battle After Another; Wagner Moura in The Secret Agent; and Ethan Hawke in Blue Moon in the Best Actor category.

In Best Picture, Timothee is up against The Secret Agent, Bugonia, Train Dreams, F1, and Sinners.

Christopher Nolan gave him a noogie.

Denis Villeneuve wore his movie’s swag.

Elle Fanning looked into the future and saw him winning the Oscar.

Is there anyone out there who doesn’t love Timothée Chalamet? I mean, besides the old-timer Oscar voter who recently told me he doesn’t like the young man’s “shenanigans.”

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Calico Mine Ride or Timber Mountain Log Ride? That’s a 1A / 1B ranking decision. It all depends if I’ve just eaten a slice of boysenberry pie.

Now … back to Timothée …

Did you catch any of the screenings during the American Cinematheque’s recent eight-film retrospective celebrating Chalamet’s career? Or perhaps you landed at the motion picture academy’s Samuel L. Goldwyn Theater on Monday when Chalamet was mobbed following a Q&A after a showing of “Marty Supreme” for guild voters.

If you witnessed a moment during this weeklong celebration — this Chalamania, if you will — you saw a young man whose talent as an actor is matched only by his genius at promotion.

You probably also came away knowing what has been a foregone conclusion since “Marty Supreme” opened in December: Chalamet is winning the Oscar for best actor.

And yet, there has been a lot of postulating that maybe one of the other nominated actors — Leonardo DiCaprio (“One Battle After Another”), Michael B. Jordan (“Sinners”), Ethan Hawke (“Blue Moon”) and Wagner Moura (“The Secret Agent”) — has a chance. You know … if things fall just the right way, there’s a path!

I get it. This year’s awards season has felt endless, and the Oscars are still more than three weeks away. Stories must be written, possibilities explored, no matter how remote.

But c’mon. Chalamet has this Oscar locked, just like “Hamnet” lead Jessie Buckley has owned the lead actress trophy since her movie premiered at Telluride in September. Admittedly, the lack of drama isn’t fun or exciting. Pine for an upset if you must, though it might be more fun to just surrender and celebrate Chalamet, a gifted actor and certified movie star who has stockpiled a remarkable body of work over the last decade.

This isn’t to say that you can’t make the case about who should win. DiCaprio continues to be one of our great comic actors and deserves attention just for the master class in phone acting he gives in “One Battle.” Moura carries “The Secret Agent” with an intense, brooding charisma that, one year shy of his 50th birthday, should push him to even greater recognition. Playing the desperate, despairing lyricist Lorenz Hart, Hawke empties his soul and his vocabulary, venting his way through the entirety of “Blue Moon.” And Jordan connects on the biggest swing of his career, playing twin brothers in “Sinners.”

So why is Chalamet winning in a walk? It’s a process of elimination. DiCaprio and Jordan are out as “Sinners” and “One Battle After Another” are ensemble films. (Even with the dual roles, Jordan is only in half the movie.) Moura’s work in “The Secret Agent” is sublime, but the Oscars rarely reward subtle acting. (This is a category that has gone to Rami Malek in “Bohemian Rhapsody,” Brendan Fraser in “The Whale” and Joaquin Phoenix in “Joker” in recent years.) And Hawke’s nomination is but one of two for “Blue Moon.” Not enough. Even the execrable “The Whale” managed three.

Chalamet already won the Golden Globe for performance by a male actor in a motion picture musical or comedy for “Marty Supreme.” Our columnist predicts an Oscar is next.

(Allen J. Schaben / Los Angeles Times)

Meanwhile, Chalamet is Marty Supreme, the undeniably talented, relentless self-promoter careening toward his goals of fame and fortune with little regard to the damage he is inflicting on others. (That’s Marty, not Timothée.) Marty’s despicable, but also, as played by Chalamet, winningly charming.

No, you’re not supposed to like the guy, which, for voters who, say, blanched at supporting DiCaprio in “The Wolf of Wall Street,” might be a problem. But the academy has changed a lot since Scorsese’s wildly entertaining movie screened for academy members at the Goldwyn and an unnamed screenwriter, seeing Scorsese, DiCaprio, Jonah Hill and writer Terence Winter emerging from an elevator afterward, ran over to them and started screaming, “Shame on you!”

It’s true that not everyone embraces the anxiety-inducing cinema that is the brand of “Marty Supreme” co-writer and director Josh Safdie. Not everyone embraces Safdie himself, after a noisy tabloid story resurfaced allegations of a toxic work environment on the set of the 2017 film “Good Time,” which Safdie directed with his brother, Benny.

But that has nothing to do with Chalamet, who did not work on the movie, or his ferocious, frenetic work in “Marty Supreme.” The biggest knocks against Chalamet seem to be the unorthodox ways he goes about promoting his movie (and himself) and his age (he just turned 30). Historically, the lead actor Oscar goes to men with a few more miles on the odometer. Adrien Brody is the youngest winner, taking the trophy in 2003 for “The Pianist” when he was 29.

But, as noted earlier, things have changed since the film academy began greatly expanding its membership over the past decade. This new academy gave its best picture and three acting prizes to “Everything Everywhere All at Once,” a bonkers movie that embraced chaos, fingers made of hot dogs and sex toys used as weapons. The new academy just crowned indie auteur Sean Baker king of the world for “Anora,” a Cinderella story about a stripper and a Prince Charming who knows where to score the best ketamine in Vegas.

You think these voters are going to care that Chalamet hasn’t “paid his dues,” an idea that’s patently silly on its surface anyway as this is his third Oscar nomination? He’s the youngest actor to earn three Oscar nominations since Marlon Brando did it, at age 30, in 1954.

By the way, Brando won the Oscar that year for “On the Waterfront.”

Chalamet has got this.