castle

The Magic Castle is getting in on the theme park game.

The famed Hollywood institution is teaming up with Knott’s Berry Farm for its after-hours Halloween event, Knott’s Scary Farm, now in its 53rd year. The Magic Castle will supply the artists and show direction for a production that is expected to run nightly in the park’s recently refurbished Bird Cage Theatre.

The theme park initially reached out to the Magic Castle last year, says Payden Adams, vice president of entertainment for Knott’s Berry Farm, but the castle was in the middle of a leadership reorganization at the time. With that completed, a partnership could finally begin.

“It is just astounding what they’ve done with the Bird Cage Theatre,” says Jessica Hopkins, granddaughter of castle pioneers Bill and Irene Larsen and the castle’s chief operating officer. “Magic Castle magicians have been performing in there for decades. It just felt right.”

The magic shows will take place at the park’s recently refurbished Bird Cage Theatre.

(Kyusung Gong / For The Times)

Curating Knott’s magic show will be Rudy Coby, a resident magician at the Magic Castle. Coby performed at Knott’s about 35 years ago and credits the park in helping him get his start. He says the new show, “Occultum,” will vary by week with different performers lined up throughout the Halloween season. Knott’s Scary Farm begins Sept. 17.

And yet, says Coby, “Not every magician is for this audience.” So what’s the differentiating factor for a Halloween magic show?

“It’s a little more edgy,” Coby says. “You really have to grab their attention. It’s the TikTok generation.”

Some of the illusions Coby says he will bring to Knott’s Scary Farm would be “too intense for the Magic Castle.”

“The ideas I’ve had, with chainsaws and cutting off my limbs, I couldn’t get away with at the Magic Castle,” he says.

“But you can here,” says Hopkins.

The Magic Castle-headlined show is not the only new addition to Scary Farm in 2026. Here are two other reasons I’m looking forward to the event.

Inked: A new maze with killer vintage cartoons

Concept art for the new Knott’s Scary Farm maze, Inked.

(Knott’s Berry Farm)

One of the two new mazes coming to Knott’s Scary Farm will rely heavily on black-and-white, vintage-style animation. Inked, as it’s called, will be set in the 1930s, and was introduced at a media event with a song-and-dance production that recalled Disney’s classic Silly Symphony “The Skeleton Dance.”

The story centers on Mortimer Morbid, a deadbeat, down-on-his-luck animator whose career changes — not necessarily for the better — when it’s discovered his blood can bring his drawings to life. Of course, cartoons infused with blood don’t have the most altruistic desires.

Inked designer Daniel Miller says the maze took two years to create, largely because Knott’s conceived the animation for the walk-through in-house with a team of four. Most every room in the haunted house is expected to feature original media, as the animated creations will be represented both in their cartoon form and as costumed characters.

And it’ll be gruesome.

“We kind of geared it around the notion that they’re bloodthirsty,” Miller says of the killer ‘toons. “We see all the animators in various stages of disembowelment.”

Sheesh. Animators have it hard enough today already.

Expect the unexpected with ‘Voodoo: Bayou’s Edge’ and Unearthed

Concept art for Unearthed, a new Knott’s Scary Farm maze.

(Knott’s Berry Farm)

Knott’s Scary Farm, unlike its main SoCal competitor, doesn’t rely on known film and television properties. That means the event can generally get a little … weirder. You see that in its mazes, as noted above, as well as in its theatrical productions. Also new this year is a show titled “Voodoo: Bayou’s Edge,” which takes place on an outdoor stage. The production centers on a voodoo queen and the mysterious happenings in a cemetery. Knott’s is pitching it as a music, dance-focused show.

And while voodoo can potentially be a culturally sensitive subject to tackle in a theme park, the show comes from the mind of the respected Rovin Jay, who has long been closely involved in the park’s spectacular “Ghost Town Alive!” Expect “big dance numbers” and something “really sexy,” says Adams.

Another new maze, Unearthed, will be set in the present day but takes its cues from films such as “Raiders of the Lost Ark” and “The Mummy” as it deals with a supernatural archaeological dig. Maze designer Jon Asperin says it will have numerous interactive elements, such as effects triggered by guests pulling a lever.

“Having the ability to come up with original stories lets us tap into the nerd in all of us,” says Asperin. “We don’t feel restricted by certain IP or things that may not be appropriate. We get a chance to challenge ourselves with trying out new things that some folks won’t take a risk on.”

This week in SoCal theme parks

The Disneyland attraction Mad Tea Party as it was under construction just months before the park opened. The image is from the documentary “Disneyland Handcrafted.”

(Disney+)

• A must–see Disney history event. Nonprofit creative institution Ryman Arts, in partnership with Santa Ana’s Bowers Museum, will host a talk and cocktail reception centered around a screening of Leslie Iwerks’ documentary “Disneyland Handcrafted” on Sept. 27. It’s a charity event, and a good one, as the panel lineup is top notch. Historian and author Tim O’Day will moderate a talk that includes the film’s producer, Mark Catalena, former Imagineer-turned-historian Tom Morris and current Imagineer Emily “Emo” O’Brien, who oversees creative at Disneyland and is leading the team behind the just-announced makeover of Tomorrowland. Don’t expect any insights on the latter, of course, but do anticipate a lively talk on the evolution of Disneyland. Tickets start at $125 and are on sale now.
• Stay seated on Tiana’s — or else. Disneyland has updated signage around Tiana’s Bayou Adventure, warning guests that they will be removed from the park if they stand up while on the log-flume adventure, reported Times writer Hannah Fry. The changes come less than two months after a 13-year-old boy climbed out of a log flume and fell 50 feet.
• Exciting Disneyland construction news. Big changes are coming to Disneyland, and while many are years away, the positive sign is that the park is wasting no time in getting started. There are now indications of construction in Disneyland’s esplanade between its two parks. This will pave the way for a new parking garage, of which groundbreaking has just begun, as well an entrance experience on the eastern side of the resort. This is the first of many steps, but one that must be completed before Disney begins its wider expansion that could bring attractions such as “Avatar” to the resort.

Ride report

A photo of the Haunted Mansion’s new gingerbread house, as snapped from my ride vehicle.

(Todd Martens / Los Angeles Times)

Merry Christmas! Yes, that’s right, as the Haunted Mansion has been given a Christmas-heavy makeover, as always focused on “Tim Burton’s The Nightmare Before Christmas.” (And yes, before the debate begins, it’s clearly a Christmas movie.) While I prefer the original Haunted Mansion, there are plenty of fun and clever details in the seasonal makeover that still make it a must-experience attraction. The attic scene, for instance, is full of clever nods to Disney history, including a Rolly Crump-inspired melting candelabra man. Each year I wonder if what I’m seeing is brand new, or was always there, such as what appeared to be a tiny bride figurine.

But one change is guaranteed: Each season Disneyland’s team concocts a new gingerbread house for the ballroom diorama. This year’s edition is a giant, candy-infused music box-like creation, which gradually opens as guests glide past it and a skeleton pops out. The concoction is designed in the shape of the Haunted Mansion itself, so it’s a little mansion-within-a-mansion. And, bonus, the room smells like gingerbread.

The best thing I ate at the parks this week

The delicious pumpkin cookie from Disneyland’s Harbour Galley.

(Todd Martens / Los Angeles Times)

I love a cookie, and Disneyland’s Harbour Galley has the best one on the property this Halloween season with its pumpkin creation. They’re small-ish — three or four bites — but come in packs of 6 ($8.49) or 13 ($14.49). They’re soft, slightly chewy and addictive. I love it when I get a little brown sugar crystal in my mouthful. The pumpkin flavor isn’t overpowering. It’s closer to a ginger snap than it is a slice of pumpkin pie, meaning it has just the right balance of sugar and spice. It‘s also, it should be noted, one of the best values at the resort for a dessert item. I get a pack of 13 and have breakfast for a week.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

The Walt Disney Co. stated that it will soon reimagine Disneyland’s Tomorrowland at its fan convention D23. The move has been one fans have long clamored for.

(Todd Martens / Los Angeles Times)

The topic consuming most Disneyland fans for the next few years will be the Tomorrowland reimagining. The project is just getting started, and I’ll refrain from offering a wishlist. Let the Imagineers do their work, I say, although I consider all of it, save for the monorail and Space Mountain, on the table. Gut it. Start over. But reader Peter La Barba of Long Beach wrote in with a request that I wouldn’t disapprove of.

“Whatever they do, I hope they restore the two Mary Blair murals that were in Tomorrowland,” La Barba wrote. “I’d like to see optimism restored to Tomorrowland. I was about 3 or 4 when we went to the park in August of 1955 and I wanted to live in that future. Not the incessant war future of ‘Star Wars.’”

Hear, hear. The murals of animator/fine artist Blair were a wonder, full of children of the world in celebration mode. Flying contraptions! Communication devices! Satellites! Planets! I don’t have an image safe to use, so head over to Disney history site Yesterland for a look. The two murals lasted until the ’80s and ’90s, and replacing them was a mistake that’s only looked more shortsighted over time. As Blair’s work continues to grow in stature, who needs another “Star Wars” painting?

Israeli forces struck near Beaufort Castle in southern Lebanon. The military said it used 700 tonnes of explosives to destroy parts of a Hezbollah tunnel network. Israel agreed in June to a phased withdrawal from Lebanon, and have the Lebanese military handle disarming Hezbollah.

YOU will soon be able to stay in luxury cabins right by a 17th century castle.

Crossbasket Castle, around 10 miles from Glasgow, is already home to a luxury castle – but new plans have revealed 12 additional cabins.

The cabins will be right on the banks of the River Calder, which is a short walk from the castle itself.

Each cabin can host up to four people, with a double bed and a sofa bed.

The cabins also have bathrooms found on the enclosed balconies, with freestanding copper bathtubs.

For breakfast, guests need to head to Foveran’s atrium, where they can grab a range of breakfast items including a breakfast grill, charcuterie and pastries.

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When it comes to grabbing something in the evening, guests can head to the hotel’s restaurant, Trocadero’s.

The cabins will welcome guests from the beginning of October, with a one-night stay including breakfast costing from £295.

In addition to the lodges, the hotel will also get a new spa – Four Angels Spa.

Due to open in the autumn, the spa will have four treatment rooms, ‘immersive experience showers’, a sauna, a steam room and heated loungers.

Products used in the spa will also be sourced locally, from the Isle of Harris.

Crossbasket Castle dates back to the 15th century and at one point was even owned by Charles Macintosh, the inventor of the raincoat.

It was then purchased by Alison and Steve Timoney in 2011, who spent £10million on restoring the castle for it to reopen in 2016 as a five-star hotel.

Alison Timoney, owner of Crossbasket Castle, said: “From the outset, our vision has been to create an experience that goes beyond traditional luxury hospitality.

“The introduction of the Four Angels Spa and Crossbasket Cabins further enhances our vision for the overall estate, offering guests a place to fully immerse themselves in the beauty of our surroundings whilst enjoying a moment of calmness and relaxation.”

The Israeli Army has released footage of what it says are hidden tunnels under Lebanon’s historic Beaufort Castle, where it says Hezbollah’s command centres were housed. Israeli soldiers recaptured the 900-year-old fortress in June.

A HISTORIC UK castle is set to be transformed into a major visitor attraction.

The Grade II-listed building is undergoing significant work to revitalise the site.

Haverfordwest Castle, in Pembrokeshire, will soon become a “flagship” tourist destination as the medieval fortress undergoes a multi-million renovation.

The 2,000-year-old castle, which dates back to as early as 1120, has already received a full replacement of its two-level roof structure and the building’s core foundations have now been stabilised.

The £15million redevelopment will also include a new café, a shop with a range of hand-crafted and local products, free-to-access grounds, community spaces and an outdoor events area with 500-seat capacity.

Once reopened, the site will also be capable of hosting an open-air theatre, crafts fairs and Christmas markets.

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The gaol building will also be transformed into a family-friendly visitor attraction detailing the story of Pembrokeshire’s past, and the existing museum exhibition will be modernised.

Other important works currently underway include strengthening and repairing the castle’s original walls, landscaping the area, making accessible footpaths and removing any non-protected debris.

The renovation is set to be completed by next summer, with the castle fully reopening in 2028.

Pembrokshire county councillor, Thomas Tudor, said: “Haverfordwest Castle is without doubt the jewel in the crown for the County Town of Pembrokeshire, and I am so pleased that the redevelopment of the castle is gaining momentum. 

“It’s brilliant news that Morgan Sindall Construction has reached a key milestone in the £15m project to rejuvenate Haverfordwest Castle with the new roof now in place. The future is looking very positive for Haverfordwest, which can be enjoyed by tourists and residents alike.”

Haverfordwest Castle was established during Norman times – with the main structure largely built by 1290 – as an English military stronghold to assert control over Wales.

An estimated 40,000 annual visitors are projected to visit the site once works are completed.

The “overlooked” town has been named one of the top places to visit in the UK for 2026, crowning the historic Cotswolds town ahead of overrun tourist hotspots like Bibury and Bourton-on-the-Water

The best place to visit in the Cotswolds has been revealed – and it’s not the usual suspects like Chipping Campden, Bibury or Bourton-on-the-Water.

There’s an abundance of stunning beauty spots scattered across the UK, with rugged landscapes, peaceful golden beaches, vibrant and quirky towns, craggy rocks and cliffs, vast woodlands, rolling green hills, and plenty more besides.

For a relatively small country, there’s a rich variety of diverse destinations to pick from – whether you fancy exploring the peaceful glacial lakes and fells of the Lake District, or the seemingly endless dramatic coastlines of Scotland, the history and intrigue of sites like the Mourne Wall in Northern Ireland, or the impressive peaks of Eryri/Snowdonia in Wales; there’s no shortage of choices.

This is equally true when it comes to the varied towns scattered throughout the UK, from sleepy fishing villages and bustling market towns, to picturesque places that offer a glimpse into the past, and much more.

If you’re keen to embark on a “staycation” in the UK and feel overwhelmed at the prospect of deciding where to go, you’re in luck.

Time Out has issued a round-up of “the best places to go in the UK in 2026” – and a Gloucestershire town has made the cut. Widely celebrated as the “Capital of the Cotswolds”, the historic market town of Cirencester has claimed fifth place on a national list.

Time Out said: “When it comes to ‘where to travel in the UK’, you might think the Cotswolds has been done to death. Actually, it hasn’t. In fact, only teeny tiny portions of the region tend to get all the love.”

The publication described Cirencester as “often-overlooked” and championed the town – the largest in the region – for being “much better equipped for tourism” than overcrowded destinations such as Bibury.

Cirencester boasts a seamless fusion of Roman heritage with a vibrant independent shopping scene – particularly within the historic Corn Hall and Arcade – alongside stunning green spaces, including Cirencester Park. Home to the 9th Earl and Countess Bathurst, the park is a haven for deer and horses alike.

History enthusiasts will be in their element at the award-winning Corinium Museum, which houses an impressive Roman collection; “one of the largest collections of Romano-British antiquities extensively from Corinium”.

Featuring mosaics, sculptures, coins and much more, the fully accessible venue also includes a gift shop, café, and the Cirencester Visitor Information Centre.

The town is equally well-stocked with stunning historic buildings and characterful pubs that are well worth exploring.

Of summer visits, Time Out noted: “Heading here in summer? Go for a dip in the Cirencester Open Air Swimming Pool, a beautiful old spot for a swim surrounded by old buildings.

“It’s a slice of history all by itself – around since 1869, making it one of the oldest in the country.”

“I’M still the same person as the 15-year-old me,” decides Blur guitarist Graham Coxon.

“Still a romantic idiot, still reasonably innocent — and I think that’s a healthy way to be,” he continues.

“I don’t want to be a cynical old bastard, so I’m lucky I still have a magical outlook on life.”

I’m talking to Coxon, 57, about his “lost” solo album, Castle Park, which is finally set to come blinking into the sunlight.

The product of sessions which took place in the winter of 2011, it is named after his teenage stomping ground in the centre of Colchester — an affirmation of that younger “same person” self.

In a wider sense, it serves as a nod to his Essex hometown — a city since 2022 — where he attended Stanway School, met Damon Albarn and where, in 1988, they formed Blur with Dave Rowntree and Alex James.

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It was there, too, that his band leader and clarinet-playing dad introduced him to music, namely, “the Bs — Beethoven and The Beatles”.

The album cover resembles a classic picture postcard, divided into quarters and depicting scenes from the park with its vast Norman castle and an ornate Victorian bandstand.

Coxon says: “There were a few occasions when me and a group of friends would stay in the park rather too long, get locked in and have to climb over the fence.

“I remember being slightly inebriated and dancing around the bandstand — and then, of course, there was the statue.”

He’s referring to the imposing bronze Angel Of Victory which stands atop the Colchester War Memorial at the southern entrance to Castle Park.

“I had some dangerous moments when I climbed up and gave that statue a kiss,” he admits. “I used to do it regularly — she was very beautiful.”

If that fearless act of youthful exuberance was an example of Coxon’s romantic nature, it’s clear that he carried it forward to the album that was shelved until now.

“It comes through,” he agrees, “even though there are songs about getting dumped.

“There’s a lot of processing my own romanticism on that album, but not in a heavy way.

“It’s reasonably light-hearted for the first half at least, even if it takes a tumble down to the most depressing song I’ve ever written [album closer All The Rage]. But that’s life, isn’t it?”

Looking back at ten tracks of “romance, break-ups, heartache and alienation”, he says: “When I was writing them, I was in a very problematic situation emotionally. Somehow, songs have a way of describing your situation more succinctly than whatever is going through your mind.”

In 2026, I’m happy to report that Coxon is in a much better place. It’s 10am when I’m connected via video call to the home he shares with partner and bandmate in The Waeve, Rose Elinor Dougall, and their daughter.

“You’ve got me before my brains kick in,” he warns me, but he soon warms to the task of talking about his music outside of Blur.

Aside from the imminent release of Castle Park, this year sees reissues of Coxon’s back catalogue, beginning with his debut album The Sky Is Too High (1998) and its follow-up, The Golden D (2000).

He’s also working on the third Waeve album with Rose, which he describes as “a lot less hard-edged” than 2024’s City Lights.

“It’s more floaty and summery,” he reveals, before reaffirming his romantic credentials.

“Lyrically, there’s a lot more affection. Rose and I go through life together and, sometimes, saying things in lyrics is the nicest way to show affection away from our normal hectic lives.”

But it is his “lost” Castle Park, with lyricism and songcraft as assured as anything in his solo repertoire, that we are focusing on. So, how come the album joined a legendary list that includes The Who’s Lifehouse and The Beach Boys’ Smile by lying dormant for years?

Coxon casts his mind back to 2011 when he headed to The Pool studios in Bermondsey with Ben Hillier, co-producer of Blur’s 2003 album Think Tank (made without Graham except for one track) and engineer on The Golden D.

He says: “It was really odd because I recorded 20 songs and ten of them became A&E [released in 2012], which was based around improvised bass lines.

“The other ten were weirdly different — more trad indie, jingle-jangly, with a bit of Sixties influence.”

Those songs, you may have guessed, were earmarked for Castle Park.

Speaking of parks, Coxon had form thanks to Parklife, Blur’s immortal hit with lyrics by Damon Albarn and music by the whole band, not to mention a vocal masterclass from Phil Daniels.

Despite a widely held belief, the song wasn’t inspired by Castle Park but, as Albarn once explained, by London’s Hyde Park where he used “to watch people and pigeons”.

It seems as if the Britpop icons’ 2012 reunion, which included a momentous Hyde Park show to mark the end of the Olympics, is the chief reason why Coxon’s next album didn’t appear.

That rapturously received performance led to Blur’s run of festival shows in 2013 and a new album in 2015, The Magic Whip.

Then Coxon moved on to mastermind soundtracks for Channel Four comedy drama The End Of The F***ing World as well as embarking on a sci-fi music/graphic novel project in 2021 called Superstate.

He founded The Waeve with partner Rose and, of course, reunited with Blur for their 2023 album The Ballad Of Darren and a tour including two barnstorming nights at Wembley Stadium.

In other words, while Castle Park gathered dust, Coxon kept himself busy.

He says: “I’m really not sure what happened. Maybe it was lack of confidence. Maybe I thought these songs weren’t fashionable and who would give a s**t?”

Over the years, however, his theory didn’t stand up as fans would repeatedly ask him to release Castle Park. “They even knew the name of the album.”

The clamour heightened when Coxon broke out some of the songs during live shows.

These include opening track Billy Says, a spiky three-minute slice of mod-pop, which finds him channelling his heroes, The Kinks and The Jam.

He says: “Ray Davies is the best songwriter we ever had, followed closely by Paul McCartney, and The Jam was a huge band for me. I thought that being a Jam fan elevated me as a person.”

Other tracks to receive a live airing were Alright, with its pithy putdowns of a love rival, a playful duet with Lucy Parnell called There’s A Little House, and gorgeous acoustic guitar-led Easy.

Of all the Castle Park songs, there’s one which Coxon is most proud of, the poised, richly atmospheric Isn’t It Funny.

“It came to me in the dream,” he says. “I had the chords and half of the chorus, I heard some words — and then I woke up. I thought, ‘My gosh, I need to make a quick note of this.’”

Isn’t It Funny contains the lines: “The sun made black her hair and the river her eyes. She needs no man, no sea, nor heather. She’ll change your mind and slip away.”

By way of explanation, Coxon says: “I realise that there’s always been this elusive feminine spirit or a goddess of nature in my work.

“I don’t write songs about this entity for my own excitement. They just come out.”

Then there’s the sublime Mélodie Pour Christine, a lyric-free classical piece for harp and strings with Lucy Parnell’s vocals serving as another instrument.

“That piece was important to me,” he says. “I devoted it to a French friend of mine — a wonderful person who I loved very much and is no longer with us.”

Another song that hits the mark is bleak All The Rage, which, he says, “communicates one’s despondency around the creative life — and that has got even worse 15 years later!”

If most of Castle Park is filled with distinctly English sensibilities, American influences arrive with a cover of When You Find Out by short-lived Seventies punk-pop trio The Nerves.

“It’s a great song, even Blondie would go, ‘Hey, this is a good one’. I just made it slightly less than perfect,” laughs Coxon.

Then there’s “an attempt at soul” with Forget Today which finds him employing his considerable saxophone skills and Ben Hillier providing Hammond organ. (Worth noting that Coxon played sax on Parklife.)

Dripping Soul ventures into territory occupied by Ennio Morricone’s spaghetti western soundtracks, “so it’s not exclusively weird south-east of England s**t”.

“I love westerns, particularly Sergio Leone films. A Fistful Of Dollars and all that,” says Coxon.

In the song, he is peering “beyond the veil” at the “souls of those cowboys who came from a place where life is cheap and death is taken for granted”.

With its galloping guitars, Coxon realised he couldn’t turn Dripping Soul into “a hanging out in Camden sort of thing”.

But he does believe that the house he shares with Rose in London is populated by the souls of dead people.

“I don’t even believe in ghosts, but I’ve seen them,” he reports. “So that’s a bit of a quandary.”

Coxon says he still likes to talk to dear departed loved ones: His mum, Christine, drummer Graham Fox, the Irish journalist who first wrote about Blur, Leo Finlay, and the head of Food Records, Andy Ross.

“I don’t really see them as gone,” he says. “I can still talk to them — they may have disappeared but they’re still fully alive in my mind.”

With that said, we return to 1998 when all those people were still with us — to the making of Coxon’s debut solo album The Sky Is Too High.

It was an unvarnished, largely acoustic affair featuring his own artwork and, as he explains: “It was recorded through really good gear but approach was quite raw.”

Sandwiched between Blur’s self-titled fifth album and its follow-up, 13, “It was done in a bit of a hurry — I wasn’t f***ing about.”

The project had begun when a neighbour asked Coxon to write a couple of songs for a film about Victorian bare-knuckle fighter Tom Sayers — setting wheels in motion that are still spinning.

He says: “That request turned into an addiction to writing songs and releasing them.”

So, how did his solo endeavours affect his relationship with his Blur bandmates. “They didn’t talk about it,” replies Coxon, “Though I did once catch Damon singing R U Lonely? He said, ‘That’s quite a catchy little tune’.

“Attempting to develop as a songwriter when Damon Albarn is your best mate is hard work. I mean, he’d already written some bloody good songs by then.”

Released in 2000, Coxon’s second effort, The Golden D, is very different — heavier, more abrasive and driven by searing electric guitars.

The mood changes with the funky Oochy Woochy, which tapped into Coxon’s fascination with Nineties’ fusion of hip-hop and jazz — a style developed by American rapper Guru called Jazzmatazz.

He says: “I’ve always liked that skinny beat stuff with James Brown loops or similar. Stuff like Public Enemy and 3rd Bass. Oochy Woochy is not a mickey take but a go at that.”

With physical releases of Coxon’s other albums still to come this year, there’s plenty more scope to revisit his solo journey.

Then, in November, he’s hitting the road for a UK tour, bringing the songs back to life still further.

Looking back on his output, Coxon says: “I think it has had a lot to do with my development as a person.

“You know, that anxiety-ridden creative weirdo who puts all this stuff out there.

“I guess that’s why I like Castle Park coming out — because now there are no secrets. You’ve got it all.”

GRAHAM COXON

Castle Park

4.5 STARS

• Also released: The Sky Is Too High and The Golden D

THE world’s BIGGEST bouncy castle is coming to the UK – and it won’t just be for kids.

‘Mega Bounce’ is set to open at Braintree Village in Essex next month, and will run until the end of the summer holidays.

The massive attraction spans 2,500 square metres – the size of two football pitches – and is more than eight metres tall.

Inside will be giant slides, obstacle courses, sports challenges and, of course, dedicated bouncing arenas.

And outside of it will be other entertainment zones with food vendors, games such as giant Jenga and Connect 4, and music.

Visitors will also find giant Jenga, Connect 4, ping-pong, food stalls and drink vendors throughout the event arena.

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There will be day-time quieter sessions designed for guests who prefer a more relaxed environment, before moving into all-ages sessions featuring music, lighting effects and entertainment throughout the day.

And it’s not just aimed at children – during the six-week run, a number of adult-only sessions will launch.

Once family sessions finish each evening, there will be adults-only events featuring DJs, karaoke, a fully stocked bar and even foam parties..

Josef O’Sullivan, centre director at Braintree Village, said: “After the success of The Monster at Braintree Village last summer, we wanted to come back with something even bigger and better this year.

“Mega Bounce making its UK debut here at Braintree Village is incredibly exciting, and we expect to see visitors from far and wide.”

The bouncy castle was previously in Dubai.

Mr O’Sullivan added: “We’re certain that this is going to be one of the best attractions available in the country over the summer holidays.”

Visitors booking a bounce session will get unlimited access to the attraction during a 60-minute slot.

General admission tickets are priced at £18, with discounts available for larger groups and members of Braintree Village’s PLUS+ rewards scheme.

The attraction opens daily from 10am until 9pm.

Just over the Litani river line, the IDF has confirmed it has captured one of the key strategic prizes in the area – Beaufort Castle. It was built as a fortress commanding views from high on the cliffs above the Litani river by the Crusaders some 900 years ago, and has been fought over many times since.