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Death in Paradise is set to welcome some very exciting guest stars on Friday’s episode including a The Crown actor

Death in Paradise series 15 launched earlier this year and in Friday’s episode five, the BBC show is set to welcome a The Crown star.

In an exclusive first look obtained by the Mirror, Friday’s episode will see a touring theatre company in town for their final performance of Shakespeare’s Tempest on one of Saint Marie’s pristine beaches.

It comes as a Death in Paradise star has shared their delight at returning to a beloved role on the BBC crime series, calling it “wonderful”.

During a raucous drinking scene, one of the leads keels over dead after drinking from a bottle of red wine. Later, tests worryingly reveal that the liquid contained a lethal quantity of cyanide.

However, in a confusing development, two other actors drank from the same bottle both before and after the victim yet emerged unscathed. So how on earth did only one person perish?

To solve the case, DI Mervin Wilson, played by Don Gilet, and his team must grapple with the grand egos of this ‘motley group of thespians’.

Meanwhile, Sergeant Mattie Fletcher, played by Catherine Garton, is troubled when one of the cast members pursues a very personal vendetta against her.

Also during the episode, Mervin is informed that his half-brother, Solomon, is set to inherit everything from their deceased mother and promptly sell it off.

Mervin is desperate to hold onto some kind of memento of her. However, Solomon will not return any of his calls and with time slipping away, Mervin may need to go to unexpected lengths to reach his brother.

In an exclusive first look clip, it sees one of the theatre members, Jez Gorman, pester Mattie. Jez is played by actor, Ben Lloyd-Hughes, who is best known for playing Mark Bolland in The Crown. Other roles include Sanditon, The Next Level, I Fought the Law, Industry, and film Me Before You.

Jez is waiting for Mattie after work as he offers her a drink, saying: “I thought I could help you wind down after a hard day’s policing the streets. I’ve got some beers, a picnic blanket, and thought we could find a quiet beach… get to know each other!”

However, Mattie is quick to say: “Mr Gorman, did we not already have this conversation?” to which Jez replies: “We did, yes, but I thought what was happening was you were on duty, you had your colleagues around you, and I think you were saying what you felt you had to say.

“Come on, I’m not on this island for very long, how often do you get to do this with someone like me? Let’s just have some fun!”

At first, it seems as though Mattie is accepting the drink as she sits down next to Jez and takes the bottle of beer.

However, in a hilarious twist, she soon pours the beer over him and says: “Actually, now that I think about it… I did say that I was going to meet my friend… what’s the time?”

After pouring her beer over Jez, she exclaims: “Oh, what a shame! I do have somewhere to be right now though… do not bother me again unless it’s related to the case, Mr Gorman, you understand? Good, enjoy the rest of your evening!”

Death in Paradise airs on Fridays at 9pm on BBC One and BBC iPlayer.

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For casting director Gabriel Domingues, putting together the ensemble of “The Secret Agent” meant materializing characters inspired by director Kleber Mendonça Filho’s recollections.

“It’s not that he was showing us a picture and saying, ‘They must look like this.’ They were ideas of memories that could change,” Domingues says of the Brazilian period thriller about a father on the run during an interview at The Times newsroom. One of the nominees for this year’s inaugural Academy Award for casting, Domingues appreciates how politically charged Mendonça Filho’s films are. His narratives are often fertile ground for an eclectic mix of performers.

And there are no throwaway roles in “The Secret Agent”: “Even the small characters represent ideas about Brazilian life and its contradictions,” Domingues adds.

To honor his large cast, a “panorama” of his country’s people, Mendonça Filho includes a montage at the end of the film in which each actor is acknowledged individually. The director thinks of this as the cinematic equivalent of a curtain call or final bow at the end of a stage production.

“Gabriel tries to find an interesting mix of experienced actors and people that we can discover,” says producer Emilie Lesclaux about Domingues, with whom she’s worked on multiple projects. He first collaborated with Mendonça Filho and Lesclaux on “Aquarius” as a casting assistant.

Domingues believes working on “Aquarius” was instrumental in developing his casting method, which involves searching for the least obvious option to cast the character. He prides himself on doing the shoe-leather work of looking for fresh, compelling faces in cities where others might not think to look — those without a prominent arts scene, for instance.

Gabriel Leone as Bobbi/Abdias  (Victor Juca)

Hermila Guedes as Claudia  (Victor Juca)

Luciano Chirolli as Henrique Ghirotti  (Victor Juca)

Roberio Diogenes as Euclides Cavalcanti  (Victor Juca)

Tânia Maria as Dona Sebastiana  (Victor Juca)

Joalisson Cunha as Frentista  (Victor Juca)

Isabel Zuaa as Tereza Victoria  (Victor Juca)

Kaiony Venancio as Vilmar  (Victor Juca)

That’s not to say the entire cast was discovered. Mendonça Filho had lead Wagner Moura in mind from the outset, while others sprung to mind as he wrote the screenplay: Maria Fernanda Cândido, a famous soap opera actor, as a crucial ally to Moura’s character; and the late Udo Kier, who had previously appeared in the director’s blood-soaked film “Bacurau,” as a German Jewish immigrant who lived through World War II.

The filmmaker admits that envisioning parts with a specific person in mind is “dangerous.” “I can write a character thinking of you, but I never know if you will want to make the film,” says Mendonça Filho. “And I grow attached to the image.”

Among the other supporting roles, the most challenging to cast, the team agrees, was that of Euclides, the sleazy police chief. Though the character is “repulsive,” it also required an edge of charisma to make him more emotionally layered. Eventually, they came across actor Robério Diógenes. “Robério has studied the clown art in the theater, and he’s a very funny guy, so he adds a component of ridiculousness to this character,” Domingues says.

For Vilmar, an impoverished man hired as a subcontractor for a murder, Mendonça Filho had in mind a real-life contract killer he’d seen in a 1970s TV program. The actor had to convey a certain ambiguity not often afforded to people of a lower social class. There’s no doubt Vilmar is acting out of necessity, but he is not entirely without agency since he negotiates his payment. Domingues found the ideal embodiment of this complex character in Kaiony Venâncio, an actor from the city of Natal who had mostly worked in short films.

Then there’s the scene-stealing Tânia Maria, who plays the endearing, chain-smoking Dona Sebastiana. The 79-year-old talent first appeared in “Bacurau” as an extra. “I just could not help thinking of her,” says Mendonça Filho about casting her in his latest film. “I even pre-ad-libbed many of her lines knowing what she might say.”

Before finding her way onto the screen, Tânia Maria has long made a living as an artisan handcrafting rugs. “I never thought about being an actress. I only thought about sewing,” she says with an endearing smile. “All of this came as a surprise.”

Igor de Araujo as Sergio  (Victor Juca)

Joao Vitor Silva as Haroldo  (Victor Juca)

Robson Andrade as Clovis  (Victor Juca)

Maria Fernanda Candido as Elza/Sara Gerber  (Victor Juca)

Alice Carvalho as Fatima  (Victor Juca)

Thomas Aquino as Valdemar  (Victor Juca)

Licinio Januario as Antonio  (Victor Juca)

Udo Kier as Hans  (Victor Juca)

And though she’s still sewing, her acting prospects look bright. She’s already appeared in another film, “Yellow Cake,” premiering at the Berlin International Film Festival this month. That Tânia Maria also recently starred in humorous local commercials for Burger King and Heineken is proof of her current status in Brazilian pop culture — as are the Dona Sebastiana costumes that have become popular during this year’s Carnival.

“I can’t go out on the street without people stopping me. They ask me for autographs, for photos, they want to talk to me, they ask me questions,” she says in Portuguese via an interpreter while on a video call from her home. “I make time for everyone, and I’m enjoying all of it.”

Undaunted by what she calls the most challenging aspect of acting — memorizing the lines — Tânia Maria is eager to continue exploring this unexpected new facet. “I don’t want to stop because I’m not old! I’m waiting for more invitations to move forward in acting,” she says.

The success many of the actors have found thanks to “The Secret Agent” very much pleases the filmmakers, but it also has a major downside.

“That’s all that we want for the people that we work with, that the film is good for them and their career,” says Lesclaux. “But for us, it also makes things more complicated for the next film because we will want to work with them, and they might not be available.”

“TONY ‘the Slugger’ Rizzo, boss of New York’s Castelli crime family, wiped the blood off the baseball bat with the dead guy’s toupee…”

“Grandad!” 

“ . . . He jabbed a finger at his late accountant and shouted: ‘See what happens when you double-cross me, you muthaf . . . ’ ”

“Grandad!!”

“ ‘. . . and you gone and got your blood all over my freakin’ money. So now I gotta waste my day laundering it!’ . . . ”

“GRANDAD!!!”

SHIRE POWER

Turf-roofed burrows to cosy waterside cabins… holiday homes for UK escapes

HOLI-YAY

Top travel mum influencer reveals her best cheap, family-friendly hotels

I am lying on a beautiful Greek beach, a good book in my hand and a cold Mythos beer on the table beside me.

It’s holiday perfection, but someone keeps interrupting.

Two-year-olds . . . it’s all about them, isn’t it?

My wife and I are in Skiathos with our daughter and her husband and our granddaughter Flo.

We’re on one of those multi-generational breaks — or as we grandparents call it, a working holiday.

(“Just off to the spa. Can you look after Flo?” “Can Flo stay with you while we go into town?” “We thought we might have dinner on our own tonight. Just the two of us . . . ”)

Luckily, we are at the Princess Resort, a wonderful hotel just 20 minutes from the island’s airport that knows how to help families relax — especially grandparents who have forgotten what holidaying with a toddler entails.

We first came here about 15 years ago, when my daughter and her brother and sister were young, and had one of our best ever family holidays. I didn’t get much reading done then either . . . 

The hotel may be the most famous on the island thanks to Mamma Mia!.

The cast stayed here during filming and Colin Firth loved it so much, he came back the next year.

You can see why. It is located in beautiful, manicured gardens in the sheltered bay of Agia Paraskevi.

Rooms are in a two-storey building in a semi-circle which means everyone gets a view of the beach.

And what a beach! A long stretch of immaculate golden sand with shallow, warm water gently lapping up against it. It’s the perfect setting for one of the big ambitions of our holiday: Operation Get Flo Swimming.

Flo loves going to the pool at home in Brighton and is just learning, but what would she make of the sea?

After some initial reluctance caused by the feel of the sand between her toes and several swallows of salty water, she soon takes to it.

And, naturally, it’s grandad she wants to keep going in with her for a splash about.

The beach’s sun loungers and tiki umbrellas are all reserved for guests and free but you can shell out on a cabana.

OK, this isn’t cheap at €90 a day but it is definitely worth it, especially with a baby or toddler. We were in Skiathos in June and, God, it was hot.

With a cabana you have a proper base on the beach in the shade where you can snooze, eat and read (yeah, right).

It’s vital when you are trying to keep a little one from getting sunburned.

The Princess Resort is great for children. There’s a complimentary kids’ club, the Little Seals Club, a superb outdoor play area and a €15-a-night babysitting service. (Now they tell me.)

Plus, a lot of the equipment you need — from high chairs and potties to car seats and even prams — is available from reception.

(Don’t even bother asking about the fuss we had packing for a holiday with a toddler.)

But, adults need a break, too, you know, and the hotel offers scuba diving, horse riding, water sports and fishing and sailing trips. Or you can just kick back and take advantage of the massages and beauty treatments in the spa.

The Princess Resort is B&B, which means you are not tied to the hotel for dinner.

But make sure you eat at Ammos, the hotel’s taverna on the beach, which specialises in fresh seafood.

It’s not cheap but the location and grub is definitely worth it. And they love kids.

As do the staff at the superb Platanias Taverna & Bar over the road from the hotel.

It’s a good value family-run restaurant serving traditional food, where children can run free while indulgent staff manoeuvre around them without complaint.

It would be Jan Leeming’s restaurant nightmare.

For an upmarket, foodie experience head to the waterfront Baracoa about ten minutes away from the hotel by taxi.

It’s expensive, but the setting and menu have made it one of the must-visit places to eat on Skiathos.

Oh, and for a meal WITHOUT nippers, try the Princess Resort’s sister hotel, the boutique adults-only Aegean Suites Hotel, just outside town. Amazing food and terrific views over the old marina.

One of the great things about Skiathos is that you don’t need a car.

There’s a bus stop right outside the Princess Resort and the fare into town is just €2.

Or splash out €40 and get a boat ride from the jetty along from the hotel and arrive in town in style.

A word of warning, though — taxis can be thin on the ground in Skiathos Town in the evening. So if you are planning a late return, get a cab into town and arrange a return pick-up with the driver.

There are plenty of upmarket boutiques, bars and restaurants to discover in this beautiful whitewashed island capital.

It’s great to sit on the waterfront with a beer and watch the boats come and go.

And not much beats wandering around the narrow alleyways and coming across some enticing looking bar or a cafe serving delicious Greek treats.

Watch out for the scooters, though.

Since Mamma Mia! was filmed in the Sporades islands, Skiathos Town has definitely moved upmarket and it is a lot busier — even though most of the movie locations are on Skopelos and Alonissos.

But it retains a friendly, down-to-earth vibe you simply don’t get in the A-list hangouts of Santorini and Mykonos.

Anyway, after a long, tiring day of exploring in Skiathos Town, Flo’s finally in bed — so at last I can get some serious reading done.

Here we go: “It was Peppa Pig’s birthday and Daddy Pig had a great idea . . . ”

New US court documents reveal ties between a key figure behind the Oslo Accords and convicted sex offender Jeffrey Epstein, including financial links and visa favours. The revelations have sparked political fallout in Norway and renewed scrutiny of the Palestinian peace process’s legacy. Al Jazeera’s Nour Hegazy explains.

The Lady is a four-part limited series delving into the rise and fall of the former Duchess of York’s royal aide.

The Lady is set to grip ITV viewers with the royal true crime drama brought to life by the same producers of Netflix’s award-winning The Crown.

For weeks now, ITV has been teasing the release of The Lady, a true rags to riches tale that ends in convicted murder.

Sarah Ferguson’s former dresser Jane Andrews worked for the royal for nine years. Three years after she was let go, she murdered her boyfriend Thomas Cressman.

But how did she go from rubbing shoulders with those at Buckingham Palace to spending her days behind bars as a killer?

Here’s everything there is to know about The Lady on ITV as fans don’t have long before the drama drops.

ITV The Lady release date

The wait is almost over for the grand debut of The Lady with the limited series premiering on Sunday, February 22, on ITV and ITVX.

The Lady will consist of four episodes with instalments one and two airing on Sunday, February 22, and Monday, February 23, and episodes three and four the following Sunday and Monday.

Alternatively, fans can binge-watch the entire series on the day of its initial release via the free streamer ITVX.

ITV The Lady cast

At the heart of ITV’s The Lady is Jane Andrews, the working-class woman from Grimsby who got a chance of a lifetime when she was hired to work as Sarah Ferguson’s royal dresser before her life spiralled out of control.

She is brought to life by actress Mia McKenna-Bruce who has starred in How To Have Sex, The Fence, Get Even and Agatha Christie’s Seven Dials on Netflix.

McKenna-Bruce is joined by actor Ed Speleers – famed for his roles as Stephen Bonnet in Outlander, Jimmy Kent in Downton Abbey and Rhys Montrose in You on Netflix – who plays Jane’s boyfriend and victim Thomas Cressman.

Meanwhile, Sarah Ferguson is portrayed by actress Natalie Dormer, remembered for playing Margaery Tyrell in HBO’s Game of Thrones and Anne Boleyn in The Tudors on Channel 4.

What to expect from The Lady on ITV

Described as a “working-class girl from Grimsby”, Jane Andrews’ life changed forever when she answered an advertisement in the magazine The Lady.

Much to her surprise, she was hired to become the former Duchess of York’s official dresser at Buckingham Palace.

However, no one expected that following her time working for the royals that Jane would go on to murder her boyfriend Thomas Cressman, hitting him with a cricket bat before stabbing him in the chest.

Writer and executive producer Debbie O’Malley commented: “There’s a saying that ‘truth is stranger than fiction.’

“I’m not sure I’d always agree but when I first heard about the case of Jane Andrews, it was immediately clear that her true story was every bit as intriguing, compelling and tragically heartbreaking as any fabricated thriller.

“The fascinating tale of a working-class girl who became the dresser to a duchess, with a dramatic twist that ultimately sees her on trial for murder.

“This story looks beyond the headlines while remaining high stakes and uniquely British.

“It also poses thought-provoking questions about class and entitlement whilst exploring issues around mental health that have never been more relevant than they are today.”

The Lady premieres on Sunday, February 22, at 9pm on ITV.

Bangladesh’s leading political candidates have voted in a closely contested general election in Dhaka, pitting the Bangladesh Nationalist Party against a Jamaat-e-Islami-led coalition. It’s the country’s first election since the 2024 ousting of long‑time premier Sheikh Hasina in a Gen Z-led uprising.

The Nordic noir thriller has been praised for its ‘excellent’ action and gorgeous visuals

The fourth series of a very popular thriller has just dropped on Channel 4.

Arctic Circle is the latest box set to dop on the broadcaster’s streaming platform and has been described as a “gripping Finnish crime drama” that follows detective Nina Kautsalo as she investigates a string of dangerous cases that straddle the border between Russia and Finland.

The series first aired back in Finland in 2018 for four seasons, and now all of them are available to binge on Channel 4. Arctic Circle stars Iina Kuustonen in the lead role, alongside fellow cast members Pihla Viitala, Mikko Leppilampi, Venla Ronkainen, and Taneli Mäkelä.

The fourth season sees Nina, now chief of police in Ivalo, investigate a possible threat to an astrophysicists’ conference occurring during the rare Eiscat comet.

As her former boss Jaakko Stenius joins the inquiry, a carbon‑monoxide incident killing 24 care‑home residents, initially ruled accidental, reveals evidence of mass murder.

The synopsis reads: “When the rare Eiscat comet blazes across the endless night sky in its first appearance in two thousand years, it draws scientists from around the world to Ivalo for an international conference.

“After the FBI warns of a potential threat, Nina’s former boss, Jaakko Stenius (Kari Ketonen), arrives to lead a covert investigation with her. As they dig deeper, chilling links emerge between the comet and a fanatical sect determined to fulfill an ancient prophecy before the comet disappears again.”

Set in Lapland, the show has been praised by viewers for its “sublime” casting and gorgeous visuals.

One viewer wrote: “This series has it all: interesting story with multiple plot lines, nice balance between drama and thriller, good acting by everyone involved (Finnish actress Iina Kuustonen is a marvel to watch), and beautiful shots of vast snowy landscapes in Lapland.”

While another said: “Outstanding. This is a top quality show with fine performances and a terrific plot. Good production values with characters that are fully explored.”

Adding: “All good shows there must be an array of engaging characters. Artic Circle has that in spades. The countryside is both haunting beautiful and bleak. It’s an unforgiving environment and has been captured to perfection.”

And a third commented: “The show itself has a brilliant storyline and the location for filming sets the scene nicely. The acting is superb, especially the young girl who plays Venla.”

It come after Channel 4 announced its “most watched show” of 2026, Patience, would be returning to screens for a third season. You can read more on this here.

Series 1 to 4 of Arctic Circle are available to stream on Channel 4 now.

Sharing with the 1989 Tom Hanks film a title, a vague premise, a little paranoid spirit and a Universal Studios backlot street, “The ‘Burbs,” premiering Sunday on Peacock, stars Keke Palmer and Jack Whitehall as newlywed new parents who have moved into the house he grew up in — his parents are on “a cruise forever” — in Hinkley Hills, the self-proclaimed “safest town in America.”

Well, obviously not. First of all, that’s not a real thing. But more to the point, no one’s going to make an eight-hour streaming series (ending in a cliffhanger) about an actually safe town. Even Sheriff Taylor had the occasion to welcome someone worse than Otis the town drunk into the Mayberry jail. In post-post-war American culture, suburbs and small towns are more often than not a stage for secrets, sorrows, scandals and satire. The stories of John Cheever, the novels of Stephen King, “The Stepford Wives,” “Blue Velvet” and its godchild “Twin Peaks,” “Desperate Housewives” (filmed on the same backlot street as “The ‘Burbs”), “Buffy the Vampire Slayer,” last year’s “Grosse Pointe Garden Society,” which I mention in protest of its cancellation, are set there — it’s a long list.

Samira Fisher (Palmer) is a civil litigation lawyer still on maternity leave, a job reflecting her inquisitive, inquisitorial nature. Husband Rob (Whitehall) is a book editor, a fact referred to only twice in eight hours, but which allows for scenes in which he rides a soundstage commuter train to the big city (presumably New York) with boyhood friend and once-more next-door neighbor Naveen (Kapil Talwalkar), whose wife has just left him for their dentist. Samira, Naveen and Rory (Kyrie McAlpin), an overachieving late tween who has a merit badge in swaddling, a recommendation from Michelle Obama on her mother’s helper resume and a notary public’s license, are the only people of color in town, but racism isn’t really an issue, past a few raised eyebrows and odd comment. (“What a cute little mocha munchkin,” says a shifty librarian of baby Miles.) “It’s a nice area,” says Naveen, “and people like to think of themselves as nice, so they try to act nice until they’re actually nice.”

As we open, the Fishers have been tentatively residing on Ashfield Place (“over by Ashfield Street near Ashfield Crescent”), for some indeterminable short time. Apart from Naveen, neither has met, or as much as spoken to, any of their new neighbors, though Samira — feeling insecure postpartum and going out only at night to push Miles in his stroller — watches them through the window.

That will change, of course, or this will be one of television’s most radically conceived shows. Fascinated by a dilapidated, supposedly uninhabited house across the street — the same backlot where the Munsters mansion rose many years ago, for your drawer of fun facts — she’s drawn out into a mystery: The rumor is that 20 years earlier a teenage girl was killed and buried there by her parents, who subsequently disappeared. Rob says there’s nothing in it, and in a way that tells you maybe there is.

Lynn (Julia Duffy), left, Samira (Keke Palmer), Dana (Paula Pell) and Tod (Mark Proksch) form a crew of sleuthing neighbors.

(Elizabeth Morris / Peacock)

Out in the world, she will find her quirky Scooby Gang: widow Lynn (Julia Duffy), still attached to her late husband; Dana (Paula Pell), a retired Marine whose wife has been deployed to somewhere she can’t reveal; and Tod (Mark Proksch), a taciturn, deadpan “lone wolf” with an assortment of skills and a recumbent tricycle. (Their shared nemeses is Agnes, played by Danielle Kennedy, “our evil overlord,” the stiff-necked president of the homeowner’s association.) They bond over wine (drinking it) and close ranks around Samira after the police roust her on her own front porch. By the end of the first episode, Samira is determined to stay in Hinkley Hills, warmed by new friends, enchanted by the fireflies and in love with the “sweet suburban air.”

Weird goings-on in a creepy old “haunted” house is as basic a trope as exists in the horror-comedy mystery genre (see Martin and Lewis’ “Scared Stiff,” Bob Hope’s “The Ghost Breakers,” Abbott and Costello’s “Hold That Ghost” and assorted Three Stooges shorts). Suddenly there’s a “for sale” sign on this one, and just as suddenly, it’s sold. The new owner is Gary (Justin Kirk), who chases off anyone who comes around. Tod notes that the security system he’s installed is “overkill” for a private residence, necessary only “if you are in danger, you have something to hide — or both.” You are meant to regard him as suspicious; Samira does.

Created by Celeste Hughey, “The ‘Burbs” is pretty good, a good time — not the most elegant description, but probably the words that would come out of my mouth were you to ask me, conversationally, how it was. I suppose most of it adds up even if doesn’t always feel that way while watching it. It hops from tone to tone, and goes on a little long, in the modern manner, which dilutes the suspense. The characters are half-, let’s say three-quarters-formed, which is formed enough; everyone plays their part. The Hardy Boys were not known for psychological depth, and I read a lot of those books. A lot. Indeed, depth would only get in the way of the plot, which is primarily concerned with fooling you and fooling you again. When a character isn’t what they seem, making the false front too emotionally relatable is counterproductive; the viewer, using myself as an example, will feel cheated, annoyed. I won’t say whether that happens here.

That isn’t to say that the actors, every one of them, aren’t as good as can be. I’ll show up for Pell and Duffy anywhere, anytime. Proksch, well known to viewers of Tim Heidecker’s “On Cinema at the Cinema,” is weird in an original way. The British Whitehall, primarily known as a stand-up comedian, panel show guest and presenter, makes a fine romantic lead. Kirk is appealingly standoffish, if such a thing might be imagined. As Samira’s brother, Langston, RJ Cyler has only a small role, but he pops onscreen and, having the advantage of not being tied up in any of the major plotlines, provides something of a relief from them. And Palmer, an old pro at 32 — her career goes back to “Akeelah and the Bee” and Nickelodeon’s “True Jackson” — does all sorts of wonderful small things with her face and her voice. She’s an excellent Nancy Drew, and the world can never have enough of those.

Death in Paradise is back for series 15 and new recruit Sergeant Mattie Fletcher will be joining the team in Saint Marie – here’s everything you need to know about the character

Death in Paradise is gearing up for its 15th season, welcoming back familiar faces and introducing some fresh ones. Don Gilet will be reprising his role as DI Mervin Wilson, while Commissioner Selwyn Patterson, portrayed by Don Warrington, makes a comeback to Saint Marie after a hiatus.

Elizabeth Bourgine’s Catherine Bordey, Shantol Jackson’s Sergeant Naomi Thomas, and Shaquille Ali-Yebuah’s Officer Sebastian Rose are all set to return for the 15th season. However, viewers will also meet a new face, Sergeant Mattie Fletcher.

Described as having a “rebellious” streak, Mattie is a fantastic addition to the Saint Marie squad. She’s brought to life by actress Catherine Garton, who steps into the cast following Ginny Holder’s departure from her role as Darlene Curtis. But what can BBC viewers anticipate from newcomer Mattie, and who is the actress behind her?

Here’s everything you need to know ahead of Death in Paradise series 15, reports the Express.

Who is Sergeant Mattie Fletcher?

Sergeant Mattie Fletcher is the latest addition to the Saint Marie team. She’ll make her debut in season 15, episode 1, with Detective Sergeant Naomi Thomas (Shantol Jackson) and Officer Sebastian Rose (Shaquille Ali-Yebuah) helping Mattie find her feet.

However, settling in might prove more challenging than expected as secrets from her past start to surface.

Discussing what audiences can anticipate from Sergeant Mattie, Don Gilet, who portrays DI Mervin Wilson, explained: “There’s definitely something of a rebel in Mattie. We haven’t had that rebellious element, really. She’s a bit younger, probably a similar age, give or take, to Officer Seb Rose, but she’s seen a lot more.

“She’s a sergeant and she’s more experienced and is always on the front foot, whereas Seb is going through his rookie stripes. It’s great seeing how the two of them connect – there’s a nurturing side as well as a rebellious side. She’s a great addition to the team.”

Who is Catherine Garton?

Catherine Garton, who portrays Mattie, described her character as “tenacious,” adding: “She’s really fun to play. She’s sassy, but she’s like your big sister who will tell you what’s what, but you can also come to her if you need to. You can have a laugh with her. She’s very passionate about things, about her work and about the people that she grows to love, especially in the team. She’s also very determined, almost too determined sometimes..”

She went on: “Audiences can expect some action. Someone who’s lovable and who’s trying their best, but almost to a fault. She has something to prove to herself and to others and sometimes she can do that to her detriment, but it comes from a place of passion. They will see ups, downs and lots of sass!”.

Catherine Garton takes on the role of new recruit Mattie, having previously appeared in The Gray House as Talulah and Ibiza Narcos as Kelly. Catherine recently graced our screens in Russell T Davies’ Doctor Who spin-off, The War Between the Land and the Sea.

This festive BBC series featured Catherine as Corporal Jane Hart throughout all four episodes.

The filming for the spin-off concluded in 2024, and it was only after wrapping up that Catherine learned she had secured the role of Sergeant Mattie Fletcher, a new regular on Death in Paradise. She amusingly revealed that she was shopping in TK Maxx when her agent broke the news.

She recalled: “I was in the shoe section, one shoe off, sliding another one on and my agent called me and told me. It was a moment!”.

Speaking about her experience filming in Guadeloupe, where the fictional town of Saint Marie is located, Catherine enthused: “I loved it – everyone was really welcoming. Before going to Guadeloupe, I didn’t quite know what to anticipate, then it exceeded any expectations I could have had. I love the island. Guadeloupe is like a postcard. It’s quite unreal. Every time I walked out I was like ‘this exists, wow!’. It’s absolutely stunning. Everyone’s nice. I love the culture. The food’s great. Everyone I work with is great. I don’t have any complaints!”.

When asked about meeting the rest of the cast and crew, Catherine admitted: “It was intimidating at first, because this is the biggest kind of role I’ve ever had, but everyone was just so nice and so welcoming. I remember the first time I saw Shantol and the biggest smile ever. I feel like I have family there now.”

Death in Paradise season 15 kicks off on BBC One and BBC iPlayer at 9pm on Friday, 30 January.

AN Emmerdale legend has landed a soap hat-trick as it’s been revealed she’s joined a rival soap as part of new storyline.

Glenda McKay, who first appeared on Emmerdale in 1988, has now joined the cast of Hollyoaks – almost 27 years after she quit the ITV soap for a very different career.

Channel 4 bosses have cast the 54-year-old actress with the intention to include her in a forthcoming storyline.

It’s been revealed Glenda is playing a new character named Dr Pearce, though it’s currently unclear how long the soap star will remain on the show for.

The soap star’s exciting new casting was confirmed in a post shared by the talent agency Red Door Management.

They said in a post on social media: “Tune into Hollyoaks at 7pm this evening on E4 to catch Red Door’s Glenda McKay as Dr Pearce.”

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Glenda’s Hollyoaks role comes just months after she appeared in a guest stint on rival soap Coronation Street.

On the cobbles, Glenda played a social worker named Alison Hale who was dealing with street couple Tim and Sally Metcalfe as they fought to foster the Michealis’ children following their mum Lou’s imprisonment.

The actress left Emmerdale over 25 years ago when she was killed off in a memorable storyline which saw her brutally pushed off a cliff.

She spent more than 11 years on the soap and appeared in almost 750 episodes.

Her character, Rachel Hughes, was embroiled in a number of the show’s biggest storylines from affairs to having a secret child.

Glenda’s final storyline saw her enter a toxic relationship with teacher Graham Clark. He coerced her into dressing differently and forced her to dye her hair in an attempt to mould her into his dead wife.

Twisted Graham then attempted to force himself on her as she tried to break up with him.

He later chased Rachel and cornered her on a clifftop, she confronted him, and Graham ultimately pushed her to her death.

The evil teacher then lead Rachel’s friends and fellow villagers to believe that she was missing.

Since leaving Emmerdale in 1999, Glenda has only landed a handful of TV roles including guest stints on Hollyoaks and Doctors.

In 2005, Glenda appeared in Coronation Street for one episode as a love interest of cabbie Lloyd Mulaney (Craig Charles).

But in recent years, the former soap star made a startling career change as she ditched acting to work as a primary school teacher.