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To celebrate her last show with Strictly Come Dancing, the cast surprised host Claudia Winkleman with a touching tribute that left her screaming as she struggled to open the final vote

Claudia Winkleman was left screaming after she was surprised with a touching tribute from the Strictly Come Dancing cast. As she informed audiences that the final vote of the season was open, she was shocked to see several dancers had donned replicas of the blazer she was wearing and wigs that looked exactly like her hair.

The host, who announced in September that she would be leaving the show after over a decade, screamed “No way!” when she noticed that not only had the dancers dressed up like her, but notoriously grumpy judge Craig Revel Horwood had as well. He remained stony faced as he stared at the camera from behind the fringe, but Claudia still reacted with utter joy.

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Claudia kept covering her mouth, laughing and screaming as she realised what was going on. It was the most emotional she had been about her exit so far, as Claudia and Tess Daly, who is also leaving the show, both seemed to choose not to address their exit at the start of the show and instead focus on the dancers.

But this did not stop Claudia from making a statement with her final show. She herself had made a tribute to prior host of the show during the series by wearing a blazer with the words “Keep dancing” written on the back.

The words were the catchphrase of original host Bruce Forsyth. Claudia took over as a primary host for Bruce in 2014, co-hosting with Tess when he stepped down.

Elsewhere in the show, Claudia pretended she and Tess had decided to do a showdance. Though this was not an explicit joke about them leaving, when Tess turned down the opportunity to dance, Claudia jokingly said to the male dancers that had accompanied her to the dancefloor: “Apparently tonight is all about the finalists.”

It came as a surprise to many when Tess and Claudia announced that they would be stepping down from the show after over ten years on it. The pair made the announcement via Instagram.

In a joint statement, they said: “We have loved working as a duo and hosting Strictly has been an absolute dream. We were always going to leave together and now feels like the right time.

“We will have the greatest rest of this amazing series and we just want to say an enormous thank you to the BBC and to every single person who works on the show.”

Taking to Instagram again, Tess and Claudia made a low-key goodbye to the show via another post. In this one, they shared a series of images from backstage, including one that showed off Claudia’s blazer. They captioned the post: “You better believe we’re gonna keep dancing.”

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The singer of the band lights up a cigarette and smoke drifts into the theater. Ditto for the pungent aroma of marijuana when a few band members share a joint. “Stereophonic,” which is playing at the Hollywood Pantages through Jan. 2, isn’t biographical, but it sure feels close.

The authenticity springs in part from the quality of the songs being recorded by the fictional band on stage, which were written by Will Butler, a multi-instrumentalist and former member of the Grammy Award-winning band Arcade Fire.

“Stereophonic,” which holds the record for the most Tony nominations of all time for a play, unfolds over the course of a single year as a rock band on the cusp of megastardom struggles to record its second album as the first reaches No. 1 on the charts. While the pressure to produce a hit builds, the band falls apart. For proof of the formula’s resilience, look no further than the success of VH1’s “Behind the Music” series, which plumbed the depths of dozens of rock ’n’ roll train wrecks.

“We really tried to just make something real,” Butler said during an interview in the small, cluttered green room at Amoeba Music before he joined the cast of the show for a brief in-store performance. “This is three hours of what it’s like to make a record.”

Is it ever. There is something inherently combustible about being in a band. (Full disclosure: I played in a semi-popular indie band for a decade, which imploded with huge amounts of drama right on cue. I know at least a dozen other groups that have unraveled in similar fashion.) Despite, or rather because of, Arcade Fire’s massive popularity, Butler knows the crash-and-burn nature of being in a band. He joined Arcade Fire after one of its original members quit in the middle of an encore following a fight with the lead singer — Butler’s older brother, Win Butler.

Will Butler left Arcade Fire at the end of 2021, saying at the time that the decision came about organically. “There was no acute reason beyond that I’ve changed — and the band has changed — over the last almost 20 years. Time for new things,” he wrote on social media.

Will Butler performs at Amoeba Music with Claire DeJean and the stars of the Broadway tour of “Stereophonic,” which follows the rise of a struggling 1970s rock band.

(Jason Armond / Los Angeles Times)

“Stereophonic” was one of those new things, and Butler has brought his understanding of volatile band dynamics to bear in his work on the show, as well as his thoughts on the fragile, ephemeral nature of recording in a studio.

“There’s a little booth, and you go into the booth and you lose your mind,” Butler said of the experience of laying down a track. “And you exit the booth and you’re just a boring human.”

The boring — and boorish — parts of that humanity are on display in “Stereophonic,” where there is more control room conflict than actual music making. This also feels true to form. Romances blossom and bottom out in spectacular fashion. Drugs are consumed in copious amounts — particularly cocaine. This is 1976, after all. The long-suffering recording engineer reaches his breaking point after becoming totally fed up with the band’s self-absorbed, self-destructive behavior.

Human beings weren’t meant to create art in this particular kind of pressure cooker. Until they do. There is a moment in the making of every great song when each musician becomes part of the whole during the act of recording, and the band’s genius is temporarily realized. The song can’t be made by any one member — it can only come from the spontaneous transcendence of the group.

This moment happens in “Stereophonic” after a truly frustrating number of stops and starts, when the group plays a song so beautifully that the theater erupts in effusive applause. This is why the band stays together despite its constant feuding — and why the audience has come.

“We really tried to just make something real,” Will Butler said of “Stereophonic.” “This is three hours of what it’s like to make a record.”

(Jason Armond / Los Angeles Times)

“The music in this show has to crack open the world because it’s so much talking and it’s so much sitting around,” Butler said. “And then when they play music, you have to instantly realize why they’re together.”

Butler first met playwright David Adjmi and heard his idea for the show in 2014. Butler was intrigued, but had to wait for the script before he could work on the music in earnest. The songs needed to fit into the script like puzzle pieces, Butler said. Sometimes he needed to write a whole song and other times he needed to focus on composing the first 30 seconds of a song — which would be heard on repeat.

“And then we cast it, and now the music exists in a different way,” Butler said, noting that the music changes with every new cast. A cast — like a band — has its own particular strengths and weaknesses. No rhythm section is ever the same. You know John Bonham’s tom fills when you hear them, just as you can immediately recognize the sound of Ringo Starr’s hi-hats.

None of the actors in the national tour cast of “Stereophonic” — except for the drummer — are trained musicians.

(Julieta Cervantes)

The whole process of constructing “Stereophonic” as a play is very meta — with Butler producing the band that is in turn producing itself onstage in the studio. During the course of the show, one of the songs is actually recorded live and played back from the control room. It is slightly different each time, in ways both meaningful and incidental. Just like in real life.

The in-store performance at Amoeba, however, is wildly different from what happens onstage at the Pantages. The cast members are not — with the exception of the drummer — trained musicians, and stripped of the confidence that comes with costumes and a set, they appear somewhat vulnerable in the process.

This is in stark contrast to Butler, who displays all the verve and conviction of a bona fide rock star. The cast will do the same across the street later that night. For the moment, however, Butler is showing them just how it’s done.