career

Harold Greene, a beloved Los Angeles news anchor, has died. He was 82.

His daughter, Courtney Greene, shared news of his passing on Wednesday via Facebook, adding that she was by his side, alongside his wife, Charlene Greene, when he “signed off for the last time.”

His cause of death has not yet been announced by the family, but his daughter shared that “there was an extraordinary amount of love in the room” when he passed.

“We have a feeling he’s already settling into the great newsroom in the sky, no doubt with a few suggestions on how things should be run,” Courtney wrote in the Facebook post.

Harold Greene began his career as a reporter and producer for KABC (ABC7) Los Angeles in 1970. Throughout the decade, he shared his talent across other newsrooms in California, including San Diego, where he helped launch KCST-TV (now KNSD) and a short stint in the Bay Area at the CBS affiliate KPIX-TV, where he co-anchored alongside Dave McElhatton, who died in 2010.

Greene later returned to ABC7 for multiple stints, according to the news outlet, including their top-rated “Eyewitness News” team. His final return to the flagship station was in 1982, when he was hired as a reporter and weekend anchor. He served as host/celebrity interviewer of locally produced programs such as “Hollywood Close-Up” and “A.M. Los Angeles” for the station.

In 1986, he earned one of 10 Golden Mike Awards for his coverage of the Cerritos air disaster. He left ABC7 in 2000, but continued his work as a dynamic anchor at KCBS-TV and KCAL-TV until his retirement in 2008.

His on-air image was reportedly the inspiration behind the mustachioed protagonist portrayed by Will Ferrell in the 2004 comedy “Anchorman: The Legend of Ron Burgundy.”

Over his career, Greene earned multiple Emmys and three Edward R. Murrow awards, and he received a star on the Hollywood Walk of Fame in 1999.

Film student Angela Henderson was collecting her thoughts, resting on the patio of USC’s School of Cinematic Arts on a recent sunny afternoon while listening to music on her headphones as she stared into the sky. Henderson was taking a short break after applying for dozens of Hollywood jobs.

The 22-year-old cinema and media studies student graduates in December, and she’s admittedly “a little freaked out” by what awaits her.

“What if one day, I am one of those people that ends up losing a job?” Henderson said.

She isn’t wrong to wonder.

Partly fueled by media consolidation, waves of layoffs have swept across the industry, bringing job cuts to Netflix, Walt Disney and Warner Bros., recently acquired by Paramount-Skydance.

Productions keep leaving the state and artificial intelligence and vertical video are reshaping what gets made and who makes it.

Yet aspiring actors, screenwriters and directors, many of them film school students like Henderson, are still making the pilgrimage to Los Angeles. The Times spoke with some of these students about how they plan to navigate today’s Hollywood. Most are clear-eyed about the odds, and none of them are planning to quit.

“Some of us can see a lot of doom and gloom,” said Miranda Banks, a professor of film, television and media studies at Loyola Marymount University. “But this generation has their eye on the power of human creativity in a way that I’m not sure any of us in other generations have been so attuned to.”

She thinks many of her students have a good chance at making it if they are “savvy and strategic” about where the industry is headed.

“We’ve had a lot of unprecedented years, a lot of years with strange things that have impacted the industry and made things particularly challenging,” Banks added. “That has happened before. It will continue to happen.”

Gianna Jordano, a freshman film and television production major at Loyola Marymount University, is photographed on a film stage inside the Wil and Mary Jane Von der Ahe Communication Arts Building, which houses LMU’s School of Film and Television.

(Allen J. Schaben / Los Angeles Times)

Gianna Jordano, Loyola Marymount University, 19

When Gianna Jordano first applied to film schools, she said she knew the industry was in a bit of a “slump stage.” With fewer movies being made, the impact of AI and an overall lack of jobs, the Huntington Beach native said she was nervous about pursuing a career in the film business.

But after seeing movies like “Primetime,” “The Odyssey” and “Spider-Man: Brand New Day” in theaters this year, Jordano is more inspired than ever.

“My friends and I’ve all been watching all of these new movies, and we’re saying, ‘This is what we want to do. This is what I want to pursue in the future and be able to achieve,’” said the film and TV production major. “I feel less nervous now.”

After graduation, she plans to work her way up to directing — even if that means taking other jobs such as teaching and working in a restaurant to achieve her dream.

“The more open-minded you are, and the more willing you are to work, the easier it is to find a job, even if you’re maybe not always on the best set or doing the job that you want to do,” Jordano said.

Teddy Abularach, left, and Mitch Linebaugh, both 18, visit the Herbert E. Farmer Motion Picture Technology Collection at the USC School of Cinematic Arts.

(Genaro Molina / Los Angeles Times)

Teddy Abularach and Mitch Linebaugh, USC, 18

Freshman screenwriting majors Teddy Abularach and Mitch Linebaugh had recently moved to L.A. from New York City and Des Moines, respectively, to pursue careers in screenwriting.

Despite shared concerns about landing jobs after graduation, both are determined to succeed in the business.
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“We’re just gonna have to work that much harder to get a job. I’m already preparing myself for a brutal postgrad life,” Abularach said. “I wouldn’t be happy if I were in another job. … Even if there’s a small chance for me to succeed and be able to pay the bills and do something that I love, it’s worth it.”

They aren’t blind to the challenges of being a screenwriter.

But Linebaugh said he worries that “everything is just going to become so uniform,” as the industry seems to lean too heavily on algorithms and audiences’ preferences.

“I don’t think people in this industry will let that happen — everyone from the writers to even the executives,” Linebaugh said. “I know the stereotype is that they like to keep their jobs, but I remain hopeful that they want to make good movies too.”

The two 18-year-olds moved to the city with every intention of staying, even as the industry’s local footprint hollows out.

Linebaugh said he’s going to give screenwriting his all, and if it doesn’t work out, he will consider graduate school or entertainment law.

Abularach said there’s no “plan B outside of entertainment.”

He’s already preparing for the life.

“I still can’t get the stereotype out of my head of the L.A. writer who does all the things in L.A., like taking pitch meetings, getting coffee and being in writers’ rooms,” added Abularach.

UCLA film student Tomas Carrasco, center, has makeup applied by UCLA student Song Diqiong, right, before performing in his short film, “D-Facer, Reality Break,” on the set inside Melnitz Hall on the UCLA campus. He wrote, produced, starred in and directed his short film.

(Genaro Molina / Los Angeles Times)

Tomas Carrasco, UCLA, 25

In a hallway lined with movie posters in UCLA’s School of Theater, Film and Television, Tomas Carrasco was in the middle of preparing to shoot his senior capstone film: a surreal horror comedy. The senior, who’s on the director’s track of UCLA’s film and television program, said he isn’t “afraid necessarily about where the industry’s heading because there’s always going to be space for artists.”

Growing up in the San Fernando Valley, Carrasco was always fascinated by moviemaking. His father worked as a soap opera editor and would sometimes bring him to set, where he learned to love the “feeling of being around people making stuff.”

He started his film education at Santa Monica College, where he took every film class offered. Now, he has his sights set on production design.

For all his artistic leanings, he said he’s well aware that movies are products that need to make money. Because of that, he sees more of the industry turning toward technology instead of taking art-centered risks.

“I see the mergers that are happening and all the AI stuff sucks. I don’t like it,” Carrasco said. “But I still have to come into class every day and do my homework. I’m thinking about where the industry is heading, but it takes up as much space as a movie idea.”

As he prepares for an uncertain future, Carrasco plans to keep working at his family’s Northridge cafe, Mate Conmigo, where he can pursue his creative ambitions while maintaining a stable job.

“I do want it as a career path, and I don’t want to be naive,” he said. “But you have to kind of be naive. You have to be delusional about wanting to have a career in the arts.”

USC film student Angela Henderson, 22, stands next to a photo of director Orson Welles at the Herbert E. Farmer Motion Picture Technology Collection at the USC School of Cinematic Arts.

(Genaro Molina / Los Angeles Times)

Angela Henderson, USC, 22

For Henderson, part of the job-induced anxiety is simple math.

“Unfortunately, it’s so hard to be able to separate myself from it,” she said. “There are hundreds of people in film programs here who all want to have the same jobs and careers.”

Raised in Eagle Rock by two musician parents, Henderson always had the world of entertainment within reach. At 10, she took up acting and started doing theater and commercials. She began college at UC Berkeley, where she realized she didn’t want to be only in front of the camera, but also to study the medium from behind it. She transferred to USC with dreams of following filmmakers like Greta Gerwig, who got their start in writing and directing their own projects.

If it takes a while for Henderson to break into the industry, so be it. She said she’s open to any kind of job, including assistant work and food service.

But Henderson said her generation of filmmakers doesn’t feel discouraged, so much as eager to incite change. They’re largely tired, she said, of watching Hollywood “recycle the same material over and over again,” and want to bring new stories to the table.

“It does feel like we’re on the verge of something new. There’s a breakthrough that’s about to happen,” Henderson said. “With all the verticals happening, and the AI slop stuff happening on social media, there’s also like this huge renaissance in indie movies … there’s still this hope that there’s something new that’s going to come.”

Ocon is managed by Mercedes and came through their young driver programme.

When he lost his Force India seat, it was Mercedes that took him on as reserve driver in 2019.

At one point, team principal Toto Wolff was considering putting Ocon in the race team alongside Hamilton. One of the reasons he did not was he thought their characters would clash, that the relationship would be too combustible. Valtteri Bottas was retained for 2020 after all.

At the same time, George Russell, the next Mercedes protege, was excelling for Williams, and Mercedes concluded from the data they had on both that Russell was their guy for the future, not Ocon.

That was effectively the end of Ocon’s career as a potential candidate for a top team but Mercedes helped him back on to the grid with a drive at Renault in 2020, before the team was rebranded Alpine in 2021.

It was for them that Ocon took his sole victory, at the 2021 Hungarian Grand Prix. He drove well but the win owed a substantial amount to fortune.

The start was wet and there was a multi-car pile-up that took out Bottas and both Red Bulls.

Ocon came out of that pile-up running second to Hamilton. The race was red-flagged. By the time it was restarted, the track was drying.

At the end of the formation lap, every single car pitted for dry-weather slick tyres bar Hamilton, who took to the grid on his own.

He had to stop on the next lap, falling to the back. That put Ocon into the lead from Sebastian Vettel’s Aston Martin, a car of similar performance on a track where overtaking is difficult. Ocon and Alpine managed the race well to stay in front of the four-time champion throughout.

Hamilton spent the rest of the race fighting back and his pace was so superior it appeared he might win.

Until he caught Alonso, that is. The Spaniard, who had been delayed by rather than benefitting from the first-lap crash, was running fourth, close behind Ocon, Vettel and Carlos Sainz’s Ferrari.

Alonso knew what was at stake, that if Hamilton passed him quickly, the Briton would almost certainly win the race. And he knew what a win would mean for Alpine.

The team’s last victory had been in 2013 but that was when they were known as Lotus and were under different owners. Renault’s most recent win had been secured by Alonso – at the 2008 Japanese Grand Prix.

Alonso won his two world titles for Renault. He had been brought back to F1 after a two-year break by Renault. And so he fought as hard as he knew to keep Hamilton at bay for as long as possible.

The Mercedes was so much faster that at times it looked as if Hamilton might drive through or over Alonso. Instead, using all his skill and guile, he held Hamilton back for 10 laps.

When Hamilton finally passed Alonso, there were only five laps to go. Within two, he was past Sainz but he did not have time to make any further progress before the chequered flag.

Ocon and Alonso celebrated together with the team after the win.

Yet little more than a year later, relations had deteriorated to the point that, after a clash between the pair at the Brazilian Grand Prix at the end of 2022, shortly before Alonso was leaving the team to move to Aston Martin, the two-time champion sarcastically referred to Ocon as “our friend” over the radio.

Out of the car, asked whether he would speak to Ocon about the incident, he said: “I don’t need to. One more race. Then it’s over, finally.”

For Ocon, it’s now over at Haas, too. Finding a way back on to the grid won’t be easy.

Marissa Roy is on track to become Los Angeles’ next city attorney after jumping out to a significant lead over L.A. County prosecutor John McKinney based on early returns.

Roy, 34, a deputy state attorney general, campaigned on a promise to convert the city attorney’s office into a massive “public interest law firm,” vowing to champion renters and defend Angelenos from an increasingly hostile White House.

Roy, a coalition-builder, had long been the favorite in the race, leading McKinney by double digits in polls leading up to Tuesday. She won the June primary with more than 40% of the vote.

Roy and McKinney’s head-to-head race came after voters and powerful city unions turned on the incumbent, Hydee Feldstein Soto, whose June primary defeat marked the first time a sitting L.A. elected official failed to advance to a general election in nearly a century.

Supporters at Roy’s watch party at the downtown Audio Graph brewery erupted in cheers when the first batch of results dropped, showing Roy doubling up McKinney’s early vote total. The mood was ebullient as the first batch of returns trickled in, buoyed by dramatic wins for Democrats across the country and a better than expected early lead for their candidate.

Roy arrived around 9 p.m. in a plum-colored dress, her arms stacked with bangles that rang as she embraced supporters and took the stage.

“I was planning on hedging and saying, ‘It looks like we’re winning,’ but I think we won!” Roy told the crowd to whoops and cheers.

Roy ran to the left of her opponent and tried to paint him as the preferred choice of Republicans in L.A. County. McKinney is a lifelong Democrat and has been critical of President Trump.

At Hill Street bar, close to the downtown criminal courthouse where McKinney has built his career, supporters swayed to smooth jazz and Top 40 radio hits, nursing cocktails and betraying no reaction to the dismal early returns.

In a brief interview outside the bar, McKinney remained positive and said he always knew he faced an uphill battle. He announced his candidacy long after Roy and Feldstein Soto began their campaigns, yet still surged to a surprise second-place finish in June. He said he was proud he was able to inject discussion of public safety issues and real strategies for solving homelessness into the race.

“I got into this race nine months ago because the people of Los Angeles deserve better,” he said.

Although he said he had “no bitterness” toward Roy and wished her the best of luck, he did express disappointment at the efforts her campaign and some of her supporters took to incorrectly paint him as a conservative.

“I just felt that it was very misleading … it’s not a political position. It’s not a partisan position,” he said.

The candidates were a study in contrasts: Roy is a stylish progressive with savvy social media campaign videos, while McKinney is a stoic law-and-order-type. They also offered voters starkly different plans for leading the city attorney’s office.

A core part of the California Department of Justice legal team that won a historic $17-billion settlement from Meta this summer, Roy ran as a champion of the average Angeleno, promising to hold corporations and landlords accountable for misconduct. A Yale-educated lawyer, she positioned herself as the only candidate who would stand up to Trump administration policies that have harmed Los Angeles.

McKinney, who often noted he has been a lawyer nearly as long as Roy has been alive, leaned on his nearly unblemished record prosecuting some of the region’s most notorious and violent crimes and his compelling personal history. Orphaned at 5, he was raised by an older sister in a household where money was extremely tight and found himself painting houses just to afford college classes. In a 28-year career as an L.A. County prosecutor, McKinney won convictions in a number of high-profile cases, including the murder of rapper Nipsey Hussle.

The veteran prosecutor promised to focus his energy on reducing homelessness and improving public safety through misdemeanors he believed the prior administration under-enforced, including street racing and animal abuse on Skid Row. He also vowed to conduct more aggressive reviews of the way nonprofits that do business with the city spend funds meant to aid unhoused citizens.

Although they aligned in few places, both Roy and McKinney said they would work to bring down the city’s out-of-control legal costs. That figure exploded to nearly $300 million in city payouts last year.

Roy was supported by the L.A. County Democratic Party, the local chapter of the Democratic Socialists of America, Atty. Gen. Rob Bonta and U.S. Sen. Bernie Sanders (I-Vt.). McKinney was backed by a coalition of law enforcement unions, four former city attorneys and L.A. County Dist. Atty. Nathan Hochman.

Unless you’re writing for a major national magazine or shooting video for Architectural Digest, it’s rare for a reporter to be invited into a celebrity subject’s home. More likely, it’ll be some neutral space like a publicist’s office, or coffee shop, or hotel room; even more likely, over the phone or Zoom. But Patrick Stewart, when I interviewed him in 2023 at the end of “Star Trek: Picard,” the “The Next Generation” sequel series in which he starred, asked to meet at his house.

Stewart, who died Wednesday at 86, was 82 then, friendly and dapper and emanating a youthful sense of wonder and readiness. He spoke of wanting to learn to play the piano and speak French — ironic for an actor perhaps best known as Jean-Luc Picard. He had written a memoir, “Make It So,” titled for a Picard catchphrase. And he was excited about the house, located on a leafy, McMansion-free, comparatively modest street in what real estate agents would call Hancock Park, where he’d been living with his wife, Sunny Ozell, since just before the COVID-19 pandemic shutdown.

“We were safe,” Stewart said of the COVID days. “We felt protected here. It was just a walk that way or a walk that way to some shops. I walk to a little post office and my pharmacy is on 3rd Street, and I always take the backstreets. It’s a fabulous neighborhood, it really is. No two houses are the same. I mean, I never thought I’d live in a house that had just got archways everywhere — no doors! Sitting here, you see one, two, three, four, five, six archways.”

From sheer weight of screen time and franchise muscle, “Star Trek: TNG” — which ran for seven seasons (on first-run syndication, a dynamic format that no longer exists), plus four films — and the “X-Men” movies have dominated coverage of Stewart’s death. (Confession: I have possibly seen one “X-Men” movie, though long before there were “X-Men” movies, I read the comics — so I am familiar with Professor Charles Xavier, a part for which Stewart did not need to shave his head, as well as his nemesis Magneto, played by Stewart’s good pal Ian McKellen.) But there’s more to the story.

Patrick Stewart’s Picard comes face-to-face with Alice Krige’s Borg Queen in the 1996 film “Star Trek: First Contact.”

(Elliott Marks / Paramount Pictures)

Stewart’s 70-year career does neatly divide into BST and AST — before and after “Star Trek,” which arrived in 1987 at its chronological midpoint. The first half is dominated by theater. He joined the Royal Shakespeare Company in 1968, after a decade on regional stages, and was a core member until 1982. “So that was my daily experience,” he told me. “Shakespeare and his contemporaries and other great 19th century, 20th century playwrights. It was home to me.” In 1982, he took part alongside fellow RSC members, including David Suchet, Ben Kingsley, Judi Dench and McKellen, in director John Barton’s illuminating series “Playing Shakespeare,” demonstrating the relation of text and performance. You can find it all on YouTube from the Shakespeare Network and really should.

American audiences might have gotten a look at him in David Lynch’s “Dune” or PBS-imported British TV productions like “I, Claudius” and “Tinker Tailor Soldier Spy,” or as Claudius opposite Derek Jacobi in BBC’s “Hamlet” — but for many Stewart appeared new and fully formed in September 1987 on the bridge of the USS Enterprise. (This paper, reporting on his casting, apparently called him “an unknown British Shakespearean actor,” a fact you will see printed many times over in the wake of his death, and which Stewart liked to repeat.) With a handsome, sculpted head unencumbered by hair and a rich musical baritone, he exuded compassionate authority. You felt you could trust him, not just because it was in the script. With his classical training, he could make the most mundane line sing as if it were written in iambic pentameter, and do it without sounding hammy. He was a fit 47 when the show premiered. And he rocked his body-hugging Starfleet uniform.

After “Star Trek” made him Hollywood-famous, making way for his “X-Men” role — which he reprised for his final film, “Avengers: Doomsday,” coming in December — other projects followed. As an established personality there were opportunities for self-mockery and oddball choices. In Ricky Gervais’ “Extras,” playing himself, he describes a screenplay he’s writing in which his character has the power to make women’s clothes fall off (“and I’ve seen everything”). In Riz Ahmed’s “Bait,” which premiered earlier this year, he was the hallucinated voice of “Pigtrick,” a decapitated pig’s head that is somehow also Patrick Stewart. He donned a bad wig to portray John Oliver on “The Daily Show” and was a regular voice on “American Dad!” More traditionally, he played Captain Ahab, Ebenezer Scrooge and Captain Nemo.

Patrick Stewart as Macbeth and Kate Fleetwood as Lady Macbeth in “Macbeth,” the film version of Rupert Goold’s production.

(Manuel Harlan / Illuminations TV)

Did success on the screen boost his stage career? Or was it just a different route to the same place? With McKellen he starred in Samuel Beckett’s “Waiting for Godot” and Harold Pinter’s “No Man’s Land” in repertory. He adapted Charles Dickens’ “A Christmas Carol” into a one-man show and played George in “Who’s Afraid of Virginia Woolf?” But it always came back to Shakespeare. Returning to the RSC, he played the Ghost and Claudius to David Tennant’s “Hamlet” and the lead in “Macbeth” (both were filmed and broadcast) as well as Prospero in “The Tempest.” He stayed busy as he aged, if not always as busy as he would have liked — the actor’s lot — and when the pandemic killed regular work, he went onto social media and spoke directly to the people in the language he loved so well, reading and commenting on all of Shakespeare’s 154 sonnets — “A Sonnet a Day” — from March to October 2020 (they’re available on CD).

“We play this game often,” he told me. “I played it when I was a kid: If you could go back in time, where would you go? And I’ve worked on my answer to that question — I want to be in the audience at the very first performance of ‘Hamlet, Prince of Denmark,’ that’s all, because I know Shakespeare would be there.”

Simon Harmer picked a career-best 6-16 as South Africa beat Australia by 176 runs to clinch Test series 2-1.

Australia ‌captain Pat Cummins said it was fair to ask questions about his side after they ⁠slipped to two heavy ⁠defeats in a row against hosts South Africa to lose the three-match series 2-1 at Newlands on Saturday.

Set 288 for victory, Australia were rocked early on and could ⁠manage only 111 to lose the third Test by 176 runs, following their defeat by an innings and 31 runs in the second match in the series.

Australia next host New Zealand, and Cummins ⁠said the series loss meant questions were inevitable as South Africa took over from them as the number one side in the Test world rankings.

“We lost two games in a row. I think it’s fair to be asking questions and we’ll be asking them internally as well,” Cummins told reporters. “We are a very good ‌side, but I think we need to get a little bit better if we want to get back to number one [in the world].

“Maybe that’s a change of style, maybe it’s a change of personnel in some instances. We’ll work it out.”

Cummins made the surprise decision to bowl first after winning the toss on the first morning, something that had been done only 11 times before in Tests at Newlands since 1889.

As it proved, batting last was difficult on a wearing ⁠surface, and Australia fell to the spin of Simon Harmer, who took ⁠career-best figures of 10-120 in the match.

“We knew it was going to be a high-scoring game,” Cummins said. “We probably thought it was going to do a little bit more on day one than it did.

“You don’t win the toss and think you’re ⁠going to bowl the opposition out for 100 or 200, but we thought we could get 10 wickets on day one and that would ⁠put us right ahead of the game.”

Cummins said poor decisions cost ⁠his batters and that their chase was as good as over in the first half-hour of the day.

“Chasing 280-odd was never going to be easy, but we all turned up today and saw a pretty clear path forward. I thought it was ‌achievable, but we never really gave ourselves a chance,” he said.

“There were a few really poor decisions. I know it’s a day-five wicket, but I don’t think it was drastic. There were runs to ‌be ‌scored out there; there were lots of balls to face.

“I think there are a few decisions the boys would like back. We have to get better. It’s happened a few times now.”

Despite calling time on his playing career two decades ago, it is still rare for Shearer to find himself with a weekend off.

Now a regular pundit on Match of the Day, as well as co-commentating on England games and sitting alongside Gary Lineker and Micah Richards on The Rest Is Football podcast, he has become one of the most respected pundits in the game.

But that was not always going to be the case.

Unsure of whether he would enter the world of management or media post-retirement, Shearer served as interim Newcastle manager in 2009 for the remaining eight games of the season.

It ended badly, with the Magpies relegated and Shearer never returning to the dugout.

“Newcastle were were in desperate trouble and I could never say no – we were bottom of the league, fighting for our lives,” he said.

“I should have known that when I signed the contract on April Fool’s Day that it wasn’t going to work out!

“I always felt that I was going to go into it again and I wanted to. I had a couple of interviews and got offered the job at Cardiff. And then things changed … and I thought, ‘what am I doing here?'”

That ended Shearer’s brief brush with management and he returned to punditry, spending his weekends travelling between Newcastle and Salford for Match of the Day.

“It is such a long day. For me travelling from Newcastle, it’s a probably 19-20 hour day,” he said.

“What people don’t realise is that you’re meant to be at your brightest and your liveliest when you go on live at 10:30, whereas if you’re watching football all day on the settee, you’re ready to nod off at that time.”

Watching so much Premier League football, at least Shearer is able to monitor that goal-scoring record of his.

PRINCESS Andre has been given another major career boost after landing a FOURTH series of her hit show in less than two years.

The TV star is quickly becoming an ITV fan-favourite thanks to her reality TV show, The Princess Diaries.

Now, The Sun can exclusively reveal that the programme is coming back for a fourth series.

Our insiders revealed that filming for the next edition is already underway with Princess and everyone around her delighted that the show will be coming back again.

A source told us: “Everyone’s thrilled Princess is doing another series, it’s been so successful for ITV.”

With filming already underway, it is expected that new episodes could land early next year.

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So far, three series of The Princess Diaries have aired since the programme launched in summer 2025.

It originally followed Princess as she turned 18 and entered into adulthood and stepped outside of the shadows of her parents, Peter Andre and Katie Price.

Mum Katie was originally banned from appearing in the show in series one but dad Peter made several appearances.

Both her parents were then absent for the second series before Katie’s ban was overturned for the third series where she began filming for the first time.

Peter also made a return to the series around this time as well.

Her own show isn’t the only TV appearance the young influencer has going on with the star currently appearing in Celebrity Race Across The World with her brother Junior.

LOUIS Walsh claims former pop protege Ronan Keating’s music career is over and believes the Irish singer will never have another hit.

The former X Factor judge was instrumental in launching Ronan‘s career through his management of Boyzone – to date, the second most commercially successful boyband in the United Kingdom behind Take That.

He would continue managing the singer, now 49, through the successful early years of his solo career, during which hit singles Life Is A Rollercoaster and When You Say Nothing At All rocketed up the charts.

But a sharp decline in popularity and ongoing disputes over Ronan’s musical direction led to a bitter parting of the ways – and persistent claims by Walsh, 74, that the singer had ‘started believing his own publicity.’

Appearing on the latest instalment of The Big Interview, Walsh reignited his feud with Ronan by claiming he will never have another hit single.

“I did all the work on Boyzone, everybody knows that,” he told host Collette Fitzpatrick on Sunday evening. “They were the puppets for Westlife, and I picked all the songs.”

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Ronan became a household name with Boyzone – earning three number one albums and a string of hit singles alongside bandmates Stephen Gately, Mikey Graham, Keith Duffy and Shane Lynch.

But he would leave the band at the height of their success in 1999, with Louis staying on as his manager during the hugely successful first decade of his solo career – before creative differences led to his sacking.

“Ronan started believing his own publicity then,” Louis recalled. “He said to me one day in the Four Seasons, ‘I don’t want to be a karaoke artist anymore.’ But that’s what he is!

“I was picking all the songs – he hasn’t had a hit since. He hasn’t! He’s singing all the old songs now, he doesn’t have a record deal. He was great to work with at the start, but then he believed it.”

He added: “He wanted to be George Michael… he was chasing around George Michael in London.

“What he didn’t know is that George Michael fancied Stephen [Gately], and George Michael was only being friendly with him to get to know Stephen. That’s the real story.”

Ronan has since returned to Boyzone, now a four-piece following the death of Stephen to an undiagnosed heart defect in 2009.

But Louis remains adamant that the singer’s music career is finished.

“It’s over – he’s never going to be a pop star now,” he said. “He’s never going to have another hit. I’m happy.

“We had great times together, we had great fun, but it was a bad divorce, and it’s fine – I’m over it. I’d say he’s happy enough in his life, because he’s always gonna be working.

“He’ll either be a DJ, or he’ll act, or he’ll dance. He can do anything.”

Prince WIlliam once dreamed about being a policeman before he turned his hand to DJing – but The Prince of Wales has been brutally honest about his talents during a surprise TV interview

Prince WIlliam has revealed his childhood dreams of becoming a DJ live on TV.

He joined Cate Blanchett, Robert Irwin and Hannah Waddingham on The Graham Norton Show last night. During the episode William was asked whether he had wanted a different career growing up, other than becoming the future King, to which he surprised the audience by saying he had.

His dream role was once to be a policeman, and he even said he wanted to be a DJ. He said: “I did want to be a policeman when I was younger; I thought I could make a good policeman.” Graham interjected saying: “Well, you’re tall.” Then Robert chipped in: “There’s a bit more to it than that mate.”

Graham continued: “Well, you’d look good in the uniform and the hat.” Prince WIlliam added: “I wasn’t on the catwalk. Yeah, being a policeman I thought was quite cool and then I went through a phase of wanting to be a DJ – which didn’t go very well and I came up with a name, I was called DJ Xara with an ‘X’, it wasn’t good.”

Graham asked: “Did you DJ at school parties?” To which Prince William said: “No, I didn’t, I never got that good.”

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The audience is heard laughing along, prompting many royal fans to take to X to comment on the prince’s sense of humour, with many referring to William as “funny”.

One fan commented: “Prince William is articulate, funny and an intelligent decent man,” another added: “Prince William is pretty funny and bet he would look good in a police uniform.”

Another added: “I [red-heart emoji] seeing people realise just how charismatic and funny Prince William is, and that he has absolutely no problem laughing at himself. This clip of him on The Graham Norton Show is the perfect example of that. The poor man was absolutely red in the face from laughing so much.”

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Ron Duguay, a longtime New York Rangers star who finished his NHL career with the Kings, has died of cancer. He was 69.

The Rangers announced the loss of “one of the most popular players in franchise history” on Thursday morning after being informed by Duguay’s family.

“Ron’s signature skating style — with his hair flowing as he moved down the ice — captivated The Garden Faithful, and his skill, tenacity, and charisma earned him the admiration of all New Yorkers,” the team said in a statement. “We join the hockey community in sending our condolences to Ron’s friends, family, and loved ones during this difficult time.”

Former Alaska governor and 2008 Republican U.S. vice presidential nominee Sarah Palin, who dated Duguay over the last several years, posted on social media that the one-time NHL All-Star “passed away peacefully” Thursday “after a hard-fought battle with cancer.”

“It’s with a shattered heart, but also deep peace knowing Ron is with Jesus now,” Palin wrote. “He fought so hard. Love never ends.”

On Sunday, Palin posted photos that appeared to show her holding Duguay’s hand while he was in a hospital bed. “Prayers for Ron Duguay are felt & appreciated,” she wrote.

Born in Sudbury, Ontario, Duguay was selected by the Rangers at No. 13 overall in the 1977 draft. Known for his long, curly hair and flashy lifestyle — “why, he even danced with Cher at one of Manhattan’s best-known discos,” the New York Times wrote in 1983 — Duguay became a star during the six seasons of his initial stint in New York. He helped the Rangers make the 1979 Stanley Cup Final and earned his only All-Star nod in 1982.

Ron Duguay, front left, blocks out New York Rangers’ Carey Wilson as Kings teammate Marty McSorley winds up to shoot Feb. 27, 1989, at Madison Square Garden.

(Ron Frehm / Associated Press)

Duguay was traded to the Detroit Red Wings in the summer of 1983 and had the two best seasons of his career, including career highs of 89 points on 38 goals and 51 assists during the 1984-1985 season. He also played for the Pittsburgh Penguins and a second time for the Rangers before wrapping up his career with the Kings from 1988 to 1989.

Overall, Duguay had 673 points (305 goals, 368 assists) in the NHL regular season and playoffs. He went on to play in the minor leagues, including two seasons with the IHL’s San Diego Gulls, and spent 12 years calling Rangers games as an MSG Network analyst.

“Ron greeted each day with the biggest smile, an incredible zest for life, and a positive outlook that shone through everything he saw, everything he did, and every life he touched,” the NHL Alumni Assn. wrote on X. “He will be remembered not only for the player he was, but for the extraordinary person he was. His warmth, his laughter, his kindness, and his beautiful spirit will forever remain in the hearts of his family, friends, teammates, and the entire NHL Alumni community.”

The Kings reposted the alumni association’s statement and added: “Our hearts are with Ron’s family & loved ones and we join them in mourning his passing.”

In 2024, Duguay was diagnosed with Stage 4 cancer, which had started in his colon before spreading to his liver and other parts of his body, according to a post on the GoFundMe page set up by his three adult children to help pay for his medical and travel costs. He lived in Florida but had to make regular trips to Orange County for treatment.

“Early this morning, our beloved father took his final breath after fighting a long and courageous battle. He fought with everything he had, right until the very end,” daughter Shay Thomas wrote on Thursday in a separate GoFundMe post. “Our hearts are shattered, and the world feels a little less bright without him in it. He will be missed by so many, but we find peace in knowing that he is finally free from pain and suffering.

“He fought the good fight until his very last breath, and today, Heaven gained a truly special angel.”

Richard Riehle, a prolific character actor who portrayed Tom Smykowski, the product manager with “people skills” in Mike Judge’s cult classic, “Office Space,” has died. He was 78.

Riehle died Thursday of natural causes in Los Angeles, his representatives from Artists & Representatives and Wright Entertainment Inc. confirmed Monday to The Times. No additional details were provided.

“A remarkable actor whose career in theater, film, and television spanned nearly five decades and more than 400 projects, Richard leaves behind an extraordinary legacy,” read the joint statement from his talent agency and management company. “Beyond his immense talent, he will be remembered for his genuine goodness, boundless kindness, and unwavering generosity, particularly toward emerging actors and filmmakers, whom he encouraged and supported at every opportunity.

“Our industry has lost an exceptional talent, and our community has lost a truly wonderful man,” it continued.

In the 1999 corporate comedy “Office Space,” Riehle portrayed Tom, a middle manager who is laid off by the company before being seriously injured in a hit-and-run accident and winning a large settlement.

“We didn’t have a regular effects person to put me into a body cast for my scene after the character’s accident, so we hired an EMT guy to put me in a real cast,” Riehle said in an interview with Notre Dame Magazine. “I couldn’t get out of it for 8 hours — and when the EMT had to go to work he left a cast-cutter for the PA [production assistant]. That was fun.”

Richard Riehle, right, portrays a co-worker of Ajay Naidu, left, Ron Livingston and David Herman in the 1999 classic “Office Space.”

(20th Century Fox)

Riehle’s other credits include portraying the guard who lets Harrison Ford’s character escape custody in “The Fugitive” (1993); the mechanic with a punny name, Bill Cozbi, in “Bridesmaids” (2011); and the proprietor of a local diner in “Pee-wee’s Big Holiday” (2016).

His wide-ranging resume also includes TV roles in episodes of “Star Trek: The Next Generation,” “Star Trek: Voyager” and “Star Trek: Enterprise,” as well as multiple stints in shows including “Quantum Leap,” “Murder She Wrote,” “L.A. Law” and “Drunk History.” He was also a voice actor on animated projects such as “The Legend of Korra” and “Home on the Range.”

For five seasons, Riehle portrayed Walt Finnerty, the father of Donal Logue’s Sean Finnerty, in the sitcom “Grounded for Life,” which aired from 2001 to 2005.

“Richard Riehle was an amazing human being,” Logue wrote in a tribute shared Monday on Instagram. “A consummate professional, he was an actor’s actor — humble, kind, and incredible at his craft.”

Logue said that he “loved every minute” he spent with Riehle and recalled how the late actor made him laugh so hard during his final audition for the show that he fell to the floor.

“I’ll always remember small details — how he always had a novel (never pulp stuff — always Hugo or Dostoevsky or another classic) stuffed into the back pocket of his old-school slacks,” Logue added. “He loved the House of Pies on the corner of Franklin and Vermont (I did, too).”

Richard Mathias Riehle was born May 12, 1948, in Menomonee Falls, Wis. He graduated from Notre Dame with a degree in speech and drama in 1970 before pursuing a master’s in fine arts at the University of Minnesota.

He started his acting career in local theater. His first uncredited onscreen role was in the 1975 western “Rooster Cogburn,” though he mentioned that he couldn’t find himself in it in a 2017 interview with the A.V. Club. His first screen role “with lines” came a couple of years later, in the 1977 movie “Joyride.” One of his earliest breakout roles was in the 1989 Civil War film “Glory.”

“I always wanted the role that would bring something out of me, force me to find something extra,” he said in the Notre Dame Magazine feature. “As I get older, the roles may not be there as much on high-profile projects, but I’m always going to look for ways I can work and maybe even be a part of ways to change the business. When I work, I feel great. That doesn’t ever have to stop.”

SEBASTIAN Croft has opened up about how he was cruelly ‘bullied’ and ‘ostracised’ back in school.

The Celebrity Traitors star, who is known for appearing in series such as Game of Thrones, quit school at 16 after facing backlash over his sexuality.

“I had a really difficult few years,” said Sebastian – who is affectionately known as Bash – in a new interview with the i Paper.

The star, who is openly queer, explained that he was “outed” by a classmate he was having a secret relationship with.

“I don’t blame the other boy who did it, because he was obviously just also trying to navigate the fact that he was getting chipped for being gay.

“But it was a really lonely and difficult time in my life. I would leave school and be an actor and be doing the thing I loved the most, and be with other like-minded people, and feel so liberated in myself, and then I go back to school and be bullied and ostracised,” said Sebastian, who is now 24.

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The actor attended a boarding school just outside of Oxford, where he grew up.

Sebastian rose to prominence after having his TV debut on Game Of Thrones as a young Ned Stark.

Playing the younger version of Sean Bean’s character, he appeared in Winterfell via Bran Stark’s greenseeing flashbacks in the episodes Home and The Door.

He later bagged a spot in Netflix’s Heartstopper.

Here, he began a romance with co-star Joe Locke which lasted three years – but the pair never went public about the relationship.

Over the years, he has earned acclaim for his roles, including a BAFTA Children’s Award nomination for his starring turn as Atticus in Horrible Histories: The Movie – Rotten Romans.

EXCLUSIVE: His co-star Tessa Peake-Jones, who played Raquel, says it was ‘poignant and quite sobering’ watching the comedy legend grapple with the past

Only Fools and Horses star Tessa Peake-Jones has told how Sir David Jason felt saddened watching himself playing Del Boy in lost archive clips, as he hankered to be back in his prime.

The actress, who played his wife Raquel from 1988 for 15 years, says she enjoyed sitting with him, and other actors from the hit BBC sitcom, to watch newly discovered gems that they all believed had been lost many decades ago.

But she revealed that at times the 86-year-old became maudlin as he looked back. “You know, he’d just been knighted, he was in every programme going, Darling Buds of May, all of them. And he said, ‘There I am in my prime, and now here I am as an old man sitting watching it.’ I found that really quite moving.

“He just said, ‘Oh, I’m finding it very sad,’ and I said, ‘What do you mean?’ I ended up becoming his therapist on the sofa and he said, ‘I just I look at myself then in my prime as the best I could possibly be,’ which of course he was then – in his forties and fifties, he was more famous than anyone in Britain on telly.

“And I knew what he meant when he said he felt sad because this is us looking back on what we were, particularly for him because he was at his absolute peak. It must have felt very peculiar. You’re not ever going to be what you were then.”

And she added: “He’s still a very vibrant man, he’s got a lot of energy, he’s doing things all the time, but it was just very poignant and quite sobering.”

At the end of the first episode, which airs on Tuesday, David can’t get over how good the pair of them looked back then. “It is difficult because we are looking back at a time when we were both beautiful,” he says. Tessa responds with positivity, telling him: “Maybe we still are but we don’t see it as easily.”

But speaking afterwards she said she had also found watching the lost archive clips and outtakes difficult at times too. “Some actors really like looking at themselves. I will run a mile, I absolutely loathe it. So it was slightly torturous for me, particularly because not only are you watching scenes that you’re acting in, but you’re 30 years older.”

She believes that the secret of the comedy’s longevity is that its humour, written by the late John Sullivan and also starring Nicholas Lyndhurst as Rodney, had universal appeal. “John didn’t leave anyone out. He really cared about family and he cared about what people shared watching on telly.

“I know we all go, ‘oh, isn’t Del awful with all his scams’, but at the end of the day he’d do anything for anyone. He was kind. Looking at comedy these days, bar the odd brilliant one like Ghosts, some of them are quite cruel. It doesn’t make me laugh when you see someone being horrid about someone else.”

Tessa, now 69, says that she has received thousands of letters from fans over the years wanting to talk about her role as Raquel.

But even though she was in Only Fools for many years, she still gets more fan mail for one tiny role that she played in 2013.

“I had 30 seconds of screen time on Doctor Who,” she laughs. “But it happened to be when one Doctor becomes another. I was in a Christmas special when it happened – it was Matt Smith leaving and Peter Capaldi coming in. I must have had six lines in it, maybe seven. But I’ve had more fan mail about that 30 seconds of screen time than anything I’ve ever done in my career.”

She said the Only Fools fans aren’t far behind the Doctor Who ones. “We have many extremely obsessive fans who are almost as as powerfully connected.”

Tessa said the remaining cast from the hit sitcom were all astonished to hear that 66 bits of film, including full scenes and outtakes, had been discovered. “What’s so hilarious is that I believe all these bits and bobs were found in like a drawer at the BBC in White City,” she laughs. “Think what other gems are in drawers somewhere in those buildings. It’s extraordinary, isn’t it?”

She said it had been hard at times to work out if she even knew whether the clips had been cut from the original upsides. “I suppose you’re you’re wound up in the general whirly gig of all of it. You’re rehearsing constantly. You’re filming every weekend – life’s marching at quite a pace. So I suppose even when you record these things, if they don’t get put in, you sort of forget them.”

But, in the films, Sir David marvels at just how much ends up on the cutting room floor. He laughs: “I remember discussing it with John – we cut more jokes out than other shows had got in their entire episode.” The extra bits span 10 episodes from the 90s and cover the stories about blow-up dolls, Peckham Spring water, Cassandra’s miscarriage and Raquel giving birth to Damian., as well as the Jolly Boys coach trip to Margate.

By the time Tessa joined in 1988 the show had been on air for seven years and was a huge hit. The actress is enormously proud of the reaction her first episode got, when Derek Trotter first met Raquel on a blind date. “John wrote that brilliant script and it’s the only time the programme’s ever won a BAFTA,” she recalls. “He did that just to see what would happen for Del Boy’s character if if he was to fall in love.”

Having conceived Raquel as a one-off character, the writer quickly changed his mind. “John saw the public response and thought he could take this character of Raquel further – that it might change the dynamics of Derek and Rodney Trotter’s relationship. He thought, ‘Iet’s bring her back and see what happens’. And then a lot did happen. Such a lot.”

Unlike Sir David Tessa does not consider Only Fools to be the pinnacle of her career. “This was one of many, many things. I wouldn’t call it the thing I’m proudest of, I don’t think it’s my greatest achievement being in Only Fools, much as I’ve loved doing it. I’ve still got to meet my peak,” she laughs. “I might reach it next year.”

And well she might because 2027 brings viewers not only the last series of ITV’s Grantchester, in which Tessa has played vicarage housekeeper Sylvia Chapman since 2014, but also new Channel 5 crime series The Last Resort, in which she stars as a sixty-something sleuth alongside Caroline Quentin and Jason Watkins.

Tessa believes that, for fans, these new documentaries will be the last surprise from Only Fools and Horses, which is marking its 45th anniversary having launched in 1981.. “We’re all too old and also there is no one to carry John Sullivan’s mantle,” she says. “He was a one-off genius. So I don’t think there can be any other surprises. Thank God for things like UK Gold – who knows, in 100 years people might still be watching it.”

– Only Fools and Horses: The Lost Archive, U&Gold, Tuesday 20th & 27th October

Sonay Kartal’s dream week continued as she beat former Grand Slam champion Jelena Ostapenko at the Wuhan Open to reach the biggest final of her career.

British number five Kartal is playing in only her third event since returning from a six-month absence with a back injury, but she now stands one more victory away from a WTA 1,000 title – one of the most prestigious prizes outside of the Grand Slams.

The 24-year-old’s composure helped her secure a 7-6 (11-9) 7-6 (7-5) victory in a pulsating semi-final against Latvia’s Ostapenko.

Kartal trailed 4-1 in both sets but remained level-headed and took advantage when 34th-ranked Ostapenko stuttered in high-pressure moments.

Remarkably, Kartal survived three set points in the first set, and three more set points in the second, to secure a victory which will long live in the memory.

“That was probably one of the toughest matches I’ve ever played,” said Kartal.

“At times she is unplayable and you have to ride that wave. Mentally, this is one of the best performances of my career.”

The world number 170 is the lowest-ranked player to reach a WTA 1,000 final since the format was introduced in 1990.

Kartal will play French Open finalist Maja Chwalinska – who beat six-time major champion Iga Swiatek in their semi-final – for the title on Sunday.

Reaching the final means Kartal, who has been as high as 44th in the world, will return to the world’s top 50 and become Britain’s number one player when the next rankings are released on Monday.

Miguel Rojas didn’t want to take his cleats off.

The veteran infielder stood by his locker at Dodger Stadium, his eyes red and watery, his uniform covered in dirt, knowing that when he pulled them off, it would be for the last time.

“This is it, guys,” he said, announcing his retirement, after the Dodgers were swept by the Milwaukee Brewers in the National League Championship Series on Thursday. “It’s been a lot, the last four years of my life here. And obviously making my debut here in 2014 changed my life, not just for me but for my whole family. They took care of my son, my daughter, my wife, and everybody in my family. It’s really amazing what I can think about, what happened to me and to my family the last few years.”

Rojas addressed the team after the 6-4 loss to the Brewers. He said he was going to stay loyal to the Dodgers organization but in a different role.

Rojas, 37, has a player development role lined up, the first step in a post-playing career that he hopes eventually will land him in a manager’s seat.

“I just wanted to say thank you to all the veteran guys for allowing me to be myself when I got here, even though I didn’t play one game for the Los Angeles Dodgers for the last eight or nine years before I came here,” Rojas said. “They allowed me to be the leader that I wanted to be, the person that I wanted to change the culture and kind of give a little bit more of a culture, chemistry to the clubhouse. I feel like that is going to be a legacy that I wanted to leave here, other than my performance on the field. … I want them to remember me as a guy who always did everything possible to help my teammates win and to help the team get better every single day.”

Rojas put together a 13-year career split between the Dodgers and Miami Marlins. He had a career .260 batting average, won two World Series rings and three straight Roy Campanella Awards for his leadership in the Dodgers’ clubhouse.

Miguel Rojas hits a single during Game 3 of the NLCS against the Brewers on Wednesday.

(Gina Ferazzi / Los Angeles Times)

After Rojas made his major league debut with the Dodgers in 2014, the team traded him to the Marlins. He played eight seasons there. Then in 2023, the Marlins traded him back to the Dodgers.

Rojas, a key contributor in the Dodgers’ back-to-back championship seasons, saved the Dodgers’ 2025 World Series with his Game 7 home run. He re-signed in December for what was expected to be his last season.

Right before the playoffs, Rojas, who is from Venezuela, took his U.S. citizenship test. He said the person administering his interview didn’t realize he was a baseball player until she asked who his employer was.

“I actually wanted it to be that way because I didn’t want to have any kind of preference or anything because this process has nothing to do with baseball,” he said last week. “I felt like, as a citizen, as a human being, I always wanted to be a good person off the field and not let my performance influence anything, because we all know how hard this game can be and how high you can be and how low you can be one day. I don’t want to be judged by my performance on the field. I want to be judged by the person I am and my preparation.”

Katie Zacharia, the new White House press secretary under United States President Donald Trump, has drawn increasing criticism over claims about her professional background.

On Wednesday, a public accountability nonprofit filed a complaint with the State Bar of California over Zacharia’s repeated claims that she was a lawyer.

If made falsely, such a claim is a crime in the state. According to Zacharia’s LinkedIn profile, she received a degree from the Pepperdine Caruso School of Law in 2011, but critics have questioned whether she received a licence to practise law, as she has suggested.

“Ms. Zacharia has represented herself as a lawyer repeatedly to buttress her reputation and credibility as a television legal commentator and now as the White House spokesperson,” Michelle Kuppersmith, the head of the Washington, DC-based Campaign for Accountability, said in a statement. “Yet it seems it was all a lie.”

Her organisation filed the complaint with California’s bar office, a regulatory agency that oversees the licensing of lawyers.

“In California, calling yourself a lawyer without a license isn’t puffery; it’s a crime,” Kuppersmith said.

“The State Bar should investigate whether Ms. Zacharia has misled the public about her credentials and hold her accountable if she has.”

Zacharia, a commentator who has appeared frequently on Fox News and Newsmax, began her term as White House press secretary on Tuesday.

In a news briefing that day, she seemed to falter and speak haltingly, sometimes having to repeat herself.

Her appearance was brief, lasting under 15 minutes. She spent much of her time at the podium thanking Trump for the opportunity and reading from a prepared statement.

“I have wanted to work for him for a very long time,” Zacharia said.

Later, she joined Trump outside the White House to speak further with reporters. When asked where she had passed the bar exam, Zacharia replied, “When I moved to China.”

The response was an apparent reference to a three-year stint in which she claims she worked at a law firm in Beijing.

A biography on the website for the pro-Trump women’s organisation Trumpettes USA Inc says she “served as outside counsel” for the World Bank and International Finance Corporation while in Beijing.

Her LinkedIn profile, meanwhile, indicates Zacharia served as an associate at the Zhong Lun Law Firm in Beijing from 2011 to 2013. More recently, from 2024 to 2025, it lists her as general counsel for Fix California, a voter rights group started by a Trump administration official.

On her Instagram profile, Zacharia describes herself as a “Wife, Mom, & Lawyer”.

But Zacharia’s assertion that she passed the bar in China has fuelled media scrutiny. China’s equivalent of the bar exam, the notoriously difficult National Unified Legal Professional Qualification Examination, can only be taken by Chinese citizens.

China has, on rare occasion, allowed foreigners to practise law in the country if they have several years of experience in their home countries first.

But that does not appear to be the case for Zacharia. According to media reports, Zacharia has not been found to be licensed as a lawyer in any state in the US.

In a statement to The Associated Press, Zacharia responded to the scrutiny by saying, “I practice international transaction law, with all the appropriate credentials.”

Since Trump’s return to office for a second term, Zacharia has spent several months as a communications adviser at the Department of Homeland Security.

Since June, she has also worked as the senior communications adviser at the Trump Media and Technology Group, which owns the Truth Social platform.