career

Former NFL quarterback Derek Carr has joined UCLA’s coaching staff as a special advisor to coach Bob Chesney.

The Bruins announced the hiring Monday of the 35-year-old Carr, who is volunteering in his first major coaching role.

The longtime Raiders starter will help Chesney and the Bruins’ offensive staff with game planning and strategy, and he will work with UCLA‘s quarterbacks.

“His experience, leadership and football knowledge will be an incredible resource for our coaching staff and student-athletes,” Chesney said in a statement. “What stands out most is his passion for the game and his commitment to developing young people. Derek will have a tremendous impact on our players and is a great addition to our program.”

Chesney and his staff are in their first season in Westwood after he was hired away from James Madison last December. Carr’s connection to the job was through Bruins general manager Darrick Yray, an offensive assistant and an assistant director of football operations at Fresno State during Carr’s prolific career with the Bulldogs.

“I’ve known Darrick for a long time and have great respect for the work he’s done throughout his career,” Carr said in a statement. “The opportunity to help coach Chesney, the staff and the quarterbacks at UCLA was one that really excited me. I’m looking forward to sharing my experiences and helping support the program in any way I can.”

Carr is 22nd in NFL history after passing for 41,245 yards during his 11-season career with the Raiders and the New Orleans Saints. He is the Raiders’ career leader in yards passing, completions and passing touchdowns.

Carr was a four-time Pro Bowl selection in Oakland and Las Vegas. After two subsequent seasons as the Saints’ starter, Carr retired from the NFL in May 2025 because of a serious right shoulder injury.

Carr’s No. 4 is retired at Fresno State after he passed for 12,842 yards and 113 touchdowns, leading the nation in both categories in 2013 while winning the Sammy Baugh Trophy.

At UCLA, Carr will work with presumptive starter Nico Iamaleava, the Tennessee transfer and Long Beach native who passed for 1,928 yards and 13 touchdowns last season for the Bruins. Iamaleava’s younger brother, Madden, is expected to be their backup quarterback in his second season in the program.

Even before this high-profile addition to his staff, Chesney was already building early momentum in his significant rebuilding project at a program that has foundered over the past decade.

Chip Kelly produced six mediocre seasons before he bolted from Westwood in February 2024, leaving the Bruins in the lurch after that winter’s coaching cycle had largely ended. Former UCLA star DeShaun Foster took over on short notice, but was fired three games into his second season last fall before the Bruins finished 3-9.

Beacham writes for the Associated Press.

Years ago, at the height of his success, Anthony Jeselnik couldn’t sleep. It was making him crazy. Hoping to find relief, the comedian sought help from a therapist he assumed would guide him back to a healthy sleep schedule. Instead, he encountered an apathy that stunned him.

“So what?” he recalls her saying. “So what if you don’t sleep? If you wake up, read a book. Find ways to be productive in your loneliness.”

Anthony Jeselnik grows earnest when he talks about his love for books.

(Ariana Drehsler / For The Times)

The advice resonated. Today, the comedian is still reading alone, only now he has a dog — and an audience. A lifelong reader, Jeselnik has transformed his literary habit into a popular online book club, Jeselnik Book Club, where he recommends novels and invites discussion on his YouTube channel. His first video, posted in January and reviewing Jim Thompson’s “The Getaway,” garnered over 31,000 views. Each month, he chooses a novel and offers it up for discussion.

“My goal was to curate and give people their best shot at enjoying reading,” he says. It’s a valiant effort, considering that reading has been in a steady decline. Last year, it was reported that the number of American readers had declined by 40% over the previous two decades.

“People will say, ‘Oh, I don’t like reading books.’ You’re choosing the wrong books,” says Jeselnik, his voice likely ringing with his signature snark because he, for the most part, knows otherwise. In 2022, bestselling writer Isaac Fitzgerald, who recently released the anticipated “American Rambler: Walking the Trail of Johnny Appleseed,” witnessed the power of a Jeselnik recommendation.

“It helps with the masculinity crisis in that reading is masculine. It is a masculine thing to do,” Anthony Jeselnik argues, advocating that young men trade online conspiracy forums for literature.

(Ariana Drehsler / For The Times)

“A friend texted me that Anthony Jeselnik, a comedian whom I loved — but had never met nor interacted with — shouted out his love of my memoir, ‘Dirtbag, Massachusetts,’ on his podcast. I was thrilled,” Fitzgerald says. “At my events, both in Chicago and throughout the rest of that year, more and more people in my signing lines told me they’d heard of the book from Jeselnik’s podcast. I was also buoyed by how many of the people in the signing lines were young men.”

Since then, despite Jeselnik’s self-proclaimed loner status, Fitzgerald and Jeselnik have struck up a friendship. “The man is a real lover of books, with excellent taste and, unsurprisingly, confidence in his convictions,” Fitzgerald says. Earlier this year, the author held a book launch event for “American Rambler” at Skylight Books in Los Feliz. Jeselnik hosted. “I think he may have single-handedly invented a new way to do literary events. I don’t know what to call it … a literary roast?” Fitzgerald says. “Everyone laughed for an hour straight.”

In a sun-drenched luxury apartment above Hollywood Boulevard, Jeselnik explains that he mostly avoids the press — because he says he’s become weary of cancel culture and identity politics, conversations that have mired comedy.

Still, he welcomes the chance to discuss books, his voice swelling with excitement at the mention of authors Emily St. John Mandel and Ottessa Moshfegh — both personal favorites. Almost an hour into the conversation, the comedian reveals that he has Joan Didion’s author photo tattooed on his chest. His hand rests on his heart as he evangelizes her writing — a surprisingly tender moment of sentimentality from a comedian who has made a career out of stinging misanthropy.

“She has the cleanest prose. I think she’s the best writer of all time,” Jeselnik says. “I’ve read all of her novels, a lot of her essays. Her book about her husband dying is one of the most heartbreaking books.”

In fact, Didion is a natural match for the comedian. He is renowned for his precise and restrained use of language, delivering provocative truths about people’s ugliest impulses and asking the audience to laugh at them.

In the comedy world, Jeselnik has become legendary for his razor-edged one-liners, each joke ending with a dark reversal. He’s gained a reputation as the provocative bad boy of comedy with irresistible charm. Over the course of his career, he has enjoyed toying with this stage persona, which he jokes is that of a “borderline psychopath.” His roast of Donald Trump catapulted him to stardom, and he has released five hourlong comedy specials, the most recent of which, “Bones and All,” debuted in 2024. On Instagram, he has over 1 million followers.

“I was trying to be the devil onstage and somehow ended up as likable anyway,” he says of his storied career. This interests him in literature too — transcending reputation through good art. “Edgar Allan Poe wrote these books about psychopaths and killers. Authors do not equal their persona.”

“I’m trying to make reading cool again,” Anthony Jeselnik says. “Reading is a solitary act in the way that stand-up comedy is a solitary art form.”

(Ariana Drehsler / For The Times)

Jeselnik’s book club recommendations are eclectic and literary — the kind of titles name-dropped in MFA writing workshops and met with impressed nods at dinner parties. Most recently, he recommended “Stoner” by John Williams, “Dept. of Speculation” by Jenny Offill, and “Paradais” by Fernanda Melchor. He curates his recommendations painstakingly, choosing brisk reads of around 250 pages that he hopes will hook new readers.

“I’m trying to make reading cool again,” Jeselnik notes. “Reading is a solitary act in the way that stand-up comedy is a solitary art form.”

He hopes his fan base embraces a life of reading. Similarly, in 2025, comedian John Mulaney also began recommending books on social media. “There are so few books for guys that are literary. There’s a lot of John Grisham and Jack Reacher, but there’s not something literary that a guy can sink his teeth into,” Jeselnik says. “If it’s well written, and the writer is great, then I’ll go on any kind of journey they take me on. I don’t always understand everything that I read, either. But reading a great writer, it’s like listening to classical music.”

With anti-intellectualism in comedy on the rise, he says his book club stands as an antidote to the manosphere. Young men passing time on conspiracy theory-infested corners of Reddit should instead pick up a novel, the comedian argues. “It helps with the masculinity crisis in that reading is masculine. It is a masculine thing to do,” he says. “The Hemingways of the world were out there. It used to be a badass thing to be a writer, and a brave thing to put your thoughts onto the page and publish them.”

The comedian has been a voracious reader since childhood. When he was in a Montessori school, the teachers discovered that reading would soothe Jeselnik. “I could go sit in a corner, and you can be a juvenile delinquent reading juvenile delinquent books.” Reading gave him a sense of accomplishment and satisfaction that followed him into early adulthood — a penchant he would like to stoke in his fans.

Early on, when Jeselnik discovered Bret Easton Ellis’ work, it felt revelatory. “Once you got outside of the curriculum, it was revolutionary to me to read Bret Easton Ellis; to read about sex, gay sex, to read about drugs, and people, young people, doing this was fascinating.”

Starting a book club felt like a natural progression for Jeselnik’s decadelong career, he explains. “In terms of how I do things and my approach to stand-up, instead of doing a podcast, having a book club seems like a natural extension of that.” There’s an earnestness in his appreciation of great literature that translates to his videos. “You can tell that I like the book and want people to enjoy it at the same level.”

Jeselnik, 47, imagines his comedy career is winding down. Thankfully for his fans, he has other creative ambitions. “I’d love to take a crack at either short stories or writing a novel.”

He reflects on the trend of comedians who, later in their careers, seek new legitimacy. “You see a guy like Jim Carrey: the last thing he wants to do is make anyone laugh anymore. He wants to be taken so seriously,” he says. Jeselnik believes his stage persona spared him from that particular crisis of self. “People are afraid of me. Fans who approach me are careful because my stage persona is borderline psychopath,” he says. “I don’t feel that same need to be taken seriously. I think I am taken seriously.”

His comedic sensibility explores cruelty, shock, transgressions and antiheroes — and it’s also what continues to draw him to literature. “I love bank robbers. I love the idea of the villain winning. That is revolutionary to me. You’re raised on TV, and things have to be wrapped up in half an hour, and the moral has to hold,” Jeselnik says. “I love that books don’t have to play by those rules.”

Connors is a culture journalist in L.A. She covers books, food, entertainment and offbeat Los Angeles. She’s currently at work on a book of essays about tourism in all its forms.

In this week’s episode of The Envelope podcast, “The Pitt’s” Noah Wyle reflects on 25 Emmy nominations for the series, responds to criticism of casting decisions, and previews Season 3 of the HBO Max medical drama, now in production.

Kelvin Washington: Hello, and welcome back to The Envelope. It’s been a little while. Kelvin Washington alongside Yvonne Villarreal. We also have Mark Olsen. Good to see you. This is one of my favorite things, because I learn so much from you two. And by the way, I got a big shout-out from somebody at the other job that I do —

Yvonne Villarreal: You have another job?

Washington: Which one do you want to talk about? I have 17 of them. But she was saying how she was listening to something and then she said, “I want to hear more about it.” So she Googled, we came up and she was blown away to see it, and we did such great jobs. So she’s a big fan of you two. Shout out to Larissa if she watches again. But let’s get into, of course, Emmy nominations. You have surprises, you have ones you kind of expected, snubs, the whole nine. Let’s start with you, Yvonne. Anything jump out?

Villarreal: Leading the pack was “The Pitt,” which I think everyone expected, and coming in close second was “Hacks.” But I think the third most-nominated show that was thrilling to see have a big showing was “Widow’s Bay.” It was this latecomer to the race, and it’s just this show that has taken people by storm. The word of mouth has really grown. And I know, Mark, you got Matthew [Rhys] in an upcoming episode here. It’s just nice to see how that show’s performed.

I was a little bummed that we didn’t get a [big] showing of “The Comeback,” the third season. That was maybe my snub mark.

Mark Olsen: Not that it’s a causal thing, but I was excited to see a guest from the [podcast], Riz Ahmed, was nominated for the show “Bait,” [which is] kind of like a meta-psycho-emotional biography of an actor caught in conflict between his community and his career. And then also, I have to say, Meg Stalter from “Hacks,” I thought was exciting. For no other reason than to have her on that red carpet, to maybe get a little time on the telecast and the chaos that that just promises.

Villarreal: I want to know who she’s going to come dressed as. She always stuns on the red carpet with who she is sort of making fun of.

Washington: You need a little bit of that, a little chaos. That’s what makes those things interesting. For me, I was just thinking about, again, how we’ve had so many folks who were known for films now all of a sudden becoming television stars. Seems a little weird to say it, but Jason Bateman being one of them, nominated for a couple of shows. So it’s just been incredible to see some people’s transition into that, where 15, 20 years ago, it‘d almost be the downfall of your career to do so much TV. Now it’s a cool addition to your career. Let’s get into it. You mentioned “The Pitt,” Yvonne. And Noah Wyle, you had a chance to have a chat with him. Tell me a little bit more about it.

Villarreal: They got the big news about their 25 nominations while on set. They’re in production on Season 3. And when we caught up with Noah, he had just wrapped filming the episode that he wrote and directed this season, Episode 3. And it was really fun to catch up with him, especially considering how much he’s shouldered in portraying Dr. Michael Rabinovitch, a.k.a. Dr. Robby. You know, this is a character that’s had a really deep mental health journey the past two seasons. Season 2 picked up with him on the eve of a three-month sabbatical, and we think he’s finally going to get this break that he needs to deal with some of the things he’s been going through. But as the season progresses, we see him really confronting just how much of a mental breakdown he’s at right now. And we talked about that. He shared a lot about what’s coming up in Season 3. And we also get into some of the advocacy efforts he’s been involved with.

Washington: You know what I find interesting about that is, when you look at the folks from “Law & Order: SVU” and some other shows, [they’re] just a character, but all of a sudden folks really look at you as this advocate and they’ve turned around and become very passionate about those things, and I can see how that would be the case [here] as well. All right, let’s get into it. Yvonne and Noah, here’s their conversation.

Wyle on the Warner Bros. lot in Burbank in June.

(Christina House / Los Angeles Times)

Yvonne Villarreal: Noah, thanks so much for taking the time. We’re on the Warner Bros. lot inside an office space because you are deep in the throes of production on Season 3 while navigating the awards circuit. Tell me what that’s like. What is your headspace right now? Have you learned anything from last year?

Noah Wyle: It feels like we’ve just come back, even though today we started shooting Episode 4 already, which is amazing that we’re almost a third of the way through the season. It feels really good to be back. It’s odd that this is Season 3. It still feels like a new show. Everybody’s still energetic and excited to be there. The awards stuff hasn’t really kicked into overdrive yet, so it hasn’t been too much of a distraction. It’s just been really exciting, especially for our cast and crew who are so well represented in the nominations.

Villarreal: It was really staggering. Is there a moment from the last award season that stands out? An interaction or an experience going through that?

Wyle: The first one that comes to mind was an impromptu meeting I had with Stephen Graham after the Emmys where we bumped into each other on the street and he said some lovely things to me, and I said some lovely things to him. It was the first time I’d ever met him, then Keith David walked by, who was an old friend. It was a very collegiate moment. That was the time I actually took a breath that night and was like, “Hey, look at this — oh, my God, look at all of this.”

Villarreal: Where are the trophies?

Wyle: They’re on the mantle at the moment, at home.

Villarreal: Next to the Golden Globe made by your daughter?

Wyle: Yep, it’s right there in the center.

Villarreal: I want to review the show’s chart. “The Pitt” leads this year’s Emmy nominees with 25 nominations overall. You are nominated in the lead actor category, as well as directing. Do you feel like you’re better equipped or prepared to deal with the spotlight and attention that the show’s receiving now versus when you were doing “ER” at the height of its moment?

Wyle: Oh, I thought you were going to compare it to last year. Comparing it to 30 years ago, yes, I’m way better equipped.

Villarreal: Tell me.

Wyle: Just older, wiser. You’ve been to the dance before, know it for what it is. There’s nothing that’s going to be shocking about the process. Also, I have enough life perspective to just be extremely grateful and present for it and just be really excited about it.

Villarreal: How aware are you that the spotlight is on you? What does that feel like?

Wyle: I’m not that aware of it because I feel mostly cloistered once we start production on Soundstages 21 and 22. Occasionally the tours go by and I see [people] get all excited. But for the most part, I live a pretty hermetic life when we’re working. So except for when I Instagram scroll or one of my kids brings me news from out there, I don’t really get out much.

Villarreal: Your mom is a nurse. What does she think of this moment? Does it feel any different than during your “ER” days?

Wyle: Yes. I think back then it was just a novelty that she was working in a hospital and her son was on this extraordinarily popular medical drama at the same time. Now we’ve had an opportunity, especially the last couple years, through the [medical apparel] company Figs, to go to Washington and do some lobbying together, which allows her career, my career, to sort of work hand in hand. And for me to have a different perspective on who she was as a woman while she was a nurse working, because I only really saw her as Mom through those years. To answer your question, how was her perspective different? I think she’s, dare I say it, maybe a little more proud of me than she used to be. She’s said as much. I think in the old days she was proud of me being successful in having my dream of becoming an actor come true. Now she’s proud of me because she feels that I’ve used that platform to do some humanitarian good works outside of personal aggrandizement.

Villarreal: How many times is she visiting the set?

Wyle: Oh, I don’t let anybody visit this. By design, we keep a very closed set. In fact, if you come as a visitor, you have to put on scrubs so you fit in — and you feel really uncomfortable and you can’t wait to leave. That’s how we roll.

Villarreal: I want to dig into Season 2. When we pick up with Robby, it’s the eve of his three-month sabbatical, and we think maybe it’s this much-needed break. But as hour by hour goes by, it becomes clear that he’s maybe viewing this as a death sentence. What intrigued you, what worried you, about what he was facing in Season 2?

Wyle: Once we decided that we wanted to put, at the center of this medical drama that was an exposé and sharp look at the medical world, in 2026, a mental health journey of one particular person and have as part of that mental health journey be suicidal ideation, which speaks to a lot of the prevalence of that in this profession, once we committed to that idea, it was really exciting to walk it through. And to play the first half of the season as a guy going on vacation to get his head clear and play the second half of a season as a man buttoning up every aspect of his life in the event that this was a one-way trip. And leaving that almost to the Fates to decide as the day unfolded, looking for signs and signals to determine which way that should go. And increasingly as the day goes on, to be met with both the increasing desire to make it a one-way trip and the community that desperately don’t want him to, and ultimately keep him on this side of that edge.

Villarreal: You wrote two episodes in Season 2, and in “8 p.m.” we really see Robby’s mental health journey come to a head. What was that like, to put dialogue to what he was feeling internally, for you as the actor playing him?

Wyle: That particular dialogue was gifted to me by a doctor who shared with me that that was exactly what he said to his wife one morning when he was going through something very similar. And the way that it resonated with me when he said it, the way it went straight to my heart, I knew if I spoke it as simply, it would speak to other people. And rather profoundly, I got a letter by a young man who said that exact dialogue was so reminiscent of what was going inside his own head that it kept him from harming himself and was the catalyst for having him reach out to get help. Because it was so truthful, because it came from such a truthful place, it had a multiplier effect when we put it on TV. So to get to voice it to the world, that was extremely significant to me. It was the masks just really starting to fall to the point where you can no longer keep it in. And the Duke character [played by guest actor nominee Jeff Kober] is the only person who he felt he could share it with, because it’s enough objectivity, away from the hospital, without any kind of preconceived history. And it’s obviously somebody who’s been down a very bumpy road himself and won’t judge the decision one way or the other. He’ll just sit there, almost Buddha-like, and absorb it.

Villarreal: I know during the pandemic — this was sort of what was the impetus for the show — you were getting a lot of messages during that time, people messaging you about “ER” and what that did for them. How do you shoulder those types of interactions?

Wyle: That one made me cry. My hands started shaking. … You always want your work to have impact, you want it to have meaning, you want people to glean something from it that’s relevant to their own lives. And I’ve been very fortunate in my career. I remember back in the “ER” days, when Carter got sober, people would write me and say, “You helped me deal with my drug addiction.” When I was on “Falling Skies” and played the grievous loss of a spouse, people reached out to me. I’ve been a lightning rod for pain a couple of times in my career. And you asked me, how do I shoulder it? I think I sort of see it as a gift. When you have that connection to somebody, when they respond that way, it’s the ultimate compliment. And you’ve built a bridge where there didn’t exist one before. It’s even better if you build them between two strangers that don’t know each other, that now have commonality that has nothing to do with you.

Villarreal: Not to compare the two professions, but does it make you see the work you do as an actor a form of public service? We see how, when people are at their lowest moments in the hospital, they’re watching TV, they’re connecting with characters, with their family members, in these rooms. And then also what you just described, the interactions that you’ve had with these people [who were] inspired to become healthcare workers, shows you how they connect with the characters.

Wyle: As you’re saying that, that’s what birthed “The Pitt.” I was getting letters from people telling me that my work had meaning to them at the very moment when I didn’t feel like my work had meaning at all, because it had no relevance, because we were in the middle of a pandemic. Who wants to see a guy jump around in a costume while people are out there really being sick? And suddenly, I felt like I didn’t have a skill that actually could hurt or help anybody. It was only sort of a frivolous skill. Then those letters turned into the DNA that the show became.

Villarreal: Seeing what Robby is facing, how do you establish boundaries for yourself in terms of taking it in — dealing with the burnout, and overwhelming emotion of it?

Wyle: It’s a process. I am engaged in several modes of therapy to offload this and be able to surf it from both an artistic curiosity perspective and a need for balance. It’s interesting work, this work, and I do it with the full support of a loving wife and family who understand that this is different than what most people do for a living.

Villarreal: You seem to be giving yourself a lot of work these days in addition to acting in this hit show. As the No. 1, you’re writing and your directing. Do you like stress, Noah?

Wyle: I know it sounds odd, but my brain works really fast and it works nonstop. I don’t know what to do with myself most of the time. But when I’m engaged in [creative work], especially directing, it is a full-course meal for me. I feel totally alive and in my happy place. This last week, getting to direct a piece that I wrote, was even more fun because I’d pictured it already in my mind when I was writing it, which is a form of prep. But then you get to give it to everybody else to see what they want to do with it and what you’re creating communally suddenly becomes the third version of it, which I think is really great.

Villarreal: We like a tease here. Is there a note from this recent episode that you wrote and directed that was interesting to give that won’t make sense to us until we watch it?

Wyle: A directorial note? More glitter!

Villarreal: The episode you directed in Season 2, you had the interesting job of dealing with vomit.

Wyle: Yes. Vomit is hard. We’ve been making movies for a long time and we still haven’t come up with a decent vomit rig. I’m not selling Rob Nary, our special effects supervisor, down the drain here with this comment, but it is really hard to come up with a piece that doesn’t look like it’s on the side of a guy’s mouth when he’s throwing up. And you can put stuff in a guy’s mouth and have him spit it out, but to really get a good projectile vomit, you need to have some sort of cannon apparatus. And it has to come from a place that looks localized to the mouth, and it has to be the same diameter of the actor’s mouth. We went through, I don’t know, five designs on that thing and still ended up with something I thought was passable but not impressive — not “Pitt”- level impressive.

Villarreal: Interesting. Do you feel like you’ve upped the ante —

Wyle: I feel like I’ve put a challenge out there to somebody to come up with a decent vomit [effect]. It’s not as easy as it sounds.

Villarreal: It was also the episode where we get the passing of Louie [guest actor nominee Ernest Harden Jr.], and it was such a heartfelt moment and a reminder of the people that are there day-to-day or frequently, and the humanity that you still want to show them.

Wyle: Valerie Chu wrote a hell of a script. Valerie is a wonderful writer, and that episode just dramaturgically was a little different than the other ones because it did put more of an emphasis on the nursing staff than it did the doctors. Usually, we walk into a room and walk out of a room with a doctor. This time, we walked into rooms and out of rooms with the nurses, and we really tried to highlight the whole range of services that nurses give — pushing medications, double-checking doctor’s orders, holding hands, bringing blankets, wiping asses; all of the dirty work that goes into palliative care and treatment. That was the thesis. How do we exemplify those actions? Then, of course, at the center of it was Louie’s passing and the conferring of dignity to somebody after they’ve died was the theme I wanted to focus on. In the beginning, he’s a bloody mess, almost unrecognizable, and certainly not dignified. Then, through the cleaning and the preparation and then eventually the service — that’s on a clock because we’ve got other Louies to treat — we confer him his dignity. We fill in the backstory of his narrative. We give context to his life and honor the man. That was the lens progression we were going for and heart progression we were looking for.

Villarreal: What did it say to you that Robby committed those life details to memory from those interactions?

Wyle: To me, that is what you carry with you. It’s odd, the things you remember about somebody. It’s odd, the things that land with you. Usually, they resonate with something that you’re vulnerable to or have experienced. But with Robby, who never had a family and always seemingly wanted one but never allowed himself, the idea of somebody who had one and lost one is particularly profound. And as we get into subsequent episodes that we’re dealing with now, we see that Robby’s sense of loss predates Louie and his mentor, Adamson, and it goes back to almost an original sin.

Villarreal: A lot of people wanted you to take home Baby Jane Doe to heal and deal with some of your stuff.

Wyle: I don’t think you should throw a drowning man a baby. It doesn’t seem like a good, logical thing to do for either one of them. I think Robby went home and wished that he had the capacity to be someone who could have taken that baby home for a little while. And that was probably one of the things that nagged at him along that trip. If you wish you were better, then why wouldn’t you come back and try? And as we watch him begin to try to evolve and work through some of the things that have been stumbling blocks for him in becoming a fully evolved human, that’ll be one of them, hopefully.

Villarreal: I want to return to an earlier point, which is, you’ve done a lot of advocacy work. Even before “The Pitt,” you were arrested in 2012 in Washington, D.C., alongside 100 activists from the disability rights group ADAPT during a demonstration urging Congress not to cut Medicaid. Recently, you joined healthcare workers along with your mom at a rally on Capitol Hill. You also spoke at a congressional hearing focused on declining entertainment jobs in L.A. and the push for federal production tax incentives. How has using this spotlight and your voice for causes that are important to you deepened your experience with “The Pitt”?

Wyle: Well, that’s a very apropos question because I wrote into Episode 3 [of Season 3] a character based on a guy I was with when I was arrested with back then. A really wonderful guy, sort of a self-advocate and kind of a grump, total badass activist who has muscular dystrophy and has a tracheotomy. And so I thought, why don’t we put that character on the show and put him as a patient? And then I thought, “Well, who the hell is going to play that guy?” I called this guy and said, “Hey, I got a part for you, man. I need you to do it for me.” And we flew him out with his aide. And he came in, shot two days last week. He was phenomenal. The representation that we are going to give people in that community is going to be unprecedented, but it comes from a 30-year friendship I’ve had with this guy from some of the wars we fought together through the years, so it all dovetails together. I’m using one to feed the other at the moment and seeing where it’s applicable and where I think it could do the most good.

It’s just an amazing confluence of events. I’m an Angeleno who thinks there should be work here. I have an opportunity to bring a show here and employ 300 people nine months a year and be an advocate for other shows to follow a similar economic model to try and take full advantage of the generational talent that’s here. That’s just an alignment of my values and opportunities that seems almost blessed at the moment, but it’s not effortful. When you read it like that, it makes it sound like Mr. Smith.

Villarreal: Well, so many choose not to put their voice out there in those ways, but you’ve decided to do it

Wyle: I’ll speak up for my city.

Villarreal: What’s so great about a show like “The Pitt” is we get to watch regular, decent people doing competent work. Some call it competency porn. What do you think is our attraction to that?

Wyle: I think it’s twofold. I think on one hand, it’s wish fulfillment. You want to believe that there’s really competent, smart people in those jobs, so that, God forbid, if anything happens to you, that’s what you’re gonna encounter. And then I just read an article, I forget who wrote it, I wish I could cite it, that talked about this other aspect of watching people do work that has meaning, that actually makes a difference, touches a vacuum that we feel we don’t have in our lives and it’s a different kind of wish fulfillment. It’s almost like, “I want to be doing something more with my life that has absolute physical and tangible connection to another human being that makes a difference, that has a net positive.” And I think that’s interesting.

Villarreal: Sort of what you were feeling during the pandemic.

Wyle: It’s exactly what I was feeling during the pandemic: “How can I make more of this time on Earth and serve more than myself?”

Villarreal: I want to talk about “The Pitt” fandom because they are passionate and vocal. Has anything surprised you about their response to the show?

Wyle: Only everything. The embracement, the passion, the creativity, the advocacy, the identification, the continued support. It’s really been incredibly gratifying. It’s exactly what you hope, you know, that your work will do, spark a conversation and maybe a bit of change. But you certainly, you never anticipate reaching the levels that this one has where people are just gaga for it.

Villarreal: Recent cast departures have obviously drawn some criticism. As the No. 1 on the show and an executive producer, how do you navigate fan response when it’s negative? What are you learning about how to take that in?

Wyle: It’s nuanced. It’s new for me, new for all of us in a way. You try to put it in perspective, and it’s relatively small in relation to the overall [response], in terms of the more vocal critics. But at the same time, this is who’s watching. This is why you’re telling a story. If it’s touching a nerve that’s unintended, address it. Figure out a way to do it more sensitively, to come at it from a different point of view. We’re certainly doing the best that we can in there, but it’s impossible to anticipate what’s going to resonate and why. And I can’t tell you how many times I was surprised at what people thought was funny or what people thought was horrific or offensive. And it’s an interesting barometer of where we are as a country. It’s an interesting cross section of where the population’s at. But in terms of how it affects the creative work, it becomes a slippery slope if that’s the tail that wags the dog. So every year, we come in and we sort of have to gut-check ourselves and do a postmortem on the season. What worked well, what didn’t work well. And what is going to be part of this narrative as we go forward? Cast changes are gonna be part of that. That’s inevitable.

Villarreal: How about in relation to your character? Some of the discussion about what’s playing out onscreen, it’s been interesting to see how people look at Robby and maybe some of his flaws that come out. What do you see as his blind spot?

Wyle: Well, can we start with [we’re] watching a guy who’s going to kill himself? The guy is going to kill himself today, most likely. He’s going to leave and not come back. And as that reality gets increasingly clear to him, he acts continually beneath his grace. He doesn’t necessarily want people to miss him. He doesn’t necessarily want [them] to overidealize him because he doesn’t want them to mythologize him. So some people he was really tender with, and some people he was really harsh with, and some he will carry regret with, and some he probably wishes he had gone further. But all of that pathology was on display as a cry for help for anybody that was really looking to see it, more than I felt it was indicative of how he felt in a normal frame of mind in those relationships. I think he pushed Abbot [Shawn Hatosy] so far away. He pushed Dana [Katherine LaNasa] so far away. He was overly harsh with Mohan [Supriya Ganesh]. He was almost paternal with Javadi [Shabana Azeez]. He had a different vibe and energy with everybody. But ultimately, it was to sort of say goodbye in a way that he felt would be most appropriate. And I’m glad people felt that it wasn’t appropriate, because it was a man setting fire.

I did say in casting, I was like, “Can we cast some guys that are like my size that I could yell at that so people feel like it’s a good, fair fight?”

Villarreal: And you were vetoed?

Wyle: No, no, we’re going to sort of figure that out because it’s nice to show volatility in character, but if it’s a character that’s surrounded by women, it’s very difficult thing to depict without it seeming disproportionate in power. So it’s something I was conscious of when I came back this year. I was like, “It‘s difficult to show this character’s rage when it would be super inappropriate to express it with every single person in this room.” So, bring somebody in that can handle it and match it a little bit. And for my money, that’s what Al-Hashimi [Sepideh Moafi] was. She gave as good as she got, and those scenes between us were terrific.

Villarreal: Season 3 will be taking place on Nov.r 12, 2026, right? A lot of that had to do with the anticipation of and preparation for the ramifications of the Big Beautiful Bill on people’s lives. Tell me about that.

Wyle: It’s Thursday, November 12th, which means that tomorrow is Friday the 13th. And there was something fun about playing with the eve of a day that is usually fraught with peril. But this day is fraught with peril for all sorts of reasons. And it isn’t Friday the 13th. It also is coming into the holidays and it’s getting colder. A lot of the social issues that Pittsburgh and a lot [of places] with colder climates deal with are going to come up. People are turning on their heaters for the first time, if they can afford to turn on their heaters; people that don’t have access to housing are gonna be feeling the pinch even more than that. All of that goes into our narrative. And then, as I think you were alluding to, this is in preparation for what’s gonna take place in January [2027] with [provisions of] the Big Beautiful Bill [going into effect], which is gonna throw a lot of people off the rolls in a lot of states and cause a whole ripple effect through the healthcare industry. In anticipation of that happening, people are gonna have to make some very hard choices. They’re going to probably want to hoard medication if they can. They’re gonna try and load up on as many treatments as possible, put as many things into place as they can for that eventuality. And we wanted to highlight what some of those struggles are gonna be because I don’t know that they’re gonna be reported in January.

Villarreal: How fast, when that decision came through, were you getting outreach from healthcare professionals wanting to meet with you, with the writers room, about how can they can help you think about what’s going to happen?

Wyle: We have a great organization that’s an adjunct to the Norman Lear Foundation called Hollywood Health. And they broker all sorts of meetings for us in the writers room with experts from every aspect of the healthcare spectrum you can imagine. And so we really were curious to find out from those experts what the statistics were going to be. And they run models on best-case scenario to worst-case scenario and tell us pretty much with a high degree of certainty what the bandwidth is gonna be. And then we take that data and try to figure out the storyline that would be most effective to tell it. But it starts with trying to get it as accurate as possible in our crystal ball, looking forward to where we’re gonna be.

Villarreal: If you could give one word to Dr. Robby’s mental state in Season 3, what would that word be? Or what would the song he’d be listening to at that moment, walking back into work?

Wyle: I don’t want to tip the bit on a song that we might use and the ones that are in my head are so corny and cheesy that I don’t want anybody to suddenly start cutting memes to it. [Looks at camera.] Because you know you will.

Villarreal: Come on, Noah. Give us a ’90s throwback.

Wyle: “Scar Tissue” [by the Red Hot Chili Peppers].

Villarreal: Oh, that’s a good one. OK, before I let you go, is there any PSA you want to give folks right now about whether they should be consuming lettuce? Is Dr. Robby consuming lettuce?

Wyle: Oh, my God, don’t ask me. My wife and I have huge fights about produce every night. I don’t know what the hell’s going on.

Villarreal: I’m always like: What would Dr. Robby do?

Wyle: I don’t know that Dr. Robby eats a lot of vegetables. I think all of your canned vegetables are safe, says Dr. Robby.

MONTEVIDEO, Uruguay — Jorge Messi, the father of soccer star and Argentina captain Lionel Messi, died Saturday at a hospital in the central Argentina city of Rosario. He was 68.

The Rosario-based Club Atlético Newell’s Old Boys announced his death in a social media post that said he had undergone treatment in recent months for an unspecified illness. The post described him as “the pillar and the person who, with vision, rigor and affection, supported the career of the best player of all time, alongside his wife, Celia Cuccittini.”

The South American Football Confederation, CONMEBOL, in a statement also offered its condolences “with respect and affection for Lionel.”

Lionel Messi led Argentina to a runner-up finish in this year’s World Cup. In the team’s first match, against Algeria, he was visibly emotional after scoring the first of his three goals. He said later that he wept for “a reason unrelated to sports.”

Inter Miami star Lionel Messi hugs his father, Jorge Messi, while his mother, Celia Cuccittini, looks on after a playoff match against Nashville SC in November 2025.

(Leonardo Fernandez / Getty Images)

“I went through some difficult, complicated days,” he said. “I am grateful to the delegation, to all my teammates, because they were always by my side wishing me strength so that I would be OK.”

Media reports at the time outraged the Messi family, which days later released a statement confirming that “Jorge is experiencing a health issue,” without specifying the nature of his condition.

“A person’s health and the peace of mind of their loved ones should not be the subject of speculation or irresponsible media interest,” according to the statement, which also expressed “discomfort at the lack of sensitivity, respect and scruples with which some people have treated a strictly private and family matter.”

Jorge Messi was a chemical technician and worked as a steelworker. He played soccer as a midfielder and reached the youth ranks of Newell’s Old Boys but had to abandon the sport to complete his mandatory military service in Argentina.

Argentina’s Lionel Messi sits on the pitch after losing to Spain in the World Cup final in East Rutherford, N.J., on July 19.

(Ashley Landis / Associated Press)

He played a fundamental role in his third son’s career, serving as his agent and managing his business affairs. He was the one who traveled with a young Messi to Barcelona in the early 2000s for the trial that would open the doors to La Masia, the Catalan club’s youth academy. Lionel Messi made his professional debut in 2005 and went on to win eight Ballon d’Or awards. He led Argentina to the 2022 World Cup title.

“My dad was always by my side,” Lionel Messi said in a 2007 interview with Radio del Plata. “Sometimes I would lock myself in my room to cry when we arrived in Barcelona, or my dad would do the same without me seeing him, or thinking I didn’t see him. We pretended we were both OK, but we weren’t. My dad even asked me what I wanted to do when we were feeling down, if I wanted to stay or go back, and I wanted to stay, and he stayed with me.”

His father negotiated the contracts with Barça and later his transfers to Paris Saint-Germain and Inter Miami, while also managing the use of his famous son’s image rights and his numerous investments in real estate, hotels, and restaurants.

In 2016, father and son were convicted in the Spanish courts on tax evasion charges, but avoided prison because the sentence was less than two years.

Barreiro writes for the Associated Press.

Peter Katsis, a music manager who helped shepherd the careers of Smashing Pumpkins, Jane’s Addiction, Morrissey and Backstreet Boys, has died. He was 69.

Representatives for Katsis confirmed his death on Thursday in Los Angeles, from complications of congestive heart failure, in a statement to the Hollywood Reporter and Billboard. “To the music world, Peter was one of the most influential managers of his generation. His vision, instincts and fierce belief in his artists helped shape some of the most important careers in music for more than four decades. He saw possibilities others didn’t, inspired those around him to dream bigger, and fought relentlessly for the people and artists he believed in,” his family said.

“Peter was simply larger than life. He loved fiercely, laughed loudly and lived with extraordinary courage and conviction. Above everything else, he loved his family. He was our strength, our fiercest advocate, and the person we could always count on to believe anything was possible. The void he leaves in our lives and our hearts is immeasurable.”

Katsis’ career began in Chicago, where he managed the groundbreaking industrial rock group Ministry. He also worked with emerging regional house music acts, helming A&R for the essential label Trax Records and booked acts like Marshall Jefferson and Adonis at globally prominent nightclubs.

After moving to Los Angeles in the early ’90s, he worked with the Cramps and other experimental rock acts before joining Jeff Kwatinetz at the Firm. There he managed hard rock acts including Korn and Limp Bizkit, helping make them superstars of the “TRL” era. He also worked with 30 Seconds to Mars, rapper Snoop Dogg, and played a major role in building Audioslave, the supergroup of Soundgarden’s Chris Cornell and members of Rage Against the Machine.

Katsis took on diverse pop acts like Enrique Iglesias as well, and helped turn the Backstreet Boys into a stadium act, breaking Ticketmaster records for its 1999 Into the Millennium tour.

In 2008, Katsis co-founded a new management firm, Prospect Park, with Kwatinetz and Rich Frank, building a roster that included Smashing Pumpkins, Jane’s Addiction and Morrissey. Katsis also repped Liz Phair, 311, Bush, Fever 333, and pop groups Pentatonix, One Republic and 5 Seconds of Summer.

Smashing Pumpkins’ Billy Corgan wrote on Instagram that he was “Heartbroken that Pete is gone. He meant a lot to Chloe and I as a dear friend and extended member of our family. He will be missed and I’ll always cherish his intense candor and deep love of great music; which was infectious. And he deserves immense credit for helping to usher in the alternative revolution of the ’80s and ’90s and beyond. He was truly one of a kind. One of a us. And Chicago royalty through and through.”

Katsis is survived by his sister Anastasia and his son Ian.

A tempting life as a full-time family man nearly pulled Khalil Mack away from football.

“I was leaning towards coming back the whole time,” Mack said of mulling retirement before signing a one-year, $18-million contract in March to remain with the Chargers. “But it’s just considering the stage of life my kids are at, that balance of being a dad and a husband but still trying to follow the dream. I feel like I’m still in a position to do both.”

The future Hall of Famer decided the show must go on.

And now, with championship aspirations entering his 13th season, and fifth in Los Angeles, Mack is basking in his role as the Chargers’ elder statesman.

“Priceless,” defensive coordinator Chris O’Leary said of the 35-year-old outside linebacker’s presence. “He’s the flag bearer of our culture on defense. He leads the way with his actions. … When it’s time for him to say something, he’s going to say something.

“You’ve got a group of young edges in that room that all they’re doing is watching everything he does [and] listening to everything he says. It’s more valuable than anything I can say or do.”

IChargers linebacker Khalil Mack embraces one of his son on the sideline before a game against the Raiders at SoFi Stadium last season.

(Robert Gauthier / Los Angeles Times)

He’s the 2016 defensive player of the year. He has nine Pro Bowl selections and three All-Pro nods under his belt. And 113 sacks to his name.

Mack, despite coming off an injury-riddled down year, has never needed an introduction.

“He’s one of the best players of our generation,” offensive coordinator Mike McDaniel said.

Yet, perhaps even more invaluable than Mack’s on-the-field impact is his leadership.

“Oh, man, I try,” Mack said. “I try to motivate.”

He’s pretty good at it.

Whether by sharing pointers with rookies or helping rising stars such as teammate Tuli Tuipulotu navigate fuzzy contract negotiations, Mack makes himself available to help those in the Chargers organization become their best selves.

“It is unique,” Mack said of being a resource. “When you’re in that room, you want to be the guy you wanted to see early on … have those conversations that you wanted to have early on in your career, whether it was financial [or] different conversations you wanted to have and guys pouring into you.”

Mack learned the importance of passing down knowledge as a youngster in Oakland under the tutelage of seasoned veterans Charles Woodson and Justin Tuck.

“I feel like it [was] the catalyst for my career. I had them to lean on and those examples to lean on,” Mack said.

Nowadays, the Buffalo product stands on the other side of the street, paving the way for the next generation as one of the league’s older stars.

“I got friends that don’t play anymore,” Mack jested. “They’re like, ‘Aye, Mack, it’s lonely on this side.’ They’re always talking about the locker room and camaraderie. It’s just knowing how special being in the locker room is and being around your guys and enjoying it while you can.”

On that note, Mack has made it a point to savor every moment of training camp.

ISteelers quarterback Aaron Rodgers fumbles the ball as he’s sacked by Chargers linebacker Khalil Mack in the end zone during a game last season at SoFi Stadium.

(Robert Gauthier / Los Angeles Times)

Beyond looking the part, he has already spent time helping teammates better their technique, jumping at the opportunity to teach.

“He walked up and asked me three things that he can work on,” Mack said of helping rookie offensive tackle Travis Burke after practice. “I talked him through that stuff … kind of reminds me of Joe [Alt] his first year. Whatever I can share, I’m going to share, because I want them to be the best version of themselves.”

No one has anything bad to say about the man who wears No. 52.

Instead, everyone in the Chargers organization knows how integral Mack is to the day-to-day operations.

“Right now, [the rookies] don’t know any other way to do it than the way Derwin [James] does it, the way Justin [Herbert] does it, the way K-Mack does it,” coach Jim Harbaugh said. “They don’t know any other way to do it than the way those best players go about their business. …”

Mack is the epitome of a pro’s pro.

Since being the No. 5 overall pick in the 2014 draft, he has been one of the most dominant pass rushers of his generation, one of the richest players off it, and in between, the ultimate captain.

“I had a lot of coaches that were in my ear about being a professional early,” Mack said. “I feel like that’s helped prolong my career. … You can take what you want and take what works for you … that’s kind of the advice I give.”

Mack returned to the Chargers to compete for the Vince Lombardi Trophy. But playing big brother to his teammates, has been a joyous subplot.

“What’s Coach Harbaugh say?” Mack asked rhetorically. “Enthusiasm unknown to mankind.”

For the second time in as many weeks, a leading California-based thoroughbred has been retired.

Nysos, who would have been favored in the $1-million Pacific Classic later this month at Del Mar and was a top early contender for the $5-million Breeders’ Cup Classic this fall, won’t race again, Coolmore America announced Monday.

The 5-year-old son of Nyquist is headed to stallion duty next year at Coolmore’s Ashford Stud in Versailles, Ky., the same farm where Journalism, another horse who was being pointed for those two races, was sent last month after his retirement because of injury.

In a statement, Coolmore said Nysos is sound and uninjured but “the decision was made following a routine diagnostic evaluation that revealed subtle imaging changes on a scan.” Trainer Bob Baffert and Nysos’ owners, Baoma Corp. and Coolmore, “unanimously agreed to take a strict precautionary approach, prioritizing the horse’s long-term health and safety above all else.”

Said Baffert: “Nysos is not hurt or injured, but taking a precautionary approach is strictly about doing what is right for the horse. With the minor changes shown on the evaluation, we simply don’t have the time needed to prepare him for the Breeders’ Cup the way we would want to. He has given us everything and retiring him completely sound and at the top of his game is the proper decision.”

Nysos retires after eight wins and two seconds in 10 lifetime races, with earnings of nearly $5.3 million. He was considered a top prospect for the 2024 Kentucky Derby but was injured that winter and didn’t race again for 15 months.

He returned in May 2025 and won four of five starts last year, including the Breeders’ Cup Dirt Mile at Del Mar. This year Nysos finished second to Forever Young in the Saudi Cup before defeating Journalism in the Met Mile in June at Saratoga, which turned out to be his last race.

Madison Square Garden. Decades before the July 3 wedding of Taylor Swift and Travis Kelce catapulted the venue into a new category of global prominence, the Manhattan arena loomed large as a symbol of success.

For the select list of comedians who have sold out the place, filling the arena is considered a pinnacle of achievement. It’s a triumph so encompassing that it inspired the central plot of the final season of “Hacks,” as Jean Smart’s veteran stand-up Deborah Vance demonstrates she’ll do just about anything to sell out the Garden — including putting herself in a glass cube above the Las Vegas Strip and almost perishing up there. “She needs a legacy-defining win, something that’s going to be the inarguable lead to her obituary,” says Paul W. Downs during a Zoom call with his “Hacks” co-creators Lucia Aniello and Jen Statsky.

“With Deborah, she likes to go big and Madison Square Garden is big,” adds Statsky. “It’s a testament to what an iconic place it is because we were like, ‘There’s one option here and it’s MSG.’”

So what does it really take to sell out MSG? Back in the day, a comedian could go on “The Tonight Show Starring Johnny Carson” and become nationally known. Now, YouTube subscribers and TikTok followers are part of the equation, along with specials on Netflix, HBO and Hulu. The road to MSG is a long one, with few shortcuts. It usually begins with years of playing club dates, then theaters and larger arenas, creating demand. But the payoff is substantial: With 15,000 to 20,000 seats depending on the configuration, a single night can gross up to $3 million in ticket sales. Then, a streaming platform might fork over $5 million to $20 million for exclusive taped performance rights. Plus, there’s the unquantifiable: “Venues often come and go,” says Aniello, “but Madison Square Garden feels like forever. The name itself has remained protected as this kind of sacred thing.”

Only about 20 comedians have ever achieved the milestone, including the likes of Eddie Murphy, Steve Martin, Chris Rock and Amy Schumer — the only woman in this elite group. The Envelope spoke to six of them to understand what it takes and how it feels to reach comedy’s Promised Land.

Max Amini

(Frazer Harrison / Getty Images)

Number of sellouts: 1
Date: Feb. 15, 2026
Max Amini Tour

“No one sells out Madison Square Garden alone. Behind every artist is an audience that believed before the rest of the world caught on, a family that sacrificed, a team that worked tirelessly. I’m incredibly proud of my team because they believed in this vision long before Madison Square Garden was even a conversation. One of the greatest lessons I’ve learned is that success is never built by one person. It’s built by people who trust one another, challenge one another, and refuse to let each other settle for less than excellence.”

Nate Bargatze

(Jason Kempin / Getty Images)

Number of sellouts: 3
Dates: Sept. 26 and 27 (two shows), 2025
Big Dumb Eyes World Tour

“I believed I could make a career out of stand-up comedy when I was in my 20s, even when it sounded like a crazy thing to do. I was just hoping somebody would come to the show. You spend so many years doing clubs it’s hard to picture anything bigger than that, until it happens. … Selling out Madison Square Garden, let alone selling it out three times, wasn’t something I ever expected, but it was the result of believing in stand-up, believing people still want to get out of the house and laugh together, and believing in hard work each and every day.”

Dane Cook

(Jesse Grant / Getty Images)

Number of sellouts: 3
Dates: Nov. 12, 2006 (two shows) and Nov. 9, 2009
Rough Around the Edges Tour, Isolated Incident Tour

“When I think of history and legendary artists selling out, it’s the greatest honor of my career. To get to experience that even once, it’s an achievement that forever changes how your career is viewed. I’m standing backstage in the hallway looking at all the photos, it’s like getting an energy massage, realizing the history of this incredible edifice. In my quiet moment pre-show, realizing I’m in rare air, I wanted to enjoy it as much as possible. It is a privilege. When I let the crowd know we got there together, I can still feel the energy in my chest.”

Jim Gaffigan

(Jamie McCarthy / Getty Images for Bob Woodruff Foundation)

Number of sellouts: 1
Date: Dec. 12, 2015
Contagious Tour

“I never thought selling out MSG was a possibility. When I started stand-up it was an unrealistic goal for any comedian. Having lived in NYC for three decades, MSG had exceeded its legendary status for me. MSG is where I brought my kids to see the Knicks and Rangers play. It’s where I saw Bruce Springsteen. Pulling off a sellout seemed like a gamble but worth it. There is something special about an audience seeing you at MSG. I think people coming to the show understand there is a special-event status to a show at MSG.”

Matt Rife

(Ethan Miller / Getty Images)

Number of sellouts: 2
Dates: July 18 and 19, 2025
Stay Golden World Tour

“MSG is the top of the mountain. It symbolizes the pinnacle of ticket-selling success as a comedian. If you can sell out the world’s most famous arena, in the toughest city in America … you’ve made it. For me it was beyond a dream come true. Growing up I always thought selling out comedy clubs was the ceiling for success for stand-up comedians. I never thought I’d be one of them. To not only sell it out twice, but to be the youngest comedian to ever sell it out … it’s still hard to comprehend. It feels like a literal dream, that I can’t remember if it actually happened or not.”

Andrew Schulz

(Bryan Bedder / Getty Images for Food Bank for NYC)

Number of sellouts: 2
Dates: May 3 and 4, 2024
The Life Tour

“I am born and raised in NYC. My dad had so much respect for MSG he would make me wear a collared shirt whenever we stepped in that building. This place had holy significance to me before I knew I wanted to be a comic. Once I decided to make comedy my life I had one goal. It was to sell out MSG … wearing a collared shirt of course. I thought about walking onto that stage every single day for 17 years straight. And then it happened. Dreams do come true.”

Ezola Foster, Pat Buchanan’s running mate on the Reform Party ticket, collected workers’ compensation payments for nearly a year for a mental disorder she now says she did not have.

The disability claim, which was contested by her employer, the Los Angeles Unified School District, capped a checkered career in which Foster struggled financially as a result of bad business deals and twice resigned as a teacher after becoming embroiled in controversy, according to court records and interviews.

Foster applied for workers’ compensation in 1996, shortly after refusing to return to her job as a typing teacher at Bell High School.

“I have two choices to survive,” Foster said in a telephone interview Tuesday. “Since it wasn’t physical, they make it mental, don’t they? If I don’t have a broken leg or they don’t see blood, or I’m not dead, they said I have to be crazy. And I would have been to go back there.”

The real reason she could not return to work, she said, was that her outspoken opposition to illegal immigration had made her a target of what she claimed was hatemongering and physical threats at an overwhelmingly Latino school.

The diagnosis of a mental disorder–which she declined to specify–was worked out “between my doctor and my attorney. . . . It’s whatever the doctor said that, after working with my attorney, was best to help me,” she said.

But although she claimed a mental disorder to receive the benefits, she strongly asserted that she has no mental problems and never did.

“I am perfectly sane,” Foster said.

Queried further about the matter, Foster asked whether a story was being done about her. She then told a reporter that it was his decision “if you want to put down there I pretended to be crazy when I’m not.” Shortly afterward, she hung up.

In a statement, Bay Buchanan, the candidate’s sister and executive co-chairwoman of the campaign, said: “Ezola Foster is an outstanding individual. Pat could not be more proud of his choice for vice president. As for her personal life from many years ago, we have no comment or concern.”

Buchanan, a conservative commentator and former speech writer for Richard Nixon, is battling a rival Reform Party faction for $12.6 million in federal campaign financing that goes to the party’s nominee. The party was founded in 1992 by billionaire industrialist Ross Perot.

When Buchanan picked Foster, his aides hailed her as a proponent of family values. Commentators saw the choice of Foster, an outspoken black conservative, as a smart political stroke that gave Buchanan an ideological soul mate and a buffer against charges that his rhetoric is racially inflammatory.

Records obtained from the state Workers’ Compensation Appeals Board show that Foster applied for benefits based on a mental condition. The precise claim, however, was blacked out of the public records, and attorneys for Foster have opposed a request by The Times to obtain the complete file. The appeals board has scheduled a hearing for Monday. She collected benefits until becoming eligible for retirement at age 60.

The disability claim was the final act in a long-running saga of Foster’s difficulties with the Los Angeles school district. District records show that in 1984 she resigned her teaching job at Jordan High School in South-Central Los Angeles. Her record there included one incident in which she filed a complaint with the teachers union charging a colleague with spreading rumors about her.

“It was so bizarre,” said Don Baer, a retired teachers union official who investigated the complaint, which he found merited no action. “I tried to drop it out of my memory bank.”

As Foster tells it, she fell out of favor because she stuck up for students who were being failed based solely on absences, a practice she contends violates state law.

After fighting off a forced transfer, Foster said, she faced so much hostility that she had to demand a transfer. It was denied.

“The only way I could get a transfer was to leave the district,” she said.

She returned to teaching in less than a year when she got the job at Bell.

After about a decade at that school, she filed suit against the district. According to the suit, two teachers inflamed the school against her after she appeared on the nationally televised “McNeil/Lehrer News Hour” in 1996 to argue for legislation that would have allowed states to prohibit schools from enrolling illegal immigrants.

On the show, Foster said she believed that illegal immigration was the primary cause of overcrowding in the Los Angeles school system.

“They called me a racist, a liar,” Foster said. “They called me a Nazi.”

Foster also charged that students under the supervision of a teacher threatened her with death and threw frozen soda cans in her direction when she spoke at an anti-immigration rally sponsored by Voice of Citizens Together. The group contends that Mexican political leaders and agitators in the U.S. are conspiring to reclaim Mexican sovereignty over the Southwest.

Despite her entreaties, Foster said, school officials took no action to investigate the threats or protect her.

Her suit sought damages for “serious physical ailments, emotional distress, fear, anxiety, depression and loss of self-esteem.” A Superior Court judge dismissed the suit without a trial.

Court records and other documents show that other aspects of Foster’s life have been complicated.

For example, court records show that Foster filed for divorce from her husband, Charles, in 1983, shortly after he had completed the adoption of her son by a previous marriage. The petition indicated the couple were separated for about a year and cited irreconcilable differences.

But in the interview, Foster laughed off the notion that she had wanted to divorce.

“We’ve never had that kind of problem,” she said.

“I have had some bad advice given to me legally in the past,” she said. “Maybe that was part of it.”

Real estate records trace two transactions in which the Fosters fared badly.

In 1986, the Fosters ran into trouble with a small house in South-Central they owned as an investment. The couple eventually sold out, receiving only the value of their debts.

A second real estate investment turned out worse. The Fosters bought a Long Beach duplex in 1993, intending to live in one unit and rent the other. Three years later, they defaulted on their mortgage.

“We didn’t realize that it was in a gang-infested area,” Foster said. “When we were taken there, you couldn’t tell. We went in the day, not at night when all the activity and the shooting went on.”

Foster said the gangs targeted her because of her prominence in the media. “With my speaking out against gang activity it was very unsafe for us,” she said. “We had to get out of there quickly.”

(BEGIN TEXT OF INFOBOX / INFOGRAPHIC)

Profile:

Ezola Foster

* Age: 62; born Aug. 9, 1938, in Texas.

* Education: Bachelor’s degree in business education, Texas Southern University, 1960; master’s degree in school management and administration, Pepperdine University, 1973.

* Career highlights: Founder and president of Black-Americans for Family Values, 1987 to present; teacher in Los Angeles school system, 1963-1996; ran unsuccessfully for California Assembly, 1984 and 1986.

* Religion: Member of a Congregationalist church.

* Family: Married to Chuck Foster; three children.

* Quote: “We all know the American nation is the most compassionate on Earth, but we have opened up our homes to immigrants and we have welcomed more immigrants than all other countries combined. How much more compassionate can we be? We want to be compassionate, but we want to cease being stupid.”

As a special tribute celebrates the extraordinary 50-year career of Bonnie Tyler, the Mirror takes a look at the Total Eclipse of the Heart icon’s wild life behind the scenes, including the accident that changed everything

With her unmistakable husky voice and theatrical music videos, there was nobody quite like Bonnie Tyler.

Her unexpected death earlier this month at the age of 75 came as a great sadness to those who’ve followed her distinctive work over the decades.

A legend of ’80s power ballads, many a fan has attempted a karaoke version of Holding Out for a Hero or Total Eclipse of the Heart. But few could hope to hold a candle to Bonnie’s signature rasp and melodramatic stage presence.

The Welsh singer’s extraordinary 50-year career will be celebrated this weekend in a special tribute compilation aired on BBC Two. And it will perhaps surprise no one that magnetic Bonnie’s personal life was every bit as explosive as her musical output.

Little-known real name

While the name Bonnie Tyler may adorn her Platinum-status records, it wasn’t actually the singer’s real name, and it took some time for her to find one that fit.

Britain’s First Lady of Rock was originally christened Gaynor Hopkins, a name she never much cared for as a budding star growing up in the sleepy village of Skewen, near Swansea.

In the early days of her career, young Bonnie began trying out the name Sherene Davies as a stage name, hoping to distinguish herself from the celebrated Welsh folk singer-songwriter, Mary Hopkin, who was just one year her senior.

Speaking with the Leicestershire Press in 2023, Bonnie revealed: “I never really liked my name, so it was a lovely opportunity to change it. My sister had a little girl called Sherene, and I loved that name – it was my name for seven years.”

It wasn’t to stick, however, and after being signed by RCA Records – Elvis Presley’s old label – Bonnie was told that Sherene just wouldn’t do, as it sounded, to their ears, “like a belly dancer”. A search began for a third moniker, with Bonnie taking a creative approach.

She remembered: “I bought two broadsheet newspapers, and I made a list of all the Christian names in one list and all the surnames in another list, and I matched them up until I came up with Bonnie Tyler. It’s been a great name for me, I reckon Steven Tyler must’ve been in the paper that day.”

Scream injury

She is often referred to as ‘the female Rod Stewart’, but the vocal similarities only became apparent after a grim post-surgery accident.

Speaking with the Mirror in 2023, the It’s a Heartache songstress shared how, as her star began to rise in the glitzy ’70s era, belting out ballads began to take a strain. And in 1977, she had to undergo surgery.

Bonnie said: “I started to get a sore throat because all the singing was taking its toll. A doctor discovered that I had nodules on my vocal cords. The only option was for them to be surgically removed. After the procedure, I was told by my surgeons not to talk, let alone sing, for six weeks.”

Unfortunately, after realising she’d forgotten to take strawberries to her brother, Lynn, who was hospitalised with a leg injury, Bonnie momentarily forgot about the doctor’s warning and let out a scream of frustration.

Detailing the incident in her 2023 memoir Straight from the Heart, Bonnie recalled: “I was so frustrated that I’d have to drive all the way back home, I let out an ‘Oh no!’ scream. When I went for a check-up with the specialist, he looked at me and said, ‘You could have done permanent damage’.”

While medics weren’t best pleased, Bonnie’s producer, David Mackay, was impressed by the gravelly sound her vocals produced, once healed. Bonnie said: “I’d always had quite a husky tone to my voice anyway, but as David joked, I now sounded like a female Rod Stewart!”

Marriage to Olympic athlete

Bonnie may have sung about doomed love affairs, but her marriage to a former Olympic judo athlete Robert Sullivan was a long and happy one. The couple first locked eyes back when Bonnie was still singing in Swansea nightclubs, and Robert was a nightclub manager. They tied the knot on July 4, 1973, with Bonnie officially becoming Mrs Gaynor Sullivan – her fourth name.

In a 2012 interview with The Guardian, Bonnie spoke fondly of those early days together, and it appeared the pair were just as smitten as they were as twentysomething newlyweds just starting out. She shared: “I married Robert, my first serious boyfriend, in 1973, when I was 22. I am still very much in love with him and he with me. We never fall out. He is very easy on the eye, which helps.”

And speaking to the Times about Robert, who went into property development after hanging up his judo belt, she said, “I think the secret to our success is that we met before I was famous.

“We don’t have children because we left it too late to stop taking precautions, and then I had a miscarriage when I was 40. I was unlucky, but I love all my nieces and nephews. Our house in Mumbles is like Paddington Station because everyone wants to come and visit Auntie Gaynor.”

Bonnie and Robert owned at least 25 properties together, including 22 homes across Berkshire and London, plus a sizeable farm in New Zealand. However, their seaside home in Mumbles and their villa in Albufeira proved to be their favourites, and it was between these two much-loved residences that they split their time.

Bonnie Tyler at the BBC airs July 25 at 8:30 pm on BBC Two.

Do you have a story to share? Email me at julia.banim@reachplc.com.

Join The Mirror’s WhatsApp Community or follow us on Google News , Flipboard , Apple News , TikTok , Snapchat , Instagram , X , Facebook , YouTube and Threads – or visit The Mirror homepage .

The 41-year-old, who played in six FIFA World Cups, announces he will retire from both club and country.

Guillermo Ochoa, widely considered among the greatest Mexican goalkeepers in history, has announced his retirement from professional football, bringing an end to a distinguished 22-year professional career.

Ochoa, who turned 41 last week, had previously stated that the 2026 FIFA World Cup would be his last tournament although speculation had swirled about whether he might sign with a new club to extend his playing days.

He put those rumours to rest on Tuesday.

“I gave it my all; I left everything on the field for my clubs and the national team, and today I hang up my gloves,” Ochoa posted on social media. “Being a goalkeeper means knowing you might wait 90 minutes for a single moment when everything depends on you. And when that moment arrives, you cannot hesitate.”

Ochoa was on Mexico’s roster for six World Cups – a number shared only by icons Cristiano Ronaldo and Lionel Messi. He served as Mexico’s starting goalkeeper in three of them: Brazil 2014, Russia 2018 and Qatar 2022.

Ochoa made his top-flight debut with Mexico City’s Club America in February 2004. He spent his first seven seasons there before transferring to French club Ajaccio in 2011, becoming the first Mexico-born goalkeeper to play in Europe. His European career also included stints with Malaga, Granada, Standard Liege, Salernitana, AVS Futebol and AEL Limassol, punctuated by a three-year return to Club America from 2019 to 2022.

“I never imagined how far a dream could take me. Today, I can only look back with pride and say: Thank you,” Ochoa wrote. “I take with me the affection of millions and the peace of mind that comes with knowing I gave everything for Mexico.”

Although he served primarily as a backup to Raul Rangel in the recent World Cup in North America, manager Javier Aguirre brought Ochoa on for the final 13 minutes against Czechia in Mexico’s last group-stage match. After the final whistle, an emotional Ochoa kissed the goalposts at Azteca Stadium – the venue where his career began – before kneeling to accept an embrace from his teammates. Long after the stands had cleared, Ochoa walked out to the centre circle one last time to take in his final farewell.

At the club level, Ochoa captured a league title with Club America during the 2005 Clausura tournament and won the Belgian Cup with Standard Liege. On the international stage, he led Mexico to six CONCACAF Gold Cup titles and earned a bronze medal at the Tokyo 2020 Olympics.

Ever ambitious and eager to test new horizons, Keegan announced midway through the 1976-77 season that he would leave Liverpool at the end of the campaign.

It brought some criticism from supporters, but was another example of deception never being part of Keegan’s character, allowing Liverpool time to line up Kenny Dalglish as his replacement.

He went out on the highest high in his final game, running the great German defender Berti Vogts ragged as Liverpool won the European Cup for the first time, beating Borussia Monchengladbach 3-1 in Rome.

Keegan left having scored 100 goals in 323 appearances.

There was talk of a move to Real Madrid, but in the end his destination was Hamburg, where he was a major success as they won the Bundesliga in 1978-79, though disappointment followed when they lost the European Cup final to Nottingham Forest the following season.

Keegan confirmed his world-class credentials at Hamburg, winning the Ballon d’Or in 1978 and 1979.

Hamburg was a surprise choice when Keegan left Liverpool, but after early struggles to win over team-mates, he became hugely popular, not just with his club but in the country, where they appreciated the Englishman’s down to earth approach and his willingness to integrate.

It all added to Keegan’s status as a global superstar, one of the most marketable sportsmen around, not just seen on the pitch but in adverts and advertising hoardings worldwide.

He famously did an advert for Brut aftershave with British boxer Henry Cooper, as well as the “Green Cross Code” road safety campaign.

While in West Germany, Keegan had another crack at music with the track Head Over Heels In Love. It peaked at number 31 in the UK, but climbed to number 10 in the German charts.

Keegan returned to England in 1980 with a shock move to Southampton, showing his enduring quality by winning the Professional Footballers’ Association player of the year award in 1982.

He did not win trophies at The Dell, but was still a player of the highest class in Lawrie McMenemy’s team, built around experienced stars such as Keegan, Alan Ball and Saints’ great Mike Channon.

NEW YORK — If LeBron James knows where he will play this coming season, he’s still not saying.

The NBA’s career scoring king and current free agent spoke publicly for the first time in weeks Thursday afternoon, though stopped short of revealing which team he’ll choose to play for this fall — despite at least one cry from someone in a jampacked room shouting for him to “pick a team.”

“It’s going to be fun wherever I land,” James said.

The four-time NBA champion was recording an episode of his “Mind the Game” podcast alongside guest co-host Tyrese Haliburton of the Indiana Pacers in New York on the opening day of Fanatics Fest, a four-day event featuring dozens of athletes, celebrities and sports legends. Single-day general admission tickets were sold out, organizers said, and it’s likely that many of those patrons — there were at least several hundred there, phones out to capture the moment — were hoping to hear James’ next decision.

Not yet, he said.

“There’s no decision,” James said.

Thursday’s appearance has been planned for months; it was announced publicly in May. James playfully chided Haliburton for asking him about his future — “didn’t we talk about this in the back?” James asked, and Haliburton said he’d ”leave it alone.”

Of course, they didn’t leave it alone. James made reference to a slew of teams such as Cleveland, Miami, Philadelphia and Golden State, though didn’t appear to give much in the way of hints. He did sip from a bottle of red wine that he opened and shared with Haliburton, calling it one of his podcast traditions.

And when fans shouted out suggestions for James’ next team — one even asked him to play for the New York Yankees — no clues were forthcoming.

“We’ll see,” he said.

If former Lakers forward LeBron James knows where he plans to play next season, he wasn’t sharing that news with fans on Thursday.

(Robert Gauthier/Los Angeles Times)

James is the NBA’s oldest active player at 41 and the only player in league history to have a career spanning 23 seasons; this coming season will be his 24th. Speculation has been rampant for more than two months about his future, officially starting in May when the Lakers were eliminated from the NBA playoffs.

At that time, James said he didn’t know what he would be doing.

And the only developments that he’s revealed since came on June 30, when he said he would play this coming season and that he was leaving the Lakers after an eight-season run highlighted by the 2020 NBA title.

For more than two weeks, the NBA has been waiting to hear what comes next. James, as he did in a social media post at the time, lauded his time with the Lakers, who also offered him well wishes as he moves forward.

“I spent eight great years with the Los Angeles Lakers,” James said.

James’ resume is beyond compare in NBA history. He’s a 22-time All-Star, a 21-time All-NBA selection, a four-time Most Valuable Player, a four-time NBA Finals MVP, a three-time All-Star Game MVP, and was a member of the NBA’s 75th anniversary team.

He’s also coming off a season where he averaged 20.9 points, 6.1 rebounds, and 7.2 assists per game. For his career, he’s averaged 26.8 points, 7.5 rebounds, and 7.4 assists in more than 1,600 games.

The podcast was the first of two known speaking engagements for James in New York on Thursday.

He also has an appearance at the Game Plan Summit, an invitation-only event presented by CNBC and Boardroom. James is slated to have a conversation with Boardroom co-founder Rich Kleiman — Kevin Durant’s longtime business partner — about “how he’s built an empire beyond basketball, what’s ahead for him in business, and why the next generation of athletes is poised to wield more influence than ever before.”

James started his career in Cleveland in 2003 and spent seven seasons with the Cavaliers before heading to Miami for four seasons — where he won his first two titles. He then returned to Cleveland for four more seasons, leaving in 2018 to start an eight-season run with the Lakers.

Cleveland and Miami are believed to be on James’ radar again as he weighs this decision, as are several other teams including Philadelphia, Minnesota and Golden State.

“I’m looking forward to what comes next as I wind down my journey,” James said.

Whyno and Reynolds write for the Associated Press. Reynolds reported from Miami.

Winning six Gold Glove awards gives Mookie Betts more than enough credibility to design and market his own leather. And that’s exactly what he is doing with LGND, a line of baseball gloves that he says are “built around versatility, craftsmanship and player-first innovation.”

Betts, of course, is the Dodgers shortstop whose Gold Gloves all came playing right field. He is one of the few players in MLB history to be named an All-Star as an infielder and outfielder. He’s been part of four World Series championship teams and named to eight All-Star squads.

“Every detail matters when you’re on the field, and your glove is one of the most important tools you have,” Betts said in a statement. “I started this with the intention to build something that reflected the way I play the game, which is with passion, preparation and attention to detail.”

Two glove collections named MOOK and MVRK designed for players at every stage of development are available at LGNDsports.com. They are not inexpensive, selling for $250 to $330.

The MOOK Series gloves are inspired by Betts’ experience playing infield and outfield, featuring his personal game-worn colorways, his signature stamp in the palm and a “50 Tri-Star” logo embroidered on the thumb.

The MVRK Series gloves feature a versatile design and distinct styling for those who play multiple positions.

Both models are constructed with premium Japanese kip leather and engineered to offer a lighter feel and fast break-in period. The LGND website features an interactive platform that allows players to design a glove that reflects their individual preferences.

“LGND is about giving young players a glove they can trust from the first time they put it on,” Betts said. “Whether you’re chasing a championship, working toward a college scholarship or just falling in love with baseball, I want these gloves to help young players perform at their best.”

Betts, 33, founded the company alongside lifelong friends Cameron Lewis, Brandon McPhail and Andrew Montgomery. The quartet competed together in high school in the Nashville area.

The Dodgers acquired Betts in a trade ahead of the 2020 season and have won three World Series title with him in the lineup, including the last two years. He spent the first six years of his career with the Boston Red Sox, winning the American League Most Valuable Player award after leading Boston to a World Series title in 2018.

After playing outfield almost exclusively for the first nine years of his career, Betts saw substantial time in the infield in 2023 and 2024 before becoming the Dodgers’ everyday shortstop last season. He led NL shortstops in total fielding runs above average in 2025 while making only seven errors in 148 games. This season he has made only three errors.

Cheryl Reeve is relieved.

The longtime Minnesota Lynx coach tied WNBA legend Mike Thibault for most career wins on June 28. The two remained deadlocked, with the league-leading Lynx losing two straight games for the first time all season.

But the losing streak is over — and the WNBA has a new all-time winningest coach. Minnesota defeated the Connecticut Sun 86-80 on Wednesday night for Reeve’s historic 380th career victory.

“I am so glad this is over,” Reeve, 59, said during a postgame interview on USA Network.

Reeve was a four-year starter at La Salle from 1984-1988 and ranks fifth in career assists (420) for the Explorers. After serving as an assistant coach at her alma mater and George Washington, Reeve became head coach at Indiana State, going 63-72 over five seasons with winning records in each of the last two.

Jumping to the WNBA in 2001, Reeve was an assistant coach for the Charlotte Sting (two stints), Cleveland Rockers and Detroit Shock before becoming head coach of the Lynx in 2010. Since then, she has compiled a record of 380-196, won four WNBA titles (2011, 2013, 2015, 2017) and been named the league’s coach of the year four times (2011, 2015, 2020, 2024).

Reeve has missed the postseason only twice during her time with the Lynx, and her 49 playoff wins are the most in league history. She was inducted into the Women’s Basketball Hall of Fame last month.

“A milestone fit for the Hall of Famer,” the WNBA wrote in an X post congratulating Reeve.

While Reeve has compiled her total over 16-plus seasons, Thibault reached 379 victories over the course of 20 WNBA seasons, 10 with the Connecticut Sun (2003-2012) and 10 with the Washington Mystics (2013-2022). Currently the head coach of Belgium’s national women’s basketball team, Thibault was a three-time WNBA coach of the year and led Washington to the league title in 2019.

Reeve was head coach of the U.S. national team, with Thibault as her assistant coach, when it won gold at the 2022 World Cup in Australia and the 2024 Paris Olympics. Thibault’s son, former Mystics coach Eric Thibault, has been on Reeve’s staff in Minnesota as associatehead coach the past two seasons.

“Learned a lot from Mike through the years,” Reeve said after Wednesday’s game. “Tremendous coach and just so much respect that we’ve had for each other through the years. I know he’s happy for me. And somebody’s going to pass me and I’ll be happy for them too.”

Reeve was correct about Thibault’s feelings.

“Congrats, Cheryl, so much from all the Thibault family,” Thibault said in a video posted on X by the Lynx. “If anyone was going to break my record, I most wanted it to be you. Our friendship means a lot, but the job you’ve done as a coach and mentor in this league is appreciated by so many people. And I couldn’t be more proud to have you as a friend.”

Toronto’s Sandy Brondello is the closest active coach to Reeve’s mark. She ranks sixth all-time with 280 wins.

Bonnie Tyler, the husky-voiced, powerhouse vocalist who performed memorable and dramatic pop rock songs including “Total Eclipse of the Heart” in the 1980s, has died.

The Welsh singer died in a Portugal hospital on Wednesday night, according to a statement on her official website and social media accounts Thursday morning. Prior to her death, Tyler was hospitalized and underwent emergency intestinal surgery in May 2026. She was placed in an induced coma to aid her recovery which she awoke from in mid-June but remained “very unwell,” her family said at the time. She was 75.

“Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for,” the statement read.

A three-time Grammy Award nominee, Tyler first rose to fame in the late 1970s. She was known for her raspy vocals, offering listeners an edgier sound that also melded rock and pop. Tyler released a total of 18 studio albums, beginning with her debut, “The World Starts Tonight,” in 1977. But she solidified her place in music with collaborations with songwriter-producer Jim Steinman, a hitmaker who worked with Meat Loaf, Air Supply and Celine Dion.

Tyler contributed her powerful voice to Steinman’s dramatic “Total Eclipse of the Heart,” which was released in 1983 ahead of her fifth studio album, “Faster Than the Speed of Night.” Steinman initially envisioned the power ballad as a core piece in a musical adaptation of “Nosferatu,” but with Tyler, the number took on a different life.

“Total Eclipse of the Heart” climbed music charts and earned Tyler a Grammy nomination for female pop vocal performance in 1984. In addition to its commercial and critical success, Tyler’s moody hit became a mainstay in pop culture, covered in the musical TV series “Glee” and finding new life in versions by One Direction, Kelly Clarkson and several other musical acts.

“When I first heard it, I couldn’t believe it had been given to me to record. I just cried at the intense emotion of it and was so happy to have that song,” Tyler told the Guardian in 2009. “Now when I go on stage and sing ‘Total Eclipse,’ everybody sings with me. So many people say they fell in love to it and it means a hell of a lot to them. It’s such an anthem, and such a wonderful feeling, I never get tired of singing it.”

“Total Eclipse of the Heart” wasn’t the only celebrated hit from Tyler.

A year later, she performed “Holding Out for a Hero,” produced by Steinman and co-written by Dean Pitchford, for the 1984 film classic “Footloose,” starring Kevin Bacon. The energetic anthem, which features Tyler’s thunderous voice over a racing beat, also climbed the Billboard Hot 100 (it peaked at No. 34) and went on to be featured in other screen projects, including a pivotal scene in the animated comedy “Shrek 2,” with Jennifer Saunders performing the hit.

Tyler, also known for “Bitterblue,” written and produced by Dieter Bohlen, continued releasing music throughout the ’90s and early aughts. Amid the process of creating her 16th album, “Rocks and Honey,” Tyler joined the Eurovision Song Contest in 2013 to represent the United Kingdom. Though she finished 19th, she said at the time she was glad she competed “because it was an incredible experience,” likening it to the Grammy Awards. She released “Rocks and Honey” that same year, her penultimate album, “Between the Earth and the Stars,” in 2019 and her final album, “The Best Is Yet to Come” in 2021.

In 2022, she was appointed a Member of the Order of the British Empire during Queen Elizabeth’s Platinum Jubilee, recognizing Tyler’s contributions to music.

Tyler was born Gaynor Hopkins on June 8, 1951, to homemaker Elsie and coal miner Glyndwr, and was one of seven children. She was raised Protestant and cared for by her grandparents in the small Welsh town of Skewen. Her passion for music could be traced to watching British charts program “Top of the Pops” with her father, writing down lyrics to the hits of the time and singing them herself. Tyler officially caught the singing bug after placing second at the talent show hosted by a local rugby club.

After the contest, the singer continued her artistic pursuit, performing with a handful of bands including Bobby Wayne & the Dixies and, later, Imagination. She was eventually scouted and traveled to London to record a few demos but did not immediately hear back. “After two years, someone called me out of the blue and told me I’d got a record deal on the same label as Elvis,” she recalled to the Guardian.

The singer underwent several name changes over the course of the career. First she pivoted to Sherene Davis to avoid confusion with fellow Welsh vocalist Mary Hopkin. Then once more, at the behest of RCA Records, to Bonnie Tyler — a name she conjured up by mixing and matching names she read in a local newspaper.

Now Bonnie Tyler, the singer released her debut single “My! My! Honeycomb!” in 1976 and her debut album the following year. However, she would not come into her signature sound until the spring of 1977. Tyler suffered nodules on her vocal cords and underwent surgery to remove them. She feared her career would end as a result, though that would be far from the case.

Tyler, after a brief recovery period, returned to the recording studio with a huskier, edgier voice. “It turned out losing my voice was not too treacherous for me,” she told the Guardian. She released “It’s a Heartache” in 1977 with her raspy voice front and center.

“I had my first hit in America with my new husky voice on ‘It’s a Heartache,’” she said. “Maybe my husky voice was what that song, and my career, needed.”

After her tenure with RCA Records, Tyler signed with CBS Records in 1982, leading to her memorable collaborations with Steinman. At the end of the ’90s, Tyler signed with Hansa/BMG Ariola and, eventually, with EastWest Records and continued to find success in continental Europe. In addition to her albums, Tyler embarked on several tours, most recently her Between the Earth and the Stars live tour in 2019. Her most recent release was “Together” in July 2025, produced by electronic music artist David Guetta, which samples the chorus of “Total Eclipse of the Heart.”

Tyler married former Olympic martial artist Robert Sullivan in 1973. The pair never had their own children — the singer suffered a miscarriage at age 39 — but experienced “no shortage of children,” she told the Guardian in 2012. Tyler had numerous godchildren, more than a dozen nieces and nephews and multiple great-nieces and great-nephews. With her fame, Tyler supported her family and purchased several properties including a home in Mumbles, Wales, and a home in Portugal.

When Tyler reflected on her decades-long career for the BBC in 2019, she said she had long exceeded her own expectations.

“I didn’t expect ever to be making records,” she said at the time. “I was just happy being in a band, singing.”

The Blue Peter presenter was a familiar face on our TV screens in the 90s and early 2000s

A Blue Peter icon has carved out an entirely new career path away from kids’ TV.

Katy Hill shot to fame in the late 90s across some of the biggest TV and radio programmes around.

She fronted much-loved children’s show CBBC Blue Peter from 1995 to 2000 and spent five years taking on incredible stunts, including flying with the RAF’s Red Arrows team, a feat no civilian had achieved before.

Riding high on her success and widespread popularity, she moved across to BBC One’s Live and Kicking until 2001. The star then presented Top of the Pops, Football Fever, BBC’s Holiday and her very own weekend show on Capital FM.

Katy was also a regular contributor to glossy publications such as Cosmopolitan Hair and Beauty, Hello! and Closer.

In 2004, she claimed second place on Channel 4’s The Games. As her career progressed, she hosted programmes for Heart Radio, penned weekly blogs and stepped in as a stand-in presenter on ITV’s Daybreak.

During an appearance on Good Morning Britain last year, Katy shared her lifelong passion for presenting, saying: “I wanted to present that show since I was five.

“It was because this was the ’70s, right, you guys know this? There had been no girl power. That was the place I saw girls jumping out of planes, flying fast jets and fast cars. Generally, it’s pretty cool. I was like: ‘That’s the job for me!'”

However, nowadays, Katy, 55, is far less visible on our television screens, having transitioned into life coaching after establishing her own business.

Describing herself as an ‘Internationally Certified Success and Confidence Coach’, she regularly shares motivational content across social media. Katy also runs her own newsletter, The Limitless List, which delivers inspiring quotes and uplifting messages.

Alongside her television work, she now provides programmes, live groups and one-to-one coaching sessions to support her members.

Katy’s Instagram bio reads: “The shy kid who refused to play small and spent 30 years on TV! Now empowering women like YOU to UNLOCK your CONFIDENCE and CLAIM the SUCCESS you deserve!”

Katy is happily married to Trey Farley, her former co-presenter on Live and Kicking. The couple have been blissfully married for over two decades and share two children, daughter Kaya and son Akira.

In July 2023, Katy and Trey celebrated their 20th wedding anniversary, with the former television presenter sharing a touching tribute to her husband on social media.

She posted photographs from their wedding day and wrote: “20 Years of US! 20 Years of Mr and Mrs Farley! What a ride we’re on @rocaflix … nobody else I’d rather be doing LIFE with! Happy 20 babe! Let’s make more amazing memories! X (Ours was the Hans Zimmer version – obvs!)”

Prior to marrying Trey, Katy was previously wed to her childhood sweetheart, Andrew Frampton. They tied the knot in 1999 but separated in 2001.

Dodgers center fielder Andy Pages had been hearing from teammates for weeks that he would be selected as an All-Star. But he wasn’t as bullish.

“I wanted to participate, but that wasn’t in my control. I didn’t want to put it out there until I knew it was for sure,” Pages said in Spanish.

On Saturday it became official. Pages was selected as an All-Star for the first time. After coming so close in 2025, he’s set to start for the National League.

“It’s exciting to be able to participate in my first one,” Pages said before the Dodgers’ 3-0 win over the San Diego Padres at Dodger Stadium. “I’m really proud of the work that I’ve been doing and to have the opportunity.”

Pages is one of five Dodgers on the National League squad. Third baseman Max Muncy (third All-Star selection), first baseman Freddie Freeman (10th) and Yoshinobu Yamamoto (second) were named to the NL roster Saturday. Shohei Ohtani (sixth) was named an All-Star on June 25 after leading the majors in Phase 1 voting.

“It should be [Pages’] second,” Freeman said. “I think he should have had it last year. Andy has been great for a couple years now. So I’m glad he’s getting the recognition. I’m glad the fans are gonna get to see him in Philadelphia.”

It marks the first time since 1980 that the Dodgers have had four All-Star starters. Their five All-Star selections ties the Atlanta Braves and Philadelphia Phillies for the most in the majors.

Muncy is set to be the first Dodger to start the All-Star Game at third base since Ron Cey in 1977.

Though Dodgers pitcher Justin Wrobleski (10-2, 2.80 ERA) was not named an All-Star, he could play as a possible injury replacement.

The All-Star Game will be played July 14 at Citizens Bank Park in Philadelphia.

Fittingly, on Saturday, Yamamoto took the mound against the Padres and threw seven shutout innings.

Dodgers pitcher Yoshinobu Yamamoto raises his arms while walking back to the dugout in the seventh inning after striking out 10 in a 3-0 win over the San Diego Padres on Saturday night at Dodger Stadium.

(Gina Ferazzi / Los Angeles Times)

“He looked like an All-Star,” Roberts said. “He came out with a purpose. You could see the intent tonight, execution, really good from pitch one. And gave his chance to really reset the bullpen and gave us length.”

Once he settled in, he got even better. After giving up three singles in the first two innings, Yamamoto (2.49 ERA) didn’t surrender another hit. He tied a bow on the performance, ending it with his 10th strikeout.

“It’s such an honor to be selected for the All-Star team,” Yamamoto said through interpreter Yoshihiro Sonoda. “I was there last year and this year I feel it is even more meaningful.”

He got run support and defensive backing from his fellow All-Stars.

Andy Pages hits a run-scoring single in the third inning of a 3-0 win over the San Diego Padres at Dodger Stadium on Saturday night.

(Gina Ferazzi / Los Angeles Times)

Pages drove in the first run in the third inning. With runners on second and third, in a 1-2 count, Pages extended to the outside edge of the plate to get around a slider and send it through the left side of the infield. The Dodgers took a 1-0 lead.

Muncy flashed the leather with a backhanded pick up the third-base line in the fifth inning.

Freeman hit a solo homer in the sixth — a moon shot that sailed higher than the fireworks going off in the neighborhoods around Dodger Stadium. Two innings later, he roped an RBI single up the middle.

The Dodgers claimed a series win in the four-game home set against their division rival, with the chance to sweep Sunday. They’ve won seven of nine games against the Padres this season.

Ohtani feeling better

Dodgers pitcher Shohei Ohtani pumps his fist after getting San Diego’s Manny Machado to ground out in the fifth inning Friday.

(Gina Ferazzi / Los Angeles Times)

Ohtani was feeling “considerably better” Saturday, after leaving Friday’s game in the seventh inning with tight right biceps.

“If things trend the way we would expect, then he’ll be in there [Sunday],” Roberts said.

Ohtani didn’t play Saturday. But Roberts confirmed after the game that he expects Ohtani to be back Sunday. Roberts didn’t expect the biceps problem to affect Ohtani’s throwing schedule between pitching starts, especially because he aggravated it on a swing.

The Dodgers, however, could still decide to have Ohtani skip his last pitching start before the All-Star break.

“The first step is how he feels tomorrow, and then the days forthcoming,” Roberts said. “So we don’t need to make that decision today, tomorrow, the next day. So we have time. And I think for us it’s just more of reading and reacting on how he feels.”

The two former Strictly Come Dancing stars have teamed up together for a new project

A Strictly Come Dancing star announced their new career move on Wednesday’s Lorraine.

During the latest instalment, host Lorraine Kelly spoke to Lorraine’s showbiz correspondent, Ross King, who typically airs his segment live from Los Angeles.

However, on Wednesday’s show, Ross, 64, was live in the Lorraine London studio for Wimbledon, where he shared some exciting career news.

Lorraine said: “You have teamed up with Will Young for something very, very special. I would never have put the two of you together necessarily but it is for something super!”

To which Ross replied: “I know, it is… pantomime! So last year I came back, I was back with Rylan over at Southend and then this year we’re going to be at Plymouth so I’m heading up to Plymouth next week for the press call with Will Young for Cinderella again. So I can’t wait!” confirming he will be playing Buttons again.

Lorraine gushed: “We love that, because we all went as a work outing to see you, and it was just the best night. It was the best night. It was great fun.”

The presenter added: “But it just shows you the planning that goes into it, that you all know that you’re all going to be doing that in Plymouth at Christmas time already.

“It’s got to be though, it’s got to be all sorted out, because it’s such a big, big deal” with Ross exclaiming: “No, it’s great, I can’t wait!”

Theatre Royal Plymouth and Crossroads Pantomimes announced earlier this year that Will Young will headline this year’s pantomime as The Fairy Godfather in Cinderella, running from Friday 4 December 2026 to Sunday 3 January 2027.

As well as his Lorraine presenting duties, Ross recently appeared on Strictly Come Dancing, where he was paired with professional dancer Jowita Przystal in 2025. The duo were the second contestants to be eliminated on the BBC One show.

Singer Will, 47, who soared to fame after winning the first-ever Pop Idol in 2002, has also appeared on Strictly.

Will appeared on the dance show back in 2016, where he withdrew during the competition for personal reasons at the time.

Lorraine continues on weekdays at 9:30am on ITV and ITVX.

LeBron James is continuing his record-setting NBA career, but he won’t do it with the Lakers.

The 41-year-old superstar has informed the Lakers he intends to sign with a different team as an unrestricted free agent, The Times confirmed Tuesday. After eight seasons, James felt it was best to part ways with the Lakers, according to people familiar with the situation not authorized to discuss it publicly.

James’ tenure with the Lakers was his longest continuous stint with any franchise during his illustrious career. He led the team to its 17th NBA championship in 2020, broke the NBA’s all-time scoring record while wearing the purple and gold and set the league record for seasons played, reaching 23 unprecedented years.

His record-extending 24th season will now be elsewhere.

The Golden State Warriors were reported as a potential option after Draymond Green opted out of his contract Monday, potentially freeing enough cap space to add James. He made $52.6 million last season but could sign for a pay cut to join fellow superstar Stephen Curry.

“LeBron James is one of the greatest athletes in history,” Lakers governor Jeanie Buss said in a statement posted on social media. “We will always be thankful for his eight years with the Lakers — including the title he led us to in 2020 under the toughest imaginable circumstances and the countless records he broke in purple and gold. We wish him all the best in the future, both on the court and off. He will always be a cherished part of the Lakers family.”

James averaged 20.9 points, 6.1 rebounds and 7.2 assists per game last season for the Lakers while claiming a slew of NBA records, including marks for games played, all-time wins and field goals made. Despite his age James was still considered one of the top free agents in a relatively pedestrian class.

James earned his record 22nd All-Star appearance last season, maintained his streak of averaging more than 20 points per game every season of his career and willed a shorthanded Lakers team past the Houston Rockets in the first round of the playoffs last season.

But he also gave up ground in his decades-long bout with Father Time.

James missed the first 14 games of the season while dealing with a right sciatic nerve problem, marking the first time in his career that he wasn’t ready to suit up for the season opener. His 15.3 field goal attempts per game was a career low, and he was ineligible for end-of-season awards because he missed 22 regular-season games, ending his streak of 21 years with All-NBA honors.

The Lakers needed James to reach the second round of the Western Conference playoffs last season — when the team was without star Luka Doncic for the entire postseason — but the NBA’s all-time leading scorer was set to take a supporting role within the franchise.

Doncic, 27, remains the top priority for the Lakers. Doncic signed a three-year, $165-million contract extension last summer. The Lakers also agreed to a four-year, $185-million max deal to keep Austin Reaves, who opted out of his contract to become a free agent.

Lakers stars LeBron James and Luka Doncic high-five after Doncic scored on a crucial three-point shot in overtime against the Knicks at Crypto.com Arena in March.

(Gina Ferazzi / Los Angeles Times)

With eight players from last year’s roster entering unrestricted free agency or holding player options, the Lakers were in position to completely remake their roster around Doncic two offseasons after the Slovenian superstar landed in the Lakers’ laps in a mind-blowing trade with the Dallas Mavericks for Anthony Davis.

President of basketball operations and general manager Rob Pelinka said after the season that the roster would be “retrofitted” around Doncic, meaning the Lakers wanted to target athletic, defensive-minded wings, knock-down shooters and a rim-running center.

The ITV star has been hosting another well-known programme this week away from her role on Good Morning Britain.

A Good Morning Britain star has shared a career update with her followers online.

Popular ITV presenter Charlotte Hawkins has moved channels as she’s been fronting Jeremy Vine’s show on Channel 5 – and fans have been rushing to comment following her debut.

Charlotte, who has been a regular face on Good Morning Britain since it launched in 2014, confirmed she’d be filling in for Jeremy on her social media last Friday (June 26) after she’d guest-hosted Matt Allwright’s show on the channel.

Now, the 51-year-old has been showered with support after fronting Jeremy’s show for the first time on Monday (June 29) as she shared a snap of herself in the studio alongside Joanna Jarjue and Mike Parry.

One person commented: “You looked amazing. Good job done.” Someone else added: “It went very well, very natural.”

Another fan wrote: “This works for you, good job.” While on X, one viewer shared: ” #Jeremyvine Oh Charlotte’s swapped the sofa on ITV’s Good Morning Britain to the Channel 5 desk and chair #ThisMorning #Gmb “

While someone else commented: “Great seeing @CharlotteHawkns on @JeremyVineOn5 this morning #Jeremyvine .”

Opening the show on Monday, Charlotte commented: “I’m Charlotte Hawkins, sitting in for Jeremy while he enjoys a holiday!”

Charlotte confirmed that she’d be back on the programme on Tuesday (June 30). During Monday’s episode she welcomed back Mike Parry to the panel after his recent treatment for skin cancer.

When asked how he’s doing, he replied: “I feel very well, thank you. I can’t thank The Royal Marsden Hospital enough for what they did for me last week.

“It was five consecutive days, a blast of radiation, once a day, a serious blast and then other procedures.

“But, I feel good at the end of it, I feel mentally very well. I know I was in the hands of some of the best people in the world.”

He also shared a warning to viewers as he highlighted the importance of keeping out of the sun following his diagnosis.

Mike added: “can I say to everybody, please, please, take the greatest precaution against that big yellow ball in the sky, the sun. It will get you; you have a chance to stop it.”

The Jeremy Vine show airs every weekday on Channel 5 from 9:15am.

The presenter has returned to leading Wimbledon coverage alongside Clare Balding on the BBC

Wimbledon has returned to BBC screens, with a whole host of familiar faces fronting the BBC ’s coverage.

Once again joining Clare Balding in leading commentary, Isa Guha will be presenting, having made her Wimbledon debut on the BBC in 2022.

The following year, it was confirmed The Celebrity Traitors star Clare would be replacing Sue Barker as the BBC’s face of Wimbledon, with Isa praising Sue, saying: “She’s got an incredible warmth. When you watch her on television she feels like a friend.

“She was someone I certainly watched when I was younger, never imagined that I’d even be in her company so to be sat there with her and see how she goes about her business, her offering me advice and so forth, it was a little bit surreal but at the same time we’re just watching her in awe because she’s been the face of the BBC for such a long time and we absolutely respect and admire everything she’s done for sports broadcasting as a female.

“It was just an incredible time last year. The ability to be there with Sue, see how she operates, the doyenne of sports broadcasting, and to be in Clare Balding’s company and all these legends. It was a pretty amazing experience.”

Inside Isa Guha’s career

Born in Buckinghamshire in 1985 to parents who emigrated from Calcutta, India, to the UK in the 1970s, Isa is a former England cricketer.

She fit her sporting career around her academics, graduating with a degree in biochemistry and molecular biology from UCL, and later gaining an MPhil in neuroscience.

At the same time, Isa played world class cricket, later recalling to The Telegraph that “a phase” led her to studying.

“I went through a phase after we won the World Cup of ‘what am I going to do with my life?’” she said.

“I would spend three or four days a week training in the morning and then going to university. It took seven years [attempting to do a PhD] and I wanted to quit after the second year because it was just too much.”

She played in the 2005 South Africa World Cup and the 2009 Australia World Cup, and made history as the first South Asian woman to represent England after making her international cricketing debut at the age of 17.

In 2009, Isa was named the ICC number one ranked bowler in the world.

She announced her retirement from international cricket in 2012, and has since moved onto presenting and commentary.

Isa joined ITV Sport in 2012, co-presenting cricket coverage, and later moved on to work for Sky Sports and Fox.

In 2020, she became the lead presenter of the BBC’s test match and ODI highlights show.

Who is Isa Guha’s husband?

Isa married her long-term partner, musician Richard Thomas, in 2018.

Hailing from Cornwall, the singer was a member of acoustic-led, alternative rock band Brothers and Bones.

After ten years together, the band broke up at the end of 2020, having opened tours for the likes of Ben Howard and Bastille.

In September 2018, Isa took to X to share pictures from her gorgeous wedding in Cornwall, writing: “It’s been a challenging year but with this incredible human by my side I know I can get through anything. So lucky to have him in my life – these two pics pretty much sum up our amazing day, with so many of our best friends and family.”

She also previously spoke about the difficult time it had been for her family, after her mother received a cancer diagnosis not long before the wedding.

Speaking of her wedding, she told The Telegraph in a 2019 interview: “We got her out of hospital and did a small, intimate ceremony, then the following week in Cornwall, Ebony [Rainford-Brent – Guha’s former teammate] was on FaceTime to her throughout the whole wedding. She did get to see us get married.”

Praising her husband for his support, particularly after her mother’s death in January 2019, she added to the publication: “He was just incredible. I am super lucky to have him in my life. He was just amazing, the last six months or so.”

Wimbledon airs on BBC One, BBC Two and iPlayer.