career

Richard Riehle, a prolific character actor who portrayed Tom Smykowski, the product manager with “people skills” in Mike Judge’s cult classic, “Office Space,” has died. He was 78.

Riehle died Thursday of natural causes in Los Angeles, his representatives from Artists & Representatives and Wright Entertainment Inc. confirmed Monday to The Times. No additional details were provided.

“A remarkable actor whose career in theater, film, and television spanned nearly five decades and more than 400 projects, Richard leaves behind an extraordinary legacy,” read the joint statement from his talent agency and management company. “Beyond his immense talent, he will be remembered for his genuine goodness, boundless kindness, and unwavering generosity, particularly toward emerging actors and filmmakers, whom he encouraged and supported at every opportunity.

“Our industry has lost an exceptional talent, and our community has lost a truly wonderful man,” it continued.

In the 1999 corporate comedy “Office Space,” Riehle portrayed Tom, a middle manager who is laid off by the company before being seriously injured in a hit-and-run accident and winning a large settlement.

“We didn’t have a regular effects person to put me into a body cast for my scene after the character’s accident, so we hired an EMT guy to put me in a real cast,” Riehle said in an interview with Notre Dame Magazine. “I couldn’t get out of it for 8 hours — and when the EMT had to go to work he left a cast-cutter for the PA [production assistant]. That was fun.”

Richard Riehle, right, portrays a co-worker of Ajay Naidu, left, Ron Livingston and David Herman in the 1999 classic “Office Space.”

(20th Century Fox)

Riehle’s other credits include portraying the guard who lets Harrison Ford’s character escape custody in “The Fugitive” (1993); the mechanic with a punny name, Bill Cozbi, in “Bridesmaids” (2011); and the proprietor of a local diner in “Pee-wee’s Big Holiday” (2016).

His wide-ranging resume also includes TV roles in episodes of “Star Trek: The Next Generation,” “Star Trek: Voyager” and “Star Trek: Enterprise,” as well as multiple stints in shows including “Quantum Leap,” “Murder She Wrote,” “L.A. Law” and “Drunk History.” He was also a voice actor on animated projects such as “The Legend of Korra” and “Home on the Range.”

For five seasons, Riehle portrayed Walt Finnerty, the father of Donal Logue’s Sean Finnerty, in the sitcom “Grounded for Life,” which aired from 2001 to 2005.

“Richard Riehle was an amazing human being,” Logue wrote in a tribute shared Monday on Instagram. “A consummate professional, he was an actor’s actor — humble, kind, and incredible at his craft.”

Logue said that he “loved every minute” he spent with Riehle and recalled how the late actor made him laugh so hard during his final audition for the show that he fell to the floor.

“I’ll always remember small details — how he always had a novel (never pulp stuff — always Hugo or Dostoevsky or another classic) stuffed into the back pocket of his old-school slacks,” Logue added. “He loved the House of Pies on the corner of Franklin and Vermont (I did, too).”

Richard Mathias Riehle was born May 12, 1948, in Menomonee Falls, Wis. He graduated from Notre Dame with a degree in speech and drama in 1970 before pursuing a master’s in fine arts at the University of Minnesota.

He started his acting career in local theater. His first uncredited onscreen role was in the 1975 western “Rooster Cogburn,” though he mentioned that he couldn’t find himself in it in a 2017 interview with the A.V. Club. His first screen role “with lines” came a couple of years later, in the 1977 movie “Joyride.” One of his earliest breakout roles was in the 1989 Civil War film “Glory.”

“I always wanted the role that would bring something out of me, force me to find something extra,” he said in the Notre Dame Magazine feature. “As I get older, the roles may not be there as much on high-profile projects, but I’m always going to look for ways I can work and maybe even be a part of ways to change the business. When I work, I feel great. That doesn’t ever have to stop.”

SEBASTIAN Croft has opened up about how he was cruelly ‘bullied’ and ‘ostracised’ back in school.

The Celebrity Traitors star, who is known for appearing in series such as Game of Thrones, quit school at 16 after facing backlash over his sexuality.

“I had a really difficult few years,” said Sebastian – who is affectionately known as Bash – in a new interview with the i Paper.

The star, who is openly queer, explained that he was “outed” by a classmate he was having a secret relationship with.

“I don’t blame the other boy who did it, because he was obviously just also trying to navigate the fact that he was getting chipped for being gay.

“But it was a really lonely and difficult time in my life. I would leave school and be an actor and be doing the thing I loved the most, and be with other like-minded people, and feel so liberated in myself, and then I go back to school and be bullied and ostracised,” said Sebastian, who is now 24.

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The actor attended a boarding school just outside of Oxford, where he grew up.

Sebastian rose to prominence after having his TV debut on Game Of Thrones as a young Ned Stark.

Playing the younger version of Sean Bean’s character, he appeared in Winterfell via Bran Stark’s greenseeing flashbacks in the episodes Home and The Door.

He later bagged a spot in Netflix’s Heartstopper.

Here, he began a romance with co-star Joe Locke which lasted three years – but the pair never went public about the relationship.

Over the years, he has earned acclaim for his roles, including a BAFTA Children’s Award nomination for his starring turn as Atticus in Horrible Histories: The Movie – Rotten Romans.

EXCLUSIVE: His co-star Tessa Peake-Jones, who played Raquel, says it was ‘poignant and quite sobering’ watching the comedy legend grapple with the past

Only Fools and Horses star Tessa Peake-Jones has told how Sir David Jason felt saddened watching himself playing Del Boy in lost archive clips, as he hankered to be back in his prime.

The actress, who played his wife Raquel from 1988 for 15 years, says she enjoyed sitting with him, and other actors from the hit BBC sitcom, to watch newly discovered gems that they all believed had been lost many decades ago.

But she revealed that at times the 86-year-old became maudlin as he looked back. “You know, he’d just been knighted, he was in every programme going, Darling Buds of May, all of them. And he said, ‘There I am in my prime, and now here I am as an old man sitting watching it.’ I found that really quite moving.

“He just said, ‘Oh, I’m finding it very sad,’ and I said, ‘What do you mean?’ I ended up becoming his therapist on the sofa and he said, ‘I just I look at myself then in my prime as the best I could possibly be,’ which of course he was then – in his forties and fifties, he was more famous than anyone in Britain on telly.

“And I knew what he meant when he said he felt sad because this is us looking back on what we were, particularly for him because he was at his absolute peak. It must have felt very peculiar. You’re not ever going to be what you were then.”

And she added: “He’s still a very vibrant man, he’s got a lot of energy, he’s doing things all the time, but it was just very poignant and quite sobering.”

At the end of the first episode, which airs on Tuesday, David can’t get over how good the pair of them looked back then. “It is difficult because we are looking back at a time when we were both beautiful,” he says. Tessa responds with positivity, telling him: “Maybe we still are but we don’t see it as easily.”

But speaking afterwards she said she had also found watching the lost archive clips and outtakes difficult at times too. “Some actors really like looking at themselves. I will run a mile, I absolutely loathe it. So it was slightly torturous for me, particularly because not only are you watching scenes that you’re acting in, but you’re 30 years older.”

She believes that the secret of the comedy’s longevity is that its humour, written by the late John Sullivan and also starring Nicholas Lyndhurst as Rodney, had universal appeal. “John didn’t leave anyone out. He really cared about family and he cared about what people shared watching on telly.

“I know we all go, ‘oh, isn’t Del awful with all his scams’, but at the end of the day he’d do anything for anyone. He was kind. Looking at comedy these days, bar the odd brilliant one like Ghosts, some of them are quite cruel. It doesn’t make me laugh when you see someone being horrid about someone else.”

Tessa, now 69, says that she has received thousands of letters from fans over the years wanting to talk about her role as Raquel.

But even though she was in Only Fools for many years, she still gets more fan mail for one tiny role that she played in 2013.

“I had 30 seconds of screen time on Doctor Who,” she laughs. “But it happened to be when one Doctor becomes another. I was in a Christmas special when it happened – it was Matt Smith leaving and Peter Capaldi coming in. I must have had six lines in it, maybe seven. But I’ve had more fan mail about that 30 seconds of screen time than anything I’ve ever done in my career.”

She said the Only Fools fans aren’t far behind the Doctor Who ones. “We have many extremely obsessive fans who are almost as as powerfully connected.”

Tessa said the remaining cast from the hit sitcom were all astonished to hear that 66 bits of film, including full scenes and outtakes, had been discovered. “What’s so hilarious is that I believe all these bits and bobs were found in like a drawer at the BBC in White City,” she laughs. “Think what other gems are in drawers somewhere in those buildings. It’s extraordinary, isn’t it?”

She said it had been hard at times to work out if she even knew whether the clips had been cut from the original upsides. “I suppose you’re you’re wound up in the general whirly gig of all of it. You’re rehearsing constantly. You’re filming every weekend – life’s marching at quite a pace. So I suppose even when you record these things, if they don’t get put in, you sort of forget them.”

But, in the films, Sir David marvels at just how much ends up on the cutting room floor. He laughs: “I remember discussing it with John – we cut more jokes out than other shows had got in their entire episode.” The extra bits span 10 episodes from the 90s and cover the stories about blow-up dolls, Peckham Spring water, Cassandra’s miscarriage and Raquel giving birth to Damian., as well as the Jolly Boys coach trip to Margate.

By the time Tessa joined in 1988 the show had been on air for seven years and was a huge hit. The actress is enormously proud of the reaction her first episode got, when Derek Trotter first met Raquel on a blind date. “John wrote that brilliant script and it’s the only time the programme’s ever won a BAFTA,” she recalls. “He did that just to see what would happen for Del Boy’s character if if he was to fall in love.”

Having conceived Raquel as a one-off character, the writer quickly changed his mind. “John saw the public response and thought he could take this character of Raquel further – that it might change the dynamics of Derek and Rodney Trotter’s relationship. He thought, ‘Iet’s bring her back and see what happens’. And then a lot did happen. Such a lot.”

Unlike Sir David Tessa does not consider Only Fools to be the pinnacle of her career. “This was one of many, many things. I wouldn’t call it the thing I’m proudest of, I don’t think it’s my greatest achievement being in Only Fools, much as I’ve loved doing it. I’ve still got to meet my peak,” she laughs. “I might reach it next year.”

And well she might because 2027 brings viewers not only the last series of ITV’s Grantchester, in which Tessa has played vicarage housekeeper Sylvia Chapman since 2014, but also new Channel 5 crime series The Last Resort, in which she stars as a sixty-something sleuth alongside Caroline Quentin and Jason Watkins.

Tessa believes that, for fans, these new documentaries will be the last surprise from Only Fools and Horses, which is marking its 45th anniversary having launched in 1981.. “We’re all too old and also there is no one to carry John Sullivan’s mantle,” she says. “He was a one-off genius. So I don’t think there can be any other surprises. Thank God for things like UK Gold – who knows, in 100 years people might still be watching it.”

– Only Fools and Horses: The Lost Archive, U&Gold, Tuesday 20th & 27th October

Sonay Kartal’s dream week continued as she beat former Grand Slam champion Jelena Ostapenko at the Wuhan Open to reach the biggest final of her career.

British number five Kartal is playing in only her third event since returning from a six-month absence with a back injury, but she now stands one more victory away from a WTA 1,000 title – one of the most prestigious prizes outside of the Grand Slams.

The 24-year-old’s composure helped her secure a 7-6 (11-9) 7-6 (7-5) victory in a pulsating semi-final against Latvia’s Ostapenko.

Kartal trailed 4-1 in both sets but remained level-headed and took advantage when 34th-ranked Ostapenko stuttered in high-pressure moments.

Remarkably, Kartal survived three set points in the first set, and three more set points in the second, to secure a victory which will long live in the memory.

“That was probably one of the toughest matches I’ve ever played,” said Kartal.

“At times she is unplayable and you have to ride that wave. Mentally, this is one of the best performances of my career.”

The world number 170 is the lowest-ranked player to reach a WTA 1,000 final since the format was introduced in 1990.

Kartal will play French Open finalist Maja Chwalinska – who beat six-time major champion Iga Swiatek in their semi-final – for the title on Sunday.

Reaching the final means Kartal, who has been as high as 44th in the world, will return to the world’s top 50 and become Britain’s number one player when the next rankings are released on Monday.

Miguel Rojas didn’t want to take his cleats off.

The veteran infielder stood by his locker at Dodger Stadium, his eyes red and watery, his uniform covered in dirt, knowing that when he pulled them off, it would be for the last time.

“This is it, guys,” he said, announcing his retirement, after the Dodgers were swept by the Milwaukee Brewers in the National League Championship Series on Thursday. “It’s been a lot, the last four years of my life here. And obviously making my debut here in 2014 changed my life, not just for me but for my whole family. They took care of my son, my daughter, my wife, and everybody in my family. It’s really amazing what I can think about, what happened to me and to my family the last few years.”

Rojas addressed the team after the 6-4 loss to the Brewers. He said he was going to stay loyal to the Dodgers organization but in a different role.

Rojas, 37, has a player development role lined up, the first step in a post-playing career that he hopes eventually will land him in a manager’s seat.

“I just wanted to say thank you to all the veteran guys for allowing me to be myself when I got here, even though I didn’t play one game for the Los Angeles Dodgers for the last eight or nine years before I came here,” Rojas said. “They allowed me to be the leader that I wanted to be, the person that I wanted to change the culture and kind of give a little bit more of a culture, chemistry to the clubhouse. I feel like that is going to be a legacy that I wanted to leave here, other than my performance on the field. … I want them to remember me as a guy who always did everything possible to help my teammates win and to help the team get better every single day.”

Rojas put together a 13-year career split between the Dodgers and Miami Marlins. He had a career .260 batting average, won two World Series rings and three straight Roy Campanella Awards for his leadership in the Dodgers’ clubhouse.

Miguel Rojas hits a single during Game 3 of the NLCS against the Brewers on Wednesday.

(Gina Ferazzi / Los Angeles Times)

After Rojas made his major league debut with the Dodgers in 2014, the team traded him to the Marlins. He played eight seasons there. Then in 2023, the Marlins traded him back to the Dodgers.

Rojas, a key contributor in the Dodgers’ back-to-back championship seasons, saved the Dodgers’ 2025 World Series with his Game 7 home run. He re-signed in December for what was expected to be his last season.

Right before the playoffs, Rojas, who is from Venezuela, took his U.S. citizenship test. He said the person administering his interview didn’t realize he was a baseball player until she asked who his employer was.

“I actually wanted it to be that way because I didn’t want to have any kind of preference or anything because this process has nothing to do with baseball,” he said last week. “I felt like, as a citizen, as a human being, I always wanted to be a good person off the field and not let my performance influence anything, because we all know how hard this game can be and how high you can be and how low you can be one day. I don’t want to be judged by my performance on the field. I want to be judged by the person I am and my preparation.”

Katie Zacharia, the new White House press secretary under United States President Donald Trump, has drawn increasing criticism over claims about her professional background.

On Wednesday, a public accountability nonprofit filed a complaint with the State Bar of California over Zacharia’s repeated claims that she was a lawyer.

If made falsely, such a claim is a crime in the state. According to Zacharia’s LinkedIn profile, she received a degree from the Pepperdine Caruso School of Law in 2011, but critics have questioned whether she received a licence to practise law, as she has suggested.

“Ms. Zacharia has represented herself as a lawyer repeatedly to buttress her reputation and credibility as a television legal commentator and now as the White House spokesperson,” Michelle Kuppersmith, the head of the Washington, DC-based Campaign for Accountability, said in a statement. “Yet it seems it was all a lie.”

Her organisation filed the complaint with California’s bar office, a regulatory agency that oversees the licensing of lawyers.

“In California, calling yourself a lawyer without a license isn’t puffery; it’s a crime,” Kuppersmith said.

“The State Bar should investigate whether Ms. Zacharia has misled the public about her credentials and hold her accountable if she has.”

Zacharia, a commentator who has appeared frequently on Fox News and Newsmax, began her term as White House press secretary on Tuesday.

In a news briefing that day, she seemed to falter and speak haltingly, sometimes having to repeat herself.

Her appearance was brief, lasting under 15 minutes. She spent much of her time at the podium thanking Trump for the opportunity and reading from a prepared statement.

“I have wanted to work for him for a very long time,” Zacharia said.

Later, she joined Trump outside the White House to speak further with reporters. When asked where she had passed the bar exam, Zacharia replied, “When I moved to China.”

The response was an apparent reference to a three-year stint in which she claims she worked at a law firm in Beijing.

A biography on the website for the pro-Trump women’s organisation Trumpettes USA Inc says she “served as outside counsel” for the World Bank and International Finance Corporation while in Beijing.

Her LinkedIn profile, meanwhile, indicates Zacharia served as an associate at the Zhong Lun Law Firm in Beijing from 2011 to 2013. More recently, from 2024 to 2025, it lists her as general counsel for Fix California, a voter rights group started by a Trump administration official.

On her Instagram profile, Zacharia describes herself as a “Wife, Mom, & Lawyer”.

But Zacharia’s assertion that she passed the bar in China has fuelled media scrutiny. China’s equivalent of the bar exam, the notoriously difficult National Unified Legal Professional Qualification Examination, can only be taken by Chinese citizens.

China has, on rare occasion, allowed foreigners to practise law in the country if they have several years of experience in their home countries first.

But that does not appear to be the case for Zacharia. According to media reports, Zacharia has not been found to be licensed as a lawyer in any state in the US.

In a statement to The Associated Press, Zacharia responded to the scrutiny by saying, “I practice international transaction law, with all the appropriate credentials.”

Since Trump’s return to office for a second term, Zacharia has spent several months as a communications adviser at the Department of Homeland Security.

Since June, she has also worked as the senior communications adviser at the Trump Media and Technology Group, which owns the Truth Social platform.

Prime Video has unveiled a brand new one-off special as he takes on a “world first”.

Clarkson’s Farm fans will be seeing even more of Jeremy Clarkson as he takes on his toughest challenge yet.

Jeremy Clarkson fans can rejoice as Prime Video has just unveiled a brand-new special episode forming part of the beloved Clarkson’s Farm franchise, which will return for season six. In a one-off instalment, titled Jeremy Grows a Car: A Clarkson’s Farm Special, Jeremy Clarkson goes back to his Top Gear roots.

Prime Video teased the former Grand Tour star will use his automotive experience to undertake a world first, as he bids to grow and build his very own car from produce grown at Diddly Squat Farm. The streamer said: “During his tenure as one of the country’s most famous farmers, Jeremy Clarkson has tried to grow it all: wheat and barley, potatoes and mushrooms, even wasabi.

“But never before has he tried to grow something this ambitious. In fact, no one has. Growing a car is not for the faint-hearted.” Jeremy has decided to put his foot down when it comes to buying cars, saying he would rather make one himself.

Frustrated by modern motoring’s “nanny-state technology“, he will take it upon himself to build his new car. The framework for his grand plan will involve the Jaguar F-Type V6S, a car Jeremy thinks “represents the sweet spot between analogue driving thrill and modern practicality”.

But of course, this is no ordinary restoration, and alongside his very own Diddly Squat leather interior and wool carpets, he will attempt to grow a crop of flax fibre and turn it into a revolutionary and sustainable alternative to carbon fibre.

He will not be taking on the challenge alone, as helping him will be legendary car designer Ian Callum CBE – the man who designed the original F-Type. Prime Video concluded: “Jeremy’s redesigned Jaguar will feature everything he believes the iconic British brand should stand for: style, luxury and performance.”

The one-off special will be on Prime Video worldwide next year, while season six of Clarkson’s Farm will also launch in 2027. Clarkson has been open about the future of his beloved farming series, and in September he announced filming had pretty much wrapped.

Speaking exclusively to Radio Times after collecting the gong for reality docuseries at the National Television Awards, he shared: “We’ve nearly wrapped on six. A couple of weeks away from finishing that, and then it’ll be edited and translated and so on. But nearly done six, and then who knows?”

The latest season paid particular attention to his health scare after he was diagnosed with prostate cancer, but giving a further update on his current state, he shared: “I’m mended, I’m made of rock and steel. “Takes more than a little bit of prostate cancer…

“I would just say to everybody, if you’re my age, get tested. Just get tested, because I did, and they caught it early and were able to mend it. I was back at work in two weeks – so get tested.”

Clarkson’s health is not holding him back by any means as he continues to explore new ventures and find ways to utilise everything Diddly Squat Farm has to offer. He has also recently opened up about some extreme security measures he had to take to stop thieves at the farm, admitting “in the countryside, everything is stolen all the time”.

In his latest column for The Times, he told readers that thieves most frequently target quad bikes, hedge clippers, chainsaws, GPS systems and diesel. He said he’d introduced security measures to protect his diesel tanks, which are “safer than the three most secure places on earth”: Fort Knox in Kentucky, the Federal Reserve in New York and the Global Seed Vault in Svalbard.

Jeremy Grows a Car: A Clarkson’s Farm Special will air on Prime Video in next year.

Sass Jordan, the Canadian rock star known for hits such as “Make You a Believer” and “Tell Somebody” who served as a judge on all six season of “Canadian Idol,” has died. She was 65.

Jordan died Friday surrounded by her family, according to an announcement posted to Instagram Saturday. No cause of death was provided, but she had reportedly canceled a number of performances in Ontario, Canada, in September “due to a serious medical condition.”

“She remains in our hearts, an inimitable force of nature,” her family wrote in the statement accompanying a photo of Jordan cuddling a cat. “An irreplaceable being of light and joy!”

Jordan made her solo debut with her 1988 album, “Tell Somebody,” which led to her winning the Juno Award — the Canadian equivalent of a Grammy — for most promising female vocalist the following year. She moved to Los Angeles in 1990 before releasing her follow-up album, “Racine,” in 1992.

“Racine” remained one of Jordan’s biggest solo albums, with tracks including “Make You a Believer,” “I Want to Believe,” “You Don’t Have to Remind Me” and “Goin’ Back Again.” She also recorded a duet with Joe Cocker, “Trust in Me,” for the 1992 film “The Bodyguard” that year.

“I always think of music as medicine and as healing for myself and for anyone else who wants to join in,” Jordan said in a 2023 interview with the CBC about audiences still responding to her earlier hits when she performed. “[S]o it’s an extremely uplifting thing. … It’s amazing and it’s incredible to see that. It’s incredible to see people responding to something that is genuinely, like you said, 20 years old.”

Born on Dec. 23, 1960, in Birmingham, England, Sarah “Sass” Jordan moved from France to Montreal with her family at age 3 when her father, a French literature professor, took a job at Concordia University, according to a statement shared by her publicist Eric Alper after her death. Seeing David Bowie in concert as a young teenager inspired Jordan to dream of a career in music. She began singing and playing guitar with friends in Westmount Park and by age 16 she was performing with bands in downtown Montreal nightclubs.

“I’m an expert on rebellion,” Jordan told The Times in 1992, reflecting on why she ran away from home at 14. “I didn’t want that clean, wholesome life … It felt so fake. I identified with real people, oppressed people who were outside that life. I wanted to taste real life — street life.”

Throughout her career, Jordan would tour alongside acts including Aerosmith, the Rolling Stones, AC/DC and Van Halen. Her touring band in 1994 included Taylor Hawkins, who would go on to become the drummer for the Foo Fighters. Jordan’s most recent release is the live album from that tour, titled “Live in New York Ninety-Four.” Hawkins died in 2022 at age 50.

For six seasons, Jordan served as one of the judges on the reality competition series “Canadian Idol.” The show aired from 2003 to 2008 and mirrored the format of shows like “Pop Idol” and “American Idol.”

“Over four decades, she gave Canadian rock one of its most recognizable voices, carved out space for women in a genre long dominated by men, and opened doors for the young musicians who came through her band,” Alper said in his statement. “Sass Jordan leaves a catalogue that shaped Canadian rock through the late ’80s and ’90s, a blues renaissance in which her voice grew richer with each record, and a generation of artists, from Idol hopefuls to a future Foo Fighter, who learned from her what it means to give a song everything.”

Jordan is survived by her husband Derek Sharp, daughter Stella Jordan-Sharp, stepdaughter Brianne Sharp and brother Daniel Jordan.

Paul Reubens’ larger-than-life stage presence as Pee-wee Herman carried over into the actor’s home-sweet-home — and this month, fans of the late actor can bid on 439 items from his collection.

Julien’s Auctions is hosting Paul Reubens’ Big Auction at the Groundlings Theatre in Los Angeles on Oct. 28 to celebrate the life and career of the late comedian, actor and writer. Tickets sold out within the day on Friday, but the public may participate in the auction online at juliensauctions.com. Anyone with a Groundlings show ticket can view the exhibition until Oct. 28.

The auction features Pee-wee’s iconic gray suit and other costumes, red Schwinn bicycles, dolls, puppets, claymation figures, scripts and more. The memorabilia comes from Reubens’ major features and TV shows, including “Pee-wee’s Playhouse,” “Pee-wee’s Big Adventure,” “The Pee-wee Herman Show,” “Big Top Pee-wee” and “Pee-wee’s Big Holiday.”

Reubens created the Pee-wee Herman character in 1978 while a member of the Groundlings company. “The Pee-wee Herman Show” began at the Groundlings Theatre, moved to the Roxy Theatre on Sunset Boulevard and aired as a 1981 HBO special. Reubens parlayed the show’s success into the 1985 hit film “Pee-wee’s Big Adventure.” Tim Burton’s feature film directorial debut, the movie had a $7 million budget and earned more than $40 million.

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Paul Reubens, the actor and comedian best known for portraying the character Pee-wee Herman on stage and screen, has died. He was 70.

Next came the Daytime Emmy-winning TV series “Pee-wee’s Playhouse,” which ran from 1986 through 1990 and helped kick-start the careers of now well-known stars including Phil Hartman, Laurence Fishburne and S. Epatha Merkerson. Feature films “Big Top Pee-wee” (1988) and “Pee-wee’s Big Holiday” (2016) followed. Before his death on July 30, 2023, Reubens recorded interviews for the 2025 Emmy-winning documentary miniseries, “Pee-wee as Himself.”

Here are six highlights of the auction:

“Pee-wee’s Big Holiday” Hero Pee-wee Herman Suit

“Pee-wee Herman” hero ensemble.

(Julien’s Auctions)

The iconic slate gray glen plaid suit worn by Paul Reubens in his 2016 Netflix film, complete with white shirt, red bow tie, pocket square, and white loafers. ($8,000-$10,000)

“Pee-wee’s Playhouse” Fridge Food

12 pieces of “food” found in Pee-wee’s fridge.

(Julien’s Auctions)

A collection of 12 prop food pieces from the “Pee-wee’s Playhouse” refrigerator, including a claymation red pepper and bacon with armature arms, olive barbells, frozen food boxes, and desserts. ($800-$1,000)

Pee-wee Herman 1989 JCPenney 40-Inch Limited-Edition Doll

Large Pee-wee Herman doll from the late 1980s.

(Julien’s Auctions)

The 40-inch doll made by Carousel for Reubens’ JCPenney-exclusive line in the late 1980s is one of the rarest Pee-wee Herman collectibles. Only 2,000 were made in 1989, and some were used as store displays. The doll is in its original box, with the original factory shipping carton. ($300-$500)

Paul Reubens’ “Pee Wee” Harmonica

A vintage “Pee Wee” brand harmonica, circa 1945-1951.

(Julien’s Auctions)

A vintage “Pee Wee” brand harmonica made in occupied Japan (circa 1945-1951) in its original box, personally owned by Reubens, who cited this brand as the inspiration for his character’s name. ($100-$200)

“Pee-wee’s Big Adventure” Replica Bicycle with 2011 Visionary Spike TV Scream Award

A full-scale replica of Pee-wee’s red Schwinn DX bicycle.

(Julien’s Auctions)

A full-scale replica of Pee-wee’s iconic red Schwinn DX, ridden by Reubens at the 2011 Spike TV Scream Awards where he accepted the honorary Visionary Award (also included in the auction). ($5,000-$7,000)

Production scripts and storyboards

“The Pee-wee Herman Show” 1981 production script with revision pages.

(Julien’s Auctions)

• “Pee-wee’s Playhouse” Season 1 scripts (a collection of 13, one for each episode of Season 1 in 1986)
• “Pee-wee’s Big Adventure” script credited to Phil Hartman, Paul Reubens, and Michael Varhol, containing minor differences from the final film including a deleted magic shop scene
• “Big Top Pee-wee,” featuring barnyard and farm animal artwork
• “Pee-wee’s Playhouse” Season 4 storyboards

(each lot range: $500-$700)

The Dodgers did not need Tarik Skubal to win the National League West. They traded for him to help them win a third consecutive World Series.

Their legacy is at stake. So is his.

That could be hyperbole. Skubal turns 30 next month, already the winner of two Cy Young awards, one of them unanimously. He could sign the largest contract of any pitcher in major league history this fall. His career might be only at its halfway point, and already we can say he’ll be remembered as a star.

So I asked him if his career would feel somehow empty if he did not win a World Series. No one in Anaheim thinks any less of Mike Trout, and no one in San Diego thinks any less of Tony Gwynn, because neither Hall of Famer won a World Series.

Skubal thought about it. Yes, he said, his career would feel diminished without a championship.

“I think winning is the most important thing, so I think that’s fair to say,” Skubal told me.

“If I retire and I don’t have one, that will definitely be something that I don’t know when I will live it down.”

The Dodgers imported him for five or six starts in October, the first of them this weekend. I wasn’t sure of the right noun to use to capture his feelings: Excitement? Pressure? Responsibility?

“I think all of those things,” he said.

How so?

“I’ve grown to appreciate expectations from teammates, from fans, from organizations,” he said. “I’ve come to appreciate pressure. Early on in my career, there wasn’t much of that. It was more just kind of finding my footing, which I’m grateful for. It helped me learn a lot about myself.

“Having the expectation of being a team that is going to win the World Series, and me being a part of that, is something that I’ve come to really appreciate. I’ve come to appreciate all that stuff. As much as they can be looked at as negative things, or stress-inducing things, I’ve come to really appreciate those things, because I haven’t had that for my entire career.”

As soon as the Dodgers traded for Skubal two months ago, he was delighted to receive a text message from a pitcher who wore the weight of expectations throughout his career.

When his Detroit Tigers opened last season at Dodger Stadium, Skubal asked teammate Jack Flaherty to arrange a meeting with Clayton Kershaw.

“Honestly,” Skubal said, “I wanted to get a jersey from him.”

The Dodgers’ Tarik Skubal pitched seven scoreless innings in his final start of the regular season last week against the San Francisco Giants.

(Thearon W. Henderson / Getty Images)

They talked pitching too, of course, and stayed in touch. When the Dodgers landed Skubal, Kershaw’s welcome text led to him sharing advice not just about the team itself but about navigating the notorious L.A. roads to Dodger Stadium, and various neighborhoods that Skubal, his wife and two young boys might enjoy.

For Kershaw, the postseason was a widely publicized menace throughout the previous decade. In 2019, after he inherited a two-run lead in the deciding game of the division series, Kewshaw gave up home runs to Anthony Rendon and Juan Soto.

After the game, Kershaw said, “Everything people say is true right now about the postseason.”

In 2024, the Tigers were five innings from the American League Championship Series, leading 1-0 in the deciding game of the division series, with Skubal on the mound. Three singles, a hit batter and a grand slam later, the Tigers trailed for good.

“I felt pretty responsible for the season ending,” Skubal said.

Kershaw earned his redemption in 2020, winning both of his World Series starts as the Dodgers won their first championship since 1988. That title lifted the postseason burden off Kershaw, and I wondered whether Skubal might feel the same way if he leads these Dodgers to a parade.

Skubal rejected the premise.

“I don’t really buy into that narrative with Kersh, the postseason struggles,” Skubal said.

Kershaw’s 41 postseason appearances include four starts on short rest and nine relief outings. In 2013, he pitched a combined 259 innings between the regular season and playoffs. In 2015, that number was 246 innings.

“It takes a superhuman to be held to the standard he was being held to, in the biggest of moments,” Skubal said. “I think he was great. He did everything he could for his team. He wore it out there sometimes. Chasing box scores and stuff is kind of unfair to judge guys on, because I’m sure he was pitching through some stuff and grinding through some stuff.

“But he had to do it, because he was Clayton Kershaw.”

Kershaw’s postseason earned-run average: 4.62. For Skubal, in six postseason appearances, all of them starts: 2.04. In that one five-run inning, he gave up more runs than he has in the other 38-2/3 innings of his postseason career.

After he gave up those five runs, he returned for one more inning and retired the side in order.

“That moment solidified who I thought I am, in terms of how I responded to that failure, how I responded to that adversity,” he said. “It’s weird to say and it’s probably weird to portray, and I don’t know how many people it’s going to resonate with, but that’s what I feel.”

Right time, right place: If Skubal wants to win a World Series, where else would he rather be?

“For him?” pitcher Blake Snell said. “There’s no better time for anybody than right now.”

The Dodgers acquired infielder Tommy Edman from the St. Louis Cardinals at the 2024 trade deadline. For Edman, that’s two Octobers and two parades.

“In St. Louis, I think we were hovering around .500,” Edman said. “I found myself traded here and I was like, ‘OK, all of a sudden I’m on the team with the best record in baseball right now, going for a ring just about every single year.’

“That’s the expectation we have here. There’s definitely a level of excitement.”

Dave Roberts, the Dodgers’ manager, said he could see the joy in Skubal on the day the Dodgers celebrated the division title.

“There’s also a difference between being on a team like the Tigers — and nothing against that organization — where the goal really isn’t to win the World Series. It’s the hope,” Roberts said. “But being here and seeing the standard that we have and it’s like: ‘I’m here to win the World Series. This team has the best chance to win the World Series, and I get to be a part of it.’

“So I fully see him, now that he is completely immersed into our culture, where the first month was trying to feel his way: ‘Where do I fit in? I’m this hired gun.’ And now it’s like he’s one of the guys.”

Skubal insists that he has not really thought about his free agency, that his focus is on the here and now, and on each start as it comes. That means this month could be his last in Dodger blue, and that means this really might be his best chance to win a World Series.

“I don’t really know if I like the verbiage of that, thinking I must win this year,” he said. “I don’t think that’s fair.”

Fans of the other 29 teams didn’t necessarily think it was fair that the Dodgers got Skubal. Owners of the other 29 teams are trying to stop them, or at least slow them down, by demanding a salary cap. No matter. One of the co-owners of Skubal’s current employer has a saying about this here and now: It’s winnin’ time.

Billy Bush, the veteran on-air host whose career was derailed by a crude off-camera conversation he had with President Trump in 2005, has signed on as a contributor to Fox News.

Bush will comment on cultural issues across Fox News Media platforms. He made his first appearance Tuesday on Fox News Channel’s “Jesse Watters Primetime.”

“I’m excited to join Fox News Media and its loyal audience to share my perspective on the people, ideas and moments shaping today’s culture as well as the ones trying to undo it!” Bush, 54, said Tuesday in a statement.

The longtime media personality is the nephew of former President George H.W. Bush and cousin to the 43rd president George W. Bush. He made his own mark on political history when audio of a 2005 conversation he had with Trump, then host of the NBC reality series “The Apprentice,” surfaced during the 2016 presidential campaign.

In the tape, made while Bush was co-host of NBC’s syndicated entertainment news show “Access Hollywood,” Trump boasted about his ability to kiss women and grope their genitals with impunity because he is a celebrity. Bush is heard chuckling and encouraging Trump’s coarse chatter as the future president crudely talked about how he tried to have sex with Nancy O’Dell, then a co-host on “Access.”

Bush is also seen on camera telling “Days of Our Lives” soap opera actress Arianne Zucker to embrace Trump just after the exchange.

Trump’s presidential campaign survived the scandal as he went on to defeat Hillary Clinton that November. Bush did not fare as well.

Bush’s career was on the ascent at the time that the tape made news, having been named co-host of the third hour of NBC’s “Today” in August 2016. He was part of the network’s coverage of the 2016 Summer Olympics coverage in Rio and Prince William’s wedding to Kate Middleton.

But the tape drew outrage from Bush’s female colleagues at NBC News. He apologized for his role in the conversation, saying he “was younger, less mature, and acted foolishly in playing along.” He was suspended from “Today” in October 2016 and did not return to the program as the network chose to pay out his contract.

Bush landed at the syndicated show “Extra” in 2019 and hosted for five seasons. He currently hosts a digital show, “Hot Mics with Billy Bush,” that covers sports, politics, entertainment, tech and pop culture.

Nneka Ogwumike answered the same question she’s been facing for almost two months.

Why now? Why leave the WNBA when she still leads the Sparks in scoring and rebounding, has played a central role in helping the league negotiate a transformative new collective bargaining agreement and returned to the city where her pro career began?

Ogwumike is at peace with her decision. And when she steps onto the court in a Sparks jersey for the last time Thursday, she will do it without regrets.

“I’m mostly grateful,” Ogwumike said. “I haven’t really been thinking much else besides just being grateful for the opportunity to have had a 15-year career in the WNBA and also to finish in a Sparks jersey.”

There is a lot for which to be grateful.

Ogwumike entered the WNBA as the No. 1 overall pick of the Sparks in 2012. Now, 15 seasons later, she is leaving the league as one of its most accomplished players — and as the most prolific scorer in Sparks history.

Sparks forward Nneka Ogwumike, left, tries to drive past Lynx forward Napheesa Collier during a game in Minneapolis.

(Matt Krohn / Getty Images)

“It feels freeing,” Ogwumike said of her decision to retire. “It feels like there’s a level of autonomy that I’m able to have, and I’m very happy about that.”

The numbers only begin to tell the story.

Ogwumike was rookie of the year after averaging 14 points and 7.5 rebounds per game. Four years later, she produced the best season of her career, averaging 19.7 points per game, winning MVP and leading the Sparks to their third WNBA championship.

She spent 12 seasons with the Sparks before leaving for Seattle, then returned to Los Angeles this season to finish her career.

Along the way, she established herself among the most productive players in league history. Ogwumike will finish her career fourth all-time in scoring with 8,013 points, behind Diana Taurasi, Tina Charles and DeWanna Bonner. She is third all-time in rebounds with 3,571 and third in steals with 716.

And on July 17, she added one more piece of history to the résumé, passing Lisa Leslie to become the Sparks’ all-time leading scorer.

Sisters Chiney, left, and Nneka Ogwumike pose for a photo at the Bird’s Eye View After Party during WNBA All-Star weekend.

(Daniel Boczarski / Getty Images for Vox Media)

“This is where it all started [for me],” Ogwumike said. “So very happy to be able to share this time, both the beginning and the end of my career in L.A., and I had a majority of my career playing for this organization, so it really does mean a lot to be able to finish in it as well.”

The return, however, did not unfold quite the way Ogwumike or the Sparks had envisioned.

Los Angeles entered the season with playoff expectations after bringing Ogwumike back, signing Erica Wheeler and trading for Ariel Atkins. The Sparks had not made the postseason since 2020, and the hope was that Ogwumike’s return could help change that.

Instead, the season became a struggle. The Sparks will finish 10 games out of a playoff spot, leaving Ogwumike’s final games less about a postseason push and more about what she could leave behind.

“The season is not at all what I expected, but it doesn’t mean that I can’t come out here to do my job and try and be great, and be great as a result,” Ogwumike said. “And as always, playing with my teammates as well.”

That has meant spending time with the young players who will carry the Sparks forward after she is gone.

Sparks coach Lynne Roberts and Nneka Ogwumike talk on the sideline during a win over the Indiana Fever in July.

(Katelyn Mulcahy / Getty Images)

Ogwumike has particularly focused on Cameron Brink, the young forward who represents a significant part of the organization’s future.

“I think right now I’m really spending a lot of my time trying to pour into Cam as well,” Ogwumike told reporters this week. “I really do think that she’s the future of the league. … I’m happy to be able to leave whatever I can before I throw my feet up.”

It is a fitting final role for a player whose career has stretched across generations of the WNBA.

“She’s poured into me since I got into the league,” Dream forward Angel Reese said in August. “Kind of like one of my first vets, always being there for me, always texting me, and also really like educating me on the things that were going on, knowing that it was a big CBA coming up.”

Her final contribution might not be something that appears in a box score. It might be what she passes on.

“She’ll be missed,” said Valkyries forward Gabby Williams, who played with Ogwumike in Seattle the previous two seasons. “As a friend, but also as a fan. I’ll miss watching her in the W.”

Williams knows what Ogwumike’s career has meant to the league, but she also understands what comes next.

“I’m really happy for her,” Williams said. “Happy she gets to take that next step. I know what it means to her. I’m glad her last year was pivotal for the CBA and she’ll always have her name written on that.”

Ogwumike, though, isn’t spending much time looking backward.

She hasn’t thought about what her final moments in the WNBA will feel like, only the gratefulness she feels to have had her 15-year career.

“I haven’t,” Ogwumike said when asked if she has thought about her last moments in the league. “Still just focused on playing.”