calvin

BRIT musician Calvin Hayes who co-founded 80s hit band Johnny Hates Jazz was tragically found dead at his home, aged 63 yesterday.

The talented keyboardist, drummer and heartthrob collapsed at his US property.

The hit group achieved major international success with 1988 album Turn Back the Clock, which topped the UK charts.

They enjoyed a popular reunion in 2010.

The star’s dad was Mickie Most, a prominent British record producer who worked with major artists in the 60s and 70s including cult group Hot Chocolate.

Hayes also found fame working alongside pin-up Kim Wilde, who he dated.

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He appeared as part of her promotional band and featured on the sleeve artwork of her self-titled debut album, released in 1981.

Kim recalled in a 1988 interview that she had known Hayes since recording Kids in America, noting they first got involved at a family party.

Pin-up Kim said: “We have fallen for each other totally. I can tell everybody that it’s the most wonderful feeling in the world.

“He is the greatest thing that has ever happened to me.

“I have never really liked talking about my love life but there have been so many rumours about me recently that I decided it was best to get it all out in the open.

“We always got on well, ever since he played drums in my first band seven years ago.

“And that’s why our love affair is stronger than most couples.

“We know that we have got a lot in common. I think that’s why we both know it will last.”

Hayes co-founded Johnny Hates Jazz in 1986 with singer Clark Datchler and bassist Mike Nocito.

The band self-produced their work and gained international recognition with their 1987 single Shattered Dreams, which reached the Top 10 in multiple countries including the US.

Turn Back the Clock achieved multi-platinum status and produced four consecutive UK Top 20 singles: I Don’t Want to Be a Hero, Turn Back the Clock and Heart of Gold alongside Shattered Dreams.

At the peak of their success after the first album, Datchler left the band.

Hayes and Nocito continued, recruiting Phil Thornalley as vocalist for the second album Tall Stories, though its release was delayed by a near-fatal car crash that kept Hayes in a body cast for nearly a year.

Johnny Hates Jazz appeared on Top of the Pops eight times between May 1987 and March 1988.

Hayes maintained a low profile in music for much of the 1990s and early 2000s.

They regrouped for a nostalgia arena tour.

The band performed multiple live shows across Europe and Southeast Asia during their comeback.

Hayes departed the group shortly after these performances for personal reasons.

Hayes and Wilde remained good friends since their initial collaboration in the early 1980s.

He tragically died in Spokane, Washington.

His death was confirmed by his grieving wife Kathy.

A pal said: “He was the sound of the 80s and a super talented man. He will be greatly missed.”

VICK Hope has shared a rare glimpse inside her and husband Calvin Harris’ £15M Ibiza home.

Calvin, 41, bought the stunning 138-acre farm, known as Terra Masia, back in 2022, and the couple spend their summers there – with the Scottish DJ remaining close to maintain his dual-residency at nearby superclub Ushuaïa Ibiza,

Last summer, Vick, 36, gave birth to their son Mica at the Spanish home, and has now shared a glimpse of the little one with dad Calvin at the home.

In a Father’s Day post for Calvin shared on Sunday, Vick shared a video of the musician serenading Mica in a sweet moment.

The clip sees Calvin sitting on the floor of their Ibiza home – which is neutrally decorated with a beige couch and textured nude rug – and playing a ukulele.

His son can be seen adorably dancing along to the tune, bobbing up and down in between his dad’s legs.

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In the clip, Calvin and Vick’s sprawling farm backdrop can be seen – with a large window showing the beautiful views and collection of trees.

Vick wrote alongside the video: “Happy first Father’s Day, love from the person you make dance the most”.

A number of celebrities took to the comment section on the post, with Davina McCall writing: “Awwwwwww xxxx my heart”.

“Awwwwwwww ❤️,” said Carol Vorderman.

The clip is a rare glimpse into Calvin and Vick’s life in Spain during the summers, with the couple – who married in 2023 – famously private about their personal lives.

The residence holds special memories for the couple, with Calvin reportedly popping the question to Vick underneath a grand tree there, as well as welcoming their son there.

Calvin bought the Ibiza property after selling his two multi-million pound mansions in Los Angeles.

The chart-topping DJ and producer’s sprawling 138-acre residence is known as Terra Masia, which is the largest organic farm in the White Isle.

It can produce veg, eggs, wine and farm-to-table meals, and also hosts special events such as weddings.

At the time, a source told The Sun: “Calvin employs an expert team including farmers and chefs.

“But that hasn’t stopped him getting involved and he regularly gets his hands dirty, helping to plant seeds and everything else involved in running a farm.

“He is really passionate about what he and the team are doing.”

When the couple aren’t spending their summers in Ibiza for Calvin’s residency, they reside in a countryside home in the Cotswolds.

“For Want of a Horse,” a play by Olivia Dufault receiving its world premiere in an Echo Theater Company production at Atwater Village Theatre, wants to have a rational conversation about a taboo topic that can provoke instant outrage.

The subject is zoophilia, not to be confused with bestiality, though for many of us it will be a distinction without much of a difference.

Calvin (Joey Stromberg), a good-looking, mild-mannered married accountant, has harbored a secret for much of his life. He has a thing for horses. His erotic interest began at an early age, and all his efforts to lead a normal life have left him depressed and contemplating suicide.

His wife, Bonnie (Jenny Soo), is a permissive kindergarten teacher who’s having difficulty restraining a girl in her class who has discovered the joys of masturbation. Worried about her husband, she discovers through his browsing history that he’s once again visiting strange animal sites.

She suggests he keep a horse, explaining that she doesn’t want to end up a widow or divorcée. Calvin is taken aback by her generosity but has come to recognize that his preference is more than a kink. It’s part of his identity — and maybe the only part that makes his life seem worth living.

Joey Stromberg and Jenny Soo in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

A horse named Q-Tip (Griffin Kelly) enters the couple’s lives. A stable is secured, and the mare, who senses that something strange is going on, is indulged with apples and caresses.

Kelly, a statuesque presence in a dress, harness and boots, brings the horse to life with wild, unpredictable movements. The sheer size of the animal poses a threat to humans. One kick, as Q-Tip herself explains in one of her thought-bubble monologues, is capable of penetrating a steel wall. But controlling an animal’s food supply is an effective way of winning over its trust.

Calvin has found support in the online zoophilia community. PJ (Steven Culp), a man whose current inamorata is a bichon frise, is considering moving to a country where zoophilia isn’t illegal. He’s tired of the shame and the secrecy. He’s proud of his attachment to pooch, even if his thing for dogs has cost him contact with his daughter and ex-wife.

Dufault doesn’t shy away from sexual details. For PJ, intimacy depends on peanut butter. Calvin describes the physical signals that reveal Q-Tip’s erotic satisfaction. The play occasionally descends into sitcom humor. (PJ says he’s considering creating a human-dog dating app called Rin Tin Tinder.) But mostly the subdued tone steers clear of sensationalism.

The production, directed by Elana Luo, is scrupulously well-acted by the four-person cast. Stromberg makes Calvin seem not only reasonable but surprisingly sensitive. Soo’s Bonnie sweetly embodies the excesses of a kind of progressive piety. As PJ, Culp gruffly embraces his role as the play’s polemical fire-starter. And Kelly’s Q-Tip, in the production’s most physically demanding performance, straddles the human-animal divide with theatrical aplomb.

Steven Culp, left, and Joey Stromberg in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

The open-mindedness that Dufault, a trans playwright, brings to the play creates some dramatic slack. Possibly the same fear of making value judgments that has inhibited Bonnie from imposing common-sense discipline in her classroom has robbed “For Want of a Horse” of a propulsive point of view.

The play moves monotonously between Calvin and Bonnie’s bedroom and the stable. Scenic designer Alex Mollo has worked out an efficient way of shifting between these realms by employing the same set of wooden trunks. But the argument of the play doesn’t so much build as elapse.

Time takes its toll, and Calvin eventually has to make a decision. But the character who interested me most was Bonnie, whose reality is only glimpsed. The play tacitly uses her husband’s threat of suicide as a trump card. Zoophilia isn’t merely a fetish for Calvin but a nonnegotiable part of his identity.

This questionable assumption can be psychologically scrutinized not only from Calvin’s point of view but also from his wife’s. The play wants to have an intelligent debate, but it doesn’t want to interrogate certain political positions too skeptically.

At one point, Bonnie objects when Calvin compares his situation to that of homosexuality, but the conversation ends there. The reality is that the right wing has been making a similar claim, arguing that same-sex marriage opens the door to bestiality, polygamy and incest. “For Want of a Horse” inadvertently lends legitimacy to this line of reasoning.

Griffin Kelly in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

Not that extremist positions should be off limits, but they ought to be more rigorously addressed. Similarly, Bonnie’s concern about the issue of consent — how can a horse say yes to intercourse with a human — is introduced only to be dismissed in a shrug of mild-mannered bothsidesism.

While watching “For Want of a Horse,” I recalled a program on PBS called “My Wild Affair” that wasn’t about zoophilia but about the problematic nature of human bonds with untamed animals. Relationships with a seal, an elephant and a rhino, for example — obsessive, protective, loving friendships — all seemed to end if not in outright tragedy, then in shattering heartbreak.

Q-Tip is rightfully given the play’s last word, and Kelly, an actor (HBO’s “The Book of Queer”), writer and comedian, is the production’s driving force. We can never know what’s inside this mare’s mind because Q-Tip’s brain has evolved so differently from our own. Kelly plays the anthropomorphic game while retaining some of the inscrutability of a four-legged creature.

It is through language that we, as humans, traverse the chasm separating us from one another. That’s not possible with animals, even with our closest domestic companions. (Try explaining a necessary medical procedure to a cat.)

“For Want of a Horse” sets out to speak about the unspeakable, but its construction may be too tame for such a wild subject.