Manchester City players including Khadija ‘Bunny’ Shaw, Lauren Hemp, Khiara Keating and Kerstin Casparij share their confessions, including things they got away with growing up, their mid-game thoughts and what football rule they would like to change.
Watch live coverage of Everton v Manchester City on Sunday 9 November from 14:30 BST on BBC Two, BBC iPlayer and the BBC Sport website & app.
The Latin Recording Academy has added even more names to its already star-studded lineup of artists slated to perform at the 26th Latin Grammy Awards, which will be held Nov. 13.
Among the acts announced are album of the year nominee Bad Bunny, breakout Argentine duo Ca7riel & Paco Amoroso, song of the year nominee Karol G and San Bernardino-based música mexicana powerhouse group Fuerza Regida
Next week’s show will mark the first time Bad Bunny has performed on the Latin Grammy stage since 2021, when he sang “Maldita Pobreza” from his 2020 album “El Último Tour Del Mundo.” It also will be the first time that Fuerza Regida and Ca7riel & Paco Amoroso perform on the Latin Grammy stage.
Album of the year nominee Rauw Alejandro, legendary rocker Carlos Santana, ranchero/mariachi album nominee Christian Nodal and country darling Kacey Musgraves were among the acts previously announced as performers at the Las Vegas awards show.
Additional artists set to perform at the MGM Grand Garden Arena are música Mexicana acts Carín León, Pepe Aguilar and Los Tigres del Norte; sad sierreño singer-songwriters Iván Cornejo and DannyLux; Latin pop icon Gloria Estefan and Colombian rock band Morat.
This year’s list of top nominees include Bad Bunny (12), Edgar Barrera (10), Ca7riel & Paco Amoroso (10), Rafa Arcaute (eight), Natalia Lafourcade (eight) and Federico Vindver (eight).
Bad Bunny’s 12 nominations this year will bring his total career nods to 52. With her eight nominations this year, Lafourcade looks to bolster her collection of 18 trophies from the awards show — the most wins for any female artist.
Nabbing eight more nominations, Edgar Barrera continues to pad his stats as the awards show’s most nominated person of all time with 72 nods, along with 24 wins. Spanish artist Alejandro Sanz received four nods this year, which brings his career total to 51.
This month’s show will be the debut of the new Visual Media field and its new category, Music For Visual Media, which will honor scores for film and television. Also added to this year’s awards is the category for best roots song.
Shakira is all in for the Bad Bunny Super Bowl halftime performance, despite ongoing public efforts to replace the Puerto Rican singer with another artist.
In an interview with Variety, the Colombian superstar voiced support for Bad Bunny, who is set to perform on Feb. 8 at Levi’s Stadium in Santa Clara, Calif.
“It’s about time!” she said.
In 2020, Bad Bunny joined Shakira and Jennifer Lopez on stage during their halftime performance, which marked the first all-Latine show in Super Bowl history — J Balvin was also featured.
“I remember when we did ours that even having part of our set in Spanish was a bold move… Acceptance of Spanish-language music as part of the mainstream has come so far from when I started,” said Shakira, who during the interview reflected on the recent anniversaries of her critically-acclaimed Spanish album “Pies Descalzos” (released in 1995) as well as “Oral Fixation (Vol 1 and 2)” (both released in 2005).
“I hope and like to think that all the times my music was met with resistance or puzzlement from the English-speaking world before it was embraced helped forge the path to where we are now,” Shakira added.
The news that Bad Bunny would headline the major American sporting event has been met with some pushback from conservative figures, including President Trump, who labeled the decision as “crazy” and “absolutely ridiculous” in an interview with Newsmax earlier this month.
One floating petition on Change.org, which has acquired over 54,000 signatures, called for Bad Bunny to be replaced by Texas singer George Strait as a way to “honor American culture.”
The late Charlie Kirk’s Turning Point USA also announced an alternative halftime show titled, “The All American Halftime Show,” though the conservative organization has not yet announced artists.
Claims that Bad Bunny is not an American artist are factually incorrect: Puerto Rico is an unincorporated U.S. territory and Puerto Ricans are therefore American citizens. Past Super Bowl halftime shows have also featured non-American acts, including the Rolling Stones, U2, Rihanna, Shania Twain and Coldplay, to name a few.
Despite the anti-Bad Bunny buzz, Shakira doubled down on her support of the singer.
“And I’m so proud that Bad Bunny, who represents not only Latin culture but also how important Spanish-language music has become on a global scale and how universal it has become, is getting to perform on the biggest stage in the world,” she said.
“It’s the perfect moment for a performance like this. I can’t wait to watch it.”
Remember when snack choices fueled the most contentious debates around Super Bowl halftime? Cheetos versus Doritos. Hot wings versus garlic knots. And who the hell brought carrot sticks?!
Now Turning Point USA, the far-right organization founded by slain MAGA activist Charlie Kirk, has presented its followers with more tough choices: Who should play at Super Bowl LX’s halftime show?
Never mind that the NFL already announced earlier this month that Puerto Rican superstar Bad Bunny had landed the spot. Turning Point USA announced Thursday that it would be staging its own counterprogramming in protest of the league’s choice. It’ll be called “The All American Halftime Show” — and it most certainly won’t be in Spanish.
Ever since the NFL announced that Bad Bunny (whose real name is Benito Antonio Martinez Ocasio) would play the Big Game on Feb. 8 at Levi’s Stadium in Santa Clara, critics have been decrying the decision as an assault on Americanism.
House Speaker Mike Johnson said booking Bad Bunny was “a terrible decision.”
President Trump, who admitted he’d never heard of Bad Bunny before the late September Super Bowl announcement, said the NFL’s booking of the performer was “absolutely ridiculous.”
White House advisor Corey Lewandowski said it was “shameful they’ve decided to pick somebody who seems to hate America so much.”
Yet in comparison with other artists and celebrities who’ve widely criticized the president and his policies, Bad Bunny is not all that political or outspoken. He has, however, expressed concerns about the potential of U.S. Immigration and Customs Enforcement detaining fans at his concerts. The artist said last month that he would not book any U.S. dates for his tour over fears that fans would be swept up by ICE. “There was the issue of — like, f— ICE could be outside [my concert]. And it’s something that we were talking about and very concerned about,” he told i-D magazine.
That was enough to deem Bad Bunny an enemy of the MAGA state and to characterize his Super Bowl show as part of a larger, hostile Latino invasion.
But let’s call it what it is: politicians and their pundits leveraging Hispanophobia for votes, influence and donations. The performer represents a population that’s been targeted by the current administration via unconstitutional sweeps of brown people in American cities, regardless of their immigration status. Bad Bunny is a U.S. citizen, like many of the folks with no criminal records who’ve been detained and even deported. Vilifying the artist and those who look and speak like him has generated votes for the right and deflected from concerns about the fragile economy and skyrocketing cost of living under Trump.
Turning Point advertises its planned counterprogramming as a show “Celebrating Faith, Family, & Freedom” and asking followers to weigh in on music genres they would like to hear at the alternative halftime show. The first option on the ballot? “Anything in English.”
The survey is situated right under a donate button, and another option to click “yes” to approve receiving “recurring automated promotional & fundraising texts from Turning Point.”
Despite the fact that the 79-year-old president had never heard of the wildly popular artist before, Bad Bunny is a three-time Grammy Award winner, a global superstar and has bested Taylor Swift’s Billboard chart numbers in the U.S.
So who does MAGA think it can get to upstage Bad Bunny at its unofficial Super Bowl side show? House Speaker Johnson suggested that “God Bless the USA” singer Lee Greenwood would attract a “broader audience.” But as Variety pointed out, the 1980s country icon boasts fewer than 500,000 Spotify listeners, compared with Bad Bunny’s 80 million.
Turning Point USA appears to be working on that problem. “Performers and event details coming soon,” said a statement on its site.
During his “Saturday Night Live” guest appearance last weekend, Bad Bunny derided the MAGA freakout around his forthcoming Super Bowl show, delivering his monologue in Spanish. He earnestly thanked his fans for acknowledging the contributions of Latinos in the U.S. Then in closing, he switched to English: “If you didn’t understand what I just said, you have four months to learn.”
No word yet if chips, salsa and guacamole will become the next target of performative, fundraising outrage on the right. Make Pretzels Great Again.
Enough that certain people are still mad nearly two weeks after it was announced that the “Nuevayol” singer — one of the most popular and consequential artists on the planet, someone who can single-handedly boost local economies — will be the halftime performer during Super Bowl LX, to be held Feb. 8, 2026, in Santa Clara, Calif.
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The right-wing backlash was immediate, with much of the criticism focusing on three things: first, that Bad Bunny (real name is Benito Antonio Martínez Ocasio) has been vocal about his opposition to the ongoing immigration raids, both in the mainland and in Puerto Rico; secondly, that he sings primarily in Spanish; and thirdly, that he’s “not American.”
This latter point, as conservative media personality Tomi Lahren hilariously learned the hard way and in real time, is not factually correct. (The interjection by Lahren’s guest, Krystal Ball — “He’s Puerto Rican…. That’s part of America, dear” — is still sending me.) And even if it was, it’d be irrelevant. As my colleague LZ Grandersonrecently pointed out, there have been plenty of non-American musical acts who have performed at the Super Bowl — from the Rolling Stones to U2 to Shakira.
U.S. Homeland Security Secretary Kristi Noem was so appalled by Bad Bunny being tapped to perform that she announced that Immigration and Customs Enforcement would be present at the big game.
“I have the responsibility for making sure everybody who goes to the Super Bowl has the opportunity to enjoy it and to leave, and that’s what America’s about,” she said. “So yeah, we’ll be all over that place. We’re going to enforce the law.”
What Noem left out was that federal law enforcement agents have historically been present at such high-profile events as the Copa America and previous Super Bowls — rapper 21 Savage was even arrested by ICE during the 2019 game, held in Atlanta.
To be clear, I’m not surprised that conservatives were upset about the pick. In fact, I’m willing to bet that they would’ve been mad regardless of whom the National Football League selected. At one point, Taylor Swift was rumored to be the headliner, and we all know how President Trump feels about her — she’s a “woke singer” who “is no longer hot.” Then there’s Kendrick Lamar, who upset many on the right last year when he reclaimed the American flag for Black people during his performance.
I expected the outrage. In fact, when I found out, I lamented that the announcement came while I was still on paternity leave and would therefore be unable to write about it in this space. Because surely, the news cycle would have moved on to something else.
But I was wrong. This story is about to be two weeks old and it still has legs.
“I’ve never heard of him. I don’t know who he is,” Trump said, channeling his inner Mariah Carey during an interview with Newsmax on Monday. “I don’t know why they’re doing it. It’s crazy. And then they blame it on some promoter they hired to pick up entertainment. I think it’s absolutely ridiculous.”
Even the Speaker of the House Mike Johnson (R-La.), known pop culture maven, chimed in.
“I didn’t even know who Bad Bunny was. But it sounds like a terrible decision, in my view, from what I’m hearing,” Johnson said during an interview. “It sounds like he’s not someone who appeals to a broader audience. And there are so many eyes on the Super Bowl — a lot of young, impressionable children. And, in my view, you would have Lee Greenwood, or role models, doing that. Not somebody like this.”
Lee Greenwood? Be serious, Mike Johnson.
For the unfamiliar, Greenwood is best known for “God Bless the U.S.A.” and has had nearly as many marriages (five) as he’s had No. 1 hits on Billboard’s U.S. Hot Country Songs chart (seven). He clearly lacks the number of bangers to put together a solid halftime performance.
But wait, there’s more. Turning Point USA — the conservative nonprofit organization founded by the late Charlie Kirk — announced Thursday via social media that it was planning on counter-programming Bad Bunny’s performance and organizing its own Super Bowl halftime show with an artist (or artists) to be determined. The group also published a poll asking people to vote on what kind of act they wanted; with the first option being “Anything in English.” (I saw them at South by Southwest in 2012, and let me tell you — they were meh.)
If it seems like I’m making light of things, it’s because I am. The whole situation is absurd and the outrage feels manufactured. At best, it’s just fodder to feed into the bottomless right wing content machine, and at worst, it feels like a distraction from much bigger issues, like the government shutdown or the ongoing constitutional crisis playing out in cities such as Chicago and Portland, Ore.
And if right-wingers are genuinely about Bad Bunny at the Super Bowl, here’s an idea: Don’t watch. But that wouldn’t be very American, would it?
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A pair of thank yous
This week’s edition of the Latinx Files is my first one since coming back from paternity leave — a period in which I was fully able to bond with my baby and not think about work. This is in large part because of Suzy Exposito and Carlos de Loera, who handled the day-to-day operations of De Los and who wrote this weekly newsletter, respectively. Thank you both. I am eternally grateful.
Stories we read this week that we think you should read
Unless otherwise noted, stories below were published by the Los Angeles Times.
Turning Point USA director Erika Kirk, widow of organization co-founder Charlie Kirk, and other Turning Point USA officials on Thursday announced they plan to host an alternative Super Bowl halftime show on Feb. 8. Photo by Eduardo Barraza/UPI | License Photo
Oct. 9 (UPI) — The Charlie Kirk-co-founded Turning Point USA is planning to host an alternative musical performance called “The All-American Halftime Show” for Super Bowl LX.
Officials for the conservative non-profit announced the planned alternative halftime show on social media but did not say which musical acts and others would perform.
“It’s true, Turning Point USA is thrilled to announce The All-American Halftime Show,” it said in a post on X on Thursday, as reported by Fox News.
The post says the event will celebrate faith, family and freedom.
Turning Point USA has created a website to present the halftime show and asked online visitors to choose which musical genres they would like to see perform.
Survey results so far show support for country, rock, hip hop and “anything in English,” The Hill reported.
The event would air while rapper Benito Antonio Martiniz Ocasio, aka Bad Bunny, performs during the Super Bowl’s halftime show headliner.
The musical artist from Puerto Rico has won three Grammy Awards since his career took off in 2016.
He also is slated to be named Billboard’s Latin Artist of the 21st Century during the 2025 Billboard Latin Music Awards on Oct.23.
Bad Bunny is undertaking a world tour but has refused to perform in the United States, other than during the Super Bowl.
He has cited concerns that Immigration and Customs Enforcement might target his U.S. shows and detain audience members, according to Axios.
White House press secretary Karoline Leavitt recently dismissed such concerns and said there are no plans in place to raid Bad Bunny concerts.
Despite Leavitt’s denial, DHS adviser Corey Lewandowski recently suggested ICE agents would attend Bad Bunny’s Super Bowl performance.
Lewandowski made the claim while appearing on “The Benny Show” podcast on Oct. 1.
“There is nowhere that you can provide a safe haven to the people in this country illegally,” he told podcast host Benny Johnson.
The Super Bowl is scheduled for Feb. 8 at Levi’s Stadium in Santa Clara, Calif.
The problem with betting on a sure thing over and over is that eventually your luck will probably run out.
“Saturday Night Live” has bet multiple times on Bad Bunny, an incredibly charismatic performer who was all over the show’s 50th anniversary specials earlier this year and who was an excellent host and musical guest in late 2023.
For the “SNL” 51st season premiere, Bad Bunny’s streak as a perfect go-to personality for the show has ended with an episode that was bafflingly weak, with dated sketches and writing that didn’t cater to the host’s strength as the show’s done in the past. Even appearances from Jon Hamm, “One Battle After Another” actor Benicio del Toro and Huntr/x, the trio of singers from the wildly popular “KPop Demon Hunters,” barely moved the needle on an episode that couldn’t find its footing until “Weekend Update” and then quickly lost momentum again afterward.
The host fared a little better in two late sketches, one about an amorous principal (Ashley Padilla) disciplining a student (Marcello Hernández), and an homage to “El Chavo del Ocho” that wasn’t very funny, but was at least a pretty accurate recreation of the Mexican sitcom.
We’ve seen Bad Bunny soar on “SNL” when the material is built around his charm and abilities. This time, the writers shoehorned him into multiple sloppy sketches (“Jeopardy,” in particular, felt half-baked) that could have been written for any guest host. He deserved better.
Musical guest Doja Cat performed “AAHH MEN!” and “Gorgeous.” She didn’t appear in any sketches.
In the season’s first cold open, “SNL” relied again on the premise of a sketch getting going — in this case Defense Secretary Pete Hegseth (Colin Jost) berating U.S. military generals — and then being interrupted by a President Trump (James Austin Johnson) monologue. Given all the new cast members, Jost was a surprise to carry the first part, in which he complained as Hegseth, “our military is gay as Hell!” Hegseth said the military must be a place where there are “no fug-ups, no fatties, no facial hair, no body hair. Just hot shredded hairless men who are definitely not gay!” When Trump appeared, he said, “‘SNL’ 51 — off to a rough start. Seventeen new cast members and they got the ‘Update’ guy doing the cold open.” His meta commentary included references to the controversial Riyadh Comedy Festival (Jost claimed he wasn’t invited), and a bad joke about Saudi Arabia that drew groans: “We like the Saudis because they like to saw-deez journalists in half.” Mikey Day appeared briefly as FCC Commissioner Brendan Carr and before Trump concluded, he made the “SNL” crew, whom he claimed as Trump voters, promise to “keep an eye on Marcello for me.”
In his monologue, Bad Bunny said the reason he wasn’t serving as musical guest like the last time he hosted was that he needed to rest. He showed footage from one of his concerts, including a shot of Hamm dancing along. Hamm was shown in the audience wearing the same tropical outfit. As for the Super Bowl controversy, the host deftly addressed it by showing a spliced together Fox News clip with hosts saying, “Bad Bunny is my favorite musician and he should be the next president.” Then, in Spanish, he thanked Latino fans in particular who’ve supported him and said that no one can erase their contributions to the United States. “If you didn’t understand what I said, you have four months to learn,” he concluded.
Best sketch of the night: ChatGPTío might take unexpected pictures of you
ChatGPT might be too nice and sycophantic; what if it were more like a Latino uncle who’s honest to a fault with you? In this mock commercial for OpenAI hosted by Chloe Fineman, Hernández and Bad Bunny play AI characters within ChatGPT who give loud advice and sometimes call in the middle of the night to ask about Smash Mouth. How do you make vegan banana bread? “You don’t!” Was Jesus really God? “Yes.” It doesn’t quite work as a concept if you think too much about it, but Hernández makes a meal yet again out of playing a Latino elder with strong opinions.
Also good: Huntr/x keep it ‘Golden’ for a superfan
While it wasn’t the best showcase for Bad Bunny, who struggled with line deliveries, this sketch about a “Kpop Demon Hunters” fan had a surprise appearance by the singers from the animated movie’s soundtrack, who performed part of their hit “Golden” and had some strangely funny dialogue, such as the reveals that one of the brunch companions is on the Epstein list (for flying JetBlue through his island) and another was the writer of the Sydney Sweeney American Eagle Jeans commercial. It also featured Bowen Yang as “Demon Hunters” villain Jinu singing “Soda Pop,” another fun surprise.
‘Weekend Update’ winner: Expect someone to make They K. Rowling shirts after this
New cast member Kam Patterson made his debut in a segment begging “SNL” to let him use the N-word (“I’m a stand-up comedian from Florida, saying that word is what I do!”). But it was Yang in prosthetics as Dobby the House Elf from “Harry Potter” who won the night despite a hilarious wardrobe malfunction — his rag outfit kept coming off at the shoulder. Dobby begins by defending J.K. Rowling’s views on transgender people, but ends up questioning the author’s views and freeing himself in the process with his possession of a They K. Rowling T-shirt. It’s a good thing Yang didn’t leave “SNL” as was rumored because this episode badly needed him.
Is there a better inkblot test for America right now than reaction to Bad Bunny being the halftime act for Super Bowl LX?
Soon after his name was announced, social media exploded into meritocracy debates as if the National Football League’s decisions are culturally motivated and not commercially. Taylor Swift is the most streamed artist in Spotify history. Bad Bunny is No. 2. For a domestic sports league trying to grow its popularity globally, the rationale seems clear.
And yet because he is a Puerto Rican who sings in Spanish, conservative talking heads must project outrage and offer listeners nonsensical objections.
“It’s so shameful they’ve decided to pick somebody who seems to hate America so much to represent them at the halftime show,” Corey Lewandowski, a longtime confidant of President Trump who currently advises the Department of Homeland Security, told conservative podcast host Benny Johnson. “We should be trying to be inclusive, not exclusive. There are plenty of great bands and entertainment people who could be playing at that show that would be bringing people together and not separating them.”
Suggesting Bad Bunny hates America is an interesting take given Puerto Ricans have been U.S. citizens since 1917. The three-time Grammy winner also has four No. 1 albums on the very American Billboard pop charts and has already performed during halftime at the Super Bowl back in 2020 with Jennifer Lopez and Shakira. The Federal Communications Commission received more than 1,300 complaints about the show that year with the vast majority being from parents complaining about the stripper pole and twerking of the women, not Bad Bunny’s alleged hate of America.
I don’t know if Lewandowski and Johnson knew any of that before they started talking, but I get the feeling it wouldn’t have mattered anyway. Once Lewandowski suggested ICE was going to be at the Super Bowl — an event that had an average resale ticket price of $8,600 in 2024 — it was clear their conversation wasn’t about solving the immigration problem.
It was clear they didn’t know much about the history of halftime acts either.
In 2006, a Super Bowl held in the heart of Detroit — the birthplace of Motown — rolled out the Rolling Stones, who are from London. In 2010, a Super Bowl in Miami — home of salsa and Afro-Cuban jazz — gave us the Who … who are also from England. In 2002, months after the 9/11 terrorist attacks, U2 — a band from Dublin, Ireland — did the show. There is a decades-long precedent for non-Americans to headline the Super Bowl. Though, again, quick geography lesson: Puerto Rico is part of the United States and Puerto Ricans are U.S. citizens.
Detractors like Lewandowski and Johnson want to make English being Bad Bunny’s second language an indictment of his patriotism, as if growing up speaking English is a criterion for citizenship. It isn’t and never has been. Perhaps instead of using their platform to stir fear at a time when calm is needed, the two could see next February’s show as an opportunity to grow. Because honestly, it is so counterproductive to allow influential voices to gaslight the country into forgetting the milestones it’s already crossed. “La Bamba” by Los Lobos was sung in Spanish and hit No. 1 nearly 40 years ago. The only English in the K-pop hit “Gangnam Style” is “hey, sexy lady,” and that song made PSY an international sensation.
Instead of making people fear Spanish at the Super Bowl, maybe encourage them to spend this NFL season learning something beyond “gracias.“ Because in this world, there are people who choose to speak in English and there are people who have no other choice. Only one of those scenarios feels like freedom to me.
That was the topic of discussion in the summer of 2008 after then-Sen. Barack Obama said this at a campaign stop in Georgia: “Understand this, instead of worrying about whether immigrants can learn English — they’ll learn English — you need to make sure your child can speak Spanish. You should be thinking about how can your child become bilingual.”
At the time many conservatives — such as Tucker Carlson and Lou Dobbs — used those comments not as a prompt to debate the merits of Obama’s remarks regarding U.S. education but as a weapon to attack him. They accused him of being divisive — when years ago Nelson Mandela said when you talk to someone “in his own language, that goes to his heart.” In fact, Dobbs said “instead of diversity, he’s talking about factionalism.” Nonsense that sounds a lot like the echoes we hear from Lewandowski and Johnson today.
It’s not just a question of if our children should be bilingual; it’s also about being curious about the world we live in. This NFL season has already featured games in Ireland and Brazil. Mexico City is an annual event. The league is in it for the bag. And eventually there will be a team based overseas where Spanish is heard, visiting teams carry passports and Bad Bunny is no stranger.
The NFL announced the musical headliner for Super Bowl LX’s halftime show, and — much to MAGA’s chagrin — it’s not Kid Rock.
Music’s most lucrative spot went to a relevant artist who actually sells albums: Bad Bunny. Letting the Puerto Rican rapper and singer turned global megastar perform 2026’s halftime show gifts right-wing influencers with a fresh conduit for the old grievance that woke culture has permeated every crevice of American culture, especially the Super Bowl.
Their proof: The NFL chose a predominantly Spanish-language artist who is known to wear women’s dresses, who endorsed Kamala Harris in 2024, and who has decried this year’s immigration sweeps. Clearly, this decision was designed to irk them rather than serve Bad Bunny’s millions and millions of fans.
“The NFL is self-destructing year after year,” conservative commentator Benny Johnson wrote on X. He said of Bad Bunny: “Massive Trump hater. Anti-ICE activist. No songs in English.”
Other critics accused the reggaeton artist of flip-flopping, particularly following Bad Bunny’s statements earlier this month that he would not include any mainland U.S. dates on his Debí Tirar Más Fotos world tour out of concern that U.S. Immigration and Customs Enforcement agents might target and detain his fans.
“There were many reasons why I didn’t show up in the U.S., and none of them were out of hate — I’ve performed there many times,” he said to I-D magazine. “But there was the issue of — like, f—ing ICE could be outside [my concert]. And it’s something that we were talking about and very concerned about.”
The artist, whose real name is Benito Antonio Martínez Ocasio, explained his decision to join the long list of Super Bowl halftime notables in a short statement following the NFL’s announcement Sunday.
“What I’m feeling goes beyond myself,” he said. “It’s for those who came before me and ran countless yards so I could come in and score a touchdown … this is for my people, my culture and our history. Ve y dile a tu abuela, que seremos el HALFTIME SHOW DEL SUPER BOWL.”
Bad Bunny in glasses, not a dress.
(Jordan Strauss / Invision / AP)
The year-after-year decision to cast top-ranking pop artists and music legends in the featured Super Bowl halftime spot is hardly a mystery. They are stars that sell or performers that appeal to millions. But that dull reality hasn’t stopped the characterizations that the Bad Bunny decision is a deep state conspiracy, designed to rot American households from the inside out.
“Barack Obama’s best friend Jay-Z runs the Super Bowl selection process through his company Roc Nation which has an exclusive contract with the NFL. This is who chooses the halftime show, the most-watched musical performance in America,” wrote alt-right figure Jack Posobiec.
The NFL in 2019 partnered with rapper Jay Z’s entertainment and sports company, Roc Nation, to produce its Super Bowl halftime shows. The first show under the new partnership featured 2020’s Latin music in performances by Jennifer Lopez and Shakira. Since then the institution’s halftime performances have largely featured hip-hop artists such as Kendrick Lamar, Rihanna and the OG trio of Snoop Dogg, Dr. Dre and Eminem.
Lamar’s 2025 politically charged performance was the source of condemnation from the right. Clad in red, white and blue, his predominantly Black dance crew assembled in an American flag formation. And guest star Samuel L. Jackson, dressed as Uncle Sam, called out the nation’s systemic racism. Lamar had already rankled the right with 2017’s “The Heart Part 4,” where he referred to Trump as a “chump.”
Kendrick Lamar performs during halftime of the NFL Super Bowl 59.
(Frank Franklin II / AP)
It’s one of many moments over the last decade that have galvanized conservative factions around calls to boycott the Super Bowl, or at least publicly bash the event. Beyoncé’s 2016 Super Bowl halftime show was once such flash point, where she performed “Formation” featuring dancers in Black Panther-inspired outfits and paid tribute to the Black Lives Matter movement.
At least those complaints were rooted in a performance that actually happened, as opposed to claims that the NFL was manipulating games for the Kansas City Chiefs to enable tight end Travis Kelce and his then-girlfriend (now fiancée) Taylor Swift to endorse Joe Biden. Sure, totally feasible.
Yet there should be no secret around why the Super Bowl hasn’t featured wildly popular, globally celebrated MAGA-promoting performers: There aren’t any. It’s no wonder Kid Rock and Lee Greenwood always seem to be the entertainment of choice for Trump rallies.
Bad Bunny is the most-streamed male artist on Spotify, running just behind the platform’s most-streamed artist of all time, Swift. As of Sunday, his release “DeBÍ TiRAR MáS FOToS” became the first album of 2025 to surpass 7 billion streams on Spotify. And the 31-year-old artist just finished a sold-out, month-long residency at the José Miguel Agrelot Coliseum in San Juan, Puerto Rico.
Though the Super Bowl is still five months away, those who aren’t among the haters can enjoy an early kick off: Bad Bunny is scheduled to host the new season opener of “SNL” this weekend.
Puerto Rican pop star Bad Bunny has confirmed he will headline next year’s Super Bowl half-time show in Santa Clara, California.
The 31-year-old, who has topped Spotify’s most-streamed artist list three times in the last five years, said in a football-themed statement: “What I’m feeling goes beyond myself.
“It’s for those who came before me and ran countless yards so I could come in and score a touchdown… this is for my people, my culture, and our history.”
It comes after the Chambea singer and rapper recently said in an interview with i-D magazine that he is avoiding the US on his current world tour out of concerns that Immigration and Customs Enforcement (ICE) agents might conduct raids on fans at his concerts.
Switching into his native Spanish in his statement, Bad Bunny – whose real name is Benito Antonio Martinez Ocasio – added: “Ve y dile a tu abuela, que seremos el halftime show del Super Bowl,” – which roughly translates as: “Go tell your grandma we’re going to be the Super Bowl half-time show.”
The star, who this year released the album Debí Tirar Más Fotos (I Should Have Taken More Photos), was the third most-streamed artist in the world last year, behind Taylor Swift and The Weeknd.
The Grammy winner is the leading nominee once again at November’s Latin Grammy Awards.
In 2022, his Un Verano Sin Ti [A Summer Without You], became the first all-Spanish language US number one album.
Earlier this month, he concluded a residency in his native Puerto Rico instead, which drew more than 500,000 fans.
Puerto Rico is a US territory but which exercises substantial internal self-govenance.
His Super Bowl performance will take place at the Levi’s Stadium on 8 February in Santa Clara, in the San Francisco Bay Area.
Other recent Super Bowl half-time show performers have included Kendrick Lamar, The Weeknd and Rihanna, as well as Shakira and Jennifer Lopez.
Bad Bunny will headline the halftime show at next year’s Super Bowl LX, organizers announced Sunday.
This will be the Puerto Rican musician’s second time at the Super Bowl following his appearance with Shakira and Jennifer Lopez during halftime of 2020’s game.
“What I’m feeling goes beyond myself. It’s for those who came before me and ran countless yards so I could come in and score a touchdown,” Bad Bunny — whose real name is Benito Antonio Martínez Ocasio — said in a statement, noting that “this is for my people, my culture and our history.
“Ve y dile a tu abuela, que seremos el halftime show del Super Bowl,” he added in Spanish, which translates to a request to tell your grandma that he’s playing the Super Bowl.
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Roc Nation, the sprawling entertainment company founded by Jay-Z, will again produce the event. The company partnered with the NFL in 2019 to consult on live music events and social justice initiatives, including producing and selecting performers for the Super Bowl halftime show.
“What Benito has done and continues to do for Puerto Rico is truly inspiring,” Jay-Z said in the statement. “We are honored to have him on the world’s biggest stage.”
While the big game is an anticipated event for football fans, the halftime spectacle is just as much of an eagerly awaited cultural affair, drawing considerable speculation annually about which star will take what’s widely regarded as music’s biggest stage.
Names that made the rounds this year included Adele and Taylor Swift, with the latter hitting overdrive earlier this month when NFL Commissioner Roger Goodell made an appearance on “Today” and said, “We would always love to have Taylor play. She is a special, special talent, and obviously she would be welcome at any time.” When asked if talks were in the works with the singer, who is engaged to Kansas City Chiefs star Travis Kelce, Goodell tried to sidestep the question before responding, “It’s a maybe.”
Bad Bunny’s headlining gig — announced during halftime of Sunday’s Packers-Cowboys match-up at AT&T Stadium in Arlington, Tex. — follows Kendrick Lamar’s performance at this past February’s Super Bowl LIX. Ratings for the Compton-born MC’s halftime show, in which he famously dissed the Canadian rapper Drake and launched a TikTok craze over his flared Celine jeans and “Not Like Us” shuffle, were the highest of all time, according to Nielsen, which said the telecast drew more than 127.7 million viewers. It also earned him an Emmy for music direction, an award he shared with co-music director Tony Russell.
Super Bowl LX will take place Feb. 8 at Levi’s Stadium in Santa Clara, Calif., and will air on NBC.
SAN JUAN, Puerto Rico — Bad Bunny fans drowned out memories of Hurricane Maria in one booming voice on the anniversary of the devastating storm.
Saturday was a concert for Puerto Ricans by Puerto Ricans to remind the world about the power of la isla del encanto — the island of enchantment.
“We’re not going to quit. The entire world is watching!” Bad Bunny thundered into his microphone as he looked into a camera streaming his last show in Puerto Rico this year to viewers around the world, concluding a historic 30-concert residency in the U.S. territory.
The crowd roared as thousands watching via Amazon Music, Prime Video and Twitch joined them, marking the first time Bad Bunny was streamed across the globe.
The residency was more than just a series of concerts. Saturday marked the end of an extended love letter that Benito Antonio Martínez Ocasio sang to his homeland. He tapped into what it means to be Puerto Rican, to delight in the island’s beauty, to defend its land and fight for its people.
“This is for you,” Bad Bunny said from the rooftop of a famed Puerto Rican house installed at the concert venue as he raised his glass and the crowd raised their glasses in return.
‘We are still here’
Saturday marked the eighth anniversary of Hurricane Maria, which slammed into Puerto Rico as a Category 4 storm on Sept. 20, 2017.
An estimated 2,975 people died in the sweltering aftermath of the storm that crippled the island’s electric grid, leaving some communities without power for up to a year. Anger and frustration over the pace of reconstruction continues to simmer as chronic power outages persist.
In a report issued Sept. 11, the U.S. Office of Inspector General found that 92% of approved and obligated projects related to Puerto Rico’s crumbling grid were incomplete and that $3.7 billion of available funds had not been obligated.
“Over seven years after Hurricane Maria, FEMA does not know when Puerto Rico’s electrical grid will be completely rebuilt. The grid remains unstable, inadequate, and vulnerable to interruptions,” the report stated.
On Saturday, the number of estimated deaths was printed on the backs of T-shirts and written on Puerto Rican flags that the crowd waved.
“We are still emotional and carry the trauma of having gone through a horrible thing,” said Marta Amaral, 61, who attended Saturday’s concert. “Beyond the sadness and remembering the negativity of having gone through a traumatic event, this is a celebration that we are still here, standing.”
A surprise guest
At every concert this summer, Bad Bunny invited new celebrities — among them LeBron James, Penélope Cruz, Darren Aronofsky, DJ Khaled and Kylian Mbappé — and sang with different musicians, including Rubén Blades, Residente, Gilberto Santa Rosa, Rai Nao and Jorge Drexler.
But Saturday, the noise from the crowd hit new levels as Bad Bunny rapped with Puerto Rico heavyweights Ñengo Flow, Jowell y Randy, Dei V and Arcángel and De la Ghetto. Thousands of fans flexed their knees in unison to thumping rap and reggaetón.
Then, the crowd gasped in disbelief as Marc Anthony appeared on stage after Bad Bunny pleaded with his fans to join him because he was going to sing a song he hadn’t sung in public in some 20 years.
“Yo te quiero, Puerto Rico!” the crowd cried as the two singers embraced at the end of the iconic “Preciosa,” whose lyrics say, “I love you, Puerto Rico.”
‘An emotional night’
Thousands gathered outside the concert venue Saturday hours before the concert, with Puerto Rico’s national flower, the flor de maga, tucked behind their ears and the traditional straw hat known as a pava set at a jaunty angle on their heads.
But not all were celebrating.
Darlene Mercado milled around, asking strangers if they knew of anyone with tickets she could buy for herself and her daughter, who had flown in from New Jersey.
They were around number 122,000 in a virtual waiting line to buy tickets for Saturday’s sold-out concert and weren’t able to get any after waiting eight hours online.
“This is not only the anniversary of the hurricane, but it’s also the anniversary of me no longer having cancer and it’s my birthday. We wanted to celebrate everything with a bang,” Mercado said.
Saturday’s concert was open only to residents of Puerto Rico, as were the first nine concerts of Bad Bunny’s residency, but the others were open to fans around the world.
Overall, the concerts attracted roughly half a million people, generating an estimated $733 million for Puerto Rico, according to a study by Gaither International.
Most foreign visitors came from the Dominican Republic, Colombia and Spain, with an average stay of nearly nine nights, the study found. Overall, about 70% of concertgoers were female, with an average age of 33, according to the study.
Among those attending was Shamira Oquendo. “It’s going to be an emotional night,” the 25-year-old said, noting that Hurricane Maria was her first hurricane. “It was very sad. A lot of people around me lost their things.”
‘Yo soy boricua!’
Puerto Rico’s party with Bad Bunny ended early Sunday, but the superstar who recently clinched 12 Latin Grammy nominations will go on a worldwide tour in December, with concerts planned in Costa Rica, Mexico, Brazil, Australia, Spain, France and Sweden. Notably, he is skipping the mainland U.S., citing concerns over the federal government’s immigration arrests.
On Saturday, Bad Bunny thanked his fans for their love.
“I’m going to miss you a lot. I’m going to miss this energy,” he said as he urged the crowd to embrace love no matter the situation.
At that moment, friends and family in the crowd began to hug one another, some with tears in their eyes.
After more than three hours of singing with Bad Bunny, fans were not quite ready to let go. As the crowd filed down the stairs and into the night, one man yelled, “Yo soy boricua!” and the crowd responded, “Pa’ que tú lo sepas!”
It’s a traditional cry-and-response yell that lets people around them know they’re Puerto Rican and proud of it.
The 26th Annual Latin Grammy Awards, which are heading back to Las Vegas after a three-year hiatus, now have their nominees set in stone.
This year’s list of top nominees include Bad Bunny (12), Edgar Barrera (10), Ca7riel & Paco Amoroso (10), Rafa Arcaute (eight), Natalia Lafourcade (eight) and Federico Vindver (eight).
The awards show will be held Nov. 13 in Las Vegas’ MGM Grand Garden Arena, and broadcast live on Univision.
Bad Bunny’s 12 nominations this year will bring his total career nods to 52. With her eight nominations this year, Lafourcade looks to bolster her collection of 18 trophies from the awards show — the most wins for any female artist.
Nabbing eight more nominations, Edgar Barrera continues to pad his stats as the awards show’s most nominated person of all time with 72 nods, along with 24 wins. Spanish artist Alejandro Sanz received four nods this year, which brings his career total to 51.
November’s show will be the debut of the new Visual Media field and its new category, Music For Visual Media, which will honor scores for film and television. Also added to this year’s awards is the category for Best Roots Song.
“Baile Inolvidable” — Marco Daniel Borrero, Antonio Caraballo, Kaled Elikai Rivera Cordova, Julio Gaston, Armando Josue Lopez, Jay Anthony Nuñez, Benito Antonio Martínez Ocasio and Roberto Jose Rosado Torres, songwriters (Bad Bunny)
“Bogotá” — Andres Cepeda, Mauricio Rengifo and Andres Torres, songwriters (Andrés Cepeda)
“DtMF” — Bad Bunny, Marco Daniel Borrero, Scott Dittrich, Benjamin Falik, Roberto José Rosado Torres, Hugo René Sención Sanabria and Tyler Spry, songwriters (Bad Bunny)
“El Día Del Amigo” — Rafa Arcaute, Gino Borri, Catriel Guerreiro, Ulises Guerriero, Amanda Ibanez, Vicente Jiménez and Federico Vindver, songwriters (Ca7riel & Paco Amoroso)
“Otra Noche De Llorar” — Mon Laferte, songwriter (Mon Laferte)
“Palmeras En El Jardín” — Manuel Lorente Freire, Luis Miguel Gómez Castaño, Elena Rose and Alejandro Sanz, songwriters (Alejandro Sanz)
“Si Antes Te Hubiera Conocido” — Edgar Barrera, Andres Jael Correa Rios and Karol G, songwriters (Karol G)
BAD Bunny fans were left gobsmacked after spotting an A-List movie star at the singer’s latest gig.
Fellow concert-goers at the vocalist’s home-town gig in Puerto Rico did a double take after the Mad Men alum was seen in the crowd.
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An A List movie star has been spotted at singer Bad Bunny’s residency in Puerto RicoCredit: AFP
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They donned a white bucket hat and trainers as they attended the gigCredit: TikTok/@ariannagdavis
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Jon Hamm was seen boogying around in scenes which left fans shockedCredit: TikTok/@ariannagdavis
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Bad Bunny was performing at the Jose Miguel Agrelot Coliseum in San JuanCredit: TikTok/@ariannagdavis
Golden Globe award winner Jon Hamm donned a white and blue patterned shirt paired with a white bucket hat and trainers for the lengthy show at the Jose Miguel Agrelot Coliseum in San Juan.
Part of his No Me Quiero Ir de Aquí residency, Bad Bunny‘s VIP guest was seen boogying with a glass of drink in hand.
The Baby Driver actor, 54, then busted out a series of energetic dance moves, throwing his right arm in the air, as he embraced the tunes.
His appearance was captured on TikTok where one user confessed: “Seeing Jon Hamm vibing out at the Bad Bunny concert in Puerto Rico was not on my 2025 bingo card.”
They added: “A whole vibe” before hailing him “an icon.”
Another TikTok user confessed: “I can’t stop watching this video.”
One put: “He’s living his best life” as a fan added: “This man is everything I expected him to be.”
A fan then surmised: “Just another reason to love him.”
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Jon has previously gushed over the Monaco hitmaker and his talents – and spoken publicly about his plans to head to the gigs.
The Morning Show’s Victoria Tate reveals filming secrets for upcoming fourth season including if Jon Hamm is returning
The Morning Show star told Today ahead of the August show: “We’re hoping to go to Puerto Rico.
“I’m excited because he’s doing this residency where he’s doing a month and a half of shows in Puerto Rico.
“First of all, I think it’s really cool that he’s going back to his home, to really give back to the fans.
“He’s reserving the first four, five or 10 shows, or whatever it is, for only residents of Puerto Rico, which is so cool.”
Meanwhile, on a previous Saturday Night Live episode, he added of the chart star: “He’s a really nice guy.
“And he’s funny. And he’s fun and his music is awesome.
“You can’t listen to his music and not smile. I just love his story.
“He’s a really nice guy. He’s funny.”
He then told how the music icon had given him the nickame Jon Jamón which is the Spanish translation of his name.
Meanwhile, Jon isn’t Bad Bunny’s sole famous fan.
Recently, he sparked a bromance with LeBron James as they headed to a party after another of his home town gigs.
At the time, a source told the US Sun of Bad Bunny’s aims for the shows and said: “It’s an elaborate thing where he is making the tickets available at a low price, you have to prove you’re a fan and a Puerto Rican resident, like people have to get the tickets at the supermarket he worked at when he was a kid.”
They added: “LeBron was at the concert, there were a bunch of videos of them together, but before that, they had hung out and played golf together all day.”
The insider added that the NBA star is still a newbie at golfing and has been enjoying the sport lately.
They added: “After all that they partied their a**es off at the St Regis property nearby with a lot of beautiful women.”
“They have this fun new bromance energy going on.”
BUNNY CAREER
Bad Bunny has collaborated with artists including J Balvin, Ozuna, Farruko, El Alfa, Arcángel, and Daddy Yankee.
He’s also made guest appearances on songs by Drake, Dua Lipa, Cardi B, Jennifer Lopez, Marc Anthony, and Will Smith.
He rose to fame almost immediately after he released “Soy Peor” (“I’m Worse”) in 2016.
While speaking to Rolling Stone, the musician described himself as being a wallflower, though he developed a reputation at school for coming up with creative raps.
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Jon was hailed as ‘living his best life’ at the event after being captured on TikTokCredit: TikTok/@ariannagdavis
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JON has previously spoken of his appreciation for the chart starCredit: AFP
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He played Don Draper in Mad MenCredit: Lionsgate
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He is on stage for his No Me Quiero Ir de Aquí residencyCredit: AFP
New York City native Kevin Mares was killed Sunday in the La Perla neigborhood of San Juan, Puerto Rico. The 25-year-old was visiting the island to see a Bad Bunny concert.
Mares was fatally shot in the early morning hours, outside of a nightclub called Shelter for Mistreated Men. The shooting took place when several people near Mares began arguing and one pulled out a gun and shot at least three people, the Associated Press reported.
Homicide detective Sgt. Arnaldo Ruiz told the AP that Mares was an innocent bystander in the situation and that a pair of siblings from La Perla remain hospitalized after being shot. No arrests have yet been made.
Mares was joined by his girlfriend and two friends in Puerto Rico. It was his partner who ended up delivering the news of his death to Mares’ parents.
“I said, ‘What happened?’ She said, ‘I’m sorry. We lost him,’ ” Hector Mares, Kevin’s father, told CBS News New York.
“Whoever did this, took from us a piece of us, you know?” Kevin’s mother, Sandra Mares, added.
A longtime Bad Bunny fan, Mares and his friends were consistently in attendance of the “La Mudanza” singer’s concerts and had been prepping for their San Juan trip for months.
“Every time Bad Bunny comes here, they go to most all of his concerts,” Sandra Mares said.
Mares — whose parents are originally from Mexico — was born and raised in the East Elmhurst neighborhood of Queens and was studying to be a veterinarian at LaGuardia Community College.
“He got a lot of dreams. He was working as a vet technician. And at the same time he was studying,” his father told ABC 7 New York.
“He was about to propose to [his girlfriend] this fall. Yeah. He wanted to do something special. He shared that with us,” his mother added. “He was a lovely son. He cared about all of us, his family, friends. He has a lot of friends who’s really going to miss him, too.”
Now, the Mares family is asking for anyone with information about the shooter and more specifics about the incident to please step forward.
“What we’re asking the people is, if anybody knows what happened, who did this, [to say something],” his mother told CBS. “We don’t know [anything]. We want justice.”
The family is currently making efforts toward having Mares’ body returned home, but it remains in Puerto Rico as the investigation into his death is still ongoing.
Kevin’s father started a GoFundMe to raise enough money — the campaign’s target is currently $50,000 — to plan Kevin’s funeral arrangements.
“Kevin Mares was a deeply loved son, devoted friend, and a source of inspiration to everyone who knew him. His wholehearted kindness, adventurous spirit, and unwavering commitment to family made him a pillar of strength for his loved ones,” the GofundMe page states. “Family was at the center of everything he did, and his sudden passing has left an unfillable void in our lives. … Your support will help us honor Kevin’s memory and give him the farewell he deserves.”
SAN JUAN, Puerto Rico — A Bad Bunny fan who was visiting Puerto Rico for the hip-hop star’s concert residency was fatally shot early Sunday in La Perla, a popular seaside shantytown in the capital, police said.
The victim was identified as Kevin Mares, a 25-year-old who lived in New York, according to a police statement.
The shooting happened in the predawn hours at a nightspot called Shelter for Mistreated Men in La Perla, a coastal community of San Juan that has struggled to shed its dark reputation.
Homicide detective Sgt. Arnaldo Ruiz said in a phone interview that the shooting took place when several people near Mares began arguing and one pulled out a gun and shot at least three people, including Mares. Two other men, who live in La Perla, were injured and remain hospitalized.
Ruiz said Mares was an innocent bystander. He was with three other friends who told police they were in Puerto Rico for one of Bad Bunny’s 30 concerts, which have attracted tens of thousands of visitors to the U.S. territory, where the artist was born.
Mares was shot on the left side of his abdomen and was taken to Puerto Rico’s largest public hospital, where he died, authorities said.
Ruiz said police don’t yet know what the people were arguing about and don’t have a description of the shooter. “We have very little information,” he said.
Ruiz added that Mares’ three friends also were from New York. He didn’t know their hometowns.
La Perla is on the outskirts of a historic district popular with tourists known as Old San Juan. A couple hundred people live in the shantytown, which once served as Puerto Rico’s biggest distribution point for heroin and was known for its violence.
Police used to avoid the community, which used to have a sign proclaiming, “Not open to visitors. Do not enter.”
But violence eased when hundreds of federal agents raided the slum in 2011 and arrested dozens of people, including a well-known community leader who was later convicted.
The neighborhood became even safer and more welcoming after Puerto Rican singers Luis Fonsi and Daddy Yankee featured it in their hit “Despacito.”
But isolated violence persists.
In February 2023, three tourists were stabbed after police said a person told them to stop filming inside the community.
In April of last year, a 24-year-old tourist from Delaware was killed and his body set on fire after police said he and a friend were attacked after a drug purchase. Police said the victims were trying to take pictures of La Perla after being warned not to do so.
The island of 3.2 million people has reported 277 killings so far this year, compared with 325 killings in the same period last year.
Hello, this is De Los reporter Carlos De Loera. I will be taking over the Latinx Files for the next couple of months while Fidel is on parental leave. I hope I do him justice!
“No me quiero ir de aquí.”
It’s more than just the name of Bad Bunny’s months-long Puerto Rico concert residency; it’s a radical declaration against colonialism and gentrification, as well as a defiant call for cultural preservation and celebration.
This week the U.S. federal government exercised another overreach of power over Puerto Rico, when the Trump administration dismissed five out of seven members of Puerto Rico’s federal control board that oversees the U.S. territory’s finances. All of the fired board members belonged to the Democratic Party; the remaining two members are Republicans.
As other parts of the Spanish-speaking world grapple with being priced out of their own communities, and a wateringdown of their long-standing cultures, artists in Puerto Rico are using their work to give visitors a not-so-gentle reminder: No one can kick them out of their own home.
Last week, the Latinx advocacy group Mijente — alongside the art collective AgitArte — collaborated with local Puerto Rican artists and organizations to present a free art exhibition that highlights the everyday societal struggles of Boricuas. Located in the Santurce barrio of San Juan, the “De Aquí Nadie Nos Saca” exhibit is marketing itself as a spiritual companion piece to Bad Bunny’s album, “Debí Tirar Más Fotos,” by delving into the musical joy and ongoing resistance movements of the island.
The name of the exhibition itself is a play on the lyrics from Bad Bunny’s track “La Mudanza,” in which he sings, “De aquí nadie me saca” — “nobody can get me out of here.” But the space has more than just a thematic connection to the Grammy-winning artist.
Members of AgitArte and one of its affiliated community theater collectives, Papel Machete, contributed to the “La Mudanza” music video by providing a giant papier-mâché puppet named La Maestra Combativa. It can be seen in the last minute of the video, holding up a colorful sign that reads “De aquí nadie me saca.”
The momentum of Bad Bunny’s latest album and subsequent tour met Mijente’s mission at a serendipitous time that led to the creation of the new showcase.
“The socio-cultural moment and the political moment needed different kinds of things, not just the normal playbook of social work,” said Mijente communications director Enrique Cárdenas Sifre. “We needed to experiment a little bit more.”
According to Cárdenas Sifre, part of the hope for the exhibition is to combat a pervasive narrative that Latinx people are more conservative-leaning than they realize.
Bad Bunny’s sentiment of “todo el mundo quiere ser latino” — and the universal praise and online utilization of “Debí Tirar Más Fotos” — allowed for Mijente to reopen the conversation about the true values of Latinx people in Puerto Rico.
“We can use the opportunity of a mainstream event to experiment with reoccupying and reutilizing all the cultural work for our causes,” he said. “For immigration causes, for liberation, decolonization, social, racial, gender equity and struggles … especially in Puerto Rico. So all of that came together at the same time.”
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With hundreds of thousands of tourists descending upon the island to watch the “Baile Inolvidable” singer perform, it seemed like the right time to challenge tourists to engage with some of the more difficult and harrowing experiences of Puerto Ricans.
“No seas un turista más,” or “don’t be just another tourist,” is one of the main phrases used to advertise the exhibition, which asks people to confront colonialism, gender dynamics, environmental ruin, state violence and displacement.
“If you only have a few moments to be in San Juan [for the tour], please come to the exposition and help us amplify, connect and support all the local organizations that are doing the work,” Cárdenas Sifre said. “No seas un turista más, conoce un poco de la historia real de Puerto Rico.”
Telling the “real history” of the island are over 39 artists and organizations — with special help from AgitArte curator Dey Hernández — that make up “a piece” of the whole movement that Mijente is pushing for.
“We always try to recognize that we need joy, we need perreo, we need our culture, we need our sazón, but at the same time, we keep fighting for the things that we want in our lives and in our future,” Cárdenas Sifre said. “We want to go a little bit deeper for tourists to understand that it’s generations of struggle. So you can come to the exposition and support by donating directly to an organization or artist that is presenting.”
Open from Wednesday through Sunday, the exhibition will continue showcasing its works through early October. After its opening weekend, organizers of the event are enthused by the intergenerational crowds and the litany of responses the art has elicited.
“They see their fights, they see themselves in the exhibition,” Cárdenas Sifre said. “Some people have to go outside to cry for a minute, because there hadn’t been a place that hit on all these social battles and they recognize the years of work that went behind collecting it all. There’s also joy and celebration, it’s really run the gamut of every emotion…. Everyone tells us that this space was needed.”
One thing that Cárdenas Sifre wanted to make clear is that the exhibit is not affiliated with any electoral political alliance, but rather a “real new alliance of the folks doing the work on the ground every day.”
“These organizations and artists don’t always have a space to come together to talk about the work that [they] are doing, talk about the struggles they are facing. [It’s about] generating a little space [to] conspire the next [steps for] the movement in Puerto Rico.”
Comic this Week: Drag, DACA, and Departure
Julio Salgado is a visual artist based in Long Beach. His work has been displayed at the Oakland Museum, SFMOMA, and Smithsonian American Art Museum. (@juliosalgado83)
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Unless otherwise noted, all stories in this section are from the L.A. Times.
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(Jackie Rivera / For The Times; Martina Ibáñez-Baldor / Los Angeles Times)
Bad Bunny is booked and busy. (Now try saying that twice.)
On Tuesday night, the Grammy-winning Puerto Rican singer will make two back-to-back appearances on late-night television shows: “The Late Show With Stephen Colbert” on CBS and “Late Night With Seth Meyers” on NBC.
For the record:
11:19 a.m. July 22, 2025An earlier version of this article stated that
The 31-year-old artist is in the midst of his historic No Me Quiero Ir De Aquí residency at the Coliseo de Puerto Rico in San Juan. The 30-night concert series is expected to generate $200 million to the local economy, according to the island’s promotional agency, Discover Puerto Rico.
Bad Bunny, who moonlights as an actor, is also promoting the long-awaited “Happy Gilmore 2,” a sequel to the 1996 Adam Sandler comedy, which will premiere July 25 on Netflix. He will play a golf caddy to Happy Gilmore (played by Sandler), an aggro-ex-hockey player turned golf phenom. Both Sandler and Bad Bunny are expected to appear on “Late Night With Seth Meyers.”
It’s an unusual move by the two competing networks to book the same guest on a single night, but as evening newscasts clash with fast-paced content on social media sites like YouTube or TikTok, perhaps the rules can be relaxed for a superstar.
Camaraderie across the TV aisle has grown in recent days, with multiple late-night hosts decrying the cancellation of Colbert’s program for what CBS has cited as financial reasons. News of this cancellation came days after Colbert criticized CBS’ parent company, Paramount, over the $16-million settlement of President Trump’s lawsuit stemming from a “60 Minutes” interview with Kamala Harris.
“And now for the next 10 months, the gloves are off,” said Colbert on Sunday night. His decade-long show will end May 2026.
Earlier this year, Bad Bunny co-hosted “The Tonight Show Starring Jimmy Fallon” to promote his hit album, “Debí Tirar Más Fotos,” which remains on the Billboard 200 chart since its January debut. During the program, the two disguised themselves while busking in a New York Subway station, first performing a cover of the Backstreet Boys’ “I Want It That Way,” then Bad Bunny’s single “Nuevayol.”
Bad Bunny will first appear as a guest on “The Late Show With Stephen Colbert” on CBS at 8:35 p.m. PST, followed by “Late Night With Seth Meyers” on NBC at 12:35 a.m. ET/PT.
A young woman emerged from the dark into a green and bushy clearing. Under the faux moonlight, she wandered the stage, speaking to herself. “Where’s my camera? I can’t believe I lost it. All my memories were there,” she said with a pang of panic in her voice.
Moments later, a young man surfaced from the same spot. His eyes scanned the area as well, with a pained look on his face. “Have you seen my drums?” When he plays his drums his heart races, he explained; his people feel joy, and the living, the dead and even the stars dance. “It’s like all our memories are there too,” he said.
With this poignant intro, Bad Bunny kicked off the “locals only” opening night of his 30-show residency in San Juan — which, for the first three weekends, will only be accessible to those who can show proof of their residence in Puerto Rico.
Taking place each weekend at the José Miguel Agrelot Coliseum, affectionately referred to as El Choli by locals, the concert series revolves around his latest album, “Debí Tirar Más Fotos,” and was advertised with name “No me quiero ir de aquí,” which translates to “I don’t want to leave here.” It’s a refrain that’s been associated with the artist since he used it as a lyric in his 2022 ode to his homeland, “El Apagón,” and he considers it still resonant today.
A celebration of Puerto Rican identity, a fighting spirit shaped indelibly by its music and history, “Debí Tirar Más Fotos” also urges its listeners that time is not to be taken for granted, and the past, present and future are not just distinct phases but one whole, inextricably tied together.
(Lorenzo Lagares/For Los Angeles Times)
Fans that flocked to the opening weekend concerts were treated to Benito at the apex of his talents, not to mention his stamina. For three hours and over 35 songs, he danced, strutted and sang to the approving roar of over 15,000 in attendance. The show opened with rumbles of bomba y plena, and an unreleased track that got the crowd buzzing — followed by popular recent bangers like “Ketu Tecré,” “El Clúb” and “Pitorro de Coco.” He then regaled the crowd with a catwalk performance of “Kloufrens” and “Weltita,” which featured an appearance by Chuwi, the beloved tropical jazz quartet from Isabela.
The two stages were grandiose, both in size and production quality. The main stage was a reproduction of a hill, made to approximate the lush foliage found in Puerto Rico’s rainforest and central hillside towns. On one side, you could spy the two iconic Monobloc chairs from the album’s cover, and on the other, a flamboyán tree blossoming with red flowers. On the opposite end of the coliseum’s arena was a pristine pink vacation home, built to mirror the one from the short film that debuted along with the album.
That film introduced the characters of Old Man, played by acclaimed Puerto Rican filmmaker Jacobo Morales, and Concho, the sweet-natured Puerto Rican crested toad voiced by Kenneth Canales, which was brought to life by the stop-motion work of Quique Rivera. The two unlikely housemates returned in two new vignettes shown at the concert, in which they live in a cabin in the middle of snowy woods. Concho misses the Caribbean warmth, and feels very far away from home. A kind Morales reminds him: “We’re Puerto Rican no matter where we are, and even from afar we defend what’s ours.”
Remember, he says while looking straight at the camera, Puerto Rico is “the real calentón.” This cued a barrage of images that flashed across the screen, showing photos of historic protests and civil disobedience carried out over the decades by revolutionary Puerto Ricans.
(Lorenzo Lagares/For Los Angeles Times)
Benito reappeared under the flamboyán tree, where he was joined by guitarist Antonio Caraballo. Here, we got some of his lovelorn “Sad Bunny” persona as they reinterpreted acoustic versions of older hits like “Si Estuviésemos Juntos,” “Ni Bien Ni Mal” and “Amorfoda” before ending with “Turista.” All the while, Benito waxed philosophically to the audience, commiserating about matters of the heart.
From here, the action swiftly moved from the countryside to the pink house which suddenly filled with dancers in club wear — and Benito’s longtime tour DJ Orma. Those craving a rowdy perreo party got their wish, as his salsa-dembow hybrid track “Nuevayol” launched a 16-song stretch of frenzied, sweaty reggaeton and trap bops. Bouncing feverishly from “Titi Me Preguntó” and “La Jumpa” to “Yo Perreo Sola” and “Efecto,” Benito transformed the coliseum into a nightclub.
James and Benito have a friendship going back several years, and it’s hard to blame the superstar for wanting to hang with his pal — even if said pal is an American — during a concert by an artist who is not really vibing with the United States right now. But then again, if the home we see on stage is supposed to represent an Airbnb owned by non-Puerto Ricans — which is what was narratively implied — Benito might as well flex and bring in some elite gringos. Chants of “MVP! MVP!” rang out at one point, provoking the four-time NBA champion to throw up a hand heart gesture to the crowd. It’s all love.
That being said: “LeBron James sat on an air conditioner and danced while Bad Bunny sang ‘Safaera’” is a ridiculous Mad Libs sentence that actually happened.
As he paced from side to side on the house’s rooftop, Benito would again touch on the topic of time. “You get so caught up in the euphoria of the moment that you forget to appreciate the present,” he said. He asked the crowd to put their phones away and focus on the next song, and on whoever is accompanying them, or even someone across the aisle who has caught their eye. “This is the moment to act,” he added, and ask them for a dance, just before the thrust of “Eoo,” made famous from his sensual Calvin Klein underwear ad, got the whole building quaking.
Puerto Rican plena ensemble Los Pleneros de la Cresta appeared to interpret “Café Con Ron,” as well as one of their own songs, “Ábreme Paso,” which gave way to a second video vignette. It showed Morales’ Old Man leaving the cabin and trudging through a snowstorm, until he ran into Benito’s musical director Julito Gastón — the young man from the opening skit — sitting behind his drum. As they lock eyes, Morales leaves him with a word of advice that’s not just about the music, but the core of his being: “Never stop playing your drums.”
(Lorenzo Lagares/For Los Angeles Times)
Bad Bunny resurfaced, looking a bit more subdued. He spoke softly, but sternly, about Puerto Rico and its struggle against gentrification and government neglect. “We have to protect this land,” he said. “We have to protect what’s ours if we want our children to make a life here.” He followed it up by crooning “Lo Que Le Pasó A Hawaii,” the solemn décima all about how the archipelago is being threatened existentially.
An animated crash course in salsa history, narrated by Néstor Galán, set the scene for Benito’s touring live band, Los Sobrinos to assemble. Dressed in a vintage ‘70s garb of a Fania bandleader, Benito led the group into the last and most rousing part of the concert: a salsa reimagining of “Callaíta,” which gave way to to “Baile Inolvidable” and “Dtmf.” The crowd leapt to their feet, twirling and stepping to the rhythms.
Before he launched into the opening freestyle of “La Mudanza” he paused to gather himself; he took off his sunglasses to reveal his eyes had welled up with tears and gratefulness. As the image of a giant Puerto Rican flag graced the ceiling, he motioned for everyone to sing and scream the final lyrics in unison: “Nobody’s taking me from here, I’m not moving anywhere, tell ‘em this is my home, where my grandfather was born, I’m from P f—in’ R!”
In the lead-up to last year’s gubernatorial elections, Bad Bunny spent hundreds of thousands of his own money buying ad space on billboards across Puerto Rico urging its citizens to not vote for the ruling party, accusing them of being the main culprits of the island’s woes. The ads consisted of a simple, white text on a black background. In the end, the same party that has led since 2017 won reelection; and since then, the current governor, Republican Party member Jenniffer González-Colón, has only continued to be mired in controversy.
When entering the concert area, the large screens over the main stage showed one message with white letters on a black background: “Yo Te Lo Dije,” or “I Told You So.” When the show was over and everyone began to trickle out, a new message appeared, recognizable to all: “No Me Quiero Ir De Aquí.”
With his residency, Bad Bunny issues a rallying cry for Puerto Ricans: Act now. Change the future, so that you don’t regret the past. And most importantly, never stop playing your drums.
The 31-year-old “Nuevayol” singer posted to Instagram a video, with commentary, of ICE agents conducting a raid on the island.
“Look, those mother— are in these cars, RAV4s. They’re here on [Avenida] Pontezuela,” he said of the officials arriving in the Puerto Rican city of Carolina, “instead of leaving the people alone and working.”
Since the onset of President Trump’s second term, the U.S. territory has been subjected to ICE raids, which have targeted the island’s largely Dominican immigrant population. For years, immigrants from the neighboring Caribbean island have been allowed to open bank accounts and obtain special driver’s licenses that indicate their immigration status. The Associated Press estimates that over 55,000 people from the Dominican Republic live in Puerto Rico.
Rebecca González-Ramos, ICE’s top investigator in Puerto Rico, told NPR that the agency has made nearly 500 arrests, of which roughly 75% have involved Dominicans. NPR further noted that fewer than 80 of the 500 people arrested have a criminal record, with the most common charge being reentry into the country following a deportation.
An added barrier for those apprehended on the island is that they must be transferred to the U.S. mainland to be processed.
“It’s something that creates a great difficulty because people who had ongoing immigration cases here have been detained — meaning their legal representation is in Puerto Rico,” ACLU lawyer Annette Martínez Orabona said in a news conference earlier this month. “I know it’s terrible anywhere in the United States, but in Puerto Rico’s case, it’s worse because we are not contiguous to the mainland. It’s not a matter of just getting in a car and getting there.”
Bad Bunny’s calling out of ICE’s activities comes as other major Latin American music acts have used their platforms to condemn the ICE raids and align their sympathies with immigrants. Becky G, Ivan Cornejo, Fuerza Regida, Junior H, Grupo Frontera and Maná are among the acts to have voiced concerns recently for the immigrant community.
