building

A “real togetherness” is helping Rangers, with defender John Souttar saying: “I think we’re building something here”.

Following a troubled start to the season, the Ibrox side will move second in the Scottish Premiership if they avoid defeat at home to Aberdeen on Tuesday.

Victory would move them three points behind Hearts at the summit.

Saturday’s 3-1 derby triumph away to Celtic was manager Danny Rohl’s ninth win in 12 league games since taking over from Russell Martin in October, while there has been just one loss in that run.

Scotland international Souttar said it was “so early” to be talking about silverware but did add: “There’s a real togetherness and I think we’re building something here.

“I think we can feel it. The manager, everyone involved can feel it, but it’s important we keep backing it up.”

Rohl inherited a squad short on confidence, with Rangers eight points behind Celtic and 13 adrift of Hearts.

“He’s clear on what he wants from everyone on the pitch,” said Souttar of the German.

“Tactically he’s really good and he can change it within games and he’s not scared to do it at half-time.”

Referencing the comeback win over Celtic, Souttar continued: “(Mohamed) Diomande came on (for Thelo Aasgaard) and brought real energy. Thelo was really good the other night, so I think it’s hard to pinpoint one or two things he’s good at but I really enjoy working with him.

“We just need to keep the momentum going, take it game by game because if we don’t back up on Tuesday there’s no point in doing that on Saturday, so every game’s massive and we keep going.”

A historic theater in the Russian-occupied Ukrainian city of Mariupol has opened its doors more than three years after it was pummeled in a Russian airstrike that killed hundreds of civilians sheltering inside.

Moscow-installed authorities marked the rebuilding of the Donetsk Academic Regional Drama Theater with a gala concert on the building’s new main stage Sunday night. Images shared by Russian state media outlets showed the building’s marbled pillars and staircases, and dancers wearing traditional Russian headdresses known as kokoshniks performing.

The original theater was destroyed when it was targeted by a Russian airstrike on March 16, 2022, as Moscow’s forces besieged the city in the weeks after their invasion.

An Associated Press investigation later found evidence that the attack killed about 600 people inside and outside the building — almost double an early estimate from the government.

At the time of the strike, hundreds of civilians had sought refuge in the building after weeks of relentless shelling. The word “children” had been written with paint on the street outside the building, large enough to be seen by both pilots and satellites.

Moscow said that Ukrainian forces demolished the theater, a claim that the AP’s investigation refuted.

Russian forces took control of Mariupol’s city center shortly after the strike. The ruins were bulldozed and any remains were taken to the ever-growing mass graves in and around Mariupol.

Mariupol’s Ukrainian city council, which left the city when it was occupied for Ukrainian-controlled territory, called the rebuilding and the opening of the theater “singing and dancing on bones.”

“The ‘restoration’ of the theater is a cynical attempt to conceal the traces of a war crime and part of an aggressive policy of Russification of the city. The repertoire consists largely of works by Russian writers and playwrights,” the council said in a statement on Telegram.

Guests of honor at Sunday’s opening included Denis Pushilin, the Russian-installed head of the partially occupied Donetsk region, and St. Petersburg Gov. Alexander Beglov. Workers from St. Petersburg, which was twinned with Mariupol after Russia took full control of the city in May 2022, aided in the building’s reconstruction.

The Donetsk region, where Mariupol is located, has remained a key battleground throughout the war. Russia illegally annexed it in 2022, though Moscow still doesn’t control all of it. The region’s fate is one of the major sticking points in negotiations to end the war.

The Kennedy Center is ending the year with a new round of artists saying they are canceling scheduled performances after President Donald Trump’s name was added to the facility, prompting the institution’s president to accuse the performers of making their decisions because of politics.

The Cookers, a jazz supergroup that has performed together for nearly two decades, announced their withdrawal from “A Jazz New Year’s Eve” on their website, saying the “decision has come together very quickly” and acknowledging frustration from those who may have planned to attend.

Doug Varone and Dancers, a dance group based in New York, said in an Instagram post late Monday they would pull out of a performance slated for April, saying they “can no longer permit ourselves nor ask our audiences to step inside this once great institution.”

Those moves come after musician Chuck Redd canceled a Christmas Eve performance last week. They also come amid declining sales for tickets to the venue, as well as news that viewership for the Dec. 23 broadcast of the Kennedy Center Honors — which Trump had predicted would soar — was down by about 35% compared to the 2024 show.

The announcements amount to a volatile calendar for one of the most prominent performing arts venues in the U.S. and cap a year of tension in which Trump ousted the Kennedy Center board and named himself the institution’s chairman. That led to an earlier round of artist pushback, with performer Issa Rae and the producers of “Hamilton” canceling scheduled engagements while musicians Ben Folds and Renee Fleming stepped down from advisory roles.

The Cookers didn’t mention the building’s renaming or the Trump administration but did say that, when they return to performing, they wanted to ensure that “the room is able to celebrate the full presence of the music and everyone in it,” reiterating a commitment “to playing music that reaches across divisions rather than deepening them.”

The group may not have addressed the Kennedy Center situation directly, but one of its members has. On Saturday, saxophone player Billy Harper said in comments posted on the Jazz Stage Facebook page that he “would never even consider performing in a venue bearing a name (and being controlled by the kind of board) that represents overt racism and deliberate destruction of African American music and culture. The same music I devoted my life to creating and advancing.”

According to the White House, Trump’s handpicked board approved the renaming. Harper said both the board “as well as the name displayed on the building itself represents a mentality and practices I always stood against. And still do, today more than ever.”

Richard Grenell, a Trump ally whom the president chose to head the Kennedy Center after he forced out the previous leadership, posted Monday night on X, “The artists who are now canceling shows were booked by the previous far left leadership,” intimating the bookings were made under the Biden administration.

In a statement Tuesday to The Associated Press, Grenell said the ”last minute cancellations prove that they were always unwilling to perform for everyone — even those they disagree with politically,” adding that the Kennedy Center had been “flooded with inquiries from real artists willing to perform for everyone and who reject political statements in their artistry.”

There was no immediate word from Kennedy Center officials about whether the entity would pursue legal action against the latest round of artists to cancel performances. Following Redd’s cancellation last week, Grenell said he would seek $1 million in damages for what he called a “political stunt.”

Not all artists are calling off their shows. Bluegrass banjoist Randy Barrett, scheduled to perform at the Kennedy Center next month, told the AP he was “deeply troubled by the politicization” of the venue and respected those who had canceled but feels that “our tribalized country needs more music and art, not less. It’s one of the few things that can bring us together.”

President John F. Kennedy was assassinated in 1963, and Congress passed a law the following year naming the center as a living memorial to him. Scholars have said any changes to the building’s name would need congressional approval; the law explicitly prohibits the board of trustees from making the center into a memorial to anyone else, and from putting another person’s name on the building’s exterior.

More artists have canceled scheduled performances at the Kennedy Center following the addition of President Donald Trump’s name to the facility, with jazz supergroup The Cookers pulling out of a planned New Year’s Eve concert, and the institution’s president saying the cancellations belie the artists’ unwillingness to see their music as crossing lines of political disparity.

The fresh round of cancellations after Trump put his name of the building follows an earlier artist backlash in spring. After Trump ousted the Kennedy Center board and named himself the institution’s chairman in February, performer Issa Rae and the producers of “Hamilton” cancelled scheduled engagements while musicians Ben Folds and Renee Flaming stepped down from advisory roles.

The Cookers, a jazz supergroup performing together for nearly two decades, announced their withdrawal from “A Jazz New Year’s Eve” on their website, saying the “decision has come together very quickly” and acknowledging frustration from those who may have planned to attend.

The group didn’t mention the building’s renaming or the Trump administration but did say that, when they return to performing, they wanted to ensure that “the room is able to celebrate the full presence of the music and everyone in it,” reiterating a commitment “to playing music that reaches across divisions rather than deepening them.”

The group may not have addressed the Kennedy Center situation directly, but one of its members has. On Saturday, saxophone player Billy Harper said in comments posted on the Jazz Stage Facebook page that he “would never even consider performing in a venue bearing a name (and being controlled by the kind of board) that represents overt racism and deliberate destruction of African American music and culture. The same music I devoted my life to creating and advancing.”

According to the White House, Trump’s handpicked board approved the renaming. Harper said both the board, “as well as the name displayed on the building itself represents a mentality and practices I always stood against. And still do, today more than ever.”

Richard Grenell, a Trump ally whom the president chose to head the Kennedy Center after he forced out the previous leadership, posted Monday night on X that “The artists who are now canceling shows were booked by the previous far left leadership,” intimating the bookings were made under the Biden administration.

In a statement to the Associated Press, Grenell said Tuesday the ”last minute cancellations prove that they were always unwilling to perform for everyone — even those they disagree with politically,” adding that the Kennedy Center had been “flooded with inquiries from real artists willing to perform for everyone and who reject political statements in their artistry.”

There was no immediate word from Kennedy Center officials if the entity would pursue legal action against the group, as Grenell said it would after musician Chuck Redd canceled a Christmas Eve performance. Following that withdrawal, in which Redd cited the Kennedy Center renaming, Grenell said he would seek $1 million in damages for what he called a “political stunt.”

President John F. Kennedy was assassinated in 1963, and Congress passed a law the following year naming the center as a living memorial to him. Scholars have said any changes to the building’s name would need congressional approval; the law explicitly prohibits the board of trustees from making the center into a memorial to anyone else, and from putting another person’s name on the building’s exterior.

Kinnard writes for the Associated Press. AP writers Steven Sloan and Hillel Italie contributed to this report.

Dec. 27 (UPI) — The FBI Hoover headquarters in Washington soon will be vacant as the federal law enforcement agency prepares to make a permanent exit in favor of a more modern structure.

FBI Director Kash Patel plans to make a permanent move into the former headquarters of the recently closed U.S. Agency for International Development sometime soon, according to Bloomberg.

“After more than 20 years of failed attempts, we finalized a plan to permanently close the FBI’s Hoover headquarters and move the workforce into a safe, modern facility,” Patel said in a social media post on Friday.

Moving into the former USAID headquarters will save taxpayers almost $5 billion, which was allocated to build a new FBI headquarters that would not have opened until 2035, Patel said.

“We scrapped that plan,” he explained. “Instead, we selected the already-existing Reagan Building, saving billions and allowing the transition to begin immediately with required safety and infrastructure upgrades underway.”

When the improvements are done, Patel said the FBI staff will move into the Reagan Building, which is located at 1300 Pennsylvania Ave. N.W., between the White House and the Capitol. He did not say when the move might occur.

The Hoover Building will be shut down after the FBI vacates it, the FBI director added.

While Patel said the move will save taxpayers billions of dollars, Maryland lawmakers are not happy about the change in plans.

Congress had approved the allocation to build a new FBI headquarters in Maryland during the Biden administration, but the change in plans has canceled that.

“Not only was this decision final, [but] the Congress appropriated funds specifically for the purpose of the new, consolidated campus to be built in Maryland,” the state’s Democratic Party Congressional delegation said in a joint statement in July.

“Now the Administration is attempting to redirect those funds — both undermining Congressional intent and dealing a blow to the men and women of the FBI — since we know that a headquarters located within the District [of Columbia] would not satisfy their security needs,” the delegation said.

Maryland officials in November filed a federal lawsuit accusing the Trump administration of improperly diverting $555 million when it announced the change of plans for the FBI headquarters.

“These actions flouted Congress’s explicit direction to choose a site from the three specified sites, as well as other specific statutory directives concerning the selection of the site and the use of the funds,” state attorneys say in the federal lawsuit.

The J. Edgar Hoover Building opened in 1974 and has been the FBI’s headquarters for the past 50 years.

Prior to that, the FBI was headquartered in the Justice Department building.

NEW YORK — A planned Christmas Eve jazz concert at the Kennedy Center, a holiday tradition dating back more than 20 years, has been canceled. The show’s host, musician Chuck Redd, says that he called off the performance in the wake of the White House announcing last week that President Trump’s name would be added to the facility.

As of Friday, the building’s facade reads The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts. According to the White House, the president’s handpicked board approved the decision, which scholars have said violates the law. Trump had been suggesting for months he was open to changing the center’s name.

“When I saw the name change on the Kennedy Center website and then hours later on the building, I chose to cancel our concert,” Redd told the Associated Press in an email Wednesday. Redd, a drummer and vibraphone player who has toured with everyone from Dizzy Gillespie to Ray Brown, has been presiding over holiday “Jazz Jams” at the Kennedy Center since 2006, succeeding bassist William “Keter” Betts.

The Kennedy Center did not immediately respond to email seeking comment. The center’s website lists the show as canceled.

President Kennedy was assassinated in 1963, and Congress passed a law the following year naming the center as a living memorial to him. Kennedy niece Kerry Kennedy has vowed to remove Trump’s name from the building once he leaves office and former House historian Ray Smock is among those who say any changes would have to be approved by Congress.

The law explicitly prohibits the board of trustees from making the center into a memorial to anyone else, and from putting another person’s name on the building’s exterior.

Trump, a Republican, has been deeply involved with the center named for an iconic Democrat after mostly ignoring it during his first term. He has forced out its leadership, overhauled the board while arranging for himself to head it and hosted this year’s Kennedy Center honors, breaking a long tradition of presidents mostly serving as spectators. The changes at the Kennedy Center are part of the president’s larger mission to fight “woke” culture at federal cultural institutions.

Numerous artists have called off Kennedy Center performances since Trump returned to office, including Issa Rae and Peter Wolf. Lin-Manuel Miranda canceled a planned production of “Hamilton.”

Italie writes for the Associated Press.

Israeli settlers attacked Palestinians who were forced out of their homes in occupied East Jerusalem, as Israeli forces demolished a four-storey residential building displacing around 100 people on Monday. It was the latest in a series of demolitions targeting Palestinian homes in the area.

A church in a thriving UK city is the oldest surviving building that is still regularly used today, and it’s even part of a UNESCO World Heritage Site alongside a nearby cathedral

England is home to some of the most architecturally fascinating buildings, from domed cathedrals and spire skyscrapers to grand castles and stately Georgian manors. But there’s one that is the oldest surviving structure in the country, and it’s certainly worth a visit.

In the heart of Canterbury lies the ancient Church of St Martin, built on Roman foundations, featuring Saxon elements in its windows and structure, as well as Norman and Medieval additions following its alterations. It’s the oldest church building in Britain that is still in use today, having been constructed before 597 AD. According to Heritage Calling, it is the oldest surviving building full stop in England.

The oldest part of the church was built during the Roman occupation of Britain, but it’s unknown what the first part of the structure was originally built for, or whether it was used as a church or a mausoleum. It was later expanded to almost its current grand size, with the largest part of the building, the nave, becoming the first Anglo-Saxon structure made of mortared brick and stone, rather than wood.

The Church of England parish church is also a part of the World Heritage Site, alongside Canterbury Cathedral and St Augustine’s Abbey, making it a standout attraction in the city. Since 1668, the historic building has been part of the benefice of St Martin and St Paul, Canterbury, with both churches used for weekly services.

Visitors far and wide have marvelled at the exposed wooden beams inside St Martin’s, along with the intricate stained glass windows, lengthy nave and wooden pews, that feel as though you’re stepping back in time. One admirer noted on TripAdvisor: “I visited early as the church opened, and I had a peaceful, excellent visit.

“Upon entry, I was greeted by a friendly employee who offered me a written guide of the church. The guide was easy to follow and had great, interesting information. The cemetery on the property was great for wandering and reading the graves as well!”

With the church steeped in history, the knowledgeable guides can help to make the visit so special, along with its undeniable beauty and charm. Another visitor shared: “Given to the 6th-century Frankish princes, this beautiful building has a wonderful history.

“Guides were present from 11 am and greatly helped appreciate the story behind the building and its lovely and slightly overgrown churchyard. Interesting people are buried there, too. Can look from this elevated spot down to its daughter Church – the Cathedral itself!”

Those buried in the grounds of St Martin’s include 19th-century evangelist William Cadman, artist Thomas Sidney Cooper, and the creator of Rupert Bear, the comic book character, Mary Tourtel. Others noted that visitors can also explore the grounds independently, allowing you to take your time.

Another fan commented on TripAdvisor: “The oldest church in mainland Britain, tucked quietly away, about 10 mins from the cathedral. Quiet and serene, maintaining the sense of a truly sacred space. There is a helper who will provide information or guide you, or you can explore independently. Not far from the Abbey, and worth the extra time.”

Do you have a travel story to share? Email webtravel@reachplc.com

The stunning cathedral has been at the heart of Christianity in the north of the country since the 7th century

From the towering Big Ben to Birmingham’s Mailbox, England boasts a wealth of iconic structures. However, new research from Angi has crowned York Minster as the most beautiful building in England.

York Minster has been a cornerstone of northern Christianity since the 7th century.

Its breathtaking stained glass windows and intricate architecture draw tourists from every corner of the globe.

The Minster’s Rose Window is renowned worldwide, crafted in 1515 by Master Glazier Robert Petty.

The panels showcase alternating Lancaster red roses and Tudor red and white roses, commemorating the union of Henry Tudor and Elizabeth of York, reports the Express.

One awestruck tourist penned on Tripadvisor: “Must see cathedral in York, not religious visitors but this building is simply outstanding.”

Another echoed: “Although we aren’t religious, this is a must visit. The splendour and grace cannot fail to be appreciated.

“The majesty of the building alone is worth the entrance fee but there is so much more than that.”

A visitor chimed in: “Spectacular! Truly stunning, never appreciated the history of York before, incredible place to visit!”

In 1984, the renowned Minster was hit by a bolt of lightning, leaving townsfolk stunned as they watched the roof become consumed by flames.

Bob Littlewood, superintendent of the Works, recalled: “We suddenly heard this roar as the roof started to come down and we just had to run as the whole thing collapsed like a pack of chairs.”

The fire caused the glass in the cathedral’s world-renowned Rose Window to crack, but miraculously, the window remained intact.

Following the blaze, children’s TV show Blue Peter organised a competition for youngsters to design new bosses for the cathedral roof.

The victorious designs depicted Neil Armstrong’s inaugural steps on the moon and the 1982 recovery of Henry VIII’s warship, the Mary Rose.

Visitors who arrive before January 5 will have the chance to experience York Minster’s Christmas Tree Festival, which features 40 trees displayed throughout the cathedral.

These magnificent trees are individually themed and adorned by local businesses, schools, and charities.

Youngsters can try their hand at the Christmas Tree Trail, hunting for several intriguing features around the Cathedral.

The study sought out the most beautiful buildings in each country worldwide. The world’s most stunning building was named as the Sagrada Familia in Barcelona.

Paris’s iconic Notre Dame secured second place, while Turkey’s Blue Mosque made it into the top 10.

India’s Taj Mahal, Austria’s Schonbrunn Palace, and the Hungarian Parliament Building were among the top 12 structures.

In the USA, the most stunning structure is Biltmore in Asheville, an 8,000-acre estate constructed by George Vanderbilt.

Most beautiful buildings in the world.

1. Sagrada Familia
2. Notre Dame
3. Biltmore
4. Sheikh Zayed Grand Mosque Center
5. Grand Central Terminal